#my second favorite scene in the entire series

[sage-nebula]

Okay, so I actually do want to get my thoughts down on why I didn't like season two as much as season one. This is going to be a lot of complaining, but keep in mind that while I don't think season two was as good as season one, I think season one was S tier. Season two was B tier. B tier is still pretty damn good, but it is a noticeable drop, and is disappointing considering that this is the show's finale. But with that said, please do not reblog this yammering about how much you hate the show, you're glad it's over, etc. Despite my criticisms, I don't feel that way, and I don't want to see that on my post.

With that said:

My biggest problem with the show overall is that, between seasons one and two, they seem to have remembered that this is supposed to be a video game show, and so felt compelled to abandon their focus on character work in favor of flashy action sequences. This isn't me being in la la land thinking that season one had no action sequences; obviously it had fight scenes as well. But season one had a heavy emphasis on the characters, their internal worlds and struggles, that I feel was sorely lacking in season two.

The best way to demonstrate why I feel this is is to look at the final episodes of each season. Season one ended with Jinx's family dinner party. That entire scene was one long conversation; although there was a bit of action when Caitlyn freed herself from her bonds and got Pow-Pow (and then Jinx knocked her out and took Pow-Pow back), that isn't what I would call a fight. Neither was Silco shooting at Vi / Jinx killing Silco. Instead, the scene consisted of Jinx walking back and forth along the table, trying to figure out whether Vi or Silco loved her most, and who she should be with therefore. It ends with a quiet, mournful song as Jinx fires the rocket, right as the Piltovan council was deciding in favor of Zaun's independence.

By contrast, the final episode of season two is pretty much a 40 minute battle sequence. The character exploration they could have had (e.g. Ekko convincing Jinx not to commit suicide) was omitted completely in favor of this battle sequence. We couldn't even see Piltover prepare for the battle. Instead, it cut straight from discussion of what they had to do to prepare, to the battle itself. Ekko convincing Jinx was omitted, Jinx making her decision was omitted, Sevika and the Firelights being convinced was omitted, Vi mourning her sister was omitted, how Sevika ended up joining the council was omitted. The only character work we had in the last episode at all was what was between Jayce and Viktor, and even that was barely anything, time-wise, in comparison to all of the battle scenes. (And the fact that the only character work in the finale was between two men when this series was supposed to be about two sisters . . . don't even get me started.)

While the animation in this show is the best animation I've ever seen, period—and while the action sequences always look fantastic because of that—I feel that the shift in focus from character work to action was to the show's detriment. What made Arcane so good, in my opinion, was not the animation—or at least, not just the animation. It was the character work. The fact that we had these three dimensional characters, each with their own rich, internal worlds that drove the story forward—that was what made it worth watching. So to cut that out, and relegate it either to music video montages or off-screen conversations, was a mistake. The characters suffered for it, and so did the story. It turned it from a masterpiece of a narrative, to just another good show. (Although I maintain that season one is a masterpiece. Season two doesn't affect that.)

Having said that, I'm going to break the rest of my critique down into sections.

The Noxus Problem:

Before I go further, let me just say: I love the Medardas. Mel in particular is my second favorite character on the show, and I love how messy the Medarda family is. I'm still fascinated by the Black Rose, and I feel that we weren't given an adequate answer as to what, exactly, the beef between them and Ambessa was. I want to know more about that. I'm really hoping that we get another show with Mel at the main character, to further explore what is going on there.

However, I feel bringing in the Noxian army was a huge, huge mistake, because it took focus away from the socio-political conflict between Piltover and Zaun—and, in the final episode, abandoned it altogether. After all, there is no time to address that if they're being invaded by a foreign army. There is no need to address it, if you show them working together against a common enemy. Except, there really is; we're given no reason to believe that Piltover's oppression of Zaun will stop. Yes, Sevika was given a seat on the council—but we don't know what that deal entails. Was she promised sovereignty for Zaun? If so, then why is she on Piltover's council? Is it merely that now she can vote for it? If so, I can't see that (or any other pro-Zaun measure) going her way, considering the fact that the two people most likely to support her (Mel and s1!Jayce) are both gone.

I understand that the writers' intention was, "they came together to fight an enemy, everything is good now!" but that is simply not how it works. Now that the battle is over, the most realistic thing to assume is that it went back to the status quo prior to martial law. And the status quo was that life in Zaun was suffering. Despite what the alternate timeline in episode seven tried to suggest (and "alternate timeline" feels too gracious; Zaun did not look like that prior to Hextech, Powder was mentally ill since the first episode's cold open—it was an AU on multiple levels), life in Zaun was never good. Characters like Sevika and Silco wanted to fight the enforcers and Piltover rule for a reason. And that reason has never been properly addressed or resolved, and we're given no reason to think that it will be, because they chose to ignore it altogether by making the second season about the Noxus army's invasion rather than letting it actually be about the socio-political struggle between the two sister cities. And for whatever reason that was done—the writers' being scared to commit to either Zaun's independence or Piltover beating them into submission, or the desire to set up the next show—I feel that it was a mistake. The Noxian army should have never invaded this show. Instead, Ambessa should have been saved for the Medarda spin-off, with Mel's decision to return to Noxus instead of staying in Piltover built to a different way.

The Vi Problem:

Of all the characters, I think Vi was written the worst and done the dirtiest in the second season.

The problem with Vi's character stems from inconsistency. We're never given convincing reasons for why she thinks the way she does, or why she does the things she does. The second season opens with her having done a complete 180 on her sister, for reasons that we're left to guess at because they aren't explained. Is it because Jinx fired the missile at the council? Is it because Jinx rejected her by saying "here's to the new us?" We don't know, because no time is spent on character work for that. All we know is that Vi went from telling Jinx "it'll be okay" at the end of s1e9 to begging Caitlyn to let her help hunt and kill Jinx in s2e1, even before the attack on the memorial service. Vi went from being unable to bear the thought of being an enforcer because they killed her parents in the beginning of s2e1, to being willing to gas the Lanes with the Gray in s2e2.

And this inconsistency is not relegated only to act 1. In act 2, Vi strangles Jinx so hard in her apartment that Jinx has trouble speaking after Vi finally releases her—but later, when they fight in the mines, she doesn't do anything to seriously hurt her and instead just tries to pin her down and get her to surrender. Why is she less murderous toward Jinx now? We're not given a reason. After all, she wanted to kill her in the temple; her brief hesitation when Jinx said "it had to be you" is overruled when she raises her fist to deliver the finishing blow, stopped only by Isha's intervention. And again, her first instinct upon seeing Jinx again was to strangle her hard enough to crush her windpipe. But she flipped again, for reasons we're not privy to, because the character work wasn't done. The closest we get is Vi accepting Jinx after Jinx proved she was right about Vander—but even then, that doesn't make up for the above.

And again, it doesn't end there. In act 3, she's furious with Caitlyn for jailing Jinx, and wants to comfort and help her sister. Yet when Jinx leaves her in the jail cell, suddenly it's "tell me you were right, Caitlyn" and "I was an idiot for trusting her" — this, after Jinx was right about Vander. This, after Jinx saved Caitlyn's life. This, after Jinx told her "don't feel guilty about being happy" and "you deserve to be with [Caitlyn]." She does a 180 again simply because Jinx left? Even though Jinx left telling her that she deserved to be happy? Even though Jinx was probably the one who told Caitlyn where Vi was?

In season one, Vi's actions made sense. Her reasoning was always clear. We knew that she hated the enforcers because they killed her parents, and made life worse for those in Zaun; we knew that her priorities were those closest to her (not Zaun itself, never Zaun itself), and that she would do anything for those she loved. And we knew who she loved, without a doubt, and could see exactly why she loved them.

In season two, this is no longer the case. Vi's motivations and goals flip-flop on a whim. Best I can tell by the end of the season, Vi is willing to agree with whoever is closest to her at any given moment in desperation to keep them there. Jinx abandoned her, but Caitlyn was still there, so Vi agreed to be an enforcer and kill her sister. Then Caitlyn abandoned her and Jinx came back, and while Vi blamed Jinx for Caitlyn's abandonment, she was still willing to take Jinx back if it meant having Vander back, too. But then Jinx left again, and Caitlyn was there, so now Caitlyn Was Right and Jinx shouldn't have been trusted. Perhaps if we had the character work to understand what was actually in Vi's head it would make sense and she would seem like a better written character, but we don't, and so instead it seems that her goals shift depending on what the plot needs. The plot needed her to fight Jinx in an Cool Battle Sequence, so that's what happened. The plot needed her to fuck Caitlyn so the show could have a lesbian sex scene, so that's what happened. No thought was given to her character or her relationships at all, despite her being one of the protagonists. (Jinx is the other, of course.)

Speaking of Vi's relationships, though . . .

The Sisters Problem:

This was supposed to be a show about sisters. What happened to that?

In season one, their relationship was handled beautifully. We saw how close they were in childhood, and the moment they fell apart; and we saw them struggling to work their way back together in late teen (Jinx) / adulthood (Vi), only for Jinx to seemingly sever that at the end. Honestly, that is the one complaint I have about the finale of season one; it has never made sense to me that Vi didn't try to argue with Jinx when Jinx asserted that Vi couldn't love her like she used to, because Vi did love her. Even at that moment, she loved her. But I digress. The point is, in season one, the sisters' relationship continued on a strong through-line. We could see where they were going, and how they were getting there, every step of the way. It was strong, it was consistent.

This is not the case for season two. I already talked about this a lot with Vi above, and Jinx's character was written much more consistently; still, there are problems. For one, in act 3, Jinx is made to ignore Vi's own inconsistency; her line "you're never going to give up on me" makes no sense when Vi had already given up on her once before, in act 1 and the beginning of act 2. The bigger problem, though, is that their relationship was sidelined hard and that, as a result, we once again miss the character work. We got a bit of it in episode six, with their talk about their mother next to the chunk of wall that had once been used to mark their heights. And we know that Vi forgave Jinx the moment that she invited her into the group hug with Vander. But for a show that was supposed to be about them, that is nowhere near enough. Jinx telling Vi, "you know I'm always with you" doesn't feel earned when we didn't get to see them reach that point again. Vi not mourning her sister at all, and instead being fine with being "the dirt under [Caitlyn's nails]" feels extremely dissatisfying when the entire show was supposed to be about the sisters. The most important relationship for Vi and Jinx both was the one they had with each other, and that was completely forgotten.

Speaking of the lesbians, though—

The Violyn Problem:

Look, I'm a lesbian myself. Obviously I was on-board for Violyn, and I thought they were well-written in season one. The problem is, they weren't well-written in season two.

To be fair, of the two characters, Caitlyn was better written. While she, too, had problems with inconsistency (we're given no reason as to why she's feeling doubt about martial law or why she wanted to betray Ambessa in act 2, for instance), she was still written more consistently than Vi was. Catilyn being willing to abandon her positive belief in Zaun made sense given the life of privilege she was raised in. Caitlyn turning to martial law made sense when you remember that her dream was to be a cop. Even her turns back toward wanting to remove martial law and betray Ambessa could have been written to make sense, had the character work been put in. It wasn't, but Caitlyn still made more sense than Vi overall.

But this section isn't about Caitlyn, it's about her relationship with Vi. And her relationship with Vi was done dirty. Yes, they ended up together. Yes, they had sex. But again, the character work to get them there was not done. In season one, we see their relationship develop; we see how they go from enemies who oppose each other to friends who build trust (and feelings) between them. We see their growing care for each other, we see them work past their preconceived notions and struggles. Their relationship is slowly and steadily built. It makes sense.

In season two? We kind of get that in act 1, but only because we can continue on from knowledge of where they were in the last act of season one. However, season one can no longer carry them after Caitlyn hits Vi in the stomach with the butt of her rifle and then they break up. They should have had a long way to go toward reconciliation after that; the trust between them was shattered, and it takes a long time to build trust back. But they weren't given that time; Vi's easy acceptance of Caitlyn back in her life the moment they reunite aside, we're given absolutely no reason why Caitlyn—someone who felt horribly betrayed by Vi seemingly choosing Jinx over her—is willing to trust Vi and take her back again. Even putting aside her doubts about Ambessa (which were, again, not built up well enough to justify a betrayal from a writing standpoint), and the fact that she was in a relationship with someone else (and there was never any indication that Maddie was a traitor until the literal second that it happened), Caitlyn felt betrayed by Vi. It isn't believable that she's Completely Over It by the time they reunite again, or that those feelings of betrayal wouldn't come back full force when she sees that Vi is partnered up with Jinx, versus Vi's previous assertion that she was only trying to protect Isha when she stopped Caitlyn from shooting.

And it wasn't only Caitlyn who had reasonable grievances! Vi saw Caitlyn change before her eyes, when that was her worst fear; she saw Caitlyn being willing to shoot at a child, knew that Caitlyn had teamed up with Ambessa to put Zaun under martial law, and then had Jinx imprisoned after Jinx saved her life. She did, very briefly, air those grievances with Caitlyn. But then it was all abandoned a few scenes later so that they could have sex in the dungeon. It was completely forgotten for the sake of a fanservice sex scene.

Listen. As I said before, I'm a lesbian. And I'm always happy to see sapphic relationships in shows. I'm even happy to have messy sapphic relationships in shows, because believe it or not, we sapphics are actual human beings, and sometimes that makes us messy. ACAB, and that includes lesbian cops, but bastards make television entertaining. I'm here for that.

But messy shouldn't mean underdeveloped. It shouldn't mean poorly written. And I for one could not enjoy that sex scene when it wasn't properly built up to at all. When Vi and Caitlyn had all of this unresolved, and now ignored, conflict between them. It wasn't even hate sex, or at least, "we're still not good but we're alone and horny" sex. It was "everything is better and they're a couple now" sex. Which is extremely frustrating, and a complete let down over how well their relationship was written in season one. Despite the "league of lesbians" goof tags, the show wasn't about them, but it still should have done them justice, and it didn't. Not by a long shot.

Other Problems:

I don't like that the only character work in the last episode of the show was between Jayce and Viktor. While even that was lacking, taking a show about two sisters and making its series finale about two men puts a bad taste in my mouth. I understand that the bulk of the fandom cares about the men (or at least it seems like it does when I put "jayvik" into my blacklist and half the Arcane tag disappears), but the show should be written for its narrative, not for the fandom. And I, for one, never cared too much about Jayce or Viktor, but after the way this finale sidelined all of the women in order to focus on them? My feelings are pretty negative toward them now.

I don't like that they tried to do a fake-out with Jinx dying, when it's obvious that she didn't. For one, Riot would never kill off their most popular character. For another, there are too many signs that make it obvious that she survived, from the pink streak right before the main explosion, to the glitchy "the end" message over the airship sailing away (one that Powder said she'd ride on one day). It feels as if they wanted to make it look like she died for shock value, and that's something I thought that this show was above doing. It's cheap, it's bad, and I don't like it.

I don't like that Mel and Ekko were both sidelined so much throughout this entire season. Mel spends the bulk of the season in captivity, and then when she is finally free, she doesn't get to do anything to affect change except be in a magic battle against her mother. Jayce completely abandons her without any insight as to why beyond "the Arcane messed him up", and we're given no indication that Mel had anything to do with the reformation of the council at the end. Ekko, meanwhile, was completely absent in act 2, and while he literally saved the day in act 3:

His convincing Jinx not to commit suicide was off-screen;

His rallying of the Firelights was off-screen

He ends up alone in Zaun with absolutely no indication of what he or the Firelights will do after—was the tree even healed at all?

Ekko and the Firelights should have played a much bigger role. The sanctuary that the Firelights had built for the refugees should have had more of a showing other than "the tree is sick" (a plot line which, as I just said, was never resolved). Episode seven was nice, but the Zaun depicted was completely incongruent with what we knew of Zaun's state at the start of the show, and the depiction of Powder is the same. (Because Powder was hallucinating even as a small child, as shown in the cold open of season 1; Vi's death should have sent her spiraling. The fact that she was Totally Mentally Healthy in the alternate timeline makes absolutely no sense. She was Ekko's Ideal Version of Powder, not who she'd realistically be growing up like that.) He wasn't given justice as a character.

And Mel? Again, she spent most of the season in captivity, had her agency completely ripped away from her, lost everyone she ever cared about, has powers that aren't clearly defined or explained, and is now leaving the only home she has known for years to go back to Noxus. And again, I want that story for her, I want that show, but after we saw her brilliant mind in action in season one and how much change she affected, I still feel that she was done dirty this season. I hate how much she was sidelined; she deserved better.

Final Notes:

Despite all this, I do still love Arcane. Well, I love season one, and season two had parts that I liked (I think that arc 2, despite the lack of Ekko, was the best because of the fleeting character work we did get and the focus on the sisters), despite being a disappointment overall. I think for me, I'm going to just take the parts from season two that I did like and put them into an alternate season two that I have in my mind; one where Noxus didn't invade so that the issues between Piltover and Zaun could be focused on and actually resolved, one where the character work wasn't abandoned for flashy action sequences, and one where there wasn't a fakeout of Jinx's death for shock value.

And now that it's all off my chest, that's all I have to say about that.

[tangledbea]

In honor of tangled anniversary what is your favorite thing of the movie and the series?

My favorite thing in the movie is this screencap right here:

and the entire scene surrounding it.

My favorite moment in the series is the finale proposal. I still tear up when I watch/listen to it. (My second favorite thing in the series is Lance.)

[sufferu]

Bravo to you for choosing not to let Rem be forgiven so easily. Honestly I've never been a big fan of Rem as a character, sometimes her endless pandering and obsession with subaru just really annoys me instead, and I've never understood people looking at her doing all that and then saying “Wow that's so hot I'm so jealous of Subaru!”

As for the ones who want her deeds to be easily forgiven by everyone, my personal guess is that they all only care about her body and the unheathy way she forces herself to act like the perfect waifu just for Subaru's sake, but subconsciously they can't stand the shit she did either, so they secretly want their favorite waifu to be a perfect being without flaws. But to me, isn't it essential to love a character and accept their flaws as well? They did wrong things, but there's no doubt THEY did them anyway, and that is part of what makes them who they are. Another thing is that forgiveness has to be earned, we're not cruel, coldhearted, or closeminded for not forgiving someone who hurts us. So I too agree with that anon who thinks WHDAA cast need to to beat some sense into Subaru on way too forgiving and tolerating the people who have hurt/killed him.

But now that you've decided to do that, beware of those rabid Rem stans coming after you and I'm worried that their harassment goes overboard and affects your personal life

I will say — I believe that Rem and Subaru’s canon dynamic is one of the most intriguing and multifaceted dynamics in the entire series. Their parallels regarding their insecurities and family members, their mutually codependent tendencies, the way they run the risk of becoming each other’s perfect enablers, the genuine sense of love and affection that runs parallel to the unintentional toxicity fostered within their relationship — it’s all really interesting stuff. In fact, exploring their dynamic through the lens of outsiders (including amnesiac!Rem) finally getting to peer under the hood is one of the main reasons I wanted to write a react fic at all.

As for why people like her — honestly, I think it’s kinda easy to guess? She’s a very cutely designed anime girl, she’s incredibly well-voiced, her insecurities are genuinely relatable, she’s got a super awesome oni power-up transformation, her morning star lends itself to some of the best choreographed action scenes in the series (or at least Season 1), she appeals to the whole “submissive maid” aesthetic that she knows Subaru finds attractive (and that also appeals to the target demographic of Re:Zero specifically, let’s be real here) — and frankly, there are so many scenes in anime where characters we’re supposed to like do fucked up shit that it’s not difficult to just…gloss over the whole “tortured the mc for several hours” part of her character. It’s understandable, especially if you’re not an insane person who spends all their time hyperanalyzing the anime they’re a fan of like I am. I don’t think it’s really that far of a leap for her to develop such a massive following, she was basically designed to be as popular an anime waifu as physically possible.

But then, that clash can become…a little uncomfortable if you’re writing a story where “Rem tortures Subaru” is a major plotpoint, and if you don’t want to reevaluate their entire relationship, it makes sense to find a way to just — get the characters to move along, much like a lot of the irl audience does.

But I really like toxic characters and angst and complicated relationships and all that fun stuff, so that’s what I’m gonna focus on. —Also Rem is WORSE in the LN. Girl starts fantasizing about whisking Subaru away while he’s practically comatose from shock (second Arc 3 loop) and then also makes a comment like “even if he had tried to assault her in her sleep, she knew she never would have resisted” like GIRL??? The idea of not tapping that insane well of potential drama is ludicrous to me lmaoo— especially because I really don’t care about maintaining the status quo ;)

(Also frankly, anyone who would start seriously harassing me over whether or not I share their opinion about a fucking anime girl is too pathetic for me to care about. I honestly don’t think I’ll get that big of a response — especially not on Tumblr “Gay Website” Dot Com — but even if I do…I don’t care, lmao.)

[disposablepapercup]

kind hands.

[airenyah]

4 minutes and 2 seconds into ep 4 of moonlight chicken and i am already dead

[catasticalcalamity]

ii15 spoilers!

putting all my silly ii episode 15 doodles and stuff in one post hehe (sudden transition to bright colors warning!) the silly one of the sweetest characters in the series sniffl

original version I was working on before the episode released on youtube, mostly based on memory from the meetup GHDFJK I ended up deciding to recreate in mspaint for a more comedic effect, but some of the expressions didn't translate as well

#haters

overall this episode was absolutely incredible! Might not beat ep14 as my favorite (since that episode was focused around my favorite characters hehe) but is certainly around second place! BUT, that song number is probably my favorite scene in the entire series so far! The visuals, the instrumentals in the backgrounds, the SINGING, the lyrics, the perspectives, and the COLORS OF THAT ONE PART, AND THE SMOOTHNESS OF THE ANIMATION, ESPECIALLY ON TACO SHE LOOKED 3D AT SOME PARTS IT WAS INCREDIBLE!!! ALL OF IT WAS AMAZING explodes into a silly gif explosion /vpos

[chanafehs]

My Veilguard review:

Note - I will be honest in saying this is very long and very negative. If you enjoy this game please don't let me be the one to ruin that for you and skip on this post. I will be discussing spoilers. This is just my opinion so please don't crucify me for it.

I think my thoughts about this game were shaky to begin with as I had been exposed to different spoilers and information before the launch. I wasn’t actually expecting this game to be amazing but as someone whose favorite Dragon Age game is Dragon Age 2, which is arguably the weakest in the series (until now), I still went in with the impression I would have a good time regardless. I did not have that at all, in fact towards the end of Act 2 and the beginning of Act 3 all I wanted was for the game to be over. 

The problems for me really started right in the beginning with the Inquisitor character choices and their characterization. No choices for your Warden, no choices for your Hawke, and only three choices for your Inquisitor out of the dozens you made in Inquisition. The romance option just felt like a very polite way of asking if you romanced Solas or not, especially after completing the game where your non-solas romance will only get one letter for you to read, outside of that, the Inquisitor will not even mention them. Disbanding the Inquisition meant basically nothing and vowing to stop Solas felt like it had little bearing on what my Inquisitor said when she showed up. 

The time frame to make Dragon Age 2 was just over a year and somehow included more choices from Origins than Veilguard did with over ten years of production. That is the information that's been banging around in my head throughout this entire game. In Dragon Age 2, we get the consequences of our decisions with Alistair’s fate and we get extra dialogue concerning Isabela/Zevran/Leliana/Anders/Nathaniel + some sidequests. Veilguard couldn’t even give us so much of a mention of our Inquisitor’s friendships and the consequences of those friendships outside of Solas. The Inquisitors themselves are locked into one personality type as well, and regardless if you choose to stop Solas or not, they are very amicable toward him. 

During the second cut scene you get with the Inquisitor in Dock Town, they will go on to ask you about your progress and then go on about Solas. Mind you, my Inquisitor is extremely unsympathetic to Solas and I chose the option to stop him no matter what, so why is it that every time I speak to her, she keeps trying to ask me if Solas is being genuine and that he was her friend? That doesn’t sound like someone who has vowed to stop him. They will also try to draw parallels between you, Rook, and Solas. Even at the end of the game, they will still try to appeal to you to see reason with him. That is essentially all the Inquisitor is there for. Incredibly frustrating. 

Throughout the game you will get missives from the Inquisitor detailing the devastation that is being brought to southern Thedas and every letter feels like more and more of an insult. To keep it short: Southern Thedas as we know it has been essentially wiped out. I think that deserves more than a footnote in some missive most players aren’t even going to see.

So the setting we spent all three games in, that we saved countless times, had our companions and protagonists die for, gets demolished in the background where we cannot see it. Skyhold had to be taken back from demons and whoops, that's not actually something you can do anything about. Nothing the Warden, Hawke, or the Inquisitor ever did mattered at all and it renders everything from the previous games absolutely irrelevant. 

With that aside, the companions are also another issue for me. I found myself having trouble getting attached to any of them and every single time I recruited one I had the internal question “Why are you even here?” None of their companion quests really tie into the story at large, save maybe Harding and Davrin, and they are incredibly boring save for a few cool moments.

The main appeal of Dragon Age for me is the companions, it’s why Dragon Age 2 is my favorite of the series. Despite the overused environments and the rushed production I still had a great time with it because of the companions. I was actually eager to do the companion quests and learn more about them and how they all fit into the main narrative. Even characters I didn’t like, I still understood why they were important to the story. Like I can’t stand Anders but I know why he is there, he has a purpose.

Every companion is painfully amicable towards you even if you decide to be “stern” towards them. I found myself not caring what dialogue option I chose about them because it made absolutely no difference. There is nice, funny nice, and gentle parenting. That is really all you have to work with in terms of the dialogue wheel. It was more difficult to get disapproval than approval and I can probably count on my fingers every time in this game I actually got companion disapproval. There is only one companion in my playthrough that became hardened, Lucanis, and it had virtually no impact on his character other than the fact he leaves for a couple of saves and comes back to kissing your ass. 

Something I actually really liked about BG3 and the previous Dragon Age games was working for your companion approval - this meant actually learning about your companion and what made them tick. If you don't understand them well enough you get disapproval, when you actually listen to their ideas and thoughts you get approval - there is an active effort to get these things. In Veilguard this does not exist and you are essentially promised approval no matter what, meaning there is no encouragement to know who these people are if they're just going to support you regardless.

I have to agree with the Skillup review they made about this game saying that every dialogue option feels like it was made with HR in the room and I one hundred percent agree. This is not how real people talk to each other. This is how teachers talk to toddlers when they want to explain the virtues of sharing toys with their classmates.

It felt honestly insulting at times to be treated like I don’t understand the concept of bigotry, I still have no idea what they were trying to go for with this, like were they trying to appeal to a market of high school boys who hadn’t discovered what empathy was yet? There is zero trust in the player and every dialogue and decision you make in these moments feels handhold-y and preachy. Like Pixar levels of life lessons you learn.

In the moments where I had to settle arguments over coffee and companions not respecting each other's interests, I could not honestly believe this is the same universe with Loghain Mac Tir, Meredith Stannard, fuck even Corypheus. Humor has always existed in Dragon Age and I love the comedic banter between the characters but it was always humor that served as an escape from the oppressive and dark situation around you, here the dark and oppressive situations feel like an escape from the unrelenting friendliness and tone deafness of your companions. 

The companion I probably had the most issue with was Taash and the way they were handled. I’m not going to get too deep into the Bharv scene because even thinking about it makes me cringe but If someone messed up my pronouns and then immediately dropped to do pushups I am most definitely killing us both. Isabela’s explanation is extremely preachy and she proceeds to do the exact thing she says she hates about people messing up pronouns. Anyways. Moving on. 

Taash I think is a good example of how to not write a multiethnic character. I don’t expect a white person like Trick Weekes to understand the first thing that comes with being multiethnic or having strict parents that intersects with that identity but it is most definitely not whatever the hell this is. 

The only thing I can offer here is that as a multiethnic person (my father is Palestinian and my mother is mainly Irish and Seminole) is that there has never been a point in my life where I felt like I had to choose what culture I am let alone give that choice to someone else in my life I just met.

That’s not what being multiethnic is. I do not have to choose between anything - I am whole and I don't need to cut myself into halves and quarters to be accepted.

It also feels subconsciously like you are supposed to choose Rivain as the Qunari are depicted as bigoted and oppressive as they always have been in this game. Knowing all of this really tainted my experiences with them as a character and I understand a lot of other non-binary individuals love the representation they brought on that level but personally, I’m just tired of “queer representation” always coming with racist undertones. Again, this game feels like it always had white queer people in mind, not lgbt poc. 

These kinds of comments are really only made worse knowing what the Qunari take inspiration from - primarily Black and Brown SWANA Muslims. Why should Trick Weekes have any authority over a questline like that is beyond me. 

Also, this sucked. Especially because they said it to Neve too. I don’t really want my non-binary representation sprinkled with Misogyny as well, especially since we can’t really call Taash out on this comment unless you’re playing a woman (as far as I know).

Aside from Taash, I thought the writing around Harding was strange. Don’t me wrong, I love Harding, but I do not remember her being this friendly and people-pleasing in the Inquisition. If you play as a Dalish elf the first thing she says is she’s surprised that you would care about anyone else - there is absolutely no inclination of this kind of perspective in Veilguard. Additionally, despite knowing everything Solas has done and the consequences that had on her ancestors, she still tries to push you to reason with him?

All of her quests about learning about the Titans, experiencing and embracing their anger, and you still want to appeal to Solas? That was another thing I found so weird about this game, throughout the entire story you are being told again and again that Solas cannot be trusted, he is to blame for everything, and will stab you in the back and yet it seems like every companion tries to push back on you if you agree with this viewpoint? 

Also, something I didn't know at this point of the game but I do now is that Solas had killed Varric and she does know this so why is she acting like this knowing Solas had killed her friend who she spent years with?

Genuinely this whole game felt like: Devs: Solas is a villain

Rook: okay understood

Devs: actually nvm you don't understand him if you think he's a villain

The only companion quests I was actually genuinely interested in were Emmrich and his thoughts around death and becoming a lich. Lucanis' quests had the best boss fights for sure. Outside of that, it felt like “Go here with Bellara” or “Go here with Taash” and it got so grating I couldn’t wait for these quests to be over so I could progress with the main story. It felt like an annoying back-and-forth game to finish a main quest just to finish all the companion quests and then go back to the main quest. Like a list of chores to get through before you can have any fun. 

The inclusion of characters like Morrigan and Isabela in this universe was extremely hollow and they do not feel like the Morrigan and Isabela we know at all. With Morrigan there is a bit of an explanation to this with the essence of Mythal however she reiterates that it is still herself and it is only the memories of Mythal that remain inside of her.

In my canon playthroughs of Dragon Age, I romanced both Morrigan and Isabela, so I was curious to see how the developers would address their pasts with our Warden and Hawke. Unfortunately, the answer is that they don’t address it at all. Morrigan hardly mentions her past, leaving us to wonder if Kieran even exists. The game implies that the relationship between Morrigan and the Warden is insignificant; a codex entry oddly suggests, in a very slut-shamey way, that Morrigan had more lovers than there are trees in the forest. Isabela doesn't reference Hawke either, as she fondly remembers Kirkwall for found family and friendship. It seems that if you romanced Isabela or Morrigan, congratulations—your canon doesn’t exist.

I will echo the statement others have made about all the cameos feeling like mascots because that is really what they are. There is no substance to any of them, Isabela only feels like she is there to be a supportive voice for Taash, Morrigan will only really talk about Solas and Mythal-Dorian is the only one who actually gets a substantial quest related to him. I thought he was fine minus the "illegal slavery" bit because what is illegal slavery Dorian. Next up we will discuss legal murder.

Another thing that genuinely broke the immersion for me in this game is how awful the armor is. It is a Dragon Age game so I wasn't expecting Haute Couture but the design is all over the place and nothing looks right. Not to mention the extremely weird orientalist undertones that follow the Lords of Fortune everywhere. The outfit Isabela is wearing is even worse in person and I tried to give this game the benefit of the doubt by thinking we would be getting some underwater mission with her and that would be the explanation behind her bikini outfit - this did not happen.

The belly dancer-esque outfits with the coin-bedazzled turbans were pretty egregious and made me want to limit my time in Rivain as much as possible. For a game released in 2024, I am disappointed we are still dealing with the same Orientalist fantasy tropes. Even the Qunari are more naked in this game than I had ever seen previously. At least DA2 and DAI gave them pants. But hey the Antaam are all blighted and evil so who cares right.

Speaking of the Antaam, a lot of the antagonist motivations for this game genuinely did not make sense to me. The Antaam are suddenly giving up their fear of magic to pair up with...the Venatori? To fight for the elven gods? It honestly felt like they had no idea who to make fight for the Evanuris so they just pulled two of the baddies from the Inquisition and went "We can just use them and call it done". When you press for information on why this is the answer is always a mustache-twirling dialogue about power. Nothing much deeper from that than any of the villains besides Solas. All of the villains, especially Elgar'nan and Ghilan'nain, are extremely one-dimensional and have no motivations other than being evil and striving for power. At least Corypheus had cool lines.

I'm not going to get too deep into lore changes since I know a lot of things happened in the comics, books, and TV show (all of which I did not read or watch) but I honestly do think it's a bad idea to have a "soft reboot" while needing to read several books to understand everything. That's not being welcoming to new players that's homework. If you wanted a soft reboot probably don't start off with half your plot and characters coming from various comics and novels people need to catch up on.

The portrayal of the Dalish in this game is inconsistent. When we inform them that their gods are evil and planning to overthrow the world, they respond, "Okay, heard you." How can they accept this explanation so readily? In previous interactions, Solas shared that the Dalish did not listen to him and even threatened him when he revealed this truth. Yet, when we present the same information, they believe us almost immediately. Is there no pushback or skepticism? The Dalish accept everything about the evil elven gods meanwhile Andraste’s followers remain completely unaffected by these revelations.

I think what frustrated me even more was watching our elven companions express grief and regret over the actions of the elven gods like they had something to do with it, painting the Dalish as adjacent to oppressors when they themselves are oppressed in every way. The only thing that remains consistent is the sad boy Solas act about it.

At the end of the game, two of my companions - Harding and Emmrich- were killed. Emmrich's death was unfortunately overshadowed by a zoom-in on a rock and I had no idea he had died until I got the popup. Still, all I can think about is just going "Rock moment" when he died. I don't really have anything negative to say about Harding's death other than the way she went out was fitting for her narrative. Bellara got blighted and there were no consequences for this and she walked away from it - forgive me but I am still under the DAO impression that if you get blighted that's game over but all the rules about the Blight have been changed in this.

I decided to trick Solas, and honestly, I don’t have anything negative to say about it, except that Solas should have noticed me holding the fake dagger since it was clearly in his line of sight. I liked the idea of outsmarting the god of trickery. While it wasn’t extremely satisfying, but I’m okay with how it turned out.

Even as the credits began rolling I still have trouble believing rook's role in any of this. Just the persistent nagging idea that they really just have no place in this story at all. In the beginning I wanted to see how Rook is looped into all of this and how they become central to the fight against Solas but just like with most of the companions, I have no idea why they are here. This should've been the Inquisitor's story to finish.

I'm not going to pretend that everything about this game was irredeemable and terrible. There were genuinely parts I enjoyed and had a good time with. The romance ending scene with Neve was fantastic, even though it took a long time to get there. Davrin was an unexpected aspect of the game that I actually liked, as I never cared much for Grey Wardens before, but he changed my perspective. Harding's mention of the Inquisition was also very sweet. Although I wasn't particularly invested in Emmrich, I loved the conclusion to his quest when he became a lich lord.

While I'm not the biggest Solas fan, I actually really enjoyed the cutscenes between him and Rook because one of my aims with this game was the ability to be mean to Solas and kick him while he was down. They definitely delivered there even though everyone else kept disagreeing with me.

The worlds are beautiful and the CC is definitely the best we've gotten in any Dragon Age game, I spent probably a solid hour in there. The hairstyles are great and the four unibrow choices? Bioware you shouldn't have <3.

Overall I definitely didn't have the best time with this game and towards the end of act 2 I was incredibly bored and the combat became repetitive and stagnant enough that I turned down the difficulty to get through it faster. I can't see myself replaying this any time soon and I am unsure what my stance on Dragon Age is now, do I Ignore this game ever existed or do I carve out everything I liked and pretend this is the Dragon Age I love? I have no idea, I am disappointed at how this game leaves us off and I really wanted to sit here and say It's good but I can't.

I think this game will reach out to and resonate with a different group of Dragon Age fans than me, I just wish I could enjoy it as much as I see other people doing. I was originally going to give this game a 3/10 but knowing you can pet the cats I will give it a very generous 3.5/10.

[yumeka-sxf]

In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[osarina]

ᡣ𐭩 I, CARRION

FEATURING: beast dazai osamu

SUMMARY: the day of the event has arrived and dazai is second guessing everything, but it's too late for him to back out now.{wordcount: 12k; fem!reader; romance & tragedy}

AUTHOR'S NOTES: PART FOUR wow guys we're really getting into the meat of the fic now. HAHAH this is the chapter i had to split into two parts, initially it was going to be one big one but then it would've been a whopping 23k words and that's a bit much even for me. i didn't want to cross the 20k realm HAHAHH. anyway, this chapter really was a pleasure to write, the second scene was my favorite but the ending was SOOOO close to usurping it

GENERAL WARNINGS: again, i'll just leave this warning on every chapter - dazai struggles a lot with disassociation/derealization & losing himself in the pages of the book. as always please let me know if i forgot any warnings

SEE: UNREAL UNEARTH SERIES MASTERLIST READ: BADLANDS SIDE A

“Gin-chan, I’m so nervous.” 

You pace around Dazai’s penthouse anxiously, twisting your fingers in front of your body. The event is taking place tomorrow night. You still don’t have an outfit for it—Dazai told you not to worry about it, you’re still worrying about it because what does that even mean? You don’t know what to expect from the event, and Gin is evasive when you ask her about what will happen, just keeps telling you that it’ll be fine as long as you stay with Dazai.

“There’s no reason to be nervous,” Gin says, as she always does, still tapping away at her laptop. Glasses hang off the bridge of her nose and there are dark circles beneath her eyes. You feel a bit ashamed about constantly going on about your nerves when you know damn well she, Dazai and all of the other executives of his company have been working nonstop the past few days trying to finish preparations. “Dazai-san will be with you the whole time, and if he has to talk business, someone will sit with you until he can get back so you’re not feeling awkward.”

Somehow, you think that might be even more awkward because you doubt a random person is going to want to babysit you while Dazai is busy, but you don’t voice your thoughts, instead just withering as you circle the large room for the sixth time in the past five minutes. 

You’ve hardly seen Dazai all week. You don’t really mind, you know he’s swamped with work and you’ve been keeping yourself busy going out cafe hopping and shopping. Gin comes with you when she can, but it’s usually Nakajima Atsushi or Tachihara Michizo that joins you—Gin had introduced you to the two security guards a week ago when she’d been too busy to come with you to a cafe downtown. You don’t mind the company but you can’t help but wonder why Dazai is so insistent that someone comes with you.

Well. You can’t help but wonder about a lot of things, really. You’re pretty certain that Dazai is still hiding something major from you. You don’t know a lot about business, and you especially don’t know anything about his business, but something isn’t right. You’re not stupid and everyone is not as slick as they think themselves to be, you see how tense and anxious people get when you mention him to them, more so than the average worker would be at the mere mention of their boss, and everyone in the entire damn building is armed, even though they clearly try to hide it whenever you’re in the area. 

You and your friends have joked about the uber wealthy before, and how no one above a certain tax bracket obtains their wealth without some sort of blood money; you’re about 99% sure that’s what’s taking place here too, and it would certainly explain all of the secrecy. More so than trade secrets at least, you feel a bit dumb for that to have even been an explanation in your mind. You just don’t know the specifics. You don’t know if you want to know the specifics, you think you’d prefer to remain ignorant because 1) you definitely don’t want to have any sort of culpability, not when you’re on path to graduate school and hopefully a very prestigious job with the government, and 2) … you don’t want to face the reality of what that would mean. 

You like Dazai. More than like him. You’ve been slowly coming to terms with the fact that you really, truly care for him, and if you end up learning the… specifics of his job, then you’re going to be forced into making a decision you don’t want to make: preserving your future and morals or risking them for him. And you’re not going to sit around and claim to be some upstanding, virtuous person. You’re not. But you are ambitious, and you’ve had your mind set on your future since you learned how to pick up a pen and write. You’ve worked your entire life to get where you are now, slaved your way through a prestigious undergraduate school in Japan and spent months preparing for the entrance exams for graduate school, only to what? Throw it all away for some man?

God, you almost feel sick. Distantly, you wonder how awful of a person you must be for the threat to your future success to be the main reason why you’re questioning yourself, and not the fact that it’s very likely that Dazai and his conglomerate have some sort of business with Japan’s underground, maybe even direct dealings with the mafia itself. 

You pause from where you’re pacing around the room, eyes widening a bit as another realization hits you. You had thought it was odd that Dazai and Gin and all of the executives of the conglomerate have been so stressed and anxious over an event that they’re not even hosting, but what if… Your throat spasms a bit as you swallow, wondering if Dazai is about to bring you not to an event hosted by their rival, but to an event hosted by the mafia. You don’t think he would put you in danger like that, you don’t want to think he would put you in danger like that and you wonder if you’re just sending yourself down a spiral of unnecessary paranoia. 

But it doesn’t make sense. Dazai is enamored by you, and you don’t think you’re being conceited by saying that because he has made it abundantly clear. There’s no way he would ever put you in danger like that. Not unless… you feel a bit green remembering his reaction to you saying that you’d go out on your own and stay with your friend the weekend of the event. You could feel the anxiety radiating off of him for a split second before he asked you to come with him. You also remember how he always makes sure someone is with you when you go out, and god, you swear you’re not a conspiracy theorist but nothing is making sense when you look at it through your rose-tinted lenses but looking at it through these lenses. The lenses of a man who is obviously smitten with you, and who might have dealings with the mafia—of course he wouldn’t want you to go out on your own because he’d be scared that you might be targeted as a means to get to him.

Oh, you feel dizzy. What have you gotten yourself into?

“Are you okay?” Gin is looking up at you, brows furrowed in concern. “You look a little sick.”

“I’m fine,” you say, but the words sound pathetic even to your own ears and you know Gin doesn’t believe you from the way she tilts her head to the side to study you.

Luckily, you’re saved by the bell. Literally. 

Your head snaps to the side as the elevator dings, and ordinarily, you would be ecstatic because who else would be coming up to the penthouse besides Dazai and while you’ve certainly missed him over the past week with how busy he’s been, you’re not sure if you’re ready to see him right now with the way your thoughts have just spiraled, because you think you might blurt something out that you can’t take back.

But, for better or for worse, it is not Dazai that enters the penthouse.

“Good morning, ladies,” a familiar voice croons as the elevator doors slide open. Your eyes light up as you whip around, eyes falling upon a face you haven’t seen in almost two weeks. “I come bearing gifts.”

“Albatross!” you say, excited, a smile splitting your face, because yes, even knowing about the possible affiliation with the mafia, you’re still excited to see the blonde—he’s never been anything but sweet to you, and he’s really the only one besides Gin and Chuuya who doesn’t treat you weirdly because of your relationship with Dazai. 

“D’aw, look at it, Lippmann, told you the doll would still remember me,” Albatross grins, dark glasses hanging on the bridge of his nose as he tosses you a wink and then looks back toward the elevator.

Your gaze follows his, and your eyes fall upon a vaguely familiar person stepping out of the elevator and into the penthouse, carrying a few boxes. Pale hair cut into a bob, a pretty, androgynous face, dressed to the nines in a light purple waistcoat and matching pants—where have you seen him before? Wait-

“You’re-!” you begin, eyes wide and lips parting in shock.

“Walter Lippmann,” the man greets you with a kind smile and soft eyes, you feel a bit flustered, you can hardly meet his gaze. “Everybody just calls me Lippmann though.”

You try to speak, but you’re a bit starstruck—the last thing you’d expected was for a movie star to step into the penthouse. You’re looking between Albatross and Gin and then hesitantly back at Lippmann as you try to figure out what’s going on. 

Albatross cackles. “Looks like she’s gotta crush, Lippmann. Better not let the boss find out, he’ll get jealous.”

“Albatross,” you complain, hands flying to cover your hot face. “Not true, I’m just surprised. Am I allowed to be surprised?”

“Yeah, sure, doll, that’s it,” Albatross says, clearly not believing you at all as he throws himself onto the couch next to Gin, looking up at you. “The boss asked us to pick up a dress for you. Go try it on, I’m going to raid his liquor cabinet while you do—if he asks, you better take the blame.”

You see Gin roll her eyes. “You will not raid his liquor cabinet, Albatross,” she says firmly, but the man only winks at her.

You turn your attention back to Lippmann, who’s carrying the dress in a garment bag, a shoe box tucked under his other arm. He gives you a small smile and then motions for you to follow him; you’re still starstruck as you follow him into Dazai’s bedroom, pointedly ignoring the way Albatross snickers. 

You watch as Lippmann hangs the garment bag up on the closet, placing the shoebox down on the bed. He turns toward you after and says, “Try it on and make sure it fits properly. And make sure you like it.”

You nod, lips parting to speak but no words leave your lips. You look up at the garment bag, down to the shoes, and back to Lippmann and then you ask, “How do you… how do you know Dazai?” 

Lippmann gives you another gentle smile, tucking a strand of hair behind his ear. You notice, a bit curiously, that he seems to take a moment before he speaks, as if choosing his words carefully. 

“I knew Dazai’s father,” he says after a few seconds. “I work with the Mori Corporation sometimes regarding press and political matters. Like a spokesperson when Dazai is unable to.”

Hm, you think to yourself before nodding, a movie star as a spokesperson for a corporation, that’s a bit odd, isn’t it?

Your brows furrow slightly as you try to fit the new knowledge in with all of the rest you’ve put together over the past few weeks but it’s just another jagged puzzle piece that’s not fitting in anywhere.

“I’m a huge fan of your movies,” you finally tell him, rubbing the back of your neck as you toss him a sheepish smile. “Like, no joke, almost cried when you had your discussion panel for The Good Society three months ago because it was two days before my entrance exam to grad school so I couldn’t go.”

Lippman laughs, pale cheeks flushing as he looks down at the ground before back up at you. “Honestly, you didn’t miss out. The whole panel was a mess, and the AC broke twenty minutes before, so it was ridiculously hot.”

You don’t really know what to say to that, cursing the fact that you are 1) still half dazed on top of 2) already being naturally awkward, but Walter Lippmann is Walter Lippmann, so of course he knows just what to say and do.

He nods to the dress that he hung up on the closet. “Try it on and then give us a show,” he says, winking at you before he makes his way out of Dazai’s bedroom back into the other room with Albatross and Gin.

You sigh when you’re alone again, tilting your head up to look at the ceiling for a moment, wondering what your life has become before you make your way over to the dress. You unzip the garment bag, curious to see what Dazai had picked for you, and your eyes shoot open when you see the red gown within the bag. Smooth and silky, off-the-shoulder, it’s probably the most expensive thing you’ve ever laid your eyes upon; you feel like you shouldn’t even touch it, much less put it on. 

But Lippmann and Albatross and Gin are out there waiting, you can hear them talking through the door, so you force yourself to gingerly pull it off of the hanger, careful to not be too rough with the material. It doesn’t take you too long to get your clothes off and the dress on, but when you do, you can hardly bring yourself to move away from the mirror. 

You look beautiful. You do. The dress is a perfect fit, it compliments your skin, it compliments your hair. You look beautiful, but you feel like a fraud, like a clown in a ball gown, hoping that the beauty of the dress would draw attention from the fact that it’s not meant for someone like you. 

You don’t know how long you stand there, staring at your reflection. Too long, evidently, because you hear a sharp knock at the door and Lippman’s concerned voice asking if you’ve gotten the dress on.

“Yeah,” you say quietly. “I’m dressed.”

You hear the door to Dazai’s bedroom creak open but you don’t turn to look.

“I think this costs more than my student loans,” you breathe out, staring at yourself in the mirror. You smooth your hands over the silky material, eyes catching the way it clings to you perfectly. “God, where the hell did he get something like this? It’s like it was made for me.”

“Probably was,” Lippmann says from where he’s leaning against the doorframe, lips quirked up into a half smile as he tosses you another wink. “Perks of dating one of the richest men in Japan.”

You let out a noise caught between a whimper and a laugh, suddenly feeling very, very out of place.

Lippmann clearly catches your sudden change in attitude and his brows furrow. “Do you not like it?” he asks curiously. “There’s plenty of time for him to send for something else.”

“No, no,” you hurry to say, voice catching. Although you’re unsure how twenty-hour hours constitutes ‘plenty of time’, but you digress. “It’s perfect. It is.”

“What’s the issue then?”

“I just…” you trail off, eyes lingering in the mirror. “I feel silly, I guess. How obvious is it that I’ve never worn anything like this before?” 

“Silly?” Lippmann asks, amused, peeling off the doorframe to make his way over to you. You swallow thickly as he straightens your posture and then uses two fingers to make you raise your chin. “You look stunning. Like a woman who belongs on the arm of the most influential man in Japan… Like a woman who doesn’t need to be on the arm of any man.”

Your face feels a bit hot as you let out a puff of laughter. “Now you’re exaggerating.”

“I certainly am not,” Lippmann says firmly, taking a step back. “You’re only getting in your head. From what Chuuya has told me about you, you’re more than suited to outwit and outclass anyone in attendance at that event.”

Your face feels hotter now, smiling as you roll your eyes. “Flatterer,” you say, but you feel a bit better, chest lighter as your gaze turns back to look at the mirror. “... Do you-”

A sharp whistle from the door draws your attention from Lippmann; there’s a lecherous smile on Albatross’s face as he leans against the frame and looks at you, glasses hanging off the bridge of his nose. “Damn, if you weren’t the boss’s girl…”

Gin slaps him hard on the back of his head, glaring at him before turning a small smile to you. “You look beautiful,” she says softly. “He’ll be speechless when he sees you tomorrow.”

Your throat feels tight as your lashes flutter, a smile on your lips as you look down at the ground. Even though the concerns of your realizations from before still weigh heavily in the back of your mind, you can’t help but feel a bit giddy at the thought of seeing Dazai tomorrow.

The giddiness is long gone.

You still haven’t gotten dressed.

You’re sitting at the edge of Dazai’s bed in your bra and panties, staring at the wall with your knees pulled to your chest. Your dress is hanging on the closet on the far side of the room, heels sitting on the floor beneath it. You’ve done your makeup and you put your earrings on already—pretty, dangly diamonds that are the most expensive thing you own, the last thing your brother gifted you before he cut you off entirely. You need to be getting dressed, Dazai will be up here any second to pick you up to leave for the event, but you just can’t bring yourself to put the dress on, anxiety eating away at you.

It’s not even because of the realization you’d come to yesterday, it’s because you think you’re about to make a fool out of yourself. Even if you’re wrong about the theory that you might be heading into an event hosted by the mafia and their associates, you’re still heading into an event that’s going to be attended by people who are much wealthier than you, and you already feel out of place and you’re not even there. 

The dress is beautiful, but you think you’ll look like a clown in it, everyone will know that you’re not from the same sector of life as them with a single glance. Lippmann’s words from yesterday are in one ear out the other now that you’re closer to the actual time of the event.

You’re so lost in your thoughts that you don’t even hear the bing of the elevator arriving at the penthouse, and you don’t notice Dazai until he pushes open the cracked door to step into the bedroom. And you feel like you should be embarrassed sitting half naked on his bed, rather than being dressed and waiting for him, but you can’t muster it, eyes dragging up from the wall to land on his concerned expression. 

And he’s a sight, you think. He’s so handsome. Absently, you think he might be more handsome than the last time you saw him but you think that’s a bit ridiculous because he hasn’t changed at all. He’s wearing the same long black coat and burgundy scarf, but the sleek, dark suit he wears beneath it is different, more expensive than all of the others that he’s donned the past few months you’ve known him. 

His lips are turned downward as he approaches you, placing a blue box down on his dresser, dark eye soft with concern, and you also can’t help but notice that he still wears the bandages around the upper left side of his face, covering his eye. You want to know what’s beneath them desperately, but you can’t bring yourself to ask, hoping that he’ll show you on his own terms.

He stands in front of you, and you rest your chin on your knees as you stare forward, staring at his abdomen instead of looking up at his face. But he doesn’t let your gaze linger there, bringing his right hand to cup your cheek so he can gently lift your face upward, forcing you to meet his eyes. You can feel the rough edges of his bandages scraping against your skin, and you instinctively lean into his touch. You try to remind yourself of all of the realizations you’d come to yesterday, tell yourself to not be as at ease with him, at least have some semblance of your guard up, but you fail.

“What’s wrong?” he asks you softly, letting you lean into his touch as he brings his other hand up to tuck a strand of hair behind your ear. “Are you okay?”

And you feel selfish, you realize, as you try to figure out what to tell him. You can’t even fathom the amount of money he spent on your dress and the shoes, and here you are being a baby because you’re self conscious. You don’t even want to reply to him, so you try to turn your face away but he doesn’t let you.

“Tell me,” he says quietly. “I’ll fix it, whatever it is.”

“It’s silly,” you finally breathe out, averting your gaze to the ground as you let your eyes flutter shut, turning your face in his hand to kiss his palm before leaning back into it. “I’m being a baby, I’m sorry.”

“It’s not silly if it has you upset,” Dazai tells you, and he kneels down in front of you to catch your gaze again and briefly, you think it’s absurd that you have such a powerful man at your whims like this, kneeling before you, willing to do anything to make sure that you’re content and happy. It makes your throat swell a bit, those inferior feelings rising back to your chest with a vengeance, because what the hell did you do to deserve this? There’s nothing special about you. “Tell me what’s wrong, let me help.”

“I just don’t understand.” 

Oh my god, your voice cracks, you can feel your eyes go a bit misty, and instantly, Dazai’s concerned gaze is narrowing, as if trying to calculate what exactly is the source of your distress so he can remove it, and it only makes you want to cry more because what did you do to deserve all of this? 

If you’re right about all of the assumptions you made the other day, and Dazai is bringing you to this event even though by all means he should not because there’s likely going to be a lot of shady business occurring that could incriminate him and all of the other people at this event, then why? Why would he risk that just for a girl he met a few months ago? You can’t fathom it.

God, you know better than anyone the effects imposter syndrome can have on a person in school, but the last thing you expected was to be dealing with it in love too.

Love, the word makes your stomach churn because you do love him, you realize, as he stares up at you desperately trying to figure out what’s wrong so he can fix it. And how scary is that, considering only twenty-four hours ago you came to the realization that he’s very likely involved in the underground, in some way or another, and you had to come to terms with the fact that you’d have to choose between your future and a man. But he’s not just a man, he’s a man that you love in spite of everything you’ve put together.

A tear spills over your cheek and Dazai’s gaze becomes alarmed as he instantly wipes it away with his thumb before caressing your cheek gently. 

“What don’t you understand?” he presses quietly. “Talk to me.”

Where do you fucking start?

You want to cry even more but you force yourself not to, you can’t afford to let your makeup get anymore messed up than it already is. Instead you sniffle a bit and try to blink away the tears. 

“This,” you finally say, and your voice cracks again, you take a wet breath. Dazai’s lips part a bit, as if he wants to speak but he’s not sure what to say, brows furrowing. “There’s nothing special about me, Dazai, and I don’t understand why you’ve gone to the lengths that you have for me. Meeting me at that club every Friday as if you’re not always swamped with work, indulging me whenever I want to do things. You gave me a place to stay after only knowing me for a few weeks, gave up your own room, your own bed, so I could be comfortable while you slept at your desk. You’ve made sure people are always with me so I never get bored or lonely. You’ve given me literally everything I could possibly ask for and I’ve just been freeloading off of you for two and a half weeks now. Now, I’m going to go with you to this event and end up embarrassing you because I’m going to stick out like a sore thumb compared to everyone else there. They’ll know I don’t belong there and I just-”

You cut yourself off, and you want to avert your gaze from Dazai’s but you can’t bring yourself to. Instead, you watch as something akin to amusement flashes through his eye. He takes one of your hands into his and brings it up to his lips, eye sliding shut for a moment as he kisses your knuckles. You let out a shaky puff of air as his lips linger for a moment before he looks up at you again through his lashes.

“Let me help you get dressed,” he murmurs, and you look down at the ground now as you nod, letting him help you to your feet and lead you over to where the dress is hanging up on the closet door.

He pulls it off the hanger and guides you into it, pulling it up and adjusting it so that it covers you properly. He steps behind you, and you realize that he also has you standing in front of the floor length mirror set up on his closet door. You sniffle a bit again as you look at yourself in the mirror. 

Your makeup looks a bit smudged beneath your eye from the tears gathering at your lash line, but somehow, you still look beautiful. You think it’s only because of the dress, the way it clings to your body so nicely and brightens all of your features. You take in another shuddered gulp of air when you feel Dazai begin to zip up the back of your dress slowly, each brush of his fingers against your skin lights your nerves on fire, and once he finally has it zipped to the top, he kisses the nape of your neck, hands falling to your hips to caress them gently. Your eyes flutter shut as you lean back against him, his comforting hold settling your turbulent emotions.

“I met you at the club every Friday because you were the only relief I had from reality,” he finally says, resting his forehead on your shoulder as he holds you. “I indulged your requests because I was indulging in you myself. Every moment I spent with you, I allowed myself to be Dazai Osamu, the person, and not the… Not what I’ve had to become to keep this organization running.”

Your breath catches, lips parting at his words but no sound escapes them. He kisses the nape of your neck one last time before he moves to stand in front of you, kneeling down again as he grabs one of your heels and undos the buckle. You watch with bated breath as he lifts your left foot from the ground to kiss your ankle before sliding the heel on, deft fingers fasting the clasp. 

“I gave you a place to stay because I was selfish and I wanted you around more,” he sighs, resting his forehead against your knee now as he lingers there for a moment before moving on to repeat the process with your other foot, kissing your ankle and slipping the heel on. He continues, “Likewise, I have kept you surrounded by people because I have been desperately afraid that you’re going to get bored and want to leave because work leaves me little time to be around. Unfortunately, I’m not the generous person you’re making me out to be, I’m horribly self-serving and greedy, especially when it comes to you.”

He looks up at you now from where he’s kneeling in front of you, gaze searching your face. You want to reach out and cup his cheek, so you do, and immediately, he’s turning his face to kiss your palm just as you’d done to him before letting his eye slide shut as he leans into your touch, as if basking in it.

“I would give you anything you want,” he admits softly, keeping his gaze shut as he holds your palm against his face. “Anything. And if it was something outside of my reach, I would make it in my reach. There’s nothing I wouldn’t do for you, no lengths I wouldn’t go to and no lines I wouldn’t cross.”

You think your lungs might be burning, you don’t think you can breathe as you stare down at him, heart thudding in your swelling chest, tears building in your eyes again but this time not out of insecurity. Dazai finally rises to his feet after placing one last kiss upon your knuckles, and he doesn’t say anything as he makes his way over to the dresser where he’d placed the blue box. 

You don’t move, watching as he opens it and pulls something out before making his way back over to you, standing behind you. He looks at you through the mirror as he lifts his hands to place a glittering diamond necklace upon your collarbone. You can’t breathe again, you realize, it’s cool against your skin and you think it might be the most expensive thing you’ve ever laid your eyes upon, dozens upon dozens of white diamonds shimmering in the mirror in front of you. Your skin feels like it’s on fire as his fingers brush the nape of your neck as he clasps it onto you. 

“You are beautiful,” he says, voice so raw that you almost shiver at the intensity of it. His fingers brush your hips as if he’s afraid to touch you. “You are beautiful, and intelligent, and everything I have ever wanted. You deserve so much more than me, more than you’ll ever be able to understand, and I’m sorry that I’m not a good enough man to do what’s right and let you go. The last thing you should ever be doubting is this.”

His eye slides shut again as he lets out a soft puff of air, the warmth fans across the back of your neck and you think you could spend forever in this moment with him, wishing that you could freeze time. 

“You said that you thought it was fate that brought us together,” he finally finishes, voice quiet as he references what you told him the first time you met. “Don’t ever doubt your place with me. Wherever I am, you belong, whether it’s a club, or an apartment, or an event.”

“I thought you hate the idea of fate,” you say, voice a bit choked as you try to force the tears back again.

“I do,” he affirms, “but if fate brought us together, then far be it from me to deny the one thing in this world that has ever made me happy.”

You love him.

You feel sick to your stomach—be it from butterflies or the implications of the realization. The words threaten to burst from your lips but you swallow them, instead, another tear trails down your face and he sees it through the mirror, lifting his hand to wipe it away before leaning a bit over your shoulder to press his lips to your jaw.

“I’m ruining my makeup,” you rasp, letting out another shaky breath.

He smiles against your skin.

“You’ll be beautiful still,” he murmurs before pulling back, admiring you for a moment before he asks: “Are you ready to go?”

You nod. “Yeah,” you say, a bit breathless. “I’m ready.”

“Everyone is staring at us.”

You’re not wrong, exactly. As soon as the two of you had entered the room, all attention was sent your way, and though the music was loud enough to drown out most chatter (intentional, of course, so unsavory ears can’t overhear even more unsavory dealings), Dazai couldn’t help but notice the hush that spread through the room at the sight of you. The boss of the Port Mafia with a date on his arm was certainly a sight to behold to all of the rest of the occupants of the event hall,.

“Can you blame them? You look beautiful,” he says, voice laced with a teasing edge that is certainly not matched in his expression. Dazai knew people would be looking at you if he brought you here. Still, he wants to gouge their eyes out. 

His arm tightens around you as he tucks you into his side, cold gaze sweeping across the massive event hall. At least two hundred people are attending Nabokov’s event—an even mixture of pharmaceutical tycoons, technology barons, politicians and mafiosos. 

At first glance, he recognizes four different mafias in attendance. 

Mishima Yukio of the Sun and Steel stands by one of his associates, the president of Mitsubishi Chemical Group; the man’s dark eyes card over Dazai with lazy interest, before his head tilts to the side as he studies you.

Dazai thinks that the Sun and Steel might be the Port Mafia’s only allies in attendance, and even then, allies might be taking it too far. The extent of Dazai’s dealing with Mishima was a general agreement to not encroach the Sun and Steel’s monopoly over the narcotics industry—which Dazai never intended on doing anyway because the industry is far more trouble than it's worth—and an unspoken promise to protect Japan’s underground from foreign mafias. 

Dazai wonders if that unspoken promise still holds or if the Russians have cut a deal with him. 

Nabokov’s Pale Flame, obviously, is in attendance, along with the remnants of Leo Tolstoy’s Three Deaths. Tolstoy himself is sitting at the bar, a glass of whiskey in hand as he leans back on the stool, gaze focused on you. Nabokov is off to the left, making his way across the room to greet Dazai, a curious expression on his face. Dazai recognizes Cao Xueqin of the Red Chamber sitting near Kitazawa Michihiro of Fuji Electric, one of the Port Mafia’s closest associates; and Dazai thinks that might be a bit foreboding, both because of the presence of the Chinese and the company he’s keeping.

Dostoevsky’s House of the Dead is nowhere to be seen, but Dazai knows that they’re here. Somewhere. He just has to find him—and he will.

More eyes are on you than him, and although that was to be expected, Dazai can’t fight the doubt that suddenly swirls in his chest, wondering if he’d made the right decision. If you hadn’t been on people’s radar already, you definitely are now, and the thought makes him a bit sick to his stomach. He tries to console himself with the fact that this was the lesser of two evils—the mere chance of you being on the radar of any of the mafias in this room, no matter how slim it might be, was not something he could gamble with. There was no way he could let you go out alone and unprotected. People like them, people like him, would jump on the chance to take advantage of the weakness and he couldn’t let that happen. 

But is this really any better? 

He’s thrown you into a pit of snakes, and you’re ignorant to all of the threats around you. His gaze drifts back down to you, catching the way your brows are knit together slightly, the way your lips are pressed in a thin line. There’s an indecipherable look in your eyes as your gaze shifts over the room, and Dazai wonders if you know more than you’re letting on. That’s another scary thought, but he can at least find comfort in it for now because it’ll have you keeping your guard up around these people. He’ll just have to deal with the consequences later.

He dips his head down to your ear, speaking quietly before Nabokov finally reaches him: “Just follow my lead, you’ll be fine.”

The look you shoot at him is nothing short of withering, and Dazai can’t help the smile that curves at the corners of his lips as he lifts his head back up to subtly brush his lips against your temple. He catches sight of movement from the corner of his eye and any softness that might’ve been visible in his expression washes away instantly.

“Dazai,” Nabokov greets, beady eyes flickering between you and Dazai, partially curious about you and partially nervous about Dazai. Dazai tilts his head to the side, becoming increasingly more unamused the longer Nabokov’s gaze lingers on you. “I’m glad you came. I wanted to apologize for not being able to attend our planned meeting a few months ago.”

“So I heard.” Dazai’s voice is short and distant, more focused on the feeling of you tucked into his side than the conversation at hand. He has to force himself to keep his gaze steady on Nabokov, wanting to look down at you, but he contents himself with letting his hand slide down to your hip, rubbing absent circles against the silky material of your dress. 

Nabokov fumbles over Dazai’s clipped response, a bead of sweat gathering at the corner of his forehead. He wishes he could peer into your head and see what you’re thinking, about him, about this, about everything. He doesn’t know if he’ll be able to get through the night without you realizing who he is, what he is, and that thought scares him because he thinks that maybe he should have been the one to explain it to you, so he could at least try to paint himself in a better light. Although, he’s not sure what sort of light would make anything about him look better.

“Who is this?” Nabokov finally asks, turning his attention toward you. Dazai doesn’t like the way he looks at you, eyes raking over you like you’re a piece of meat.

“My partner.” To Dazai’s credit, his voice is much smoother than the turbulent emotions in his chest would suggest. “Where is your wife, Nabokov?” 

Nabokov doesn’t even respond to the question, laughing loudly. “Never thought I’d see the day you found yourself a lover, Dazai,” he chuckles and then holds his hand out to you. “Vladimir Nabokov.”

You shift a bit to take his hand, but Dazai is faster, lithe fingers wrapping around Nabokov’s wrist in an agonizingly tight grip. Nabokov winces, Dazai’s face is cold as he stares down at the man.

“Keep your hands to yourself,” he warns, keeping his voice low. 

Vladimir Nabokov. Invitation to a Beheading. An ability that grants its user to draw a target into an interdimensional space through physical touch—Dazai isn’t sure what the space entails because no one has ever left it alive.

Nabokov tries to laugh it off, weaker this time as he takes his hand back and shakes out his wrist. “My, Dazai, possessive, aren’t you?”

“Very,” Dazai agrees idly. “Be sure to remember that.”

Nabokov gives him another wavering smile, and Dazai can’t help but wonder how Dostoevsky could have possibly thought anyone would believe the man could head the tripartite alliance of the Pale Flame, Three Deaths, and the House of the Dead. Anyone with half of a brain would know that Dostoevsky is behind their union. Maybe that’s what he wanted, Dazai notes absently as he watches Nabokov’s gaze flicker to the upper left corner of the room. Dazai follows it to where a camera is positioned, encompassing most of the event hall. 

The smile on his lips is nearly as chilly as the air-conditioned room around him.

There you are. 

Dazai’s gaze cuts back to Kouyou, who’s standing a few feet behind you and Dazai with Chuuya, Ace and Piano Man. The woman inclines her head in recognition of his silent order as she fans her face lightly, taking a step away to make a call to Hirotsu, who should be stationed around the building with the rest of the Black Lizards by now, prepared to move in at the first sign of danger.

Nabokov looks as if he’s going to speak again, which inclines Dazai to believe that he’s seeking something out in particular for Dostoevsky, and from the way he keeps glancing at you, Dazai assumes it has to do with you. So as the man's lips waver, eyes darting as he tries to formulate another conversation opener, Dazai speaks before he can get the words out.

“If you don’t mind,” he says, voice cold and clipped as he all but dismisses Nabokov, who flushes a bit, nodding and apologizing before stepping away. 

Dazai realizes that he probably has not prepped you enough for this event, but in his defense, he’s been swamped with his own preparations and how is he supposed to prepare you when he can’t even fully explain all of the dangers? But now, it’s making him anxious, because at some point tonight he’s going to have to step away from you to meet with Nabokov in one of the backrooms, likely with Tolstoy, Cao, and Mishima. Dazai’s executives will have to be there with him, and Tachihara is supposed to slip from the shadows to join you while you wait for his return, but there’s likely going to be at least a good two to three minutes where you’ll be alone until Tachihara can get to you. That’s assuming he doesn’t get caught up on the way over.

He needs to talk to you, at least warn you about the ability users attending the event so you don’t accidentally stumble into a potentially lethal situation without him around.

If he goes to the bar, Tolstoy will take advantage to try to sweep you into a conversation, picking up right where Nabokov left off. If he goes off to the left side of the room, Cao will make his way over to interrupt. If he goes off to the right side of the room, Mishima is there. The only place… Dazai inhales as his gaze focuses on the massive dance floor of the event hall, dozens of couples are spinning around already, and it will be loud enough there for the music to drown out his conversation with you from unwelcome listeners. 

He turns his attention to you, holding his palm up and tucking one arm behind his back as he asks lightly, “May I have this dance?” 

Your eyes widen a bit in surprise, seemingly hyper aware of all of the hungry, curious glances of the other attendants directed your way, but he’s only focused on you, and the way your eyes glitter beneath the chandelier’s lights, and the way your dress clings to your body, and the way a soft smile tugs at your lips. He thinks that even if you hadn’t entered the event on his arm, all of the room’s attention would be on you still, because you’re beautiful, and captivating, and Dazai doesn’t think he’ll ever understand how he managed to pull you in one lifetime, much less all of them. 

You place your hand in his and Dazai guides you across the floor, intent on finding the perfect space. It’s hardly obvious the way that the other people on the dance floor would inch away as the two of you passed by, intent on staying out of Dazai’s way and letting him have whatever space he wants, but you pick up on it, he thinks, seeing the curious look in your eyes as your gaze sweeps around the people around you. He bites back a sigh, because he’s sure that you’re tallying everything up in your head trying to put it all together, and once you get that final puzzle piece, everything will be over.

His chest sinks at the thought of losing you, but he forces it away. He has to focus on the situation at hand because even a single slip up could be fatal—not only for him, but for you too. As soon as he reaches a suitable spot on the dance floor, he tugs you a bit closer to him, hands sliding down to your waist. Your own arms instantly come up to loop around his neck as you look up at him through your lashes and Dazai suddenly feels breathless, vision tunneling and heartbeat stuttering at the way you look at him.

God, how is he supposed to focus with you around? He can hardly concentrate on anything but you. He’s flying too close to the sun. Has been since the moment he met you. Drawing you into his life and keeping you there, now bringing you here, so many gambles, too many gambles… the heat is scorching, and it’s only a matter of time before his wings burn. If he was smart, he’d let you go so that you don’t burn with him, but his fingers only bite deeper into your waist at the thought.

The music is slow, and the two of you sway in tune to it. The other couples give a wide berth, some casting wary looks at Dazai, ones that he’s sure you’re catching. He doesn’t know where to start, or how to start; what does he tell you that doesn’t condemn him? Luckily, he doesn’t have to start the conversation because you do, for better or for worse.

“Was that man the rival that Gin mentioned?” you ask curiously, and Dazai can’t help but notice there’s a strange look in your eyes as you ask it, one that he can’t place.

He hesitates, but then says, “No. He wasn’t. I haven’t seen him yet.”

You hum lightly, fingers toying with the hair at the nape of his neck in a way that makes him shiver. But his eyes narrow when he realizes that you don’t look the slightest bit surprised by his answer. 

“You knew that already,” he accuses lightly, and he forces himself to swallow the lump that suddenly forms in his throat because if you figured that out on your own already, what else have you figured out? God, he knew this was risky, you’ve always been ridiculously perceptive—he just needs to get through tonight without you putting everything together, then he’ll be fine.

“I suspected it,” you finally affirm his accusation, gaze searching his face. “He was nervous talking to you. If he was your rival, I’d expect him to be a bit more… assured. And he kept looking up toward a camera, like he knew someone was watching that he’d have to answer to.”

Oh, you did pick up on a lot more than he expected. He doesn’t think that the smile he gives you quite meets his eyes, if the way your brows furrow have anything to say about it, but he distracts you by bringing his hand up from your waist to cup your cheek, thumb brushing over your bottom lip as he murmurs, “That’s my girl, always so smart.”

Your lashes flutter as you avert your gaze, a tell tale sign of you being flustered. His lips quirk up into a more genuine smile, hand dropping back down to your waist. He can do this, he tells himself, he just has to be careful, tell you enough to make sure your guard is up and you know to at least some extent that the people in this room aren’t to be trusted.

“There are a lot of ability users in here,” he finally warns, careful to keep his voice low even with the music covering his words. “Do your best to keep your distance from people. I’ll stay with you as much as I can, but I’m going to get pulled away sooner or later. Chuuya or Piano Man will stay with you when they can, and if they’re pulled away, Tachihara is going to come down to stay with you.”

“... That’s why you didn’t let him shake my hand,” you say, realization flashing through your eyes, another puzzle piece fitting behind your eyes and Dazai has to be careful because it’s only a matter of time before you’re given that final piece and everything comes together. “What’s his ability?” 

“... Nothing good,” he answers after a few moments of silence, but you’re not content with that, brows furrowing. He sighs. “No confirmation on it, we only know it’s lethal. Many are in here.”

Your eyes widen and then you look a bit skeptical. “And you think they would use it here? In public?” you ask slowly.

To Dazai’s horror, it is not skepticism tainting your tone, but rather, you’re fishing for information, trying to put more pieces together, and he doesn’t have much choice but to give you answers because he can’t risk you setting your guard down even for a second.

He chooses his words carefully. “... There is little they wouldn’t do to get ahead in our business.”

“Hm,” is all you say in response, something akin to understanding flashing through your eyes and Dazai dreads to know what his answer has just told you. He feels distinctly like he’s playing chess against an opponent he did not anticipate and he’s at a disadvantage because the opponent is you. He can feel your shoulders slump suddenly, an unfamiliar expression crossing over your face; you look tired, as if you’d aged twenty years in a matter of seconds. “What did you get me involved with, Dazai?” 

You say it so softly that Dazai barely hears it himself, and he knows. He knows that you’ve figured something out, he doesn’t know what and he doesn’t want to know what. He wants to evade it as long as possible, because the moment he has to have this conversation with you, he knows he’ll lose you. He can’t think about that now, it’ll throw him off and this is the last place he can allow himself to be thrown off.

Instead, his grip on your waist tightens again, gaze averting down toward the ground. 

“I’m sorry,” he murmurs. The words weigh heavy on his tongue, not just an apology for tonight but an apology for accepting your offer for a drink two months ago, knowing he wouldn’t be strong enough to let it be a single night of indulgence; an apology for seeking you out again afterward, knowing that he would be sentencing you to death.

He feels sick. 

What is he doing?

Why are you here?

What has he done?

“Dazai.”

You say his name but Dazai hardly hears you. God, he can feel it happening, where his fingers are pressed against your body, the skin suddenly goes cold and stiff, his surroundings are blurring, the people fading into the background. This isn’t the place. Nabokov. Tolstoy. Mishima. Cao. He can’t lose himself, not now, but his grip on reality is starting to waver, the pages pile around him. 

“Dazai.”

What has he done?

Everything he’s planned for, seven years of careful calculations and planning gone down the drain. How does he even fix this? Can he fix this? His mind races, but he’s not even sure he’s thinking coherent thoughts, trying to ground himself to the present because he needs to stay here, he can figure out how to fix it later, when you’re not in danger but-

His vision swims. Not now. He can see it—he can see you. Still on the ground. Sometimes there’s blood, so much that he can hardly recognize you (but he can, of course, he can always recognize you, even when your body is littered with more gaping wounds than not). Sometimes it looks like you’re sleeping, so much so that Dazai kneels next to you, begging you to wake up (he knows in his heart that it’s futile. he can’t stop himself from trying). His head spins, he loses track of where he is and then-

“Osamu.”

His breath catches, gaze zeroing in on you. You. Alive. Your brows are furrowed in concern, searching his face to try to draw him back to reality. He thinks his grip on your waist must be painful but he can’t bring himself to loosen it at all. He stares at you, still desperately trying to keep himself grounded because although you’ve brought him back mostly, the corners of the pages still linger in the edge of his vision, threatening to consume him again.

“You can’t leave me,” you tell him quietly. “You brought me here. I need you here with me. Don’t go off somewhere I can’t follow.”

Oh.

He lets out a breath, slow and maybe a bit more shaky than he would’ve liked, but he tries to focus on the situation at hand. He loosens his grip on your waist, rubbing a gentle circle over your hip in an apology.

His gaze drifts around the room, Nabokov is in deep conversation with Cao, hardly paying attention to anything going on, but Cao’s sharp, dark eyes are pointed over Nabokov’s shoulder, scanning the dance floor. He’s looking for someone—not Dazai, which is a bit worrying, and he becomes all the more attentive to everyone in the vicinity, trying to make sure none of the Red Chamber’s assassins made it through the security. If any organization would be able to pull it off, it would be them. 

Once he’s decided the coast is clear, he turns his gaze back to the bar. Tolstoy is looking at him—blue eyes sharp, blonde hair hanging in them, a curious expression on his face as he sips at his drink and watches as Dazai dances with you. As soon as Tolstoy notices Dazai has caught him, his lips curl up into a smirk and he raises his drink. Dazai’s expression is cold as he looks away, seeking out Mishima only to find the man nowhere to be found.

Hm.

Chuuya and Kouyou are entertaining idle conversation with two executives of the Sun and Steel, both keeping a sharp eye on where you and Dazai sway on the dance floor. Piano Man is entertaining several politicians, doing a good job at ensuring that none of the other foreign executives get any chance to get their ears. Ace, Dazai notes, is in deep conversation in the shadows with one of the executives of the Three Deaths. 

Interesting.

He finally draws his attention back to you, a small smile on his lips as he recalls what you’d said to drag him from his spiral.

Osamu,

“You called me Osamu,” he murmurs, a warm feeling spreading through his chest as he focuses on that instead, trying to ease himself back into reality. Technically, he’s heard you say his given name before. Well. Not technically. It was never you and it was never him, rather it was vague memories of other yous and other hims, but it was nothing in comparison to hearing you actually say it.

You look embarrassed, averting your gaze. “I didn’t know how to get your attention, I’m s-”

“Say it again,” he whispers, lifting his hand back up to your chin to tilt your face back up, forcing you to look at him. His eyes search yours, watching the way you can hardly hold his gaze. You look hesitant, so he continues with, “Please.”

“... Osamu,” you say again, breathless, and god, Dazai wishes the two of you were anywhere but here. He wants to press you back against his bed, run his lips up and down your body, map out all of your curves with his hand. He wants to watch you come undone on his tongue and on his fingers—he wants you, he wants you more than anything else in the world. Every time he’s tried to take the next step with you the past few weeks, he either got interrupted by work or he ended up getting cold feet, nervous about making a mistake. 

Before his thoughts can spiral even more, the music picks up to a faster paced waltz. Your eyes widen, watching as all of the other couples shift into the respective dance. You look up at him, a bit panicked, clearly not sure what to do, and his lips curl up in amusement, beckoning you to lace your fingers with his to take the stance the other couples were taking.

“I don’t know this da-” you begin, voice hushed.

“Just follow my lead,” he repeats the same words he spoke to you when they entered the hall. “You’ll be fine. Trust me.”

You exhale, studying his face for a moment before sighing and mimicking the stance the other women took with their partners. He can feel your fingers wavering against his as he interlocks your fingers and he rubs his thumb over the back of your hand soothingly.

“Keep your eyes on me,” he tells you, just as the music finally picks up for the dance to start. 

He thinks you’re worried for nothing. You moved smoothly in line with him and in tune with the music, gliding across the dance floor as if you’ve danced with him hundreds of times before, your body so in sync with his that the two of you put all of the other couples to shame. Not that any of them matter, of course, you’re all that Dazai can focus on. Your eyes never leave his, not even for the sparest of moments, and Dazai feels like he’s caught in a trance, lost in your eyes and the feeling of your body so close to his, hyper aware of the way your your hand rests on his shoulder and the way your fingers are wrapped tight around his.

God, there’s something so otherworldly about you. Doesn’t know if it’s heavenly or supernatural, if you’re his angel sent to lead him to salvation or his very own siren singing a sweet melody to lead him to ruin. Doesn’t think he cares either way—salvation, damnation, none of it matters as long as he has you.

“Not so bad, hm?” he murmurs, sweeping you out into a spin before pulling you back to him, closer this time. He can feel your chest brush his and he prays you can’t feel the way he’s lost control of his heart, painfully cognizant of the erratic thumping. His hand slides from your hip to the small of your back, holding you close to him. He could stay in this moment forever, surroundings drowning out; all he can see is you, all that matters is you.

“Yeah,” you say softly. “Not so bad.”

His lips part to respond but he’s interrupted when he sees movement from the corner of his eye, freezing.

“Dazai.”

Dazai stiffens as a familiar voice speaks from behind him, shifting to stand partially in front of you as his gaze cuts to the side to see Mishima’s familiar figure standing a few feet away. Turning to face him, he asks, “Do you need something?”

“I’d like to speak to you before we meet with Tolstoy, Nabokov and Cao.”

Mishima’s voice leaves no room for argument, dark eyes absent of any emotion as he waits for Dazai to follow him. Dazai’s jaw tightens, eyes drifting back to you as he tries to figure out what to do. He can’t leave you here, not with Cao’s hawk-like gaze trained on the dancefloor and Tolstoy waiting for the opportunity to make a move. But he does need to talk to Mishima, have some idea of where he stands with the Sun and Steel before facing all of the foreigners. 

“May I have this dance?” 

Dazai hadn’t even heard Chuuya approach, turning to the side to watch as he holds a hand out toward you expectantly, quick to step in to take Dazai’s place so that you’re not alone. You shoot Dazai a concerned glance, brows furrowing a bit, before you place your hand in Chuuya’s.

Chuuya leads you back onto the dance floor, Dazai’s gaze lingers for a few moments, a bitter feeling spreads through his chest because that should be him, and it’s wholly unfair that he has to deal with all of this unsavory business when he should be spending time with you.

He should just kill them all here and be done with it.

The words ring through his head, echoing, tempting. He inhales and forces himself to look away as you loop your arms around Chuuya’s shoulders, swaying in tune to the slow song playing. He turns his attention back to Mishima, voice cool and expression void of emotion:

“Speak.”

Dancing with Nakahara Chuuya is awkward. Awkward is even being generous. It’s not like he’s a bad dancer—in fact, it’s clear that he’s a very good one. He’s smooth on his feet as he spins you around the dance floor, but he’s so stiff. He’s careful to keep space between the two of you, hands never dipping lower than your sides, lips pressed together. He hardly even looks at you, his attention is more on where Dazai had stepped to the side to speak with the dark-haired man who’d interrupted the two of you, but you’re grateful for it, because it’s giving you a chance to gather your thoughts.

You think Dazai might’ve inadvertently confirmed your suspicions from yesterday. You don’t know who these people are, but there’s no way any ordinary business event would be dangerous enough for Dazai to genuinely worry that someone might kill you in a room crowded with two hundred people. A part of you wonders if it’s just different for ability users, that they’re not scared of committing crimes in public because they have an ability that prevents them from getting caught, but you know you’re just trying to make excuses at this point.

Your gaze drifts back over to the older, light-haired man with dark eyes who’d approached you and Dazai when you walked in. He’s off to the side talking with a Chinese man dressed in a red suit—your gaze lingers, trying to piece together the puzzle in your head desperately, but all of the edges are jagged and confusing, you can’t seem to figure out where they each fit with each other. 

You’d thought maybe that Dazai and his business was somehow affiliated with the mafia, because no one with the amount of money and success that he has gets it cleanly, but now you can’t help but hesitate, reconsidering your original theory. Vladimir Nabokov had been scared of Dazai. And it’s not like you haven’t noticed the effect that Dazai has on people. Whenever you’re around people with him, they get tense and on edge, but it’s different seeing the effect he has on someone who doesn’t even work for him, a foreigner supposed to be one of Dazai’s associates if you understood what he meant about not showing up to a meeting. 

Who are you, Dazai?

You don’t even know if you want to know. You love Dazai. You do. You knew it earlier in the night. You know it now. It’s something you can no longer hide or deny. You remember the concerned look on his face when he saw how upset you were. You can feel the way his lips brushed the nape of your neck as he explained why he kept meeting you at the club, the way he kissed your ankles as he knelt in front of you and told you how he was selfish for keeping you around, how he kissed your palm and leaned into your touch as he promised you anything you want. God, you love him, you don’t think anyone has ever looked at you the way he does; no one has ever spoken to you the way he does. 

You love him, and it scares you because you’re realizing you still don’t know anything about him, not really, and you’re also realizing that there’s a high chance he’s been lying to you about what he does. It scares you even more that your first instinct isn’t to run. Because you should run. This should make you run. He brought you to an event with people so dangerous that he’s afraid they might try to hurt you, or worse, but you don’t want to run, because you’d be running from him and you don’t want to run from him. 

Could you sacrifice everything for him though?

Fuck your morals—everything you’ve worked for, all of the years slaving away to put yourself on the path to success. You’ve told yourself your entire life that it would be all you would focus on, that it would all be worth it in the end. You convinced yourself that maybe if you proved yourself enough, your brother would return to your life; he’d be proud of you and he’d come back to you. You know he’s still out there somewhere, you get letters with no return address every month—the only thing in the envelope is a check with a dubious amount of money, but it’s in his hand writing, so you know it’s him. 

A part of you wants to cry, frustration clawing at your chest: the future you’ve worked so hard for, or love? The question you’ve dreaded since your epiphany yesterday is finally thrown right in front of your face, and you need an answer. The two are mutually exclusive—you will not be able to pursue the career you want with Dazai Osamu, not in the way you want at least. And you don’t want to do all of this work to just end up being another shady politician.

“Penny for your thoughts?” 

Your gaze snaps up to Chuuya, who’s suddenly looking at you, and you don’t really know how to respond. 

I’m pretty sure you guys are part of the fucking Mafia and you’re all hiding it from me, but also I don’t want to know if you are because that’s going to force me to make a decision that I don’t want to make so I’d rather live in ignorance. 

“My thoughts are only worth a penny?” You deflect with a grin instead, hoping it meets your eyes.

It doesn’t, evidently, because Chuuya’s eyes narrow a bit, and then he tilts his head to the side and hits you with a more direct: “What’s wrong?”

“I’m just worried,” you finally say, not entirely lying but also not telling the truth. 

“About?” Chuuya presses and you sigh, exhaling a bit.

“He mentioned that there were dangerous people here,” you tell him quietly. “I’m just nervous for when you guys go to your meeting… I’m guessing it’s going to be soon.”

Chuuya’s brows furrow and you can see the thoughts racing behind his eyes before he speaks again. “You’ll be fine,” he tells you. “We have people all over the event hall, and Tachihara is going to sit with you until you Dazai can get back. Dazai shouldn’t have worried you with all of this. He shouldn’t have even-”

He cuts himself off, jaw tightening, but you know what he’s going to say: he shouldn’t have even brought you here.

“I don’t know what he’s thinking,” Chuuya says quietly, and you think he might be talking more to himself than anything else now, but you listen anyway. “He’s always been hard to read but this is…”

He stops speaking out loud, as if he’s realized that you’re there again, and instead he shakes his head. “You’ll be fine. Back at the headquarters before you know it.”

You aren’t so sure.

Your gaze drifts to the side as you watch Nabokov and the Chinese man make their way over to Dazai and the man he’s talking to. The blonde at the bar that Dazai kept looking at also stands up, drink in his hand as walks in the same direction. 

Chuuya spits out a curse under his breath and gives you an apologetic look. Your heart sinks and your throat feels a bit tight—he doesn’t abandon you right away though, pressing his hand to the middle of your back as he guides you across the dancefloor to the bar, all the while keeping a keen eye on what’s happening on the other side of the room.

He pulls the barstool out for you, eyes still trained on where Dazai is standing with Kouyou, two men that work for him you haven’t met yet, and the four men you assume are business associates of his. Dazai is looking at you, an indecipherable expression on his face. You’re looking at him, suddenly anxious at the thought of being left alone, a bad feeling sweeping over you. 

“Tachihara will be over here soon,” Chuuya finally says to you, tearing his gaze from his coworkers to look back down at you. He flags down the bartender to order a drink for you. “You’ll be fine. Knowing Dazai, the meeting won’t last long anyway.”

Your shoulders only slump a bit as you nod, thanking the bartender quietly for your drink as he hurries to bring it back to you, taking a sip of it. Chuuya doesn’t say much else—once you’re settled in your seat and have your drink, he squeezes your shoulder before making his way back over to the intimidating group of people standing on the opposite side of the room.

Your gaze meets Dazai’s conflicted one one last time before he’s forced to turn away and disappears down a side hall deeper into the building. You sigh as you twirl your drink around, the clear liquid sloshing dangerously close to the brim of your glass as your eyes twist around the event hall, seeking out Tachihara, or Atsushi, or anyone that works with Dazai because you’re feeling distinctly vulnerable alone. You find none of them. You can feel eyes on you—most you’re sure are harmless curiosity, wanting to know who exactly came in on the arm of Dazai Osamu, but you know some aren’t nearly as harmless, you can feel the hungry stares of vicious opportunists directed at your back and you don’t feel comfortable sitting alone.

You don’t even get five minutes to yourself.

“Is this seat taken?” 

You’re startled by the unfamiliar voice, head snapping to the side. Your gaze focuses on a pretty man with soft features, shoulder-length black hair and gentle purple eyes. Your lips part to speak, but no words leave them, caught off-guard by his sudden appearance. He looks harmless enough, but there’s something about him that has you on edge—something simmering beneath the surface of his deceptive eyes that you can’t quite place but you know you don’t like.

“I mean no harm,” he says smoothly, lips curving up into an amiable smile. “I’m an old friend of Dazai’s. I only want to talk.”

An old friend. You don’t buy it, but you don’t want to risk antagonizing him, Dazai’s warning about the many lethal ability users prowling the event ringing through your head. You just hope that Tachihara shows up sooner rather than later as you finally shake your head.

“It’s not taken,” you say quietly, motioning to the stool as you take another generous sip of your drink.

The dark-haired man smiles at you as he takes a seat at the bar next to you, teeth glimmering like knives beneath the lighting of the chandelier. Instantly, you feel like you’ve made a mistake, a chill running down your spine as your eyes meet purple ones that are not quite so gentle anymore. Sharp and shrewd instead. Calculating. Dangerous. 

“Fyodor Dostoevsky. A pleasure, truly.”

[reds-skull]

The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!

More comments under the cut+a frame I ended up scrapping!

I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.

So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.

The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)

The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.

This is the original third frame

They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.

And by now I think you know how much I love symbolism lol

What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.

There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.

(also hated how Limbo's victims looked in the scrapped version like... ew lol)

There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.

Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.

The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not

The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.

The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them

The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.

The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.

The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.

Damn I had a lot to write. Well, when given the opportunity to ramble...

[starspunt]

. . . 𝐓𝐇𝐄 𝐒𝐖𝐄𝐄𝐓 𝐖𝐇𝐈𝐒𝐏𝐄𝐑 𝐎𝐅 𝐘𝐎𝐔𝐑 𝐇𝐄𝐀𝐑𝐓

── KINICH + gn!reader

synopsis: kinich liked to get away from the busy city, and sit in the saccharine embrace of your company.

warnings: fluff, pining!childhood friends, mentions food/beverages, modern!au, city/park setting, college!au, mentions exams/studying, kinich playing romance sims is canon to me btw (wc. 705)

note: this is a repost from my old blog.

kinich was a man of few words, able to get his point across without opening his mouth for long. he said things with such confidence, without room for negotiation. you supposed that’s how you found yourself sharing a picnic blanket just off the bank of a stream with him. you’re not entirely sure how he convinced you to come out, but chalked it up to the mushy soft spot you had for him.

you should’ve been at home in your dorm, studying for your exams in your cozy pajamas, with your favorite candle burning and a mug of tea in your hands. maybe you’d even read more of the book series you’d recently gotten into. yes, you easily could’ve pictured it, as you’ve done it more times than you could count.

what you could not have pictured, however, was this scenario. it felt like a scene out of the romance sims you knew mualani would make fun of if she found out kinich secretly played them. flowers bloomed and blossomed all around you, bright bursts of color dotting a lush carpet of vibrant green.

the two of you were thigh to thigh on the short blanket, and a cliche picnic basket sat innocently off to the other side of kinich, and you prayed he couldn’t hear the thundering of your heartbeat. he sat next to you stiffly, pointedly trying not show how much your close proximity and cloyingly sweet scent made him dizzy. he didn’t know whether to praise or berate his past self for not grabbing a larger blanket. 

he could feel the comforting warmth of your skin through your clothes from where you pressed against him, and he felt his breath stutter in his throat. he was glad you were so used to his silence and easily filled the gaps in the conversation with casual chatter. you told him about your studies, the new stationary you just got, and even the campus cat you tend to feed.

while you were stuck in your own world, raving about the convenience store dinner you had last night, your words went in through one ear and out the other. kinich couldn’t help but admire you as you talked so animatedly. the way your eyes widened when you got expressive, the creases around your mouth when you frowned or smiled, or the quick flash of your tongue from behind your teeth.

he admired the depth of your voice, and how you were able to shift it through five different emotions in a few sentences. he admired how you were able to brighten the very air around you, making it feel lighter and more fulfilling as it filled his lungs. it was like you were very thing that let him breathe easy.

he didn’t know how he managed to have you in his life, let alone what he did to make you stay. he used to thank his lucky stars that you stayed, silently thanking you for loving him. silently thanking you for choosing to love him, when you could’ve had anyone else. when you could’ve had someone better.

“kinich?” your honeyed voice pulled him from his thoughts gently, like a soothing serenade composed just for him. his stunning eyes blinked at you, regaining himself as he peered into yours. “thought i lost you for a second. are you alright? you were staring at me.” you gave him that crooked, half smile you gave him whenever he got too quiet.

nodding in confirmation, he turned to pull out your favorite sweets. the fondness he held for you returned in his eyes as he watched you sparkle. when you launched into a full explanation on how to make the said sweets, this time he listened intensely, committing your words to memory and into the you-shaped spot in his heart. 

when you broke off part of your pastry and offered it to him, he thought he might just implode. even more so when you fed the bite to him, the tip of your finger grazing his bottom lip. and when you looked at him with that adoring gaze and tender smile, saying his name in that dulcet tone, he thought that you must feel the same way that he did.

starspunt 2024. do not rewrite, repost, modify, or translate.

[siren-nate]

The AvA crew are masters of body language

It might seem obvious, given how emotional the stories are despite being told with characters that don't have facial expressions or dialogue, but I never realized just how incredible the body language is in these animations until a recent rewatch with a friend (@butchpeabody) who really pointed it out and emphasized it to me.

I want to talk about it a bit using what may be my favorite scene across the entire series, that being the scene of King in the void during the climax of Season 3.

Even after the point in the story where we learned his sympathetic backstory, King is a character that lives up to his crown by being a villain of imposing presence and even an appreciation for finery. But after the moment where he cracks and tries to save Purple in the middle of a full-blown PTSD attack, this is the very next scene we see of him. He's haggard, hunched over, walking listlessly with none of the intimidation or class we've gotten used to seeing from him. For an antagonist defined by his determination and refusal to stop or slow down for even a moment, this is already striking even before he finds the memory of his house.

It's an incredibly subtle thing that lasts less than a second, but I love how he has to duck his head down to fit under the doorway due to his crown. It's symbolic of something important: this place was once his home, but now that he's finally returning to it with his descent into obsessive villainy completed, it feels alien and uncomfortable. He's no longer the man that lived here as long as that crown sits on his head.

The first thing in this entire scene that gets some spark of emotion out of him and breaks his listless walk is the chalk appearing on the wall.

And when that vision continues, reminding him of how this alien world took his child away from him, he doesn't move. His lack of reaction IS a reaction; you can imagine the stony look on his face as he silently agrees with his past actions to destroy an entire universe just to get revenge for Gold.

But then that finally changes when he sees all of the living beings that the drawing of himself is hurting. His head raises in shock, and you can imagine his eyes widening as he has to grapple with his actions for the first time. The moment his empathy cracks through, that crown is completely off-screen, reminding us of the caring man smothered underneath it.

And then, Gold appears. It makes sense that seeing the child he lost enter the vision gets the biggest reaction out of him yet...

...and that reaction gets even bigger when he sees what "King" is doing to his child's memory.

For the first time since he started on his revenge quest, his composure shatters. He starts beating on the wall, desperate to make the vision stop, to undo all of the harm he's caused, to take back all of the mistakes he's made wielding his memory of his child like a cudgel. He only becomes ever more frantic and desperate when Gold turns into Purple, and it fully sinks in for him that he's become the evil force he imagined in his head just to have something to take revenge on. He never wanted to cause anybody the same pain he went through, but not only did he dehumanize all the residents of this universe in his mind, his endless rage has even started hurting people that come from the same dimension as him.

The imagery of King desperately beating on a wall with everything he has is absolutely vital to this episode; it shows up twice in his backstory, and for the third and final time here. The first time, it represents how he couldn't save Gold. The second time, it represents how pointless his mission to avenge them is.

But the third time is different.

Because the third time...

The wall finally breaks.

You can see him standing there in shock. He expected it to be just as indestructible as every other time, expected his struggle to be just as futile as always. Because that's always been King's fatal flaw: short-sightedness. An inability to consider "And then what?", or to look at what he's doing and ask himself if it's worth it, or to think of something better he could do.

But when he raises his head and looks, he finally gets it. Now, the wall is breakable - because he does have something better he can do with himself.

It takes a second for him to get over his shock and put it all together, but once he does, he's not walking anymore. He's running like his life depends on it.

Purple's screentime in this scene is much shorter, but it's no less impactful or brilliant in its execution. They raise their head as they hear footsteps, but just like King seeing a false vision meant to show him the truth, Purple doesn't see him running at them - they see Indigo.

They stand up, but it's just as slow as how King walked earlier. They don't care that Indigo is back, not really - they've moved on from how their parent abandoned them. But they still care enough to stand up to find out what the hell Indigo wants.

At first, Purple almost seems like they expect to be attacked and hurt again. In which case, it's extremely powerful that they don't move to defend themself...

...and even moreso that because of that split-second vulnerability, King is able to practically tackle-hug them unimpeded.

Again, purely through body language, you can see so clearly how Purple has absolutely no idea how to react. Being held so tightly by someone who cares about them so much is something they haven't experienced in years.

But just as King can let go of his painful past to make a better life in the present...

So can Purple.

[hotjaneaustenmenpoll]

Semi-Final Two

Propaganda...

Mr Knightley (2009):

Johnny Lee Miller as Knightley is JUST SO. I mean the way he says "if I loved you less I might be able to talk about it more" IS JUUUST. The dance scene. The tentative shy smiles. The fact you can see in his eyes the entire time " I am completely in love with this woman. She'll never love me back BUT I DO NOT CARE I'LL LOVE HER FROM A DISTANCE ANYWAY" IS JUUUUUUST

We need to appreciate Mr Knightley more for both his snark and for those soft eyes just so full of love for Emma

GIF by dearemma

I was just going to send in the actual dance but the little panic he has when Emma says she knows his secret is just soo charming. There was some thread on twitter a few years ago about how a romcom man's most important quality is knowing how to look at a woman and JLM is just the master of it in this Emma

I really feel like the pictures say it all. He stands there, head tilted to one side. He is listening to you. His posture is relaxed. His gaze open, frank, candid. He's not trying at all. He just is.And that's why he is Knightley.

GIF by night-unfurls-its-splendour

Some propaganda, not just for Jonny Lee Miller, but the general interpretation of 09 Knightley. I have some excerpts here from my review of the 09 adaptation:

What I really think is great about the 2009 interpretation of Mr. Knightley is what an easy and comforting presence he is, without being apologetic when he scolds Emma. I think this is communicated especially well by how often we are actually shown Mr. Knightley taking his almost-daily walks to Hartfield, how smoothly he comes and goes, and how happy Emma is every time she sees him coming up the path (usually, just at the perfect moment when she needs something to put her back to rights.)

Here is Emma, feeling lonely after Miss Taylor's wedding. And in the background, walking up to Hartfield--there's Knightley. He's always been there for her, and he always will be.

And also this Mr. Knightley is as understated as ever, but I wanna highlight this outfit and why I love it: This is Knightley’s first appearance in the series and it’s the perfect establishing shot that shows the viewer everything they need to know about Emma and Knightley’s relationship and how it has always been. He sort of materializes, out of focus in the background, but Emma immediately knows he’s there. And to accentuate how much Knightley is part of her home and scenery, his clothes (similar shades of pale tan, white and minty green to the wall behind him) almost camouflage him and make him seem at one with the moulding of her home.

Additionally, Jonny Lee Miller captures Knightley’s playful qualities, and his exasperation is so endearing

GIF by christophernolan

GIF by sashajames

GIF by christophernolan

I can’t be the only one tickled by this Knightley’s frustration with Emma! JLM FTW!

Jonny Lee Miller is mesmerizing in any role he inhabits. It’s 2009 Knightly all the way.

no but can you actually go vote for mr knightley he was FOUNDATIONAL for 16 year old me my favourite portrayal of my favourite austen man cannot fall at this hurdle!!!

He is my ultimate Austen Dream Man, I'm with him until the end. Honestly this adaptation is my very favorite of them all (P&P 1995 is a VERY close second) because it made me fall in love with Emma as a story? Honestly no other adaptation or indeed even my reading of the book made me love it quite as much. My crush on JLM goes back to 1995 and I do think he is one of the better actors of his generation - his range alone is just impeccable. The fact that he can go from Sick Boy to Mr. Knightley to Sherlock to Jordan Chase is really something. Of all the actors I know, his range is the most impressive. But i love how bright and sunny this adaptation is. The colors, it is as vibrant as Emma should be! The Kate Beckinsale Emma is dark and terrifying to me, not at all suitable an adaptation. I like the Paltrow Emma a lot, but it's got the same issue the 2005 P&P has for me -- it's just too short. This is tonally just right, and the casting is lovely, and JLM is just at his dashing best. His face is so expressive, he is so capable of communicating so much without saying a word. His open jealousy of Frank Churchill is delightful to watch. His face when Emma tells him his secret is out at the ball! JLM is maybe the most underrated actor of his generation and I LOVE that he has been multiple Austen heroes. I maintain that in a future adaptation of Pride & Prejudice, an older JLM would make an EXCELLENT Mr. Bennet. He would convey the right amount of grumpy but fond beautifully.

Look. Do people realize JLM hates wearing period clothing AND hates dancing? And yet in Emma he's sashaying around in pink jackets looking amazing and is THAT convincing? That's called BRILLIANT ACTING!!

A tiny bit of Mr Knightley 2009 propaganda but I love that they put in that bit from the book where he looks like he's going to kiss Emma's hand when he's saying goodbye but then he hesitates and doesn't and I just...it's such a tiny detail but conveys so much!

GIF by myforeverworldofmovie

It’s the only Emma adaptation that really hits the romance notes well. Knightley’s crowning moment of awesome really feels like it (when he rescues Harriet from humiliation) and his subsequent dancing with Emma does make you feel a shift in their relations. Love this adaptation. - This Knightley and Emma in particular are equals. They quarrel, not because he’s telling her off, but because they can have an argument because they know each other, trust each other and care about each others opinions, and there is never a sense of domination of one over the other. This adds so much fire to the romance, and it’s so unusual for a romance of that era (or even one written today!!). - Emma is rich, clever and beautiful and as powerful as a woman of her age and situation could be at the time and she married Knightley for no other reason but because he’s her best friend and his company for the rest of her life will enrich her. - He even leaves his house to move in with her!

Captain Wentworth (1995):

Ciaran Hinds has that perfect ruggedness yet friendliness to his face that makes him the perfect charming Wentworth. And all of the longing that he manages to convey in his eyes is so hot.

Wentworth may be angry/resentful with Anne but in general he is charming and the best friend you could ever have. Ciaran gets the pleasant parts of his character and brings them out, while keeping a guarded coolness (protective camouflage) with Anne.

GIF by molinaesque

I dunno if this counts as propaganda or not, but Ciaran Hinds has a face that looks like it was jackhammered out of a shale cliff.

If a line like 'I am half agony...half hope' comes out of a face like that you know that man has a soul for poetry.

I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in

F. W.

I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.  

This is propaganda for the next round because I need my boy to be a finalist! But this letter is all the persuasion I need to know that he is a winner

Ciarán Hinds in this is a whole other level of "a good man" He makes Anne's decision at the end so much more perfect.

[synamartia]

“ Need A Hand … ? „

“ Let's make your thoughts a reality … „

synopsis ┊ ◜ For the weeks following your one-night stand, Alastor was beside himself with a desire still fairly new to him - his mind constantly occupied with thoughts of you and your shared evening. Night after night, he would watch you from the shadows, a familiar ache in the pits of his belly winding tighter and tighter as you tried to recreate the very same event in your mind's eye with your silicone toy. Eventually, having had enough of your failed attempts at self-gratification, Alastor takes pity on your tortured soul and decides to offer his assistance . . . ◞ wc ┊ ◜ 4,130 ◞ warnings ┊ ◜ Alastor x Reader ✧ Afab!Reader ✧ Non-sex repulsed Alastor ✧ No pronouns or Y/N used ✧ Explicit / 18+ Only / MDNI ✧ Sexual situations ✧ Slight Stalker!Alastor ✧ Shower masturbation (Reader) ✧ Mutual masturbation ✧ Vaginal fingering ✧ Tentacles ✧ Hand job ◞ notes ┊ ◜ Can't believe we're already two weeks down! Time sure does fly when you're having fun, huh? Go check out last week's work linked down below on the Coven's Kinktober 2024 masterlist, and don't forget to give some likes, a few reblogs, and a follow to my darling wives~! Heaven and hell knows they deserve it! And to all my Haunted fans: this was a scene I had planned out for Haunted, but decided to cut it after writing 4+ chapters of pure smut. I wanna try to focus on the plot real soon! But don't worry, there will be more sexy times in that series! So for now, enjoy this little snippet~! ◞ links ┊ ◜ syn's masterlist ✧ coven kinktober 2024 ◞

It was only supposed to be a one-night stand; a friend helping out another friend; a one-off occurrence contingent entirely upon your careless mistakes and Alastor's prowess as a deal-making sinner. Weeks had gone by, and you hadn't uttered a single word to one another about it, dancing around the subject almost as if you were afraid to speak of it. As if talking about it outside the safe confines of Alastor's bedroom would make the heated memories disappear and any unspoken thoughts or desires evaporate into thin air, along with the few scraps that remained of your now tattered business relationship and friendship.

But you still found your mind wandering back to that night, struggling to hide the way your cheeks would flush a bright red at the memories flooding your brain; how your voice would crack with both nervousness and excitement when speaking to him about an issue with the hotel or a resident; or how you would rub your thighs together for the smallest bit of friction when he would enter the room and flash you that wide grin of his, the knowledge of your endeavors dancing behind carmine irises.

And in the late hours of the night, after everyone in the hotel had long since gone to bed, you would desperately try to recreate your experience in your mind's eye as your fingers drew fast circles on your clit, your silicone toy plunging deeper and deeper into your needy cunt - Alastor's voice at the forefront of your mind, coaxing you closer and closer, just as he did back then. But you failed every single time; your imagination was simply not enough to get you there, your fingers and toy nothing but a cheap imitation.

It had become a nightly ritual of sorts; when it wasn't done properly, Alastor felt more restless than usual - unable to read more than a single paragraph of his favorite book or properly hunt the deer scampering through his bayou pocket dimension without it. At the end of the day, after all of Charlie's redemption exercises and your basic duties as an employee, you would immediately slink off to your room under the false pretense of exhaustion from a long day's work.

Although you were none the wiser, Alastor was never far behind, slipping into the shadows as you stripped yourself of the hotel's uniform the second you heard the lock on your door click into place. A rush of pride would wash over the Radio Demon when he noticed that you were wearing the new undergarments he'd gifted you, to replace the ones he'd made a mess of so many nights ago - followed by a sense of possession when he eyed the faint bruises and scratch marks on your thighs and breasts that had yet to fully heal.

Once completely nude, your discarded clothing laying in a heap at the foot of your bed, you would saunter off to the connected bathroom, turning the knobs of your shower until steam filled the small space, obscuring your view of anything more than five feet away. He'd listen quietly as you washed off the day's dirt and grime, the hot water relaxing your tense muscles and lulling you into a false sense of security and solitude, the now all too familiar scent of your shampoo wafting through the air and clouding his senses. And he would wait patiently for that tell-tale sigh; the same one you made when he touched you, signaling that his new favorite broadcast was about to start.

The steam was thick, making it so that your silhouette was all Alastor could see as you removed the detachable shower head from its hook, tracing the steel object down your front until you felt it against your heated core. Excitement coursed through his veins as he imagined the expressions you were making, hands gripping tight his microphone as his own muscles flexed beneath his now much too restricting clothes. Eventually, you would begin to moan quietly as the pleasure began to build, raising your leg high enough to rest your foot on the grab bar, using your free hand to spread your folds apart and turning the head until the warm water sprayed directly on your clit.

And when he caught a faint whisper of his name as it fell from your lips, he would sink his teeth into the inside of his cheek to keep himself silent. It was a grand symphony, the sounds you made, and the last thing Alastor wanted to do was interrupt such a beautiful performance before its crescendo and climactic end. He waited with bated breath as your moans rose in volume, your hips moving involuntarily as you chased that elusive high, but like so many nights before, it wasn't enough. Your body felt tense once more as you teetered on the edge of release, unable to push yourself off that cliff despite your intense desire for the freefall into ecstasy.

Soon, the pleasure died down, your orgasm eluding you once again and you eventually gave up on the shower head, a frustrated groan slipping from your throat as you moved to shut off the water. Alastor dissolved into the shadows just before you stepped out of the tub, reaching for a towel folded neatly on a nearby shelf and wrapping it around your body. Careful not to enter your line of vision, he manifested nearby and admired your skin, beads of water rolling down your body to be absorbed by the plush fabric wrapped around your torso and upper thighs, or the bath rug beneath your feet.

For a split second, Alastor had gotten distracted by a faint bite mark behind your left ear made by him during your escapades, and barely avoided being caught in the mirror when you wiped away the thick layer of steam and condensation blocking your view.

Blissfully unaware of your company, you went about your usual nighttime routine, starting with your dental hygiene, then your skin care, then your hair. By the time you finished gently raking your brush through your damp tangles, your skin had dried almost completely despite the humidity of the steamy bathroom, and you discarded your used towel in the hamper near the door as you reentered the main room of your suite. Your frustration was clear by your stiff movements as you made your way to your wardrobe for a fresh set of undergarments and pajamas.

He almost felt bad enough to end your nightly routine in that moment, to help you reach your end that you had been chasing after so desperately night after night. But the promise of an even greater, more illustrious second act in an already superlative performance helped him to steel his resolve and remain hidden from your eyes. And just as he had watched you do so many times before, you closed the doors after picking out something to sleep in and turned on the balls of your feet, walking over to the side of your bed and tossing the clothes on top of the duvet.

Alastor had memorized this scene, eyeing your naked form as you grazed one hand over your abdomen, letting it drift up to your left breast and cradling its weight, slender fingers pinching the sensitive bud between your thumb and forefinger. With a light tug followed by an experimental twist, you sighed as you squeezed the squishy mound, your other hand coming up to mirror its twin. Another sigh, followed by your eyes closing shut and your head lolling back, and then another frustrated groan after a few seconds of teasing your own nipples.

"I should just go to bed..." you would whisper to yourself, your hands dropping back down as you reached for your panties and slid them up your legs. He eyed the way the lace bit into your flesh where the elastic wasn't as stretchy, baring his teeth as he fought back the urge to reveal himself and tear the offensive fabric from your body. Then you reached for the oversized tshirt, pulling it over your head and slipping your arms through, pulling it down until it covered the panties hugging you close.

Alastor wasn't sure why you bothered with clothes - you would end up removing them later on during your efforts. But who was he to question the mind and the methods of an artist as talented as you?

You stood there for a few minutes, looking between your bed and the table beside it, contemplating if you should even make an attempt tonight. You were almost positive that you would fail, just as you had the night before, and the one before that. Maybe if you tried a visual aid, that might help?

With another groan, you didn't waste any more time thinking about it and turned to the night table by your bedside, reaching into the bottom drawer for the obscene toy that had worked wonders for your tense muscles and stressed mind before he ruined your vivid imagination. Tossing it onto the bed, you slid your panties back off before climbing onto the soft mattress, crawling to the center and lying flat on your back. Spreading your legs open, Alastor inhaled sharply when he saw the glistening sheen of your slicked hole, his fingertips overlapping the shaft of his microphone and digging into his palm.

You sighed again, placing one hand on your clothed breast and giving a gentle squeeze, trailing it downwards until you touched bare skin. Grabbing hold of your toy, silicone heavy in your hand, you lowered it to your aching cunt and rubbed the tip between your folds.

Alastor's brows furrowed together in confusion when he realized you had skipped a step, not teasing yourself with your fingers like you had so many nights before. You seemed to be in a bit of a hurry, which was odd but not entirely out of place for your behavior throughout the day. You skipped breakfast that morning, rushed through your work, barely ate any food during the communal dinner Charlie forced everyone to attend, and you had excused yourself much earlier than usual - now you were skipping steps in your nightly endeavors? Something was wrong. Perhaps he had waited too long to initiate a second encounter, and you were beginning to lose interest? Or perhaps you had fallen ill.

"Alastor..." you whispered, rubbing the length of your silicone toy against your clit for a moment or two, then lowered it until it was lined up with your entrance. Part of you wanted to give up before you even tried, knowing full well how this would end from past experience. Closing your eyes, you pushed the toy inside, wincing at the painful sting caused by the stretch, silently cursing yourself for not preparing before this step. But you thought, maybe switching it up might help in the long run, even if it was painful at first.

Alastor watched you from the shadowy corner of your dimly lit room, shamelessly palming himself through his slacks as you took your time in sliding the toy deeper into your aching heat. Part of him wanted to wait longer, to see how long it would take you to come to him, to ask for his assistance. But several weeks had already gone by, and he was beginning to lose what little sleep he was able to get just watching you try and fail over and over again. As much as he wanted to hold out, his impatience was getting the better of him.

"Need a hand?"

"H-huh-?!" you yelped, eyes shooting open and head snapping to your left at the sound of Alastor's static filtered voice. At first you thought you had imagined it, expecting there to be nothing there when you turned your head. "Oh my god!" you screeched when your eyes locked with Alastor's, your entire face turning a brighter shade of red than his hair. He was laying there on his side, head propped up on his elbow and eyes teasing, reveling in your scared reaction.

"Not even close, dear."

In a panic, you pulled the toy from your core and threw it to the side in an attempt to hide it, your legs slamming shut as you moved to sit up. But Alastor stopped you with a single hand to your chest, pressing you back down into the bed as he cradled his own with his free hand. "A-Alastor, what the hell are you-?!" you started, but he only pressed a single clawed digit to your lips, the corners of his mouth pulling up even further than usual. He waited until you were completely silent, then trailed his finger down your chin to your neck until he reached the collar of your t-shirt, tugging on the hem as his eyes traveled further south.

Humming to himself, Alastor looked back up at your face and raised a single brow at the confusion he saw in your eyes. Were you actually confused, or were you just pretending to be shy and embarrassed to get a rise out of him? "Let's not beat around the bush, darling. I know what you've been doing every night since our last encounter," Alastor told you, causing your face to flush an even brighter red, looking away from him as you fidgeted beneath his gaze. "I don't... how?" you asked, only to have him raise a brow at the question, as if he were asking you, 'really'?

Grinning wider, Alastor let his gaze travel back down along with his hand, slipping between your thighs effortlessly and grazing two fingers over your slick entrance. He didn't miss the gasp of surprise tumbling from your lips followed by that same delectable little sigh he'd come to enjoy so much - the same one that had him crossing his legs during Charlie's redemption exercises or pressing himself into the side of the island countertop to hide his growing arousal when you would taste test his dishes.

Dipping his fingers inside your quivering hole, Alastor gave a few shallow pumps before retracting his hand altogether, raising it up just enough for you to see your own slick glistening on his fingers. "Would you like me to help you?" he asked you as calmly as he could possibly manage, enunciating each word as he patiently waited for the consent he just knew you would give.

Releasing a shaky sigh, you didn't hesitate in making your decision, a rush of exhilaration you hadn't felt since the last time you were together coursing through your veins. "Yes," you whispered, staring at his face as something carnal took over, wanting nothing more than to feel his hands on you again, to have his lips pressed against yours, to feel the burning stretch of his cock inside your needy cunt as he pounded into you with reckless abandon.

"Very well, dear. But first," Alastor responded, letting his hand slide between your legs again. "My price."

Of course. You knew Alastor was going to want something in return, which was why you didn't go to him after your first week of struggling to reach orgasm - there was no telling what he would ask of you, and seeing as his motives for even being at the hotel in the first place were still very much so a mystery to everyone, you were being overly cautious. And then there was the whole deal-making sinner Overlord thing. But something else that was plaguing your mind: why did he have to say it like he was taking pointers from your resident porn star? "Okay, Angel. What do you want?" you asked, unable to resist teasing him a bit by emphasizing the name.

"Ha! Funny," Alastor said, and suddenly his hand was gone from between your legs and your cheeks were being squished together between his clawed digits as he gripped your chin tight. "I want you to tell me all the naughty little things you thought about each night while you were fucking yourself with that toy," he spat the last word, almost as if he were offended that you chose a piece of plastic over him. And for a while, he was - which is one of many reasons why he waited so long to initiate a second encounter. He wanted you to suffer the burning ache of a lost orgasm every time you decided to use that thing instead of coming to him and asking for his assistance.

Alastor wanted you to be completely dependent on him for your pleasure, and until you learned to swallow that silly little pride of yours, he had planned to let you suffer every single night - plagued by the blissful memories he'd given you, unable to recreate them no matter how hard you tried.

But oh, best laid plans and all that, right?

"S-seriously?" you squeaked, your face somehow becoming an even deeper crimson as Alastor stared into your eyes, face unchanging as he rubbed his index finger against your bottom lip. "Deadly," he responded, pupils changing to radio dials for a split second, pushing his finger past your lips and against your tongue to let you taste yourself. A black tendril out of your line-of-sight slithered between your legs, prodding at your wet entrance unexpectedly. "Ah! Huh-?!" you gasped, looking down between your legs at the sudden contact.

It was only a second, but it was enough to have him gripping your chin once more and forcing you to look back at his face. "You know better than to look away, my dear," he chided your simple mistake, pushing a second finger into your mouth and pressing both of them flat against your tongue. When the tendril pushed past the first ring of muscle into your dripping cunt, you whimpered around his fingers, sucking gently at your fluids that still coated them.

Fuck, he's barely touched you and you're already so much closer to an orgasm than you had ever gotten by yourself.

Reaching up to grab hold of his wrist, you pulled his fingers from your mouth so that you could speak. "Alastor..." you started, a soft moan interrupting your speech as the tentacle pushed deeper into your core, a squelching sound filling your ears as it pumped slowly, your juices coating its black surface.

"Tell me, did you think about me?" Alastor asked, urging you on as he moved to wrap his hand around your neck, squeezing gently when you nodded your head. "Yes," you admitted, your walls clenching around the tentacle when it began to pick up speed. He hummed at your response, his hand moving further south to the bottom hem of your shirt and sneaking under it. "Did you think about me touching you like... this?" he asked, his fingers pinching the hardened nub of your breast, making you inhale sharply at the pain followed by the pleasure of him kneading the soft mound.

"Yes," you answered, your moans progressively becoming louder as the tendril began to move with more force, now pumping in and out of you at a steady pace. "Y-yes, Alastor... I thought about you," you breathed, digging your fingers into the duvet you were laying on. "About the way your voice sounded when you would praise me," you continued, inching your mouth closer to his as he released your sensitive bud, pulling it from beneath your shirt entirely, much to your dismay.

"Is that all?" Alastor asked you, to which you shook your head no, taking a moment as you searched for the confidence to continue with this debauchery.

"I thought about... how your lips felt on mine, and your tongue on my skin," you whispered, hearing the sound of his belt buckle being undone, but you dare not look away as the pleasure began to build higher and higher with each pump of his black tendril.

"And...?" he urged you on, his own face inching closer to yours as he pushed his trousers and briefs down far enough to free his leaking cock from their confines.

"And I thought- ... fuck-! Hahhh..." you moaned, fighting the urge to look down as you felt his hand take hold of yours. You were so, so close! The last thing you wanted to do was irritate him in any way, potentially risking him edging you even further than you had edged yourself night after night. "... I thought about the way you fucked me with your hand, and your tongue," you moaned when you felt a second tendril bump against your clit, rubbing up and down on the sensitive little bud.

"Keep going," Alastor told you, guiding your hand to his hard length and wrapping your slender digits around it, urging you to pump him - slowly, at first. But as your pleasure built higher and higher, your moans becoming more frequent and louder in volume, he gradually gained speed, wanting to match the pace of the tendrils as they pushed in and out of your squelching cunt. The sounds you made were divine, so much more beautiful than the ones you made with that thing now laying on the floor, completely forgotten by you.

Faster and faster, they moved, and soon it became difficult for you to form a coherent thought, focused solely on the way the tentacle stretched you open wide and the other applied the most delicious amount of pressure to your throbbing clit. "I thought... I thought," you tried to speak, jaw falling slack as you were right on the cusp of release, your walls quivering and thighs shaking as the knot wound tighter and tighter in the pits of your belly. "... I-I thought... about your cock in me," you gasped, your hips rising from the bed just barely and grinding down against the tentacles involuntarily, desperate for that blissful release.

"Don't stop..." Alastor whispered as he lowered his head, his lips mere centimeters from yours as he began to buck into your hand, his own orgasm not far off as he forced you to tighten your grip on his aching cock. Taking a little initiative, you angled your wrist and pressed your thumb to his leaking slit, smearing his precum and using it as lube to pump his cock faster. With the way that he gasped and how his hips jerked forward, you knew he was close to his own release.

"I thought about how you..." you swallowed hard, it was becoming difficult to keep your thoughts straight, to follow his no-looking-away rule, to keep jerking your hand up and down his hardened length as your muscles contracted almost painfully the closer you got to your end. "I thought- ... oh fuck, I'm gonna cum, Alastor-!" you gasped, eyes barely open as you reached with your other hand to lace your fingers in his hair, nails raking over the backs of his ears.

"Say it! Say it, and I'll let you cum," Alastor promised, his breath hitching in his throat as his cock twitched painfully in your hand, a third tentacle joining the first inside your wet walls and pounding into you roughly now, coaxing you closer and closer. Your eyes began to water as you felt the first tether snap, signaling your end as you opened your mouth to do as he obliged.

"I thought about the way you filled me up, and how you made me yours," you said, arching your back as you inhaled deeply, pulling his head further down until your foreheads were pressed together. "A-and about how you made me cum on your cock, over and over aga- ahhn, fuuuck!" you cried when, finally, the coil snapped, and your release crashed over you, your walls clamping down on the tentacles and your vision going white.

"Marvelous..." Alastor praised you as his hips bucked wildly into your hand, his own wrapped around yours and forcing you to maintain your tight grip through your orgasm, chasing his own as you rode yours out. It wasn't long before he was spilling his seed all over your hand and duvet, some of it landing on your bare hip as his own stuttered through each spurt.

"Fuck, fuck..." you mumbled, trying to regain your senses as you tried to come down from your high. You couldn't make sense of the world around you yet, barely taking notice of the tentacles retracting from your pulsing heat and his body from your own. When your vision finally cleared, you looked around for Alastor, soon finding him sitting on his knees between your legs. One clawed hand was stroking his half hard cock until it stood at full attention again, the other pressing against your overly sensitive mound, drawing lazy circles into your clit and sending jolts of pain and pleasure through your whole body.

"Let's make your thoughts a reality, my dear..."

story ┊ ◜ synamartia ◞ header ┊ ◜ synamartia ◞ dividers ┊ ◜ kodaswrld ✧ strangergraphics ◞ summoning ┊ ◜ @hazelfoureyes ✧ @minkdelovely ✧ @sugoi-writes ✧ @fraugwinska ✧ @macabr3-barbi3 ◞

Please do not copy or repost as your own! Thank you!

[bad-and-drawn-that-way]

Let me just say, I absolutely adore your writing so much!! Your More Than Anything series with Vox is honestly one of, if not my favorite Vox series!!!❤💙 I was wondering if you could do a kind of silly, fluffy imagine with Vox where they're in their early stages of flirting/crushing and the reader avoids the topic of kissing... because they think Vox isn't able to kiss with his screen? Literally before episode 8, the question in my mind was "Can the dorky TV man kiss?" And then we got confirmation he most DEFINITELY could 🤣 I just think it'd be so cute and funny for that to be something the reader was wondering as well but wasn't sure how to ask him about it without being weird lol

Oh my goodness, such high praise aaaa! I actually have a scene in my Ao3 fic based on the same concept! I'd be happy to write some awkward smoochums! This guy is such a fucking dork and I love him.

Assumptions [Vox x Reader Fluff]

You and Vox had been dating for a month and the overlord was on the verge of insanity. He knew that Valentino had much more intense needs when it came to physical affection than most, but he wasn't expecting such a drastic shift in needs when it came to you.

He knew that being in a real relationship was very different from what he'd experienced before with his fellow overlord. But he thought the two of you would have done something by now. Not even necessarily sex. (Although he'd definitely been fantasizing about that more than he cared to admit.)

The two of you had cuddled, slept in the same bed, and even h*ld h*nds, but you hadn't kissed yet and it wasn't for his lack of trying. He'd invited you on romantic dates and set up several perfect opportunities. But whenever he'd try to go for it, you'd always pull away before he had the chance.

He didn't understand. The two of you had been doing so well. You always seemed to be swept up in the little heated moments just as much as he was, so why?!

Vox had been completely distracted during his entire news segment and groaned as slipped into his secluded dressing room. If it wasn't for the fact that he caught sight of you in his mirror, he probably would have flipped out when he felt your arms slip around him from behind.

"What are you doing here?" he chuckled as he lifted a hand to rest on one of your arms.

"I missed you," you smile, squeezing him gently before letting go. "And I saw that..." you cringe. "Performance. You seemed off. Is something on your mind?"

Vox's eyes widened and he cursed himself mentally for putting on a subpar show in front of the camera. If you noticed, then the audience probably did as well. No one really gave half a fuck about the news, but ratings were ratings.

"It's nothing," Vox muttered. "It's just..."

He looks up at you with an unreadable expression and you gasp as he reaches up and gently takes hold of your chin. His brow furrows as he tucks your hair behind your ear and your heart races a million miles per second as he searches your blushing face for something. His eyes flick down to your lips and he slowly starts to lean, only for you to suddenly push him away.

"A-Anyways I just wanted to check in on you and see if we were still on for a movie tonight," you stammered.

Vox froze, not listening to your ramblings as he processed your deflection. He felt a sharp, cold sting of rejection in his chest and wondered if maybe you weren't as interested in the relationship as he hoped. His heart started to break, but then he noticed the way you were blushing.

"Why?" He asked quietly.

"Well, I just thought maybe you wanted to-"

"No," Vox grit his teeth as he grabbed you by the shoulders. "Why the fuck won't you kiss me? Every time I try, you pull away. We're dating, so why?"

You blinked up at him owlishly, your jaw hanging open before you grabbed his arms and breathed, "You can kiss?!"

Vox's brow furrowed as he looked you over, "Wh- The fuck are you on about? Yes, I can fucking kiss! I've been trying to kiss you for the past three goddamn weeks!"

You gasped before burying your face in your hands and groaning. "Oh my god, I thought... There were a couple times that I wondered, but this whole time I didn't think you could and I didn't want to be weird and..."

Vox stood taller as he processed your words. You didn't hate him. You weren't repulsed by him. You were just...

He burst out laughing, clutching his stomach as he absolutely lost it. "O-Oh my god! You're such a fucking idiot!"

Your face was burning with embarrassment. You knew he wasn't being malicious, but you were still mortified at the misunderstanding. "Oh shut up! It's not my fault you're a flat-faced fucker!"

You were about to go bury your shame into the couch, fully expecting him to hold this against you for the rest of the day, but you were barely able to take two steps before Vox intervened.

You let out a startled yelp as you felt his claws wrap around your arm and yank you back. In the split second it took you to blink, he'd trapped you against a wall. You flinched as his hands slammed against either side of your head, trapping you as he grinned down at you.

"You are so fucking stupid," he snickered.

Your face only grew warmer as your heart pounded with mixed anger, embarrassment, and something else entirely due to the position he had you in. His hand traces lightly over your cheek before cupping the side of your face as he looks at you with the softest expression you'd ever seen from him.

You gasp as he leans down and presses his lips against yours. Your entire body feels like tiny fireworks are dancing lightly over your skin. You shiver as your hands instinctively reach up to grasp at his vest when he pulls you close.

You're both breathing much harder than is necessary when he pulls away. For a moment you just look at each other with half-lidded gazes as you process the sparks that just metaphorically and literally flew. You were pretty sure a bulb went out due to the little bits of blue energy that sparked off of your boyfriend during the kiss.

Speaking of your dork, Vox breathlessly grinned as he squeezed your arms. He let out a small laugh before stepping away from you and turning as more little sparks flew.

"Fucking finallyyyyyyyyyyyyyy!" Vox yelled as he pumped his arms in the air and kicked his legs like a giddy child.