#new story collection

[muddyorbsblr]

i completely forgot that i have the first entry to 'rules of conduct' ready to go, so i'll upload that tomorrow while i'm still working on part 3 of 'the final Lady Sharpe'

imma give y'all this tho…

now i say this is a 'collection' but really i have no ideas right now on where else to put this particular pair of blorbos so…if you have any mundane scenarios you'd want them to put a smutty spin to, feel free to send me an Ask and i'll put it into the writing queue 💖🫡

[ruubesz-draws]

Showing off the babies

(I watched Ultraman Rising! It was good!)

Bonus:

From this

[cubbihue]

Hi! I’m delighted with your “itty bitties” au. It has a lot of details that very laconically come together to form a single complex beautiful mosaic. It makes me want to discover more and more pieces to fill in the empty space.

And you are making a great job answering so many questions a day! Don’t forget to have a rest!

Ok! Now to the questions. One block at a time.

How is it determined how much food a fairy is given? What effect does food have on a fairy besides preventing death from hunger and restoring strength?

Do Wanda and Cosmo receive any benefits since they work on organizing raw materials for food and also constantly have to grant their godchildren’s wishes?

WAAAA!! OMGGG BITTY TIMMY AAART AHEHHEHHE!!!!

Okay since the questions are big, I'm putting them under the Readmore! This is mostly worldbuilding ramblings for Itty Bitties haha!

Anything that's plot relevant WILL be brought up again btwww!! So if you skip this post you will not be missing anything!!

Bitties Series: [Start] > [Previous] > [Next]

>How is it determined how much food a fairy is given?

Fairies are given equal amounts across Fairyworld!! Food is a necessity for them, and since collecting the food is so difficult, they have a UBF system in place (Universal Basic Food). This UBF system is shared across all courts! It's the one thing everybody can agree on!!

There's also stores for food, but fairies rarely run out of their own UBF amount. Those stores are mostly for food enthusiasts, like bakers. Fairies can also eat out at restaurants, where they pride themselves on quality of taste in the foods.

Fairies can choose between prepackaged UBF plans, or raw UBF plans- depending on whether they like to cook their own food, or would rather just have it pre-made for them! Wanda loves cooking, so she's on the raw UBF program! But Timmy's on the prepackaged plan because he's very lazy haha.

>What effect does food have on a fairy besides preventing death from hunger and restoring strength?

Nothing much really! If anything, food is just something to keep a Fairy's lifespan going and keep them healthy. There's some connoisseurs who enjoy tasting or enhancing the flavors though.

Sometimes, there is food that is especially potent with a child's emotions. If consumed, those emotions are shared into the Fairy! For example, a Fairy that is extremely angry can consume a potent chocolate bar, and immediately feel the calmness that a child had once experienced.

These foods are usually out of reach for the Common Fairy though. A very small amount of potent food is shared in the UBF system, but the amount is uneven across the courts. It's a constant political debate for Fairies.

>Do Wanda and Cosmo receive any benefits since they work on organizing raw materials for food and also constantly have to grant their godchildren’s wishes?

Since Fairy Godparents use a lot of magic, they get double the amount of the UBF! They're allowed to pick the food they want, allowed as much potent food of their choosing, AND are the only Fairies allowed to eat core wishes.

Unlike Potent food, core food are highly valued as it's the pure desire a child would have. It's near impossible to retrieve, and is viewed as the ambrosia of food for Fairies. Although Fairy Godparents are only allowed to eat the core wish of their own godchild.

Cosmo and Wanda are in the process of eating Timmy's Core Wish, and many Fairies are very jealous of them because of it.

There's a lot of benefits that comes with being Godparents. That's why the training to get there is hellish, haha. Only the most toughened Fairy approved by Jorgen Vonstrangle can become a godparent!

[expelliarmus]

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the��immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[soulanima]

Last sonata before shooting the moon

[iamnotthenewwriter]

Sirius Black is just average height

Remus Lupin is really tall

Sirius Black is slim

Remus Lupin is muscular

Sirius Black has delicate features

Remus Lupin has strong features

Sirius Black wears clothes that make him look bigger

Remus Lupin wears clothes that make him look softer

[spiraphobia-scans]

Project Announcement - Net Keijiban Hyaku Monogatari Series

Yes, another horror anthology! I just had to pick this one up when I saw the first chapter, because Monkey Dream is one of my favorite Japanese creepypastas ever. Unlike the other anthologies I’m scanlating, this one features various artists and currently has two volumes. Definitely recommended for fans of Japanese urban legends and creepypastas.

Read the first chapter on Mangadex

[velvetlaceee]

Pandora just got her new Martini set🍸

Ladies and gentlemen - Martini by @bbygyal123 🗣️🍸

Inspiration by @marilynjeansims 🤍

[bigcats-birds-and-books]

Books of 2024: THE AMBERGRIS TRILOGY by Jeff VanderMeer.

Up next! This series is how I'm bridging my current writing/revision project with the one on deck for my personal nano. They're both Weird Stories, but the one I'm working on now is Weird (genre), like VanderMeer, and the one I'm planning for November is going to be Weird (fungus), also like VanderMeer. I hope to get Driscoll vibes AND some New Book vibes out of this!

[affetrollkarl]

Aaah! I got pakidge :D

They are Twilight's List by Kits,

Mendacity by Dromicosuchus,

Injuring Eternity / The Last Train Home by @rarilight

Compatī by Corejo

and The Twilight Effect by @evelili

Thank you all for writing such amazing stories! I'm looking forward to re-reading them all (and reading the new and complete version when it comes to Compatī) ♥

And if someone is looking to get some print for themselves, you can find these and many more at Ponyfeather Publishing!

[ourlordandsaviorgojira]

Since there's a crisis of media going around, I'd like to start a list of really good fantasy authors to pick up instead.

Ursula K LeGuin (Earthsea, Compass Rose)

Michael Swanwick (The Iron Dragon's Daughter, Vacuum Flowers)

Clive Barker (Abarat, Imajica)

Ellen Datlow and Terri Windling (any story collection they've edited tbh)

[the-modern-typewriter]

Hi!

My best friend's short story collection just came out!! (It's here on Goodreads).

Ancient British myths reimagined According to stories, we share our world with a menagerie of mysterious creatures. What happens when those creatures appear in the modern world? Do fairies still like traditional offerings of herbs and spices? Do unicorns still live in forests? Do sea serpents still yearn to eat innocent maidens? This collection of stories brings myths from across the UK to a modern world with offices, cities and fast food restaurants. The consequences are often comedic, sometimes horrific and always surprising.

I haven't written my proper goodreads review for it yet (it's on the agenda) but as a huge queer fairytale fan I loved it!

The style is just delightfully cosy and funny compared to anything I could ever come up with. I also really like that at the end she talks about all of the original versions of the myths, so if you're interested in local folklore from the UK it's also great for that.

Give it a go if you fancy reading about Jack Frost falling in love with the Green Man, goblins running amok in the office printer, ghost dogs and more!

You can talk to her on Twitter or whatever it's called @ficcaholic.

[kelaeri]

Presenting... my finally completed collection of the 1996 Nightwing series!

The only exception, of course, being Devin Grayson's #71-100 which were never collected in Nightwing titled graphic novels. But anyway, this series I highly recommend starting with if you want to read Nightwing-- not with comics that were released later. I know they're popular and the art is more modern, but trust me. Post-Crisis (generally) gives a much deeper look into his character.

[iamnotthenewwriter]

Cold

Prompt suggested by @abbystromboli

Warning! Smut ⚠️

One shot

Draco was waiting for Harry at the top of the astronomy tower, he had an awful day and just wanted to see Harry and feel better thanks to him.

Harry walked up the stairs, taking the invisibly cloak off when he reached the top of the tower and seeing Draco there waiting for him.

“Hey.” Harry almost whispered as he walked up to Draco who was sitting down onto the rather cold ground, he leaned down and placed a soft tender kiss on the male’s forehead before sitting down next to him.

“I missed you.” Draco mumbled quietly as he rested his head against Harry’s shoulder, the blonde looked sad and Harry wrapped his arm around the other’s shoulders as his thumb slowly rubbed against the soft, yet way too thin for that cold night, fabric of Draco’s white crisp shirt.

Harry brushed his nose against Draco’s hair, he took in his scent of fresh expensive leather, something woody and something sweet. “I missed you too.” The shorter male replied softly.

“It’s cold.” Draco whined as he shuffled closer to Harry’s body, the green eyed male pulled Draco into a hug as he made him sit in his lap.

“Better?” Harry asked as he wrapped his arms about Draco, the blonde wrapped his own arms around Harry’s neck as he straddled the male’s hips.

Draco nodded as he looked down at Harry and when their eyes met he leaned down to kiss the other, the tender kiss quickly deepened as Draco pushed his tongue into Harry’s mouth exploring it once again.

Harry needed so desperately to feel Draco’s skin against his, he was quick to unbutton and toss the blonde’s shirt onto the floor while Draco did the same with his shirt.

“Harry…” Draco whispered as Harry kissed the other’s chest, brushing his tongue against his pale pink nipples.

Harry gently pushed Draco down onto the cold floor, the blonde arched his back as the other started taking his pants off and before he could realize Harry was already freeing the male’s hard boner from his underwear.

“Please…” Draco moaned when Harry lowered his head to lick the male’s tip, swirling his tongue around it before taking it into his mouth.

Draco bit his bottom lip as he tried to keep quiet, it was late and everyone was sleeping already but they still needed to keep quiet and hopefully no one would find them.

Harry bobbed his head up and down Draco’s cock, the blonde reached down and grabbed Harry’s dark hair into his clenched fists and gently pulled on it.

A handful of minutes later Harry pulled away from Draco, his lips wet and red as he caught his breath. “Turn around for me.” He told Draco and he was quick to do as he had been told while Harry took his own pants and underwear off finally.

Draco looked back to see Harry on his knees behind him, the dark haired male leaned down and spread the blonde’s cheeks apart. He admired the pink ring of muscles before he slowly ran his tongue against it, the hole twitched and clenched around the air as Draco covered his mouth with his pale hand as he tried to keep quiet.

“I’m ready, please Harry…” Draco said as he tried to hold back his moans, he could hear Harry shift behind his before aligning his cock with Draco’s hole.

Harry pushed his tip in and his hold tightened as his fingers clenched on Draco’s hips, probably leaving marks there, and the blonde couldn’t hold back anymore.

“Harry, Harry…” he moaned out the other’s name loudly as Harry slowly pushed his whole length into the male, be felt so tight and warm it was hard to keep his movements slow at first.

Unfortunately someone was walking near the tower and heard their loud moans, the older male walked up the stairs quickly and his facial expressions was disgusted and horrified when he reached the top of the tower.

“Potter!” Severus Snape was standing there in his black robes, Harry was quick to pull out of Draco in shock. The blonde widened his eyes and tried to get dressed, blushing as he was so embarrassed they had been caught and by none other than Snape.

“This is unacceptable, you are going to be expelled!” The man said as he looked at Harry.

[deadsquidstudios]

did everyone just completely forget that there’s an act 3 coming?

Show’s not over yet, folks. This might feel like the end right now….

but it’s always darkest just before the dawn.

and when that dawn finally breaks…

It’s going to be beautiful.