#my+articles

[gongyussy]

good thing from jp twitter this week is queen of old man yaoi michiru sonoo discovering the term old man yaoi

update: somehow it got impossibly more wholesome

quick translation: おかえり: welcome home あ 終わった 終わった: ahhh, it's over! it's done! コーヒー? お茶?: coffee? tea? コ~ヒ~ ありがと: coffee, thank you~ ネクタイレア★★ ネクタイ取るレア★★★★: seeing him with a tie on, rarity level ★★, seeing him take a tie off, rarity level ★★★★ にあうな~: it suits him~

also please do follow: AraigumaSha: sensei's twitter account marureviere: maru, who does such valuable work highlighting bl manga for an international audience

[writing-for-life]

If the paywall comes up, try to put the link into this: https://www.removepaywall.com

Posting in the spirit of not staying quiet about this.

I strongly suggest you read this—all of it, because it’s long. Lila Shapiro is the journalist who wrote the investigation into Joss Whedon btw and won an award for it, so maybe people can finally stop making this all about Tortoise Media.

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[buggachat]

drag has anonymity. it has history. it's a second identity. it's wordplay. it's flamboyancy. it's performance. it's comedy. it's rejecting societal norms and expectations. it's having fun. no one can convince me it wouldn't awaken something in him

[the articles i stole from: one, two, three ]

[bakingmoomins]

anyway look at the voderberg tile. it's a nonagon (nine sides).

and the only shape that can surround itself completley with only two iterations of itself

and it also creates a spiral tessellation <3

[autumn-may]

Mostly spoiler free summary of my viewing experience

[arttsuka]

People need to stop blaming 'parasocial relationships' when it's revealed to the public that a famous person has done something controversial (or even a crime) and the public is upset. 'I can't believe xxx did that!' doesn't always mean that the person who said it has a parasocial relationship with xxx. Usually it's just our faith in humanity, we want to believe that everyone has some basic human decency (especially someone we might admire) and it's only natural to be disappointed when we learn they're a bad person.

[lioncourtz]

INTERVIEW WITH THE VAMPIRE | “Best of 2024” lists

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[arimiadev]

"I want to make a visual novel but don't know how"

visual novels are one of the most diverse and varied mediums out there and can be so much fun to make. if you've ever wanted to make one, it's pretty easy to get started!!

Overall Guide

this is a lengthy guide I made going over different parts of visual novels and how people make them! now let's go over some parts~

What Are Visual Novels?

Visual novels are a medium of video games focused on storytelling through the use of static or low-gameplay mechanics. Most can be considered a subsection of interactive fiction. A lot of visual novels have no gameplay or minigames, but some do feature light gameplay. The important aspect is that the gameplay in visual novels is never the focus, and instead the game focuses on a story delivered through dialogue & narration in textboxes on the screen.

Some visual novels are romance, some are fantasy, some are mystery, some are NSFW, some are cutesy, some are kiddie. Visual novels come in all shapes and sizes.

Visual Novel Misconceptions

Visual novels have been around for several decades now, but parts of them are still misunderstood by wider audiences. Here’s some frequent misconceptions about visual novels.

"Every visual novel has sexual content."

Visual novels come in all shapes and sizes, which includes content. Not every visual novel has sexual content, nor is it required to sell well. Visual novels are a medium for storytelling rather than a genre, so they can be anything you want them to be.

"Every visual novel is a dating sim."

Similar to the last one, some people think every visual novel is a romance game or a dating sim. Not every visual novel has romance in it, nor is it required to sell well.

"Every visual novel has choices and multiple endings."

Some of the most popular visual novels out there like Umineko When they Cry don’t have choices. Choices and multiple endings aren’t required to make a visual novel—completely linear experiences are fine.

"Visual novels need to be long."

Some of the top visual novels on itch.io right now are under 25k words, which puts them under 2 hours of playtime. Visual novels don’t have to be a certain length—they can be as long or as short as the story needs them to be. There’s even an annual visual novel jam, O2A2, that focuses on making a visual novel under 1k words with limited assets.

"Visual novels don’t sell well."

This is very much your mileage may vary. Some visual novels sell very, very well, such as how the recent Our Life: Now and Forever Kickstarter gained almost $300k. Marketing is an entire field just like art and writing and isn’t something you can skimp on or push to the end.

"Visual novel players hate reading."

A vast, vast majority of visual novel readers want a visual novel—they want a game that is light on gameplay and heavy on reading. You don’t have to add gameplay to a visual novel to keep people interested. Rather, minigames added at random can deter players. Visual novel players want an engaging story—if you’re worried of losing their attention, then focus on a tighter script or cinematography.

"Visual novels need to be anime style."

Visual novels originated in Japan and most do have an anime style, but visual novels do not need an anime style to sell well. The art style for a game will change the audience for the game—players who want something anime style probably won’t be interested in a semi-realistic style, but other people will be. It’s all about finding the right style for your story and finding the audience who responds well to it.

Visual Novel Terms

Here’s a list of terms you might encounter in visual novel and game dev communities.

EVN / OELVN – stands for English Visual Novel and Original English Language Visual Novel. Two terms used for describing Western VNs that are made in English, although EVN is used more frequently nowadays. An EVN/OELVN is specifically a visual novel made in English first, not a visual novel that has an English translation (and was made in a different language first). There are several variations of this, such as JVN meaning Japanese Visual Novel and RVN meaning Russian Visual Novel.

Kinetic novel – a visual novel that’s linear with few or no choices. Has only one ending. Also called a linear visual novel, linear game, etc.

Game jams – an event where developers have a set amount of time to make a game, ranging from a weekend to several months. Some jams have themes that the games must follow as well as other restrictions while others are more freeform. Nowadays, most jams are hosted on itchio. You can find a list of visual novel game jams here.

Game engine – a piece of software used for developing video games. The most popular ones for making indie VNs in English-speaking areas are Ren’Py and Unity, though Tyranobuilder is very popular in Japan for indies.

Text/code editor – when programming, you’ll need another piece of software to edit and write code that works with the game engine. Some popular text editors are Visual Studio Code, Sublime, Atom, Notepad, and more.

Character sprite – the individual character art that changes expressions and can move around the screen. Can include multiple outfits, pose changes, and more.

CGs – although it typically stands for Computer Generated, CGs in visual novels typically means the cut scene art where no sprites are shown (unless there's a side sprite on the textbox). CGs are usually reserved for special scenes and are the type of artwork you’d see in a CG Gallery or as promotional artwork.

UI / GUI – the User Interface / Graphical User Interface. This is what the player interacts with such as the textbox, main menu, save / load screen, settings, and more.

ADV mode – the standard reading mode for visual novels, short for Adventure mode. The textbox is located at the bottom of the screen. Popular examples of this are Steins;Gate, AI: The Somnium Files, and Amnesia.

NVL mode – a different reading mode for visual novels, short for Novel mode. The textbox covers most of the screen. Popular examples of this are Fate/stay night, Tsukihime, and Umineko When they Cry.

Dating simulator – dating sims are some of the oldest forms of visual novels and are essentially stat raisers where you spend time with various characters with the goal being to romance them by getting your stats high enough. In Western spheres dating sim has become synonymous with a romance game, where stat raising is not involved, but it’s important to note that dating sims refer to stat raisers a lot of the time. Unlike otome, a dating sim doesn’t refer to a specific sexual orientation.

Otome / Otoge – roughly translates to “maiden’s love” and is used to describe games with a female demographic, usually dating sims & romance games which feature male love interests and a female protagonist. Some otome games feature female and other gendered LIs, but male LIs are still the primary focus.

Eroge – an erotic game. If a game has sexual content in it, it’s an eroge. The original Fate/stay night (not the remastered version on Steam) is a popular example of an eroge.

Resources

And now, let's look at some tools and links for actually making visual novels.

Engines & Programming

Ren’Py – free visual novel engine

Twine – free text-based game engine (usually used for interactive fiction)

Naninovel – Unity-based tool for making Unity VNs

tiny tools – collection of various game dev tools

Ren’Edit Add-On – Ren’Py script editing & feedback tool

Ren’Py Accessibility Add-On

Feniks Ren’Py resources – various add-ons and tutorials by Feniks

Game Jam & Short Dev Advice

Game Jam Survival Guide - Essential Tips and Tricks

Releasing 8+ games (ft. game jams) and when to take a break

making game development backup plans

Advice for Leading VN Game Jam Teams

How to Make a Visual Novel Solo

How to Finish Your Visual Novel

Design

How to Make Visual Novels

Visual Novel Conference Talks

Visual Novel Cinematography & Design

Art Direction & Execution in Visual Novels

Making Impactful, Impressive Character Sprites

Post-production Techniques for VNs

Vimi’s Visual Novel Design

Writing

Writing Interactive – guides for narrative games writers

Visual Novel Conference Talks

Writing Mystery Visual Novels

How to Design Interesting Choices in VNs

The Intrigue of Ambiguity

Artwork

Clip Studio Paint

Krita

FireAlpaca

Medibang

GIMP

FastStone Photo Resizer – batch photo resizer and editor

FotoSketcher – various settings to apply artistic filters to photos

Marketing

How to Market Visual Novels

Marketing Visual Novels FAQ

Marketing Fundamentals for Indie Game Developers

Marketing your first indie game – What we learned from releasing the same game twice

The stairstep approach to indie game marketing

Marketing your Visual Novel for Kickstarter

Visual Novel Press-Kits

Audio

Eric Matyas music & SFX

Vita-chi SFX & graphics

Free Music Archive

Free Sound

dova-syndrome

Misc.

Lemmasoft Creative Commons Forum

itch.io visual novel resources

Google Fonts – free fonts

Uncle Mugen backgrounds

Canva – browser & desktop graphic design tool

Unsplash – free photos

Wrapping Up

all in all, visual novels are a fun medium to explore and play around with. if you want to make something short as a test run, try joining a game jam! if you want to see how varied visual novels can be, try playing some indies from itchio! at the end of the day there's no bad way to start making your own visual novel. hit the ground running and go for it!!

I've been developing visual novels for over 10 years now, blogging about them on my own blog and releasing visual novels through my studio Crystal Game Works. I hope this guide helped shed light on how to get into the medium!

— Arimia

[gongyussy]

is it ao3 or is it sports media

[artschoolglasses]

Americans not giving a shit about the wildfires burning down forests and homes in Canada until smoke starts spreading across the border. Meanwhile Indigenous communities across the country are far more likely to be impacted by the fires and I’ve seen all of one link to a charity and about nine million memes. 🙃

[letterful]

^ from Susan Sontag's diaries.

[soni-dragon]

leaf sheep ghosties

[omgellendean]

So, Sacha Baron Cohen recently endorsed Kamala Harris in a fittingly racist islamophobic manner, by bringing back his character Borat. Yes, it's 2024.

Anyway, here's a 2022 investigation of SBC's vile Zionism and connections to the USA and Israeli intelligence, as well as an insight into the role of the US-American cinema as a propaganda tool.

Article: https://www.mintpressnews.com/closer-scrutiny-reveals-close-state-power-sacha-baron-cohen-really/279355/

Archived link: https://archive.is/7dSTL

Some quotes:

When asked about the national security state’s role in shaping pop culture, the former intelligence officer [John Kiriakou] said that it is “far more cynical” than most people realize, explaining:

” There is a branch inside the CIA’s Office Of Public Affairs whose job is solely to work with Hollywood Studios. This is something that the FBI has been doing since the 1940s. They’ll cooperate and give the red carpet treatment to any Hollywood studio that’s willing to make the CIA look good. “ [...]

In the end, “Brüno’s” production company did interview someone they claimed was a terrorist (in the Letterman interview, Baron Cohen described the man as such eight times in the space of three minutes). However, the person in question – Palestinian grocer and NGO worker Ayman Abu Aita – vigorously denied he was a terrorist at all. He claimed that Baron Cohen had told him the interview would be about his peace activism and that his life and business had been destroyed as a result. Abu Aita sued for nearly $100 million. The case was settled for an undisclosed sum in 2012. [...]

Even from an early age, Sacha was reportedly obsessed with the Jewish state. “He was very Zionist, very involved in Habo,” recalled one friend, referring to Habonim Dror, a left-wing Zionist group of which he was a member. Others remembered him as “a very nerdy, very funny, Israel-oriented guy” who went to live on a kibbutz in his youth. He appears to idolize Shimon Peres, traveling to meet him in 2012 and sharing quotes from the former Israeli president on his social media accounts. Peres, of course, oversaw the genocide of Palestinians in 1948, attempted to sell nuclear weapons to Apartheid South Africa, and carried out the ethnic cleansing of the Galilee region. [...]

Unsurprisingly, Baron Cohen has also campaigned fiercely against the Boycott Divestment and Sanctions (BDS) movement, presenting it as viciously antisemitic. “Boycotting? Yeah, fantastic. As long as they are Jews, it is alright. I’m not a racist, but keep the Jews out,” he said, in an attempt to satirize their position. [...]

Much of the movie is actually spent “on location” in “Kazakhstan,” where Borat takes the viewer around an unimaginably poor-looking village, making fun of how backward “his people” are. There are no Western egos or ignorance being punctured here. In fact, it was shot in a gypsy encampment in Romania, where locals were paid around $3 each to be humiliated by a man who spoke to them in a language they did not understand. The villagers were told they were appearing in a sympathetic documentary highlighting their lives. “Borat” made over $262 million at the box office. [...]

The racism was further amplified with the 2020 release of “Borat Subsequent Moviefilm.” Within the first two minutes of the sequel, Borat informs us that Kazakhstan has canceled their traditional event, “the running of the Jew,” but fortunately his country still has Holocaust Remembrance Day, “when we commemorate our heroic soldiers who ran the camps.” Borat also received an award, which he stated will be “put in our national museum along with other treasure we have confiscated from Jews.” [...]

In actual fact, as many have pointed out, Kazakhstan was a haven for Jewish people during the Holocaust, not a perpetrator of it, saving thousands of Jewish lives by taking in people from Eastern Europe and other states of the U.S.S.R. Today, the country is commended by Jewish groups as a model of tolerance. It is also, notably, not a helplessly sexist nation; Save The Children ranked it higher than the United States in its list of best countries to grow up female.

This is a rather inconvenient truth for the Israeli state-building project Baron Cohen supports. Ironically, perhaps the most shocking and newsworthy case of exposing bigotry Baron Cohen has documented has never been revealed. While in character as Brüno in Jerusalem, Baron Cohen was beaten nearly to death by an enraged crowd of homophobic Israelis, who, angered by his camp and sacrilegious attire, started stoning him, on camera. Baron Cohen was reportedly ��nearly killed.” Kiriakou told MintPress that Baron Cohen told him that a rabbi even spat on him. It was the only time in his career that he broke character and desperately yelled that he was an Israeli Jew, not a homosexual foreigner. The comedian fled for his life and found refuge in a nearby store bathroom. This footage has never seen the light of day. Perhaps it sends the “wrong” message.

[ghoulbats]

well….it finally happened