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gen z Telemachus
#fav character in epic the musical#hes so sweet#sunshine boy#epic the musical#epic the wisdom saga#epic the musical fanart#doodle#athena#antinous epic#antinous failed the vibe check#i had to go on a gen z slang term website for this lmao
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From Words to Music | Nini Uppuluri's Journey of Writing First Song
Welcome to "From Words to Music | Nini Uppuluri's Journey of Writing First Song"! Join me, Nini Uppuluri, on an extraordinary musical adventure where we delve into the captivating process of crafting your very first song.
#words to music#poetic lyrics#music journey#musical terms#music words#how to write songs#cover songs#young singer#new singer#teenager singer#new lyrics#new rhymes#new song lyrics#nini uppuluri#youtube streaming#young songwriter#nini uppuluri songs#nini uppuluri live stream#nini uppuluri covers#nini uppuluri cover songs#nini uppuluri's journey of writing first song#from words to music#writing new songs#nini uppuluri new songs#captivating melodies#Youtube
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From Words to Music | Nini Uppuluri's Journey of Writing First Song
Welcome to "From Words to Music | Nini Uppuluri's Journey of Writing
"! Join me, Nini Uppuluri, on an extraordinary musical adventure where we delve into the captivating process of crafting your very first song. I'll guide you through this YouTube channel, from turning your thoughts into poetic lyrics to transforming melodies that resonate with your soul. Experience the magic of songwriting as we explore techniques, share insights, and embrace the joy of creative expression. Get ready to unleash your inner songwriter and watch your musical dreams come to life. Subscribe now and embark on a transformative journey where words transform into captivating melodies. Let's write our first song together and make music that will touch hearts and inspire others!
#words to music#poetic lyrics#music journey#musical terms#music words#how to write songs#cover songs#young singer#new singer#teenager singer#new lyrics#new rhymes#new song lyrics#nini uppuluri#youtube streaming#young songwriter#nini uppuluri songs#nini uppuluri live stream#nini uppuluri covers#nini uppuluri cover songs#nini uppuluri's journey of writing first song#from words to music#writing new songs#nini uppuluri new songs#captivating melodies#Youtube
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humanity just before they progressed into the bronze age:
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The musical episode.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#jin guangyao#nie mingjue#Remember jin guangyao: If you do any treachery you will face the wrath of five horses.#When are the horses going to come into play? You'll see.#s2.ep8 had beautiful music... I listened to it on loop while drawing!#Good music to chill out to before you fly into a rage.#This episode really cements how JGY's mind works - It is a matter of long-term outcomes at the sake of nearly everything else.#Morals do not matter to him if the outcome is more favourable.#and at the center of it all - he has learned that the only person he can truly trust is himself.#In turn - the only person his actions benefit are himself.#He will do anything and everything it takes to reach a position of power - not just for the power. But because it means safety.#Because it was something he was denied and the idea of not having control in his life again is unforgivable.#'Happiness' isn't a goal. We are looking at someone still stuck at the bottom of Maslow's hierarchy of needs.#Everything and everyone is a piece in a game. Bonds and friendships are assets. People are dispensable.#He wants to climb for the sake of climbing. He wants praise and recognition because he feels it is deserved. It's all so hollow.#We could go deeper into his psyche on this.#But these are also tags under a comic in which 'evil penis music' is the punchline.
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The love triangle in Wicked isn’t Fiyero choosing Elphaba or Glinda. It’s ELPHABA choosing Fiyero or Glinda
Elphaba’s decision to be selfish instead of selfless and going with Fiyero is a direct callback to Glinda’s selfish decision in Defying Gravity
Glinda chose to stay behind and get everything she’s wanted, putting herself over her friend
And then Elphaba does the same, choosing to be with Fiyero, putting herself over her friend.
#wicked#Wickedmovie#wicked musical#Elphaba#elphaba thropp#glinda#glinda the good witch#wicked elphaba#wicked glinda#gelphie#glinda x elphaba#Fiyero#fiyero tigelaar#fiyeraba#Elphaba is so morally gray in term of her social dynamics because she is horrible socially inept
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Maestro!
#i think while arthur is the composer#kayne is the conductor#of the show itself#coda prelude intermezzo#all musical terms !!!#arranging and rearranging arthur's piece to fit his vision#UGGGGGGH#my conductor tux kayne sketches got more attention than i was expecting#so here is a more rendered piece just for you all#kayne#kayne malevolent#malevolent#malevolent podcast#malevolent fanart#my art
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Hi I'm new here, has anyone made this joke yet
#please tell me no one has#listen. i dont know much about the odyssey or greek myth in general#but i have watched epic the musical to an unhealthy degree so. that counts right#im new to greek myth and this is probably my only contribution to this fandom#like every other fandom im in#this is my peace offering#the odyssey#odysseus#antinous#epic the musical#greek mythology#greek memes#greek myth memes#greek myth#thats. probably it in terms of tags#the fire burns#the fire crackles with joy
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professional chinese cosplay-wig makers displays her products (cr: AAAA专业理发彩妆师琦姐)
#china#video#douyin#xhs#dance#fun#someone asked op why she didn't dance with a wig on#others replied that holding it in your hand is much bigger movement#plus it's a buyer's order and no one else is allowed to wear it#cnetizens call professional women who have crafts skills for popular items in fandoms as “item+娘niang”#for eg 妆娘zhuangniang for makeup artists who do makeup for cosplayers or chinese hanfuers etc#簪娘zanniang for handmade hairpin maker#毛娘maoniang for handmade wig maker#It's a polite and and endearing term#music#loud warning
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A little wip (I keep listening her OST in loop)
#my art#genshin impact#genshinimpact#emilie genshin impact#this mic of.. hip hop lofi smooth jazz rnb idk I am not good w music term#but !!!! IT IS SO RELAXING TO HEAR#elegant smooth calm and kind of romantic
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Luo Binghe: Shizun was my first kiss. Was I also yours?
Shen Qingqiu: Ah, I actually kissed some girl many years ago, but it doesn't matter, I don't even remember what she looks like anymore
Luo Binghe, pouting: Well at least I'm the first guy you kissed...
Shen Qingqiu, blushing: Um...
Luo Binghe, no longer pouting 100% serious: Who
Shen Qingqiu, trying to act nonchalant: Who what-
Luo Binghe: Who dared to sully Shizun's lips with their own?!
#lbh goes out to pick fights with yqy and lqg#meanwhile sqq doesn't want to admit it was sqh#partially out of fear for sqh's life#but mostly out of embarrassment to admit he actually kissed the guy#in his defense they were very drunk#sqh sitting alone in his office: why do i hear boss music?#the reason why lbh isn't concerned about the girl is bc he's already come to terms with og!sqq's visits to brothels#shen qingqiu#shen yuan#luo binghe#bingqiu#mxtx#svsss#scum villain self saving system
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Dallas 'What is love but something they teach you so you hold still for the gun shot" Winston
Johnny "What is love? Where is it? Can I hold it? Can you hold me?" Cade
Soda "am I giving enough that you can love me now? if I let you hold my heart is it enough? Will you give it back?" Curtis
Steve "a boy laughed at you so I sunk my teeth into him, so I broke my knuckles on his jaw, so I tore out his throat. does that prove it? that I love you?" Randle
Two-Bit "i'll be anything you like. I'll make you laugh. i'll keep your eyes squeezed shut at the joke, can you love me then?" Mathews
Darry "it's not like them, it's never like them. it's not enough. no one ever taught me how to say it. i'm scared to. can you love me? when I don't know how to say it?" Curtis
Ponyboy "i love so much it hurts. it's a pretty poem. it's a sunset. It's not real enough. everyone I love leaves me. everyone I love dies. can I put this love down here? can you promise to stay?" Curtis
#AGH!#thinking my thoughts#i think about these mostly in terms of familial love#but they can be interpreted a thousand ways#i love these boys#n their complicated relationships with love#EUGH#sigh#the outsiders#ponyboy curtis#sodapop curtis#darry curtis#dallas winston#johnny cade#two bit mathews#steve randle#the outsiders 1983#the outsiders musical
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“talia was a codename for noel!”
“noel was catfishing mischa!”
don't care. CURSE OF RA 𓀀 𓀁 𓀂 𓀃 𓀄 𓀅 𓀆 𓀇 𓀈 𓀉 𓀊 𓀋 𓀌 𓀍 𓀎 𓀏 𓀐 𓀑 𓀒 𓀓 𓀔 𓀕 𓀖 𓀗 𓀘 𓀙 𓀚 𓀛 𓀜 𓀝 𓀞 𓀟 𓀠 𓀡 𓀢 𓀣 𓀤 𓀥 𓀦 𓀧 𓀨 𓀩 𓀪 𓀫 𓀬 𓀭 𓀮 𓀯 𓀰 𓀱 𓀲 𓀳 𓀴 𓀵 𓀶 𓀷 𓀸 𓀹 𓀺 𓀻 𓀼 𓀽 𓀾 𓀿 𓁀 𓁁 𓁂 𓁃 𓁄 𓁅 𓁆 𓁇 𓁈 𓁉 𓁊 𓁋 𓁌 𓁍 𓁎 𓁏 𓁐 𓁑 𓀄 𓀅 𓀆
#jamie rambles#ride the cyclone#rtc#noel rtc#noel gruber#mischa bachinski#mischa rtc#okay jokes aside i think it severely cheapens the impact of talia if all along she was just noel like it’s a gotcha moment#i think nischa and talia being real can coexist#i find the symbolism of mischa growing more comfortable being affectionate with noel towards the end of the musical symbolic of like#mischa coming to terms with the fact that he’ll never see talia again yk#also the catfish theory is just plain stupid like god forbid gay people are moral human beings
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the rest of the cast got their new song covers, so i wanted to try putting the others in a band :>
i did want to make it look a bit like an album cover but i have no idea how those are designed so eh?? i also couldn't think of any band or album/song names so. if anyone has any ideas...
#art#obey me#obey me raphael#jtta ik#obey me mephistopheles#obey me thirteen#from left to right they are: lead singer/rhythm guitar - drummer - lead guitar - bass#tbh any of them could've taken any role but bassist girl thirteen spoke to me and raph canonically sings well so that felt like it fit#i did consider ik as lead but she'd absolutely shred on the drums. she has so much pent-up rage to let out...#in context this is for a music festival diavolo's putting on but it'd be a fun au as well#i like to think thirteen is the overwhelming favourite of all the fangirls#also in terms of band name...#i was thinking something based on the fact that there's one of each species (human/demon/angel/reaper) but what word can i use for that#jo has suggested something involving the numbers 3 and 4 for 3 realms and 4 members#3.4HZ Harmony was the best we could come up but it feels like there should be a sorta other-world element to it#then again if it's an au then i guess they'd all be humans anyway#ah whatever#life and work related obligations have been growing so naturally i've been starting a bunch of creative endeavours to try to get away from#is this a long term good thing for future career prospects? probably not. but i'd rather be happy#the unknowables
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown
again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:
the next starkid musical to be released will not be in the hatchetfield universe.
the guy who didn’t like musicals will soon be ready to license.
nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).
if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃
there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.
ok so here are the transcriptions of the nmt3 episode descriptions:
Story #1: Bottle Imps
Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…
Story #2: Frankenruth
Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!
Story #3: Becky Barnes Climbed a Tree
Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.
Story #4: Devil’s Night
Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.
Story #5: (long special episode) Miss Holloween
It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.
Story #6: (long special episode / season finale) Orb Weaver
Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.
very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU
hatchetfield movie: Cast Party Massacre
The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!
#doing the lord (wiggly’s) work 🫡#I hope this isn’t dodgy in any way in terms of the livestream being pay-to-see#but I just wanted people to know and be able to talk about it#hatchetfield halloween party#workin boys#workin boys spoilers#hatchetfield#hatchetverse#hatchetfield universe#the guy who didn’t like musicals#tgwdlm#black friday musical#npmd#nerdy prudes must die#nightmare time#nmt#nightmare time 3#nmt3#lex foster#hannah foster#miss holloway#douglas keane#duke keane#holloduke#general john macnamara#zoey chambers#ruth fleming#richie lipschitz#bill woodward#charlotte sweetly
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