#my original post for this is still getting notes which. wow!

[acircusfullofdemons]

RADQUEER & TRANSID DNI 🖕

💭🔮✨ THE ULTIMATE DAYDREAMER’S GUIDE ���🔮💭

The Ultimate Daydreamer's Guide is a resource doc for the Daydreaming Community. It contains articles, flags, terminology, and much more.

I wanted a document to keep track of basically everything meant for the Daydreaming Community, both on tumblr and outside of it. I say "Daydreaming Community", as both MaDDers and IDers will find useful things in this doc. They are two halves of the same coin, after all!

Of course, you are more than free too — encouraged, even — link this doc when writing tumblr essays or explaining MaDD. And obviously any resources linked are free to use by anyone as well.

Suggestions are very welcome and much appreciated <3

madd masterlist • madd-related songs • more info posts

[destinationtoast]

1/3 - Hi there! Three (I think) part ask incoming. You're the main person I know of who compiles tons of interesting fandom stats, so I wanted to ask you about it if you have the time to answer. :) I think a lot about how AO3 works great as a fan*fic* archive, but for other fanworks, like images, audio, video, etc., it's only as good as wherever the media is being hosted. With the way hosting sites come and go, or change their TOS to nuke nsfw or queer content, etc., it makes me wonder

how many broken image links litter AO3 at this point. I know it's not considered the primary place to find fanart, but a lot of folks do post images there—for events like Big Bangs, as standalone art, and even as decorative section breaks, etc. My question is: do you think there's a way to look at, say, works tagged with #fanart (of which there are 99,504 atm) and determine what percentage of those are broken links? From what little I understand, one would have to (perhaps with the use of a simple bot?) try to open any link bordered by the <img src> html, and see what portion of those return an error versus what ones actually load? I suppose it could even be something like looking at fanart posted in 2007, 2012, 2017, and 2022 to compare how many older links are broken versus newer links. Anyway, this may be completely unfeasible, but I figured I'd ask about your thoughts! Thanks!

Ooh, thanks for the great question! I took a while to answer because I wasn't initially sure what to recommend and ended up gathering some data to investigate. (If anyone else also has relevant data, please share in the notes!)

I liked your idea of looking at samples different years going back, and I decided to look through 100 AO3 works tagged "Fanart" (or a subtag) that were posted 10 years ago -- as a very fast starting point, I didn't even take a random sample of works, I instead looked at the first 100 multimedia fanworks posted in July 2014. (And August, when necessary; see more notes on methodology at the end.) Please keep in mind that this sample that may not be very representative of AO3 more broadly; to get better estimates, more sampling would be needed. Based on this initial data gathering (and the fact that most fanworks on AO3 were posted within the past 10 years), I would tentatively guess that that most fanart, fanvids, and podfic on AO3 still have accessible multimedia.

Given how many broken links and embeds there are on older webpages, I assumed that a ton of the links from 10 years ago would be broken. But I was pleasantly surprised by the results:

Wow -- 10 years on roughly 90% of the multimedia still works! I was honestly floored; I'd been originally planning to also look at 5 years ago to see how much better that was, but if ~90% are still working 10 years on, 5 years ago doesn't have room to be dramatically better. (However, I'd love to see more follow up sampling across different years to find out.)

There were a lot of AO3 users in this sample who posted multiple works -- some posted as many as a dozen multimedia works in July 2014. I didn't want the results to be overly skewed by any one fanwork creator, so I also redid the analysis with just one work from each unique creator:

Okay, cool, those results are pretty similar. I also did some further breakdowns on this smaller set of works to look at which hosts creators were using, and how many of the hosts were still working:

The most common fanart host used in this sample was Tumblr, then wixmp -- which I think from some very quick googling might be because Deviantart switched to using Wix for image hosting at some point? (i.e., I think most of those artists may have posted their art on Deviantart, then linked to/embedded the image on AO3, and the image's direct URL was was wixmp.) There were a few other hosts at the time that were used by 5+ different artists in the sample, and then there were a whole lot of hosts were used by just one or a few artists.

Most of the 10-year-old fanart is still up for all of these hosting categories! Photobucket is the least reliable of the most commonly used hosts. In the Other category, 25% of the links are broken, but that's still better than I expected (see full host list here).

This is getting long, so I'm moving the breakdowns for fanvids and podfic beneath the cut:

Fanvids were almost all hosted on YouTube, Vimeo, or both (the above categories are not mutually exclusive). All the Vimeo links still worked, whether they required a password to view or not. Most YouTube links were working, and the few missing ones had almost all been taken down by YouTube for copyright reasons (according to the errors I got -- I'm not rendering judgment about whether they were actually fair use), rather than by the vidder who posted it. And almost a third of vidders also linked to other hosts besides the big two, but many of those links were broken; 59% still worked. (see full host list here)

For podfic, mediafire was a popular solution 10 years ago, though many podficcers used it as a backup rather than the main link that they shared. A lot of podficcers made use of a fandom hosting site that specialized in podfic -- either parakaproductions.com or audiofic.jinjurly.com. Four podficcers used soundcloud (often as a backup). And once again there were a lot of less-frequently used hosts, often used as backup links; 69% of those still worked. (see full host list here)

Some methodology notes and further thoughts:

For fanvids and podfic (but mostly not from fanart), the fanwork creators tended to provide multiple links, and in those cases, I counted the multimedia as working if at least one of the links was still working.

I counted embedded media and links to other sites that host the media all the same way.

I counted the media as broken if I got a 404 when I tried to visit it, or if a site like YouTube had taken it down due to copyright issues, or if I got an Access Denied message for a site like Google Drive.

I counted the media as working if it required a password that was given on the page (common with Vimeo), or if an embed was broken but there were working links to other sites.

How representative is this data? Well, these samples contained most/all of the multimedia fanworks posted in July 2014; that month, there were 70 fanvids, 135 podfic, and 186 pieces of fanart posted that haven't been deleted since. So it's pretty representative of July 2014 specifically. :) But there could have been, say, a fanwork challenge going on in July 2014 that caused unusual uploading patterns then.

The above data gathering and analysis took me several hours over several days. If you want to follow up, you could do more data gathering similar to what I did (I'm happy to elaborate on my process as needed). Or you could write a bot to do something similar; you could have it fetch more AO3 fanworks and try following the links within each work. However, that would be slightly tricky; I ran across more kinds of errors and complicated situations than I expected (e.g., if a YouTube video has been taken down due to copyright, it still has a working YouTube page; sometimes an embed is broken, but if you open the link within the embed in a separate window, it still works fine; many Vimeo links require a password to test, and it could be hard for the bot to reliably find the password in the surrounding text). So you'd have to program your bot to be able to handle a bunch of different special cases.

Regardless of which path you are considering, if you or anyone else does any follow up work here, I encourage you to start by looking through a bunch of fanworks yourself and deciding which scenarios you want count as "working" vs. "not working," and any other things you want to pay attention to.

Hope that helps, and please feel free to DM me with follow up questions. And if you follow up, please share anything else you figure out in this space!

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[salvadorbonaparte]

Since my big Languages and Linguistics MEGA folder post is approaching 200k notes (wow) I am celebrating with some highlights from my collection:

Africa: over 90 languages so far. The Swahili and Amharic resources are pretty decent so far and I'm constantly on the lookout for more languages and more resources.

The Americas: over 100 languages of North America and over 80 languages of Central and South America and the Caribbean. Check out the different varieties for Quechua and my Navajo followers are invited to check out the selection of Navajo books, some of which are apparently rare to come by in print.

Ancient and Medieval Languages: "only" 18 languages so far but I'm pretty pleased with the selection of Latin and Old/Middle English books.

Asia: over 130 languages and I want to highlight the diversity of 16 Arabic dialects covered.

Australia: over 40 languages so far.

Constructed Languages: over a dozen languages, including Hamlet in the original Klingon.

Creoles: two dozen languages and some materials on creole linguistics.

Europe: over 60 languages. I want to highlight the generous donations I have received, including but not limited to Aragonese, Catalan, Occitan and 6 Sámi languages. I also want to highlight the Spanish literature section and a growing collection of World Englishes.

Eurasia: over 25 languages that were classified as Eurasian to avoid discussions whether they belong in Europe or Asia. If you can't find a language in either folder it might be there.

History, Culture, Science etc: Everything not language related but interesting, including a collection of "very short introductions", a growing collection of queer and gender studies books, a lot on horror and monsters, a varied history section (with a hidden compartment of the Aubreyad books ssshhhh), and small collections from everything like ethnobotany to travel guides.

Jewish Languages: 8 languages, a pretty extensive selection of Yiddish textbooks, grammars, dictionaries and literature, as well as several books on Jewish religion, culture and history.

Linguistics: 15 folders and a little bit of everything, including pop linguistics for people who want to get started. You can also find a lot of the books I used during my linguistics degree in several folders, especially the sociolinguistics one.

Literature: I have a collection of classic and modern classic literature, poetry and short stories, with a focus on the over 140 poetry collections from around the world so far.

Polynesia, Micronesia, Melanesia: over 40 languages and I want to highlight the collection for Māori, Cook Islands Māori and Moriori.

Programming Languages: Not often included in these lists but I got some for you (roughly 5)

Sign Languages: over 30 languages and books on sign language histories and Deaf cultures. I want to highlight especially the book on Martha's Vineyard Sign Language and the biography of Laura Redden Searing.

Translation Studies: Everything a translation student needs with a growing audiovisual translation collection

And the best news: the folders are still being updated regularly!

[zukosdualdao]

so, this post was originally born from a post i saw a couple of months ago that was deriding people for criticizing katara’s main role in lok being a healer when that was never all she wanted to do but liking the scene where she heals zuko in sozin's comet. at the time i thought about responding directly and decided against it, but i have since scanned through transcripts of every instance (i could find; it's possible i could be missing something) of katara healing someone in the show and how they respond. (you know, like a normal and well-adjusted individual. lmao.)

anyway, aside from katara explicitly stating that she doesn’t only want to be a healer, another aspect of why people don’t like that this is how her story goes in lok is because of the way healing is treated in the atla narrative.

Katara: Aang, you're burned! Let me help you. [Katara heals the burn on Aang's arm.] Aang: Wow, that's good water. Sokka: When did you learn that? Katara: I guess I always knew. Sokka: [Sarcastically.] Oh ... Well then thanks for all the first aid over the years. Like when I fell into the greaseberry bramble. [Angrily.] Or that time I had two fishhooks in my thumb!

this comes, of course, after aang accidentally burns katara and she learns she can heal through her waterbending by healing her own hands. then (after comforting aang despite being the one who got hurt, not that i'm bitter), she heals aang after he gets burned in his fight with zhao. and like... there's not so much as a cursory thanks in this scene.

to be clear, because i can already hear some responses in my head and i am making a preemptive strike: i'm not saying that when other characters don't thank katara for her healing, they're like, the worst people ever for not doing so or there aren't other ways at different times where they show their appreciation. what i am saying is that it feels like this sets up a long pattern of katara's healing specifically being taken for granted, and it makes me especially uncomfortable when i see her healing as a sort of metaphorical parallel to the emotional labor often expected of her in the show, especially because this and being The Avatar's Girlfriend/Wife is more or less what she's relegated to in post-canon.

also, i have to note sokka's line here. i don't want to come down on him too hard for this, because it's obviously being written humorously (and does genuinely make me laugh, for what it's worth, if just for the inherent ridiculous nature of two fishhooks), but his sarcastically saying thanks for all the help over the years when katara says she always knew (which is supposed to be her saying it just somehow instinctively came to her) does feel like another mark in this pattern. but i also really read this as sokka trying to lighten the mood after a Difficult (TM) day, so i cut both him and the writers some slack for it.

Meanwhile, back at the Outer Wall, Katara attempts to heal a member of the Terra Team. General Sung: What's wrong with him? He doesn't look injured. Katara: His chi is blocked. [Stops healing.] Who did this to you?

i find it interesting that katara has sort of naturally fallen into a token team healer role, to the degree that we don't even see them ask for her help or her agree to it; it's just automatically assumed that she will. and i mean, on the one hand, it's fairly standard to have an Assumed Healer in a fantasy action setting like this, where people will get hurt in combat and therefore the narrative needs someone whose job is to help them. the problem for me is that the show kicked up such a fuss about how women shouldn't just be allowed to be healers, and yet it's still the role no one but katara ever fills. aang is also a waterbender! why couldn't she have taught him healing, too? i genuinely think it would have added a lot to the story, but katara is The Girl (TM), so healing is what she (and only she) does, what's expected of her, and again, with very rare thanks for it.

Katara stares open-mouthed at Jet, her hands hovering near her mouth in shock. Snapping out of it, she withdraws water from her water skin, with which she covers her hands, and it begins to glow as she kneels down next to him. Cut to a shot from over her shoulder, with Jet glancing at her while she rubs her hands over his chest in an attempt to heal him. After rubbing his chest three times, the glow fades, the water stains Jet's clothing, and Katara looks back over her shoulder toward the rest of the group. Katara: This isn't good. Smellerbee: You guys go and find Appa. We'll take care of Jet. Katara: We're not going to leave you. Longshot: There's no time. Just go. We'll take care of him. He's our leader. They stare at Longshot in surprise. Jet: Don't worry, Katara. I'll be fine. [Smiles a little.]

Cut to a closer shot of Katara placing Aang's body on Appa. Katara opens the vial around her neck and uses water healing on Aang's wounded back. The rest of Team Avatar, Kuei, and Bosco all look sadly and in anticipation. The glowing from the spirit water stops, and Katara starts crying, assuming that it was not enough to save Aang. Aang's tattoos glow for a second and Aang groans. Katara, overcome with joy that Aang is alive, looks at him, who smiles a little, and she holds him closer.

writing about these together because i have less to say about them. i'm definitely not going to fault jet for not thanking katara when she tries to heal him as he literally lay dying, or aang for not having the mind to do so after she brings him back. but i am still going to fault the narrative for putting her in a position where healing is just inherently expected from her and yet very rarely allowing her to feel the emotional toll of that or to feel constricted by it. and when she does struggle against the weight of it (not necessarily of being a healer, but of being expected to be kind and good and uncomplicated with no room for other aspects of her identity, which are very tangled up in why she is The Healer) in episodes like the runaway or in the southern raiders, she just... does not receive a lot of support from the people she should be most able to rely on.

Katara: Maybe we should go upstairs. [Helping Aang up.] You need a healing session. Back in Aang's room on the ship. Katara bends some water onto the scar left by Azula's lightning attack. Katara: Tell me where the pain feels most intense. Aang: Mmm, a little higher. Uhhh! Aang briefly flashes back to the battle at Old Ba Sing Se where he rose into the Avatar State, then back to reality. Aang: Wow, you're definitely in the right area there.

not much to say here, it's just another instance where it would have been so easy to slip one thank you in, and the writers just... do not. the reason i think it bothers me so much with aang specifically is because katara is supposed to be both aang's physical healer and his emotional crutch in a way that she's not written as being for, say, toph or sokka. he's sometimes shown appreciation for her emotional support, but he still comes to rely on and expect it in ways that do not always feel healthy, and knowing that, it bothers me that he shows even less appreciation for her healing, because it's just what katara is there for.

A figure resembling the Painted Lady glides over the water on a carpet of fog and enters the village. She steps into a hut where several people are sleeping on the floor, and bends over each of them in turn, healing them with a blue glow. Her last patient is the mother of the little boy seen earlier, her son sleeping at her side. He wakes as the Painted Lady turns to go and silently follows her out the door. Little boy: Thank you, Painted Lady.

this is a genuinely sweet scene in which katara does receive appreciation and genuine thanks for her healing, but i think it's also worth noting that katara is not being recognized as herself here. still, i am genuinely very glad that it's included in the episode because (again, unless i am missing something) it is the first time katara gets thanked for her healing.

The scene cuts to show Appa landing on the edge of the battlefield. Sokka and Katara help Hakoda onto the ground, and Katara starts trying to heal him. Katara: How does that feel, Dad? Hakoda: Ah, a little, better. I need, to get back to the troops. [Attempts to stand but is too weak to.] Ahh! Katara: You're hurt, badly. You can't fight anymore. Hakoda: Everyone's counting on me to lead this mission Katara, I won't let them down. [Attempts to stand again but can't.] Ahh! Sokka: Can't you heal him any faster?

they're in a high intensity situation, and sokka is Stressed because hakoda is supposed to lead the mission, so i, like, Get It, but "can't you heal him any faster?" does strike me as another moment in which katara's healing is being taken for granted. i think it's something that would bother me a lot less if this was an isolated incident in the writing, but *gestures vaguely at whole post*.

Sokka: [Brightening.] Dad! [Rising and approaching the two.] You're on your feet again. Hakoda: [Sitting down; somewhat weakly.] Thanks to your sister.

that being said, in the next hakoda and katara scene, there is this very sweet moment, where hakoda might not be thanking katara directly but is showing a lot of appreciation and admiration for her skill in healing (and though she's not in the dialogue i included, she's around to hear it, which makes me happy.)

Katara: It's gonna take a while for your feet to get better. [Stops healing.] I wish I could have worked on them sooner. Toph: Yeah, me too.

once again, i'm not gonna fault toph for wishing katara could have healed her feet sooner, because she's been in pain all night, but the writers could have very easily (as they could have in any of these scenes!) chosen to include a perfunctory 'thanks' here, and they just didn't. i know this is getting repetitive, but i swear it's because it's largely more me being mad at the writers than the characters, lmao.

there are also a couple of scenes in which katara doesn't heal anyone, but her healing gets brought up by aang.

Aang: He doesn't look sick. You okay, buddy? [Appa groans and Aang pulls out Appa's purple tongue.] His tongue is purple! That can't be good. Katara, can you heal him?

to be fair, aang asks here, and it's not like aang gets defensive or angry when katara says appa needs medicine (and also to be fair, appa's not even actually sick, lmao, katara's being slightly trickstery), but it's another instance where katara is automatically positioned as the person who is and should be responsible for healing.

Aang: [Chuckles.] Well, not over over. I mean there's always Katara and a little Spirit Water action, [Turns to Katara.] am I right? Katara: Actually, I used it all up after Azula shot you. Aang: [Disappointed.] Oh.

i actually don't mind this so much as a writing moment, as i think it's a lot more intentional wrt aang not always conceptualizing the reality of the violence he’s facing. still, it’s another instance of katara’s ability to heal and care for him being taken for granted, and i find it especially notable it’s in of the last significant moments they share together (the other being an argument as katara urges him not to run away from the reality of their situation with ozai) before they spend the rest of the finale separate until they’re kissing without a word at the end.

and then there is the zutara healing scene, where katara heals zuko after he interferes and takes azula’s lightning to the chest when she’s aiming for katara.

Cut to Katara as she rolls Zuko on to his back and begins healing him. Zuko opens his eyes, feeling the pain lessen, and smiles weakly at Katara, who smiles back as she sheds a tear.

Zuko: Thank you, Katara.

Katara: I think I'm the one who should be thanking you.

it seems fair to me to say that one of the reasons the motifs of healing in the zutara are dynamic are so appreciated by their fans is because of how it contrasts to a lot of moments where the work katara does with her healing is under-appreciated. for one thing, it happens as part of a mutual exchange—katara heals zuko after he gets hurt saving her. (this also somewhat calls back to their scenes together in the crystal caves in the tcod, where she offers to heal his scar after they are trapped together and zuko extends her empathy.) it’s based in reciprocity. it’s also, as shown here, one of the few moments of explicit, heartfelt appreciation and thanks given for katara’s healing.

[dreamdazedworld]

YINGXING BRAINROT

Synopsis: Yingxing x Genshin! Youkai! Gender neutral Reader and the both of them are hopelessly in love.

Note(s): I was listening to 愛き夜道 on Spotify when I suddenly got this idea, now it won’t leave me alone. Anyways, I think that this is the first post I actually wrote, so yippie? Eat up, my children, you won’t be having these Yingxing crumbs for some while. This might actually turn into a full blown fic, though it depends on my motivation LOL

Warning(s): Both of them are hopelessly in love with each other, death mentioned (nothing serious, dw), oops now you have a Yandere! Blade chasing you around Teyvat

Art credit goes to my favorite artist, void/Re:era on X! Their art is really pretty, check them out if you can :o

Imagine a Genshin! Youkai! Reader who’s a fox/kitsune (like Yae), and fell in love with YINGXING, like it has all of the potential fr.

So! Of course, Reader here is from Inazuma, and their… clan (let’s all pretend that the Youkai has separate clans) feeds only on the feelings (and emotions), positive ones, to be precise, of humans (like the dementors from Harry Potter!). Negative ones are like poison to them- And the only antidote for this is the Sacred Sakura, however, there are lasting after effects. Once poisoned, the kitsune will be significantly weakened for a long period of time, ranging from a few decades to centuries on end, depending on how much the kitsune consumed.

Kitsune! Reader, unlike the others from their clan, doesn’t like feeding on humans (because it ends up driving their victim mad and they like humans). Of course they understand that it’s necessary for them to survive, they’re not dumb, they can feel their hunger growing with each day they refused to feed on humans. So, with no more options, decides to blend into human society by protecting mankind from the ‘evil’ Youkai, and occasionally feeding on people who are about to die (with guilt). Their love for humanity and stubborn determination to protect humans ends up earning them a Pyro vision that supplies them with some energy to keep them going, since visions are literally wishes with a physical shape, and wishes have positive energy.

One day, while resting on the Sacred Sakura, Reader accidentally finds out that the Sakura has clones, which are spread across multiple worlds by waking up in the Xianzhou Luofu. There, they meet young Yingxing, who’s still learning under that grandpa, when he stumbles into the area where the clone is located. There, they become friends, and as years pass, eventually drinking buddies as well. After Yingxing meets the High-Cloud Quintet and as years fade away, our dear Reader here realizes they’re hopelessly in love with….. Yingxing!? Instantly gives up on their love as soon as they realize, because they think he doesn’t see them in that light (honey, he does), and to rub salt to the wound, in love with Bai Heng, since Yingxing talks about her a lot. But of course it doesn’t go as easily as they want it to go, so the Reader just silently suffers with their emotions.

When shit starts to go down in the Quintet after Bai Heng’s death, Reader goes “Oh fuck, Yingxing’s negative energy is going to make him choose the shittiest life options, won’t it?” and starts to suck away his pain (by kissing him in his sleep because YES). Yingxing starts getting better in exchange for Reader’s health, and in the end, Reader fucking COLLAPSES, forced to go back to Inazuma to recover, Yingxing learns about everything they were keeping from him through a letter, depression hits and oh wow, Yingxing chooses the most shittiest life decision he has ever made by teaming up with Dan Feng to cause the Sedition of Imbibitor Lunae, turning him immortal, and eventually into Blade. (I forgot to mention it but only the original Sacred Sakura has the ability to heal away the poison.)

As thousands of years pass, Reader fully recovers, though not exactly since they can’t let go of Yingxing. The Sakoku degree is lifted, and everything seems fine in Inazuma, until they come across a person who they thought were already dead- You guessed it, Blade! But not just typical Blade, Yandere! Blade who is on the brink of insanity and is hellbent on bringing Reader along with him. And so, the game of cat and mouse ensues.

[literatureloverx]

Now i'm curious (from how you considered dazai's openness around chuuya "debatable") about how you consider chuuya and dazai's dynamic? I'm not presuming you think their connection isn't important or anything, or that you think dazai doesn't trust chuuya, but i'm interested in how you think dazai's openness around chuuya is debatable. I'm 50/50 on it too tbh, so maybe your analysis can give more insight :D

Sure, dear, let’s dive into it.❤️ This has become a grand analysis + my comments lmao. I hope you enjoy it!❤️

🩵~~~🩵~~~🩵

First of all, it’s important to note that I personally classify Dazai and Chuuya’s relationship as truly meaningful and admirable—but not in a romantic way.

I want to be clear that I don’t see their dynamic as romantic, which is where I differ from many Dazai x Chuuya shippers. This is exactly why this post will be very, VERY long.

Asagiri himself said that he understands where the Dazai x Chuuya ships are coming from and he definitely gets it, but he won’t make the ship canon because he doesn’t want to dishonour/disrespect the original authors.

So it is indeed very kind of the illustrators and the studio to still provide the fandom with “fan service material,” which is on one hand very thoughtful and kind, but on the other hand fuels toxic shippers and feeds their theories, which they accept as absolute facts. (I suppose they make much money from it no matter what they do, so why would they care, right?)

I’m not trying to demoralize anyone or diminish their character shipping preferences. Everyone is entitled to ship whoever they want, and I don’t want this post to come across as a hate post.

However, I don’t view these dynamics (or any ship in BSD) through rose-colored glasses but rather in a more realistic light.

Many ship blogs tend to romanticize nearly anything that fits their perception (and while I often understand where they’re coming from, I find their interpretations naive compared to other logical explanations), but I want to approach this from a perspective that stays as realistic and logical as possible.

So, I kindly ask those who are sensitive about their own opinions and perceptions to consider skipping this post, as I don’t intend to hurt anyone’s feelings.

A small reminder: you’re allowed to have your ship and preferences, but please don’t act like they are canon or the ultimate truth, or hate on those who don’t share your opinions. This is truly rude and disrespectful.

Wow, that intro was long, but it needed to be said. Now, let’s dive into it:

🩵~~~🩵~~~🩵

🩵~~~🩵~~~🩵

If we brush off the fan-service material of the scenes in Dead Apple (which we still don’t know if it is canon, and those specific scenes aren’t even incorporated into the light novel, I hear? I’m not sure about it, though; I haven’t read the light novel), what remains?

In my humble opinion, there is a great understanding between the two of them on a humane level, but their dynamic is double-edged.

So why did I consider Dazai’s openness around Chuuya "debatable"?

It starts with Dazai’s perspective. I once saw someone write (sadly, I have no idea where; sorry, I’m not good with past experiences and memories) that “Fyodor understands Dazai but doesn’t get him, and Chuuya gets Dazai but doesn’t understand him.”

I believe this thesis to be entirely true. The problem is that while Chuuya gets Dazai but doesn’t understand him, Dazai gets and understands Chuuya very well.

Let us move over to the 15 manga, if I recall correctly (lmao).

There was a scene where Dazai was ready to sacrifice a whole city just for Chuuya to find out his truth about humanity because it was bothering him on such a deep level.

Dazai could understand his feelings very well because he himself is also struggling with his own humanity.

Their dynamic is so meaningful because they are like two halves of an apple.

Dazai struggles with his humanity because he doesn’t feel human (the true reason behind it remains still unclear), but he is physically human.

Chuuya struggles with his humanity because he is physically inhuman, but he is still human with every fibre of his being.

I believe Dazai can see that as well, which leads him to believe that Chuuya is the most humane person he’s ever known.

This is entirely true. Chuuya embodies almost every aspect of a human so perfectly—with visible flaws (he is so gorgeous to me), emotions, impulses… (this aspect could be a whole other post, but I need to stick to the main point right now).

Does it matter that he is physically inhuman?

No, of course not. What truly matters is the inner persona of someone.

That is the exact aspect Dazai is struggling with. He feels empty, he feels inhuman because he lacks all those aspects Chuuya brims with.

I personally see admiration on Dazai’s part because Chuuya embodies the things he lacks perfectly.

We either admire people who are able to do or have the things we cannot, or we’re simply jealous or hateful. In Dazai’s case, he admires Chuuya; he is flabbergasted.

But wait… hate? How does this manifest in Dazai?

Remember how he said that he’s been trying to find a way to kill Chuuya for the past 7 years?

Well, first of all, I don’t believe he genuinely wants Chuuya dead. However, this statement could indeed be true (with Dazai, you never know if it is), because Chuuya embodies everything he is not.

He might have found solace in simply the imagination of getting rid of him, not truly trying to make it a reality. Because we all know—if Dazai wanted to, he would have.

The reason why he doesn’t want Chuuya truly dead? Well, isn’t it obvious? I believe from the bottom of my heart that he cherishes Chuuya. But not in a romantic way, because in the canon context, there is really no evidence of that.

You can find so many clues that suggest their bond is deep, heartfelt, and close. It is so beautiful, truly. Their bond is one of my personal favorites of all BSD relationships.

But the romantic side of it? There truly is none.

This is the common problem here. Just because their bond is very meaningful and deep, people find every opportunity and reason to make a romantic relationship out of those things because we sadly live in a world where meaningful relationships are not appreciated at all but simply put in a box called “romantic & sexual tension” (there speaks the INFJ). Most relationships are multifaceted, people.

However, I’m babbling too much. Let’s dive into Chuuya’s perspective:

Chuuya seems to be more aggressive towards Dazai, clearly and often declaring that he “hates” him. Does he now?

No. I don’t believe that he does.

I believe that he sees through Dazai’s antics and his void of self, which makes me think that he is rather feeling bad for him (compassionately). I know that Chuuya doesn’t seem to be the most empathetic person in all Bungo Stray Dogs universe, but I believe that he actually is quite empathetic; he just doesn’t show it much.

He tolerates Dazai’s unsettling aspects most of the time, even though he is short-tempered.

Speaking of him being short-tempered, this side of him shines even brighter at Dazai’s side. He is much calmer and composed around others.

I believe that this is: first, because he trusts Dazai that he has everything in control so that he can act more freely; second, that Dazai knows exactly how to push him into irritation, which makes him aggressive quite rashly.

I said this before when I described Chuuya’s ideal type, and I’ll say it again: Chuuya doesn’t hate Dazai, but rather the challenges he provides that unsettle him deeply.

Now, I’d like to point out another example: Remember when Chuuya hit Dazai, and Dazai said to him that it hurt and he is only a human too? Chuuya answers coldly, “no one would believe that” (again the 15 manga, I believe?).

This is the solace Dazai seeks from Chuuya. He helps Chuuya to see that he is indeed human and expects the same in return from him, which Chuuya doesn’t provide.

Chuuya, someone Dazai sees as the picture-perfect human, denies him his own humanity. That must hurt really, really bad.

This is exactly what I mean with “Chuuya gets Dazai but doesn’t understand him, while Dazai gets and understands Chuuya.”

Chuuya is unable to provide Dazai with solace because he is so fixed on his worry about the other people dying and struggling that he is unable to see that he hurts Dazai.

Which is ironic because not seeing what is in front of him is again, very Chuuya-like and very humane, after all.

We’re human; we may be impulsive, we make mistakes, we might hurt our friends and families.

And Dazai again is looming in shadows, lying almost dead on the sofa without a care how many people will die, which is again, very inhuman.

So, let me bring in another aspect:

Why did Dazai install a bomb in Chuuya’s car before he left the Port Mafia?

I believe it was his coping mechanism, as always. His cheerful, uncaring attitude he wears like a mask, his desperate attempt to show Chuuya he would’ve loved to get rid of him, but sadly he was lucky—once again. That stupid slug.

Chuuya is someone who Dazai cherishes, maybe not as much as Odasaku or even Atsushi, but he cares deeply for him. (This is initially why I thought that Dazai has a heart of gold, because he is able to cherish so many people so very deeply, and he himself isn’t even really aware of it, which is adorable to me.)

I read somewhere that those two are soulmates, and I believe that to be true also, but as I already said—not in a romantic or sexual way.

Remember when I said that I adore soulmate connections, not only the romantic ones but also the platonic ones? The relationship between Dazai and Chuuya seems to be exactly that to me. I love them and I love them as a duo as well.

So, as an addition, I’d like to speak about their unwavering trust in each other, which is one of the main aspects of their relationship and dynamic. Dazai trusts Chuuya because he knows that Chuuya understands his trust and has already plotted the entire situation with no errors whatsoever. Chuuya needs to play his part in order for Dazai’s plan to work out as intended.

The reason Dazai trusts Chuuya is quite simple: Chuuya is a truly trustworthy person. To work as partners, they need to establish a strong sense of trust, which plays out perfectly. They are both able to forget their quarrels and focus on the job at hand, making them unstoppable together. Chuuya is known for his loyalty; it is his most prominent personality trait. That is why Dazai trusts him so much, knowing that Chuuya also trusts him because he understands that Dazai never fails.

To Chuuya, Dazai is nothing short of a genius—a very strange one, that much is sure. He is well aware that Dazai is depressed and lacks many of the qualities Chuuya possesses naturally, but he doesn’t really judge him for it, as seen in his high tolerance for Dazai’s antics and childish manner.

In summary, their bond is truly admirable, deep, and very important. Please don’t diminish it by confining their relationship to a box of sexual and romantic feelings in a canon sense, as this simply cheapens their dynamic.

Create your ships, write your fanfictions, but please don’t be rude to others who don’t share your perspectives. It’s absolutely fine to disagree with my opinion and interpretation, but please be respectful to me and my dear followers.❤️

Reminder: Chuuya calls Dazai “Dazai”, just like the ADA members, which is his surname. This suggests distance. Dazai calls Chuuya not “Nakahara” which also would be his surname, but “Chuuya”, his given name, which suggests that he might disrespect Chuuya or not take him seriously, since Chuuya is actually older than Dazai. I’m not sure what to think about this fact, so I wanted to mention it but I had no idea what analysis I can make out of this.

[germiyahu]

Not too thrilled that my other post is getting so many notes when I'm not satisfied with it for a multitude of reasons. Let's have a do-over, hopefully much more succinct and to the original point.

When Palestinians, actually basically all Arabs, or all Muslims, say "Jerusalem is holy to us it is the 3rd holiest city in our religion." The White Western Leftist (WWL) will say "That's so valid your religion is so interesting and beautiful Hamas did nothing wrong I love the Houthis!"

But if a Jew ever rebuts "Jerusalem is holy to us as well, it's our holiest city, basically the only one we have," the WWL will probably roll their eyes, scoff, probably say something like "Okay but like why are you still using your outdated Zionist death cult to justify colonialism? You really think the Bible justifies killing millions of Palestinians?" and start going on and on about how Judaism invented everything bad about Christianity.

My hypothesis: These people are not allies to Muslims (Palestinians). They are condescending to them. They are throwing them a bone because they feel bad about how the Muslim world has been treated, well ever since Sykes-Picot, but especially post 9/11, the Patriot Act, The War on Terror, Iraq, Afghanistan, the Drone War, Libya, Nato, The Arab Spring, the list goes on. They don't think Muslims are capable of building the kind of societies they want, not without their gracious help. They don't think Muslims should have the same ideals of democracy and human rights, because they don't expect that from the Brown People. They won't ever hold them to such a standard because "Ugh where do we get off lecturing them?" even though they would never think this of Jews.

These people are not equals to Jews, something something Sartre they think they are both superior and inferior (which makes them superior). They are not just trying to hold their fellow citizens of the world to account. They are trying to put Jews in their place. They are projecting their religious trauma onto Jews because they do not understand Judaism. They see Judaism as Power. They are trying to delegitimize Judaism as a religion (and it is a religion, including the parts of religions that give atheists the "ick," including a lot of mysticism). They are trying to caterwaul about Jews being responsible for the world's ills and that they expect Jewish People to be better than this. To evolve beyond religion and community and affiliation and identity. They want Jewish to be nothing more than a box ticked off on a census. A neat little factoid about yourself, like how your neighbor Cheryl has Norwegian ancestry.

My only conclusion is that these people find Jews and Judaism repulsive, and they find Muslims and Islam primitive. Unlike their parents' generation, they appreciate the primitive. It is noble savagery to them. Unlike their parents' generation, the comparatively cosmopolitan modern secular Western sheen of Jewry (applied to Jews against their will) is not something that we almost lost from the world, but an annoying holdover of what we almost successfully purged from the world.

Because remember, while they hate their parents and everything they stand for, they still deep down want Daddy's approval. So it makes perfect sense why the psyche would displace anger and trauma and all that caused by Christianity, and look elsewhere to place blame. It falls at the feet of Jews and Judaism. Because my culture could never, there has to be a missing puzzle piece that could explain- oh there it is. The Jews did it. And wow look how easily this can slot in with every other antisemitism conspiracy theory.

The audacity to think I could make a shorter version of that post 😂 But basically it's this: The WWL, the Zoomer Left, the Tankies, whatever name you call them... they think that they can "save" Muslims by offering up Jews, and the terrorist fascist fundamentalists like Hamas, Hezbollah, the Houthis, they're on board. They're all in. Normal ass every day Muslims/Palestinians? They just want peace, they just want rights, they just want sovereignty. The WWL is not interested in that perspective.

They have not once in their lives thought of what they could possibly do in terms of reparations. No no, tweeting and marching for a weekend are quite enough. They have not once in their lives turned inward and self reflected on the ways they benefit from and their own role in these systems of supremacy, that have harmed Muslims around the world. Jewish blood is more than enough to pay for operation Iraqi Freedom. Jewish lives are a fetching price to assuage the Westerner's guilt. You know since they have so much trouble turning inward and reflecting on their own contribution to Islamophobia, it might do them good to practice a little תשובה... but I don't know 😌

[quirkle2]

something i've noticed in my obsession with ritsu kageyama is that he underestimates people a lot

i think the first example of this is in episode 8, and it's absolutely littered throughout the rest of season 1. it starts with koyama, and the way ritsu says, "that guy is finished—it's over," when shigeo reaches 100%. while he Does have good reason to believe this, and so does the audience, koyama still manages to "win" by pulling a trump card that completely negates anything shigeo would be able to throw at him

when he's locked up with the awakening lab kids, his first idea is to act like he and the others don't have powers at all, which Wildly underestimates claw's communication between members. ritsu was literally noted to be an above-average esper, and "special treatment" was suggested for him. the fact that he even thought that would work at all suggests he either thinks they're incompetent (which, since all he's seen from claw is koyama so far and koyama can pack a fucking punch, is a little silly) or he's panicking and clinging to desperate, sloppy plans. it also kinda reminds you he's Literally Thirteen. god . he'sso small

also, the fact that ritsu doesn't even remember the awakening lab's kids names is another example of this—he deemed them "unimportant" during his arc, and continued to think this for a good while (i'd say he even holds onto some of those views well past the show's runtime, if his little comments about the twin's telepathy in the transmission arc is anything to go by) (also also, that <- deserves a post all on its own bc the fact that he meets another pair of siblings with esper abilities and sees that it's brought them closer instead of torn them apart . wow that makes me ill)

reminder that he listens to one of the kids "get killed" in another room and then watches a claw member drag the kid back out and throw his bloody, lifeless form to the floor. This Happens To Him. he watches this go down, and then he Continues to misjudge them. his little comment about the claw lackies "underestimating them because we're kids" is a bit funny to me now, given this entire post

he does it to shou immediately. he doesn't see a scar on him, so he immediately assumes he's lower tier and about as strong as the lackies. even after shou stomps and cracks the fucking hallway in half, ritsu walks right up to him and doesn't seem threatened. i doubt he's trivializing this situation just bc shou is a kid—that just wouldn't make sense from ritsu's perspective on things

he's already seen the biggest baddest esper in town—he lives with the guy. he knows the strongest esper is his own brother, so his view on other people's powers are very skewed. ritsu is so caught up in his trauma that he thinks shigeo is unbeatable, and i think part of that is because he was so young when The Incident occurred. anything scary that happens to you at that age is going to seem insurmountable to you, if you've never tried to overcome that fear. ritsu fully believes ???% is completely invulnerable (and yes, that's largely true) but he seems to carry that idea over to shigeo as a whole

maybe dimple's comment about ritsu being able to reach shigeo's level got more into his head than i originally thought it did—he "knows" he's at least close enough to shigeo to eventually surpass him, and since he puts shigeo's powers on a pedestal built with shaking hands, he thinks, hey, i must be pretty close to that. i must be pretty invincible too

he tends to mentally call fights finished before he's seen everything his opponent can do. ritsu straight up responds "i don't believe that," to shou's little you can't defeat me, and he's seen basically nothing in shou's arsenal

to his credit, once all the scars show up, he shuts his mouth and admits he's no match. and i think after the 7th division arc, he stops brushing people's abilities aside so much

this is why the shimazaki fight is so important for his character.

he fights him even though he Knows he'll lose. the shimazaki fight is Not ritsu underestimating him—previously, he's lost battle after battle because he truly and fully thought he'd win. he does not think he'll win this, and he's doing it purely to distract shimazaki from shou's position

ritsu kageyama is 1000% ride or die, especially when it comes to his own beliefs and trauma. i think if shou's situation wasn't as similar to ritsu's as it rly was, ritsu wouldn't have tried so hard to help him. ritsu risks his life to give this kid just a few extra minutes to deal with his father, and the way he enters the fight speaks pretty highly of how much he Wasn't underestimating him

he enters the fight by blinding shimazaki, by pulling a trick from his pocket underhandedly, and even though it obviously doesn't work, it shows that ritsu believes he'll need to do more than just use his powers like he normally does. i believe this is the first time he fights this way as well, with this covert trickery that uses his environment to his advantage—he keeps doing it throughout the fight; throwing cars, dislodging rocks to collapse ceilings. he's truly trying to think outside of the box because he entered this fight with the knowledge that he'll likely lose, and he needs more than just Himself to stay alive

but enough about ritsu underestimating claw, or awakening lab kids. i think the person he underestimates most of all is his own brother.

maybe i'm stretching the definition of "underestimate"—maybe there's a better word for it that i can't think of right now—but the way ritsu seems to think that shigeo will snap at the slightest issue in his life is... well. it's a little,,, patronizing, isn't it? he doesn't seem to have faith in shigeo's ability to keep a cool head, and even though he knows for sure that shigeo is Powerful (and even, sometimes overestimates that aspect of him) i think he tends to undermine his control over that power, tends to believe he'll blow up and scarcely doubting that assumption. he grew up like that, constantly in fear of his brother unleashing that "monster" again, and that in and of itself is an example of ritsu not having enough faith in his brother

when he sees onigawara talking to shigeo loudly in the hallway, ritsu sees how nervous shigeo is and narrows his eyes, like he senses something building in him. when reigen gets slashed during the 7th division arc, the fear in ritsu's gaze is not directed to reigen's "killer," it is directed to his brother, in fear of an oncoming explosion. and i Would say he gets better at this, but even at the tail end of s3, at the beginning of confession arc, ritsu fully believes (until he sees the car that hit shigeo, i think) that ???% came around because tsubomi rejected him. he thinks his brother would react so negatively to that, that other side of him would come out to wreak havoc.

when mob Does actually ask tsubomi out, he just cries when he's rejected. he reacts like every other teenage boy reacts, by quietly crying to himself. it's a very normal thing—after the absurdity and the sheer vastness of power and destruction the audience was just put through, mob walking away and crying quietly about being rejecting by a love interest is the first taste of normalcy we've had in like three episodes. what ritsu thought would spark this is actually the thing that calls the story and the audience back to a place that is solid and grounded

i'm not saying ritsu is a bad brother—that is so so SO far from my point—i'm saying that he's young and he's full of multitudes, and that includes mistakes. and that is Refreshing

this little guy is So full of faults, and it's one of the many things i love about him. he's a character that's practically built upon flaws with "good traits" as an afterthought, instead of the other way around, and the fact that he's been written like that, but introduced to be the polite, honor student, supportive, younger brother type is So Fuckin Cool!

it compliments his arc perfectly, because the reason big cleanup arc starts is because he's tired of being all that. he's tired. i never stop thinking about his maybe i wanted to find out what it would feel like to be a fool, it's Such a good line, and even if his reasonings for big cleanup arc seem nonsensical to some, i think it makes perfect sense in this odd, fucked up way. he literally Says it, right there. he explains everything in those few lines during that rooftop scI'M GETTING OFF-TOPIC

ritsu is a good character and his numerous flaws are what make him interesting to me. if he stayed that polite, honor student, supportive, younger brother type, i probably wouldn't give a shit about him. he is interesting Because he's made some pretty bad choices, Because he's made some pretty disgusting assumptions. he's a kid, fumbling along, with trauma dragging him by the wrists. i could talk about him for hours

[kaeyachi]

NEW CANON KAEYA TIDBITS FROM THE KAEYA HANGOUT PT. 1

The heavy lore post will be posted later! These ones are just more on his personality, likes and dislikes, and brief history hehehe

SPOILERS BELOW!!

I'm doing things in bullet point form coz wow there's a lot

Was the gentle and polite child! Also frequently got sick. Addie frequently took care of him in those times hehe. Is it possible that this is because of his experiences prior to getting to Mond? Travelling as a child would have made him vulnerable to tougher weather and rapidly at that. I doubt that food comes easy too. Additionally, HE WAS LEFT IN A STORM. I still think Kaeya is gentle and polite, though he definitely gives the face of charming and sly (if it benefits him and it works then might as well keep it going!)

Kindness is so inherent in him that he automatically does kind acts. He only acts like he has an ulterior motive, and tbh? I bet that act is only to keep people away. I think I made a oneshot about this saying his biological father may be worried about this tendency? Or something similar. Worryingly enough, Kaeya clearly has a hard time accepting words of affirmation from literally everyone. Heartbreaking to see in action.

Diluc is a menace, asking Kaeya to help him in his mischief, tsk. Kaeya apparently also helps Diluc in the punishments he receives. Kaeya ended up doing the most of it :( (what are the odds of Kaeya also doing Diluc's paperwork while said redhead was out on the field? What if the reason Kaeya wasn't with Diluc and Crepus during that one fateful 18th birthday because he was covering for Diluc's shift...). Tbh? Kaeya never stopped covering for Diluc. Even now, he is still covering for Diluc (DKH).

This one set off alarms in my mind. Kaeya was apparently not a very good liar when he was younger. I now definitely think that Crepus knew Kaeya lied about his origins. The question is, did Diluc know Kaeya was not a strong liar before their fight? Or did he remember afterwards and was immediately faced with even more guilt?

He might actually have a sweet tooth! Dear god look at the number of desserts he ordered. Do note that Death Afternoon is a mixture that lessens the bitterness of Dandelion Wine. Additionally, Kaeya wasn't interested in wine when he was younger, he only grew into it because it reminds him of home after he left :( The Cider Lake drink is also sweet! And I'm guessing plain chicken mushroom skewers weren't sweet enough, so he decided to add fruits to it. I THINK CREPUS ACCIDENTALLY GOT HIM INTO LIKING ALCOHOL AFTER CREATING THE CIDER LAKE DRINK LMAO. Crepus suceeding in preventing alcohol intake from one child and ended up giving it to the other

Fairly sure he was being flirted on here by an entire group of mercenaries and just didn't realize which would make things extremely funny. They saw him and immediately went "we need to see that body in the dance floor ASAP". What if he doesn't realize he is being flirted on until he is slapped in the face with a confession? It's also funny if he flirts up a storm and not realize people are flirting back lmao

So I was right... he was not kicked out. He moved out on his own. Diluc is fine with him frequenting Dawn Winery, expects it even (lol my short 1 shot makes sense now). The staff keep asking him to come back and visit more frequently. Adelinde says that Kaeya is always part of the family. They become so happy when Kaeya comes back, it's like a weight is lifted off of everyone's chests. IT'S KAEYA WHO KEEPS SAYING HE'S A GUEST AND SEPARATING HIMSELF OUGH. He's the one trying to stay away after all :((( Let's summarize this: Kaeya was the sickly, quick to bruise, kind, gentle, and polite child who everyone in the staff (and Diluc) adores and still treats like he is their baby, but said baby of the family KEEPS LEAVING. Go home Kaeya!

Klee keeps looking for Kaeya! And Kaeya reads her bedtime stories!!! Hearing her voice ask where Kaeya was broke my heart, I think I'd like that used for angst purposes. Kaeya is once again letting a mischievous pyro user get away with causing mischief. Kaeya you enabler lmaaaoooo. Kaeya frequently rescues Klee from solitary confinement, done so enough times that Klee now does the same for him (I bet she thinks Kaeya is in solitary confinement whenever he's busy doing paperwork). Not to Kaebedo/Albekae you guys (I am Kaebedo/Albekae-ing you guys), but I'm fairly sure Kaeya and Albedo spend so much time together with Klee. Again, frequent enough that Albedo has tons of drawings of Kaeya (the 3 brushstrokes is a popular meme, but it actually is just a way to say that he has drawn Kaeya a lot. Bet he could draw Kaeya with his eyes closed haha). HE GOT THEM MATCHING GIFTS THATS ADORABLE

Speaking of gifts, he's a great gift giver! He really listens to people's needs and wants. What a thoughtful man (Diluc was right in his letters in hidden strife though. TAKE CARE OF YOURSELF KAEYA). Speaking of, I'm guessing Kaeya is rich? Because I'm fairly sure the gifts were bought with his own pocket money and thus the huge amount of travel funds remaining (the gifts are expensive, surely it should have put a dent to the said funds had he used them)

THAT IS ALL FOR NOW, I MIGHT MAKE A PART 2 BECAUSE I WANT TO TACKLE MORE STUFF BUT THE PHOTO LIMIT GOT TO ME

[knichii]

OK. does anyone else feel irritated that eng dub seems to be favoured in mha? in edits, in fics, it's clear most people watched dub and idk it's been rlly grinding my gears.

okay, to get this out the way, I don't like mha's eng dub. I don't like any of them. half don't fit their characters, 75% of the time the tone lands forced and awkward, and its literally just unbearable for me to watch I'm sorry. I have this issue with a lot of anime and cartoons so this isn't solely a my hero problem, but this is definitely the most severely I've disliked a dub. and yet I cannot escape it.

one of my biggest issues is the nuance that's lost in translation. anyone with any familiarity with the Japanese language will know what I mean. list of examples:

HONORIFICS

1. iida refers to class 1-A with '-kun'

2. yaoyorozu refers to class 1-A with '-san'

3. asui refers to class 1-A with '-chan'

3. deku with '-kun' (m) & '-san' (f)

that says SO MUCH about their characters, how they view their relationships, how they view themselves,, but in dub?? all of that's lost. ESP the significance of deku still calling bkg 'kacchan'. [simplified, '-chan' is used for cute/endearing things. it stemmed from children mispronouncing '-san', and became a childish, cutesy way of calling someone, usually someone you're VERY familiar with. it implies a shocking ammount of intimacy] thru years of bullying, all the rocks and straight up non existent road of their relationship, deku STILL calls him 'kacchan', the ONLY one allowed to do so ("but kaminari--" NEENAWNEENAWNEENAW).

in eng dub it gets reduced to a mere nickname, lacking all of its weight.

another thing is bakugou sub vs dub (...)

URGGGGGGHHHH

the most recent example is when bkg says "of course you pulled it off, Icyhot." (I forgot the context tho) in sub, he says "of course you pulled it off, TODOROKI".

THATS SUCH A NICHE, SUBTLE WAY OF SHOWING HIS DEVELOPMENT THATS TOSSED STRAIGHT OUT THE WINDOW. translation (manga) also has him calling his seniors 'senpai' which is... not what he says in sub????? 'senpai' indicates respect for someone your senior,,,, which. bkg would never show. (or only in EXTREMELY rare cases, MAYBE)

there's also my peeve abt names. this may be an only me issue, but I don't like it when japanese names are written in western format (e.g Izuku Midoriya)... ("this guy cannot be fr rn" unfortunately yes I am). I don't have a reason for this, and I'm aware it's niche and irrational, but I always cringe a little when I'm reading a fic, that's SET IN JAPAN, and their names are written Given Name, Family Name. emphasis on SET IN JAPAN. THEY ARE JAPANESE. THEY ARE NOT AMERICAN.

bkg's hero name. his og one which was translated to King Explosion Murder, losing all of the wit and cleverness in the jp original. this post goes into more detail and is very cool check it out

slightly irrelevant but bkg's jp va, Okamoto Nobuhiko, like. wow. the bkdk fight? the voice cracks? the ANGUISH?? the softness in his voice when bkg was abt to die (the hallucination w all might) ??? like,, wow. the emotion is so much more raw than it's conveyed in eng

I've gotten off point. point is I WISH MORE PEOPLE APPRECIATED AND WATCHED IN JP SUB. IM SCREAMING INTO THE VOID AND MY OWN VOICE IS ECHOING BACK I CANT DO THIS ANYMORE.

(note: jjk was my first anime fandom so I'm probably spoiled. over there, sub seems to be favoured, barring a few iconic lines [ray chase lwk served as sukuna in the shibuya arc] and the fics, like 70% of the ones I read, used japanese honorifics and culture. in comparison, mha was a bit of a shock. the side of the fandom I washed up on is so... American??? maybe I'm in the wrong place idk. everything's just extremely white and slightly uncomfortable.)

this was a bit of a vent post,, obviously ik people are entitled to opinions (even if they're wrong), I js wanted tk if anyone else felt the same way

reading this back, I'm aware of how chronically online I am. yeah. still tho

[staygoldwriting]

🏊 Coach Harrington

Steve Harrington x single!mom!reader

Warnings: single mom, pregnancy, fluff

Word count: ~2.4k

A/N: I wrote this after I saw a post from @mcueveryday asking about Steve x single mom reader fics! I really love writing for Steve, and I loved writing this story! I hope you all enjoy, and as always, please show love and support ❤️✨

“Okay, five seconds more! Five! Four! Three! Two! One! And rest!”

Steve smiled proudly at his students. He originally wanted to be a swim coach for only one summer, but it soon turned into a career. He absolutely loved teaching kids of all ages how to swim, but his 3-5 class was his favorite. According to him, they were always the most enthusiastic group, and because the kids were so young, he had to keep the classes small to keep an eye on them. They were only a few lessons in, but some kids had already mastered treading water, which Steve was immensely proud of, not to mention relieved since it was his least favorite task. 

“Okay, I think that’s all for today, kiddos,” Steve smiled. “Great work today! Go ahead and dry off and find your mommies and daddies.”

As Steve toweled off, receiving many soaked “thank you, coach Harrington!” hugs, he saw a familiar woman approach him. He gave a friendly smile, waved, and walked over. As he got closer, he realized it was Y/N, an old friend from high school.

“Hey, Y/N!” he said.

“Oh my gosh, Steve!” you said in surprise. “I didn’t know you were the coach Harrington!”

“You’ve heard of me?” Steve asked in surprise.

“Yeah, yeah! I’ve been trying so much to get Daisy—Daisy, honey, come on,” you said, lightly pushing your daughter from behind your legs, “I’ve been trying to get Daisy to learn how to swim, and nothing I’ve done has worked, so one of my mom friends suggested I come see you about classes.”

“Oh, wow,” Steve smiled, “I didn’t know that I was so famous! Hi, Daisy,” he said, kneeling down, “I’m coach Harrington, I used to go to school with your mommy.”

“Hi,” Daisy whispered.

“You look a lot like her,” Steve smiled, making Daisy hug your legs. 

“I can’t believe you’ve got a daughter,” Steve said. “It feels like just yesterday that you and I were sharing notes in Mr. Hayden’s class.”

“I know, time is funny that way,” you smiled. “It’s good to see you, Steve.”

“It’s good to see you too,” Steve smiled back. “So, are you still with—”

“No, um, sorry to cut you off, but I can’t really discuss it with, you know,” you trailed off, looking down at Daisy. 

“Oh, I’m very sorry,” Steve apologized, but you shook your head.

“Don’t worry about it at all,” you smiled, looking at Steve. He looked back at you, a bit of blush appearing on his cheeks, then he snapped himself back to reality.

“Swimming lessons!” he yelled.

“Right, right, swimming lessons, the whole point of me coming here,” you said, feeling a bit foolish.

“It’s easy to get caught up in nostalgia,” he smiled. “But for lessons, we’re only about three lessons in, so Daisy can join this class if she wants,” he offered. “And I can also meet with you both sometime this week to catch her up before the next class.”

“That would be great, thank you, Steve,” you smiled, holding his arm. “So, when are the class?”

“Every Tuesday at four.”

“Okay, I think we can make that work,” you smiled, looking at Daisy. “I’m actually Daisy’s teacher, so we can leave right after school’s done.”

“You’re a teacher? That’s so great, Y/N,” Steve smiled. “What grade do you teach?”

“Kindergarten,” you said.

“Kindergarten, huh?” Steve said, kneeling down to Daisy again. “So, how old would that make you, Daisy bud?” he asked sweetly, making Daisy giggle. 

“She’s a sucker for nicknames,” you chuckled. “Tell him, sweetie,” you encouraged.

“Five,” Daisy said quietly.

“Five years old! That’s a great age to be,” Steve smiled. 

“How old are you?” Daisy asked Steve, her big eyes sparkling.

“I’m 26,” Steve replied. 

“Just like Mommy!” Daisy exclaimed.

“Yes! Mr. Harrington went to school with Mommy,” you said. “He was really nice!”

“Your mommy has always been very kind,” he winked at you, “and smart too! Your mommy was the smartest girl in her class.”

“Wow,” Daisy gasped, looking up at you in awe. You kissed her forehead softly, then looked back at Steve.

“I’m still just as unathletic though. Between you and me, I still don’t know how to swim properly.”

“Well, I can teach you!” Steve offered. 

“Really? I feel like it would be so embarrassing!” you said bashfully.

“We can make it a private Mommy and Me class! Only if you want to, of course,” Steve said.

“You’d really do that for us?” you asked quietly. 

“Of course I would,” Steve said quickly. “You’ve always been kind to me, it’s about time I paid you back.”

“Well, thank you, Steve. But, I-I don’t have a lot of money—”

“It’s free.”

“I couldn’t, Steve—”

“It would be my pleasure, really,” Steve said, holding your arm. “Please, I want to.”

You sighed as you looked down at Daisy, who was playing with the zipper on your bag. You brushed her hair back softly and looked at Steve, whose eyes were warmly fixed on you. How could that look still have power almost a decade after being in high school? 

“Okay, let’s do it.”

-🏊-

“There are my girls!” Steve smiled as he stood by the pool. Daisy released your hand and ran over to Steve, who picked her up and twirled her around. 

You both had been taking lessons from Steve for two months now, and it had provided you and Steve plenty of time to reconnect. For the most part, he was a brand new guy; he was sweet, caring, and hardworking, but he was just as handsome as always. What struck you most, though, was his relationship with Daisy. In all of your lessons, he was patient, understanding, and clearly loved being with kids. You thought that maybe he was just being nice to Daisy for your sake, but when you not-so coincidentally visited the pool the same days as his other lessons, you soon realized that he loved every single kid he taught. No one was deprived of his attention. One day, you decided to ask him about it.

“So, you really love kids, don’t you?” you said as you helped Daisy fix her water wings so she could swim around on her own. 

“I really do,” Steve chuckled. “I blame it all on Dustin Henderson, actually.”

“How in the world?” you laughed.

“Well, he sort of… latched? Onto me when he was thirteen or something. You go through life and all the sucky things, and I sort of turned into a babysitter for him and his little friends. Then, they grew up, but I wanted that feeling back, that feeling that I’m needed by the kids. So many kids need a parental figure that’s not going to be judgmental or overbearing. My parents were like that, and it was miserable. I just want to bring some joy to my kids’ lives, you know?”

“I totally understand, Steve. It’s hard to keep this little one happy all the time,” you said, poking Daisy’s side. “But that’s really great, I’m glad you’ve found your calling. The kids obviously love you—I mean, Daisy, Daisy loves you,” you stumbled.

“Well, don’t tell the other kids, but Daisy’s my favorite,” he smirked. “And I like her mom, too,” he winked, making you blush. 

“Do you, now?” you asked, trying to be flirty.

“Yeah,” he admitted. “Not exactly the best time to tell you, but, hey, I thought I’d be honest.”

“Well, I like my daughter’s swim coach, so,” you trailed off, smirking. 

“Don’t tell him, it’ll go to his head,” he chuckled. 

“Mm, well, he better prepare for this, because I was going to ask him if he’d like to come over for dinner tonight.”

“Oh, really?” he asked, wiggling his eyebrows.

“Well, Daisy asked, so don’t let your ego get too big.”

“Are you kidding me? Daisy bud asking me is so much cooler,” Steve joked. “I’m never going to live that down, I’m walking on air. Did you hear that, Daisy bud? I’m coming over for dinner!”

“Yay!” Daisy yelled, making a big wave that splashed on your face. Steve chuckled as he went to move the hair out of your face, his laughs soon softening as he looked at you longingly. 

“Sorry, Mommy, you’re still pretty,” Daisy said bashfully.

“She sure is, Daisy bud,” Steve smiled. 

-🏊-

You fiddled with your outfit as you waited for Steve to arrive. Daisy had already decided on her outfit, wanting to wear a bright green tutu with her favorite t-shirt, a striped one with a dog on it. She added a pair of jean shorts, rain boots, and a hat with bear ears, and you really had never seen her look better. You loved her fun, individual style, and she was the cutest child you had ever seen, in your not-so-biased opinion. You, on the other hand, were just settling on your fifth outfit when you heard your doorbell ring. Smoothing out your blouse, you ran downstairs to open the door. Steve was standing there, holding two small packages and a bouquet of flowers.

“Hey there,” he smiled. “These are for you,” he said, handing you the flowers.

“Oh, Steve, thank you so much,” you said, kissing his cheek. “Come in.”

“Mr. Harrington!” Daisy squealed, running to hug his knees.

“Hey, little one,” he chuckled. “Here’s something for you,” he said as he handed her one of the small packages. She opened it up to see a fuzzy stuffed rabbit, which made her squeal again.

“Thank you, Mr. Harrington, thank you!”

“Of course, Daisy bud. And hey, you can call me Steve if you want.”

Daisy blushed as she hid herself in Steve’s knees again. 

“Well, you two can hang out while I finish up dinner, if that’s okay,” you said, looking at Steve.

“Oh, absolutely! Daisy bud and I have plenty to discuss, and she promised me she’d show me The Big Comfy Couch show.”

“You’ll enjoy that,” you smiled.

“Oh, and this is for after dinner,” Steve smiled, handing you the other package. “Made it myself,” he said happily. 

“Blueberry pie, wow! Thank you,” you smiled.

“Of course. Now, go ahead and do what you need to. I’m off to my happy place,” he chuckled, holding Daisy’s outstretched hand. You giggled to yourself and walked into the kitchen.

You soon finished preparing dinner, and as you passed by to set the table in the dining room, you saw Steve looking down with intense concentration. You set the plates down and walked over to them, hearing their conversation.

“And then I have to put glitter on so that we can match,” Daisy said quietly as Steve nodded. You felt your heart melt as you saw Steve gently painting Daisy’s nails, messy polish all over his own. As you walked over, they both looked up at you excitedly.

“We’re becoming beautiful,” Steve beamed.

“Mommy, you have to match us too!” Daisy exclaimed, holding her hands up to see.

“Wow, Steve is better at nails than Mommy,” you chuckled. “You guys are adorable, I can barely stand it!”

“Steve, will you paint Mommy’s nails?” Daisy asked.

“Maybe after dinner, if Mommy wants me to,” Steve smiled, looking up at you.

“It would be a pleasure,” you replied. “I haven’t had a decent manicure in years.”

“You deserve it,” Steve said, smirking.

“You deserve it, Mommy!” Daisy giggled.

“Okay, my little cuckoo bird, go ahead and get yourself cleaned up for dinner,” you said, holding her hand. “I think your nails are dry enough, but be careful, okay?”

“Okay, Mommy,” Daisy smiled as she hopped off of the couch. You took her place and sat down in front of Steve. He held up his pink glitter-polished hands for you to see.

“She’s going places,” he chuckled. 

Without thinking, you leaned forward and kissed Steve, holding the side of his face with your hand. It was long, passionate, and an explosion of your emotions. He kissed back, leaning forward towards you, and you could feel him start to smile. As you broke away, he let out a soft laugh.

“I don’t know where that came from,” you said apologetically. “I just—you’re just so great with Daisy and me and—I  just—haven’t felt this much love from someone in a while. It’s so hard being on my own with Daisy, and it gets lonely at times, and I just want to find someone who cares for both of us the way you do and I—”

Steve held your face and kissed you again, deeply. A tear fell down your cheek as you returned the kiss, feeling overwhelmed with love.

“I never thought that I’d be able to find this kind of love either,” Steve said. “I’ve always felt like such a failure, like no one wants me—”

“You’re not a failure,” you whispered.

“You and Daisy make me feel like I’ve won the lottery,” Steve said, holding your face. “I know that Daisy isn’t my own, but the more I get to know her, the more I want to be in her life. And I really want to be in your life too, Y/N. What do you say?”

You kissed Steve again, softer this time. 

“Yes.”

🏊 -Two Years Later-

“So, what color?” Steve asked, holding up four polishes for you to see.

“I think I’d like the dark blue please,” you smiled.

“I couldn’t have selected a better one myself,” he said cheerfully, then began to paint your toenails. Daisy walked over with her favorite glitter polish and rested her hands on your very pregnant belly.

“Mommy? Will you paint my nails please?”

“Of course, sweetheart! It’ll be like a nail polish train,” you said, making you both giggle.

“But who will paint Daddy’s nails?” she asked with concern.

“Mm, maybe you can paint them when I’m done with yours?” you suggested.

“Okay!” she giggled, handing you her polish. 

As you and Steve finished up, Daisy gave you a hug, admiring her new nails. Steve closed the polish bottle and grabbed your hands, pulling you closer to him.

“Payment!” he said, puckering up. You laughed, kissing him softly. 

“Okay, Daddy, time for your nails! What do you want this time?” Daisy said, pulling her box of manicure equipment closer to him.

“Hmm, can I just have some stickers please?” he said, looking at the stickers with little fruit on them.

“Sure!” Daisy said cheerily. “Payment?” she asked, making Steve chuckle. He kissed her forehead, then pulled her in for a hug.

“I love you, my Daisy bud.”

“I love you too, Daddy.”

-🏊-

Taglist: @tillkummer @mlle-ayka @fanficfanatic204 @klaine-92 @aurumbelis @onlyangel-444 @beep-beep-sherlock @morishitoshi @onceuponathreetwoone @toomanybandstocare @underthebatcape @zeldaknight @fieldofsecretss @prettyinpunk85 @igotbasicdrag @gothicfaires @thatonecurlygirl @luvthatlovestolove @loliakeoghan23 @dearelliewrites @mslunawinchester @efvyqrs @simonsbluee @inkedaztec @dumplinshee @pastel-abyss-x @frozenhuntress67 @hawkins-hs @witheringawayagain @theshinyrock @highpriestessfae @pinkgothiccprincess @persephone13 @katsukis1wife @murnsondock @fictionlandslanddreams @srapalestina @babyghouly @madformunsonsstuff @harrys-tittie @middle--fingering @urmomgov @maybankstarkey @jbetches @stardustmunson @maltinonka

[anghraine]

dontstandmedown replied to this post:

re:tags could you share the playwright you're talking about? :0

No problem! For others, the tags in question are this:

#thinking about this partly because the softer & gentler versions of fanfic discourse keep crossing my dash #and partly because i've written like 30 pages about a playwright i adore who was just not very good at 'original fiction' as we'd define it #both his major works are ... glorified rpf in our context but splendid tragedies in his #and the idea of categorizing /anything/ in that era by originality of conception rather than comedy/tragedy/etc would be buckwild

I am always delighted to share the good news of John Webster! If you're not familiar with him, he was an early seventeenth-century English playwright known for being a slow, painstaking, but reliable writer. He did various collaborations with other playwrights (and acknowledges a bunch of his peers in an author's note to The White Devil, including Jonson and Shakespeare) and wrote some middling plays in various genres that could be more or less termed "original fiction," but he's remembered for two brilliant, bloody tragedies.

The basic premises/plots of both of these were essentially ripped from the headlines of the previous century, and Webster makes zero attempt to conceal that fact.

I couldn't shut up about my guy so more under a cut!

The White Devil is based on the actual murder of Vittoria Accoramboni in the late sixteenth century and the characters in the play are generally given the same or similar names as the real life people in the story as known at the time, so there's no attempt to conceal the play's origins (the anti-heroine/villain???[debatable] is named Vittoria Corombona in the play, for instance).

The original production of The White Devil largely failed, which Webster blamed mainly on bad weather and an audience who just didn't get his ~vision and what he was trying to do. It would not be unsurprising for a contemporary audience to struggle with it given that it's a complicated play in which, among other things, Vittoria is put on trial and rhetorically shreds the underlying misogyny of the entire legal process.

The Duchess of Malfi, generally considered a still greater achievement, is based directly on the murder of Giovanna d'Aragona, Duchess of Amalfi by her brothers (it was presumed, likely correctly). Lope de Vega also wrote a play about this tragedy not long before Webster did, though the plays are very different and it's unlikely that Webster would have had the time or linguistic knowledge necessary to read Lope's version. Probably part of the reason for the differences between Lope's and Webster's takes is that Lope had to be careful about the reception by the Catholic Church given that one of the murderers was a cardinal, while obviously an English Protestant like Webster could say whatever he wanted about eeeeevil cardinals.

Webster takes a lot of artistic license, a normal approach at the time to adapting previously-established narratives, but the source material is very recognizable. One of the commendatory verses at the beginning of the play (blurbs in poetic form from other playwrights) is like "I'm sure the real duchess was cool but she couldn't be as cool as Webster's heroine, wow <3". (One of the other commendations is by another fave of mine, John Ford.)

Bosola, the historically mysterious minion of the Duchess's murderous brothers (=Bozolo in the historical narrative) gets an elaborate quasi-redemption arc in the play. And the play is extremely critical of various characters' obsession with and attempts to control the Duchess's sexual behavior (a fixation that is often extremely normalized in early modern British drama, but which comes off really badly here).

Ultimately this obsessiveness leads to her brothers, the Cardinal (=the historical Cardinal Luigi d'Aragona) and Ferdinand (=Carlo d'Aragona) orchestrating her torment and murder in which she emerges with her sanity and integrity intact and dies with dignity. Meanwhile, the Cardinal is exposed as a remorseless villain (he proceeds to murder his mistress with a Bible) and Ferdinand's already-shaky sanity snaps under the realization of what he's done.

Webster's Duchess is often considered the first real female tragic hero in British drama—the tragic is especially significant because tragedy was typically considered a higher art form than comedy and the truly great female characters from that era of drama are often restricted to comedies or secondary roles in tragedy (a marked trend in Shakespeare, for instance). The Duchess in the play is virtuous, strong-willed, witty, and fairly unabashedly sexual in the context of the time, a concept that several hundred years of critics have struggled with. (My favorite OTT complaint is from Martin Sampson, an early 20th century critic who lamented the conspicuous absence of a "strong active man, following righteous things" in Webster's work, to which I say l m a o.)

Anyway, among scholars of early modern British drama, Webster is often considered second only to Shakespeare as a tragedian, on the basis of those two plays. And the modern obsession w/ originality and novelty makes this kind of fascinating, given that his "original" work (in our sense—again, the original vs fanfic dichotomy was not a thing in that cultural context) is sort of meh but his work with pre-existing sources turns them into these staggering dramatic achievements.

[mildmayfoxe]

big fan of your romance novel complaint posts (love to see a fellow hater living it up) but i’m also curious if there are any you would recommend? not looking for anything in particular, just would love to hear your thoughts as someone else with nitpicky reading habits and a taste for trash

ok hello. i left you hanging for a FULL week and for that i am sorry but i wanted to be able to have some time to sit down and type out a real answer to which the short version is YES of course there are several that i have enjoyed!! my disclaimer is that i almost solely read gay romance so if you are looking for lesbian or even straight reccs i don't have much for you (although i will put a couple at the end anyway). hopefully something in this list is interesting to you or at least interesting to someone else! links are mostly to goodreads. break bc i'm gonna write too much

-kj charles is one of my fave authors in this genre bc they're all pretty reliable and there's a ton of them. they're all historical fiction and usually there's at least one murder- she's good at keeping a plot going while developing a romance. often supernatural or magical elements. sometimes cults! i've read almost all of the books she's written and have enjoyed them all

-charlie adhara wrote a really incredible werewolf series that i loved, the first of which is the wolf at the door. this is one of the only series i've read which keeps the emotional stakes up through the whole thing & kept me interested in a relationship after it was established bc sooo many series get boring the second the leads get together. i actually read the first book of the spin-off series (a pack of lies) first which is technically possible but i don't recommend bc i was like "wow they're really throwing me in here. i love it" and then i read the first series and i was like "oh i was supposed to know all this stuff." but i actually liked the dynamic between that couple better and i'm suffering every day because the next one still doesn't come out til 2025 and i read it in 2022. also worth noting that this (the original series) is cops-ajacent (~federal special agents~) and one of the characters is really prejudiced at the beginning & imo doesn't have enough character growth before it's waved away but if you can ignore that it's really good. mysteries! werewolves!

-speaking of werewolves (i could suggest several but i'll keep it to two) tj klune's wolfsong ends up at the top of a lot of gay werewolf novel lists (i'm keeping tabs) and there's a good reason. i enjoyed it a lot. made me kind of sad which is always a good sign to me. the writing voice was very fresh and novel at first but i did find it a little grating by the end so i've put off starting the second book in the series (it's also about a different couple which was disappointing) but i will get around to it. i enjoy tj klune in general although his recent stuff has a very different vibe than this and lightning struck heart is very 2015 in a bad way imo

-bone rider by j fally is a standalone that really delighted me. the russian mob? aliens? vaguely western? possession? throuple? it's got it all. very fun

-ok speaking of westerns there's this other series called magic & steam (yes it's steampunk. sorry. it's very silly) that starts with the engineer. a federal agent is sent to a town to apprehend a ~madman engineer~ except he runs into an infamous outlaw in the process. and the outlaw is really sexy. and probably why i enjoyed the series so much. the series also keeps them apart a lot in a way that i enjoy- i love when things take a long time. it's ongoing so this is another one that i keep checking for updates on

-i've read a lot of stuff by nr walker and they tend to be VERY hit or miss for me but one of my faves is evolved which is almost pure smut. it's about a sex robot that gains sentience. what more do i need to say. she also wrote a three-book series about an amnesiac that made me cry cry cry. and her cowboy (australian rancher) series is pretty ok. i could go through a list and tell you which novels of hers aren't worth it and which ones are good; i've read most of them

-salt magic skin magic by lee welch was a big surprise to me. cool magic, good folklore, fairies in there too. historical. big kj charles vibes which makes sense bc she edited it. welch also wrote a book called seducing the sorcerer which i had more mixed feelings about but had magic in it that i think about OFTEN (the horses)- that one's about an imposing sorcerer and a rundown groom cum handyman. and they're in their FORTIES!!! 🥳🥳🥳 (i love when books are not about 23 year olds)

-another one with a magic system i enjoyed was magician by kl noone. this was the first book i read by this author and i liked it but generally i find their books are too "nice" for me. i'm in the middle of one right now that i started months and months ago that i keep trying to go back to and it's sooo rough for me. but this one and the twelfth enchantment are pretty ok

-emily tesh wrote a duology of silver in the wood and drowned country that i loved because i am suuuuch a sucker for a wild man/green man story. really good. haunting! evocative! kj charles has a green man story too which was actually the first thing i read of hers (spectred isle)

-i complained about the monsterfucker book i was reading a while back but despite that i will also recommend the series it's from: lily mayne's monstrous, which starts with soul eater. are they messy? yes. are they repetitive? yes. are the monsters usually disappointingly humanoid? yes. are a lot of them about the military? also yes. so we're starting off on a bad foot. but the world building is interesting and there's LOTS of kinds of monsters and most of them were pretty fun. the one i just read (#7) was the worst one of the bunch though imo. and i have problems with #6. but 1 2 and 5 were good

-ok i should do a quickfire round. honeytrap: about two enemy agents during the cold war. put it off for a long time bc i didn't love that but it takes place over a VERY long period of time which is always interesting to me. zero at the bone: about a hitman who needs to protect a witness to a mob hit. really strong start but fell off a bit in the middle to the end imo.

-you'll notice a lot of these have subgenres of like fantasy historical supernatural etc but here's some regular contemporaries. a lot of these are about sad guys bc those are my favorite. best laid plans: hardware store owner helps a guy fix his house. in the middle of somewhere: same author actually. guy moves to small town to work at a college. mr jingle bells: this is a christmas one. bad title. fake dating. part of the reason i think i liked it so much is because i expected it to be awful but it was actually pretty good. good emotional stakes. published 2021 but feels very 2014. ignore that part. work for it: i rated this five stars but actually don't remember much what it was like. i think they were both really sad which i love. give me big emotions and i eat them right up with a spoon. i should read it again

-OK now i've got some straight & lesbian options. talia hibbert's brown sisters series is good and cute. she also wrote work for it, above. the unhoneymooners is the first real Romance Novel that i read and it really surprised me because i had fun! previously i had kind of written off romance novels as not for me but this kicked off a reading habit that is still going strong (primarily reading romance novels). i read this in 2020 so it might not be as good as i remember. as for lesbian options olivia waite has a series that i enjoyed that's also historical, and a friend of mine really enjoyed delilah green doesn't care (but i haven't read that one myself). and while not really romances i will always be a sarah waters fan: you may recognize her as the author of fingersmith, which is the novel park chan-wook's movie the handmaiden is based on. if you haven't seen the movie or read the book i recommend both. her books are very dramatic lesbian historical fiction; they don't always have happy endings but they're all very good

ok i think that's the end! regular disclaimer that romance is generally not a genre notable for Good Writing so a lot of these are just things i had fun with or just stuck out in my memory for having fun conceits etc. i can't guarantee that any of these are actually good, especially because this is a list solely based on my own taste and bad memory. would love to hear anybody's thoughts and/or if anybody has recommendations for ME!!! this post took me over three hours to write! crazy!

[mantisgodsart]

[Tonight I dreamed of teeth and claws and what felt like a million grasping hands chasing me through an endless field. The air smelled of sulphur and acid, and I could tell something was watching me, far beneath the moss and earth.

I woke to find I had been shedding wing scales in my sleep, and that apparently one of my primary containment chambers was registering a foreign presence within it. The only thing there when I checked, however, was Mal, who is supposed to be there - and certainly not supposed to be registering as an intruder.

I hope I don't have to update containment over this. Rescribing every little knot in the weave every time I need to strengthen or add to it gets tiring, when you have to do it multiple times a month. Maybe I should start looking for an apprentice again, if only so I don't have to maintain the entire laboratory myself.

There's an old joke about this sort of thing, charmsmiths only getting an apprentice when they need to make sure someone's take down notes about the experiment that kills them. I'd like to think it's more simply making sure that my knowledge doesn't die with me...]

One of the two left over from @bug-oc Round 1, Mal from @sushiikando gets a post all to their own, just like a Round 2 contestant! This is both because zey're a big/complicated design and because we... really aren't gonna be done Pola any time soon. Which is probably what we get for making a comic, even a short comic, while in the time of summer where we actively struggle to think. Oh, well. We'll get it done eventually.

More details under cut, as usual - despite our enthusiasm for walls of text, we don't particularly want to completely obliterate your dashboard. We're getting kicked in the dick by fatigue right now, so further ones might take a bit - we've got Maria sketched out, and Pola's comic only really needs painting and accompanying story, so all fates willing, it shouldn't be too too much of a holdup. There's an abundance of things that we would LOVE to be doing right now, but heat does awful things to our brain, we're still feeling off from being sick, and with tourism season in swing to boot even with our current medication it's an uphill battle to get ourself to do anything at the moment. Hopefully, this clears up soon. For now, we're still very much alive.

First things first - wow, this one took a few drafts. Although not really an originally anticipated difficulty, the lack of reference of just what Mal looks like under that coat made a lot of our original ideas fall a bit flat unless we wanted to make something up from whole cloth. Marigold's transmutations don't include clothes by default, since actively incorporating inanimate objects into an animate body is both difficult and much, much fussier than usual when you're using Marigold's particular methods.

We tried a few initial designs that stopped at that point, then tried at incorporating the coat into the design more properly a la the more "abstract" brews, but after a few fell flat, we sort of... just started throwing spaghetti at the wall, so to speak, and spaghetti stuck. The body patterns here are, for the most part, entirely made up. Maybe the patterns distorted, maybe they didn't - we don't know what's under the coat and we will likely never learn. It's probably fine.

Our primary inspiration here is eastern dragons, particularly the mythos of the koi who climbed the waterfall - the colors and patterns of Mal's design reminded us of koi patterns on first glance, and after a few drafts, we started running with the concept, using both Mal's wings and the shape of the lab coat for "fins". Runaway To The Stars's Bug Ferrets also provided some inspiration (particularly in the face - if you click the link, those mandibles might start looking very familiar).

We also took some amount of inspiration from theveryworstthing's REMwolf series, particularly Laika and The Morriss Dragon, though a lot of the particularly body-horror-y and sillhouette-breaking effects we might have wanted to include in a more detailed piece got nixed by a lack of time. We cannot take the duration of the entire tournament to draw one Round 1 contestant, unfortunately. Even if we wish we could've gotten a bit more detailed, and we very much would've liked to tinker with working in some design elements akin to Sea Legs or Guard Dog or Biology Lab, we're very nearly a full month overdue by now. We have other contestants to paint, and so we must move on.

...fuck, this took a while. Thank you for being patient with us while our brain's scaffolding falls to pieces! We dearly appreciate it. Hope you have an excellent summer!

[meraki-yao]

RWRB Cut Scene: Texas Campfire Scene

Partly in honour of today being the anniversary of Alex's speech, here's a ramble about another deleted scene: the Campfire scene

This promo still of the scene is the cover picture of the movie on prime

In the final cut of the movie, namely the released version that we got, we get the campfire scene as part of a montage in the speech, but unlike running through the V&A as the sun rises or the forest kiss, I don't think this scene was originally shot as a montage, but as a full scene that got cut for some reason

Henry's Instagram account posted a photo of him from that scene, and he credited Nora as the photographer, so I'm guessing Nora was in this scene. This also suggests that this is an ensemble scene, which might be part of the reason it was cut, but also means it would have been a longer scene, I'm guessing 2.5-4 minutes. (which, AHHHHHHHHHHHHHH) also Henry posted this the same time Alex posted a photos from the karaoke bar, so I think that counts as confirmation that the campfire is part of the Texas holiday

We don't actually have any context about this scene other than it's most likely part of the Texas holiday: Is this the equivalent scene of the gang in the books chilling when June plays the guitar and Henry and Alex make out (P256-257 of the original print, where "Alex is so in love that he can die" came from, and Holy fuck does Taylor bring that single line to life)? Are they having a barbecue? Or is this just a campfire? We don't actually know at all

Date wise I'm curious: the final release of the movie almost made it seem like it was literally two days: day 1: arrival -> volleyball -> hammock reading -> night at the bar ; day 2: conversation with dad -> Lake -> Henry runs away. Given the campfire is also a night scene, I think this means there's an extra day in the holiday sequence

I can't find the GIF for the montage used in this scene in the speech, but God I love that moment. It's almost like the reverse of the Paris pillow talk: this time Henry's talking about something he's passionate about, and Alex listens

Actually on that note, I wonder if that's the reason it was cut: maybe they tried out two different scenarios of Alex's "God I love him" epiphany, one here and one during the karaoke, and decided that the karaoke worked better for whatever reason. Just a guess, but either way I do really, really want to see this scene

I wonder what Henry/Nick is saying in the scene. He looks so happy talking about whatever it is. If I'm right about this being a full scene, then it's most likely scripted lines, but I could be wrong, which in that case, there's also the possibility of that being Nick ad-libbing in character or ... just Nick, which... is a whole other kind of ... wow. Either way, I really want to hear what he's saying

I swear sometimes I wanna grab Henry by the shoulders and shake him because HOW DID YOU NOT REALIZE HE LOVES YOU TOO??? Oh my God, Taylor's fucking performance, the man is drinking in every sight and sound of Henry like a man lost in a desert. He looks like he's two seconds away from proposing on the spot. I look at how Alex looks at Henry and I want to cry from the sheer amount of love there is in his eyes. What the fuck.

Although I'm confident that we're getting more content including deleted scenes in the future, even just from a studio profit perspective, I'm not confident in them releasing everything we want, and so here I am once again screaming for another deleted scene and a DVD with everything