#nikolai denikin

[slapphapp1]

I bought a little guy and I need help naming him

He is my son

I love him

He is a clown so I'll put him under the cut for the people that don't like clowns

@fairy-writes says I should do Garbanzo, my dad says Mel, my younger sibling says Marilyn, and the rest were either friend's suggestions or I came up with myself

(I was going to get a different picture but when I went back to go get him he'd been sold already so I went with this fine gentleman. I was going to name the other guy Mr. Bonzo and I'm still convinced that I can find a print of him somewhere so that name is reserved for him)

(Artist signature just says Higgins, he's an oil on canvas painting, so if anyone would like to help me out in finding his brother, I'm 90% sure it was done by the same artist)

Edit: I’ve also heard Charles, Sullivan, Radish, Lance, and Frank but I can’t add them to the poll so ¯\_(ツ)_/¯

[historicallyaccuratecheese]

I’ve finally started listening to Season 2 of The Magnus Archives, so as per usual, here are my thoughts on the first 10 episodes of the season, from 41 to 50! Already this season is shaping up to be a wild ride and I’ve really enjoyed it so far. But as always, here are some things to consider if you plan to read this post.

1: This post is extremely long and in depth, the longest of these I’ve made so far in fact. Read it only in chunks or if you have enough time on your hands.

2: There’s obviously spoilers for everything in The Magnus Archives up to Episode 50, so please tread carefully if you haven’t gotten that far. Also, please do not spoil anything from future episodes for me.

3: I recommend you read my previous posts before this one, as I will be referring back to those older posts. I’ve made a link to the masterpost here for you to easily access them.

Anyways, enjoy my rambling! :)

- Episode 41, Too Deep ⬇️

Statement of Jonathan Sims, Head Archivist of the Magnus Institute, regarding exploration of the tunnels recently discovered below the archives. Statement taken direct from and recorded by subject.

That episode title is right, the show of going a bit too deep for my liking, I’m SCARED. You know what, I’m happy to say that Jon has blossomed into quite the relatable protagonist. He has an undying thirst for the truth, and is extremely paranoid and traumatized by the events of Season 1. He’s just like me fr! Anyways, thankfully the content of this episode was much simpler and easy to digest than I thought it would’ve been initially. It does feel like Rusty Quill wanted to ease listeners back in by giving us an episode that establishes the new status quo, but that being said, this one still gave me quite a bit to think about. Firstly, we have Jon’s mental state which is…yikes. Like, I know a month has passed an all, but I still feel like he needs a hug and a long nap. I know I joke about wanting to bash this guy’s head in like a piñata, or throw him off a skyscraper, or squeeze him like a squeaky toy…but now I’m genuinely concerned for him. Knowing how Jane scarred him physically and mentally is really upsetting, but hey! At least Martin seems to be taking good care of him, although considering what happened to him last season I still have to question if he’s ok as well, just…I want everyone to take care of themselves as well. Also, I know this sounds wrong, but I kind of hope that jar actually does have Jane’s ashes in it, because I miss her and it would be nice for her to still kind of be with us. Also I hope Tim gets back to work ok :(. Also Not!Sasha still terrifies me-OK! Back to Jon! It is really cool that the season begins with a statement directly written by the protagonist, and while I’m certainly concerned about his paranoia (which I’ll get to later), it’s nice to see him actively engaging in the mysteries and looking for answers. But with that out of the way, what about the tunnels? Well, firstly, I’m glad that this episode clarified that these tunnels are like…a new discovery? Because when Tim mentioned them in Episode 39, he spoke about them as if they were common knowledge, which was just…kind of weird to me? Now, it’s become a lot more apparent that the tunnels are quite a recent discovery, and they make for a very intriguing new mystery! I’m certain they’ll show up more throughout the season, but for now, they are just���really terrifying. Firstly, I’ll mention some of the things we discovered about them that were followed up on here, and then go on to the brand new information we got. …GOD DAMN POLICE! I WANTED TO LISTEN TO THOSE TAPES!!! Look, I get WHY they took them, it’s just…UUUGGGHH!!! Gertrude Robinson, WHAT ARE YOUR SECRETS?!! On top of that we have the matter of the weird circle of worms. I still think they were trying to open some sort of hidden passage, but the implications that…someone else was there are certainly concerning. I assume it’s whoever seems to be lurking around down here (who might also be the voice Jon heard), but…I really don’t know what to think of this. I really don’t know what to think of…ANY of this! But as for the new information provided, we obviously have the facts about Millbank Prison.

Firstly, it’s always a pleasure to see TMA incorporate obscure real-world history into its story, I just think it’s generally kind of neat whenever they do that. But outside of that, I don’t really know what to make of this information outside of a couple of things (like the institute being built on top of a prison being potential symbolism for Jon being stuck here now that he’s gotten wrapped up in the mystery). The two things that really caught my attention however, was that they make sure to bring up the panopticon format of Millbank. This kind of ties into the whole them of “being watched” that’s been coming up. Also, I guess now’s a better time than ever to mention the whole idea of Jon being watched. I honestly don’t know who or what is watching him, but my best guess is that it’s whatever is in the tunnels, or if I’m crazy, ME. (Although I’m technically listening so…idk. It still makes me feel kind of guilty though.) The other big takeaway is that Millbank, and likely the tunnels, we’re built by our beloved Robert Smirke. The tunnels already did remind me of Episode 35, so this isn’t all that surprising, but it’s nice to get further confirmation that these places are fucked up! It does make me wonder if he had a hand in building the institute itself though…hmmm… But after that lore drop, we get to the creepiest part of the episode. I’ll just say it: No, I do not know who is in the tunnels, my best guess is Gertrude’s killer but I don’t think that’s saying much. I also do not know what the wine bottle means, (although I literally just made a post about a wine bottle on a street that felt like the beginning of a TMA statement? That’s really weird?!) nor do I know who or what drew that arrow, or told Jon to leave. All I know is that, yes, this heavily reminds me of Episode 15. Like, not just this scene, but honestly the episode as a whole. This makes me think that maybe the thing in the tunnels is the same force behind Lost Johns’ Cave, and combine that with the fact I suspect said force to be the same as the darkness from Episodes 9 and 25, and that Jon’s torch apparently started to dim strangely quickly…I just feel like The People’s Church of The Divine Host might have some relevance here. Either way, this just makes me more and more concerned for the institute staff. It just goes to show that they have gone…well, too deep, and that even if he runs out of those tunnels, Jon is not truly safe from, say it with me everyone…✨the horrors✨. Oh Jane Prentiss’ Ashes, we’re really in for it now.

But of course, that’s not all, as the episode ends with a secret supplemental from Jon! …The fact that exists at all just makes me more concerned for his paranoia and mental health. So you know how I said I’d love it if Season 2 was a murder mystery? Well…be careful what you wish for I guess. Don’t get me wrong, I’m very excited by the plot point but…Jon can you please just calm down you’re scaring me. It’s interesting that he too is most suspicious of Elias though. I’m still very suspicious of him as well but..I don’t know, usually when a show tries to steer you in one direction like this, it ends up going the other way, so this oddly makes me like…2% less suspicious of Elias, simply because I feel like the show’s trying to bamboozle me. As for the other potential suspects, well, Sasha would be an interesting choice given that she’s…you know…although oddly enough I doubt Not!Sasha did it, since she probably wouldn’t have been at the institute when Gertrude was murdered. So congratulations Not!Sasha, I’m not suspicious of you for once! There’s a decent enough possibility for the killer to be Tim, but I’d genuinely be STUNNED if it was Martin. Like, it could be an excellent twist if done right but WOW. That would be genuinely insane. Overall I’m still most suspicious of Elias by a wide margin, but much like Jon, I’m keeping my suspects open just in case. The last thing I have to mention here is how this supplemental made me think about how…me as the listener fits into this. In canon, I feel like I’m supposed to be either Jon’s successor, his killer, some random shmuck who just came across the tapes, and MAYBE whoever Jon feels like is watching him although that seems a bit more unlikely. Anyways, that’s a wrap on this episode! In conclusion, it was a good episode, and I’m as scared as I’ve ever been, but hey, I’m also excited to listen to the rest of the season and see where the mysteries go! (Also ALEX READING THE END BIT? HELLO?! That’s the scariest part of the episode.)

Sorry if this one was also a bit incoherent (is this like a curse with Robert Smirke statements or something), like I said, this one kind of feels like one meant to ease you back in, so I don’t have too many coherent thoughts on the reveals of the episode just…a lot of emotions. I’m sure that’ll change as the season progresses though. Although, I did have one theory brewing in my head, it doesn’t really connect to anything in this episode that I’m aware of but I just thought I’d put it here. So, I was thinking about some of the cults from Season 1, namely The People’s Church of The Divine Host and the heat-based cult. I’ve assumed that they’re completely separate, since they seem to serve separate powers, but in retrospect, they actually had some very notable things in common, outside of just…being creepy cults. Namely, they both seem to be in opposition to both Gertrude Robinson and Gerard Keay. The PCOTDH performed a ritual on the supposed date of Gertrude’s death, while the heat cult contained pictures of her in their creepy bottles. Meanwhile, Gerard straight up kills the person who seeks to be a member of the heat cult, and his symbol seems to be an eye, while The PCOTDH has a closed eye as their symbol. So either these two groups are intrinsically linked at the hip, maybe even different sects of one larger cult, or Gertrude and Gerard just both had knacks for pissing cults off. Eh, food for thought.

- Episode 42, Grifter’s Bone 🎹

Statement of Jennifer Ling, regarding a live musical performance she attended in Soho.

This is literally just Killer Track from Nightmare Time lmao. I mean not really, but like…come on, they’re about songs that kill people, and also both contain instances of songs that cannot be remembered. This episode was MADE to fuel my hyperfixations. Also, fun fact, I recall seeing a post about tma before I started listening, where it mentioned how some episodes are deep looks into trauma while others are about a song so shit that it kills people. That post was actually one of the first things that got me to consider listening, so it’s cool to have finally come across that same episode! Although granted, I don’t think that’s the most accurate description, but I’ll get to that soon. Anyways, even if I didn’t find the episode super scary until the end, I’m more than willing to excuse it simply due to how creative it is. I know I just compared it to another piece of media, but all things considered I think this is a very fun one conceptually. Music journalism of all things isn’t something you’d expect to get tackled in tma, but it surprisingly worked really well. I actually quite liked Jennifer as the protagonist here, while she’s not nearly as shaken by the events as someone like the guy from Episode 37, I still got this…uneasy feeling from Jon’s narration, like from the beginning, you could tell something bad happened without it being TOO obvious. And…learning what happened to her after she gave her statement…yeah I can see why she’d be on edge! I thought Grifter’s Bone itself was really creepy and I do hope we learn more about them going forward, like, yeah, this was just a fun, kind of creepy, and very creative episode that I had a good time with. But then the post-statement investigation is revealed and…wow. Look, I think the jokes about the music being so shitty it kills people are funny, there’s some genuine gold about that in the YouTube comments. I mean hell, it’s a joke in-universe! But, part of me thinks that’s doing a disservice to what the episode is actually about. Because by the end, we see that it’s about a song so good that it causes people to harm and/or kill each other. I think there’s a good few ways you could interpret the meaning of this, but I personally see it as a metaphor for toxic fandom behavior. Look, I’ve BEEN in music fandoms before, I can say with certainty that this works as a metaphor. But, who knows? I’d love to hear other people’s takes on this as I think it can be seen in multiple ways. On top of that, there’s a few weird things about the circumstances i which Grifter’s Bone plays. Like, when it was just Alfred playing, Lee had no memory of the concert, and also survived. But when the entire band played, Jennifer remembered the concert, even if she wasn’t in the venue, and for some reason it triggered a…gathering between ghosts that killed each other again? I don’t know, there’s just some strange things going on here, and while it’s hard to really find anything that Grifter’s Bone might connect to right now, I hope some connections and answers pop up later. (Well, in retrospect, they do actually kind of remind me of The Piper from Episode 7, since that thing also played music and drove someone to bloodlust, but granted, the themes between the two episodes seem to be pretty different so I don’t know if that actually means anything.) However, one connection I found interesting was the presence of the crystal shop, which I really can’t see being anything other than the same one Jane was working at. This, along with the description of his expression, leads me to believe that the man who tried to warn Jennifer was the “Oliver” who Jane saw. And…I will concede that this could make the theory of him being Antonio Blake more plausible. Antonio is obviously important, and assuming this guy is Oliver, then he’s important as well. Also, someone in the comments pointed out that maybe he foresaw Jennifer’s death, which…yeah, I can see that! I still think I need more time and evidence before I’m fully sold on this theory but…I won’t deny it’s plausible.

So yeah, I had a really good time with this episode! Creative concept, fun execution, it’s up there with Anatomy Class as being…as “chill” as a an episode of tma can be. I’d really like to see this develop into a larger plot, but I’m also happy with just this statement (although some answers would be nice). But obviously, there is one thing that I have failed to mention. That is of course…the legendary supplement. Oh. My. God. Martin, you poor poor soul. You know, I had some joking suspicions after listening to one of the bonus shorts with his poetry on it (which I probably should’ve waited for, but like, I needed something to calm down with after the Season 1 finale), but…I actually can’t believe it. Martin has a genuine thing for Jon. And it is adorable, sad, and absolutely hilarious. Adorable in the sense that Martin’s crush is really cute and that I think they could make for a really cute couple, sad in the fact that Jon is the most dense human being in existence and that this is a horror series, so the relationship is probably doomed by default, and hilarious in the sense that Martin is trying his best to get Jon to fall in love with him, and not only does Jon not recognize it, but. But. He- he thinks he’s trying to SABOTAGE HIM. This. THIS PARANOID LITTLE FREAK I LOVE HIM SO MUCH. Don’t get me wrong, I’m very concerned for him right now, but I’d be lying if I said that this wasn’t the ship dynamic of the century. Damn you Rusty Quill, I can’t solve the overarching mystery now because I’ll be too busy thinking about THIS. (Also I find it both really funny and really sad that Jon’s so suspicious of Martin when Not!Sasha is. RIGHT. THERE. If there’s a single scene where he goes “Sasha is the only person here I can trust” or smth I will lose my mind.) There’s also the matter of his note which could mean…honestly anything. All it tells us is that Martin is lying about something, which could be anything from his crush on Jon to him actually being the killer (although I think the latter is unlikely since this is only the second episode of Season 2), and that his mother probably has…some sort of relevance. It could mean a lot of things but for now I’ll just put a pin in it. So yeah, really enjoyable episode with a fantastic supplemental.

Also, we have the million dollar question. What do I think Grifter’s Bone sounds like? Well, that’s easy:

- Episode 43, Section 31 🚔

Statement of Police Constable Basira Hussain, regarding her time investigating strange occurrences as part of Section 31. Statement taken direct from subject.

NOOOOOOO NOT THE COPS!!! WHO LET THEM GET INVOLVED???!!!! Nah I’m just kidding, Basira Hussain was actually pretty cool. So, this episode is quite the interesting one, as despite it technically being another statement, the way it’s structured makes it feel pretty unique. Obviously this episode has some very interesting reveals in terms of the overarching plot, but I feel like it’s purpose here was to establish the importance of the police force, namely Section 31, to the plot of Season 2. I mean, given what we learn about them here, and the fact that they’re in charge of a lot of matters related to Gertrude, I’m not surprised that they seem to be playing a decently significant role here. But uh..anyways let’s start off by talking about Basira. Yeah I like her :). She was chill, and I like how she’s very willing to help Jon out despite the fact that she probably shouldn’t. It’s a nice change of pace considering how I, and I assume many others, are used to cop characters being very stuck-up, and I think her seeming frustration with being sectioned was pretty endearing. I also kind of liked the buddy-cop dynamic she had with Jon as well, and I especially liked how this is really the first instance we have of Jon being very open to what the statement giver is saying. It really shows a lot of growth from his Season 1 denial, even if it comes at the cost of him going insane in this season. I’ll touch more on her deal with Jon at the end, but for now I’ll talk a bit about the experiences she describes. Obviously, the experience with the burning building was by far the most interesting one. I’ll start off by saying that as creepy as his death was, the sectioned officer Basira was working with has it coming. That’s what you get for being racist! Or misogynistic…Or, generally prejudice- Look. What I’m saying is that he probably deserved his fate. But who cares about that because OH MY GOD EPISODE 12. Obviously the episode has come back in multiple ways via stuff like Gerard and The Cult of Asag, but finally getting some confirmation on who the other burnt guy was is really cool! Diego Molina is quite the enigma, and the episode really got me thinking about his abilities, the book in red leather (which I struggle to see being anything other than another Leitner, although I have to question what Jon mean’s when he said he had a suspicion as to where Diego got the book. Like it was obviously in Jurgen’s library at some point but that doesn’t mean he got it directly from there. Maybe I missed something, IDK), and generally what the deal with The Cult of Asag is. Also, it seems Diego got burned and later killed by Gerard after the events of this episode, which makes me wonder about how he got burned there, since he was completely fine here. And also he has a zippo lighter, like Gerard and Jon? What does that mean? Is it the same as Gerard’s? But…his had an eye symbol, not a flame or whatever. I don’t know, I have a lot of questions regarding this guy and the cult he’s a part of. but I’ll just have to wait and see what pops up as time goes on.

Now, Basira’s second encounter with the paranormal doesn’t have as much going on, but I still find it very curious. The person she finds in the room is pretty interesting. The thing that really stuck out to me was that his house was in complete darkness. Given how this episode definitely deals with The Cult of Asag, I have to wonder if this is supposed to hint towards involvement from The People’s Church of The Divine Host. Someone in the YouTube comments also pointed out that the guy could’ve been one of the grim reaper people from Episode 29. I won’t deny the possibility, given the domino cases, attempt at suicide, and the fact that he was still alive after death, but I’ll keep other possibilities in mind as well just in case. However, something that obviously stuck out to me here was the presence of Daisy, Basira’s partner during this incident. She mentions having an encounter with vampires, and while Basira brushes it off as a joke…come on, there’s no way this doesn’t mean anything. And I actually have a small theory regarding this. You see, from Episode 36, we obviously know that Trevor Herbert, the vampire killer himself, is a relatively important character. We also know that he has a currently unnamed woman as his companion, so I’m wondering if that woman might be Daisy. This would probably mean that they departed from each other’s company at some point but…I just can’t shake the feeling that this is a possibility. The only potential hole I can see in this theory is that the woman had a scar on her eye, which seems like a pretty notable detail that would be weird for Basira to leave out, but it’s equally possible that she just didn’t find it worth mentioning. Either way, I am certainly interested by that line about vampires. One other line here that stood out to me was Basira’s mention of a spooky clown doll, which HAS to be a reference to Episode 24. We know that “weird” incidents are usually dealt with by Section 31, and that Section 31, is a rather small team, so it’s possible that Basira has been involved in police investigations of multiple statement, but I still felt it was a interesting thing to quote.

So overall, this was a pretty good episode. It’s not an all-time favorite for me if I’m being honest, but it set up some very interesting potential plot threads, I really liked Basira, and I thought it was cool to get a first look at what I assume will be a good amount of involvement from the police in the future. But of course…we have that supplemental. Oh thank fucking god we didn’t have to wait too long to get Gertrude’s tapes. Basira, you’re an absolute G, I hope to see more of these come through in the future (although I also hope she doesn’t get fired in the process lmao). I’m…probably not prepared for whatever will be on these tapes going forward but, hey! Let’s just appreciate the fact that we’re getting them at all! I…am getting more and more concerned for Jon though. Like, sweetheart, you REALLY need to lie down for a bit, I know it’s rich coming from me, but this constant search for the truth is going to bite you in the ass if you keep on going any further. You could also use some more help from Martin as well…no reason… Anyways, so far the season is going great, only three episodes in and it already feels like it’s going places. (I would like an update on Tim though, and…”Sasha”….ehhhhhh…)

Supplemental: “Martin just kissed me, I THINK THERE WAS POISON IN HIS MOUTH” - Jon, probably.

- Episode 44, Tightrope 🎪

Case 9790302. Yuri Utkin. Incident occurred in the village of Algosovo, Central Russia, November 1952.

WOOOOOOOOO GERTRUDE!!!! FINALLY we get to hear her, and while she’s still obviously shrouded in mystery, I was very satisfied with what we got of her. Firstly, I absolutely love the fact that she’s voiced by Jonny Sims’ mother, I always find it really funny whenever the roles of characters reflect the relationship between the actors, so I just though that was really cool. And she did a great job in the role, honestly I felt like I was being read a bedtime story. Specifically a fucked up German bedtime story (or I guess Russian…technically…). Honestly she’s pretty in line with how I imagined her, although I kind of thought she’d be a lot more cold when she comes off as just…pretty chill in reality, at least in comparison to Jon. And that’s probably the element of her character that interests me the most, outside of what she was doing and what really happened to her. Compared to Jon, who is frantically searching for the truth with very little answers, Gertrude seems to be much more aware of what’s really going on. She’s SO familiar with The Other Circus that she’s able to read this extremely creepy story and be like “wow this guy got lucky.” Like…WHAT HAS THIS WOMAN SEEN?! Obviously there could’ve been a period in time where she, like Jon, was in a frenzied state looking for answers, but in the context of what we’re seeing, it provides for an interesting contrast between her and Jon that I really like. But it raises SO many questions. Like, what exactly would it take for Gertrude to react extremely to a statement when she’s this unbothered by what she’s reading? How much did she know? I mean, I think it would be safe to assume she died because she knew too much, but like…how many weirdos and cults did she piss off in the process? I’m really anticipating where they might go with her in the future, as there’s a lot of interesting routes they could take. But outside of our first look at Gertrude, we obviously have the statement itself, and FUCK YEAH IT’S THE OTHER CIRCUS!!! Even though it’s only shown up in a couple of episodes prior to this one, this circus has actually been one of the most intriguing plot threads for me personally. I’m just a sucker for creepy carnivals, so finally getting an episode with a big focus on it makes me very happy. Ultimately this episode confirms my suspicions that this thing is a cult, because like…come on. There’s no way it isn’t. However, I still don’t really know what power they might serve, and the ringmaster Gregor Orsinov remains shrouded in mystery. As do…ALL of the cult leaders now that I think about it. We really only know the names of two of them, those being Gregor and Maxwell Rayner, but that’s about it. Regardless, I do feel like this episode gave a better idea of what The Other Circus wishes to accomplish, or at least what their deal is. The tiger, the freaks, the people in the audience, and…maybe the Ivan we see on the tightrope (I haven’t made my mind up on that one), are all implied to be not entirely…real, or as Yuri says, impossible. I think they’re basically artificial copies of real people and animals, but with some minor differences like glassy eyes or impossible anatomy, hence why it’s called “Another Circus”. For what purpose other than creeping people out, I have no idea, but I feel like that’s what’s going on here. As for the bag…well, I think it probably did contain Ivan but…I don’t really know what’s up with it, although it did kind of remind me of Episode 5 with the trash bags, and I think that episode connects to Episode 34, and…now that I think about it, the slightly off people and animals here are kind of like the anatomy students. Yeah I think I’m going in insane circles now! Also I guess I haven’t really talked about the story here, truth be told it’s not the most interesting element of the episode but uh…yeah I liked it as always, I feel pretty bad for Yuri and Ivan. God, imagine having severe mental trauma as the best case scenario simply because Gregor and his circus are just that dangerous, that’s messed up!

Well, outside of all of that, I obviously have some connections to discuss, so what about those? Well, obviously this one connects to Episode 24 more than any other, most notably via the calliope organ. So…yeah, I guess Nikolai Denikin wasn’t that good of a person! My initial assumption was that he caught onto whatever messed up things The Other Circus wished to achieve, and then quit and hid the calliope (…I miss Sasha) to stop them. Now that could still be the case, but this episode suggests that Nikolai was aware of The Other Circus’ horrific tendencies, and gave them a lot of power, meaning that he’s not entirely without a bad streak, and very well could’ve still been affiliated with them even after he “left” in the 1970s. Secondly, we have the clown in purple and white with polka dots which…almost perfectly matched the description of the doll from Episode 24. From that episode, it seems that doll was capable of turning other people into dolls…but does this episode signify that the clown doll was also originally a person. Maybe they sacrificed themselves in order to turn other people into dolls, or they were turned into a doll as punishment and the curse goes to other people whenever the calliope plays…I don’t know but it’s suspicious, especially since Basira Hussain seemingly mentioned the doll in the previous episode. But most interesting to me is the presence of who it seems very likely are our beloveds, Breekon and Hope. This is the first time we’ve seen them affiliated with a faction other than their own (although I do think they connect to Mikaele Salesa but that’s a different topic), which is very interesting. I already suspected they were the guys who stole the calliope in Episode 24, (looking back they were also probably the “two strong men” in the picture Jon described) and I believe that even more now. However, this episode gave me two ideas as to why they might have stolen the calliope in the first place. The first idea is dictated by the idea that Nikolai Denikin was no longer affiliated with The Other Circus. If that were the case, then I believe that Breekon and Hope are still affiliated with The Other Circus, and tried to steal the calliope back, but then it ended up in the institute’s artifact storage through unknown means. More likely though, I think that Nikolai was still affiliated with The Other Circus, and Breekon and Hope left, explaining why they are shown with their own company in modern day. As for what reasons, I don’t know, but I believe that it gave them enough motivation to steal the calliope as revenge, and then deliver it to the institute. Either way, their presence here is very interesting, and it makes me wonder if there’s any connection between The Other Circus, and all of the items that Breekon and Hope have delivered. Specifically the table because…well, it’s implied there were fake people in the audience and…you know… How many episodes do you think it’ll take for my brain to explode now?

Overall this was a VERY intriguing episode, getting a first look at Gertrude and more on what is one of the most intriguing plot points so far for me was very satisfying, and I’m sure I’ll be spending a lot more time mulling this over. As for the supplemental…well that is certainly concerning. I feel like they want me to be suspicious of Martin due to that note, and I am to an extent but…this has Not!Sasha written all over it. I mean, it’s implied she already stole a few tapes so I wouldn’t be surprised if she was snooping around. (The irony of one of the tapes she stole being Episode 24’s as well, lmao.) Well…that’s about it. All in all I’m very intrigued, I hope Jon is able to take care of his supplemental and..uh…I don’t really know how to end this part so EPISODE 45!!!!!!

- Episode 45, Blood Bag 💉

Statement of Thomas Neill, regarding his experiences working in malarial research during the spring of 2010.

EW EW EW EW ICKY BLEGH. I…do not do well with mosquitoes. Worms I can handle, like, I can relate to that, but mosquitoes? No. Devil spawn. Even worse when they spread malaria. So suffice to say, considering that this IS a horror podcast, this episode did a pretty good job! Ultimately some of the plot details here are a little bit vague, and the episode itself doesn’t have as much to unpack as some of the others so far, but I’ll discuss what I can regardless. Firstly, I do really like the general setting of this statement. I’ve always found lab accidents to be very scary if done effectively, what with how fragile and dangerous that kind of environment can be. I also thought they handled it really well with the slow build of paranormal activity, up to the…extremely gruesome ending. Like, YIKES. Honestly I feel really bad for Neil, poor guy was just being silly in the workplace and needed some cash, yet he got SO screwed over. Why am I surprised though, reality just seems like a massive bitch in tma, maybe even more so than in our timeline! But hey, at least there was another theatre kid Jon moment when Thomas was describing Neil’s death, so that’s nice! Neil’s death also did kind of remind me of just…everything Jane, what with a whole bunch of creepy crawlies enveloping him, although worms aren’t really traditional insects so I don’t know if those similarities mean anything, especially since this episode lacks the theme of toxic love that was extremely present with The Flesh Hive. (Although there was fire extinguishers involved…hm…) Speaking of that though, I want to talk a bit about the syringe. I think the implication here was that the mosquitoes wished harm on Neil due to his attempts to work against them, which is…an absolutely horrific thought. Those things are already little assholes, but the idea of them having a PERSONAL GRUDGE…oh no no no no no. Anyways, I think the syringe protected him from them, so when he lost it, they went full ham, infecting the haemoglobish with a bajillion diseases, and later killing him. (And also Thomas later on, what a bunch of assholes!) But this idea, the concept of an insect ecosystem being sentient enough to wish harm on a human out of a personal grudge…yeah it’s very adjacent to The Flesh Hive. And considering that the syringe was last seen with someone as important as Mikaele Salesa, I feel that it might be important if the institute ever has to deal with something flesh hive-adjacent once again. Oh yeah, Mikaele was here too. Kind of surprising considering it hasn’t been that long since he last showed up in a statement. Ultimately this statement didn’t really tell us that much more about him, he just continues to be a mysterious guy who’s probably bad, but maybe not as bad as some other people. And while there are rumors of his death…I highly doubt he’s really gone. Either way, I’m interested to see where they go with him in the future. (Also Jon just starting his closing thoughts with “yeah I hate mosquitoes too”…he’s real for that honestly.) Um…what else? Well, I find a few small details curious. Firstly, the rising heat in the lab is VERY reminiscent of a lot of previous statements, such as Episode 12, 37, and the Hill Top Road cases. To me it signifies some sort of connection to The Cult of Asag, although I have no idea what said connection could be. A lot of people also pointed out that the only blood type mentioned so far in the entire series is 0-, which is kind of curious, although once again, I don’t what that might mean. And finally, we have the reveal that Thomas started working at King’s College, the same place where Dr. Lionel Elliot taught in Episode 34. Overall, the connection are pretty vague here and don’t reveal all that much new, so either this episode is setting up stuff that hasn’t shown up yet, or it’s less relevant than I think. But as always, I still enjoyed it! Neil’s death will probably give me nightmares but who cares? Still a very good episode!

So…the supplemental. You know, if I worked in the archives, I would find Mikaele, get the syringe, and provided it’s not some kind of cursed talisman, I’d use it to sedate Jon because SWEETHEART YOU NEED TO LIE DOWN. On one hand, seeing Jon slowly go insane has been very entertaining, on the other hand, it makes me terrified for literally everyone. This isn’t even a visual show and yet I can still clearly see him shaking violently and eating things from off the ground. I mean, just look at him. Martin has a crush on him and yet Jon thinks he’s secretly plotting a murder. (Also what a sweetheart he is giving his boss/crush tea during his moments of insane paranoia, very glad to hear him again.) “Sasha” is, as far as I know, the most objectively suspicious person in the archives, and yet she is the only one Jon hasn’t batted an eye at yet. And Tim…Jon’s LITERALLY just stalking him?! No?! I mean, I guess I’m also a little curious as to why he’s working at the institute despite no signs of prior interest in the paranormal but like…I wouldn’t go as far as to start taking pictures of his fucking house! (Although how come Martin knows what his house looks like…hm…) Also HOW could you even think that Tim “Joe Spooky” Stoker is capable of murder?! He would never! (…please let me be right when I say that) …Look, I know I’m the one writing insane analyses of this podcast, and I’m probably a massive hypocrite saying this since I am LITERALLY setting up a cork-board in my room for connecting the dots, but that doesn’t make Jon any more sane, okay? Maybe…maybe we should both just lie down…despite the truth being just out of reach...I’ll listen to Episode 46 tomorrow…uuugghhh…

- Episode 46, Literary Heights ⛈️

Statement of Herbert Knox, regarding a repeat customer to his bookshop in Chichester.

Stupid idiot mother fucking god damn fool Jurgen Leitner is lucky that this episode was so fantastic, or else his sad frail old man twig bones would’ve simply flaked apart under my epic huge meat fist. (Look, I have to quote it SOMEWHERE ok?) Anyways, this episode was…absolutely phenomenal? Like, I’ve really been enjoying the season so far, but this episode coming out of nowhere and worming it’s way into…I don’t know, at least my top six episodes, is kind of insane. There’s obviously quite a bit to unpack here, so I guess I’ll start with just a few basic observations. Firstly, this episode opens with one of the best examples of theatre kid Jon so far. Like, the shift in his voice is absolutely hilarious. Secondly, and I feel like I need to address this, there has a been a metric fuck-tonne of Micheals in the show so far, so being able to refer to one as Mike is an absolute blessing. …I have a theory surrounding that though, but I’ll get to it in a minute. But I guess that works as a good segue into the main topic of interest here, Mike Crew. Truth be told, as good as it is, I don’t have much more to say about the episode on its own, as I think most of the intrigue comes from the implications for the overarching narrative it brings, although just to be clear, I’ll say that the episode has a fantastic story to tell on its own. Anyways, enough preamble, MIKE CREW! It’s genuinely such a treat to get a better look at just…what this guy is even like. I’ve known that he’s important for a while, but that’s only because he was mentioned in two separate statements, and I never knew WHY he was important, but this episode comes with some really interesting reveals. Firstly, I have to say that this guy is absolutely one of my favorite characters from the statements so far. His whole vibe is just so intriguing, and you get the sense that he has a better understanding of ✨the horrors✨than most other characters so far, but that he’s also terrified by what he’s witnessed. Anyways, I think the most interesting element of his character is how he’s clearly…just a very haunted man. This episode definitely suggests that him getting struck by lightning as a child was a paranormal experience that…connected him to something. I think it would be cool if we maybe got a statement from him later on that talked about that more, but for now, it’s just very interesting to see those powers over storms and electricity he seems to possess, willingly or not. It also seems like maybe he was studying Leitners and other books on demonology in order to get a grip on whatever was haunting him, with The Boneturner’s Tale obviously being one of them. Oh yeah, there was also some interesting stuff about Jurgen Leitner here. I do have to wonder if all of those strange deaths that occurred in the old book trade were caused by either him or his fucked up books, although he supposedly went into hiding in 1994 so I’m not entirely sure what that means. I’ve also started to notice how the Leitners…compel people. Like, Dominic Swain just…decided to go on a wild goose chase in order to learn more about Ex Altiora, Sebastian Adekoya was adamant on getting The Boneturner’s Tale despite knowing that it was bad news, Jared Hopworth was lured in by the same book despite clearly not being much of a reader, and now we have both Mike Crew and Herbert Knox fighting desperately for Ex Altiora. It’s…just very odd how much these books draw people in. And I think this is another good segue into talking about the glorious return of Ex Altiora.

Firstly, I nearly screamed at the name drop, like oh my god that was so exciting. Secondly, it’s really cool to finally learn what the story in the book even was. If it wasn’t for the fact that I’d end up in a perilous situation if I did so, and that I don’t know Latin, I’d honestly read it, it sounds pretty cool. Either way, Mike’s possession of it is very interesting to me. Obviously it seems like it’s because of him that the Lichtenburg Figure showed up in the book, meaning that it’s unlikely that Mary Keay was trying to trigger Dominic’s childhood trauma, I guess. It’s also very curious how Mike somehow knew how to wield its power correctly from the looks of things, and I also have to wonder why it ended up in some random bookstore when it seemed to be so important to him. But I think the most interesting thing about it is how it connects to whatever was haunting Mike. Jon suggests that he was trying to use it as a ward, which I do agree with, but I wonder if it backfired in the end. Maybe Mike thought that its raw power could protect him, but in reality, the book was connected to the force pursuing him without his knowledge. I mean, Ex Altiora causes vertigo and is about a high mountaintop village being terrorized by a vast and unknowable massive monster, and Mike is connected to the sky, so I think it adds up in the end. (Also, if I didn’t already think so, I’m absolutely certain that the events of this and Episode 4 connect to the ones of Episode 21, meaning that yes, the fucking sky is an eldritch horror in this timeline, and chances are Ex Altiora and the skydiver guy are harbingers of it. What does this even mean for tma’s world structure, holy shit.) Anyways, I think this theory also works because of Mike’s fate. I mean, he says “I am yours” (which is very similar to Edwin Burroughs saying “I am not for you, I am marked btw), and then throws himself out of a window. I feel like in the end he submitted himself to the forces chasing him after Ex Altiora ironically drew him in further. Said force might also be called “Vertigo” or “The Vast” based on what he says during his chants. (Also I don’t really have any theories as to how the bell tower was opened up just so you know.) As for Mike’s fate, well…I honestly don’t really know, although I think the lack of a body and his clear significance to the plot mean that he’s not…entirely dead. Maybe the Lichtenburg Figure is supposed to suggest that he’s inside Ex Altiora? Maybe…the sky ate him? I can’t quite tell yet, but I’m sure this isn’t the last I’ll hear of him, he just seems too significant (and just…way too cool) to write off here. Although…I do have one more theory about this episode, one that I’d like to proclaim my crack theory (as if my other ones already aren’t cracked). Oh boy here we go…

So I mentioned that there’s a lot of Micheals in this show, so much so that from what little I’ve seen it’s a meme in the fandom. I mean, it makes decent sense, Micheal is an extremely common name after all…but what if this goes deeper. What if every major Micheal in this podcast actually has direct connections to each other? So far we have three Micheals that seem to hold plot relevance (please, PLEASE let it stay that way.) They are Mike Crew, obviously, Gerard’s grandfather Micheal Keay, and the mysterious “Micheal” that Sasha meant, who is presumably the person that was pursuing Ivo Lensik’s father. Keep in mind the word PURSUING. Because…you remember how bony-hand Micheal appeared all weird and distorted in the window of Sasha’s apartment building. Well, it’s probably just my imagination, but…it reminds me a hell of a lot of the thing chasing Mike. On top of that, I originally doubted that bony-hand Micheal was the same person as Mike Crew due to the lack of a Lichtenburg Figure on his body (although Mike does actually seem to be capable of hiding it based on Herbert’s description of him, but said description is notably different from that of Sasha’s Micheal anyways), but I did throw out the possibility of him actually being Micheal Keay. This could also explain why he had all of those strange attributes, as Mary Keay seemingly learned how to live beyond the grave, yet she came with a number of visual differences from when she was, like, actually alive, so maybe something similar happened to her father. (and then maybe Gerard…please…please let my favorite MCR reject guy be alive…) So, here’s the basic premise of my theory. Micheal Keay found some sort of way to live after death, becoming the strange distorted Micheal that Sasha saw. This new form of Micheal Keay would form a connection to fractals, terrorizing Ivo Lensik’s father, and also a connection to the sky/vertigo/the vast/whatever you want to call it, and then start terrorizing Mike Crew. (I mean, the fractals give off the same vibes as the Lichtenburg Figure right? RIGHT?!) And then, and I know this is a huge reach but like I said, it’s a crack theory, Mike was absorbed by the being that was pursuing him. Micheal Keay is alive, and absorbing people, one of whom just happens to have his name. If Ivo’s dad was named Micheal Lensik I might just go insane. Now, do I expect this theory to be true. Oh god no! Like I said, this is absolute crack, but I think it would be very funny if every Micheal in this podcast is actually just the same person. There’s a lot of other mysteries surrounding these guys, and I’m sure I’ll be satisfied with whatever they pull off.

So that’s Episode 46. Overall this was a phenomenal episode, it’s absolutely my favorite of Season 2 so far and at the very least one of my favorites in the entire podcast so far. It’s given me so many things to think about and I’m really excited to see where they go with the plot surrounding Mike in the future. As for the supplemental, well…you know what, Brian David Gilbert- I mean Jon (yes I finally made that connection) has every right to be concerned about this one. It is admittedly a little bit unnerving that there’s another person exploring the tunnels, my best guess is it’s Not!Sasha because…well, she’s just suspicious by nature, but it could easily be Martin, Tim, and especially Elias as well. Or worse…whatever’s down there is trying to get out. There’s also the matter of the spiders which is…very interesting. Episode 32 already separated the spiders from The Flesh Hive, but I didn’t think they would go as far as to kill the remaining worms. In fact, I suspected they were in some form of collaboration, since Jon smashing that one spider lead to the infestation of worms, and the worms were present in Episode 16. But no, they’re actively killing the worms. Maybe as like…a punishment for failure or something? I really don’t know what the deal with the spiders is, but it’s certainly interesting. Anyways, great episode, can’t wait to see what comes next.

Oh, one last thing. I have this copy of Dracula in my house, and it really reminds me of Ex Altiora. Like this is what I imagine it looking like. (Also STOKER? As in TIM STOKER? Ok I’ll stop.)

- Episode 47, The New Door 🚪

Statement of Helen Richardson, regarding a new door in the house she was selling. Statement taken direct from subject.

What what what what what what what what what what what what what in the everlasting FUCK?! I don’t…what do you MEAN? RIGHT AFTER MY FUCKING MICHEAL CRACKPOT THEORY YOU GIVE ME THIS?! I CAN’T…WHAT…THERE’S SO MUCH GOING ON I LITERALLY CANNOT HANDLE THIS UAAAGGGGHHHHHHHH. Ok…calm down calm down calm down calm down just CALM. THE FUCK. DOWN. You can do this. You are a TUMBLR. ENBY. You can coherently summarize this episode. Right? …right? Oh no….

Ok so…let’s just start from the top with the things that are easy to summarize. Firstly, this is a statement recorded live from subject, so we obviously need to talk about Helen Richardson. Oh god….what a poor soul. I REALLY feel for her, compared to every other statement giver, at least the ones who gave their statements live, she was absolutely the most distraught by her experiences. Her VA did a fantastic job portraying her fright, I liked how she was frantically drawing a map at the beginning, and overall it’s just really not hard to feel for her, especially given her…fate, but we’ll get to that later. It was also extremely gratifying to finally have an instance where Jon fully believes the person he’s talking to, he was decent with Lionel and Basira, as well as his coworkers, but after his interactions with Naomi and Melanie, seeing him fully believe Helen was honestly really nice, just shows how much he’s developed since most of Season 1…although it has come with him being extremely traumatized and erratic but hey! It’s still cool that he was genuinely trying to help Helen out, because if this was Season 1 he would have not believed her. Anyways, what about her actual statement? Well…that’s absolutely terrifying. Like, I am never going to be able to look at doors the same way ever again, am I? This is already a terrifying experience on its own, but the fact that Helen is an ESTATE AGENT of all things makes this so much worse, like you could just tell that this was her personal hell. And then we have the backrooms themselves which-yeah I’m going to call the corridors the backrooms until further notice because god damnit sometimes you just need to be annoying. Anyways, everything about that place(?) makes me uncomfortable. Firstly, the opening of the door reminded me a little bit of the coffin from Episode 2, and the corridors especially reminded me of Episode 30 with the slaughter house. But outside of those interesting yet admittedly tangential connections, there’s so many terrifying aspects of the backrooms that are just so extremely terrifying in their own right. The way the door just shows up out of nowhere and lures you in, the way Helen’s face looked like it had been crying for hours when she looked in the mirror, the repeated paintings, the temperatures that don’t make sense, Micheal just…lurking there waiting to kill her, how she ended up somewhere entirely new when she finally “escaped”, and of course, the fact that it functions like a Cthulhu city with how it just DOESN’T. MAKE. SENSE. That seems to be the main theme here, just…everything not adding up, confusing people, nearly making them go insane, that is the nature of these corridors, and Micheal himself. And you know what, I think it’s about time we talk about the end of the episode. While the statement is fantastically written and viscerally terrifying, it is overall very short, and I’d say the true meat of the episode comes from the ending. Because Oh. My. God. I have some thoughts.

I’m just going to start off by saying that the drawn-out door noises that played when Helen left initially just came as a “haha funny trauma noise” moment from Rusty Quill, and nothing more. …Oh how naive I once was. Anyways, before I talk about tall blonde and Handsome, I guess I should address the glorious(?) return of Not!Sasha! …Oh no. I don’t know if it’s more or less unnerving that she’s actually speaking like a somewhat normal person now. That…that is very very bad. But she still sounds so noticeably different from the real Sasha, so much colder…I…I really do not like her! The way that she avoids re-recording Sasha’s statement because she doesn’t remember the whole thing, and the funky audio distortion that plays in the room it’s…no! No no no no no! Well at least someone seems to know what’s really going on, and that is of course, the man who speaks in hands (woah reference), Micheal…something! Apparently there’s no such thing as a real name so I’m going to assume he just doesn’t have a last name for the time being. Anyways, ever since Episode 26, this guy…thing…door has been haunting me for ages. He’s never quite at the center of my mind, that honor goes to people like the worm wife, god damn fool book-collecting dust-eating rat old bastard shithead idiot avatar of the whore, my goth son, and Jon and Martin but only if they are holding hands. But still, the way he was so enigmatic with his motivations, where he stood morality wise, his generally creepy vibe that makes me imagine him as a guy that’s always smiling, his big-ass hands, and the sense that he was so above everything and everyone in this entire story, it always kept me terrified and intrigued. And now that we’ve finally met him…yeah, he absolutely lived up to the hype. I’m sorry Jane, but I think I’ve found a new obsession. I want this thing and his gender carnally. His VA does such a phenomenal job, like I know it’s somewhat filtered but still, the tone and especially the laugh, like HOLY SHIT that is a creepy laugh, it’s all fantastic. And I mean, yeah, it still feels like he’s so above everything else, like everything connects back to him, but also like he’s so vastly beyond everything that it doesn’t connect at all. All of his dialogue is so confusing but also interesting and…well, I guess I should discuss his dialogue, because there is actually quite a lot to unpack from a good amount of his sentences.

So, when Micheal first shows up, the strange pitch that started playing when Not!Sasha entered the room changes, suggesting that Micheal and Not!Sasha are either very different from one another, or very similar. (Also, I’m assuming that the pitch playing when Not!Sasha was around is a different one from Micheal’s, because it sounds really similar to the sound that played when Sasha came across the table in artifact storage.) Either way, his first line “Do you even know they’re lying to you” seems to confirm that Micheal knows the truth about what happened to Sasha, showing how powerful he really is. Now granted, when you consider his naturally maddening personality I doubt he’s going to reveal the truth anytime soon, but it’s worth keeping in mind. (Especially since it’s implied that Elias knows what’s going on, or at least has a hunch so….hm….) Going forward, Micheal refuses to elaborate on how he got in, like the silly king he is, and then says his name is "a real name." This is interesting, as he later contradicts this by saying there's no such thing as a real name. Obviously that last quote ties into themes of inhumanity and lack of identity that seem to follow him, but I'm just going to assume the contradictions are a result of him just, once again, not making sense. I'm sure there's a deeper meaning, I just don't quite know what said deeper meaning is yet. Also I love how when Micheal said he wasn't going to kill Jon, Jon was like "oh :/". Just like...end his suffering I guess. That seems to be another prevalent theme with Micheal. He's not exactly...good, but he's also not really a major antagonistic force...yet, at least. Regardless, it's next that we learn why he's here and...oh...oh no. That's genuinely really off-putting. So yeah, Helen got trapped in the backrooms AGAIN, right after she gave her statement. I...I don't think her chances are all that good if I'm being honest. Damn. DAMN. Also, the part where Jon realizes that the door she left from was never there...that was absolutely chilling. (Although isn't it like...a yellow door? Wouldn't Jon have noticed that? Unless the doors in the archives are already yellow?) But like, imagine if this was a common occurrence. Like, what if Jon just read, I don't know, Jason North's statement from Episode 37, and then immediately got set on fire? Because that's what this feels like. Interestingly, when Jon questions if Micheal is the owner of the backrooms, he responds with "does your hand, in any way, own your stomach?" This seems to suggest that Micheal and the backrooms are one and the same which is...not confusing and terrifying at all! I'll take a bit more about what I think Micheal even is in a second but for now just keep in mind that this information is...very concerning. Also "let her go!" followed by "no :)" was kind of funny. After all that, Micheal...stabs Jon? I mean, that's absolutely not a good thing, but it didn't seem that major or painful all things considered. I'm just going to assume he used his big-ass knife hands to stab Jon in an ultimately non-vital place, because that's what the audio seems to suggest. Now, I'll touch a bit more on Micheal's comments about his own identity in a second, but for now, the last things he says correspond with his motivations. Apparently he helped Sasha learn about The Flesh Hive because he did not want the institute to disappear too early, as it would have "unbalanced the struggle." Jon believes that this implies the existence of a war, and given how I've been speculating that all of the horrors and their servants are at each other's throats...I have to agree. It also suggests that Micheal is a lot more aware of how things are going to pan out in the future than Jon, which is...interesting. Anyways, he then mysteriously vanishes, and Jon ends the recording. It's so serious that we don't even get a supplemental. So with all of this in mind...what are my overall thoughts on Micheal?

Let's just run through everything we know. Micheal is a weird tall blonde guy who has an uncanny laugh and massive hands. He is connected to some sort of maddening pocket dimension that is accessed through a teleporting yellow door. He lured Helen Richardson into there twice, and she is still stuck there. He also probably got rid of Ms. Richardson's actual clients, and he's implied to have some sort of connection to fractals (which admittedly to line up with how maddening he is), meaning there's a good likelihood he was the being chasing down Ivo Lensik's father, and he maybe had some sort of encounter with Jane given how she also mentions fractals. He seems to be antagonistic and has bad intentions, but wants the archival team to stay alive since he views them as important, and believes the loss of the institute would "unbalance the struggle" implying the existence of a war. (my theories are being validated kind of!) Despite this he chooses to stab Jon anyways, and his whole character seems to be built around insanity, doubt of one’s own mind, and contradictions. So…who or what do I think he is? Well, I think our best hints come from the one major piece of dialogue from him I neglected to mention. That being when he calls himself a “what” instead of a “who”, saying that a “who” represents a level of identity he “can’t ever retain”, and how he isn’t used to talking about himself. This all suggests that Micheal is obviously not human, but also can’t function under the human understanding of identity. However, he also says that his identity is something he can’t “retain” rather than “obtain”. This suggests that he might have actually been something more human than what he is now in the past. And…funnily enough, this kind of lines up with the theory about Micheal Keay and Mike Crew I just made. (And, yes, hearing him in this episode immediately after writing that down was indeed very exciting.) I mean, in the slim chance that theory is correct, then..yeah, a guy who lived beyond his natural lifespan and then absorbed another guy, possibly even more people, would not really be all that human. They’d have multiple identities conflicting with each other. But granted, this theory is pretty cracked in my opinion, so maybe something more logical would be…something like the anatomy students! They also kind of had this lack of identity and weird way of speaking, so it could line up very well. Also, they contorted their bones at one point (which is admittedly more similar to The Boneturner’s Tale but still), and you know how they were all functioning under the basic bitch names of different cultures? Well…Micheal is one of the most common names in the west so, who knows? And this might connect back to Not!Sasha! After all, I’ve already made comparisons between her and the anatomy students, and Micheal is aware of her true identity, and he plays a different yet still pretty similar pitch to her when he’s in the room, and the hypnotic pattern on the table might be similar to FRACTALS? Look…I’m basically saying that Micheal is an enigma, and there are a lot of opportunities for what he could be. But what I do know…is that this thing is so far above everyone else like holy shit. He just…I don’t know what it is, I feel like he’s basically god. Everything connects back to Micheal, but it also doesn’t because he couldn’t care less about all this shit. It feels like almost everything has at the very least a small connection to him. I don’t know why I think this it’s JUST. THE. VIBE.

Wow. That was certainly quite the episode. While the statement itself was very short, and while I am confused out of my goddamned mind, this was another phenomenal episode. It should be a crime to put this right after Literary Heights, I’m just saying. It had a really well-written main character, a terrifying scenario, dozens upon dozens of implications, and…Micheal. Just Micheal. There is probably so much that I didn’t even touch on here, but that’s just because my brain is so scrambled trying to figure this all out! Which you know, given the themes of the episode, I feel like that’s by design, and I’m ok with that. I’m very excited to see…whenever and however this all pans out, but for now, I’m going to take a three day-nap. Honk shoo mimimi or whatever the kids say.

I said “Micheal” like…26 times in this section alone…Fuuuuuuuccckkk. Am I really about to ditch the worm wife for the hallway husband? (Update: No, but that’s only because I realized I have two hands.)

- Episode 48, Lost in the Crowd 🧳

Statement of Andrea Nunis, regarding a series of encounters in the streets of Genoa, Italy.

Ok, so thankfully after Micheal’s Marvelous Maze of Madness ft. Micheal, this episode was a bit of a more standard affair, and a lot easier to digest and process. That being said, this one kind of fucked me up! Generally I’m a pretty introverted person, so I’ve found it kind of interesting how the couple of statements where the idea is “character who likes being alone gets karma” are some of the scariest for me personally. Also, I will mention that while there is a common theme between this and Episode 13, I don’t necessarily think they’re connected for a couple of reasons. Firstly is the lack of any tangible signs of The Lukas Family, and secondly is the fact that Naomi’s experience manifested in the form of a wide open field with nearly nothing in it, while Andrea’s was in the form of a crushing crowd. Granted there was a gray sky in the alleyway she went into, which could connect to Naomi’s fog but…eh, I’m not too sure. I personally think the one thing that connects this statement to the rest of the series is Gerard’s presence, which I’ll get to later, but still, those similar themes of one’s own introverted tendencies being turned against them felt worth mentioning. But outside of that recurring theme calling me out a second time, there were quite a few other things that really spooked me. Ethan’s fate was genuinely pretty sad as he seemed like a nice guy, the mentions of heat popping up once again were unnerving as usual, and…the crowd itself. This…this genuinely had me curled up in a ball. I hear people say that you will inevitably find at least one tma episode that feels like it’s targeting you specifically, and while I can’t confirm if this is that episode for me, I…wouldn’t be surprised if it was by the time I’ve finished listening. I have a very bad relationship with crowds so…yeah, this one hit very close to home. The description was…so, so visceral. The blanked out faces, the garbage noise, the constant shoving…I think it put how I subconsciously view crowds into words perfectly, and…yeah, I don’t really have that much more to say about the statement other than it was sad and terrifying for me. Needless to say I don’t think I have any desire to go traveling any time soon lmao. But hey, that all just means it’s doing a damn good job as an episode of a horror podcast!

But outside of the core story, we obviously have the very intriguing return of who is presumably…MY GOTH SON HELL YEAH! GERARD KEAY NATION LET’S FUCKING GO!!! Honestly, considering that he has to live a life of fighting the horrors (and maybe…spreading them…), and also seems to have a fucked up family history, I genuinely hope that he was just on vacation here, whether he’s good or bad or morally gray, I think he deserves a break. Anyways his appearance here is certainly pretty intriguing. Not only is this the first statement he appears in that seems to be completely unrelated to any Leitners, but he also mentions that Andrea had been “marked”. Marked by…what exactly? If I had to guess, I would assume that it would be the entity possessing Hill Top Road. When it fully took over Edwin Burroughs, he said “I am marked”, and on top of that, it also has connections to heat and distorting the world around people until they snap back to reality, both of which are things that Andrea experiences. Honestly, this being seems to pop up all over the place, as it seemingly has some level of ties to The Cult of Asag and maybe even Micheal (though that’s probably just the brain rot talking), and while it definitely seems to be at its strongest on Hill Top Road, it’s implied that it possessed the girl who Edwin Burroughs attempted to perform and exorcism on, so I think it can still appear in other places. Thankfully Andrea seems to have been able to fend it off by thinking of her mother, but that just makes me more intrigued as to how Gerard knew that would help fend off some sort of eldritch heat god. On top of that, this is like…the one statement so far where he shows up and doesn’t do anything that is potentially morally questionable, outside of Pageturner in retrospect I guess, so…yeah, even though this episode was a lot more easy-going than the last one, it’s still given me a lot more to think about. Gerard’s presence and actions, whatever marked Andrea and caused all the bad stuff to happen…it is certainly all very intriguing. Overall, while this isn’t an all time favorite episode for me or anything, I still thought it was a very good one and…genuinely really unsettling for me personally. I’m glad we got to see another look at Gerard and, yeah, there’s not much more to say, just another good episode. Well…there’s not much more to say outside of the supplemental at least.

Oh god fucking damnit Jon. He has clearly not heeded my advice to lie down because what the fuuucckkk. I understand if he’s a little bit shaken after the encounter with Micheal, and obviously watching a real-estate agent basically die without you knowing would probably fuck you up but OH. GOD. Ok well, it’s at the very least a good thing that he finally realized that something’s up with “Sasha” but…did he really need the god of confusion or whatever he is to tell him that?! You are an ARCHIVIST. An ACADEMIC. YOU SHOULD BE BETTER THAN THIS!!! He’s all like “I didn’t suspect her because she’s handled the Prentiss attack better than anyone else”…AS IF THAT’S SOMEHOW NOT CONCERNING?! IF I WAS HIM, I WOULD BE EXTREMELY CREEPED OUT IF SOMONE WAS JUST…CONTINUING AS NORMAL AFTER ALL OF THAT! God, what an absolute dumbass. His density knows no bounds. I love him dearly. Still though…it’s a good thing he caught on at least. And then we have his conversation with Elias, and yeah, that doesn’t do him any favors! Don’t get me wrong, the entire scene is absolutely hilarious, I love how he questions if Dr. Elliott or Micheal were filing complaints, how he chocks up being a fucking stalker to being “worried about Tim and Martin’s mental health” (oh god Martin’s crush is going to end up being so fucked I can already tell), and I love to envision him just standing outside Tim’s house with binoculars in a very easy-to-see location. But..wow! You know, when I said it would be nice to see him grow out of being a skeptic, I DIDN’T MEAN IT LIKE THIS! And then he finishes the supplemental by saying he’s most suspicious of Elias which like…yeah, me too, but I don’t think it’s for the same reasons! If anything, this is the least suspicious Elias has ever been, honestly hai requests of Jon seem pretty reasonable. Well…at least Jon knows who to be the most suspicious of now…I guess. Someone please just knock him out with a frying pan, he really needs it (affectionately)….

- Episode 49, The Butcher’s Window 💪

Statement of Gregory Pryor, regarding his investigations into one Hector Lorado during the summer of 2007.

I’m going to start off by saying that for some reason, on the YouTube upload, the little title card didn’t fully load for this episode. What was up with that? Is “butcher” or “window” some sort of British swear I’m unaware of? Well, regardless….EW EW EW EW EW EW EW EW!!!! Yet another episode that makes me feel really uneasy like…wow! I expected some body horror or meat related stuff given the title, but…I did NOT think it was going to go like…that. But outside of my sheer terror, this was another really great episode! It was terrifying, but it also built on some things that I…honestly kind of forgot about, helped fill in some gaps, and also came with some very fun reveals at the end. (oh my god I can’t wait to talk about that) As per usual I’ll start off with just some fun and interesting things about the episode that are easy to talk about. Firstly, I actually really liked Gregory Pryor as a protagonist here. I’ve always kind of had a fondness for the statement givers that are just…honestly pretty big dicks, as I think it adds a good level of realism to the world and helps to shake things up. Honestly the whole vibe of the statement was so gloriously shitty, I just got the sense that no one involved with what happened was particularly likable. I also was a little bit curious about the presence of the Ukrainian mafia here, initially I thought the guys who were bargaining with Hector were supposed to be Breekon and Hope but I think that was just me going insane. If I had to make one minor complaint about this episode, it’s that I felt like it took a while to get into the weird horror aspects. I mean, most episodes don’t get into the real meat until later on, but they usually add intrigue with just…little oddities here and there. For example, Episode 46 doesn’t get truly freaky until later on, but the mentions of the weird smells and lightbulbs whenever Mike entered the room helped in making me feel uneasy, while this episode doesn’t really have much of that. But this is overall a very small and meaningless complaint, because when we do get into the actual horror…oh my god. I have some things to say.

So…yikes. Before we discuss the return of the big beefy bully boy, I’ll just talk a little bit about how FUCKING GRUESOME this part is. Like…I was very disturbed. Gregory hiding in the locker, Hector turning out to be alive, all of the shit that Jared did, the teeth hole underneath the floorboards, the discarded clothes and the body of the original owner that was later found, the general atmosphere of a morgue inside a butcher’s shop, the fact this went on for four fucking hours, and Gregory’s escape attempt which led to…the arm. I initially thought it got chopped off, which would have been terrible already, but then…then we learn that Jared FUCKING RIPPED THE BONE OUT THE SOCKET AND EW EW EW. All of this was tense and horrible and I absolutely loved it. Happy that Gregory got a prosthetic though, even if I just said he was kind of a dick. But anyways uh…Jared Hopworth is back! Honestly I kind of forgot about him, but it is really cool to see that he’s a more prominent recurring antagonist, given that his whereabouts were kind of a loose end at the end of Episode 17. And…I mean, I do not know how to feel about where he’s been. On one hand it’s..good for him(?) that he was able to capitalize his abilities (especially alongside the fucking mafia of all people), but on the other hand, he’s clearly a terrifying meat bone monster thing that is no longer human and is dismembering people in order to morph himself even further. So…yeah, overall I’d say his return isn’t exactly a good thing. I mean, he could change the medical world with these abilities but instead he does this. What an ass! But in all seriousness, I’m absolutely terrified of this man. Just the knowledge that this…thing is STILL out there, still turning people’s bones, is…not exactly a pleasant thought. Like, obviously this is fiction, but I LIVE in England, I still feel like Hulk: Bone Edition could come at me and that’s not a good thing. It’s also interesting that Jared is not seen using The Boneturner’s Tale to…you know, turn bones anymore. I’ve seen someone suggest that maybe he also put the book inside his body, which could definitely be the case, but Mike Crew still seemed to have some sort of connection to Ex Altiora even before he found the book so…I just get the feeling that a single encounter with a Leitner is enough to give someone some weird abilities, although it does make me question where the time might be now…yikes. (Also, if he opened the book at one point, does that mean that Mike could also turn bones? Or did the book specifically choose Jared as if it’s sentient? Honestly I’m just starting to get the vibe that this old-ass bibliophile is responsible for every little bad thing that happens in this podcast.) One other thing about Jared is that now that I think about it, his weird shape is very similar to that of the anatomy students and Micheal. There very well might be some connections there, but I’ll just have to wait and see where they might go. What’s also very curious to me is that…interesting hole that Jared started throwing the bones into. For some reason, it kind of reminded me of that part in Episode 30, where David Laylow was nearly fed to a massive meat grinder. I only say this because Jon straight up says that this statement reminds him of other meat-centric ones, such as Episode 30, but also others like Episode 18, probably. In fact, I wonder if this butcher’s shop is where Toby Carlisle from Episode 18 was getting the meat, maybe he knew Jared. Now, I can’t say how all of these episodes connect perfectly, I just know that there’s a connection. What I do find interesting however is that this episode is home to both meat and bones and…that got me thinking about a theory I had on ✨the horrors✨.

When I wrote about Episode 35, I listed out what I thought the driving forces behind all things spooky in the timeline were, and I mentioned something associated with meat, and something associated with bones as two of them. However, given what we have here, I now think that these “two” are actually the same being. Rather than one being meat and the other being bones, I think there is one singular being with command over bodies in general, and that’s what has been witnessed in every episode with either concept involved so far. This revelation doesn’t really give much, as I still don’t know…what the hell this thing even is, but it has made me want to revisit my list of ✨the horrors✨ with a new coat of paint. So, here it is: Eldritch Gods 2.0!

- The Anglerfish (1, 28)

- Vertigo/The Vast (4, 21, 46)

- The Flesh Hive (6, 22, 26, 32, 36?, 39, 40, 45?)

- The Piper (7, 42?)

- Asag (8, 12, 19, 20, 37, 43, 48?)

- Devouring Darkness (9, 15, 25, 41)

- Eyes (12, 20, 23)

- Isolation (13, 33, 48?)

- Body Horror (14, 17, 18, 30, 35, 49)

- Spiders (16, 32, 38, 48)

- Whatever The Other Circus deals with (24, 44)

- Micheal :-) (8, 26, 47)

And then like…maybe one or two more if the passages Robert Smirke designed do indeed represent ✨the horrors✨. I also guess I should mention the remark I made about these things representing different fears, since I said that one of the reasons I scrapped that theory was because “bones�� were just too specific. Now granted, I am not fully reviving this theory, as just because something is scary does not mean it represents fear (even though I still think fear is a core theme of the podcast(, but I will concede it makes the theory…slightly more plausible, but I’m still kind of on the fence about it. So um…yeah! That’s about it for the content of the statement! Overall another great one, a bit of a slow start but it more than made up for it with what happened later on! But of course, I can’t neglect to mention the follow-up and the supplemental because…oh my god this is absolute gold.

“Come on down to The Magnus Institute. We have Jonathan “Ex-theatre kid turned crazed conspiracy theorist” Sims, Martin “pines after his emotionally constipated boss that either hates him or suspects him of murder and steals tape recorders to write poetry” Blackwoood, Sasha “she is totally normal” James, Tim “bisexual icon otherwise known as Joe Spooky” Stoker, and Elias “smokes weed” Bouchard! Simply sell your soul to ✨the horrors✨ of academia, and start your work now!”

So…there’s certainly some interesting things to talk about here. There’s nothing about the statement that really sticks out, or that I haven’t already mentioned, but most of the interest comes from information on the institute staff. Firstly…hell yeah Tim you fucking get it. The man comes back from a horrific worm infestation and gets back to his hobbies of being silly and seducing cops for information. What an absolute legend, I wish he ran the institute, nay, the country. Also find it interesting that Basira has “refused to compromise her position any further”. Hopefully that just means that she doesn’t want to anything outside of sneaking in Gertrude’s tapes, as it would be a shame if those stopped coming in, given how interesting the first one was. It is very funny to me however that Jon says he doesn’t want to get involved in “personal drama”….when he is literally outside Tim’s house stalking him. Never change Jon. Actually please do change. Actually I don’t know. Also we have Not!Sasha, and while I can see why some might interpret her computer troubles as relating to the ones that force Jon to record statements on tape…I personally think she’s just really fucking weird. It also made me realize that doing I.T. in a place like this must seriously suck ass. (Oh god…imagine being in H.R. though…how would you manage the worms…HOW WOULD YOU MANAGE JON OH GOD.) So (almost, looking at you Not!Sasha) all of that is fine and dandy, but things get very interesting when we start to look at Jon’s investigations into Elias. Finally some substantial lore on this guy! (Sure, Jon should probably be looking into Not!Sasha but…he’s still suspicious as well so I won’t hold this one against him, even if his reasoning for suspicion from last episode is dumb as all hell.) So, we learn here that the institute was previously ran by a man named James Wright, who ran from 1973 to 1996. Not only does this mean that Episode 44 was recorded not too long after Elias took over, but it also means that…James Wright probably ran for an unusually short amount of time. I mean, I doubt you’d start running an institute like this in old age, and while he could’ve died in an accident or due to medical complications…I can’t just shake the feeling that he was murdered, despite the lack of information on him. Like, if Elias is being set up as antagonistic, which I feel like he is, then I could see him killing James just to gain his position. But on top of that lore, we learn that Elias joined in 1991, and worked in artifact storage, becoming head of the institute unusually quickly. But more importantly…HE CANONICALLY SMOKES WEED FUCK YEAH!!!! I don’t CARE if the implication is that he doesn’t do so anymore, I will forever believe that he still does it in secret because the amount of hilarious scenarios that could come from that are too good to pass up. But…yeah, this information on his past is weird. Like, you would not expect a stoner with a lackluster university degree to become the head of an eclectic academic institution so easily, let alone to have the personality of the Elias we see here. I saw someone suggest that maybe the real Elias was taken and replaced by one of the things that took and replaced Sasha, since he worked in artifact storage. I personally think it’s unlikely, since that event only transpired due to the table, which was only delivered to the institute fairly recently, but it’s a fun theory nonetheless, and it could explain why Elias seemingly knows that Not!Sasha isn’t who she says she is…and for some reason chooses not to tell Jon and the others. And hey, the table has definitely moved around before given it’s presence in Graham’s house, and maybe Hill Top Road, so it’s technically possible that it’s been to the institute before and was just temporarily moved to victimize someone. But as cool as this idea is, I have a bit of a different theory. It’s looser, but it makes more sense in my head.

You see, I think that Elias Bouchard has done some bad things and that he isn’t entirely moral, but I don’t think he has the worst intentions at heart. Based on all of the information, and the vibes he’s giving off, I think that he has likely witnessed the horrors first hand. This would explain his possible change in demeanor, perspective and personality after joining the institute, his supposed great knowledge on the paranormal, and why he was able to recognize Not!Sasha, without him being some horrific monster. I don’t think he was impersonated, but..he could’ve definitely seen something in artifact storage, or maybe even before then, as it would explain why he started work at the institute in the first place. And…I personally think he wants to avoid ✨the horrors✨as much as possible. He’s seen them first hand, and he wishes to keep them far away. This would explain a multitude of things. It would explain why he’s quite discouraging towards Jon’s attempts at investigation, why he was willing to sacrifice Jon and Martin to deadly C02 if it meant killing Jane, why he’s so quiet about details surrounding Gertrude. And mentioning Gertrude, if we assume that Elias did indeed kill her (which I still think is the most likely course of action, even with the potential of him being a red herring) then this potential worldview of his would explain why he would’ve killed her. Gertrude clearly knew quite a lot about ✨the horrors✨, much more than Jon at least, given how she talks about The Other Circus with such familiarity. And given how it seems that at least two cults have something against her, it’s safe to assume that she made an enemy of eldritch forces. So, Elias killed her out of fear for what she could’ve caused. And that’s why he’s trying to keep Jon calm (and desperately failing, might I add), as he does not wish to kill him as well. I know all of this is a huge claim to make but honestly…I could see it working out. I feel like Elias will end up being a very morally compromised character, one that has good yet potentially misguided intentions at heart, and had to do some terrible things to keep ✨the horrors✨ at bay. …I’ll just have to wait and see, I guess.

So yeah…that’s Episode 49. Another great episode as always, it definitely went some interesting places, and I’m very intrigued by the information on both Jared and Elias. Also, I hope that Tim’s polycule ends up successful (I’m just going to go on that assumption because it’s more fun.) I…once again don’t really know how to end this so uh…here’s a wacky link I found!

http://paypal.com/IFuckingHateJurgenLeitner

- Episode 50, Foundations 🏛️

Statement of Sampson Kempthorne, regarding the workhouse architecture of George Gilbert Scott.

And here we are! I’m now 25% of the way through The Magnus Archives, woohoo! So, did this episode conclude the first quarter of the series in a satisfying way? Well…I mean I guess yeah? Overall, I think the general concept of the episode makes it more than worthy, as having another statement given directly to the guy who founded the institute here does feel very totally fitting. But…I don’t know, it isn’t exactly a favorite for me. Not due to any particular flaws, as always it’s still very enjoyable and far from bad, but I guess I just don’t have that much to say about it, especially in comparison to some of the other episodes from this first quarter of the season. Regardless, there’s still definitely quite a few things worth talking about so uh…how about I get into that?

I’ll start off by saying that this episode does immediately get points for incorporating real-world history into it, which I’ve already said is something I really like in this podcast. As it turns out, Sampson Kempthorne, George Gilbert Scott, and Henry Roberts were all real people, along with the returning Robert Smirke, so it’s cool to see them get incorporated into the plot here. Although, I did find it funny how the case number was “8141206” as that error makes it seem as if the statement was given in 1814…and all of these guys would’ve been children at that point in time. This episode also thankfully gives a bit more information on Jonah Magnus, the founder of the institute. At this point in time he would’ve actually founded the place, unlike in Episode 23, and honestly, I think he would’ve had a lot in common with Jon. I mean, both of them probably talk like the haunted protagonists of Victorian gothic horror novels, and also need some rest, I can see some similarities there. I’ll touch a bit more on Jonah later, but for now I’ll just say that…yeah, those letters are a little…not all that heterosexual sounding. I mean, most old letters between two rich guys do feel kind of fruity by modern standards but…you get what I mean right? But as for the statement, well, I’ve got to say I love how we now have multiple instances of people leaving to New Zealand for the sake of escaping ✨the horrors✨ of England. I don’t know I just think that’s kind of funny. But when we get into the paranormal stuff that happens here…well, it’s pretty vague, but I think I can make some sense of what’s happening here. Obviously the person behind all of this is “The Governor”, someone with the ability to make buildings compress and kill people. My current assumption is that this “Governor” is indeed George Gilbert Scott. Both of them are…well firstly, they’re both really weird, but there’s some other things worth noting here as well. They both have some sort of interest in compressing architecture, we’re nearby the sites of The Governor’s actions, and on top of that, George’s plans were found in Sampson’s house after it started to close in on him. If they are not the same person, then they are at the very least strongly related and working together. However, the existence of The Governor does bring up some interesting ideas. You see, I initially assumed that the darkness worshipped by The People’s Church of The Divine Host was the same thing that appeared in Episode 15 and Episode 41, having the ability to morph rooms in order to trap and kill people. Now, that darkness could’ve still been there in those episodes but…honestly, aside from Sampson’s incident taking place at night, this darkness doesn’t really seem to be present here. This actually makes me think that the darkness and the compression are the results of two different eldritch horrors, and if we go back to the theory on what I think ✨the horrors✨ are, that brings us to a total of thirteen. Now, I still think that there’s actually fourteen eldritch beings at that the death number is meant to throw me off, as the passage that led to the central room in Episode 35 also had weird properties. In fact, that specific passage might actually be meant to represent the compressing horror. So, I still think I’m missing something here if my theory is in the right place, but I feel like I might have made a step in the right direction here. So, uh… Eldritch Gods 3.0!

- The Anglerfish (1, 28)

- Vertigo / The Vast (4, 21, 46)

- The Flesh Hive (6, 22, 26, 32, 36?, 39, 40, 45?)

- The Piper (7, 42?)

- Asag (8, 12, 19, 20, 37, 43, 48?)

- Darkness (9, 15?, 25, 41?)

- Eyes (12, 20, 23)

- Isolation (13, 33)

- Body Horror (14, 17, 18, 30, 35, 49)

- Compression (15, 41, 50)

- Spiders (16, 32, 38, 48)

- Whatever The Other Circus deals with (24, 44)

- Micheal :-) (8, 26, 47)

So there you go! This is my current list until further notice! One last thing I feel is worth mentioning is that Smirke suggests that George had a “patron”, but I have to wonder what that actually means. It could definitely mean The Governor, if he’s a different person, but if George is The Governor…then you could maybe take more a D&D Warlock approach to the term “patron”. Also, I fee I should address why I view ✨the horrors✨ as “eldritch”. Simply put, some spoiler-free content on tma I saw called it eldritch horror, so I’m just going on the assumption that’s what’s being dealt here. I only say this because there is still some good evidence for all of this to be the work of demons, or something along those lines, so I wanted to explain why I have this interpretation. Anyways uh…back to the statement! So, the other main thing of intrigue that came from this episode was of course the return of Robert Smirke, which also acts as our first look at him as a character. And…he’s pretty confusing to me. You see, with the way that he talks about George’s architecture, how he bashed it and says that Sampson was lucky to not have to work with him much longer, you’d assume he stands in opposition to whatever George / The Governor is doing. But then again, HE built the passages underneath the reform club, as well as the ones beneath the institute, so he’s not entirely resolved of making creepy architecture either. Now granted, I have suggested that you can serve one horror and be against others. For example, I believe Gerard serves whatever horror connects to eyes, but that he’s against Vertigo/The Vast and Asag given his actions. The problem however is that Smirke built the tunnels which I believe reflect ✨the horrors✨, so…that would mean he doesn’t really have a side in this conflict (which I assume to be the conflict Micheal talks about). Overall Smirke’s motivations and morality are very enigmatic at the moment. But what’s even more interesting here is that based on Sampson’s words, it seems that while the institute was founded in concept by this point, the actual building might not have been, since Jonah was working at Edinburgh Townhouse. This makes it possible that Jonah built the institute over the tunnels even though he had knowledge of Smirke’s strange designs. Which like, I get it, if you have an interest in the paranormal that’s fair enough of a move to make but…it just makes me worry about the purpose of the institute a lot more, and also makes me concerned for Jonah’s fate. I feel like an overarching theme of the story is that if you dig too deep, you’ find something you wish you hadn’t found, which makes me very fearful for the history of the institute, everyone currently working there…and myself, now that I think about it. (And if the institute has a stake in the “struggle” Micheal mentions…are they aligned with the compression horror?) Overall, while this episode isn’t an all-time favorite for me, it’s given me enough to think about going forward. The history of the institute, The Governor and the…odd themes of poverty abuse that follow him now that I think about it, and Smirke’s architecture are all very interesting topics that I would love to see get expanded further. While it’s not my favorite episode, I think it certainly works as a finale to the first quarter of the podcast.

Oh yeah, the supplemental. Uh….I mean, this one is fairly brief but that’s fine because it’s funny as fuck. Oh Tim…you have no idea do you? I mean, that’s not me saying that Jon reciprocates Martin’s feelings at the moment, because have you SEEN the man? What I am saying is that…Tim really is a bestie ignoring the plot isn’t he? Like, I love him, but he has NO idea where the romantic subplot is going. But outside of that, it’s nice to know Basira is still trying to give out the tapes, and it’s also good to see that Jon is finally in…some form of therapy. Hooray for marginal improvement!

Well, that’s a wrap on the first quarter of season two, as well as the first quarter of the entire podcast! In conclusion, season two has been absolutely fantastic so far. So many great episodes like Grifter’s Bone, Tightrope, Literary Heights and The New Door have already blown me away, and it makes me even more excited to see what the rest of the season will dish out. The supplementals are a great way to advance the plot, and the directions all of the characters and storylines are taking are extremely satisfying and/or interesting. Looking back it’s…kind of insane that I’ve gotten this into the podcast. I initially started listening because I wanted to write my own horror, and thought something to have in the background for inspiration would be nice. But then I listened to the first two episodes while doing mundane busywork in a class and…it absolutely hooked me. And here I am, writing ass-long posts about them. I still intend to write my own works in the future someday, and I’m working on it as we speak, but I’ve just got to say it’s been such a delight getting deep into this, and everyone who worked on this podcast has my highest respect. And as always, thank you for reading of you’ve made it this far, I consider you an absolutely legend of perseverance if you’re able to listen to someone ramble for this long. In conclusion, Jon needs a nap, Martin needs a happy relationship, Tim needs all of the riches in the world, Not!Sasha needs to die, Elias needs to explain himself, Gertrude needs to explain herself, Basira needs to be careful, Helen needs to GET THE FUCK OUT OF THERE, and Micheal needs to get in my life right now. See you next time :).

[enteragoodnamehere]

I think I must’ve caught a case of Thinking About Side/Unimportant Characters because. I’m thinking about Nikolai Denikin (aka the grandpa of the statement giver in 24 I think) tonight.

He was the Circus of The Other’s calliope player but it’s implied he just left one day. Which is so interesting to me! Sir not being able to leave your evil fear job is a Very Big Plot Point how did you just walk out

[wormconsumer]

Based off a post I saw with the idea that Robert Smirke had fourteen friends, each falling too/representing a different entity, with Smirke himself being the Extinction.

To get the obvious ones out of the way: Jonah Magnus as the Eye, Mordechai Lukas as the Lonely, Maxwell Rayner as the Dark, and George Gilbert Scott as the Buried; these ones are all canon. Not directly canon but a pretty reasonable assumption is Simon Fairchild as the Vast; we know Simon had Maxwell Rayner help him with his Awful Deep ritual in 1853, which was only a few years before Smirke died, and Smirke hung out with Rayner a ton, so it makes sense for Simon to be part of the group (though by a different name; he only started going by “Simon Fairchild” in the 1930s). Another fairly reasonable assumption, in my opinion, is John Franklin for the Hunt. Franklin is canonically a Hunt avatar in The Magnus Archives, his real-life timeline overlaps with Smirke and the rest, and Rayner was canonically interested in his expedition, which was probably because he wanted to use Franklin’s knowledge of arctic exploration for his ritual, but could also imply they knew each other, and therefore, Smirke’s gang.

For the Corruption, my first thought was John Amherst, but he only became an avatar during the Second Boer War, which was about half a century after Smirke’s time. Instead, John Snow is a better fit. He was an English physician who lived during the same time as Smirke, and he had something going on; his descendant Neil Thompson has a syringe that belonged to Snow that had Corruption properties, so Snow fits. For the Slaughter, we could go with Charles Fleming. We know he was in China from at least the beginning of the First Opium War in 1839, and Smirke and Jonah and the rest were up and active on their supernatural studies since at least the 1810s, so it’s theoretical Fleming could have hung out with them, even though he didn’t become touched by the Slaughter until he went to China. Maybe he came back later, though he was in China at least until 1862. Alternatively, William Hall, the actual captain of the Nemesis, could be an option, his lifetime overlaps pretty well with Smirke’s, though there is no evidence he interacted with the Slaughter besides his interactions with Fleming and the Nemesis. Still, he was probably a bit more high-society that Fleming, so I kind of prefer him. Finally, for the more reasonable ones, we have Joey Grimaldi for the Stranger. Grimaldi’s timeline overlaps with Smirke’s, and we know he was affected by the Stranger even before he was turned into Nikola Orsinov. The reason I’m choosing Grimaldi instead of Gregor Orsinov or Nikolai Denikin is that we know for sure he was in England while Smirke was, unlike the other two.

Now for the more out-there guesses. For the Flesh, there are a few options. One is Eustace Wick, the Lutheran priest-turned-cannibal, who did live at the same time as Smirke, but he became an avatar in 1832, died in 1845, and has no evidence that he’d even been to England, considering he’s American. The other options would be Benjamin Carlisle, Benjamin’s unnamed wife, or possibly some other relative or descendant of theirs. I find this one the more likely choice, because Jonathan Sims specifically wonders how Benjamin Carlisle’s wife was able to give her statement to the Magnus Institute, considering she starved to death in a cave on the Oregon Trail in 1845, as well as the fact that an apparent descendant of her, Toby Carlisle, is living in England by the 21st Century and has enough of a connection with the Flesh to be pretty severely affected by the failure of the Last Feast ritual. The unnamed Mrs. Carlisle being the Flesh representative does mean she presumably gave in and cannibalized her husband, and the timeline only gives her about a decade to have hung out with the rest before Smirke’s death, but I think that fits, considering what Smirke said about just coming up with theories about the Flesh in his statement.

The Spiral has similarly not a lot to go on. I would just say the Distortion, seeing as it’s an immortal manifestation of the Spiral itself. We know that Ivo Lenshik’s father was tormented by the Distortion in a human form, and apparently Lenshik’s great-uncle did too, implying that the Distortion did assume a humanoid form sometimes, before it was forced to by the failure of the Great Twisting ritual. Plus, Jonah Magnus clearly knows who the Distortion is, which yes, he could have learned at literally any point from the past two hundred years, but seeing as we’ve got nothing else, I’ll choose to believe. For the Web, the only older avatars of the Web we’re aware of would be the historical owners of the house at Hill Top Road. We don’t know who owned it during Smirke’s time; the closest we have are the unnamed blackmailer who died during the English Civil War in the mid-1600s, and Walter Fielding, who died in 1923. Walter’s son and grandson both owned the house for about thirty years before dying, so with the same amount of time applied, Walter couldn’t be our Web avatar. Honestly, the answer might just have to be “whichever Web avatar was owning the house at Hill Top Road during the first half of the 19th Century.”

For the Desolation, we have even less. Diego Molina founded the Cult of the Lightless Flame at some point prior to World War II, but we have no idea when, and it couldn’t have been that long, considering what Eugene Vanderstock says about the immortality of Desolation avatars having some kind of limit. The same is true of the End. The only known End avatar who was alive during Smirke’s time was Nathaniel Thorp, who was a Death at the time, and didn’t become human again until 1970. It’s unlikely that Deaths got breaks to socialize.

So, in summary, we know for sure about:

* Jonah Magnus — The Eye

* Mordechai Lukas — The Lonely

* Maxwell Rayner — The Dark

* George Gilbert Scott — The Buried

We can make some reasonable assumptions about:

* Simon Fairchild — The Vast

* John Franklin — The Hunt

We can make educated guesses about:

* John Snow — The Corruption

* William Hall — The Slaughter

* Joey Grimaldi — The Stranger

We can make complete guesses about:

* Mrs. Carlisle — The Flesh

* The Distortion — The Spiral

* Owner of the house at Hill Top Road — The Web

And we have nothing for:

* The Desolation

* The End

If anyone has ideas or things I missed, let me know.

[miffy-junot]

Felix Yusupov on his escape from Russia

According to the terms of the Armistice signed on November 11, 1918, the Germans were to evacuate the Crimea and all the other parts of Russia they had occupied during the previous spring. Several hundred Russian officers who had succeeded in making their way to the Crimea with the object of protecting the remaining members of the Imperial family now announced their intention of joining the White Army. My brothers-in-law Andrei, Fyodor and Nikita and I decided to do likewise, and we wrote to General Denikin, the commander-in-chief, asking him to enrol us. He replied that, for political reasons, members or connections of the Romanov family were undesirable in the ranks of the White Army. This was a great disappointment, for it was our earnest wish to take part in the unequal struggle against the destructive forces which had taken possession of our country. A great wave of patriotism swept over those parts of Russia in which the new army was being raised under the leadership of some of Russia's best soldiers. The names of Generals Alexeev, Kornilov, Denikin, Kaledin, Youdenich and of Admiral Kolchak will go down in Russian history as those of great national heroes.

Toward the end of 1918, the Allied Fleet arrived in the Crimea. My father-in-law [Grand Duke Alexander] left Russia on a British ship, accompanied by his son Andrei and Andrei's wife. His object was to see the heads of the Allied governments and explain to them the situation in Russia, as they were apparently far from realising its gravity. Clemenceau could not receive him, but his secretary was most charming and very polite. The Grand Duke met with no better response elsewhere, and was even refused a visa for England. We are now facing the consequences of the tragic lack of foresight of the politicians who then governed Europe.

When the Red Army approached the Crimea, we realized that as far as we were concerned the end had come. On the morning of April 7, the commander of the British Naval forces at Sebastopol called at Harax, where the Dowager Empress lived. King George V had placed the dreadnought Marlborough at her disposal, as he considered that events called for her immediate departure from Russia, The British commander insisted that she should go aboard that very evening. At first she flatly refused, and it was only with the greatest difficulty that he finally persuaded her to go. As it happened, we were all at Harax at the time of his visit, for it was the Grand Duchess Xenia's birthday. The Empress gave me a letter for the Grand Duke Nikolai Nikolaievich, in which she told him of her decision to leave, and asked him and his family to come with her. The news that the Dowager Empress and the Grand Duke Nikolai were on the verge of departure spread through the town like wildfire and caused a panic. Requests poured in from thousands of refugees, begging to be evacuated. But one warship could not take off all those whose lives would be endangered by the arrival of the Bolsheviks. Irina and I went on board the Marlborough after the Empress, the Grand Duchess Xenia and my brothers-in-law had embarked. When Irina told the Empress that nothing had been organized or provided for the evacuation of all these poor people, Her Majesty told the Allied authorities that she refused to leave unless immediate steps were taken to rescue them. As a result of her firmness, a number of allied warships steamed into Yalta to fetch away the refugees. Next day, together with my parents, we joined the Empress on the Marlborough.

Another ship left Yalta just before we did; on board her were the Crimean officers, en route to join the White Army. The Marlborough had not yet weighed anchor; standing in the bow, the Empress watched the ship pass by. Tears streamed down her cheeks as these young men, going to certain death, saluted her. Behind their Empress, they could discern the tall figure of their former commander-in-chief, the Grand Duke Nikolai.

On leaving our country with heavy hearts, that 13th day of April 1919 we knew that we were going into exile; but how long it would last, none of us could tell. Who could have dreamed that thirty-three years later it would still be impossible to foresee the end?

.

source: Lost Splendour by Felix Yusupov, chapter 27

[stormofstarlight]

Ngl, you've kind of gotta respect Nikolai Denikin for posthumously sending a creepy murderous doll after his granddaughter's shitty ex

[junedug]

nikolai denikin playing the song for his granddaughter but it's just rush e

[ozzystar2]

hey so what was up with Nikolai Denikin? like, he's an organist for the circus of the other for years, and then one day decides to, what, just leave to settle down with a family and chill for the next few decades ??? is that even allowed?

[feministdeathparty]

I’m making a post about Nikolai Denikin because honestly this man confuses and fascinates me.

What we know:

Denikin was the grandfather of Leanne Denikin (Ep 24 “Strange Music”)

Had at least one child, presumably Leanne’s “good-for-nothing” father though possibly Leanne’s mother instead.  (Ep 24)

Went by “Nick” to the extent that Leanne was not aware his name was Nikolai  (Ep 24)

Was the organist for Another Circus/The Circus of the Other under Gregor Orsinov for an unknown length of time in his adult life before retiring in the 1970s. ( (Ep 24 & Ep 44 “Tightrope”)

According to Gertrude, after Denikin left the circus they became significantly less dangerous (Ep 44)

Died of an undescribed illness in August of 2004. (Ep 24)

After Denikin’s death, Leanne discovered an old calliope steam organ in his attic along with a steamer trunk full of 23 dolls. All the dolls had had their lower jaws violently ripped off except for an old clown doll. (Ep 24)

The calliope and the dolls were probably involved in the death of Leanne’s ex-boyfriend Josh, and both objects were stolen by Breekon and Hope shortly before. (Ep 24)

Speculation:

I think what really gets me about Nikolai Denikin is that, based off the details that we’re given, what we have here is a probable avatar of the Stranger who up and left Another Circus, started a family, and died a good 30 years later. This is pretty remarkable when compared to what we’ve seen other characters go through in trying to distance themselves from their entity. 

It’s also unclear how Denikin felt about the Stranger and Another Circus in the end. Gertrude’s description makes him out to be uniquely brutal (which is a lot, coming from Gertrude) and yet he seems to have played an important care giving role in Leanne’s life. The damage to the dolls suggests that his leaving the circus was maybe not an easy one, and the fact that the clown doll was the only one intact suggests that he either physically couldn’t destroy it or couldn’t bring himself to (which raises some other questions: Did Denikin know Nikola? Was Nikola named after him?). 

Additionally, the fact that the calliope is stolen (I presume for The Unknowing, but I haven’t re-listened to those eps recently and can’t find explicit confirmation on the wiki) raises the possibility that Denikin left Another Circus and took the calliope with him to deter the ritual. It’s interesting that Nikola and co. only stole the calliope and the dolls after Denikin was dead, as this could suggest they thought he might interfere with them (and possibly defeat them??? How powerful was this dude?). On the other hand, the nature of the illness which killed Denikin isn’t clear so, if he was an avatar, it’s possible he died from distancing himself from his entity--which means he would have had to have continued preying on people for several decades after leaving the circus if we’re taking the speed of Daisy’s decline when resisting the Hunt as a benchmark for how long avatars can live without serving their entity. Given that we know that a dramatic symbolic & physical act is necessary to cut oneself off from an entity entirely and there’s no indication that Denikin did this (and in fact, I would argue his lack of transparency with his family regarding his past is a pretty strong argument that he didn’t), it seems likely that Denikin would still have been some shade of avatar at the time of his death. That said, the fact that he was able to live so long after leaving the circus, have meaningful familial relationships, and die of possibly natural causes is pretty astounding and arguably contradicts the idea that he was an avatar 

Tl;dr: Nikolai Denikin was one of the most ambiguous characters in the entire TMA universe and we still have almost no idea what his deal was.

[inklingofadream]

TMA Episode Art! Episodes 17-24 Prev Next

[id: 8 pen and ink drawings, each enclosed with a white border with “The Magnus Archives” written at the top and the episode number and title at the bottom. 17: A shelf full of books, mostly the kind of thing you see in any library, like romance and mystery paperbacks and large reference books, oozing blood. The book in the center, black and offset from the others, is clean; 18: A pile of meat, many of the pieces with incongruous human-looking eyes peering out toward the viewer; 19: A wall where the floral wallpaper has been torn away to reveal the bare brick and the painted, all-caps word “Mentis”; 20: An open bible, with most of the text unreadable squiggles, only the occasional word visible and covered in dark stains, against a spiraling background. The only visible text reads “ Behold, thou hast driven me out this day from the face of the Earth. And from thy face shall I be hid. And I shall be a fugitive and a vagabond on the earth. It shall come to pass that everyone that findeth me shall slay me.”; 21: A parachute backpack, undeployed, lying on grass that has been flattened every direction outward from the bag, which has the monogram “Sky Blue”’ 22: A view down a darkened set of stairs, lit only by a cracked smartphone, showing a lockscreen of Martin and a seated woman, his mother, her face obscured by one of the cracks in the screen. A couple worms are squirming next to the phone, with increasing numbers faintly visible with each successive step; 23: A hand in a knitted glove holding up an old-fashioned lantern to illuminate shelves of books, all blending into each other, on shelves with regularly-spaced carved eye designs; 24: An image, with a caption at the bottom like it’s in a book, of a ringmaster, a man seated at a calliope organ, a fire-eater, two strongmen holding a large weight above their heads, and a contortionist. The ringmaster gestures proudly back at the performers, and the fire eater blows out flame, hiding the faces of the strongmen. The caption reads “MINSK, 1948: Members of другой Цирк ('Drugoy Tsirk') including ringmaster Gregor Orsinov (center) & organist Nikolai Denikin (right, seated). Identities of strongmen, contortionist, & fire eater unknown.” /end id]

[lyrker]

I GOT AROUND TO LISTENING AND TRANSCRIPT READING FOR THE CIRCUS THINGS!! 

okay so

first off, Denikin? Someone named Denkin left the troupe, which is led by? Gregor Orsinov? In Strange Music Orsinov is the ringmaster and Denikin, Nikolai Denikin, which is Leanne Denikins grandfathers name. HE was the organist so these are definitely connected.

Orsinov’s troupe is said to be erm, weird. Nikolai also was a carnie, working with a traveling freak show Carnival. Which is. The Circus of the Other. So Nikolai definitely!! worked there !! Sorry Leanne pepaw was a freak

Also they just? HAVE the exact same calliope? Don’t play it i beg of you do not play that accursed thing ur gonna be made into a marketable plushie.

Yuri Utkin’s incident was in 1952, which is before Nikolai Denikin left, which was in the 70s. The troupe was in Russia during 1952 as well as 1948, the photo Jon found was in 1948 in Minsk, Russia. 1952 they were in Algasovo. They were touring Russia for whatever reason,,

Another thing,,in Tightrope, some guys were mentioned who i think, dragged Yuri Utkin away from a tiger, yeah? I remember hearing that and thinking “Breekon and Hope?”

Breekon and Hope are a “moving service”

They’ve come up a few times, from ep 2 with the coffin, to delivering the table and i think a lighter? to the archives. They “appear” in Tightrope for some reason, I think they’re the ones who took the calliope. The neighbor said they “looked legitimate” and she assumed Leanne was having things moved when, really, they were stealing it. They’re already confirmed spookies, it’s not that far of a stretch if they’re the ones who gave the institute the calliope. Big time gap? Well the table statement was from 2007. This story takes place in around 2016, Gertrude died in 2015. Thats a 9 year gap so it’s not unusual for them to deliver things so..far apart from their acquisition.

There’s one other thing I noticed; the clowns.

The silly little doll clown in Strange Music, it has purple and white polka dots and three little yellow pompoms down the front.

There’s a clown in Tightrope with white and purple polka dots and is beating up another clown who is remarkably smaller.

Isn’t that odd?

perhaps a doll is made for every kill the clown gets..

Twenty three victims. Joshua Drury is the Twenty-fourth. He got a doll.

huh!!

how fun.

[evelyn-the-archivist]

Have you listened to any of the tapes your predecessor recorded? If I'm correct about something I've noticed, you may find a specific part of the recording of the statement of Leanne Denikin regarding an antique calliope organ she possessed briefly in August 2004 enlightening. (Not sure if I'd be allowed to give you a less subtle hint, sorry.)

"the Circus of the Other"

That title is definitely a dead ringer for The Stranger, even if it wasn't part of the follow-up to a Stranger-aligned statement. And then there's those two names, Gregor Orsinov and Nikolai Denikin.

Certainly some solid leads for me to follow.

Something that gets to me a bit is those two 'legitimate' looking people who took the organ out of Ms. Denikin's home. I feel like I've heard of something similar before, but I can't remember where. Fitting for The Stranger, I suppose.

And then there's the question of how the calliope organ ended up in the Institute's Artifact Storage, about three years after it was taken from Ms. Denikin. I asked Sasha if she knew anything about it, and she told me that she hadn't been able to find it when the statement was first recorded, and doubted she would be able to now.

I'll likely listen to more of Jonathan's recordings soon, considering how much I learned from #0051701.

(ooc: yeah stuff like this is fine!! i hadnt given a lot of thought to most aspects of this blog before starting it, so i dont have a lot of hard rules anyway.)

[enteragoodnamehere]

my biggest She Would Not Fucking Say That moment w/ the tma fandom and nikola is when fics present her as this like Super Controlling Super Manipulative person bc. She’s not either of those things??

Like she’s super blunt when it comes to her intentions, straight up telling jon to find the gorilla skin or she’s gonna kill him in 97 and then villain-monologuing at him about her plans for him in 101. It’s just the way she says it is kind of funky but that’s just how she speaks. It’s not manipulation it’s just Eloquent Threatening

And she doesn’t have that Iron Fist of Control around the Circus/Strangers in general that y’all seem to think she does. In fact members of the Circus seem to be able to come and go as they please (seen in Nikolai Denikin/Breekon and Hope leaving and Sarah going to do the hospital thing w/ Melanie) and she certainly doesn’t have sway over Every Single Stranger (ex: The Not!Them doesn’t seem to be tied to the circus and only really uses them for transportation and chatting?? Like as friends?? Idk im forgetting if there was ever an explanation for Not!Sasha visiting the wax museum given).

And don’t get me wrong she’s still an evil bastard. She’ll threaten and cheat and kill and skin people alive to get what she wants, she’s just not a bastard in That Way y’know?

[jgmail]

Homenaje en Novosibirsk al general blanco Roman von Ungern-Sternberg

Por NGSRU

Traducción de Juan Gabriel Caro Rivera

 El miércoles 15 de septiembre fueron puestas varias flores cerca de la casa del comerciante Mashtakov en la calle 15 Sverdlov, con la intención de conmemorar el centenario de la muerte del último general del Ejército Blanco: el barón Roman Feodorovich von Ungern-Sternberg, el cual fue fusilado en 1921 en la ciudad de Novosibirsk. El tribunal regional de Novosibirsk se negó a rehabilitar al general Ungern-Sternberg en 1998.

 “Ponemos flores al barón” dice el joven filósofo y escritor Evgeny Nechkasov, “porque queremos justicia. ¿Por qué no han sido rehabilitados todos los generales blancos? Algunos de ellos fueron colaboradores de los nazis durante la Segunda Guerra Mundial. Hubo generales blancos que vivieron hasta la Segunda Guerra Mundial como, por ejemplo, Nikolai Krasnov y que colaboraron en la invasión de la URSS. Pero el barón Ungern no fue uno de ellos. Entonces, ¿por qué razón se ha rehabilitado a personajes como Denikin y Vrangel y no a Ungern? Por otra parte, el barón Ungern es una especie de figura mitológica de Novosibirsk. Podríamos decir que se ha convertido en una leyenda urbana. Pero las leyendas urbanas son ficticias, mientras que el barón fue una figura histórica que es conocida mucho más allá de las fronteras de Rusia y Siberia. Tanto en América del Sur como en Europa se ha escrito sobre su destino y muchos han recordado el aniversario de su ejecución”.

El barón Roman Fyodorovich von Ungern-Sternberg fue un importante líder militar que participo en la Guerra Civil rusa, siendo teniente general del Ejército Blanco y una de las figuras más destacada del Movimiento Blanco en el Extremo Oriente, incluyendo Mongolia y Buriatia. En 1921 fue acusado de los siguientes cargos: participar en la lucha armada contra el ejército soviético bajo los auspicios de Japón; masacrar a la población civil pacífica mientras realizaba acciones armadas; ordenar la destrucción de asentamientos y ciudades. Durante el verano de 1921 fue celebrado el juicio en su contra en el teatro de “Sosnovka”, en Novosibirsk.

[chiefofboatwatsonstittymug]

Unexplored queers of TMA:

Gregor Orsinov who seems to have named his monster daughter after Nikolai Denikin

[heir-of-the-chair]

Here's an anonymous question:

Favorite episode of your favorite show/podcast and why?

ummmmm

uhhhhhhhhh

*checks podcast app*

Well mag 166 The Show Must Go On is very good and very underrated and I think people should talk about it more. I want more proper Stranger avatars. Like people that used to be normal humans but became avatars of the stranger cause I think Von Kempelen was the only one they really talked about aside from like Nikolai Denikin but he wasn't actually featured in the statement.

Also old unknowing cool.

Also I'm biased because Stranger.