#my house husband

[reedrchards]

my favourite javier peña outfits: laredo plaid

[leggo-my-aego]

ok now that the reality is setting in,

is this bitch toji in the bg of the rika and misato panel???

gege's gay ass couldnt handle not drawing this man anymore and wrote him in gojos death dream

[crispyliza]

I've got you all figured out fanartists

[mortallydarktragedy]

Happy Halloween from mother house babes

[alysrivers-xo]

YES he traumatised everyone tonight. but he served cunt while doing it.

[ssshiversss]

More “Way of the House Husband” references

Ref below cut

It just works too well!!!

[ravencromwell]

Rereading Dickens Christmas Carol for the first time in a long time. And the more I reread, the more it strikes me how seamlessly a queer reading could slip within these pages. Not an especially twee reading, wherein all Scrooge's troubles start and end with grief over Jacob Marley's death. For we know that Scrooge was a "Tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!" And we know that he and Marley were "two kindred spirits"

And perhaps that very fact makes the similarities to queer life, unintended as they most likely were by Mr. Dickens, achingly poignant to me. Scrooge is, we're told, "secret and self-contained and solitary as an oyster." How much that resonates, for so many of us who shield our innermost selves but from a select group of friends. And we know that Scrooge and Marley were, at the very least, certainly that for one another. Scrooge is Marley's sole mourner; his sole executor and beneficiary; and even Dickens notes, "friend." How reminiscent is that of queer couples across history, estranged from their families?

Scrooge lives in a set of chambers that once belonged to Marley—clearly Dickens wanted us to believe Scrooge gave up his own dwellings after Marley's death to economize. But with only a flicker of change, those chambers become _their chambers, rented by Marley as the senior member of the couple. The place is so desolate Dickens notes "one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again." The perfect abode for two queer misers who wanted no one prying into their business.

Marley's name is still above the door of Scrooge's counting-house: a mark by which, no doubt, Dickens meant to convey Scrooge such a penny-pincher he couldn't bother to have it changed. But a thing can be both! mark of frugality to ludicrous excess and! mark of mourning. "sometimes," Dickens opines, "People new to the

business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him."

This is why "death of the author" matters so much, in expanding our interpretations of texts. It is vastly far from the lens Dickens would have intended. But, the idea of a ghost of queerness, so taboo in the society it could barely be glanced at sidewise in this tale that is all about the inexplicable and yet that lingers over everything becomes an astonishing lens through which to read this book. Thinking of Scrooge as a queer man, his "melancholy dinner at his usual melancholy tavern" becomes a eerie prefiguring of the hollowness of days spent by Isherwood's A Single Man. In this universe, little wonder Scrooge doubly hates mention of time with family, marriage, etc. when the precise nature of his grief is both unacknowledged and unacknowledgable.

And readings like this are vital, because the uncomfortable truth is, discrimination doesn't "discriminate between sinners and saints", to borrow a Miranda phrase. It is easy, in my liberal circles, to fight for queer people who hold "the good sorts of politics". But what about men like Michael Hess, culpable for supporting Reagan even as his contemptuous homophobia let the aids epidemic run rampant? How much harder is it to remember Michael had a partner? That he deserves empathy and compassion for being practically tarred and feathered out of the party upon his own aids diagnosis?

Expanding our imaginative universes to include queerness, not as redemptive panacea, but merely as one aspect of identity, personality, often in vicious conflict with others. Even! as we consider those stories equally worthy of being told feels vital if we're ever to truly express the complexity of what queer humanity looks like.

[pesky--dust]

I came here to be alone, Alana. If you wouldn't mind.

Will looking for comfort in Hannibal's kitchen: Coquilles vs Aperitivo

[lazycranberrydoodles]

english translation book 5 baby we are in the ‘people assuming kid form hua cheng is xie lian’s son’ era 🔥🔥🔥 / follow for more hualian silliness

[alchemistc]

She's not ...entirely sure this is a good idea.

Even as she raises her hand to knock she's second guessing herself.

The thing is - the thing is there aren't a lot of people in her life who don't take one look at her and make assumptions. She's petite, she's blonde, her face is eerily symmetrical.

When people see her, they think they know her.

Cap is great. The sort of man she wishes she'd known more of, growing up. The kind of man who stood in front of the entire crew and doled out cleaning duties and cooking duties to his men and didn't blink an eye handing her inventory, but pulled aside a guy six years into the job to inform him that if he made a snide comment about having to do Mona's job again he'd be looking for a new station. Respectfully.

The kind of man who let his crew cut loose and created a kind of family behind those bay doors, but didn't take their shit when they got out of hand

The kind of man who looked at her and just saw another firefighter.

Cap is great.

It's just...

Well, the guys don't go to Cap for advice, and she knows once upon a time that kind of hurt his feelings, but this feels like one of those things his husband is better equipped to handle.

("It's because he's older, right?" Cap had asked once, failing miserably at holding in a pout while the team around him demolished the roast he'd obviously spent hours prepping the night before.

Fred had still had half a loaf of bread in his mouth when he explained that talking to their boss about their sex lives just felt like an HR nightmare.

"So you go to my boyfriend instead?")

Mona's still considering turning heel and leaving the way she came when she hears whistling around the side of the house, and before she can make a break for it, Cap's husband is rounding the corner of the porch, winding his hands in a grease rag, and he's catching sight of her, raising a brow, slowing his steps.

He must see the panicked look in her eye.

"I can turn back around and pretend you were never here," he murmurs, the slightest hint of a smile on his face, and Mona feels every ounce of flight just seep from her bones.

Yeah. Okay. She gets why the guys all think he's the one to go to when they've royally fucked something up.

There's an ease to him, a gentleness that she knows for a fact was hard fought.

"No, I..."

The brow ticks up a little more.

"I just found a new sour Evan won't touch with a ten foot pole, if you're gonna be here a minute," Tommy says, and any resistance left vanishes. Mona's been to enough of Cap's barbecues to know his husband always has the best beer in the county.

"Yeah, okay."

Tommy crosses the length of the porch and glances glumly at his greasy hands. "You mind grabbing the door? Evan throws a fit every time I leave fingerprints behind."

She's interrupting his day, she realizes. He's a weird sort of semi-retired - flies for the county sometimes during wildfire season, flips classic cars from their huge ass garage around the side of the house, spends a month teaching courses to new pilots every year out of state and it's always the crankiest they ever get to see Cap. People charter his chopper, sometimes, although lately it seems like he only keeps the thing around so he can take Cap up to watch spectacular sunsets because they're the most sickeningly perfect couple she's ever met.

Mona grabs the door. Shuffles in ahead of him when he shows no signs of moving, and makes her way down the hall to the kitchen because she's been here enough times by now not to feel as weird about how welcoming they both were right away.

He uses his rag to pull open the sink cabinet and grab the heavy duty soap from underneath to wash his hands.

The scent rolls over her in waves, throwing her back about fifteen years to her parents tiny little apartment over the shop, her father's rough and callused hands soaking under shitty water pressure, the grease under his fingernails he could never quite scrape clean.

Tommy tips a chin at the fridge. "Grab me one, too? Bottle openers on the side."

There's an ease to the way he says it, like this is a normal occurrence, like Mona's ever stepped foot across the threshold for anything that wasn't a station-wide get together. She supposes for him it probably is. At least a few of the guys act like he's their dad, wandering into the house without even bothering to knock, gathering around him when he shows up at the station like lost little puppies.

He's used to it.

He hums his thank you when she sets one of the bottles on the island beside him, and Mona glances around to distract herself while he's drying his hands.

A couple dozen pictures of Cap and Tommy, in various stages of their lives.

The fridge is plastered with pictures. A couple she recognizes as Cap's sister and brother-in-law, two adorable kids at their knees. A guy standing next to a kid wearing a cap and gown and leaning on two crutches. An older man she's lovingly heard Cap refer to as basically his dad - the reason they eat better at work than anyone has the right to. A couple she'd seen at the wedding, standing with a kid she remembers Cap staring at like he was seeing a ghost. There's so many people that she doesn't know, but - there's the station pictures too. Candids of the boys when they were living in the Captain's house, back when Cap first got here, when she'd still been a year and a half from graduating high school and didn't have a fucking clue what she wanted to do with her life. The Christmas that Fred had cursed them with the q-word and Tommy had spent the day in the station kitchen putting together a meal they'd all stuck around to eat after shift despite the exhaustion seeping into their bones, all of A shift crammed together around a tiny wobbly table to squeeze into the picture.

She gets stuck on the picture of the two of them in hard hats, building what she's pretty sure is the wrap around porch she's snuck a few cigarettes on when the house gets a little overwhelming. There's something about the way they're looking at each other that makes her want to cry, a little.

Fuck.

Damnit.

Tommy leans over to tap the picture with a grin. "We had a blowout fight the night before our buddy took this picture," he says, the deep grooves of his smile stretched wide across his face. "I'd left my job and sold my house six months earlier to chase him across the country and he was convinced if he didn't find a way to turn every half-thought-out desire of mine into a reality that I was gonna vanish in the night. He bought the lumber without telling me and I came home to him and his best friend ripping out the stairs to the front door."

Mona's instantly drawn in.

He makes them sound like a train wreck.

If she's got the math right, that was her senior year. She remembers seeing them around town and thinking they were annoyingly sweet. She remembers her mom baking Tommy a casserole for the excuse of getting all the gossip about the Captain's mysterious paramour so she had the upper hand at her book club that weekend.

Tommy taps another. The two of them under a pergola, the expressions on their faces so disgustingly smitten Mona remembers wanting to blow a raspberry in the middle of the ceremony. She'd been so convinced she'd never let herself be so fucking dependent on another person for her happiness.

"He kept it a secret that he'd invited my father to the wedding until the night before. I spent most of my night with a punching bag instead of Evan." He points out another photo from the wedding. "The photographer tried to murder me when she saw my knuckles. Evan could barely fit the ring over my finger."

"Who snitched?" Mona asks, narrowing her eyes, and Tommy grins, huffs a laugh. He gestures vaguely at her face.

"You've got the look," he tells her, which doesn't really explain a whole lot. "And none of Evan's crew ever makes their first visit anything but love life issues."

"It could be something else," Mona argues, gesturing with her beer, and one of his brows ticks up. "It's not, but it could be."

"You want something to eat? Evan's been experimenting with cakes again, and the red velvet white chocolate escaped the discards."

"Is my so called look that bad?"

He grins. "Mostly I'm looking for an excuse for cake before noon."

Christ, he's good at this. It's actually a little eerie, how quickly he's set her at ease. It's been over a year and the guys still call her prickly when they think she can't hear them, but she never calls them out on it because they're not wrong. It takes her forever to warm up to people.

"Is that how this usually works? You butter us up with Cap's food and get us to spill our guts?"

He's already digging plates from a cabinet next to the stove. She can't see his expression, but she can picture the grin on his face. "Usually they raid my fridge and put their feet up on my coffee table before I've fully registered that they're here. It's sort of a novelty to get to act like a host in my own home."

That checks out, if she's being honest. They're all a bunch of rabid animals who've been emboldened by Cap's open door policy and his infectious smile and his incredibly hot and talented husband. She's never quite sure if the guys want to be him or screw him - not that Tommy's ever looked twice at anyone who wasn't Cap.

"I think I'm broken," Mona admits, the words coming out in a rush, her eyes on the dutch oven tucked under one of the wide kitchen windows.

Tommy slides a slice of fucking delicious looking cake her way and takes a swig of his beer. Waits.

Mona reaches for the fork and spills her guts.

---

"Oh, hey Mo," Cap says, stumbling his way over the threshold, eyes lighting on his husband and his expression going gooey.

Tommy broke into the rack of Banquet's an hour ago and Mona's pretty sure she's one with the couch. It's a good couch. When she'd told Tommy so twenty minutes ago there'd been a gleam in his eye she didn't understand.

She's still a little too buzzed to worry about the fact that she's oozing into the cushions and emotionally wrecked. She hasn't cried in front of another human being in at least six years. Tommy's probably a wizard, or something.

"Everything good?" Cap asks, and she knows that they've got a sort of agreement - unless Tommy thinks something is gonna affect the work, whatever Tommy talks about with them doesn't reach Cap's ears.

"Men," Mona huffs, and Cap pauses, shoots another look into the living room.

"Yeah. Men."

"No Cap. Men," she repeats, and he nods, a corner of his mouth quirking up.

"Oh. Men," he enunciates, and Mona feels the scowl on her face grow wider when the two of them share a sappy look. It's super fucking inconvenient to be surrounded by the proof of true fucking love when she's trying to convince herself she's already too jaded to find it. "If you wanna stay for dinner I can tell you the story of the time Tommy tried to leave me because he thought he could make my decisions for me."

Even Tommy's scowl is sappy as hell. It's gross. Shes having a hard time convincing herself it's not the best thing she's ever seen.

She tips her neck against the back of the couch to glance up at him. "Who snitched?"

Cap's laugh filters through the room, and right across from her, where the whole world and Mona can see, Tommy's expression goes warm and vulnerable, like the sound has soothed a few decades of wounds. "Word of advice? Never leave Harry with a secret and a crowded room."

[grubbin22]

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[p4nishers]

crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever

hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE

[homoquartz]

(it's blurry but if you click it's better quality)

i wanted to draw some favorite ships! and also say that if you like any of these shows, you WILL find something to love about dead boy detectives ❤️

(they're in the middle)

give it a watch and rec it to friends! netflix cancelled it and i think it would be very funny to see it chart again.

🩷❤️🧡💛💚🩵💙💜

(ko-fi)

[paulic]

August 66 was insane. Look at them

[mortallydarktragedy]

This picture is the whole show

[variousqueerthings]

the doctor being a part of the noble family has the energy of an addams family cousin -- imagines rose being in a school play and the doctor fixing up some gizmo to open up a tiny gap to some part of the universe where stars shine particularly brightly for midsummer night's dream, and accidentally almost levels the school by misjudging how close they are to this one very dense planet (people in the audience confusedly waving at aliens who are just as confusedly waving their tentacles back from a thousand years in the future a million light years away. everybody afterwards talks about the great special effects, but they're not sure what it has to do with the story)

people trying to figure out who this "the doctor" person is and why he's living with the nobles, and always trying to catch out that there's something going on, but the doctor's answers to all their inquiries are so lowkey bonkers as to bamboozle any further attempts (so where are you from again? oh just this place, well, I say place, planet, well, I say planet I don't actually know these days, but somewhere certainly... is Ipswich a place? how do you know mrs noble again? we travelled together for a bit, and then, well you know how it is when you get hit with a face full of radiation, ey *snort-laughs at his own joke* and what's your name again? doctor, the "the" is a pronoun, it can get confusing I know, but people on this planet choose their names all the time, you'll catch up)

just this house gremlin in a setup that nobody from the outside understands, toddling about, showing up at every event that rose has going for her, wearing little pride pins that might be partially for himself as well as for rose (gay??? one of those trans ones????), always seems to be talking about strange places that nobody has heard of but doesn't want to admit to, occasionally goes eerily still and unnerving around people who are cruel and mean, knows a lot about history, but peppers it with facts that can't possibly be true, gets on very well with shaun who always answers questions with "the doctor's part of the family, youknow?" they do not know, but at this point it's too rude to keep asking