The scene in the Barbie trailer when Barbie is skating around with Ken and asks "Why is everyone staring at me?"
THAT'S EXACTLY WHAT IT FEELS LIKE TO BE AN ADOLESCENT GIRL.
Living in Barbieland (childhood girlhood) but then suddenly you're all grown up in the real world subject to scrutiny and sexualisation (the guy slapping Barbie's ass) and feeling like existing is a crime?
Being forced by adult men into a box (which leads to the not like other girls syndrome) and exploring the 'real world' (being forced to grow up too quickly) while fighting the realisation that maybe the world sucks and being a woman is so difficult while hoping with all your heart that it's not always going to be this way.
Losing touch with the very things that made you happy because they're considered immature and girly? (The group of teens that said they hadn't played with Barbies since they were five.)
Older women telling you that you have to learn the truth about the world and that you can never have your old life back (Kate Mckinnon's Barbie) despite it being the only thing you yearn for, but also older women being a bright spot and support (the old woman on the bench) in the endless slough of life.
And this is just the trailer!!! I'm so excited for this movie I can't breathe, Greta Gerwig the woman that you are 😭
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Obsessed with the way William moves in the Spring Bonnie suit. The gestures are so fluid it’s uncanny, terrifying, and unfortunately, attractive.
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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patrick wearing arts shirt and ill assume art is wearing patricks tshirt i just noticed this. ill be sick
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Something something time is a flat circle
Image description under the cut
[Thanos meme. Part one: image of Thanos leaning and looking up from Endgame saying: “You could not live with your own failure
Part two: same image of Thanos now looking down, labeled as ‘Phone guy is Purple guy’ saying: “Where did that bring you? Back to me. End.]
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one of the things that annoys me so bad right now is seeing letterboxd reviews about Lisa Frankenstein being like "she's such a horrible character", "those people didn't deserve to be killed" blah blah blah
SHUT UP
it's a horror romance!! a girl keeps a reanimated dead guy in her closet and falls in love with him! what did you think was going to happen? it's SUPPOSED to be fucked up and weird and that's part of its charm. quit being boring, let female characters (esp in horror) be messy and chaotic and morally gray.
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