#nft projects list

[gccexchange]

5 Ways to Find Promising NFT Projects Early

5 Ways to Find Promising NFT Projects Early

NFTs, or Non-Fungible Tokens, are becoming a trend these days. More and more people have considered it one of their most valuable investments. Especially in the past year, NFTs have been making a lot of noise online, and there are tons of groups and forums that prove that. Now, one of the most talked about topics about NFTs is how potential investors can get in on promising projects as early as…

[dencyemily]

$XAI Token Skyrockets by 60% in a Week Amid Bitcoin's Cooling Period

The recent surge in XAI Games' native token, $XAI, has garnered significant attention, especially amid Bitcoin's cooling-off period. This impressive 60% surge within a week showcases the interconnected and volatile nature of the cryptocurrency market. Exploring the driving forces behind XAI's rapid valuation growth reveals the pivotal roles played by strategic partnerships, promotional events, and the influence of sector trends.

Key Catalysts for XAI's Surge:

Binance Listing and Airdrop Event: The strategic partnership with Binance has proven instrumental in XAI's valuation growth. Being listed as Binance's 43rd launchpool project and subsequent listing on January 9 opened doors to a vast user base, fueling optimism among altcoin enthusiasts. Additionally, a recent airdrop event by XAI Games, distributing $125 million worth of $XAI tokens to NFT series holders and selected network validators, contributed to increased speculation and buying interest, propelling the token's valuation to an impressive $137 million.

GameFi and Web3 Gaming Resurgence: XAI's surge aligns with the resurgence of the GameFi and Web3 gaming sectors. After a challenging phase in 2022, these sectors are experiencing a notable comeback, driven by the rebounding NFT market and the resilience of projects that weathered the previous bear market. This sectoral revival positions $XAI as an attractive investment option, especially for those optimistic about Ethereum, its layer 2 solutions, and the potential of Web3 gaming.

Current Statistics and Future Trajectory:

While the future trajectory of $XAI remains speculative, the current statistics present a promising picture. With a value of $0.0111965, a 10.09% rise within the day, and an impressive 157.14% increase over the past 7 days, $XAI's recent success vividly illustrates the fluctuating and dynamic character of the cryptocurrency market. Investors and enthusiasts keenly observe how these factors will shape the ongoing momentum of $XAI in the evolving crypto landscape.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[doubleddenden]

The topic of Palworld is pretty charged, but often times I see people be shamed for liking it because the CEO tweeted stuff about NFTs and the company using AI art in a separate game. Acting as if that's the most damning thing ever for a gaming company in an industry filled with similar people.

Make no mistake, I dislike both AI art and nfts, but do you realize how many gaming companies have involvement with that?

To begin with, Pokémon used AI art in a promotional piece for Pokémon Go in September, and nobody gave a shit because uwu Pikachu. The Pokémon Company also put a job listing some months back seeking an expert in NFTs. That's not quite damning evidence, but if I were a betting man, no "NFT expert" will willingly say "yeah nfts suck are bad for the environment, man, I'll take my paycheck and fuck off now." There's also a strong argument to be made that Pokémon has stolen ideas from fakemon artists (Finizen and Palafin, Scovillain, Dipplin, etc) and other franchises (kaiju movies, Dragon Quest, Megaman, final fantasy, western cartoons and food mascots, etc), a dubious legal statement that claims they own all fan art from the remixes and fakemon made on youtube to the pikachu your kid drew at breakfast; they have yet to apologize for the state of Scarlet and Violet while charging full price to millions of paying customers for a clearly unfinished and barely functioning game (which i did enjoy, but you can't tell me it was finished baking when it struggles not to shit itself just to run), and a bunch of other things people shit on Palworld for, but A. It's Pokémon so people don't care and think it's fine, and B. That's not the point of this post.

You know who else does NFTs and AI art? (Yes I heard Muscle Man from Regular Show in my head just now, too, moving along)

Square Enix sold several of their IPs for NFTs and claims to have used AI art "a minimum amount" in Foam Stars, yet I see nobody yelling for boycotts of Final Fantasy 14, 16, Kingdom Hearts, Dragon Quest, Life is Strange, etc etc etc.

Sony has invested in both, they want to implement AI into gaming, and has a patent for nfts to be used in games and consoles, yet there's no movement to throw out your playstations.

Bandai Namco- you know, that company with a hand in pretty much most anime games on the market and popular games such as the Dark Souls games? They have a game called RYU that's essentially a virtual pet game that uses the blockchain, and its AI driven, among other projects. Yet there's no outcry to stop playing the many, MANY games they brand with. This also includes quite a few Nintendo games (btw they just partnered together to form a special studio quite recently) like Smash Wii U/3ds and New Pokémon Snap. Nobody gives a shit though.

Android, Microsoft, Google, Apple- I don't even need to explain those, they have whole teams dedicated to both. Even popular VPN companies accept crypto.

I'm just saying an awful lot of you guys that scream and shit bloody murder about Palworld's company being involved with that shit are either the biggest "It's okay when my favs do it" type of hypocrites, or you're sorely ignorant to just how evil and greedy most corporations are. You'll be hard pressed to find a game company with popular AND fun games that DOESN'T have some interest in either, let alone movie and show studios. That's the awful reality we live in.

You have 2 options

1. You basically stop doing anything involving most modern tech, including throwing out your pc and smart phone. You could probably live a comfortable life with tech circa 2010, but you have to be aware that any thing you buy may go towards a cause you don't like.

2. You accept that people can enjoy a product while not necessarily agreeing with the CEO of said product. Most CEOs tend to be jackasses anyway, that's kind of the shared trait they all have. You can also discourage companies from using them while understanding it is everywhere.

Palworld at the end of the day is just a toy, that's it. From the looks of it, it's not even actually hurting anyone, and it seems like the company at least treats their employees pretty decently- at least according to a few things I've seen here and there that seems rather progressive for a Japanese studio (with room for doubt obviously, it's a company after all and as we've established, they're all evil). At the least its not like when people supported Hogwarts Legacy and directly put money into JKR's wallet so she can openly hurt more Trans women. In fact, the only people seemingly hurt in all of this Palworld drama are obsessed Pokémon stans that can't accept a parody, or the Pokémon Company themselves, who rightly deserve some punching up tbh.

You can just say you dislike the game, that's fine, I totally get that. Even though I personally think The Pokémon Company deserves a few nut shots after the way they've treated fans these last few years with the state of their games (and you know, stealing ideas from fans without credit), I can see why someone would be turned away from a parody that's literally meant to be Pokémon with guns. I can totally understand all of that, personally I'd prefer if the game was MORE like Pokémon with turn based combat.

But if you're going to defend Pokémon because you think its perfectly innocent because of Wooloo or something like that, just be sure you're aware you're defending the World's Richest Franchise and their own attempts at AI and NFTs while calling out an indie company (a real one thats learning as they go, not the fake "We're totally indie" franchise that hasn't been indie since gen 3) for having a ceo that also seems interested in the same stuff. And remember, you don't become number 1 without hurting people somehow (we could dig up receipts about certain partners Pokémon has teamed up with, such as Tencent with Unite, but I'd rather not right now.)

Just saying. I don't think you're an irredeemable person for still liking Pikachu, cuz I do too believe it or not. I've been a life long fan and still have fun with the games despite the clear scummy business practices towards their paying customers. Just maybe extend that courtesy to the millions of players just trying to have fun in this awful, putrid, shithole planet that just keeps getting worse and worse with each passing day.

Plus... you know, think about it. Do you think Pokémon would ever get around to making a gunless Palworld? Probably not. Do you think Palworld would exist if The Pokémon Company and Nintendo were the slightest bit chill about Pokémon fan projects like SEGA is with Sonic? Also probably not. From what I've read, the devs just wanted to make a fun game that happens to mostly be ARK with Pokémon adjacent monsters. That's not really a bad thing, all things considered, and it seems like the worst they've done is reference official Pokémon when making their own models.

Palworld being successful is actually beneficial to Pokémon fans, as well. It'll never really truly compete, but it has outsold Legends Arceus in terms of units sold (not as much financially because Palworld was only $30 plus a sale recently, but still impressive), and it is enough that Game Freak is aware of its existence. Let Palworld light a fire under their ass, and maybe GF will actually finish their next game before releasing it for full price (and no, we're not bringing up the tired imaginary ball and chain game devs, game freak owns 1/3rd lf the franchise and can easily take methods to get more dev time, they just haven't because money). Just saying, at least the Paldevs were honest enough to sell it in early access for half the price.

[auroblaze]

Here we go!

[GENERAL RULES AND TERMS OF SERVICE]

I START WITH 6 COMMISSION SLOTS. First come first serve, by the time they are full I’ll open them again only once I’m finished with them all.

If you want a slot and you know what to ask me to do please send me an email at aurodrawsforyou@gmail.com subject titled "Auro commission". In the email, include your selected commission type and any other details about your commission. Visual reference must be included, and if it’s a comic you want, please include your storyboard.

🚨🚨 EDIT of the 5/10/2023: SECOND SESSION IS OFFICIALLY PAUSED. I’ll be working on the 6 slots commissions that made it before the technical difficulties with Paypal (mentioned in the last reblog). If something changes I’ll be reopening the remaining 4 slots!💪🎨 If not, I’ll be seeing you at the next session directly :’>

✨Please read all the details that are written down below under Read More before sending any email. If something is not clear do ask about it! ✨

This list can be updated at any time if situations and/or experiences demand so.

IMPORTANT:

Currently I don’t work under deadlines, and I don’t do rush jobs. I guarantee that clients will be kept updated on progress of their respective commissions. Please keep that in mind before asking for a commission and I thank you so much for your patience.

If the goods are meant to be showcased in videos or other projects of the kind (permission must be discussed beforehand), please give proper credit and link to my pages (instagram, deviantart or just one of them) in the description.

The goods will be distributed digitally only. Printing is only allowed for personal use and you cannot resell the commission under any circumstances or claim to be the original author of the artpiece.

Unless it has been agreed otherwise, I’m able to choose to display the commissioned art on my galleries and portfolio to promote my work.

I do not allow my art to be used for NFTs, training AIs or crypto transactions.

Things I can draw… Characters from shows/anime, video games and manga/comics I’m familiar with (examples: Sonic The Hedgehog, Homestuck, Pokémon, NiGHTS, Skullgirls, Splatoon, Hades (by Supergiant games), The Legend of Zelda, YuGiOh!, Promare, Undertale/Deltarune, The Owl House, Trigun, Dr. Stone); characters from a series I’m not familiar with if given proper references; crossovers, fantasy, scifi, animals, fanfic illustrations, OCs (if given proper references), and possibly more. Feel free to ask! Things I will not draw… Gore, vore, rape, abuse, offensive themes (racism, transphobia, homophobia, etc.), RPF (real person fanfiction) or shipping real people, I reserve the right to refuse any request.

Upcharges

My limit of characters to draw in one picture/comic is 1, you will be charged for every additional character in the drawing. For an illustration, the price will be multiplied by the number of total characters. The backgrounds will remain one charge. For a comic, every additional complex character is $30 for a pencil page, $40 for an inked page, and $50 for a coloured page.

If your character has a complex design (Examples: detailed armor, complex clothing or jewelry, additional features…) a charge of $15 will apply.

Excessive changes will be charged. On your third and every subsequent major modification request, you will be charged $20.

My limit for short comics is 1 page. If you want more, it will be multiplied by the number of pages and type of commission (ex. a 2 page pencil comic is $100 x 2 = $200).

HOW TO PAY: You will receive an invoice from my Paypal email once the commission has been agreed upon. I will not start working on the commission until the invoice is paid. No refunds. Payment in euros is preferable, if possible. Otherwise USD is always accepted.

[ILLUSTRATION PRICING]

PENCIL SKETCHES:

Head: $10

Half body: $15

Full body: $30

            -> With Abstract Background: +$30

            -> With Detailed Background: +$50

INK (or DIGITAL LINEART):

Head: $20

Half body: $25

Full body: $50

FULL BODY FLAT COLOURED (with pencils, markers, or digital): $75 (+$15 for shading)

With Abstract Background: +$35

With Detailed Background: +$100

FULL BODY COLOURED WITH WATERCOLOURS: $100

With Abstract Background (watercolours): +$80

With Detailed Background (watercolours): +$150

NSFW*:

Half Body Pencils: $40

Full Body Pencils: $80

Half Body Pencils + Inks: $45

Full Body Pencils + Inks: $95

Half Body Coloured (only digital) : $65

Full Body Coloured (with pencils, markers, or digital) : $110

          ->With Shading: +$15

          ->With Abstract Background: +$125

          ->With Detailed Background: +$155

*YOU MUST BE 18+ FOR THIS TIER. As it is a new and delicate subject for me, we’ll discuss beforehand what kind of scenarios I will be comfortable enough to draw.

[COMIC PRICING]

The client has to show me the storyboard or script of the scene that I’m meant to follow in the desired commission.

SHORT COMICS:

1 Page Comic, Pencils: $100

1 Page Comic, Pencils And Ink: $180

1 Page Comic, Inks + Colours (with pencils, markers, or digital): $270

NSFW COMIC PAGE**:

1 Page Comic, Pencils: $300

1 Page Comic, Inks: $350

1 Page Comic, Inks + Colours (with pencils, markers, or digital): $400

**As it is a new and delicate subject for me, we’ll discuss beforehand what kind of scenarios I will be comfortable enough to draw.

[magicalmeily]

I've made a google doc collection of 150 useful design and art resources! Whether youre just starting commissions or want to make your workflow more streamlined, I recommend checking it out

The full list is below the read more, but I suggest looking at the google doc as well sincce it will be updated more often. 

This list was created by @MagicalMeily

I encourage you to share this list with other designers, artists, or even students via this tumblr post, the google doc, or my tweet. Links marked as ‘Free/Paid’ usually means the free version has a lot of features anyway and the paid just has some extra templates or storage space. *Disclaimer - I haven’t used all of these services myself, so please let me know if anything dodgy slipped through the cracks, or if you have any others I should add.

I do not support NFTs or AI Art generators, so hopefully you won’t find any listed. Always double check commercial usage rights

---------------------------------------------------------------------------

COMMISSION SETUP

Collection of designers rates - Graphic Design Rates Master Sheet

TOS Example, Free to use (by kawa_kunn) - Twitter / kawa-kun.art

Tiktok walkthrough of a commission TOS form - artofthecatt

Longer Video of commission TOS form - How to Create a Commission Form

Commission Advice (by AerlyaGraphics) - Aerlya Graphics

Merchandise/printing services (by @sunshinehoney6) - Merchandise Resources

COMMISSION TRACKERS/MANAGEMENT

(Free/Paid) Clients can see your progress - Trello

(Free/Paid) Single user or collaborative project tracker - Notion

(Free) General Commission Management - Commiss.io

TEAM DESIGN/COLLABORATION

(Free/Paid) - Zeplin

(Free/Paid) - Notion

(Free/Paid) - Figma

(Free for Individuals) - Box

(Paid) - Sketch

FILE SHARING

(Free) - Google Drive

(Free/Paid) - WeTransfer

(Free/Paid) - Jumpshare

(Free for individuals) - Box

(Free) - Blindsend

MOODBOARDS

Design Inspiration

Image search for inspiration - Muzli Search

Makes and automatically sets out moodboards - Visualist

DESIGN PROGRAMS

2d Animation (Free/Paid) - Cavalry

Graphics, Photo editing, Publishing (One -off payment) - Affinity

Graphics, Audio, Video (Free, Browser) - Artboard Studio

Graphics (Free) - Inkscape

Graphics/Layout (Free/Paid, Browser) - Canva

Graphics, Photo Editing (Free, Browser. Can open Adobe files) - Photopea

Vector making (Free, Browser) - Vectr

Vector making (Free, Browser) - Vector Ink

Wireframing (Free, Browser) - Moqups App

GENERAL HELPFUL TOOLS/PROGRAMS

Bulk file renamer - Bulk Rename Utility

Bulk image resizer - ImageResizer

File Converters - FreeConvert

Image Upscaler - Waifu2x

Floating view of reference images - PureRef

Timezone converter - World Time Buddy

Twitter image crop guide by @dripchirp - Twitter Crop Guide

Learning how to use the pen tool - The Bézier Game

PORTFOLIO HOSTING/WEBSITE MAKERS

Portfolio hosting (Free) - Foriio

Portfolio hosting (Free with Adobe Subscription) - Adobe Portfolio

Portfolio hosting (Paid) - Portfoliobox

Website builder (Free) - Carrd

Website builder (Free) - Google Sites

Website builder (Free) - Weebly

Website builder (Free) - Wix

Website builder (Paid) - Squarespace

Make a blog you can use as a folio - Tumblr

(Posts Selective Folios) - Bestfolios

(Posts Selective Folios) - PFolios

(Posts Selective Folios) - Pafolios

(Posts Selective showreels) - Showreelz

LINK AGGREGATORS

(Free) Linktree

(Free) Lnk.Bio

(Paid/Free) Later

(Free) Solo.to

(Free) Campsite.bio

DESIGN MARKETPLACES

BOOTH

Gumroad

Ko-fi Shop

COLOUR

Various colour palette tools - Adobe Color

Colour palette search and generator - Coolors

Colour palette generator - Color Space

Colour converter, make colour palettes - RGB.to

Displays big brands colour schemes - BrandColors

ACCESSIBILITY

General design accessibility tips - Lemonly Infographics

Font accessibility tips - UXdesign.cc

Accessible colour combination generator 1 - Accessible color palette builder

Accessible colour combination generator 2 - Color Safe

FONTS FOR DOWNLOAD

Google Fonts

Adobe Fonts

Pixel Surplus

Fontesk

Befonts

Behance

Gumroad

Free Japanese Fonts

BOOTH

TYPE TOOLS

Displays inputted text in fonts installed on your computer - Wordmark

Identifies fonts on a web page  - Fonts Ninja

Typography Resources - Typewolf

Font Pairing Help - Fontjoy

Examples of fonts in context - Fonts In Use

Font Management - FontBase

MOCKUPS

Mockup World

Mr.Mockup

Unblast

ls.graphics

Anthonyboyd.graphics

Anagram Design

DesignHooks

Mockups-Design

STOCK PHOTOS/TEXTURES

Pexels

Unsplash

Barnimages

LostAndTaken

Freepik

Rawpixel

PATTERNS

Pattern Inspiration - Pattern Collection

Customisable Repeating SVG Patterns - Pattern Monster

Seamless background pattern maker - Patternico

Mesh Gradient Maker - Mesh Gradient

Make and print your own grids - Gridzzly.com

Downloadable Patterns - Subtle Patterns

ILLUSTRATION LIBRARIES

Toools Design

Irasutoya / いらすとや

Open Peeps

Humaaans

Open Doodles

ICON LIBRARIES

Paid/Free - Streamline Icons

Paid/Free - Flaticon

INSPIRATION GATHERING

abdz

Mindsparkle Mag

Behance

Dribbble

Muzli Search

100 Archive

Design Inspiration

BP&O

Pentagram

It's Nice That

DESIGN ADVICE/EXAMPLES/BLOGS/ ARTICLES

(Free) - World Brand Design Society

(Free) - AIGA Eye on Design

(Free) - Creative Boom

(Free) - The Design Team

(Paid) - UnderConsideration

LOGO/BRANDING DESIGN

Company logos categorised by letter/number/symbol etc - Logobook

Logo/Branding Examples - Logoed

PACKAGING DESIGN

Kawacolle

Packaging Design Archive

Packaging Of The World

WEB DESIGN

Siteinspire

Httpster

Lapa Ninja

Best Website Gallery

Dark Mode Design

Awwwards

Dribbble

(Wireframing) Moqups App

PUBLICATION/EDITORIAL DESIGN

Zine Creation Tips Masterpost - How to Organize a Zine 101

Editorial Design Examples 1 - Formagramma

Editorial Design Examples 2 - Pentagram

POSTER DESIGN

Typographic Poster Design Examples - Typographic posters

Poster Design Examples - Poster Poster

CHARACTER DESIGN

Character Design Library, Challenges, etc - Character Design References

Anime Settei/Reference Sheets - Settei Dreams

Historical Costume references - OSF Costume Rentals

V-DESIGNER/V-ARTIST

‘How to Design Your Own Vtuber Logo’ (by the-tragic-heroine) - The-tragic-heroine

Discover V-artists/V-designers - Heartist

V-Artist/V-designers Catalogue (Hiatus) - VTuber Catalog

Vtuber Resource Collection (by VTResources) - VTuber Resources

View badges/emotes will look like on Twitch - Twitch Elements

Resize badges/emotes to actual sizes - Twitch Emote Resizer

Vtuber based commission hub (beta) - VGen

PAYPAL ALTERNATIVES

Square

Stripe

Wise (previously TransferWise)

Kofi

Direct Bank Transfer

OTHER RESOURCE COLLECTIONS

Vtuber Resource Collection (by VTResources) - VTuber Resources

Designer Resources Collection - Design Resources

Merchandise/printing services (by sunshinehoney6) - Merchandise Resources

Typography Resources - Typewolf

[songbird-at-the-fireside-chat]

Browsing the World Wide Web

Browsing the World Wide Web

One of my favorite passions is creating/finding ways to navigate the web that are healthy, authentic, and fun! Here are some resources I use to guide my internet usage. Some language has been slightly adapted for tone and accessibility. For more in-depth reading, follow the links! (taken with permission from https://yair.garden/browsing). Shared Ideals

MelonKing has an excellent list of shared ideals which I try to keep in mind as I browse the web. It's a great starting point!

Creativity is First: We see the ability to design, decorate, and graffiti digital spaces as essential and powerful.

The Internet is Fun: We want the Web to be a playground that's free to explore and enjoy.

Corporations are Boring: We are tired of the monetization, data abuse, and endless breaches of trust in corporate culture.

The Web is Friendly: We believe the Web should be friendly and supportive; caring is a radical act.

Right to Repair: We value the freedom to make, break, and repair our stuff - tinkering is a form of debate and protest.

One World Wide Web: We want free open knowledge and global connectivity, without paywalls, bubbles, or borders.

Chaotic Effort: We believe that value comes from the time and effort put into projects they love for no reason other than love.

No to Web3: In many (but not all) situations, cryptocurrencies, NFTs, unfairly trained AIs, and buzzword tech are unwelcome and uncool.

Manifesto for a New Web

The YesterWeb is an organization seeking to progressively transform internet culture and beyond. After two years, they created three core commitments and three social behavior guidelines to benefit everyone.

A commitment to social responsibility and partisanship.

A commitment to collective well-being and personal growth.

A commitment to rehumanizing social relations and reversing social alienation.

50 additional manifestos can be found here Social Etiquette

Engage in good faith.

Engage in constructive conflict.

Be mindful of participating in a shared, public space.

Why say no to Web 3.0?

One of the shared ideas of our community of web surfers is to push back against "Web 3.0". Here's why:

It's driven by predatory marketing tactics.

It requires complex technological and financial knowledge to fully understand.

It is actively harming the environment.

It caters to early adopters and whales.

It profits off artificial scarcity.

Investors are banking on Web3, and they really don't want to be wrong.

Personalized Web Surfing Guide

Make your web surfing personal and adventurous, away from corporate influences. Here's a simple guide for a unique browsing experience.

Configure your browser

Remove Ads and Clean up Privacy:

Ublock Origin for removing ads

ClearURLs for removing tracking elements from URLs

SponsorBlock for skipping sponsorships on YouTube

Make it a Safer Space:

ShinigamiEyes for highlighting transphobic/anti-LGBTQ sites

TriggerRemover for removing trigger-inducing content from pages

Clean up UI for Beauty and Minimalism:

CleanerReads for a muted Goodreads experience

Minimal; for a minimal and less attention-grabbing internet

Bonuses for a Cool Experience:

Library Extension: Check book availability at local libraries

Translate Web Pages: Translate pages in real-time

Return YouTube Dislike: Bring back the YouTube dislike feature

How to Browse and Surf the Web

Explore Beyond Corporate Sites: While the internet is vast, the majority of users only see a small fraction dominated by large corporate sites. These sites often prioritize shock value and extreme content, overshadowing the richness of the wider web. Explore alternative avenues to discover the internet's diversity.

Search Engines: Avoid corporate search engines like Google. Instead, consider using alternatives like Kagi, which focuses on privacy and doesn't sell your data. While it costs around $10/month, Kagi offers a diverse mix of web content, making it a worthwhile investment for varied search results. Other niche or non-commercial search engines can also provide unique content. While they may not be sustainable for daily use, they're great for discovering new sites. Find them here.

Webrings: Webrings are collections of websites united by a common theme or topic. They offer a unique way to explore sites created by real people, spanning a wide range of interests. Here are some of my favorite webrings:

Hotline Webring

Retro Webring

Low Tech Webring

Geek Webring

Soft Heart Clinic Mental Health Circle ...and here are some list of webring databases to explore!

Curated List of 64 Webrings

Neocities Webrings

Curated List of Active Webrings

Comprehensive List of 210 Webrings

Cliques/Fanlistings Web Cliques/Cliques are groups which you can join usually if you fulfill a certain task such as choosing an animal or listing your astrological sign. Fanlistings do the same for fans of various topics! You can then be linked on the clique's/fan group's site for further website discovery! Here are some web clique directories:

Project Clique

Cliqued

Fanlistings Network

5. Link Directories

Many sites have smaller link directories of buttons where you can find sites that they are "mutuals" (both creators follow each other) and "friends/neighbors" — sites they follow. It's a great way to build community. There are also larger link directories of sites which someone finds cool, and it's a great way to intentionally explore the web. Here are some of my favorites:

SadGrl Links

Melonland Surf Club

Neocities Sites

Onio.Cafe

Though there are many more! 6. Random Site Generators

Finally, there are random site generators which allow you to randomly stumble upon websites. While not very practical, they are a lot of fun and offer a unique way to discover new corners of the web.

A list can be found here

What now?

The next question you have is probably how can you become an active member/contribute in this world of the underground web? I unfortunately don't have the energy to write a guide right now but it will come soon! In broad strokes, consider making a site on Neocities. If you do make a site, remember to include a robots.txt file to get AI and bots out of there and don't forget to rate your site so we can know who it's for. If you'd like to transition off social media I recommend an RSS Reader such as the one at 32bit.cafe or on Fraidycat (guide on this to come soon as well!). For your twitter-fix you can always post a status at Status Cafe and your mood at imood. There is a whole world out there full of passionate and friendly people who are ready to reclaim the web. Excited to see you there!

[w3mb13r]

here is my list of stuff that happened in 2023 so far (some good, most bad)

- zombie drug that rots people’s skin and brains

- trump released a song

- tennessee criminalized crossdressing

- tennessee decriminalized crossdressing

- willow project

- marjorie taylor greene wants a national divorce and says democrats are “genociding” republicans

- fraggle rock made nfts

- wienermobile’s catalytic converter got stolen

- PETA offered to replace catalytic converter only if oscar mayer only sells vegan hotdogs from now on

- teen moms making their babies vape

- woman falsely claiming to be madeleine mccann

- felix cipher claiming to be hitler (HE IS GAY AND HAS A JEWISH MOM), getting kicked out of art school (a second time??), made his ex touch his “bullet wound” 😭😭

- walgreens refusing to sell abortion pills in over 20 states

- arresting women who miscarry

- january 6th offenders let out of prison

- chinese spy balloons flying over north america

- all the kanye stuff idfk

- some guy survived 31 days in the amazon rainforest just by eating worms

- trump arrested

- hasbro had pinkertons raid a youtuber’s home because THEY accidentally sent him a copy of magic the gathering cards too early

- trans healthcare being banned across multiple states

- muppets mayhem :)

- disney sues desantis for “don’t say gay” law — disney may move out of florida

- elon musk has an alt twitter account in which he role plays as his 2 year old son and comments stuff like “do you like japanese girls?” and “i wish i was old enough to go to nightclubs.”

- colleen video

- coke in the white house

- businesses can legally discriminate against gay people

- trump doxxed obama 💀💀

- trump moaning during speech?? 😭😭

- oceangate

- elon musk vs. mark zuckerberg (cage match/twitter fight/literal dick measuring contest??)

- grimace shake

- barbie movie

- across the spiderverse

it is july 10th. what the actual fuck ⁉️⁉️

[hattedhedgehog]

Illustration commissions are OPEN! If you'd like something in a style of mine or know of anyone who needs artwork for a project, feel free to get in touch. I will draw OCs, animals, fanart, NSFW, etc.

Image info reads:

Character heads - Posca - £15 each

Pet portraits - Digital - £50-£100 depending on complexity/ number

Character art - Digital - ~£60 per character. Streamlined style. Perfect for D&D parties

Digital illustration - £200-400 depending on complexity

Book art - £400+ depending on complexity. Full spread, single cover or print available.

How to order: Get in touch at hattedhedgehog.art@gmail.com to discuss what you’d like. Please provide references (images, photos descriptions, aesthetics etc). Payment via Paypal invoice in GBP £. If there is an art style of mine you would like but is not listed here, please provide an example of it and I am happy to negotiate!

T&Cs: Upon completion, the full print-quality image(s) will be emailed in the appropriate file type(s). Licensing available for merchandise designs. Payment in installments for larger pieces available with a 30% deposit. Not to be used in any way for AI training/NFTs

[kavaeric]

Y'know I think the reason why I hate the term "content creator" isn't necessarily the word choice of calling stuff posted online "content". Superficially I don't think it's a bad idea to have an intentionally vague catch-all term a la "queer" that ensures gatekeeping is difficult by definition.

I think the actual reason why I hate the term "content creator" is that it places overwhelming focus on the end product, not on creation as a process or skillset. "Artist" "writer" "documentarian" "musician" or even a vague catch-all term like "creative" is much nicer to me because it's a term that places the emphasis on the human being and their skills and craft, rather than the output. If anything defines me it's not the actual final pictures I post on the internet, but the skills and techniques and methods of thinking I've incorporated into my being over my lifetime. Even with clients, the point of a portfolio isn't so much us showing off what we've created in the past, but is rather simply a means to demonstrate what skills we have developed. At a broader scope, it's also why a resumé is a list of skills, degrees, and workplace experiences first and foremost, with specific final outputs and projects being secondary if mentioned at all.

Conversely, "content creator" reduces all of that to the end product. It's a phrase that suggests a disinterest in the how and almost exclusively on the what. Here you're defined not by what skills you have as a person, but rather on what your output is: you are a creator of content, and the content is what's actually important above all else. The "creator" in "content creator" is but a mere means to an end, and the thing about being viewed as a means-to-an-end is that the people in charge will want to replace you with something more efficient if it'll result in the same end, in their mind.

Over the years we've been seeing the ongoing trivialisation of creatives at large: not just the NFT and AI art drivel, but also the replacement of practical effects and sets with CG solely because those workers are cheaper, the abuse of video game developers, the erosion of selling music as a viable income stream, the normalisation of spec work from writers and graphic designers, the list goes on. All of these events and more, in my view, have the same undercurrent of viewing final products and results as the most important thing in the creative process; care for the human beings who actually make the things is secondary at best.

Hence I don't think that a lot of the observations people make about tech dudebros flip-flopping between "art is immutably valuable and unique" for NFTs and "art is basically all the same and interchangeable" with AI isn't necessarily hypocrisy, because when you understand that these people view the tangible but inanimate final product, an entity that demands nothing of you nor will invite any protest if reduced to a single number on a spreadsheet, as the most important thing? Of course they have no problem doing both. It's also why you can't actually engage with these people on good faith; at the end of the day trying to appeal to their sense of morality when it comes to the welfare of human beings is not really what they're interested in, frankly.

It's the mass acceptance of "so long as we get the results, I don't care how we go about achieving them" which honestly freaks me out the most.

[niperiodic]

Folding Ideas: My Personal Favorites

Sometime last year I saw The Future is a Dead Mall for the first time, and as my first video from Dan Olson I can't say I was particularly hooked. Part of that was because the next few videos recommended to me were Line Goes Up, and Jamie Oliver's War on Chicken Nuggets which are really long and I don't really care about respectively. However, having gotten really into his videos recently I kind of just wanted to post something about it, so here's my list of my favorite 8 videos of his.

I Don't Know James Rolfe

It's just, so damn good. The framing of a retrospective on Dan life and career as a pseudo-takedown video on someone he claims to share some kinship with combined with a performed midlife crisis. Just absolutely brilliant. As far as particular draws for this video: the shot were Dan gets really angry at the camera while talking about how hard it is, while sitting underneath a projection of James is easily my favorite thing Dan has ever made.

2) This is Financial Advice

A thorough autopsy of the Gamestop squeeze and the followers of the meme stock movement with a few of my favorite gags of Dan's, also my favorite character of his (I'm new here). While a far more thorough video than Jauwn's video on Kais Maalej when it comes to the big picture both are very solid videos in their own right.

3) In Search of a Flat Earth

To be completely honest this is not a great Flat Earth video. It's good and it has quite a few incredible parts but I don't think it's as good as Hbomberguy's or Philosophy Tube's and especially not Professor Dave's. However, this is the single best video I've seen on Qanon. Also the descriptor Esoteric Fictionalism is really good

4)The Future is a Dead Mall

Of his 2 videos on defi I think this is the stronger of Dan's, and I think that's for a few reasons. Namely because he's able to attack the idea of the Metaverse more directly than he's able to attack anything during Line Goes Up, but maybe I just don't remember it as well.

5) Line Goes Up

NFT's are really fascinating and Dan does a really good job of covering them, it's just there's a few other youtubers who also make great videos on NFT's and crypto as their main focus, namely Jauwn and Coffeezilla.

6)The Art of Editing and Suicide Squad

A really good video on a pretty bad movie. It covers a lot of the problems in the movie and how despite several of them being caused by studio overreach it just wasn't going to be a particularly good movie. Also El Diablo is far and away the best character in the movie .

7)The Darkmoon Fiasco

Short sweet to the point.

8)Contrepreneurs: The Mikkelsen Twins

Dan writes a book about hypnosis. also he makes a whole video off of ads that just kind of annoyed him, he does the same thing for the Idris Elba Gold Doc which is also a great video but I think this one is the better of the 2.

[fishpeanits]

「 ✦ Welcome to the waters! Let me get everything together… ✦ 」

「 ✦ … Perfect! Please enjoy your stay! ✦ 」

this blog will be a sanctuary to be unabashedly silly and enjoy the beauty of the internet’s vast connectivity. wasting time chastising “cringe” behavior or arguing over petty discourse isn’t something fishpeanits tolerates. the internet has become a cesspool of hate, and fishpeanits will not let that infection spread to this blog.

* . + What things does fishpeanits like?

› ACTIVE INTERESTS: FORTNITEEEEE, Stardew Valley, Baldur’s Gate 3, Super Mario Sunshine, Super Princess Peach, Super Mario Galaxy I & II, Bungo Stray Dogs, My Little Pony, Jujutsu Kaisen, Preacher’s Daughter / Ethel Cain, the MILGRAM Project, Fortnite, Ichthyology,

› INACTIVE YET SPECIAL: Tomodachi Life, Soulsborne (Dark Souls, Elden Ring, Bloodborne, Sekiro), Splatoon (I, II,III), Apex Legends, Boku no Hero Academia, Five Nights at Freddy’s, Ruby Gloom, Genshin Impact, Soul Eater, Earthbound, Fran Bow, Sally Face, OMORI, Ensemble!! Stars, Project Sekai, Banjo Kazooie, Botany, Kingdom Hearts, Sonic the Hedgehog,

fishpeanits can be quite forgetful. this list is subject to change. - . *

* . + What kind of content will fishpeanits post?

› #.fshits will be a collection of miscellaneous textposts and such that have no real category!

› #.fshart will be the tag used on any and all art!

› #.fshfic will be used for literary pieces! this will probably be fanfiction in most cases.

› … a special fourth item will be posted here! how invigorating!

do you trust the strangers you glimpse through a screen? fishpeanits wouldn’t. - . *

* . + What kind of people should NOT expect to be welcomed here?

「 ✦ Some of these things should be common sense, really, but they will be listed regardless. Blocking people is a blessing! ✦ 」

› PEDOPHILES { This INCLUDES: DDLG, DDLB, MDLB, MDLG, MAPs, Proshippers, etc. } and any defenders of lolicon/shotacon/pedophilia in media.

› RAPISTS and any defenders of: “Consensual-Nonconsensual”, rape “jokes”, or victim blaming. Anyone who forgives rapists.

› ZOOPHILES and any defenders of zoophilic behavior.

› Anyone who villainizes mental illness or, conversely, romanticizes/idolizes it.

› Supporters of the United States government, the Israel government, etc.

› Anyone who glorifies serial killers. Anyone who glorifies stalkers and/or yandere tropes.

› People who focus their “activism” on pretty discourse (pronouns, slurs, etc.) OR use “activism” as a means for social media fame/profit

› NFT community

› … More to come as items are remembered.

to bring it to a close, a final note . . . remember to be skeptical. do research. being well-informed is crucial in the modern world. - . *

[mobiloittet]

Launchpad Development Services

As the crypto industry continues to grow and evolve, so do the services that are offered to help launch new projects. One such service is Launchpad Development Services from Mobiloitte. Mobiloitte has a wealth of experience in the crypto space and is able to offer a full range of development services to help your project succeed. Their services include smart contract development, tokenomics, exchange listing, and more.

[firstrainofficial]

Tezos for Humanity #2

Good time of day Tezos!

Do you remember Tezos for Humanity? The Charity Event I did at the end of last year? And that I said that I want this to be a yearly event?

Well, here we are for part two!

When: Oct 1st - 31st, 2024 Where: At the marketplace of your liking! All the Details: https://docs.google.com/document/d/1LgYYronFza03L1M3MZJ6PfqMmBE_5R2ZhXLnq2NoAQY/edit?usp=sharing Transparency Spreadsheet: https://docs.google.com/spreadsheets/d/1il_53RauuXj_SYfJaOtkwPCsrURAPWOT7sGtsfLn66A/edit?usp=sharing

As last time I want the donation destination to be a community decision. So, please let me know about any humanitarian organization you'd like to see on the list! We'll vote at the end of the event where the raised funds will go to.

Here are the organizations I have in mind so far: - Médicins Sans Frontières - Palestine Children's Relief Fund - People in Need - World Food Programme - The Trevor Project - Girls Not Brides - Women for Women - The Pixel Project - NO MORE

Would really love to see as many as possible who participate in this event - but spreading the word about it would mean the world to me already. =)

Let's show the world that Tezos does care - not only about NFTs, DeFi and fake money but about humanity!

[tokenlauncher]

Common Questions About Solana Token Minting Answered

As the cryptocurrency world continues to expand, more and more developers, entrepreneurs, and enthusiasts are looking into token minting as a way to create their own digital assets. Among the various blockchain platforms available, Solana has emerged as a leading choice for token minting due to its high-speed transactions, low costs, and robust scalability. However, with the rise in interest comes a slew of questions from those new to the process. In this article, we’ll answer some of the most common questions about Solana token minting, providing clear and positive insights into why this platform is ideal for your token creation needs.

What Is Token Minting?

Token minting refers to the process of creating new tokens on a blockchain. These tokens can represent anything from digital currencies and assets to loyalty points, collectibles, and more. Minting tokens allows you to define the total supply, distribution, and unique characteristics of your tokens, which can then be used in a variety of applications such as decentralized finance (DeFi), non-fungible tokens (NFTs), gaming, and more.

Why Choose Solana for Token Minting?

Solana has quickly gained a reputation as one of the fastest and most cost-effective blockchain platforms for token minting. Here’s why Solana stands out:

High Transaction Speed: Solana is capable of processing up to 65,000 transactions per second (TPS), making it one of the fastest blockchains available. This speed ensures that your tokens can be created, transferred, and traded quickly and efficiently.

Low Transaction Fees: Unlike some other blockchains where transaction fees can be prohibitively high, Solana’s fees are a fraction of a cent. This affordability is particularly beneficial for those looking to mint large quantities of tokens or those planning to use their tokens in high-frequency trading environments.

Scalability: Solana’s innovative Proof of History (PoH) consensus mechanism ensures that the network remains scalable even as demand grows. This scalability makes Solana an excellent choice for projects that expect to handle a large number of users or transactions.

Developer-Friendly Tools: Solana offers a range of tools and resources, such as the Solana token generator and Instant Token Launcher, that make it easy for developers to create and deploy their tokens.

How Do I Mint a Token on Solana?

Minting a token on Solana is a straightforward process, thanks to the developer-friendly tools provided by the platform. Here’s a step-by-step guide to get you started:

Set Up a Solana Wallet: Before you can mint a token, you’ll need to set up a Solana wallet. This wallet will hold your SOL tokens, which are used to pay for transaction fees on the network.

Use the Solana Token Generator: The Solana token generator is a powerful tool that simplifies the process of creating tokens on the Solana blockchain. Simply input your desired token details, such as the name, symbol, and total supply, and the generator will create your token in seconds.

Launch Your Token: After creating your token, you can use the Instant Token Launcher to deploy it on the Solana blockchain. This tool allows you to instantly launch your token, making it available for trading, distribution, or integration into your application.

Distribute Your Tokens: Once your token is launched, you can distribute it to your intended recipients, whether they are investors, users, or community members. You can also list your token on cryptocurrency exchanges to increase its liquidity and visibility.

What Are the Costs Involved in Minting Tokens on Solana?

One of the most attractive aspects of minting tokens on Solana is the low cost. The transaction fees on the Solana network are minimal — often just a fraction of a cent per transaction. This means that even if you’re minting a large number of tokens, the total cost will remain affordable.

Additionally, the Solana token generator and Instant Token Launcher tools are designed to be cost-effective, allowing you to create and deploy your tokens without the need for expensive development resources. This makes Solana an ideal choice for startups, small businesses, and individual developers looking to enter the cryptocurrency market without breaking the bank.

Can I Mint Any Type of Token on Solana?

Yes, Solana supports the minting of a wide variety of tokens. Whether you’re looking to create a utility token, security token, non-fungible token (NFT), or even a memecoin, Solana’s flexible and scalable infrastructure can accommodate your needs.

Utility Tokens: These tokens can be used within a specific ecosystem or application, providing users with access to products, services, or other benefits.

Security Tokens: Representing ownership of an asset, such as equity in a company or real estate, security tokens are subject to regulatory requirements.

Non-Fungible Tokens (NFTs): NFTs are unique tokens that represent ownership of a specific digital asset, such as artwork, music, or virtual real estate.

Memecoins: Inspired by internet memes and viral trends, memecoins are a fun and playful way to engage with the crypto community.

With Solana’s tools like the Instant Token Generator, you can create these types of tokens quickly and efficiently, enabling you to capitalize on market trends and innovations.

What Are the Benefits of Minting Tokens on Solana Compared to Other Blockchains?

When compared to other popular blockchains like Ethereum or Binance Smart Chain, Solana offers several distinct advantages:

Speed: Solana’s high transaction speed outpaces that of Ethereum and Binance Smart Chain, ensuring that your tokens can be minted and traded quickly. This speed is particularly important for applications that require real-time transactions, such as gaming or DeFi platforms.

Low Costs: The transaction fees on Solana are significantly lower than those on Ethereum, where gas fees can be a major obstacle for developers and users alike. Solana’s low fees make it a more accessible platform for those looking to mint large quantities of tokens or engage in frequent transactions.

Scalability: Solana’s Proof of History (PoH) consensus mechanism enables the network to scale without compromising on security or decentralization. This scalability ensures that your project can grow and handle increased demand without facing performance bottlenecks.

Ecosystem Support: Solana’s growing ecosystem includes a wide range of tools, services, and resources that make it easier for developers to build and deploy their projects. The Solana token generator and Instant Token Launcher are just two examples of the developer-friendly tools available on the platform.

How Do I Promote My Solana-Minted Tokens?

Once you’ve minted your tokens on Solana, the next step is to promote them to your target audience. Here are a few strategies to help you get started:

Build a Community: Community is key to the success of any token. Use social media platforms, forums, and online communities to build a strong following for your token. Engage with your audience regularly and provide them with updates, news, and incentives to participate.

Leverage Social Media: Social media platforms like Twitter, Reddit, and Discord are essential tools for promoting your token. Share news, updates, and memes to generate buzz and attract new followers.

List Your Token on Exchanges: Listing your token on cryptocurrency exchanges can increase its visibility and trading volume. Many exchanges support Solana-based tokens, making it easier to get your token listed and accessible to a broader audience.

Collaborate with Influencers: Partnering with influencers in the crypto space can help you reach a larger audience and build credibility for your token. Look for influencers who align with your brand and values.

What Are the Risks of Token Minting?

While minting tokens on Solana offers numerous benefits, it’s important to be aware of the potential risks involved:

Market Volatility: Cryptocurrency markets are notoriously volatile, and the value of your tokens can fluctuate dramatically based on market conditions, news, and investor sentiment.

Regulatory Compliance: Depending on the type of token you mint, you may need to comply with specific regulatory requirements. Be sure to research the legal implications of your token and consult with legal professionals if necessary.

Security: As with any digital asset, security is a critical concern. Ensure that your token smart contracts are thoroughly tested and audited to prevent vulnerabilities and potential hacks.

Conclusion: Why Solana Is the Best Choice for Token Minting

In conclusion, Solana offers a powerful and flexible platform for token minting, making it an excellent choice for developers, entrepreneurs, and crypto enthusiasts alike. With its high transaction speed, low fees, and scalability, Solana provides the ideal environment for creating a wide variety of tokens, from utility tokens and NFTs to memecoins and more.

Tools like the Solana token generator and Instant Token Launcher further simplify the process, allowing you to mint and launch your tokens quickly and efficiently. Whether you’re looking to create a new digital currency, launch a DeFi project, or simply experiment with token minting, Solana offers the resources and support you need to succeed.

As you embark on your token minting journey, remember to stay informed about market trends, engage with your community, and prioritize security. With the right approach, your Solana-minted tokens have the potential to thrive in the dynamic and ever-changing world of cryptocurrency.

[38sr]

Meet the Artist & FAQs (2023 Edition)

Hey everyone! Just wanted to do an updated FAQ post for those new and long time followers of this blog~

QUICK ARTIST FACTS

• My name is Li Cree

• My birthday is August 3rd (yes I’m a Leo)

• I’m originally from New York but now currently live in California as of 2020

• I am VERY short (barely 5ft/152cm)

• My favorite food is strawberry shortcake

FAQs

What do you do? 

I’m a professional 2D animator and storyboard artist for TV animation for both American and international productions. I've recently also started working as a character designer!

What shows have you work on? 

There's too many to count now since the last FAQ haha. But you can see a more detailed list over on my website.

What program do you use?

For storyboarding work: Storyboard Pro 

For animation: CLIP Studio Paint EX, OpenToonz, After Effects, Audition

For illustration: CLIP Studio Paint EX 

What tablet do you use?

Cintiq 22HD (No Touch)

What art college did you attend?

I attended Montserrat College of Art as well as Niigata School of Art & Design.

Can I ask questions about the animation industry?

Absolutely! I want this blog to be a space where I can share knowledge about the industry to those who are interested in working in this field. So please don’t be shy and drop an ask if you are every curious about what’s like being a board artist and animator for TV animation.

Just please behave and do not ask any questions in regards to projects I am legally contracted to not talk about until the official release. As well as bringing up any sort of rumors/gossip about productions. This space is meant to be educational and not a drama stirring blog. If anything, I will delete these kind of questions with no hesitation and zero tolerance.

What does 38sr mean?

38sr is the 38th element of the periodic table, strontium. The element is actually used for pyrotechnics and gives off a red color when ignited. It’s simply my favorite element. 

Can I use your art as my dp (profile picture)?

As long as you give credit in your bio or somewhere I can see it, then yes you can.

Can I repost your artwork?

No. Please don’t ever repost my work. I will find you. It’s not that hard. 

Do you do AI or NFT work?

ABSOLUTELY NOT. Sorry, I don't wanna get into the crosshairs about this. Just know it's a nah from me.

Do you do requests/commissions (illustration or animations)?

Not really. It’s hard to explain but if you wish to hire me as an animator or artist for a project (animated productions, zines, etc), please send a business inquiry to my business email. But if you’re looking for just regular commissions where it’s more open to the general public, then no. My work schedule is quite packed so I don’t have the capacity to do commissions like I used to years ago.