#my art style has such RANGE. like what is this

[nevros-fr]

Nevros is back again with FR Archive crawling, this time Festivals!

The current dom scene looks like this:

Raffle that accepts dragons for tickets and reduced treasure/gem payout compared to exalting.

Public buy that accepts dragons only for payout and usually more than what you would get when exalting.

Badges given out for participation/sending dragons.

Exchange fodder for art

Lots of booth games and activities to participate in.

I had a few big questions that I wanted to answer about when did each of these events get established. When did each of these events start to show up? The disclaimer is that I only looked at festival push weeks to preserve my sanity. Massive shout out to Daenaryen for maintaining the festival thread masterlist!

If you have specific non festival weeks that had those events that predated the dates I found, feel free to share it!

Well it was pretty early into FR. The first festival was informal, there was a celebratory thread but no formal booths and events. July 2013 rolled around very quickly and kickstarted the festival week tradition we have had for the past twelve years. You would not believe it but randomized gacha critters were a thing from the very first event 2013. I really thought it was a later addition but maybe it’s just a return to our roots. 

The next month, we had our first raffle, banners, and plot line going with Fire in 2013. Festivals at this time were mainly participation based. If you play games at the booths, you get tickets for the main raffle. No dragon donations at all!

Shadow changed the trend in February 2014 where it accepted dragons for tickets and payouts. This was also the dark ages where you kept track of every single dragon ID.

Next in March 2015, we have the first public buy from Wind!

Light’s festival in June 2016 had the first fodder for art thread. They also offered daily participation badges for sending dragons to the raffle. Previous art threads were free, “your character here style” commissions, and not more than 2 users running the booth.

Finally, I have a feeling that this kicked off the Light/Plague rivalry but I don’t have proof but Plague rocked up to festival pushes with a whopping 22 events when previous years had a range of 3-6 events. Mad lads plague!

That is my brief look! I may or may not be working on going through each of the festival weeks to look at what events each one has. Do we have more or less booth variety? In any case, stay tuned :0c

[gillionspookstrider]

DAY 24 - PC

irl stuff has been keeping me pretty busy but here's a chibo i drew up in between cues

[image ID: stylized drawings of Chip from Just Roll With It. to the left is a drawing of his pre-ep 87 design. he's looking to the side, and seems annoyed. to the right is Chip in his post-ep 87 design. he seems happy. at the top is his hand and sleeve, showing off his black and gold pinky prosthetic. above that is op's username, gillionspookstrider. around the drawings are gold hearts, a coin, and Chip's axe earring. end ID]

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[fantasticalleigh]

we talk a fair game about hating AI on here but there's that one extremely obvious AI made reylo fanart that keeps floating around from time to time and a lot of people have fallen for it and reblogged it and the person behind the account makes a ton of other AI art using disney characters and i try not to get annoyed about it because at first glance it's kind of convincing if you don't know what to look for but i think as a whole we need to get better about recognizing AI art if we're saying we're not going to support it. idk. t

[ghoul--doodle]

I desperately need to get better at designing clothes for my characters

[kotori-mochi]

Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD, Android and PC)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[chokingonchairs]

Tutorial on how to edit graphics! (Or improve your edits! + tips!) Part 1..

Well firstly, if you’re entirely new to editing or a beginner. Then editing can seem very confusing and tricky, especially the intense psd, cluttered kind of edits, mine are also very cluttered but I think the best way to go as far as being a beginner is to figure out what style you want to do.. minimalistic? Cluttered? Eye strain? Gif/animated? I personally don’t do very many animated graphics and I also don’t do eye strain, so.. you’re on your own for that but it’s important to know what ur GOAL is. You need to know the basics of editing before doing anything else.

The editing apps I recommend are photopea and ibisPaint X, both are free. I really don’t recommend any paid apps other than ibispaint.. yes there’s ibispaint x then ibispaint. (The paid version has everything in it and is a one-time purchase, and has the same mechanics as the free version. If you are editing on pc or laptop, there is a version of ibispaint on desktop but you are only able to use it for 1 hour, if you are most comfortable with ibispaint then you can just delete it and re-download it. But if you don’t want to do that (you can use photopea!) I don’t use photopea so this will be a tutorial using only ibispaint! I can probably find a moot of mine that uses it LOL

So as far as resources go.. they’re everywhere.. I know @/lavendergalactic, @/llocket and @bydollita have a lot of good resources. (I didn’t fully mention the other two because well.. they’re not my moots so I felt awkward LOL) I can probably post some of my most used ones on a separate side blog like I did with my last account so.. also tell me if ur interested in that.

But for the basics of your resources: you want the character or person. An image then a transparent cut-out of them, a frame and/or pfp/image mask to use, and some decorative PNGs like bows, curtains, hearts, whatever you’d like. I can link some good resource rentries too!

Once you have all of that: find a reference/inspo, if you are taking HEAVY inspiration off of someone from tumblr or whatever, PLEASE check if they are okay with it, message or send them an ask in their inbox if it’s okay.. or they might have it somewhere on their pinned post if they allow it.

And now.. the question ur probably asking.. how do I do all of that?!

I had quickly made this. You can see the main components. The character cut-out, the inner image behind the frame, the decor, and the silly texts and textures behind the graphic to make it pop.

If you want ur graphics to be this cohesive there’s a few things to note. You need to know colours look best together, what style of editing looks best with certain art styles, and characters.

If you’re wondering “why does this character look so out of place?” Or just finding yourself in a rut with certain characters, you need to examine the character, like you can’t make a goth style graphic with a happy and cheery character like emu otori (depending on the card you choose) or like paimon from Genshin impact.. like that’s just gonna look SILLY. So take note of what this character looks like and what their original colour palette is. Are they a happy person? Are they emo and depressed? What colours do you usually see this person in?

Having range in your editing style will help you a lot, so branch out and edit different characters, and use different colours, and aesthetics!

Now for colours, you need to understand colour theory which quite frankly.. I am not about to teach out so probably at the end of this post I will have some videos linked for you to look at and watch that just overall will help you understand better how to edit that includes a video about colour theory!

If you are an editor and find yourself not being able to edit a certain style or can’t fulfill someone’s request for a certain aesthetic.. don’t be afraid to decline because a lot of the times you’ll have people who know nothing about what looks good with ur editing style or what aesthetics fit certain characters so it’s okay to decline stupid people… (/j.. they’re not stupid but ykw I mean..)

Using the stroke filter on ibispaint or photopea, aswell as the glow filter on ibispaint make ur edits look VERY good! (I use it on everything because it gives everything a little bit of separation yk? So you can see the different layers to the graphic!

Using textures over top of your graphics make it look very visually appealing aswell!

So as I mentioned I will link some videos, and I will also link some posts for good textures, and then add some photos for downloadable fonts to use on ibispaint (if you don’t know how to download fonts on ibispaint I can make a tutorial too! If you are also confused on how to use ibispaint they have a built-in tutorial, and it’s also best to learn as you go, look at all of the filters, the effects, the built-in images/materials)

Please for the love of god.. DONT over-do it with ur overlays and psds, unless that’s the style you like, don’t do it.. me personally.. I don’t like it but if you like it then go right ahead but over-usage of overlays and colourings make it look kinda bad 😭 and kind of confusing to look at, please make sure you can see the different components of your graphics and what is what.. if it’s too confusing to look at, chances are you’re less likely to have people like it or enjoy it. And don’t over-do it with fonts either… people need to be able to see whatever ur trying to say.. I wear glasses and people who over-do stupid fonts piss me off.. I literally block them, so keep that in mind aswell 🫶🏻

Photopea tutorial How to use a pfp/icon mask Colour theory If you needed a visual for how to make graphics here you go Some textures and overlays How to make a rentry How to use borders on rentries How to make blinkies

Some tags for reach: @frilliette @blinkndgone @hellhoundsdoth0wl @smilepilled @nomkiwi

[bunni-v1]

your relationship hcs with smc is so cute im gonna microwave him but alas brainrot is what afflicts me instead

imagining how the spire of all knowledge/deceit when u get into a relationship with shadow milk gradually changes to fit some of your tastes—one corner of the spire are purely things you like. paintbrushes because you like painting? say no more! have an art room, too! oh, you like plants? well, look no further! there's a suspiciously large space in the spire that has blooms of your favorite flowers for MILES. you're a sleepyhead? no worries, you can stay in this gigantic plush bed! (of course, it is naturally close to the jester, as always.)

he's so down bad for his little doll to the point even the atmosphere changes. the rumor-weavers and painters all are hyperaware of when their lord's most treasured partner grace any of the halls purely because the usual suffocating and lifeless halls seem more vibrant, as if welcoming the one who accompanies their master so dearly. it's like even the spire itself can't lie to YOU, because every aspect of it bends to your will. what was the saying again? like owner, like pet (spire)?

i imagine if reader was in ep 8 and truthless recluse accidentally comes across them he's definitely confused because the spire's eyes literally just glare at him and when he points it out and you turn to look it just looks like a flower path to you because you wanted to head to one of the many rooms the spire constructed

continuing on: it's also good to note that whenever you are around, the residents of the spire swear they see the normally eerie eyes look almost happy, and, wait.... are they forming heart shapes? and everyone knows how obvious it is, because those eyes are exactly like the eyes of the beast of deceit. again, love brings the mighty to their knees.

that's all! i hope u don't mind me lurking here from now on, i really love ur writing style and how you can get the jester to be so accurate to the point i got out of my writing slump to dish out this amalgamation of words 😭🙏

-🃏 anon

No because he's so down bad and EVERYONE knows it. He's just... nicer when you're around yk? The air is less suffocating, the walls are brighter, and there's something gleeful about the spire.

I mean, it's literally an extension of him, so of course it changes around with how he feels. You don't usually get to see it when it's gloomy, because it changes the second you step into it (because Shadow Milk knows you're there long before you get inside.) You just think that's what it's like, and are very surprised when someone suggests it changes for you.

He's aware that it happens, of course, but equally, it's subconscious. He doesn't control when it happens, which makes him a little crazy. You've got quite the hold over him and you don't even know.

If you mention not liking something in the spire, he will change it immediately. Everything, everything! MUST be to your liking if he wishes to convince you to live here with him permanently! It's rather silly, and he makes a huge show of it each time. Adding unnecessary flair and effects to get you giggling -- the halls always seem to brighten at the sound of your laugh.

If you do move in, you get to see a lot more of the spire's range -- aka, more of Shadow Milk. The halls typically have that super happy lighthearted feel wherever you are, but Shadow Milk can't keep them from changing around all the time. Not when he can't control his own emotions 90% of the time.

When he gets jealous, you first get to see them change more negatively. The walls warp and become almost constrictive, particularly toward the cookie who's pissing him off. The atmosphere is heavier, and the eyes around the spire that usually seem so happy are glaring knives into the cookie's back.

When you walk away from the cookie and give those eyes attention, the halls return to their usual bright and happy luster. It's odd to see how they change and move around you, though. You can certainly play with this if you want to, it would be pretty easy to do considering how affected by you he is.

[kunikuyu]

"A reward for someone so good." Hashira Series!

Part 2, 3, 4, 5, 6

Uzui Tengen x Male! Reader

Warnings: MINORS DNI, NSFW, read as afab reader, Dom! Uzui x Sub! Reader, use of explicit words, worship kink, master kink, Tengen has an open relationship with his three wives, cockwarming, drunk sex.

Summary: Pillar training has begun, much to your delight. Of course, as a hard-working and strong person, you can handle any challenge. Even if it's fighting a hashira. And in a way, they all see some value in you, and want to reward you for it.

How did you end up like this? Thrown on top of Tengen, who now had his arms hugging your waist as he fucked you violently? Your brain had already melted and consumed with pleasure, you don't even remember what happened in the beginning.

From what you think you remember, it all started quite normally...

.....

"[Name]! It's been a long time since we've seen each other, my man. I see you've gotten tougher and flashy." You had just arrived at the area where Uzui's training was going to take place. You were even excited because the tallest man had already been your partner on some missions and you ended up creating a friendship. You knew that hashira's full capabilities, and you were eager to fight alongside him once again.

Turns out it was pretty fun, at least for you. Seeing Tengen active even after he lost his hand and one of his eyes is exciting, and you can learn even more from him. As for your training partners... They weren't doing very well.

While they were getting injured and trying to improve their physical resistance, you had already been released for the next training. But before that, Tengen told you to spend the night in his room. For what? You have no idea. Yet.

....

Tengen opens the bedroom door after hearing some almost silent knocks. He already knew you were arriving before he even knocked on the door, but he didn't want to seem anxious and already be at the door waiting for you. When he opens the bedroom door, you look kind of carefree and calm, looking at something not so important next to the door.

"Oh, hi Tengen-Sama!" You say to the man standing in front of you, greeting him with a smile on your face. He looked slightly nervous, which wasn't really his style. You chose not to talk about it, though.

He closes the door, and invites you to sit next to him. At no point did you see the tallest man's three wives, which made you curious. Before you can ask, he answers you. "Hinatsuru, Suma and Makio are in another room, they are already asleep." "Oh I see." You were going to say more, but you were stopped when Tengen took a huge bottle of alcohol and poured some into a glass, giving it to you right away.

You silently thanked him, and after he poured the liquid for him too, you drink together. Some conversations were exchanged and glasses were refilled several times, resulting in rosy faces and jokes you would never make if you were both sober. They ranged from phrases like "I like taller guys" to "I would have sex with you, no problem." And you didn't care about it anymore, the drink consumed you once and for all.

"I'm not kidding man, I'd fuck you right here and now." "Then why not do that? I wouldn't mind having you inside me."

.....

Ah yes, now you remember. It was just a stupid conversation, which turned into the most incredible fuck ever. Your sweaty face, your skin completely marked by bites and hickeys, all done by the same person. He seemed to like seeing you like this, and in a weird way, he saw it as the purest art. Your body was like a sculpture to be modeled, and he was a god destined to sculpt every detail that filled your skin.

"M-Master Tengen... I..." You wanted to say that this was the best experience possible, and that your body was being overwhelmed with so much pleasure. But nothing understandable comes out of your mouth. His cock was completely buried in your cunt, filling every space inside.

"... Your voice is so beautiful, thick for someone so delicate." He said, as his fingers roamed your body in search of something warm and wet. Once there, he couldn't help but massage the area, bringing you even closer to a climax. He didn't want to cum before you did.

You had already finished in Uzui's hands, but he wasn't finished yet. A few deep thrusts were made before you felt Tengen's cum invade your body. At this point, you didn't even care if you ended up pregnant, only the pleasure was important. ((spoiler, you didn't end up pregnant))

....

You had been clinging together all night, Tengen's cock still inside you. He didn't want to take his dick out of you, because he thought your insides were too warm.

"Man, we need to drink together more often."

"For sure."

Bonus lines!

"Man, what a headache. Are you sure there was only sake in that one?"

"... I have no idea."

[theshunbun]

You are an amazing and incredible artist!

I saw something on redit that said you were getting hate and it made me sad cause wtf?!? who the hell thinks they can tell you what to draw? draw whatever the hell you want to draw, youre the artist, youre the one creating this. Why do people who cant understand how art is created think they can tell people how to be creative? I find it infinitely perplexing.

Yeah, Reddit definitely chased me off for drawing pinups. People love to box me in as just a "p*rn artist," like I don’t have range or artistic vision beyond that. But my message has never changed, I've always tried to keep it tasteful, and I’ve never crossed that line. Just because I enjoy drawing curvy, confident characters doesn’t mean I’m making something explicit. Idk, I have seen real hentai artists and maybe I feel singled out?

end of the day, I’m here to create, inspire, and help. I really love seeing people improve, explore their own styles, and feel more confident in themselves & work ;w; Thank you so much for understanding me ♥💕❤

[dognonsense]

Question...how do you make your patches? They seem so fuckin cool. I'm working on a vest and a jacket atm, and I'd like for them to be done by the time a pride fest rolls around next month.

Main technique I use for making patches nowadays is linocut. Its best suited for mass production of patches.

Make sure to remember your carving the mirror image so you have to flip all the text. Using tracing paper to flip the design is a good trick, as well as leaving graphite marks on side, then pressing that to the lino to leave the marks in the same spot. Another trick with pencil is to view what ur carving in negative space quickly, put a paper over your design and shade over it with pencil, darker marks will be where you haven't carved yet.

I use speedball fabric ink, it takes 1 week to set then will be fine to be washed. I have magenta, violet, turqouise, and white. They have a limited range of fabric colors at the store. I have seen gold and silver fabric paint for sale and I will investigate it one day.

I use a speedball roller, i find the smaller one to be better than the big one as I can be more precise and waste less ink.

I got a fancy handle for $40 but the screws fallen out so its broken now so just get some heavy books. I used to use a mug. Whats important is pushing your whole body weight into it.

I got a speedball carving tool with different heads I can swap out so I can cut into the lino at different deepness and widths. The heads are stored inside the tool since its hollow and has a screwable removable bottom. I use linocut or dollar store erasers for my carvings. Make sure to wash the ink off your linocuts after your done using them.

A thing to increase the lifespan of you're linocuts is to use wood glue, some cork or wood pieces, and glued the lino stamps onto them. I dont do that yet so my stamps fall appart from overuse sometime and because I cut way too deep into the lino since I hate chatter.

Chatter is the term for in linocutting when theres little messy lines and stuff. It makes the art more recognisably to be linocut. My work is very clean with no chatter which is why people don't notice its linocut usually. This is a stylistic choice, with diy styles having a lot of chatter can look really cool so experiment with leaving bits of extra uncarvered lino sticking out in ur stamp. I need to experiment and buy some more lino.

You can also use multiple linocut stamps together to make a patch. Some patches ive made have like 8 different stamps. Ive made a dog nonsense patch where each letter was their own eraser stamp. You can also use different colors between the different lino stamps on the same patch to add more color. An effect I like to do is first stamp it in color, then the next day I stamp it in white over the same spot but shifted to the right and down slightly. It makes the text have a cool border 3D effect I love doing.

If making a more detailed picture with colors, i reccomend hand painting patches. I use white fabric paint mixed with acrylics for color to get all the shades i need. Acrylic paint mixed with fabric softener works too.

If doing words and you dont want a unique font reccomend using letter stamps. If you want a unique font for that i recommend hand paint for individual or linocut for mass produce.

The positive of letter stamps is the font is neat and can be done quickly. I know from lending them to my roommate that they are very helpful if you have dyslexia and have trouble getting letters right.

A visual effect of the letter stamps is that have a nice boxy edge effect, its an imperfection that adds a personally touch to it. I have both lower and upper case stamps that I got from michaels. You can use a hair band or elastic to hold a bunch of letter stamps together to make a word stamp.

You can use other stamps than letters that you find at craft stores for example my racoon print is a craftstore stamp.

You can also find big plastic letter stencils at the dollar store that you can use to do lettering by filling in gaps with a sponge or or paintbrush. They make special paintbrushes just for using stencils.

You can also get plastic stencils in the shapes of things, i got some for children and use a horse stencil for my horse smoking weed patch. Easier than drawing a horse myself.

Another technique I use for more unique clean patches is gel plating. I haven't tried printing laserprint images with it as ive seen online a lot but I will try one day. What i personally do is use it to make imprints with chains and physical objects.

Another thing i use with gelplates are any stamps or linocuts that dont have words, or words ones that i fucked up with and forgot to mirror when carving. It flips mirror image twice with the gel plate so it goes back to being right again on the patch.

Another patch making technique is using foamboard cut into shapes glued onto cardboard. This is good for a quick test of a design and is very cheap to make. It will not hold under water so is more difficult to clean.

[opashoo]

Meet The Rook! My first Rain World OC, made for Art Fight. They're a lookout, guard, patrol, sentry, skirmisher, and a tired, chronic worrier, sure on their feet, but rarely certain of the circumstances. They are a close quarters combatant who sacrifices spear throwing skill for the ability to maul and strike in melee.

Text ID after the break.

Image: A yellow slugcat with black eyes and a scar on their tail. They stand in an intimidating posture with a spear that has a light blue ribbon tied near the tip. Text about them says "The Rook". Below that there are five circles, then a vertical line separate them from three more circles, and then the word "Carnivore".

Image: The slugcat standing in a fighting pose with a rock and a brick. A white ribbon is tied to their right wrist.

Plain text: The Rook is a close quarters combatant. They have fast movement speed, but average spear damage, and even a below average throwing skill. Instead, they have the ability to use what's in their hand as as a melee weapons, to strike with it when in close range. With bricks and spears, they can strike repeatedly faster than most at the cost of a weaker ranged game.

Image: The slugcat standing with a paw out, annoyed as a scavenger inspects them.

Plain text: The rook has an "active hand", which is the hand that is prioritized for their weapon and fighting style. They have a ribbon that they wear around their head or neck when their active hand is empty, allowing them to maul like Artificer. With a spear in their active hand, they tie it towards the tip. With a rock, they tie the ribbon around their wrist. The Rook can switch weapons by switching hands.

Image: The slugcat is angry and has the scavenger, now panicked, in a headlock.

Plain text: The Rook is a tired, chronic worrier, sure on their feet, but rarely certain of the circumstances. They are a colony slugcat who acts as a guard, senty, lookout, skirmisher, and more. They have a good reputation with Scavengers as an extension of their colony's good relations. The scar on their tail is from an early training accident.

End ID.

[sharkylass]

ALRIGHT IN STARS AND TIME FANDOM, I'M BOUT TO HIT YOU WITH MY TAKE ON THE BELOVED SISTER!!

Those who don't want to get spoiled about little details about Bonnie's sister (or the game at all for that matter- There's spoilers for Act 3 and 4 in here so YOU'VE BEEN WARNED)

SAY HELLO TO PETRONILLE!! Or how I am going to call her, Nil. I've seen a few people do their take on her, and I wanted to join in!

@insertdisc5 I am sorry in advance if you have a vision for her, especially if it is WILDLY different to mine-

KEEP IN MIND, I AM GOING TO BE RANTING A LOT, IVE HAD THIS IN THE MAKING FOR A WHILE, THERE'S MORE ART, SO SKIP AHEAD IF YOU'D LIKE

First thing's first! I tried to figure out what she would look like in the original style. I didn't want to overly detail her with my normal style, and I wanted her to somewhat fit in with the rest. Bonnie was clearly the strongest inspiration , she has their eyes, the black hair, white thing around their head to bring attention to her face- That's also why she has lip piercings! To bring more attention to her face (and due to Bonnie's earring type, I assumed piercings can exist in the world)

Her ear has 3 earrings, that was not intentional, I just thought it was cool. I like to think they perceive those as "regular" earrings, and even if a person wears bonding earrings, they can also wear more normal earrings.

I just had the image of her not really having a short range weapon, so maybe it's time for someone with a semi-long range weapon to join the team! In my head Nil seemed to be the type to like getting dirty with her hands, so a rope seemed fitting somehow.

Also- She is paper type! I liked the idea of her looking like such a rock type, but being paper. I considered making her dual type, but since those are rare, I didn't want to get ahead of myself. Admittedly, that does make the party a little overloaded with paper types, so if she was to be in a game with balancing, I'd probably change her to rock or something. BUT AS A CHARACTER THING- she remains paper.

(EDIT: I was just reminded of the huge hammer she broke a wall with, so that is ABSOLUTELY a valid replacement weapon for her. If she was rock type that would be her weapon for sure. Altho it IS funny to imagine she broke the wall and swore off heavy weapons for life. I like to think thats what happened with my take on Nil)

Mechanically I think she wouldn't be too dissimular to Isabeau, but instead of boosting the party, she debuffs the enemy. Particularly slowing them down, and lowing defense. Alternatively, I can see her being a second healer of sorts, but while Mira is good at healing everyone, Nil is good at healing a single person and giving them a boost (just things she learned to take care of Bon). I do see her attack not being that high tho, probably lower then Mira.

ALRIGHT, TIME FOR MORE ART

Her dynamics with everyone:

Bonnie:

I like to think Bonnie got their spunky attitude from somewhere. So I like to think Nil is very playful with them, even if she is looking out for them. Bonnie clearly knows the difference between lighthearted serious, and SERIOUS serious. They also seem to revel in compliments, so I like to imagine they are used to receiving them from their sister!

Nil is the most serious around Bonnie tho. As their sole caretaker, she's trying her best to keep them out of trouble while teaching them and letting them grow at a normal pace.

However, when she's with the adults- I described it like- Around Bonnie she can be serious and a voice of reason. When she's with adults tho she herself becomes the Bonnie, so to speak. She's loud and a bit hot-headed.

Mirabelle:

I swear I saw Insertdisc mention that Mira and Nil would have a bit of a rivalry going on AND I'M SO HERE FOR IT-

The two of them are those siblings that fight constantly, but the moment someone else gives either of them shit, the other will go for the jugular. They mainly try to compete for Bon's affection and who's the better sister, and they get a bit... blindsighted. Nil usually doesn't go out of her way to spoil Bonnie I don't think, I think she tries to be reasonable with them where she can. However with Mira in the picture it becomes- a little hard... Nil doesn't like the thought that she's being replaced

However, if either of them needs it, the other will be there. Nil provides Mira with a strong shoulder to lean on, and Mira provides an emotional yet reasonable approach to the situation bothering Nil.

Odile:

I like to think at first Nil didn't really get along with Odile. Supposedly Nil has a bad relationship with her parents, so I imagine her seeing someone who's a parent aged adult who holds seemingly more authority- It would... Unnerve her for a little while.

Odile will probably give her something to do, and Nil would refuse, because who is Odile to be ordering her around?? You know. Like a child. But with time they get used to the dynamic, Nil grows to respect Odile at the very least, and Odile picks up on the fact Nil seems to respond positively to positive reinforcement from her.

Having someone close, to break that pre build idea in Nil's head with positivity, despite Odile being strict and struggling to show affection- It would do her a lot of good, and Nil will eventually thank her, and apologize for being so rough to her in the beginning.

Isabeau:

Isa and Nil are actually very similar- I did not mean for it, but I hope they don't end up being TOO similar.

They are both loud, love to laugh and take care of those they love. Even their hobbies are a bit more similar then everyone else. Nil likes gardening, and taking care of things, and Isa likes to create clothes. Both of them are in a way creating something. Nil making sure what she's taking care of grows to be big and strong, and Isa is more literal-

Where they differ is in smarts partly. Isa is clearly very book smart. I think Nil would turn to him if she had a general question about something (and later on Odile once she gets used to her). She completely encourages him to show more of what he knows.

They also differ in their buffness slightly. While Isa is still the beefiest on the team, he did it with the intention, he trained. Meanwhile I think Nil just likes the field work so she's constantly outside doing heavy dirty work.

I like to think that after being unfrozen, Nil's clothes were roughed up and she didn't really think to or have the time to fix it. So I imagine Isa saw the roughed up state of her pants and gloves, and made her some himself, Which she treasures but GOD she is not used to receiving anything from anyone, LET ALONE gifts.

They also similarly hide their insecurities under bavado. Isa hides his smarts to be liked, and Nil hides her fears so she can be brave. I'll go more into detail when I get to Nil's own section. (I SWEAR I didn't mean for Isa's section to be so long I PROMISE-)

Siffrin:

These two don't do a lot of talking I'd imagine. While Nil is used to being loud, I think she'd get used to the silence around Sif and simply enjoy the quiet.

A lot of the ideas I had with those two were very touch focused. I assume Nil struggles with touch because of potential childhood related traumas, and not being warned sends her into a fight or flight. While Sif is deeply unused to it but craves it.

I still imagine Nil isn't an inherently NOT touchy person- I mean. Bon's the touchiest little guy out there. So maybe she knows how to warn people of when she's about to touch them, AND she is more used to asking for hugs and affection. So after she learns that Sif struggles asking and being startled, she became the person that would encourage them and tell them how to do it. In every single drawing where they're touching just know that either she warned them or they asked for that touch.

Also Nil is a very grounding reminder for Sif that he's not in the loops anymore. So if they get a particular scare, like they were woken up wrong, they had a rough sleep, smelled a banana, remembered the king- anything involving going back- Nil serves as a reminder that they're here, with everyone, in the present. No going back. So that, combined with their touch therapy, it results in him being particularly physically clingy with her. She squeezes their hand ocassionally. It's a grounding reminder.

Nil is also UNBELIEVABLY THANKFUL for Sif, once she learns about how they lost their eye. The fact Sif went out of their way to protect HER little sibling- It means the world to her, and she wouldn't wish it on Sif one bit. She probably holds guilt that she couldn't take the hit for both of them, Bonnie is her responsibility! They probably end up having a conversation similar to Sif telling Mira "Do you think she was wrong? To save you?" She doesn't know about the end of act 3

AAAAAND NIL HERSELF!

A lot of this is already information I mentioned. Her being a paper type, her liking bugs, being traumatized, startled by touch- But I drew these beforehand, so!

I imagine Nil ran away young, cause Bonnie doesn't remember her running from their parents. What happened in there, I do not know and I don't think I'm capable of imagining. It might not even be as dramatic as I illustrated it. But either way, she grew up being the sole caretaker of Bonnie. I'm sure Vaugardians were kind and that they didn't have to struggle too hard for food or a place, or to get Bonnie into a school- But Nil still wanted to learn how to be self sufficient, how to provide in case something happens. It might be why they live in Bambouche honestly, Nil learned how to grow plants and being close to the sea is good for catching a lot of fish! ...It was also at the edge of Vaugarde. Probably the edges where the King's curse reached slower.

She likes getting her hands dirty and working outside, so I imagine she's a bit sunburnt! If only on her shoulders and cheeks.

Growing up alone, self sufficient- She probably had to grow a bit fast (even if she indulges in childish things with Bonbon). She quickly started repressing all fears, all questions of her decision to run away. I imagine she's actually insecure in her abilities, how Bon deserves more capable people in their life, how she doesn't really know anything and how she literally got frozen and Bonnie had to fend for themselves- After Bon comes back, she's so filled with admiration and adoration for her little sibling. They really went to the ends of the earth and saved the world. What a brave little sibling she has.

The new family kind of... Feels like a threat to her title as sister at the start. All 5 of them saved a country. The people Bonnie met are strong, knowledgeable, been all over the world- She's glad they protect Bonnie. She just wishes she had something to offer. It takes her a little while to realize they are also there for her too.

I was ranting to a friend, and I am pretty sure we know Nil would like to travel after everything. Being able to explore her more child like fantasies, with the safety blanket that is the family- It means a lot to her. She gets to truly indulge in living and letting loose and depending on people for the first time in her life.

Afterwards tho... I like to imagine she would settle down. It takes a while, but she likes having a place to call her own. And so we talked about how she would probably have a ranch of some sort. I like to imagine she'd love having horses. A way for her to remain free spirited, while taking care of creatures and having the security of a place to rest at the end of the day. And if she chooses, she can go wherever she wants with those bad boys!

My friend mentioned they might have goats or sheep or chicken, and I'm all aboard for that too. I'm not settled on the idea of a farm life for her, but I like it.

Also if I dare pull a Dreaming One for a second- Bonnie and Sif are like little siblings to her, Mira is like a twin (or relatively same aged), Isa is like an older brother, and Odile the everlasting grandma.

ALRIGHT THAT TOOK A WHILE-

Sorry, I started drawing her for fun and just started BRAINROTTING about her out of nowhere.

I still have little doodle ideas but this was already getting so lengthy so I am going to leave it here, and maybe return another day.

I just deeply wanted to establish Nil as her own character who can fit within the group's dynamic and belong in the family. While she very much IS Bonnie's sister and that's such a big part of her, I wanted to expand her a little further.

If you took the time to read, THANK YOU. I HOPE YOU LIKE HER, AND THAT YOU HAVE A WONDERFUL REST OF YOUR DAY

P.S. IF YOU DRAW OR WRITE WITH HER I BEG YOU TO TAG ME

[the-moon-files]

so... my interpretation of guide!reader may be vastly different from others but with my vast assimilation of yours and others content, this is my variation of the one I like envisioning involving concepts such as yours (Humans are NOT Hylians and Guide!Reader) so this is my official start to the ramblings *DEEP INHALE*

when I read the post about reader losing their sord and just punching the monsters and it is working along with the other links being amazed

I imagine that because of the fact that hylian's are so light that they didn't put that much into the growth of physical arts

they can punch and kick fine but that's more so used for scraps agents one another, rather than in fights against monsters

hylian's don't have enough strength or weight to have it be worth it on the battlefield

its much more worth their time and energy to learn things like swordsmanship or artery, and be nimble

but guide dose have: the muscle, weight, durability and training necessary for such a strategy to be worth it

It would be more effective for the reader to use the Muay Thai and Taekwondo they worked so hard on instead of learning something new

_*looking respectfully

I can imagine that this levees them beater of physically than most (*cough* me *cough*)

leveeing them much more prepared

along with giving them a lot more... muscle...

Link's(-wind):... please crush me between your thighs

Guide!Reader: what?

Link's(-wind): what.

I know that it has been said that reader is shorter than time, but I personally like them slightly bigger than time

you know... forehead kissing rang

so it's only slightly less awkward to pick them up

I think their deep honey like voice could be compared to their slightly dark honey-colored eyes

someone like legend would appreciate how their eyes turn golden in the sun light, shining like no ring on his finger

Hyrule loves how they feel different from the cold sweetness of sugar water, instead they feel like rich honey and warm cinnamene

wild remembers them as there very first true companion and comfort

to wars, an immovable force, never leveeing their side

that's all I have fore now, but be warned...

I'll be back!

and I'm putting them in a dress (:<

AHH SORRY FOR LATE REPLY U HAVE NO IDEA HOW MUCH IVE BEEN HOGGING THIS TO MYSELF

Martial arts reader/Mc my beloved <333

U sent in ART TOO??!!!! 😭🙏

i love stuff like this sm ur style is so 😳💌💘💝💖💓💞💕❤️‍🔥🙈

The bit abt hylians not needing as much/making intricate martial arts/making their body be the weapon is so peak worldbuilding, if i had an official stamp to say smth is canon in my little HaNH AU (Humans are Not Hylians) i would stamp this 10x over

Acc u know what one sec

Since u made art, have some shitty meme art in return

LMAO its shitty but i hope u know it is the biggest support i can give you, like GOD the ART i keep coming back and Also. Looking Respectfully.

And this is the biggest thank you i could give for sharing this w/me!!

Ok spam headcanons?? Sorta

CONTENT WARNINGS: MILDLY SUGGESTIVE? CONTENT, 16+/18+ MATURER AUDIENCES RECOMMENDED.

COULD YOU IMAGINEEEEE

How the Hylians view Wrestling.

Like, your knuckles/elbows/knees (the parts where thers not as much fat to protect) start to bleed punching armored monsters/arms get tired and you just-

Wrap ur legs around a lynels neck and spin around their neck, using your body weight to drag and lay that bitch Out.

(This is a Real Martial Arts move Ive fucking seen a gif of hold on i NEED to find it- FUCK i cant find it but try youtube and see if yall can find it, its So Real i promise, it was on tumblr at one point)

Who's swooning? Not all 8 Links, nope-

Links, externally (+Wind genuinely): Hahaha, u can crush a watermelow open between ur thighs?? Omg thats so cool- !! 😃

Links, internally (-wind): omfTRIPLEGODDESSES- DID U SEE THAT?? IT WASNT JUST ME RIGHT??? SO WE ALL LOWKEY WANNA,, RIGHT??? 🙊😶🙈😳😳😳(Making eye contact w/each other and communicating this silently, everyone going super red/turning away/ears twitching)

Wind makes you do like another 4 watermelons bc its genuinely so impressive to him (does he think its hilarious to watch the others get all embarassed? Hell yeah- what else are little brothers supposed to do??)

Okay but OG asker/Snack Eater DID NOT emphasize how insane a Muay Thai fighter in HaNH AU would go???

If u dont know, Muay Thai is DEADLY-DEADLY kinda martial arts, like it has been considered assault with a deadly weapon before i think/been banned a lot of other fighting places outside its country of origin? I think its Thailand?

Anyway Thailand is fucking crazy for not having a higher rate of murders acredited to this martial art, bc guys, they use Elbows and Knees in their moves.

Like. That's banned/outright no moves created/or at least taught, a lot of the time in other martial arts from diff places.

Like that kills people. So easily. 😃

Like, the Chain already knows ur deadly, but when u reveal (having done the Honorable/Give Them A Fair Chance Thing) and not used Elbows or Knees yet, only to get into the harder enemies like boss fights and suddenly get real close (!!! What are you doing Guide Back Up-!!)

And whip out an elbow, crack the motherfucker straight in the head, and watch the thing immediately flatline right before their eyes??

Its like seeing a biblically accurate angel descend.

Like their in awe, but also scared? But its also like feeding into the awe?? Jaws have dropped.

U tell them that Elbows and Knees are even banned back home, and every single Link is like "Understandable. Obviously. But also, oh my goddess?? A move even the Humans banned?? Bc its so deadly???"

Wind: "..."

Wind: "...hey. Can you kill Gods? ...Can you kill Ganon?"

(The entire Chain goes silent in shock before exploding into Exsistential Crisis Mode, it takes Time/Wars like 5 minutes to recover from this information/experience enough to get up and calm everyone down lmao)

ALSO???

On a completely diff note-

Shorted Links, Taller Guide Reader my beloved?? <<<3333

Oh i def been leaning towards some Links are taller bc i think the imagery of you picking them up easily is funny (what can i say I live to embarass/try and fluster Time/Twi)

But you being taller?? Sign me tf up babe I have NOTHING against that, and am ALL for it????

Like u go thru a triangle portal/wake up from playing Loz and the Links are all shorter than you?? blessings rain down upon us like????

Twi/Time/Wars (who i headcanon as the tallest Links, in that order, along with Sky when he stops slouching lol)

And for Twilight to just be forehead kissing height?!

(He might've realized he's got a thing for lowkey feeling like worshipping ppl taller than him, bc other than the few humans who did live in Ordon, he was the tallest Hylian)

Time adores looking up at you, like u swear you saw his ears flapping a little

Wars is just,, 😀😳👉👈🥺 h-hey

Like flirting is infinitely harder when theyre a head taller than you, the poor Captain has found

(Yknow bc im personally 5"3, or abt 160cm, i think itd be even funnier if no matter what height you are, ur still taller than the tallest Hylians LMAO, Four our here actually being 3-4 ft tall like hobbits lol)

Omg (i know, i PROMISE, i KNOW) that its not canon at all, but i think itd be funny if the hylians most common hair color was blonde/most common eyecolor was blue/green,

And its rarer for ppl to have brown eyes/dark hair

Like the opposite of a lot of American beauty standards, ur seen at the Y/N, the main character for having darker features

(Lowkey inlcuding skin tone bc, and this is canon, have u seen the skin tone diversity historically for Loz games lmao 😅)

Ok im done sorry for rambling

Thanks again for this!!

___ TW: Hurricane Helene talk below ____

Fair Warning: I WILL NOT be tolerating any condescending/hateful or otherwise negative responses about the effects of Hurricane Helene.

People have died. Myself/my friends/my family/my coworkers have been affected. Be respectful.

You will be blocked/possibly reported for hate speech.

This was like Hurricane Katrina for us, because these areas were NOT prepared for hurricanes.

Those most affected are Mountain communities, we're supposed to have more mild weather, and the last time this happened according to older locals was decades ago, if then.

...

Hey!! If u read my tags of my last reblog, im doing better, we got back to town and realized our powers back on, and then the next day luckily our water was back on too

(its not drinkable but at least we can flush the toliet/shower 😭)

Luckily too by this point the water distribution/rescue crews are here,

DUDE. We were/are so fucked Biden came to look at us 😃

Im personally still on the lookout for missing ppl (my coworker has missing family in the town nearby and in telling my friend over there to spread the word)

And cellular service is back up, but they may jut be bc they brought in temporary towers/Tmobile is giving out free service for everyone too

Its slow going still, all these developments are taking days to achieve if u cant tell

And no pressure, esp if u dont have the spare money,

But if you could donate to help my city/the cities nearby who are still very isolated bc theyre smaller, along with helping our homeless people who no doubt are worse off, thatd mean to world to me/all of us!! <3

Here's some links for that, even if its just tip money/money for a coffee, anything helps!

https://pay.payitgov.com/ncdonations

https://crowdfund.charlotte.edu/project/44126

https://www.chabadasheville.org/templates/section_cdo/aid/6606696/jewish/Hurricane-Helene-Relief.htm

Thanks for reading, and blessed be those still in need of rescue, from human to animals, and to those who have passed.

May those you left behind find peace.

<3

Peact out,

🌙

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf