#my idea and edits
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bigfrozenfan · 9 months ago
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10-year-old mystery finally solved
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One of the biggest riddles of Disney Frozen is how the choir gets up to the gallery. Nowhere in the movie is an entrance to the gallery or an access of any kind to be seen. All we see during Elsa's coronation scene is a completely open construction of the chapel, but there are twelve singers above the altar. How do they get there? Many fans have wondered how this is possible for ten years of Frozen's existence and everyone has puzzled over it. Even in books and comics, not a single clue is given and, stupidly, nowhere can you see the back of the chapel, i.e. from the west. Not even in Mindcraft designs is this side more clearly visible, which proves that the fans have no idea. However, there is Disney concept art and two, almost identical books about Arendelle Castle. The latter is clearly intended for children, but even there you can see the beginnings of a solution to the problem.
I myself was at a loss until yesterday, when I suddenly realised something while downloading screenshots and concept art. And tada!, suddenly everything was completely simple and logical. I could hardly believe it. You're probably asking yourselves now, "So how does that work? I don't believe anything without proof!" No problem. Let's go!
But first I'd like to show you my initial approach - until it turned out to be rubbish and couldn't work at all because of the open construction, no matter how you twist and turn it. Maybe you've already got there yourself.
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Then I looked at the concept art of the chapel from the outside and the floor plan. Suddenly everything was clear to me and it made perfect sense. The only thing that didn't quite fit is the illustration in the book "All Around Arendelle" and the almost identical book "A Frozen World". There, the lower windows of the chapel are not shown, which can be seen in the concept art and round off the picture - also to the original model, St Olaf Church! But hey, it's a children's book and, in my opinion, the only incorrect depiction of the actual situation.
Here is the final proof:
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Some side thoughts:
it makes no sense whatsoever to see a ladder or stairs in the church. It also makes no sense for something like this to be brought in from outside before every service.
a permanently installed staircase, but invisible to churchgoers, makes much more sense. But it must be easily accessible for the choir singers who a) want to rehearse independently of church services and b) do not enter the chapel at the same time as churchgoers. They arrive in their everyday clothes perhaps half an hour early and only need to put on their robes, which are c) always ready for them in a locked room behind the altar.
The entrance is well hidden behind the altar screen, and it is very likely that this door is even wallpapered in the style of the immediate surroundings, so it can withstand a casual glance from a curious person. In the room behind it, there is either a ladder to the gallery or - more likely - a permanently installed, narrow staircase leading to a hatch in the gallery. The singers' robes are always hanging ready for changing and the hatch at the top is there so that none of the singers accidentally tumble down the steps when closed. The stained glass windows around the small room also let in enough light for the singers to get changed in daylight without being seen, to talk face to face before the service and to get into the right mood with the coloured light from this type of window. There is another good reason for having a room separate from the church. The pastor or bishop can prepare there in peace, store things for the sermon and talk to the choristers undisturbed. I'm sure there are other reasons for such a room that I just can't think of right now, but you can certainly think of them yourselves.
This is how it would look like if the tapestry wall wouldn't be there:
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PS: the only thing I haven't been able to solve yet is how to get up into the bell tower. There is a staircase that leads nowhere and no rope to ring the bell. Very strange… But on the real model, St Olaf's Church in Norway, you can see a ladder leading up to the bell tower.
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Credits to: Art of Animation for the concept art images, and to GETTY images, David Nikel (for Forbes), Visitnorway.com for the images of St. Olaf Church in Balestrand, Norway.
Here are a few more pictures of St Olaf's Church in Balestrand, Norway, for those of you who are interested:
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UPDATE 04/2024:
I stumbled upon a screencap from Frozen Fever where you can clearly see the rear left side of the chapel. And there are windows to be seen! I would say: because it's not only a part of the concept art but is seen in the Frozen Fever short too, my theory is confirmed now.
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isjasz · 1 month ago
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[Ready for a new game?]
day 11 definitelynottober - heart in your fist & week 1 weeklyhermittober - beginnings
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IM SO READY LETSGO SO EXCITED FOR THE NEW LIFE SERIES💥💥💥💥💥💥
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kirk · 5 months ago
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expectation vs. reality
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lemongogo · 2 months ago
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life of regret
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hinamie · 7 months ago
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I'll rip in hands and teeth and take a bite
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iero · 2 months ago
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THE BREAKFAST CLUB (1985)
+ IMDb trivia | in/sp.
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kaptainandy · 8 months ago
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herbert west playing yugioh if you even care 🙄
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crispyliza · 8 months ago
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I've got you all figured out fanartists
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thornshadowwolf · 1 year ago
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In complete seriousness, they need to make laws about ads that say they can take no more than one, maybe two, clicks/taps to close/skip. No more "wait 10 seconds until you can skip the video, wait 10 seconds until you can skip the fake playable ad, wait 5 seconds until you can close the 'download now' overlay, puts up a half-screen in-app appstore pop-up (which at least you can close immediately)." This should literally be illegal to do.
Edit: this is blowing up so I just wanted to add (haha ad) that this was my "reasonable request" I also think there should be way more and way stricter laws around all advertising in general. I think most advertising as we know it today should be abolished.
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druid-for-hire · 11 months ago
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[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]
a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury
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magicicephoenix · 2 months ago
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dca brainrot came back 👍
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sunlit-mess · 6 months ago
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Ba’t ‘di mo masagot lahat ng tinatanong?
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infernal-lamb · 6 months ago
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The Lamb Slaying Death Incarnate
(Part of a larger comic....but I sort of like this panel a lot on its own!)
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mischievouslittlecreature · 4 months ago
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Do you love me? You imbecile.
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hayden-christensen · 3 months ago
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Death doesn't discriminate Between the sinners And the saints It takes and it takes and it takes
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violetwolfraven · 1 year ago
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The funniest thing in the world to me is when people write mermaids that are bothered by humans eating fish. Like do you think fish don’t eat each other? The ocean is full of little freaks that will eat whatever or whoever the fuck will fit in their mouths. If the mermaids haven’t been eating fish this whole time what do you think they’ve been eating? If the answer is humans, that doesn’t make it any less funny. They’ll eat the species that looks like the top half of them but won’t eat a species that looks like the bottom half? Peak comedy.
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