#new character knight

[pormegranate]

Knight of calamity and his noble...tiger?

[heybiji]

"It must hurt her feelings."

[post-it-notes7]

Please tell me this will be a happy ending

dearest anon, only time will tell

[whoops-lost-the-ranger]

Nethorn

[muffinlance]

Hey fic rec time! I didn't do these often so you KNOW it's good

If you like Star Wars and Mandos and falling in love with character dynamics you'll never be able to find again because OP just smooshed together things that never existed before

May I introduce you to:

Mando'jekai jedi by Anonymous

Yes Anonymous come out here OP so I can put you in a little jar and provide you optimal writing enrichment and maybe shake you a little to see how you work

Author Summary:

Feemor saves a random Mandalorian and earns himself the position of Jedi watchman for the sector. Now if only the mandos would stop hunting him so that he can investigate this terrorist cell in peace.

Jaster really wants to talk to the jedi who slapped the darksaber into his hands before running off. Now if only the haat'ade could track him down.

My Summary:

Feemor Gives Mandalorians a Life-Changing Field Trip (No They Cannot Exit This Ride): The Fic

The writing is so smooth the humor is HIGH-LARIOUS the angst is wrapped up in the humor which is wrapped up in outsider POV

It's like you went to Fic Restaurant and the waiter slapped the menu out of your hand and said "I've got the good shit" and you were too terrified to protest that actually you were just here for a little hurt/comfort fix-it fic but when they came back

Oh damn

Oh that is the good shit

Anyway click this it's the good shit

[clazaries]

Just a Neighbour Thing

(MarcSpector! x f!reader)

Summary: Your neighbour Marc Spector is a pain in your ass. Until he saves your life. w/c: 3.9k Warnings: a lil bit of violence but nothing too graphic. Fluff! a/n: I'll be posting a masterlist soon because I think I've got about three or four fics out now and a few to come!

Marc Spector is an elusive character. A man of very few words and an enigmatic personality - not that you know him well enough to judge his character - but from the rare occasions where your paths crossed in your apartment building, it can be summed up with a small smile from you and a smouldering glare from him. Often aloof, the opportunity to get to know him better as a neighbour never seems to present itself and it leaves you struggling to understand who’s to blame. It’s obvious personal defects are the cause; but his or yours? 

There’s been many occasions where you’ve had to confront his brick-wall disposition, mostly due to the fact that his ringer on the main lobby doesn’t work, so naturally people go for the next best option which is to press the ringer directly below it: yours. You deliberately leave his mail to accumulate at your door until it becomes an unavoidable mound of tax letters, local advertisements and rent notifications and only then do you brave the trip to the apartment above to deliver his post. 

It’s always the same. You knock on the door in a rhythmic pattern that’s become yours. Within seconds he answers the door with the same cold expression, wordlessly takes his mail no matter how hard you try to start up a conversation and before long, you’re staring face to face with the shabby wooden surface of his door. The only thing that changes with each encounter are the clothes that he wears. Different but fairly relative to his style. Purely functional and never dressed for any occasion.

You didn’t mind it for a while. There was some satisfaction and fulfilment to be found while doing your neighbourly duties and despite the fact that there was every possibility he wouldn’t do it for you, you weren’t someone who held a grudge or felt like they had ever been owed a favour. But the mailman had happened upon you on a very bad day and you didn’t feel like accepting his parcel. You had recently been made redundant after the company you worked for did a reshuffling of working positions and yours wasn’t to be included in the new phase they had turned over. So you wallowed at home, watched numerous brain-rotting films, ate a load of junk food and drank lots of wine. 

It was nothing personal towards the mailman when he chapped on your door and demanded a signature for Marc’s parcel, but you couldn’t pretend to be the ‘lovely-neighbour-from-downstairs’ any longer. 

“This is for 8B upstairs. Says there.”

“I know. I can read,” the mailman grumbles, “but I tried knocking on his door but there wasn’t an answer. The parcel needs to be left with someone and you’re the nominated designee.” 

“Can’t you just leave it with another neighbour?” 

“No, says it needs to be left with you.” 

You look at the large rectangular box and consider it. Aside from Marc’s address scribbled on the top, the box is littered with numerous stamps from various international postal services, few you recognize. It looks to be well travelled and handled with very little care yet there’s nothing to suggest what’s inside. With a sigh, you take it from the mailman. It could be important, especially if it’s gone through so many countries to get here and the fact that you would be to blame if it got stolen or damaged. “Fine, I’ll take it.” 

The mailman looks to his feet where a growing pile of letters addressed to Marc starts to spill over into the threshold of your apartment, judgement washing over his features. “Do you…do you normally take all of his mail as well?” 

“Do me a favour? If you ever see the guy from 8B, tell him to come collect his fucking mail.” 

There’s a part of you that feels slightly bad for the mailman when you slammed the door in his face, but then you remember that if Marc stopped being so fucking immature about answering his own door to receive his mail, then you wouldn’t need to feel bad about anything. You leave the parcel sitting on your hallway table, waiting for the day Marc grows some responsibility and asks you for it. 

~~~~

When you placed the parcel on the hallway table, you didn’t expect that it would be sitting there for over a week collecting dust, nor did you expect the curiosity of what’s inside to completely consume you. You walked past it every time you left or entered your apartment. It was in the corner of your eye every time you sat in the living room. It practically radiated temptation every time you took notice of it, screamed at you like it was begging to be opened and you had to force your grubby hands to keep still and not reach for it. But you so desperately wanted to know what was inside. Why was it so conspicuous? Why has it suddenly become the most interesting thing in your apartment?

Perhaps Marc was testing you, sending you a little something of no importance to experiment with your curiosity and test whether or not he could trust to leave you with his personal belongings like he does with his letters. That’s certainly what it felt like by the turn of day eight of the parcel being there and you simply refused to be a rat in his experiment. 

That determination lasted for two whole days before it started to truly pester you. It was starting to get in the way and it felt as though it was getting impossibly bigger and bigger. On day nine you were ready to break it, smash it against every wall, rip every piece of cardboard that keeps it together and deliver it in that state to Marc yourself. From your sofa you stood, eyeing the parcel as if it was taunting you and with adrenaline thrumming through your veins, you stomped towards it. Hands outstretched, you were ready to throw it in any direction but something stopped you at the very last second. Something peculiar and completely out of the ordinary. You halted just centimetres out of reach from the parcel, centimetres out of reach from your door where you could hear the whispers of two or three men right outside. You could see the moulds of their bodies through the peephole. 

“Look, I’m telling you he lives here-”

“Are you sure?” 

“Positive. All his mail is sitting here. It’s definitely the right apartment. The parcel is in there.” 

The parcel. They’re here for the parcel. 

“C’mon let’s get this over with. He’ll be back soon. Where’s the crowbar?” 

In the very few heart-stopping, crucial seconds you have before anything happens, you quickly banish all hysteria and muster all rationality and flip over the keyless lock and quietly shuffle away from the door with the parcel in hand. You estimate you have about 15 seconds before they make any headway of getting into your apartment, not enough time for you to hide, but enough time to hide Marc’s parcel. After all, that’s what they are here for. With your heart pounding in your chest, your eyes scan over every nook and cranny of your apartment, quickly assessing each spot based on how likely the intruders are to find it and with the seconds dwindling into single digits, you make a snappy, slightly reckless decision. There’s a ledge just outside your kitchen window where you occasionally leave out some seeds for the birds and you think it’s just low enough that the parcel won’t be seen from the window. It’s risky but you’re running out of time, you have to move. 

Scrambling over counter tops and at the sacrifice of knocking over a few utensils, you manage to wrestle the window open and precariously place the box on the window ledge. It’s risky. The ledge isn’t wide and it’s windy, but whatever is in the parcel is just heavy enough that it stays rooted to the spot. 

Pulling back, your hand grazes the handle of a kitchen knife which, now that the intruders have made their way into your apartment, seems like a good idea to have. 

They round the corner into your living room and immediately start looking for the parcel, noticing you only a few seconds into their search. You point the knife in their direction standing courageously but your wavering breath tells a different story.

The three of them turn towards you from where they stand, and given their expressions, they are just as shocked to see you here than you are to see them. You weren’t supposed to be a variable in their plan. They were supposed to be burglarizing Marc’s empty apartment. Not yours. 

The two taller brown-haired men have similar features and builds, almost identical and you begin to wonder if they are twins. Brothers at the very least. But it’s the ageing stout man standing where the living room and kitchen divide who stares you down. He’s dressed smartly in a tweed suit with a golden pocket watch hanging from his waist coat, the type of man who doesn't like to get his hands dirty, because of course, that job belongs to the bulky twins behind him. This is a man who loves to watch it as it happens. He’s more business than manual labour. 

His facial features morph from shock to something sinister, his lips twisting into a smile that’s as greasy as the hair on his head as if the cruellest of ideas just crossed his mind. 

“I didn’t know Marc had a girlfriend,” he sneers. 

“He doesn’t,” you snarl, aiming the knife directly at him with two hands. “He doesn’t even live here either.”

“Oh, so his mail just gets delivered here on a daily basis?” The man hovers over to your coffee table and picks up multiple letters addressed to Marc, the ones that were delivered last week and remained there because of your stubborn nature. 

Okay, not off to a great start. “He doesn’t live here.”

He grins but it falls flat a split second later. “Forgive me if I don’t believe you. Now where is he?”

“I don’t know because he doesn’t live here.”

“Bullshit. Where. Is. He?”  

“Not here. I’m not afraid to use this knife.”

“Oh, not from there you won’t. Let me help you with that.” The man crosses the space between you in three long strides until you’re pressed flat against the counter and the point of the knife grazes the tip of his waist coat. The audacity of this man is staggering. “Save yourself the hassle and tell me where Marc is.”

“I’m telling you the truth. I don’t know where he is! Now get the fuck out of my apartment. Whatever it is you’re looking for isn’t here.”

“And have you call the cops on us? Not a chance, sweetheart.”

His hand reaches out to grab you, and he almost does, but with your quick reflex swinging the knife around, you knick the palm of his hand. The man stumbles backwards with a pained yelp, watching the blood seep from his hand and drip onto your kitchen tiles, enraged that you would even do such a thing. Despite your heart racing and the slightly dizzy feeling of adrenaline raging through your veins, you stand strong, holding the knife even higher in warning. 

“You bitch. Boys!” He shouts and the two brothers come running to his side, sizing you up. “Tie her up. We’re not leaving without that package and I’m certain she knows where it is.” 

It was easy enough to defend yourself against this puny man with a knife, but against two brutes who manhandle you as if you are lamb for slaughter, you don’t stand a chance. Relentless, you squirm and wriggle and fight to get out of their grasp, and while you had accepted that you were fighting a losing battle, there’s still some pride to be had about how hard you made it for them. Rather than tying you up unscathed, Thing 1 ties your hands with a bloody, swollen nose and Thing 2 ties your ankle with a forming black eye and a bruise developing on his ribs. 

With you strapped to the chair, they stuff a gag in your mouth to dim your screams while they scramble to ransack your apartment, turning it upside down to find the fucking parcel Marc left you with. After 15 minutes passes by, your home is a riot; furniture broken, plates, mugs and bowls smashed, everything you own on the floor. 

“Boss, it ain’t here. We’re searched everywhere.”

“It has to be!” The stout man shouts, eyes glaring at you enraged. He crouches down, fiery ageing eyes level with yours. He rips the gag out of your mouth and presents a new threat. A razor sharp knife, gleaning in the light as he holds it directly in front of your face. “For the last time. Where is the parcel?!” 

“I am telling you. I don’t know,” you spit, trying with all your might to sound as convincing as possible. “I don’t know what parcel you’re talking about. I don’t know where Marc is--I don’t even know the guy! And he sure as shit doesn’t live here. And if any of you had half a brain to actually read the letters will realise that his address is the floor above me. He never answers his fucking door and that’s why I have all his mess at my door.” 

The guy jabs the point of his knife underneath your chin, tilting your head upwards. A nauseous feeling stirs in your stomach, raising your body temperature and conjuring a little bead of sweat to drip from your hairline. Your teeth clamp down onto the inner lining of your cheek, hoping, praying, pleading for someone to burst through your door and save you.

You can’t see anything change within the man in front of you, not taking your word for gospel and the more frustrated he becomes, the more danger faces you. Temperament rising, the man grunts and knicks the skin of your chin, splicing the skin open. “Argh, fuck!” 

“Marc might not live here, but we know the parcel was delivered! And if you do end up with all his mail then it should be here. Now stop lying to me, you little bitch, and tell me where the fucking parcel is or you are going end up with a lot worse than a cut to your chin.” 

You watch in horror as he presses the edge of the knife over your wrist tied to the armrest of the chair and no amount of squirming can break the ties. Fuck, please tell me that I’m not going to lose a limb over a fucking parcel…

Tears pool in the corner of your eyes, your brave facade failing. You’re absolutely terrified

“I’ll give you some context then. That parcel contains something I want, an ancient Egyptian artefact that contains unimaginable power and would bring me a lot of wealth, and Marc Spector has no business taking it from me--” So that’s Marc’s surname. “And unless you want to keep your thieving hands, you’ll tell me where it is.” 

As he begins to press the knife’s sharp edge down onto your skin, you start to consider the depravity of the situation, the truth finding its way to your lips. There’s nothing more you want than for this to all be over, to be wrapped up warm and safe in your bed but you can’t shake the arrogance of this guy and his stooges, busting in here like he is entitled to, making a mess of your home, harming you, all to take something that was clearly meant for Marc, all because he thought it would be better with him than with Marc. 

No. Fuck that.

“I. Don’t. Know.” A glob of saliva gathers on your tongue and you spit it into the face of your capture, because if your words can’t send the message, hopefully that will. 

“You should believe her, by the way.” A voice emerges from behind you and simultaneously, all three men turn towards your front door in stupor. You try to twist your head over your shoulder as far as you can to catch a glance but he’s just out of your sight, however you don’t need to wait long before you get confirmation of who is standing at your door. 

“Marc Spector,” your captur states. “Finally.”

“Mind telling me what you’re doing in my neighbour’s apartment?”

“For the very same reason why you’re here, Marc. The parcel. Our parcel. The one you stole.” 

Marc snickers. Having gone so long without seeing what a smile looks like on his face, you’re itching to turn around and see him, but you only get as far as Thing 2 who stands with your back to you, blocking your view. “Torturing women for information? Tsk, tsk, that’s a little beneath your remit Donald, is it not? You’re wasting your time. I have the parcel locked up in storage.” An obvious lie, but not obvious enough to them. “She’s got nothing to do with it. In fact, I don’t even know her.” 

“I don’t care who I have to go through to get what is mine, whether it’s her or you, I will have it by the time the day is up. Boys!”

“Your mistake.”

In the space of a second, the three men in front of you disappear and you’re left to stare at the vast emptiness of your white walls as chaos erupts behind you. Grunts and groans of pain are spliced in between the sounds of punches and kicks being thrown, furniture breaking, bones crunching and bodies thumping to the ground, all of which you try to drown out by hunching your shoulders over your ears and closing your eyes. 

After suspenseful minutes of fighting, it’s clear one man stands victorious. Who? You don’t know. Aside from worrying about what kind of state of your apartment would be left in, you have no idea who you’ve been left in the apartment with and the likelihood of Marc succeeding against three men is slim and the anticipation is killing you.

At last, when a fully mummified figure with white glowing eyes kneels in front of you, you’re taken aback. 

“I’m so sorry, are you okay?” His hand comes to tilt your head gently, inspecting the small cut to your chin with a small tut.

“...Marc?”

The mask that covers his face dissipates to reveal the Marc you recognise, looking more worried than you had ever thought he was capable of. He begins to make quick work of your bounds, easily ripping through them with a single fingertip where all the strength in your arms couldn’t. 

“What the…”

“It’s a lot to explain. I promise, I’ll explain later. Are you hurt? Are you alright? They didn’t do anything terrible to you, did they? Fuck. This is all my fault. I’m so sorry-”

“Marc, hey, I’m okay. Just a little shaken up I think.” Now free, you come to stand in front of Marc who, weirdly enough, seems to don this mummified Egyptian regalia as a suit of armour. You remember this ‘Donald’ guy mentioning something about an ancient Egyptian artefact and you assume it has to be related to whatever Marc is wearing. You even try to mention it, but you can’t seem to get a word in with Marc fussing over your safety and blaming himself for any harm that Donald and his men have caused you as he gently dabs the blood away from your chin. After futile attempts, you decide to leave it be, marvelling over the new Marc as he carefully handles you with care despite having treated you with such indifference up until a few minutes ago. 

Donald and his two bodyguards lie unconscious (...or dead?) on your apartment floor and you look over them with satisfaction, Marc’s unparalleled strength no match for them. Marc quietly lingers behind you, observing them over your shoulder with a similar resolve until he notices the complete disarray surrounding them. 

“Sorry about the mess.” 

You chuckle lightheartedly. “I’m just glad you came when you did. They got what they deserved.”

“Look,” he pulls you away from them to lock eyes, sincerity twinkling in his irises, “I really am sorry. I thought I was careful enough to not get anyone involved in my mess, but I guess I was wrong.” 

You crunch your eyebrows together, recollecting every instance of Marc giving you the cold shoulder. You always thought he was just an unfriendly neighbour, someone who had no interest in anyone but himself, who viewed everyone as an inconvenience. But it was his safeguard, his way of not letting anyone he knew or cared about come into harm. “So you being an asshole was on purpose?” 

“Completely. It was nothing personal.”

“I see,” you sigh, but with a gentle bump of shoulders, you add “I could’ve helped you, you know. You just needed to ask.” 

He shakes his head dejectedly. “It would’ve been too much of a risk.” 

“More of a risk than not asking me? I still got caught up in the crossfire anyway, if I had known why, or at least expected it, I could’ve been better prepared. I don’t need to know what trouble you got yourself into or what shady business you run, but I’m not just your neighbour, I could’ve been a friend if you had allowed me.” 

“It had never worked out for me in the past. I didn’t want to make the same mistake again.” 

“Okay, I get it. You’re forgiven. But Marc? A word of advice for the future? Just answer your fucking mail then maybe, just maybe, I won’t need to be dragged into all of this again, yeah? They thought you lived here.” You pick up a handful of unopened letters addressed to him and bluntly shove them against his chest with an appointed look and smirk. 

He reciprocates the smile with less enthusiasm and turns his attention to your door. “Speaking of, I’ve got a very important parcel I need to track down. I actually have no idea where it is. I can’t let it fall into the wrong hands.”

“About that.” You don’t say another word as you lead him to your kitchen window, awkwardly mounting your counter to reach for the parcel lying just outside your window. As soon as you bring it into view, Marc’s face lights up like you’ve never seen before. 

“You had it?! This whole time?! I heard you tell them you didn’t have it!” 

“I’ve had it for weeks, actually. Those clowns didn’t exactly take the quiet approach when breaking into my flat so I knew what they were here for. I just had enough time to hide it before they came in. And I can be quite the convincing liar when I need to be.” 

Marc quickly discards the parcel, throwing it onto the kitchen counter before throwing his arms around you, knocking the air out of you and squeezing tightly like his life depended on it. “You…are an angel. I can’t thank you enough.”

The two of you embrace for longer than what’s normal between two neighbours, partly in Marc’s resounding appreciation and partly because it feels nice. 

“In all honesty, I was two seconds from opening the parcel myself. The curiosity was killing me.” Marc’s laughter shakes his body, his warmth slowly leaving you as he draws back. 

“I can show you if you want. I figure you’ll be needing a place to stay while we get your apartment cleaned up. It’s the least I can offer for all the trouble I’ve put you through.” 

“Yeah. That would be nice.”

[panic-and-procrastinate-drawing]

so i did a jason redesign :)

[bonetrousledbones]

y'know

[eldrtchmn]

🌙 Dark Sun Gwyndolin 🌙

[meltedwax87]

[coldcutfruit]

Knight of Swords, Shin Hati

[styllwaters]

351 / GAZI-MIAH

At last this monster of a ref is finished. Introducing the first canon Knight character for Vivere 44!

351 is a mountain Knight from Ferhaht, though their host is part Fejga; hence the brown fur and stocky build. They act as the secondary antagonist in parts 1 and 2 of the story. In part 3, the final 'season', they feature as a protagonist. 351 starts out as a ruthless, aggressive soldier working for Genizix, intent on completing the mission assigned to them. Under the direction of their officer, 909, 351 has been dispatched to quickly and efficiently eliminate targets who threaten to expose the company's activities in the Zhagaviit galaxy.

Eventually they come to realise that they are being manipulated by both the weapons company and their abusive superior, and in part 2 351 challenges 909. Their fight results in 351 gaining an array of scars and a terrifying near-death experience, and though they survive, they are permanently mentally separated. Unable to go into the Trance which binds the consciousnesses of the Helmet and the Host, they must learn how to work together as two people again. 351 escapes to their homeplanet of Ettera, surviving in the wild as they race against time to deliver an important message and rediscover who they are. During part 3, they discard their identification number and take on a new name, Gazi-miah.

More in-depth lore, facts, and extra art below the cut!

BACKSTORY

[cw: abuse, drug use, general dark themes]

351 was always told that they were born in Genizix like 909, though this is not the case at all. 351 had a life before they were turned into a killing machine, living on the Ihmna Stretch with their Ferhahti order. Their life was upturned on the day of their scouting Expedition, a journey that all Knight squires must take on before they can become full soldiers (More on Knight social structure here). They were tasked to deliver a message to an allied order along with two other temporary scouts. Upon arrival, however, instead of friendly greetings they were met with a chilling scene - the order was being attacked by another, the two groups set against each other in a fearsome battle. The fight was secretly orchestrated by Genizix in a plot to evaluate the strongest soldiers to recruit to their cause, unbeknownst to anyone but them. Feeling that it was necessary to aid their allies, 351 and their peers rushed into battle. They fought fiercely, but the young Knights were up against fully-fledged soldiers and 351's companions perished. 351 themselves was severely injured, and in the aftermath, blacked out - but not before catching a glimpse of strange figures.

When they awoke, they were not on Ettera any more; rather an unfamiliar place with black walls and machines. They could barely remember anything from the night before; and slowly the rest of their memories on their homeplanet receded as Genizix toxins that they were injected with took effect. Later, 351 would be introduced to 909, an experienced Knight officer with an extensive history of working for Genizix, and placed in their unit. They were assigned a number for a name and moulded into the perfect killing machine. 909 fed 351 a constant stream of lies about where they came from, and like all soldiers recruited into the system, promised that in fighting for the company they had a chance to participate in something greater than themselves; to see the real universe outside of Zhagaviit. But 351 was driven more by fear than the potential for glory. They had seen what happened to those who disobeyed the higher-ups, and what could happen to them if they did not complete the missions.

909 stripped 351 of their individuality and left nothing but brute force and a desire to please. What the agent feared more even than Genizix was invoking 909's anger, so they pushed themselves to do any dirty work asked of them. The organisation became their whole world, their 'family', and 909 made sure they could never leave their clutches - manipulating them, threatening them and twisting their worldview. The process was sped up by specialised toxins designed by Genizix intended to distort perception and slow brain activity, inducing a dreamlike state. On Knights, this had the effect of triggering and enhancing the Trance, making it incredibly difficult for one to mentally separate the helmet from the host. With time 351 came to believe that they were one person, and they had no reason to think otherwise as their exposure to information was carefully controlled. 351 was conditioned to see their targets as non-sophont and they were rewarded for using cruel tactics. The more time they spent with 909, the more they began to lose their sense of self entirely until they were nothing but a weapon. Such is the fate of most soldiers who have wound up working for Genizix.

Despite the deep emotional (and physical) scarring and conditioning, during the events of Vivere 44 seeds of doubt are planted in 351's minds. These would only germinate further as they gain more clarity of their situation. Standing up to 909 was the first step they took towards breaking free of their chains, although it came with a cost. 351's host was physically Separated from their helmet in the fight, an injury which in most cases is lethal. They were repaired by a scientist who stitched them back together and managed to salvage a sliver of the bond which connected their minds. 351 could never enter the Trance again, though the helmet and host could still exchange thoughts between each other. As they were two separate entities now, the helmet guides the blind host with directions.

Instructed by the scientist (an Arrow named Nimbus, who will be introduced later) 351 left the facility on a new mission - to deliver an urgent message to Jes-ren, a Kaata Plains Knight living on a Ranch on Ettera. They traversed the land they once called home, now unfamiliar to them, relearning how to work together as a pair that might as well be complete strangers to each other. They recover their memories; or at the very least parts of it, as they cannot remember their original name. However, they gain a new one; Gazitkaar-Miahlad [meaning: lost messenger / returned to us].

The road is long and tremendously difficult; Gazi-miah struggles to unlearn years of aggression, addiction and lies, all the while carrying immense trauma. They eventually find peace, and settle down with Jes-ren in Kaat following the climax.

PERSONALITY

During their time at Genizix, agent 351 picked up on a lot of nasty habits and traits from 909 who brought out their worst attributes. They became merciless, taught to discard feelings and remorse. 351 was not afraid to make a show of their strength, and at times was needlessly cruel and taunting. The toxins affecting their nervous system tended to spur on their host's prey drive to a concerning degree, and a part of them enjoyed the power trip they got from hunting down targets. Though everything they did, they did for 909's approval - and to avoid getting disposed of by Genizix.

When their host and helmet were Separated, and the effects of the toxins wore off, gradually their aggressive attributes took a backseat as they grappled with their new situation. With great effort they gain an understanding of both the horrors they went through and the atrocities they committed for the sake of a corrupted system.

Once they escape Genizix's hold, it becomes clear that 351 is incredibly socially inept and any interaction that isn't violence or taking orders is new territory for them. Freedom and agency are difficult concepts for them to grasp, but with the aid of others around them they begin to adjust to their new life.

The helmet, Miahlad (my-a-lad) is the more practical of the two. He has one goal in mind; keeping the both of them safe. Miah is resourceful and smart, though when it comes to social interaction he's just as clueless as his host. This doesn't stop him from offering advice via their mind-link. He is firm, distrustful, and judgemental, but cares deeply for Gazitkaar even if he won't say it. At first he is reluctant to uncover the truth in fear that it will harm them both, preferring to stick to familiar ground. Despite his realistic worldview, more than once he considers going back to Genizix due to the simple fact that it's all they've ever known - even if it hurt them. As a helmet he cannot speak out loud but relearns sign language to communicate with other knights.

The host, Gazitkaar (gaz-it-car) is constantly questioning everything. She is less focused on the personal safety and wellbeing of the Knight body and more concerned with the wider truth, always seeking to know more. Gazi is not one to back down from a challenge, whether it be traversing dangerous territory or mastering a new skill. But like Miah, she is averse to touch, and will bite if boundaries are pushed far enough. She is more open to listening than her helmet, and is a fast learner. Though she is more adaptable than Miah, her curiosity can sometimes go unchecked and lead them into trouble.

EXTRAS

They are 37 years old and tower over everyone, including other Knights. Their prescence could fill a whole room.

The engraved bone necklace was given to them by a Polar Knight commander from Ehtte Thannoeh where they first landed on Ettera. The carving depicts an Aikka deity whose horn always points northwards, and is said to watch over lost travelers from the northern lights.

Gazi-miah's piercings were put in by the scientist Nimbus, intended to firmly fix the helmet to the host.

As a Genizix agent their build is very toned and muscular due to their intense training and strength-enhancing substances which also speed up wound recovery. Such a lifestyle was placing immense stress on their body, and as they spent more time on Ettera they gained more weight and adopted a healthier diet.

Their build and design is inspired by bulls and rottweilers.

Their fur is spiky due to chemicals and unnatural cleaning products resulting in an unpleasant, rough texture. In the future it becomes softer thanks to proper grooming.

Here's some of the first concept art I have of them (and also showcases their pelt colours better)

Aaand a simplified version of the ref without all the notes for your viewing pleasure.

I'll stop here before this post gets insanely long but if you have any questions I shall be delighted to answer!! ;] Thanks for listening to my tedtalk

[shyjusticewarrior]

Red Hood + Headbutting

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[diyvampyrism]

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.