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#my dear Sin
fanartka · 8 months
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midnight-vixn · 1 year
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Imagine meeting your favorite demon brother, getting to know him, developing a massive crush on them and the two of you eventually start talking/dating.
When you first met him your impression was “this dude fucks” but the more you talk to him you start to wonder “wait…has…has he ever actually fucked???” The way he blushes and gives this nervous laugh when you make inappropriate jokes and how he seems so much more shy and innocent than you ever pictured a demon being makes you start to think he really is a virgin.
Then eventually a conversation one day reveals that no, he is not a virgin actually, but he’s so fucking intimidated by your beauty, personality and sheer aura that you make him feel like a virgin. Constantly second guessing himself and not knowing how to handle such an amazing creature. If he thinks too long about how this little human has absolutely broken him, brought him to his knees and made him want to worship them??? He becomes an absolute blushing mess.
The thought of just holding your hand and kissing you makes him uncontrollably horny, and the thought of actually getting to fuck you sends him over the edge every single time.
Congratulations! You may not have felt like the most stunning person in the human realm, but down here you’ve managed to take a demon fuck boy and turn him into a puddle who dreams nightly of you, all without lifting a finger.
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bnnywngs · 4 days
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i feel like, actually, i know that wei wuxian is definitely the more serious parent between him and lan wangji - not as in personality, but in the way they treat their kids' needs (like studies, personal belongings, etc)
the last word deciding anything to do with their kids is wei wuxian's, he's the one everyone looks when they ask for something because as much as a fake teary eyes works wonders with lan wangji, it doesn't matter because if wei wuxian says no then it's a no
a-yuan: dad, can i go out with my friends this weekend?
lwj: ye- *looks at wwx calmly drinking his gourmet coffee* yes, you can
jingyi: dad, can i have this famous luxury brand's shoes?
lwj: *taking off his phone to buy it* *looks at wwx who's looking at him very seriously over his custom mug* ...no, you can't
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ebiebii · 3 months
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explosive autism
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noughticalcrossings · 5 months
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Lieutenant George Hodgson
Tell me what you eat and I will tell you what you are
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respectthepetty · 1 year
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All I need in this life of sin is Dangerous Romance, Naughty Babe, and Kiseki: Dear to Me. This is my holy trinity now!
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And when Shadow shows up on Gay Christmas finally delivering Catholic gays . . . . ooh wee! *bites knuckles*
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This is heaven.
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sawturns · 2 years
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Watching the world cup looking like this huh
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benevolenterrancy · 1 year
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Not all SUV features function as intended... "Intentionally Drove Into The Ocean" is going to be a hard one to claim insurance for
(from "The Sin Eaters" audio)
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daezedglownut · 5 months
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Mini crack fic for @l1zardl1ps bc I’m (still) drunk and she gave me this prompt 💀
“Kirk finds a weird lemon. I’m not sure how it’s weird. Maybe it has an EYE. Brings it to Spock. Tells him he’s found a botanical anomaly lol”
“Mister Spock, take a look at this, would you?” Jim quavers, his hand outstretched.
The Vulcan’s eyebrow arches; having now fallen victim to more alien pollen bursts than he has fingers and toes, the man has no intention of leaning in this time to inspect this foreign anomaly.
“It is… a lemon, Captain,” he states flatly.
“Yeah, but it’s got an eye… that’s… weird, right?”
“Perhaps,” Spock nods, craning his neck whilst still keeping his distance. The eye is now looking at him. “Have you attempted communication?”
“Spock, it’s a lemon—”
“I am well aware, Captain. However we must assume it is possession of some level of intelligence - albeit primitive…”
“Spock, there’s no mouth - how could it even communicate,” he then laughs, “by blinking in morse code?!”
Spock continues to stare at the Captain, utterly serious.
“Well, you blink at the lemon all you want, Mister Spock.” Jim palms it off on his First Officer, watching the man hold it as casually as he can at arms length - while blinking. “You’re… you’re really doing it,” he marvels as the lemon begins (seemingly) to rapidly answer.
“It would appear your theory regarding morse code was correct, Captain.”
Jim continues to stand there, dumbly. “Well?” he finally says.
“Well?” Spock echoes, an eyebrow raised.
“Well, what are the two of you saying..?”
“Captain, your tone would suggest that you are currently feeling somewhat aggrieved. Am I right to assume it has something to do with the lemon—?”
“OF COURSE IT HAS SOMETHING TO DO WITH THE DAMN LEMON— I mean… whatever gave you that impression, Mister Spock..?”
“Captain, are you jealous of, what I can only assume is, a parasitic entity growing within this lemon?”
Jim pouts.
“Captain..?” Spock presses, eyes glinting.
“Well, would it kill you to hold me tenderly once in a while—?!”
“—Captain, less than forty minutes ago we engaged in sweaty, animalistic intercourse followed by—what was the human term again—? Ah yes, snuggling. I also recited to you a Vulcan poem - as ancient as it was amorous. All the while in a state of pre-marital sin—”
Jim smiles dreamily.
“—yet you find yourself jealous of the lemon.”
Jim’s smile cracks before he’s pouting again.
“Jim, would you like me to dispose of the lemon—?”
“Spock, I’ll suck you off right now, I don’t care how you do it - just get rid of the damn lemon!”
“What in the..?” a stunned McCoy half a mile away is then rubbing the back of his head - and looking around himself, perplexed at the distinct lack of lemon trees.
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phoenixkaptain · 2 years
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There is something so comforting about characters who choose not to be evil.
Like, Luke Skywalker stands on the precipice of not coming back, almost let’s his rage and fear overtake him, and you can see him realize that. You can see the moment where he makes the conscious decision to take the hard way out of this. You can see him choose to stop, choose to control his own impulses, and choose to show mercy on a being that has not showed or been shown mercy in a very long time.
Or Cissie King-Jones in the Young Justice run. Her school was attacked, the woman who got Cissie out of her horrible living situation was murdered, and Cissie was inadvertently shown the tape that the murderer made of killing her, where he made her beg to live but shot her anyway. Cissie is rightfully pissed. Cissie hunts down the shooter. Cissie makes him beg for his life, makes him fear that she’s going to kill him. And, Superboy comes in to remind her that she doesn’t want to be a killer, but it’s Cissie herself who stops. It’s Cissie herself who realizes that she doesn’t want to be in this position, that she’s scared and feels alone and vulnerable and she doesn’t know what to do. Cissie pulls herself out of the situation, she decides that she can’t kill someone who isn’t worth going to prison for. She makes that choice, even though it’s the most difficult choice she’s made.
Peter Parker’s violent thoughts are often portrayed as a joke, especially early on, but Peter is always holding himself back. He is constantly making the choice not to hurt people. He is always conscious of his super strength and how easily he could hurt someone or kill someone with it. He is always aware of his own potential to cause pain. But he chooses not to. He chooses to keep his touch light, even when he could make the excuse he was distracted. He is always making that choice, he always makes the choice to be a better person, he always tries so damn hard to be a halfway decent person, even on days he wishes he could be awful and selfish and cruel.
There’s just something about characters who have walked that line. Characters who stopped themselves and thought “I don’t want to do this.” Characters who are scared and who worry that their capacity for evil alone makes them less good. Characters who decide that it doesn’t matter, because they’re going to try to be a better person whether the universe allows it or not.
I don’t know. I just love those characters who had to go through Hell to be what they eventually become. Characters who are broken down and build themselves back up even stronger. Characters who put the reins on their impulses and decide that they’re in control, not their instincts and not anybody who might desire to control them.
There’s something immensely comforting that some of the most powerful characters in media are not made any less powerful or any less heroic because of things they cannot control, like their thoughts. They can only control how they respond to those thoughts. That’s what separates them from villains, that’s what makes them so powerful, they don’t choose the easy way out of things. Their willpower is stronger than steel. And it’s nice.
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hawkzeyes · 9 months
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I’m so calm right now 🙃
Green Arrow #10 (2023-) cover art by Sean Izaakse
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chasecarver · 9 months
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saw a text post and immediately thought of abel so
twitter ver
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biomic · 3 months
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@eclipse-song replied to your post:
you can't keep being so correct about every show all the time
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you n me
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bruceawaynefrfr · 4 months
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me if making a banger good omens playlist was a crime
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koiguitars · 2 months
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it deeply agonizes me that the speak now elements of the manuscript are never discussed in favor of the atw of it all..... like i just. "in the age of him she wished she was 30 and made coffee every morning in a french press" vs "someday when we're older, this is something we'll laugh about over coffee every morning while you're watching the news," "now and then she rereads the manuscript of the entire torrid affair" vs "i used to think one day i'd tell the story of us," "afterwards she only ate kids cereal and couldn't sleep unless it was in her mother's bed" vs never grow up exploring the idea of moving out for the first time & how she couldn't be sleeping in her mother's bed if she was already moved out (also robin being the last song before the manuscript already creating this mental connection)..... please im insane
#album: the tortured poets department#album: speak now#the manuscript#multi song#red strings#textposts#speak now/ttpd sister analysis#also ideas of ''give you my heart'' vs the half of my heart JM collab#and ''slow dance alight with the sparks'' vs JM's slow dancing in a burning room#but tho i think they're Relevant i kinda don't like making stuff about the Men™ of it all#cause the point of the story is that it's an analysis on personal trauma and an exploration of the reason all the behaviors on ttpd happen#but like. so much of ttpd is paralleled in speak now like that album is Thee catalyst for everything#also atw10 being written during speak now tour rehearsals inherently makes atw speak now coded too so like. you cannot escape speak now#she haunts the narrative#but the manuscript makes me insane every time i think about it#you go through the whole main album and think things like#''hmm bdilh has real ours energy. i can fix him has real superman delulu energy. tsmwel has real dear john energy''#down bad is haunted and mbobhft is innocent and fresh out the slammer is sparks fly and ttpd is mine and guilty as sin is i can see you#and then you get to the end of it all and you realize that there was a Point to those parallels#that there was a Point to wcs and the midnights 3am trilogy/storyline#that speak now's story and themes are the catalyst for literally e verything#both in terms of an emotional sense and also a work ethic sense#the idea that speak now was fully self written as a means of proving naysayers wrong#and that mentality goes hand in hand with the denial and desperation to prove others wrong about this romantic relationship#and there's success in one path but not in the other and it's so difficult to reconcile with that (the prophecy)#god its all too much these tags don't even scratch the surface#i desperately need to just write this whole essay or i'll go insane with all these thoughts
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I present: a fun parallel!
One of the first real defining Chenford moments is Lucy convincing Tim to not compromise his morals by tampering with the coke for Isabel in 1x07.
The moments that made him choose to end his relationship with Lucy are all about him compromising those morals by tampering with things (reports, evidence, the truth by lying like crazy…). Add in both scenes taking place by their parked cars where Lucy is waiting to see what choice he’ll make, knowing he’s in an impossible situation.
S6!Lucy, girlfriend!Lucy seems to have no issue letting go of (what Tim considers) poor choices/his compromised integrity. She’s eager to help him rebuild after he lies to IA. But I think he knows that S1!Lucy, the rookie who was idealistic and pushed him to be better at the risk of him cutting her from the program for interfering, would have told him to do the right and moral thing, regardless of the cost. (Which he seems to believe would be telling the truth and losing his job. Whether S1!Lucy would agree with that is up for debate.) Tim can’t be with S6!Lucy now, can’t enjoy being her boyfriend, can’t talk of building a life with her, because he believes S1!Lucy would be disappointed in his choices. And Lucy deserves a boyfriend who makes all those iterations of her proud and Tim believes he can’t be that.
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