#music under New York program

[brandiisgoingtohell]

Episode 28: You Bred Raptors? NYC's Instrumental Post-Rock Trio

BRANDI IS GOING TO HELLEP. 28: Episode 28: You Bred Raptors? NYC’s Instrumental Post-Rock Trio LISTEN HERE EPISODE DESCRIPTION I kick off this episode with new releases that I dig, which includes Covet’s catharsis, Jesus Piece’s …So Unknown, As Everything Unfolds’s Ultraviolet, The St. Pierre Snake Invasion’s Galore, and Doom Genesis & The Alchemist’s No Idols. My special guest includes Peat…

[jmdbjk]

Mental gymnastics...

I am flipping out. That's all. Just my brain doing cartwheels and whatever those things are called where you flip between those high bars and let go for a breathless second and then grab onto reality again. Or this...

Too much Olympics these past few weeks I guess... anyway.

WARNING: POSSIBLE SPOILER ALERT! I may or may not mention scenes in detail and their outcomes during these long rambling messy posts beginning with the next sentence.

Before I get into it... kudos to the staff for keeping up with these two and for suffering many extremely anxious moments as Jimin and Jungkook drove themselves through NYC, as Jungkook and then both Jimin and Jungkook rode the motorcycle through traffic, and the few heart stopping moments when JK flipped his kayak over and then they took off down the river alone before staff caught up with them. Not to mention probably looking up the nearest ER/urgent care facility in case Jimin got too dehydrated from his bout with the stomach bug.

Seriously though, their lives and global headlines had to flash before their eyes when JK disappeared underwater under that kayak... so big applause for the staff/production crew for not shitting THEIR pants thirteen times too.

So here are some of my thoughts. I'll begin with the first episode...

Episode 1:

In the opening scene, I'm assuming this is Antoya Korean BBQ restaurant. They were talking about JK's sore throat and that he had to visit a medical facility. Jimin kept on about it. It seemed like JK's "stop babying me" attitude bubbled up a little bit. Let them be them. As you can see, JK adjusted Jimin's beanie so he could see his eyes. They were fine.

Pause and reflect: they didn't know what to expect with this idea of a travel show. The moment above happened on Thursday evening, July 13. Both of them were working. Jimin was still working on his concepts, photos, MV and whatnot, planning to finish everything for Muse in the coming months. Jungkook had a full schedule for promoting Seven which was dropping the next day. He had to get up early for Good Morning America concert in the park.

I'm stating all this for point of reference. Nothing is static. JK was in work mode: he had a performance the next day and also not feeling well himself. Jimin had been on a plane for 14 hours. Just keep these things in mind before jumping to conclusions.

In the next scene (the next day) back at the hotel after JK's done with his performance and when he's packing to go on this trip he's all in and ready to go. Hurry up Jimin!

Jimin asked him how the live performance went. As we know, the GMA live performance was mostly rained out. Before the storm came through, they quickly pre-recorded the performances before it would have been time for the live broadcast and then shut it down. Jungkook had to be driven quickly to the studio to be interviewed to fill the leftover time in the program that more of his live performance would have taken up.

Hearing Jungkook say "this isn't my first rodeo" was never going to be on any bingo card in my lifetime.

I don't know what he was scribbling on that iPad but it looked geometric. He was focused. Maybe it was something for the next week's performance, maybe it was a sketch for music show staging, trying to recreate that flower archway they saw at Antoya the night before? maybe he was doodling in Canva... we don't know.

Me either, Jimin... (this was the first of all the hilarious gems that begin to shower down on us).

They are both known to be perfectionists when it comes to their work. And we know they've also both performed when feeling less than 100% on that stage. Jungkook realized there were circumstances beyond his control and he took it in stride.

FYI, in New York City, they stayed at the Loews Regency on E. 61st Street in Manhattan. It is between Madison Ave. and Park Avenue and not far from Central Park. Swanky. The suite looks like the 2-bedroom "Park Avenue Suite" and runs $2100 a night... gasp. Yes, its the same suite where JK did his live after his rained upon GMA appearance. During this live he mentioned being poked with needles, IV's and shots in the butt as well as teasing us with what would become Are You Sure:

No, I don't think Jimin stayed in this suite with JK. Jimin's room had a smaller bathroom and a shower curtain instead of a glass shower door. Staff with camera woke him up.

To be that beautiful when rolling out of bed... anyway, I digress...

It truly was unplanned and spontaneous as if they were doing this with the idea of "let's try it and see if it can be viable." Even Jimin wasn't sure if any of this could be aired.

Once they got in the Jeep they started to find their groove. Being alone, just them, was what they needed. They could focus on what was ahead of them. The driving moments were some of the best for me.

We eventually learn that Jimin wasn't feeling well and I'm certain this is what Jungkook was telling Yoongi during that episode of Suchwita, along with the elbowing in the nose.

Seems like Jimin's stomach trouble started when they were at the first restaurant, the burger place. The bathroom visits continued at the brewery and into the evening at the campsite.

Jimin had some sort of stomach bug that kept him on the toilet a lot and he ran a little bit of a temp. I am sad that he wasn't feeling 100% when they were on the yacht the next day but he still seemed to enjoy it enough to find the humor in his situation. He was a real trooper.

It sure didn't stop him from eating. My man was very brave in that regard. Me... no way I'd be stuffing my face with a big greasy burger when at any moment I might need to make a run for the toilet.

They get back on the road and these are the moments that I wait for:

After arguing in satoori about who is the worst driver between them, they start shopping at Dick's.

And get recognized...

After shopping excursion at Dick's, they finally head to High Nine Brewery...

Jimin's first sample wasn't to his taste (again). His taste buds were probably a little off since he had the stomach thing going on... but JK's eyebrows say that his sample was pretty good.

They finally settle on a hard seltzer and a pale ale and relax for a little bit. Jungkook is still wondering what would make good subject matter to film. They are truly making it up as they go...

Jimin proceeds to explain and an interaction happens and I am not sure what to think about it:

I am going to end this post here because they are now on their way to the kayaks and that segment deserves its own post and I have too many screen shots of it to fit in this post.

[These are all my own opinions about what I am seeing and hearing them say and from what I am observing from the video. It's ok if your opinion is different from mine.]

[mariacallous]

The US Department of Justice has sued Ticketmaster and its parent company, Live Nation Entertainment, for abusing their alleged monopoly in the ticketing market to trample competitors.

Filed on Thursday in the Southern District of New York, the lawsuit focuses on Ticketmaster’s long-term exclusivity contracts with many of the largest music venues, making it the predominant ticketing service available to concertgoers. The firm secures these deals in part by “threatening and retaliating against venues that work with rivals,” the DOJ alleges.

In the complaint, the DOJ accuses Ticketmaster and Live Nation, which acts as a promoter for hundreds of high-profile artists, of exploiting their relationship to establish a “self-reinforcing flywheel” that blocks competitors from gaining a foothold. Live Nation parlays its exclusive promotion deals into exclusive ticketing deals with venues, the DOJ claims, which are left with no practical choice but to go with Ticketmaster, for fear of losing access to sought-after acts represented by its parent company. The DOJ is seeking to break up the joint organization.

“We allege that Live Nation relies on unlawful, anticompetitive conduct to exercise its monopolistic control over the live events industry in the United States at the cost of fans, artists, smaller promoters, and venue operators,” says attorney general Merrick Garland in a statement. “The result is that fans pay more in fees, artists have fewer opportunities to play concerts, smaller promoters get squeezed out, and venues have fewer real choices for ticketing services. It is time to break up Live Nation–Ticketmaster.”

In a lengthy statement provided to WIRED, Live Nation disputes the DOJ's allegation that it and Ticketmaster wield monopoly power. “The DOJ's lawsuit won't solve the issues fans care about relating to ticket prices, service fees, and access to in-demand shows,” the company says. “Calling Ticketmaster a monopoly may be a PR win for the DOJ in the short term, but it will lose in court because it ignores the basic economics of live entertainment, such as the fact that the bulk of service fees go to venues, and that competition has steadily eroded Ticketmaster’s market share and profit margin.”

The charges brought by the DOJ mirror allegations made previously against Ticketmaster in two ongoing private lawsuits.

In December 2022, Ticketmaster was sued by hundreds of Taylor Swift fans, who brought a case in response to a high-profile ticketing debacle that reportedly left them queuing for hours to pay for tickets that they had been assigned under an early access program, with many ultimately unable to claim their allocations. The incident led to a hearing by the Senate Judiciary Committee on consolidation in the ticketing industry and, reportedly, helped catalyze the investigation into Ticketmaster by the DOJ.

In their lawsuit, the Swift fans accused Ticketmaster of abusing its dominant position to impose “higher prices in the presale, sale, and resale market for concert tickets.” The company has “effectuated this anticompetitive scheme by forcing fans of musicians to use Ticketmaster exclusively to buy concert tickets,” the lawsuit alleged.

In the second case, a class action brought in 2022 on behalf of Ticketmaster customers in the US, Live Nation and Ticketmaster were accused of abusing the complementary relationship between their services to overcharge consumers and sustain their monopoly. “Live Nation controls the vast majority of the big national touring acts and, either explicitly or implicitly, coerces concert venues into selecting Ticketmaster as their ticketing service provider on pain of losing high-value acts,” claims Adam Wolfson, a partner at Quinn Emanuel, the law firm representing the plaintiffs.

This type of conduct, known as tying, was explicitly forbidden under the consent decree imposed upon Live Nation and Ticketmaster by the DOJ as a condition of their 2010 merger. “Our allegation is that they did it anyway,” says Wolfson. “Ticketmaster’s behavior is an open secret—everyone talks about it.”

In a corporate blog post published in March, Dan Wall, executive vice president of corporate and regulatory affairs at Live Nation, rejected allegations that Ticketmaster is driving up the price of tickets. The face value of a ticket is decided by the artist, he wrote, while the service charge—from which Ticketmaster draws its cut—is set by the venue.

In a call with reporters, a senior DOJ official described this line of defense as a “red herring” in the context of the alleged antitrust violations. “Our position is that removing the chokehold that Live Nation has at all levels of the ecosystem will be beneficial with respect to the way prices are set.”

A problem common to antitrust disputes, says Bradley Justus, an antitrust attorney at law firm Axinn, is the difficulty in distinguishing easily between practices that amount to anticompetitive behavior and those that might be considered sensible business strategy. The DOJ will argue that the exclusive deals entered into by Ticketmaster are categorically anticompetitive. “The antitrust question is: How extensive is the scope of those agreements? Are they truly so broad that another competitor couldn’t enter and scale?” says Justus.

The DOJ claims that the terms of the contracts mean that “venues cannot consider or choose rival ticketers or switch to better or more cost-effective ticketing technology.” The effect, it claims, is both to stifle competitors and minimize the pressure for Ticketmaster to improve its own product, to the detriment of concertgoers.

Although the DOJ has petitioned for Live Nation to be broken up, it has not outlined the specific structural changes it will go after, nor any injunctions it may try to impose with respect to the company’s exclusive contracts. “A breakup is absolutely on the table, but it’s important not to put the cart before the horse. In antitrust cases, any remedy has to be specifically tailored to the violation found,” a senior DOJ official told the press. “Based on the allegation that Live Nation and Ticketmaster have exerted control at every level of the ecosystem, aspects of the company need to be broken apart in order for competition to flourish in the live music industry.”

[glass--beach]

hi do you like ok computer (1997)

because i really just don't get it (especially as the second-best album of all time) but i reeeally want to & i respect your opinion on that a lot

yea that album kinda changed the course of my life lol. wall of text incoming

first - don’t let rym or aoty or whatever tell you what’s good and what isn’t, everybody’s got their own taste & criticisms that go against the grain are very important!! i will say anything that’s that consistently highly rated across different websites & publications is probably undeniably significant and worth listening to. whether listening feels like discovering a new favorite or sitting through a history lesson is where taste comes in. it’s important to interrogate the canon too as there is an enormous amount of implicit bias in what even gets in front of critics and in the metrics they grade music by. review aggregate sites have democratized this process a bit & all the good and bad of democracy has come with that lol.

so, the album gets praised for a couple of reasons - its innovative production, its commentary on the historical zeitgeist, and the pop appeal of much of the songwriting.

production - the album makes heavy use of cutting edge effects units, digital editing, computer trackers, sampling, and even features little bits of voice synthesis. most of it is stuff that had existed in music before radiohead, artists like aphex twin (and much of the rest of warp records’ 90s catalog) and bjork were ahead of the curve in a lot of the aesthetic aspects of okc and had influenced radiohead a lot, which is even more evident on their followup kid a. radiohead was not breaking new ground in using these sounds, but they were among the first to put it all in a rock context, taking cues from the weirder cuts on the beatles’ white album, the experimental “krautrock” band can, and miles davis’ classic jazz fusion album bitches brew.

context - radiohead had grown up during the decline of much of the social democratic programs that had helped to facilitate the education and performing careers of much of their early influences such as joy division and the smiths. by the time okc was being written they had lived through the austerity of the thatcher era, the fall of the soviet union, and now were watching the labour party turn increasingly neoliberal under tony blair. there was a general sentiment in the west that the progress of history had slowed or even stopped in favor of the neoliberal order. at the same time, tech was booming and computers were starting to find their way into more aspects of daily life. the album imagines a boring dystopia, where machines are rabidly advancing but humans are stuck in stasis. a major connecting theme is infrastructure - the airbag through which thom yorke is “born again,” the “cracks in the pavement,” the family politics that separate romeo and juliet in exit music, the mechanical voice of fitter happier giving contradictory directions for maintaining the status quo. even the escapist fantasy of no surprises comes in the form of carbon monoxide. and then, the record ends with the “ding” of an appliance that has completed its task.

songwriting - the band’s previous album the bends really is a pop masterpiece. i recommend it to anybody who wants to get into radiohead but doesn’t vibe with their later work. okc expands that compositional style through, for one thing, the more apparent influence of classical music on tracks like paranoid android or the Chopin homage exit music; let down even features polymetric layering characteristic of Steve Reich. it also features some songs that are too good to even need to push the envelope much, like karma police or one of my favorites, no surprises, which seems to reference the beach boys’ wouldn’t it be nice or the velvet underground’s sunday morning.

to be honest, i like okc mostly because it really spoke to me at a formative time in my life, when i was like 15 and felt heavily disconnected from the world around me. the album deals with those feelings in a very different context but it’s a feeling many people can relate to for many different reasons - i was closeted in a conservative culture, not a depressed british rock star lol. it also was an excellent gateway into many of the bands’ influences, who are also favorites of mine now. most people who love the album don’t really go as deep as i like to with understanding it, but maybe what i said here will give you something else to listen for, idk. maybe you just gave me an excuse to infodump about an album i love lol :)

[freeworldallahmbaclass]

This is my rule as the ruler

Getting them all with this champion sound

Getting them all with this champion sound

Getting them all with this champion sound

Getting them all with this champion sound

Getting them all with this champion sound

Hot song see you soon with it presenting my song Champion 🏆 sound

And

Now to present you with some of my accomplishments already

My New York City accomplishments

Trump is the whole package but he had boundaries he set boundaries and was strong against people especially the criminal element me I defend the proletariat the common man and woman with real issues and get them the laws passed that they need boost the economy with more money legalize weed get free college education for the city citibikes more money for people on Human resources administration and permanent employment from temporary seasonal jobs from decades long however much months work program they learn and then get kicked out and you can't support yourself and your family I made it where that after you finish that probation period you get the job the job security meaning your secure because you got a steady paycheck and now could build a future from there I got union contract for Starbucks workers and Amazon workers and more money on the city feps and seps voucher for their housing the city pay more rent for you so you and your family could rent in the neighborhoods you want with better schools and employment opportunities for the parents to provide a good future for their kids

I got hotels for the homeless in New York City 2021 it is now happens where everything that happens in New York City is under my name and my control of the city which is good because I do good for the people my name is Allen Henry notice the Henry Hall building with the Henry lives here sign on it next to 42nd Street Port Authority yes I live in New York City and thanks for the big announcement on your building symbolizing radio city music hall at Rockefeller center in New York City is shouted out about from a building with the Henry lives here sign on it let radio city music hall know I'm coming soon and thank you my super hero Batman and Superman my superhero days are just starting that's on 38th Street on llth Avenue in New York City Manhattan next to port authority on 42nd Street you could actually drive pass it and see it now it is actually a tourist site wow thanks that's amazing I love it thanks I'm honored I appreciate it again like the sign says I live in New York City and thanks for the big announcement on your buildings and don't forget the Henry apartment buildings in Brooklyn New York thank you I'm honored

I got Amazon workers their union contract

I got Starbucks workers their union contract

I got the minimum wage increased from $ 11 dollars an hour to $ 15 dollars to $ 17 dollars an hour put 100 million $ dollar boost in New York State economy proven math governor Kathy Hochul is signing that into law from where I already got it she is going to give it boost we need oh yeah very great and lovely governor we got now she is pretty good at doing her job I like her a lot and wish that the government of America go through with wage increase for all states and have the new federal minimum wage for a better rate of pay for all workers from the dishwasher , to the bike messenger to the Mexican American and union for job security is created for them to help immigrants and Kathy Hochul signs off on a new money adjustment plan to balance out against inflation and new tax cuts that help the common man and woman the employees that provide services in the places me and you have to visit

I got more money put on the housing vouchers the city feps and seps voucher so that homeless individuals and women with their kids and husband and wife can have better housing and a better life for themselves and their family And it's only going to get better more housing more safer housing where the housing crew does it's job and provide safe clean housing cleaning the apartment from Asbestos and using the wrong products that could harm the people in the apartment and their should be more NYCHA the projects job openings to the people in those surrounding neighborhoods the hood and any hood in the world to help clean their neighborhoods 20 men and women crews clean up crews drivers and even regular normal everyday people of those neighborhoods newly hired people that take pride in doing a very good service for the people of their community they have to educate the tenants on lead paint and checking their apartments carbon monoxide levels how to use a stove fire safety plans and evacuations plans in those apartments safety with electrical sockets for their children and toxic free apartments air conditioners and heating free cable so they can watch some good TV shows and movies and enjoy their summer and winter and they get WI Fi now hooked up with their house packages and hopefully more money on the voucher to help rehabilitating families to get their lives together better housing and better schools for their kids equal a better future don't forget to give New people moving into their apartment fire safety 🦺 training courses on unplugging their wires from the outlets and child safety outlets not leaving the oven on or stove on or leaving the stove and ovens on unattended child safety windows no water near electronics and electrical devices carbon dioxide early detectors and smoke detectors no smoking 🚭🚬 around fire hazardous materials and we should reduce the number of accidents and tragedies in NYCHA called the housing projects in our neighborhoods and enjoy your cable wifi air conditioning heat in the winter and your Citibikes .

I got the fair chance to compete for a job act of 2019 in New York City and California hopefully other cities and countries are going to follow suit

I legalized marijuana in New York City on March 31 , 2021 no violence in the hallways of the projects that we are from fellas respect people space and their kids in those hallways don't bring an violent atmosphere and environment around those kids when hanging out with our friends in the lobby that means no violence and violent talk around the kids while walking through projects NYCHA hallways go outside and enjoy the sun or the nice breeze that passes us and chill and enjoy outside that is so no laws will be passed restricting our laws .

I cleaned up fox square in Brooklyn , NY

Free college education in New York City

Free gym membership for people on Medicare

Citi bikes for New Yorkers

I got the second stage theatre in Manhattan , New York City meaning I got my second chance to perform music 🎼🎶 on a stage record and performing music, I rap .

Pictures of me as Christopher Wallace Biggie Smalls the Notorious BIG in Brooklyn New York City that is a big big accomplishment shout out to his moms how are you doing Ms . Violetta Wallace I'm very honored thank you Governor Cuomo legalized weed Marijuana the gaunja off of those pictures and across the street from the picture I got apartment buildings in my name the Henry apartments in Brooklyn on Rockaway Avenue in Brooklyn New York City

I brought Yo MTV raps to the Brooklyn Museum 🎨 an Art museum since I'm of the sophisticated crowd and Talented tenth from W . E . B . Dubois book and I'm a rapper from Harlem and Brooklyn New York City via Saint Croix U.S. Virgin Islands

I got my own subway street named after me called Respect Avenue in New York City New York and Brooklyn New York

Governor Andrew Cuomo gave me and opened an hospital named after me in Brooklyn , New York back in 2015 Brooklyn's 760 Parkside Avenue where my family is originally from when they landed in Brooklyn , New York City my uncle and his family 760 Parkside Avenue downstate biotechnology incubator hospital 🏥 thank you I'm honored and actually do put my sponsorship behind it not being funny it's just that it's an hospital and hospitals heal people and take care of them and I love that caring nurturing loving and nourishing environment of hospitals and the hospitality of the nurses doctors and specialists we never tell them we love them and thank you and I love you enough tell your doctor if he is doing a great job correctly say hey doctor I love you I love you all of my hospital staffs for providing a great service in my name I love you for taking care of God's people all of God's people I mean people from all communities we are all good people and deserve the best in treatment and the care that is given to patients when you visit my hospital and counselors should know the nutritionist and give out good advice even while your A casac counselor therapist and clinician do your job with passion , love and the intention of betterment for your patients and even those that come to work under and learn from you teach them how to doctor truly heal human beings through laughter , love a d being strong for them and doctor the soul through a warm smile and hug for all patients and pediatrics should know you have a great responsibility to love provide and care for all patients you have a very very important job and I love you we never know when you might need somebody to take care of our every needs, I love hospitals they should actually play Joyce Meyer and Joel Osteen in the care units to help heal the people in special care units play their TV shows and audio all through all units of the hospital

I won the Super bowl with Patrick Mahomes I got Clinton Dannemora back and I came home and took over the streets of NYC in politics Errol Louis of Channel 1 news would be proud of me

President Joe Biden presented me with a medal 🏅 of honor in the year 2023 for my heroism

Watch out Donald Trump my movement is doing very good now

I'm on 5th Avenue in the heart of New York City now

My gift 🎁 from Nicki Minaj the female rapper from her Young Money Crew thank you Nicki I got my own library in New York City thanks to her in the heart of New York City it is pleasing to me to be able to have a library that host after school programs for the kids and storytelling fun with their teachers and parents with Barney the dinosaur type characters to make the kids laugh and enjoy their selves that is a blessing for me coming from where I come from I had a rough life I grew up in Harlem New York City running the streets but I kept my nose in a book and part of that reason is because my mom was in college she would have tons of books on her bed and I fell love in books because of her she went to Monroe College in the Bronx and got her degree and even worked for the Board of Education for awhile and I got my love of books from her and to see that they give me a library is beautiful to me I know she is proud of me I made something of myself reading books I learned my way in anyway the library have costume animals Barney the dinosaur type costume animals for the kids to make them laugh and enjoy life is a blessing for me and it is in my building thank you I'm honored New York City and yes it is in the same building that I got my GED from in 2003 so I had already been going their for awhile they gave to me in 2022 thank you New York City and it's on 40th street and 5th Avenue right next to Grand Central and Times Square New York City and the same block wow as the Joel Osteen store so go get some Coffee ☕ and bagels and enjoy your day , their programs to help people returning to work , Cafe on the seventh floor outside rooftop so you could watch New York 5th Avenue like the empire state building and their are regular programs special instructors from any career is their to teach and instruct you on how to get where you would want to be in life it is so so clean the water fountains are the new ones where you place your bottle under some kid of water dispenser and it fills your bottles you could stand there and get as much refills as you want self service sanitized napkins to wipe your area where you are going to be reading I own the building so I eat at my seat the security guards is very professional that is their brand professionalism and high quality service with a smile they greet you warmly and treat you like you are at home it's mines so it is your home of course I'm like yeah yeah whatever but you would love it there make it a tourist attraction when you come to New York City I left school early I wish I didn't but the library is to give me a new start to learn all the on the job skills I need to excel in my career and it is there for you to hang out have fun meet some good people all New Yorkers are really good people and watch movies listen to music and to learn anything you want to make it there and enjoy yourselves

I won the Nobel Peace Prize 🏆 once for my caring Martin Luther King jr would be proud of me and love of humanity and with the helping of this page and Nobel memorial prize for economic sciences twice so that makes three Nobel prizes I won three Nobel prizes

Benefit monetary assistance increase for snap and cash assistance recipients

I'm John Wick in the movies John Wick series and I'm Neo in the Matrix and Matrix series congratulations to me I'm very Honored thank you Keeanu Reeves I'm very Honored thank you so much with tears in my eyes 💞 I love it everything I am now is bigger than what I been through in life and it is all because of people like you thanks and to my very close friend Laurence Fishburne true story real friend I mean we go back while he was studying to do the Matrix and I turned out to be a fine gentleman thank you and I found out I'm the one but the ones are the ones that study hard and work hard and making themselves into great people efficient and effective in constructive productivity their good at school , music or their career whatever they are good at is because they worked hard at it and that how we all can be an anomaly in society the good people .

Rikers Island tablet program podcasts and video games for inmates in jail to help stop crime violent crime in prison and to help rehabilitate the guy or woman and stop the back and forth of them going to jail . The tablet have podcasts and programs for Job Search legal research and books to read to help them become better citizens in the free society .

I was named The 16th Captain of New York City that is New York Yankees history and current captain of New York city New York Yankees hat history and time magazine 2022 man of the year the 16th and current captain of New York City , thank you .

I got meteors in front of the courtroom in New York City right in front of City Hall , 80 and 100 Centre street symbolizing I'm superman and I'm not the people of New York enemy I'm a friend and employers are there to help me if I just meet them halfway with some job skills they will employ me get me a job and for all that I say thank you for letting me work my way back into America's good people list thank you so much I mean I'm working and learning to give myself a job start my own business I'm learning how to do that but it is good to know that I got y'all white people the decent ones on my side not the ones that side with my enemies and haters but the ones that rock with me to be there to give me my life back with the meteors real live meteors thank you so much now in front of City Hall the famous New York City at 80 and 100 Centre where I first caught my first case at 16 years old🥇Joe Montana number thank you goodness for Bill Walsh is now in front of the courtrooms thank you for the chance again in my life to work and not stay idle in dangerous neighborhoods and environments which I'm teaching my way out of but thank you so much and I honor that thank you so much I'm proud to be an American 🏈

Laws I'm proposing

Job Safety and secure act - 2022

Fair banking act - 2022

Retirement investment plan for employees IRA act - 2022

Ready , willing and able Expansive territory act - 2023

Riverside drive Expansion project act - 2023

The new ferry from New Jersey to New York City - 2023

School sports culture expansion Act Copperas Cove , Texas

Rikers Island schooling expansion act Added on Basic education classes on Rikers Island on the tablet , college programs on the program , online school on the Tablet . -2023

NYCHA ( New York City Housing projects ) plans and ideas for improvement

The New Trench town rock - 2021 , 2022 , 2023

And many other pitches and proposals rebuilding the workforce , wages and structure of New York city and cities like New York .

Next order of business : My Plans for infrastructure in a utopian society hotels jobs pay raise on citizens paycheck from 15 $ - 17 $ dollars minimum wage pay to 19$ dollars to 20$ dollars an hour to better provide for all costs emergencies uncovered insurance payments due to partial health care coverage and full union membership granted to employees of any company free education grants and school loans payment plans

Pay raise for school teachers in every city at junior high school , high school and elementary school level since they are stewards of our children's future .

Pay raise for civil service workers and Civil service exams made and updated daily to the public , school crossing guards , correction officers , supervisors , probation officers , construction site supervisors .

Pay raise for day care workers

Free day care services for temporarily unemployed mothers and fathers

Pay raise for city fire fighters and police officers .

Job contractors fulfilling contracts with back to work public assistance programs that train and employ job candidates without their high school diploma or GED and granting them full employment with full medical and medicare coverage union membership and back to school Acces Vocational rehabilitation counseling and restoration of financial aid assistance for non violent crimes like drug sellers and abusers to stop recidivism to prison and to cure an addiction to a habit of committing perpetual crimes thus creating repeat offenders .

Jobs moving back to inner cities through the effort of study and research groups from urban planning courses from their neighboring colleges .

Tax abatement and financial incentives and business incentives and tax breaks .

Joe Biden and vice president Kamala Harris should include this law into all of their plan for cleaning up America I'm glad to see it go beyond New York City and other counties in New York I want to share this honor with author Michelle Alexander who I did my research from her book about mass incarceration of the black and Latino community and the political office and my friends that help put this law in place I reached out to hopefully stop the recidivism to prison and hopefully to help some of my friends and people that go back and forth to jail because they couldn't get a job due to the felonies on their record I recommend a certificate of relief of disabilities to all people returning to society if they haven't given you one go get it from your county's or borough courthouse it works wonders .

Next order of business : Tax cuts to help the everyday person keep more of their check in their pockets cut the tax rates in New York City by 4 percent I see it as New York State taxes % 8.82 to % 4 percent and business tax cuts to create more jobs Proposal For a Wage increase of $ 22 dollars an hour Including : Fire safety directors Security guards Librarians Fed Ex workers UPS workers Ready Willing and able with free vocational grants from access vr programs they should hire vocational rehabilitation counselors and job developers finding permanent housing and permanent job placement after the clients training Stock Clerks and cashier's at major stores like Gristedes , C Town , met foods , Burlington coat factory wage increase for all warehousing and factory workers jack pallet and forklift training for people with no experience and a starting salary at $ 17 - 19 $ dollars an hour and it increase with more time on the job how about the first year at that base salary of $ 17 - 19 $ dollars and on the even of that year the employee gets an raise of $ 2 dollars more on their check and other financial incentives as cash allocation from their check for newly place employee mutual fund packages besides with other benefits that said company is offering this helps to place that company on the stock market and grant their employees preferred stock options from their company that they work for at that current moment and because of the huge huge employee buy in it is like the employers are investing in their employees and their stores and company .

Educational requirements for jobs posted is less than a high school diploma but the job candidate has to be in a vocational program or GED preparation course half or full time hours .

Civil service jobs and exams posted weekly .

Sales professional salary plus commission on sales and stock options for mutual funds packages as bonuses with an wage increase to $ 19 dollars to $ 21 dollars an hour .

Newly added benefits to a job description benefits an employer on jobs posted give to their employees an employer get to hold back cash or take money out of an employees check to put towards a mutual funds stock fund option to help that client make more money as a second job the municipals funds and stock and funds and stock and then you gotta get hedge funds option packaged in to help the employees money make more money for them talk about overtime whew and at the same time that local market and store owner can put his company on the stock market and give out public shares thus in the end making it a good investment a regular place of shopping in a family like environment it is like getting to know your deli clerk , butcher , bakery attendant again only this time you are making money with the people you are spending money with Think about it that in turns build better communities better stores customer relationships safer neighborhoods and the beautifying of economically depressed environments more money for your kids college tuition school supplies newer roads being built leading to and from better neighborhoods and businesses and this is a future that we all as fellow New Yorkers can build together .

[whileiamdying]

All the Films in Competition at Cannes, Ranked from Best to Worst

The twenty-two films that premièred in the 2024 festival’s main program offered much to savor and revile.

By Justin Chang May 26, 2024

The seventy-seventh annual Cannes Film Festival came to a startling and joyous conclusion on Saturday night, when the competition jury, chaired by Greta Gerwig, awarded the Palme d’Or, the festival’s highest honor, to “Anora,” a funny, harrowing, and finally quite moving portrait of a sex worker’s madcap New York misadventures. It was startling because the movie, though one of the best-received in the competition, had not been widely tipped for the top prize, which seldom goes to a U.S. film; with “Anora,” Sean Baker becomes the first American director to win the Palme since Terrence Malick did, for “The Tree of Life” (2011), thirteen years ago. And it was joyous not only because the award was bestowed on a worthy and remarkable film but because Baker used the occasion to deliver the best, most eloquent and impassioned acceptance speech I’ve ever heard a Palme winner give.

Reading from prepared remarks, Baker singled out two other filmmakers in the competition, Francis Ford Coppola and David Cronenberg, as among his personal heroes. He dedicated the award to sex workers everywhere, a fitting tribute from a filmmaker who has put their lives front and center, with drama, humor, and empathy, in movies like “Starlet” (2012), “Tangerine” (2015), and “Red Rocket” (2021). He tossed some exquisite shade in the direction of the “tech companies” behind the so-called streaming revolution—including, presumably, Netflix, which came away as one of the night’s big winners; its major acquisition of the festival, Jacques Audiard’s musical “Emilia Pérez,” won two prizes. And, in a moment that drew rapturous applause, Baker delivered a plea on behalf of theatrical films, declaring, “The future of cinema is where it started: in a movie theatre.”

I was fortunate to see all twenty-two films in the Cannes competition on the big screen, projected under superior conditions in houses packed with fellow movie lovers. It’s my hope that, when these movies are released in the U.S., as the great majority of them likely will be, you will seize the chance to see them on the big screen as well—even “Emilia Pérez,” which Netflix may not keep in theatres for long, but whose bold dramatic and stylistic risks have the best chance of winning you over if they have your undivided, wide-awake attention.

I have ranked the movies in order of preference, from best to worst. Here they are:

1. “Caught by the Tides”

Jia Zhangke, a Cannes competition veteran, has long been the cinema’s preëminent chronicler of modern China (“Mountains May Depart,” “Ash Is Purest White”), mapping its social, cultural, and geographical complexities with great formal acumen, and also with the longtime collaboration of his wife, the superb actress Zhao Tao. Jia’s latest work, drawing on an archive of footage shot in the course of roughly two decades, unfurls a story in fragments, about a woman (Zhao) and a man (Li Zhubin) who fall in love, bitterly separate, and have a melancholy reunion years later. It’s an achievement by turns fleeting and monumental: a series of interlocking time capsules, a wrenching feat of self-reflection, and a stealth musical, in which Zhao dances and dances, standing in for millions who have learned to sway and bend to history’s tumultuous beat.

2. “All We Imagine as Light”

As the first Indian feature invited to compete at Cannes in nearly three decades, Payal Kapadia’s narrative début (after her 2021 documentary, “A Night of Knowing Nothing”) would be notable enough; that the movie is so delicately felt and sensuously textured is cause for outright celebration. Winner of the festival’s Grand Prix, or second place, it tells the story of two roommates, Prabha (Kani Kusruti) and Anu (Divya Prabha), who work as nurses at a Mumbai hospital. It teases out their personal circumstances—Prabha’s estrangement from her unseen husband, Anu’s frowned-upon romance with a young Muslim man (Hridhu Haroon)—with a quiet truthfulness that, like the glittering lights of the city, lingers expansively in the memory. (A forthcoming Sideshow/Janus Films release.)

3. “Grand Tour”

The Portuguese director Miguel Gomes (“Tabu,” “Arabian Nights”) delivered some of the most virtuosic filmmaking in the competition—as the jury recognized by giving him the Best Director prize—with this characteristically yet extraordinarily playful colonial-era travelogue. Shifting between color and black-and-white, set in 1917 but full of fourth-wall-breaking anachronisms, the movie tells a story of sorts about a roving British diplomat (Gonçalo Waddington) and a fiancée (Crista Alfaiate) he’s in no hurry to marry. But its true fascination lies in the humid atmosphere and wanderlust-inspiring splendor of its East and Southeast Asian locations, ranging from Singapore and Bangkok to Shanghai and Rangoon. It’s a movie to get lost in.

4. “The Seed of the Sacred Fig”

It’s impossible to absorb this blistering domestic drama without thinking of its dissident director, Mohammad Rasoulof, who recently fled Iran after being sentenced to prison and a flogging. (His appearance at his film’s première made for one of the most emotional moments in recent Cannes memory.) Shot entirely in secret, the story follows a Tehran-based husband (Missagh Zareh) and wife (Soheila Golestani) who are increasingly at war with their progressive-minded young-adult daughters (Mahsa Rostami, Setareh Maleki) during nationwide political protests led by women. The result is a thriller of propulsive skill and blunt emotional force, marrying the muscularity of an action film to the psychological intensity of a chamber drama. (A forthcoming Neon release.)

5. “Anora”

The director Sean Baker is near the height of his storytelling powers with this dazzling (and now Palme d’Or-winning) portrait of a Manhattan strip-club dancer (a revelatory Mikey Madison) who impulsively marries the ultra-spoiled son (Mark Eydelshteyn) of a Russian oligarch. Much comic chaos ensues, some of it pushed past the brink of plausibility, but Baker’s multifaceted love for his characters proves infectious and sustaining, as does his belief that acts of unexpected kindness can redeem even the darkest nights of the soul. (A forthcoming Neon release.)

6. “The Shrouds”

Early on in this elegantly sombre yet mordantly funny new movie, which stars Vincent Cassel, Diane Kruger, and Guy Pearce, the director David Cronenberg, a master of cerebral horror, unveils his latest invention: a technologically advanced burial shroud that allows people to watch a loved one’s body decomposing in the grave. So begins a drolly fluid inspection of classic Cronenberg themes—the deterioration of the flesh, the instability of the image, the paranoia-inducing incursions of technology into every aspect of life—but imbued with a nakedly personal dimension that the director has noted in interviews; the story was inspired by his wife’s death, in 2017, from cancer.

7. “Megalopolis”

In this legendarily long-gestating passion project, which I’ve written about at length, Francis Ford Coppola posits that our fragile, battered civilization is headed the way of the Roman Empire. The grimness of that prospect is unsurprising from a director accustomed to peering deep into the heart of American darkness (the “Godfather” movies, “The Conversation,” “Apocalypse Now”). For all that, the filmmaking here glows with a particularly hard-won optimism, even a welcome sense of play—borne out by an ensemble of actors, including Adam Driver, Giancarlo Esposito, and especially Aubrey Plaza, who fully embrace Coppola’s rhetorical and conceptual flights of fancy.

8. “The Substance”

Sympathetic or sadistic? Feminist or misogynist? Coralie Fargeat’s body-horror bonanza, which won the festival’s award for Best Screenplay, has been one of the competition’s more polarizing hits, which is unsurprising; divisiveness should be expected from a story about an aging actress and TV fitness guru who, desperate to regain her youthful bod of yesteryear, effectively splits herself in two. Whether the outlandish premise (think “The Picture of Dorian Gray” by way of “Death Becomes Her”) and its blood-gushing fallout withstand intellectual scrutiny, there’s no doubting the ferocity of the two leads, Demi Moore and Margaret Qualley, or Fargeat’s sheer filmmaking verve as she pushes her ideas to their sanguinary conclusions.

9. “Motel Destino”

Just a year after the Brazilian director Karim Aïnouz appeared in competition with a surprisingly stiff-corseted English period drama, “Firebrand,” it was bracing to watch him rebound with the competition’s most sexually uninhibited and flagrantly horny title; corsets don’t apply here, and even underwear proves blissfully optional. Set at a seedy roadside motel where the clientele never stops moaning, it’s a feverishly shambling erotic thriller starring three very game actors (Iago Xavier, Nataly Rocha, and Fábio Assunção) in a romantic triangle that plays like James M. Cain with sex toys—“The Postman Always Cock Rings Twice,” as it were.

10. “Emilia Pérez”

A trans-empowerment musical set against the backdrop of Mexico’s drug cartels might sound like a dubious proposition on paper, and, for the many detractors of this genre-melding big swing from the French director Jacques Audiard (“A Prophet,” “The Sisters Brothers”), what actually made it onto the screen was no better. But I was disarmed from the start by Audiard’s quasi-Almodóvarian vibes, his touchingly imperfect embrace of song-and-dance stylization, and, most of all, his three leads: the remarkable discovery Karla Sofía Gascón, a scene-stealing Selena Gomez, and a never-better Zoe Saldaña. All three (along with Adriana Paz) were recognized with the festival’s Best Actress prize, awarded collectively to the movie’s ensemble of actresses; Audiard also won the Jury Prize. (A forthcoming Netflix release.)

11. “Oh, Canada”

After a tense trilogy of dramas about male redemption through violence (“First Reformed,” “The Card Counter,” “Master Gardener”), the writer and director Paul Schrader has taken a gentler turn with an adaptation of “Foregone,” a 2021 novel by the late Russell Banks. (It’s his second Banks adaptation, after the 1997 drama “Affliction.”) In exploring the fragmented consciousness of an aging documentary filmmaker (played at different ages by Richard Gere and Jacob Elordi), Schrader bravely forsakes the narrative fastidiousness of his recent work and takes on grand themes of memory, mortality, and artistic self-reckoning, to formally ragged but sincerely moving effect.

12. “The Girl with the Needle”

This stark and terrifying black-and-white drama from the Swedish-born, Polish-based director Magnus von Horn (“Sweat”) was perhaps the competition’s bleakest entry. Set in Copenhagen immediately after the First World War, it pins us so mercilessly to the hard-bitten perspective of Karoline (an excellent Vic Carmen Sonne), a factory seamstress who becomes pregnant out of wedlock, that we scarcely notice her story shifting in a different, more sinister direction. It’s a bitterly hard-to-stomach brew of a movie, at once hideous and beautifully made, with a chilling supporting turn by Trine Dyrholm as a friend whose interventions turn out to be anything but benign.

13. “Three Kilometres to the End of the World”

The setting of this well-observed but emotionally opaque drama, from the Romanian actor turned director Emanuel Pârvu, is a small rural village where a closeted teen-age boy, Adi (Ciprian Chiujdea), is brutally beaten after being caught in an intimate moment with a male traveller. Pârvu teases out the legal, psychological, and moral fallout with the pitch-perfect performances and laserlike formal focus that have become hallmarks of new Romanian cinema. But, though the movie is persuasive enough as an indictment of small-town religious fundamentalism and homophobia, it proves curiously incurious about Adi’s perspective, to the detriment of its own human pulse.

14. “Kinds of Kindness”

After his Oscar-winning period romps “The Favourite” (2018) and “Poor Things” (2023), the Greek director Yorgos Lanthimos scales back—but goes long—with a sprawling, increasingly tedious compendium of comic cruelty. My favorite of the film’s three disconnected stories, all featuring the same actors, is the one where Jesse Plemons (the ensemble M.V.P., as the jury recognized with its Best Actor award) plays Willem Dafoe’s Manchurian candidate; my least favorite is the one where Emma Stone joins a sweat-worshipping sex cult. The one where Stone slices off her finger and cooks it for Plemons falls—much like the movie in Lanthimos’s over-all œuvre—somewhere in the middle. (A Searchlight Pictures release, opening June 21st in theatres.)

15. “Bird”

My admiration for the English filmmaker Andrea Arnold (“American Honey”) is such that I’m eager to revisit her latest rough-and-tumble coming-of-age story and find that I undervalued it. Arnold is certainly skilled at integrating recognizable actors, which in this case includes Barry Keoghan and Franz Rogowski, into her grottily realist frames, and she has an appealing lead performer in Nykiya Adams, as a twelve-year-old girl who overcomes persistent abuse and neglect. But the story may lose you—as it lost me—with a magical-realist turn that magnifies, rather than minimizes, the tortured-animal symbolism that has often dogged Arnold’s work.

16. “Beating Hearts”

An exchange of insults at a high-school bus stop provides a saucy meet-cute for a good girl (Mallory Wanecque) and a ne’er-do-well boy (Malik Frikah); so begins a raucous and endearing love story for the ages, in which the director Gilles Lellouche, with outsized glee and little discipline, merrily appropriates the conventions of classic Hollywood musicals and gangster flicks. The result is much too long at nearly three hours—the story spans several years, with Adèle Exarchopoulos and François Civil playing older versions of the two leads—but I can’t say I didn’t warm to its rambunctious cornball charm.

17. “Limonov: The Ballad”

Why make a film about Eduard Limonov, the globe-trotting Russian dissident poet and punk provocateur reviled for his pro-fascist sympathies? The filmmaker Kirill Serebrennikov never musters a satisfying answer in this muddled English-language bio-pic, despite an energetically uninhibited central performance by Ben Whishaw and a cheeky panoply of filmmaking techniques—jittery camerawork, lengthy tracking shots—meant to catch us up in the épater-la-bourgeoisie exuberance of Limonov’s revolt. Considering his earlier work, I prefer the rebel-youth vibes of “Leto” (2018) and the dazzling cinematic assaults of “Petrov’s Flu” (2021), both of which also screened in competition here.

18. “Parthenope”

Nearly every new picture from the Italian auteur Paolo Sorrentino could be reasonably called “The Great Beauty,” the title of his gorgeous 2013 cinematic tour of Rome. (It left that year’s Cannes empty-handed, but won the Oscar for Best Foreign Language Film.) His latest work remains most intriguing for its ambivalent but still sensually overpowering vision of the director’s home town, Naples, from which springs a modern-day goddess, named after Parthenope, a Siren from Greek mythology. She’s played by Celeste Dalla Porta, a great beauty indeed and an empathetic screen presence, though only fitfully does her character seem worthy of this movie’s epic enshrinement.

19. “Wild Diamond”

Another disquisition on beauty and its discontents, this time from the débuting French writer and director Agathe Riedinger. She hurls us the life and busy social-media feed of a nineteen-year-old, Liane (a terrific Malou Khebizi), who has nipped, tucked, and tailored every part of herself to realize her dream of being selected for a hot new reality-TV series. Part influencer-culture cautionary tale, part bad-girl Cinderella story, the movie glancingly suggests the soul-rotting effects of beauty worship, but it falls victim to the trap that Liane is trying to avoid: in a sea of worthy candidates, it doesn’t especially stand out.

20. “The Apprentice”

Donald Trump’s attorneys have threatened legal action to block the release of this drama about his early rise to fame and wealth under the mentorship of the attorney Roy Cohn (Jeremy Strong). It speaks to the useless proficiency of Ali Abbasi’s movie that the prospect of such censorship provokes more indifference than outrage. Shot to evoke cruddy nineteen-eighties VHS playback, the movie is well acted by Strong, Maria Bakalova as Ivana Trump, and an increasingly makeup-buried Sebastian Stan as Trump himself, depicted from the start as a sack of shit that gets progressively shittier. It’s not dismissible, but it’s hardly the stuff of revelation, either.

21. “Marcello Mio”

In this trifling meta-comedy from the French filmmaker Christophe Honoré (previously in the 2018 Cannes competition with the lovely “Sorry Angel”), the actress Chiara Mastroianni embarks on a strainedly whimsical personal odyssey to examine the legacy of her late father, the legendary Italian actor Marcello Mastroianni, and her own conflicted place therein. To that end, she spends much of this overstretched movie in “8½” and “La Dolce Vita” black-suited drag as she navigates a roundelay of industry in-jokes; among the French cinema luminaries making appearances are Fabrice Luchini, Nicole Garcia, and, most welcome, Chiara’s mother, Catherine Deneuve.

22. “The Most Precious of Cargoes”

The French director Michel Hazanavicius continues his uneven post-“The Artist” run with this animated Second World War fable, adapted from a 2019 novel by Jean-Claude Grumberg (and narrated by the late Jean-Louis Trintignant). It has an affecting opening stretch, in which a baby girl, thrown by her desperate father from an Auschwitz-bound train, is rescued and raised in secret by a woodcutter’s kindhearted wife. But when the child’s provenance is discovered, stoking local antisemitism, the movie becomes a bathetic wallow in Holocaust imagery, drowned in an Alexandre Desplat score whose every surge turned my heart increasingly to stone. ♦

[craziness2345]

New Kid

A/N okay so let me know what you guys think of this please. I dont really have any warnings in this one so you're all good this will be a wandanat/Reader fanfic and this is a series i'm starting i dont know how many chapters i'm doing but i am already working on chapter 2.

Chapter One

Life and death is a beautiful love story in many eyes. Life would always give gifts to death and death would cherish these gifts. Life always knew how to show death love and didn’t care how he looked because she loved death for what was inside. It’s a beautiful and tragic love story.

I let out a frustrated noise staring at the laptop unsure what else to write on my blog as music plays through my earbuds. Rubbing my face I shut it glancing at the time realizing how late I am eyes widening “ shit” I curse under my breath packing it away and putting my earbuds away. Running out of the small little cafe I ran out onto the busy streets of New York. Heading in the direction of the avengers tower already knowing how mad Fury’s gonna be with me for how late i am. 

Running in with my bag in hand I stop inside catching my breath showing my shield badge before they even make a comment as I get into the elevator clicking on the floor I was told I lean back against it, eyes shut already knowing I'm ruining my first impression with everyone. Getting out of the elevator I quickly fix myself checking to make sure my flannel is buttoned correctly before opening up the meeting room seeing a bunch of eyes turn to me. “ Ah agent L/N nice for you to join us” Fury says as i give a sheepish smile “ sorry sir i lost track of time ” i admit sheepishly as he rolls his eyes.  He turns back to the group at the table “ Everyone this is your new recruit Agent Y/N L/N” Fury states as I awkwardly wave. Tony frowns leaning forward “ I didn’t know we were adding to the team Nick I mean no offense kid but you look 17” he says as i roll my eyes “ i’m 24 Stark “ I comment as tony raises an eye “ Really?” He comments surprised.

Fury clears his throat “ Agent L/N has been apart of the shield program since she was 10 learning to control her powers and then became an agent at 16 she's very well capable of being apart of the team especially with her invisibility and heat vision she’ll be a good asset to the team.” Fury states as Tony's eyes grow wide in excitement “ Wait you have heat vision! Oh man you are so showing us how that works” He says excitedly as i blink nodding slowly” Uh okay? “ I comment “ really Stark can you ever be not childish”  hearing a very beautiful angelic voice speak up next causes my eyes to turn to two very beautiful redheads instantly knowing them as the scarlet witch and black widow. “ I’m just saying it’s pretty cool you gotta admit beams shooting from your eyes I’m sorry i find it interesting Nat” Tony says back.

Nick shakes his head as he clears his throat silencing the bickering “ She’s gonna live here on Romanoff and maximoffs floor now I have to go. Make her feel welcomed “ he states before leaving as Steve stands up “ Well it's nice to meet you i'm steve and this is my boyfriend bucky we have to go on a mission but when we get back we’ll get to know you more” Steve says before shaking my hand and leaving. I turn to the rest “ I’m natasha and this is my fiance wanda and sister Yelena and her girlfriend kate” I smile in greeting “ it’s nice to meet you all i already know who you guys are i read your’re files before i came here” I admit sheepishly as nat raises an eye “  well let nat and i show you around and to your room” Wanda says excitedly as i nod “ That works it was wonderful meeting you guys” I comment noticing we were missing a few more of the avengers shrugging off. I turn to them and nod “ lead the way” . I comment as Natasha and Wanda walk out holding hands I follow behind in an instant.

I couldn’t get over how beautiful they were, quickly shaking my head from those thoughts knowing how wrong they were when they're both together and not wanting to ruin this opportunity for myself.  “ So Y/N this is the floor we all came out of it’s for meetings. Now this room down the hall is the dining room. We normally all eat together here. It's in Tony’s words a bonding experience "Wanda says as we get into the elevator. The next hour i get dragged around being shown around and finally going to our floor” and this is our floor kate and Yelena live here to but they normally stay at their apartment and carol room is on this floor as well but shes out on a mission in space so it’s mainly just us your room is across from ours so if ever you need anything don’t hesitate to ask us and if you can’t find us just ask friday” she says i nod slowly already being told about the ai in the building i clear my throat “ Okay well thank you i’ll head in and get settled then” I say.

Wanda nods at me while Natasha stays quiet. I couldn't tell if she didn’t trust me or what but yet again i didn’t blame her I am new out of the blue. I thank them before heading into my room letting out a sigh i look around it grinning at the fact i had my own bathroom and bed something i never had in shield having to always share with all the other agents in the program i set my bag down and plop on the bed laying my arms out i grin in excitement not believing the fact i was really apart of the avengers all my hard work finally paid off. Relaxing into the bed my  mind drifts off as sleep starts taking over falling into sleep.

Thump. Thump. Thump.

My heart beat rings in my ears as I control my breathing, my knees against my chest trying to calm down as the tears stream down my face staring at what once was my home now completely gone burn marks on the ground. Hearing the leaves crunch behind me i instantly turn invisible seeing a tall black figure walk out” I’m not here to hurt you i know this was an accident i’m here to offer you a safe place to control this “ says a rough but soft voice hesitating i slowly show myself his eyes meeting mine he kneels in front of me slowly offering his hand” it wasn't your fault come with me” he says softly i slowly grab his hand as he lets a soft smile grace his lips he helps me up

“Miss L/N miss maximoff wants to know if you're joining them for dinner” I open my eyes quickly caught off guard from my dream more like memory nodding i clear my throat sitting up” Uh yes friday go ahead and confirm that with her” I say stretching i get out of bed and head into the bathroom to take a quick shower before then to clear my thoughts.

Walking out I open up my bag making note to go shopping tomorrow before throwing on my sweatpants and oversized green day shirt. Heading out of the room I recounted how to get to the dining room before heading in the direction I remember Nat and Wanda showed me. Walking in I see it's just Natasha and Wanda in the kitchen glancing around curiously “ where’s everyone else? “ i raise an eye as wanda turns around from her pan grinning “ you came! And They're all either on a mission or out” She says “ It’s just nat and I is that a problem? She questions tilting her head slightly and I quickly shake my head “ Oh! No no I was just curious” I say quickly as she nods and sends you a smile turning away as Natasha looks at me “ well go ahead and sit down we’ll bring the food out wands made paprikash'' Natasha comments my eyes widen and nod “ oh sweet i haven’t had that dish in awhile it's so good” I comment excited which catches wanda off guard “ You’ve had it? “ She asks as i nod” Yep i had it when i was in sokovia i was apart of the relief team well uh my parents were a nice old lady had made it for us “ I smile at the memory as wanda looks at me in awe at that “ wow well then you’ll love my dish” she grins causing me to smile” can’t wait “ i comment “ it smells delicious “ i compliment causing her to blush slightly catching me by surprise I don’t think to much into it as i head to the table sitting down.

After 15 minutes Wanda and Natasha come out, Natasha handing me a plate as Wanda sets the pan in the middle of the table before they both sit down across from me. I make my plate and grab my fork taking a bite. I widen my eyes. “ This is so good, better than how I remembered it “ I compliment continuing to eat quite fast. Something i’ve always done” Thank you so tell us Y/N what made you join shield especially at such a young age” Wanda asks curiously i hum setting my fork down and shrug “ Honestly it was either join shield or live on the streets I have so much to thank fury for i mean he’s the person you brought me in and believed in me when i didn’t “ i comment shrugging my mind going back to the memory” because of him i can control my heat vision where i don’t have to wear the stupid glasses they made for me “ i comment as wanda and natasha listen. “ Well i can’t wait to see how good you are on the mats” Natasha smirks causing my eyes to widen” wait i have to fight the black widow” I say shocked and kinda scared as nat nods wanda giggling” Yep i’ll be hand to hand combat training every morning “ Natasha smirks as i groan 

“ Great i get to entertain everyone by getting my ass beat every morning by the black widow” I grumble as they laugh for the next hour we sit at the table talking about anything and everything it was honestly nice i’ve never had such a fun time with someone let alone relaxed  With people especially now that Natasha was being a bit more relaxed with me as well.clearing my throat i stand up “ well it’s getting late imma head to bed but i enjoyed tonight thank you for making me feel welcomed” I comment wanda standing up nat nods” I think we're all gonna get along well” Nat says with a weird glint in her eyes but i don’t think to into it as i agree with them before heading to bed. Laying down I recap my day with everyone and smile to myself. I try to stay awake scared to have that dream again, hating having to remember that moment. I try to fight the sleep but not long enough exhaustion takes over and I end up falling asleep.

[shewhohangsoutincemeteries]

most people

Tony Stark x F!Reader

Prompt: “i can't believe you don't like hugs."

Summary: you come home to the tower to hear that your teammate tony has been awake for days. you take it upon yourself to get to complete some much-needed self-care.

Warnings: fluff.

Word Count: 1,741

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The door sounded with a quiet, welcoming ding as the elevator arrived on your floor, the lights of your suite already on and pleasantly dimmed to accommodate to the tenderness of your eyes this late at night. It was a little before three in the morning, and while your flight had had no major issues and the traffic between the airport and Avengers Tower had been blessedly in your favor, it was still agonizing to be getting home so late.

Home.

It still surprised you how quickly you’d come to think of this place as more than just a place to sleep, more than what had originally felt like a ridiculously over-sized hotel room. It had been only six months since Loki’s attack on New York, and while the renovations to the Tower were not yet finished, your suite had been one of the first floors to be completed. And now it somehow felt far more familiar to you than any of the countless beds you had claimed over the last twenty-seven years.

“Welcome back, Ms. Y/L/N,” the cool, friendly voice of Tony’s personal assistant sounded from the invisible speakers above you. “I trust your journey was pleasant.”

“It was, for a nine-hour flight in a broken seat,” you replied with a sigh, stretching out the lingering kink in your lower back. You set your suitcase down by the elevator doors. “And how many times do I have to tell you; it’s just Y/N.”

“I’m sure only once more,” he replied. “As always.”

You chuckled, a small, tired smile lingering on your lips. “Are the others here?”

“Only Mr. Stark is in residence at the moment,” the A.I. informed you as you made your way further into your suite. You toed off your shoes, shedding your jacket and tossing it onto the nearby sofa. “Shall I inform him of your arrival?”

“Oh, no, I don’t want to wake him.”

There was a slight pause. “Mr. Stark is not asleep, Ms. Y/L/N.”

How an A.I. could have a variation in tone, you weren’t sure, but you stopped halfway to unbuttoning your jeans. “And how long exactly has Tony been awake?”

“…Almost eighty-three hours, ma’am.”

“I think I hate ‘ma’am’ even more than my last name.” you sighed, casting a glance towards the room to your left. The door was ajar, and you swore your bed was calling to you. “Where is he?”

“In the lab.”

“…Okay.”

***

A wall of sound greeted you as you stepped into the lab, and you flinched. It lowered immediately to a more bearable level, and you silently praised whatever part of JARVIS’ programming it was that could pick up on your discomfort like that.

“JARVIS,” Tony said without looking up from his work. “Don’t mess with my music.”

He was at the far end of the lab, moving between a couple of workbenches and the hologram of his latest designs with the disorganized, staccato rhythm you had begun to recognize as being a sign of sleep deprivation. There was a half-empty coffee pot on the bench closest to you, the scent of it gone stale. Tony’s clothes were rumpled, as was his hair, and you frowned when you noticed the shadows under his eyes. They were made darker by the blue light of the hologram between the two of you.

“I think we can do better on these reflector panels, J.,” he continued as though he hadn’t noticed you enter. “If this suit is going to work for stealth, I’m going to need the change to be instantaneous.” He waved a hand, and parts of the suit projected in front of him dropped away. “Scrap ‘em. Take it from the top.”

“Yes, sir.”

“Hello to you, too, Stark.” you said snidely despite your concern. “Or am I expected to call you ‘sir’ in here, too?”

“Only if you want me to get all tingly over it,” he retorted teasingly, finally pausing long enough to meet your eye. He gave you a genuine, if distracted and exhausted, smile.

“Most people just say ‘welcome home’.”

Tony returned to one of the benches, eyes fixating on a tablet screen. “Are you implying that I could possibly be ‘most people’?”

“Wouldn’t dream of it,” you replied, sidestepping an abandoned helmet prototype. There was an empty coffee mug sitting inside it. The crockery was stained with dark brown rings. You made you way around to his workbench, pushing yourself up to sit on the edge of it beside him. “Tony, when was the last time you got some sleep?”

“You know the answer to that,” he said, pointedly avoiding your eye and focusing his gaze on the work in front of him. “Or did you come all the way down here just for a hug?”

“A hug? Hardly,” you said with a scoff.

Tony met your eye, raising a brow. There was a teasing tilt to his lips, a challenge in his expression. “I don’t accept that.”

“Accept what?”

“I can’t believe that you don’t like hugs.” he said, straightening. He moved to stand in front of you, his hands claiming your knees. You felt a warmth spread up from where he touched you to heat your belly, and you straightened slightly, wetting your lips with the tip of your tongue. “I refuse to accept it. I mean, for a woman completely capable of breaking every bone in my body with her bare hands, you’re downright cuddly.”

As he said the last words he reached up and touched the tip of his finger to your nose tauntingly, and you wrinkled it in response. He chuckled, and you rolled your eyes at him. Something about sleep deprivation always made him lighter, more teasing. While his usual jokes were witty and occasionally flirty, when you found him like this, he was… softer. “Has anyone ever told you that you are a massive dork?”

Tony’s grin widened, and he stepped back, holding up his hands as though you’d just proved his point. “See, anyone else would call me an asshole, but you – sweet, innocent thing that you are – go with ‘dork’.”

“Oh, Stark. Trust me,” you snickered, pushing yourself up off the edge of the table. It closed much of the distance between the two of you, your chest almost meeting his. You made a show of casting your eyes down over him before meeting his eye with a smirk. “If you actually knew me, the last word you’d be using to describe me is ‘innocent’.”

Intrigue flashed in his eyes, a curve to his parted lips sending an unexpected thrill up your spine. He made move to speak, but you pressed a finger to his lips. His smile widened against your skin.

“I’m sure whatever you were about to say would have been rife with innuendo, Tony,” you said. “But honestly, you kind of stink. How long’s it been since you had a shower?”

***

“Y’know, I’m not really sure why I had to stick around for this.” you called out over the sound of rushing water, folding your arms over your chest. You were standing outside the penthouse bathroom, your back against the wall beside the door. Steam billowed out of the open doorway, clinging to your bare arms.

The water shut off, and Tony’s reply came a few moments later, his voice echoing off the tile. “And here I thought you were worried about my wellbeing, sweetheart.”

“You’re not exactly at risk of drowning in the shower, Tony,” you pointed out. You heard his answering chuckle and the sounds of cabinet doors opening and closing. There was a long silence, punctuated only by the quiet sounds of shaving cream being sprayed and a razor against skin. “And you survived it. So, can I go to bed now?”

“And miss out on this quality team-bonding time?” he called out. “Shudder to think.”

You scoffed, rolling your eyes with a smile. “‘Team-bonding’? We’re missing a couple of key members here. Unless you’ve got Rogers stashed in your shower caddy.”

“Not exactly the member I’d pick for that,” he replied as he stepped through the doorway, wiping at his jaw with a towel. Another was slung securely around his hips. Rivulets of water marked his bare torso, droplets clinging to his chest. There was a teasing smirk on his lips, and you swallowed. “Now, Romanoff on the other hand—”

“I’m going to stop you there before this conversation devolves into casual misogyny,” you eye-rolled, holding up a hand.

“I’ll have you know I’m an equal opportunity lech.” Tony shot back, amused. “I just didn’t think Thor would fit in the caddy.”

You snorted a laugh.

“Right…” you said. He’d missed a tiny patch of shaving cream on the corner of his jaw, and you reached up to wipe it away with two fingers. Tony’s smile widened as you wiped it on his bare chest. You cleared your throat as you realized the intimacy of your actions. “Well, you’ve managed to navigate the perils of a penthouse bathroom, Iron Man. Congrats.”

“So, what’s your excuse now?”

Confusion creased the skin between your brows. “For what?”

Tony’s smirk twitched, and you recognized the challenge in his eyes. Something in the pit of your stomach fluttered. “For turning down a hug.”

You laughed, shaking your head disbelieving. “God, Stark, you are such a—”

Tony took hold of your arm, surprising you by pulling you toward him and bringing his lips to yours. They were soft and warm, teasing with the taste of spearmint. The clean scent of his body wash enveloped you, his fingers gentle but firm on your arm. The warmth of his body – still bolstered by the heat of the shower – leached into your skin, wrapping you in a ghost of an embrace that made you lean into him. The kiss lasted only a moment before he pulled back again, that expression of taunting flirtation still in place.

You pressed your lips together, your skin tingling. “What was that for?”

He shrugged a shoulder, tightening the towel around his waist. There was an annoying note of nonchalance in his expression, and self-assuredness that told you he knew exactly what kind of effect he’d just had on you. “Call it a thank you.”

“I—” you swallowed, forcing your breath to steady. “Most people just say ‘thank you’.”

He grinned, his teeth grazing his bottom lip. “Didn’t we agree that I’m not ‘most people’?”

.

.

.

tags: @trekkingaroundasgard @ccbsrms @lina-mar@lovely-dreamer19@wittyforachange@wefracturedmotivation@january-echoes@glossyloner@capitalnineteen@youclickedthislink@s0ftness@castieltrash1@drakelover78@queenoftheunderdark@fandoms-pizza-wifi-ym13@lol-you-thought@sebbystanlover-vk@mikariell95@csigeoblue@abrunettefangirlnerd@babyblues915@aar-journey@moistpotatobear @capsironunderoos @bellamyblakemorley@diesinspanishbcimhispanic@sentimentalalien@agustdowney@akumune@xxboesefrauxx@patheticallysentimental@loki-is-loved

[mastermark1960]

I am once again so disappointed with the leftist demonazis constantly spewing nonsensical drivel every time they don't like someone elses opinion. Demonazis are so far to the left that they agree with and use the propaganda tools of the two worst extreme right ass holes that ever walked the earth. Hitler and Stalin both treated their own people with such disrespect and callousness that they created concentration camps and gulags to silence any opposition to their rule.

The following information comes from the holocaust encyclopedia. I wrote comments that are not after bullet points.

• The Nazis were skilled propagandists who used sophisticated advertising techniques and the most current technology of the time to spread their messages.

Think of CNN, MSNBC, NPR, ABC, CBS, NBC, all other "news outlets" for example the New York times, Boston globe, and Washington post are but a few. They don't report the news but continuously give us their opinions on everything. The 5ws are desperately needed to stop their propaganda. We can include the woke organizations like Disney and Hollywood movie makers for spreading propaganda for the demonazis.

• Once in power, Adolf Hitler created a Ministry of Public Enlightenment and Propaganda to shape German public opinion behavior.

▪︎Nazi propaganda played an integral role in advancing the persecution and ultimately the destruction of Europe’s Jews and all political Dissidents. It incited hatred and fostered a climate of indifference to their fate.

Think of how the demonazis allowed the likes of BLM and ANTIFA to destroy many cities. No action was taken by those in power to stop the destruction or prosecute the perpetrators. Then remember the hissy fit they had when they allowed, yes demonazis allowed, Republican protester into the capital. The demonazis prosecuted 100s of peaceful republican protesters. If the republican protesters were acting like BLM and ANTIFA the Capitol would be a smoking ruin.

• The Nazis wanted Germans to support the Nazi dictatorship and believe in Nazi ideas. To accomplish this goal, they tried to control forms of communication through censorship and propaganda. This included control of newspapers, magazines, books, art, theater, music, movies, and radio.

• When the Nazis came to power in 1933, the German constitution guaranteed freedom of speech and freedom of the press. Through decrees and laws, the Nazis abolished these civil rights and destroyed German democracy. Starting in 1934, it was illegal to criticize the Nazi government. Even telling a joke about Hitler was considered treachery. People in Nazi Germany could not say or write whatever they wanted. 

Examples of censorship under the Nazis included:

• Closing down or taking over anti-Nazi newspapers; 

• Controlling what news appeared in newspapers, on the radio, and in newsreels;

• Banning and burning books that the Nazis categorized as un-German.

• Textbooks are a good example of how propaganda and censorship worked together in the Nazi regime. The Nazis used both propaganda and censorship to control what students read in school. Nazi censors removed some textbooks from classrooms. New textbooks taught students to obey the Nazi Party, love Hitler, and hate Jews.

The demonazis took over education with the creation of the Department of education in 1979.

The Higher Education Act of 1965 introduced federal student aid and loan programs. These give away programs allowed higher education to run amuk with ever increasing cost of degrees. This needs to stop now.

Demonazis try to stop the political middle and right from voicing their opinions by controlling who can and can't post on many social media sight. Censorship at it worst. Thank God Elon Musk bought out Twitter and turned it into X. No more censorship there. Of course the demonazis scream foul.

We The People who love the United States of America must stand by her in her hour of desperate need. If we don't our great country is doomed. I know this is a long winded post but I felt it was necessary to explain how dangerous the deep state and New World Order are. This is why I call the democrats demonazis as the word fits perfectly.

Thank you for reading this post. If you like my post please repost it and start calling the democrats exactly what they are, demonazis.

[aleskie-hischier]

The Forgotten Medalist SUMMARY: Mila competed in 2014 too. Don't forget. Ice to Meet You Masterlist

Word Count: 517 Warnings: None

The Forgotten Medalist Juliana Alvarez, Sports Correspondent

Amidst the controversy of the 2014 Winter Olympics, there has been one person who has been left behind. With all the attention on Yuna Kim and Adelina Sotnikova, bronze medalist Milana Petrova has been largely sidelined. The fifteen-year-old celebrated a milestone by achieving a podium finish on her first Olympic run. 

Born in New York City, Petrova’s journey to the Olympics is a testament to her prodigious talent. She started dancing at the age of two and began learning to skate when she was five. By the time she was competing at age seven, her talent was undeniable. Georgi Pagano, her coach, saw in her a spark that led him to believe she could challenge the best of the best. “Mila has always been great,” he said in a post-Olympic interview, “She was always going to make the team. She was always going to reach the podium. There was never any doubt.”

This Olympics saw Kim and Sotnikova as favorites for the gold, but it was Petrova who had been the surprise podium-finish. Her short program performance to Elysium from the Gladiator film score and her free skate to For the Love of a Princess from the Braveheart film score left audiences in awe. Both programs were technically demanding, with Petrova expertly executing a textbook triple axel in both, but they were also artistically wonderful to watch. The emotions were all there, beautifully showcased, and the musical interpretation was nothing if not timed perfectly.

The results of her performances sparked a debate across the figure skating community, with many believing her consistency, level of difficulty, and artistry were overlooked for Sotnikova’s inconsistent but more athletic and technical programs. Still, while the scores she was given were lower than expected, likely due to a slightly under-rotated triple salchow—a jump that has always been Petrova’s weakness—it was clear to all that had watched her skate that she was a force waiting to be fully awakened. 

Though the focus for this Olympics might be on Kim and Sotnikova’s rivalry, and the subsequent allegations that came with it, Petrova’s accomplishment must not be overlooked. At just fifteen, she’s shown that she can go toe-to-toe with the best and come out on top. The young skater has also shown a maturity beyond her years, proficiently handling the pressure that comes with having a nation’s expectations on your shoulders. She says in a post-skate interview, “It’s been a dream of mine to make it to the Olympics. To have gotten a medal at my first is beyond even my own expectations. I could sit here and think about what I could have done better or what things could have affected my programs, but the results are what they are. There’s only up from here.”

As she says, there’s only up from here. While Milana Petrova might be the forgotten medalist amidst the controversy surrounding the 2014 Winter Olympics, her rise to the top of this sport is only beginning. Already a gold medal favorite for the next Olympics, her potential can only be described as limitless.

[sug4rsweet]

ᯓ★ // ... Kaori Takahashi (Japanese: 高橋 かおり, Hepburn: Takahashi Kaori; born February 6, 1995), also known as Kimberley Ava Takahashi and mononymously known as Kaori, is a Japanese-American singer-songwriter, actress, producer, DJ, and fashion designer. Making her debut as a singer in 2011, she has gone on to be one of Japan's most popular singers. She is portrayed by Hirai Momo.

Kaori Takahashi was born on February 6, 1995 in Azabu-Juban, Tokyo, Japan as an only child. Born into a wealthy family, her father is Takahashi Hidehiko, a businessman. Her mother is Nakamura Mamiko, a singer-songwriter, socialite, designer, and former member of the eighties idol girl group Onyanko Club.

Takahashi's parents suddenly divorced in 2004, which caused her and her mother to move out of their wealthy neighborhood and into a small apartment in Yanaka, Tokyo. Takahashi and her mother would reside in Yanaka for two years until they moved into her maternal grandparents' home in rural Nakagawa, Nagano, Japan. They lived there briefly, moving to a larger townhouse apartment in Brooklyn shortly after.

After moving to the United States, Takahashi began acting and modeling as a way to support her mother. She attended an audition for Hannah Montana (2006) and secured a supporting role, and would continue working with Disney until 2010. Takahashi signed with Hollywood Records and released music under the label, but her debut album, scheduled for release in 2009, was shelved.

Takahashi attended high school in New York for a year, but moved to attend school in Tokyo in 2010. She would continue her modeling and acting career there, sending her mother a percentage of what she made.

Takahashi speaks Chinese fluently, as her mother studied it while in high school. She also speaks decent Spanish and French, the former of which she learned in high school, and the latter of which her mother also studied.

2005–2010: Career beginnings, stints with Disney, cancelled debut album

Shortly after moving to New York, Takahashi was scouted by IMG Models. She began modeling for magazines such as Seventeen and Elle Girl, for fashion brands such as Abercrombie & Fitch, and in commercials for the fashion doll brand Bratz.

Showing an interest in acting due to her love for actresses Lindsay Lohan, Angelina Jolie, and Lucy Liu, Takahashi began taking acting classes and auditioning for roles. Due to her inexperience, she didn't get many roles at first. However, she landed a small role in the television series Ugly Betty in 2005.

Around the same time, Takahashi's mother would spot a casting call in a newspaper for socialites Paris Hilton and Nicole Richie's reality show The Simple Life, calling for "eccentric families" on the East Coast that Hilton and Richie could live with. Seeing it as an opportunity for her daughter, Mamiko answered the call, and the Takahashi family was chosen by production. The family's episode aired in October 2005.

Takahashi would continue modeling following her role in Ugly Betty until she was convinced to audition for Disney's Hannah Montana. She scored a supporting role in the series, and she received critical acclaim once it premiered.

Following this, Takahashi would star in other TV shows such as the the sitcom Seven Street (2006), Law & Order: Criminal Intent, and in the film Cherrytree (2007). She also had a guest role in the show Wizards of Waverly Place (2007). In 2007, she began writing music and recording demos for Hannah Montana and other Disney productions, which included The Princess Protection Program (2008), 16 Wishes (2010), and Shake It Up (2010). Takahashi was also a cast member of The Mickey Mouse Club at this time, remaining on the show until 2008.

In 2008, she had a supporting role in the Emma Roberts-led film Wild Child. Afterwards, she had her first major film role in Lucky, playing the lead character Elizabeth "Lucky" Jones. The role garnered Takahashi a Kids' Choice Award nomination, as well as a Young Artist Award. In September, she was cast as Patrice in the Broadway production of the musical 13. Takahashi's popularity as an actress picked up, and as a result, Disney decided to push her as a singer, as well. Her debut single album, Kimberley, was released on October 9th, 2008. The album's lead single, "Girlfriend," debuted at No. 1 on Radio Disney. That same year, she also appeared in the music video for Miley Cyrus' "7 Things."

In early 2009, Takahashi starred in the television film Anything But, playing the rebellious Riley "Lee" Sawai. It garnered her first nominations at the Teen Choice and MTV Movie & TV Awards.

The same year, Takahashi was in talks with Disney to star in her own television series, but that would never come to fruition. She later confirmed that her debut album, titled Don't Tell, was set for release that year. However, months passed, and after the album's release faced multiple delays, news about it eventually stopped. By early 2010, Takahashi revealed that Don't Tell had been shelved and that she had moved back to Japan to continue school. Disney confirmed the news shortly afterwards.

The last two films Takahashi was in before resuming school was Talk Talk Talk and Superficial (both 2010), which both premiered in theaters to positive reviews. Takahashi contributed to the former’s soundtrack, which became her only album release in the States at the time. She also sang the track used in the opening credits of the latter and a track that appeared on the film’s soundtrack. Takahashi also appeared in a few episodes of the Nickelodeon TV show Victorious, which she also wrote music for.

2011–2015: Other acting roles, debut in Japan, rising popularity

After moving back to Tokyo, Takahashi moved into her maternal aunt and cousin's apartment. While in school, she continued to write music with the help of her mother, and recorded a few songs which would be posted to her Facebook page.

Takahashi would ease back into work through modeling, scoring jobs with Seventeen, Egg, Nylon Japan, Vivi, and S'Cawaii. She modeled for the clothing brands JSG and Fig & Viper, the former of which was founded by former model Kaoru Watanabe. Takahashi was also featured in various commercials, as well as in campaigns for cosmetics brands such as Dolly Wink and ColourPop. She also became an exclusive model for Egg, appearing on five separate covers.

After modeling for a while, Takahashi had a supporting role in the Japanese drama Switch Girl!! (2011). The drama made her popularity as an actress rise in Japan, and later that year, she scored another major film role.

Playing the lead in the film High School Debut, it would do immensely well, becoming one of the most popular teen films in Japan and skyrocketing Takahashi to star status. She was nominated for numerous awards in the country, most notably for the Best Newcomer awards at the Japan Academy Film Prize. Additionally, Takahashi also sang "Heart no Tonari Ni," the song used in the films opening credits, which would go on to chart highly in Japan. As a result, the record label Avex Trax would later contact her and offer her a recording contract.

Takahashi accepted, wanting to restart her music career. After nine months of development and recording, Takahashi released her debut single, "Treat Me (Akachan o Atsukatte)."

Meant to establish her "eccentric" image and technopop sound, "Treat Me" debuted at No. 4 on the Oricon charts, selling over 100,000 units. It fared moderately in the States, landing at No. 39 on the Billboard Hot 100. The single brought Takahashi back into the public consciousness, and it set the precedent for what would be her debut album.

2012–present: Debut album, expansion into other countries, superstar status

Finally, on February 17, 2012, Takahashi released her debut album, Kaori. It was massively successful, selling over 400,000 units and debuting at No. 2 on the Oricon albums chart. It also did well in the United States, garnering a placement of No. 70 on the Billboard 200. With sales of over a million, Kaori was one of the highest selling albums in Japan by the end of 2012. Takahashi's sophomore album, Sweet 18 (2013), would turn her into a teen idol in the country.

After releasing her second studio album, Takahashi released her debut Chinese album, K.T. (2013). Prior to its release, the single "I'm Not Yours" was released. It topped the Global Chinese Pop Chart, selling over 90,000 units in the country.

In 2020, Takahashi signed with JYP Entertainment and ventured into the Korean pop market with the single "I'm Not Cool" off of her extended play Spicy 'n Sweet. Both the single and album topped the Gaon charts, and Takahashi became the fastest female soloist to garner a first win after just four days. She would achieve a triple crown three weeks later.

With over 10 million albums sold in total, Takahashi is one of the highest-selling musical artists in Japan as of 2024. On September 6, 2024, she released her eighth studio album, CHECK IT!, alongside the single "ESCALATE."

The album sold over 2,500,000 units within its first week, and its projected to be the highest selling album in Japan by the end of the year.

Takahashi is a lesbian, of which she's been open about since her debut in 2012. She has stated that she has known she was into girls since she was in middle school, stating, "I guess I've always been this way. I naturally gravitated towards girls more, but I think it really clicked when I was around 11. I never clicked with boys in a romantic sense."

Since 2014, Takahashi has been dating singer and DJ Elizabeth "Liz" Ronson. The two were in a highly publicized relationship for six years, until they publicly split in 2020. They remained apart for three years, but rekindled their relationship in 2023. In September 2024, Takahashi and Ronson announced that they were engaged after seven years of dating. The two live together in Los Angeles and own a cat, Matcha.

At the age of nine, Takahashi was formally diagnosed with autism and attention deficit hyperactive disorder (ADHD). Since the start of her career, she has been very open about her experiences with both, and has been an advocate for other neurodivergent individuals.

In 2013, nine years after their publicized divorce, Takahashi's parents were remarried at a small ceremony in France. Takahashi acted as the maid of honor. The year prior, she had seen her father in person for the first time since 2004.

In 2014, Takahashi founded the fashion brand Jazzy. Targeted at mainly teen and young adult audiences, the brand was based around Takahashi's own individual aesthetic, as well as around the gyaru subculture. In 2016, Jazzy expanded into cosmetics and began housing Takahashi's first of two fragrances, Electric Pink. The brand, now worth over USD$400 million, is well-known for its eyewear, handbags, and accessories.

Takahashi began deejaying in 2014, following a surprise set at Tommorowland. Since then, she has done sets at Glastonbury, Coachella, and at the Governor's Ball in New York City.

In 2014, Takahashi became the face for Moschino's Toy 2 fragrance, but left the brand shortly after. In 2016, Takahashi was named the global ambassador for the Italian luxury fashion house Versace, which was teased in an Instagram post in April of that year. She became the face of the brand's Crystal Noir fragrance shortly after, and has remained with them since.

In 2016, she became the ambassador for SK-II, the largest luxury skincare company in Japan. A year later, Takahashi was chosen as the face of MAC Cosmetics, signing a USD$10 million contract with the brand. She was later featured in a pictorial for their Viva Glam lipstick line in Vogue Japan.

Takahashi has also been named the global ambassador of Bulgari in 2018, and Hermes the following year, and Marc Jacobs in 2022. In 2020, she became the model for Chum Churum, a soju brand founded in South Korea.

The following year, Takahashi was named the ambassador for South Korean eyewear brand Gentle Monster. In 2022, she partnered with the brand to create her own limited edition line of sunglasses. The line, called Kashi x Gentle Monster, was sold for six months.

In 2023, Takahashi partnered with Push! Color, a colored contact lens brand founded in Japan, to release her own line of colored lenses, called DEJA U. Four separate colors, ranging from light blue to hot pink to gray to yellow, were released in May.

format entirely inspired by @venusvity ! ★

[snackugaki-jestsjapesjokes]

blep blah, here have some old ass backrooms doodle content when the topic of "the beach episode" concept came up bluhp blooh brain nyooming but art hand isn't arting

i think what is super cute in modern fandom expression that I've seen is that in terms of making OCs or AUs is that sound seems to have a bigger role now than from what I remember when I was young. which I'm thinking has a lot to do with being able to clip audio easily or being able to make multi-track playlists whenever. y'all out here with reels of your art with voice claims and some of the most thoughtfully and artfully crafted soundtracks-- not even playlists, some of that shit is a straight up soundtrack level be real

89% tempted to try one of those shady "free" video/audio editing programs to make a LoFi chill beats study girl visualizer playlist with my iteration's boys ...

anyway gonna contemplate music headcanons for my iteration under the cut

From Turtle Tracks fan letter section, Archie run, #24

so real quick, my iteration is literally just them chilling, hanging out, being together in their mid 30s- early 40s, and then sometimes flashing back to their child/teen years in the 90s because tl;dr i have miiiiiinor beef my childhood turtles weren't quite as "90s" as they "could have been" (nvm I'm cackling at the milennial pop culture refs in Mutant Mayhem drop kicking me back into my adolescence)

but mehehehehe, keeping that they listened to Public Enemy and The Jungle Brothers

and aside from Top 40 musicians of the time... I feel like being outsiders themselves, having to sneak around to explore and learn about people and what's above the sewers had them eavesdropping into a lot of nighttime venues and getting into the underground and various niche subculture scenes that daytime Top 40 didn't play.

cannot tell me the lights, thumping and noise from bands playing hardcore or house or hosting cyphers or raves didn't attract these curious and funky little green dudes like moths to a flame

... Leo definitely fell in deep with the gregorian chant phase, soothing sounds of nature fads , a big fan of Orbital and he fell into that electronic, house, trance, eurodance rabbit hole right after. he also got into Celtic folk music but when his brothers caught his ass studying Michael Flatley to incorporate Riverdance footwork into his ninjutsu he got teased so mercilessly that he took great care to hide listening to it... which just made his stealth better so joke's on them heehoo

Not to mention they're from New York City, the underground music scene is always bangin' no matter the decade; feel like rap and punk got a lot of tracks on their mix tapes back in the day

Raph getting into the metal scene in his own exploring the city trips, and then progressed to music with that boom bap sound (cuz baby boy needs a way to come down off those high intensity moods idk ijs)

Donnie... just the amalgamation of his brothers, he needs that background noise while he's chewing on schematics and protoype development, he would definitely have been the mixtape maker/recording bootlegger (along with Mikey)

Mikey absolutely tagged along with his brothers sometimes whenever they went to their spots for music, though he himself backflipped into ska 'cuz Mikey is always for the people

my tmnt  iteration (where everyone made it past their 20s, splinter’s alive just old, venus is here, and they deserve some goddamn respite and shenanigans)

tmnt  iteration part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8 | part 9 | part 10 | part 11

tmnt  iteration omake 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11

lny visit 1 | 2

Keep reading

[austinsmutler]

EEK i’m so happy you answered the request so i’m sending another one🤯🤯))

Austin! Elvis going to a press conference and seeing reader who is a famous singer. they grew up in tupelo but instead of going to memphis, reader was big in New York. After finally meeting again, they become as good of friends as they used to be. elvis begins harboring feelings for reader again?

during this press conference, reader gets a lot of “who’s your s/o” or “are you married yet” questions. Elvis can see the visible discomfort and sadness from the reader so he decides to step in. He asks for different questions and holds her hand under the table in a way to comfort them? at the end of the conference, elvis kisses reader and says some cheesy stuff like “for the next conference, you can answer yes to all the boyfriend stuff”

thank you so much EEK

Anon, did we just become best friends? I think we did. Thanks so much for this ask, and keep 'em coming! This one was such a cute idea, and so fun to write.

Thinking About You - Austin!Elvis x Reader - 3,900 Words

What you’ll like: Protective Elvis, 70s Austin!Elvis, BDE Elvis, Elvis stands up for reader, second-chance romance between old friends

Warnings: Period-typical misogyny (in SPADES)

Masterlist | Requests are currently open (Please tell me everything you want!)

The press conference wasn't until tomorrow, but the hotel was already packed. Just take care of business. That was the only thing Elvis could think through all the noise, the shouting reporters and camera flashes.

But he had an evening to prepare for the worst of it.

He’d been first to arrive at the hotel, But he was only one of the big names up for an interview. The other artist and the conference moderator were arriving tomorrow. He didn’t even know who they were- hadn’t looked at the conference program or really anything to do with the press event. He just knew it was about music, that the Colonel was trying to set up a collaboration between Elvis and this other artist. The Colonel said it was vital to make an appearance. So here he was, appearing.

Answering a few questions (“I’m so excited for the conference, we have a real talented musician coming out tonight and I can’t wait to meet ‘em”) he made a few excuses (“My manager’s calling me, sorry honey”) and went up to his hotel room. A penthouse suite that was big enough to feel empty. 

Graceland might have been a mansion, but Elvis liked to keep it full of family, friends, and music. This was the worst part of being on the road, Elvis thought as he pulled back the curtain to look at the New York skyline. The city was beautiful, but compact; crowded and cold. The Memphis Mafia were crashing on another floor entirely, exhausted from the day of traveling. This floor was reserved for VIPs only. 

Elvis wandered around his suite: a small kitchen area with fully-stocked cupboards catered to his tastes, a large bed with thick covers of purple satin and velvet, gold trimmings on the walls. Floor-to-ceiling windows that overlooked half the city, the black roads dotted with yellow cabs and the gray sky above. 

“Although it's always crowded,” Elvis sang to himself softly, smiling down at the streets below, “You still can find some room… For broken-hearted lovers to cry there in their gloom…”

He shrugged the emptiness away, deciding to stroll along the floor instead of hanging there like a ghost in the gloom. The VIP lounge had a fully-staffed bar and a private kitchen, all fully-stocked with anything he could hope to order. 

“Whiskey and coke.” Elvis sat at the empty bar, surveying the green velvet booths. From this angle, there was a view of the brownish-grey Hudson river, just beginning to glow orange as the sun set over New York City. 

The bartender poured the drink just as the door to the lounge opened. Elvis turned in time to see a woman taking reluctant strides into the empty room, hair perfectly-coiffed, eyes darting around the room, only to freeze on him. His fingers tightened on his glass as he recognised who it was. 

You.

** ** ** **

“Elvis Presley,” A smile broke over your face, “It’s been a while, huh?” 

Your heart hammered in your chest as Elvis got up, drink forgotten on the bar, and gave you a hug. Almost a decade since you last saw each other, but his arms hadn’t changed a bit. 

“Wow, look at you.” Elvis pulled back, looking you up and down. It was hard not to feel self-conscious as he drank you in. You wore your best New-York-casual outfit. It glittered like the city lights with every movement, the egg-yolk orange sunset haloing you and Elvis as everything else seemed to melt away. 

You were glad you’d come dressed to impress- granted, that was due to the vultures outside with their cameras. Press conferences weren’t your thing, but your manager had insisted on coming here. 

Then you’d seen Elvis’ name on the program, heard about a possible collaboration, and your mind was set. 

“You’re not so bad yourself, E.P.” You grinned, using the old nickname everyone had called him in high school. Elvis returned the smile with his now-famous lip curl. He wore a red button-up that rose high on his neck, black flares and shiny boots that added to his already-considerable height.

“C’mon, let me get you a drink.” Elvis ushered you to the bar with one hand on your upper back. A respectful touch, but one that sent electricity sparking up your whole body. You fought it away with a shiver, which Elvis caught. “Are you cold? I can ask them to check the thermostat.”

“No, I’m fine, thanks.” You grinned. Protective as ever, after all this time. “I’d ask what you’ve been up to since moving to Memphis, but I think there’s not a soul in America who doesn’t know that.”

He laughed, “You could say I’m a modest success.”

“You must be proud.” You smiled, ordering a gin and tonic. Anything to loosen up under the way he looked at you, blue eyes focused on nothing else. 

Elvis shrugged. “I always wanted to make music, and I’ve been doing just that. Rock ‘n Roll, Gospel, Rockabilly, Country. I’ve done a little of everything at this point.” He sipped his drink. “What about you? I heard you were doing well, but I haven’t heard from you since…”

“High school?” You could still remember the last time you’d seen each other: a tearful goodbye as Elvis went on tour and you went to college, certain never to meet again. “Well, you know I was supposed to go to college here, but I actually dropped out. Realized medicine wasn’t for me.”

You smiled at the memories of that simpler time, when you had no idea how the music industry worked. “My first album didn’t do too bad, if I do say so myself. I’m not exactly touring all 50 states, but I do alright for a lil girl from Tupelo.” 

“I’ve seen you on magazines. I almost didn’t recognize you at all the first time, when you did that cover for Modern Woman…” He trailed off, slack-jawed. 

“Well,” You chuckled, “They slap a lot of makeup on me. I use my pseudonym, and I never talk about my personal life. As far as anyone knows, I was born in New York at the ripe old age of eighteen.”

“I have your album at home.” Elvis murmured, looking down at his drink. Were his cheeks lightly pink, or was that the light? You couldn’t tell for sure. “S’nice. Your voice- I’ve never forgotten it. Always thought that record sounded just like you.”

“Wonder why.” You laughed. “It’s so good to see you again, E.P.” 

“You have no idea.” The smile on his face was happy, but not entirely. Sadness echoed in his eyes for a minute- if you didn’t know him so well, you might not have caught it. You pursed your lips but didn’t ask. 

Even after years apart, conversation flowed between the two of you all-too-easily. Eventually the two of you moved from the bar into a booth, still sitting side-by-side instead of across from each other. It was as if there were an unspoken agreement between the two of you: no more distance. A decade was more than enough. 

“You never told me you wanted to be a singer.” Elvis coked an eyebrow at you. “Any other secrets I should know about?”

You shook your head with a grin. “I didn’t know myself, to be honest. You taught me how to play guitar, and when I moved to New York I had nobody to talk to, so I spent all my time in my dorm, playing until my fingers bled.”

You showed him your calloused fingers, the sure mark of a musician. They matched his perfectly. 

“Anyway, one night my roommate pretty much forced me to go out with them to this bar, and they were having an open mic. I didn’t want to do it at first, but my roommate was like ‘You’ll keep me up all night playing, but when you have a real audience you’re suddenly shy? Come on!’ So she shoved me up and I played some Big Mama Thornton. Started with Up Above My Head, then Ball n Chain, Hound Dog... They didn’t let me off the stage till dawn.” 

You smiled at the memory. The crowd, the encouragement when all you’d felt before was fear, everything about being a musician pulled you in. Almost everything.

“The rest is history. Thanks for those guitar lessons, by the way.” You nudged him with your elbow. “You could really make a career out of this music thing.”

He laughed. By now the sun had long since set, and Elvis’ face was perfectly framed in the purple neon lights of the lounge, making him look dark and mysterious. Masculine and sexy. You squeezed your thighs together under the table, trying to fight the more inconvenient memories away. That would hurt too much. 

The last time Elvis had kissed you was the day he left for tour. He left first, leaving your hometown empty. Letters had hurt too much to write, phone calls became too strained and distant, so you’d agreed to stop. But there were no hard feelings- you’d always understood each other, and that hadn’t changed, even though everything else had. 

But here you were. Older, established artists, with separate lives that parallelled perfectly. When Elvis’ hand brushed over yours, you didn’t pull away. He shot you a shy smile- the same he’d had when he asked you out to prom all those years ago. Young, naive, vulnerable. Some things never change.

You stayed in the VIP lounge, talking about life. The music you both enjoyed now, experiences with other celebrities (you’d made an infamous movie with Marlon Brando, leading to a lot of unfounded rumors). Eventually you got to ask how things were back in Memphis. You hadn’t visited in years. 

“Well, we’ll have to change that.” Elvis gave you that curled-lip smile, the one that melted every heart in America- but it had touched yours first. A spark of pride flamed in your chest, but you squashed it down. 

“Is that an invitation?”

There was his hand again, fingers warm on yours. 

“You come to Graceland whenever you feel like it. Just rock up, I don’t mind.” Elvis chuckled. “When they ask, tell security at the gate your name is Blue Suede Shoes. They’ll know you’re alright.”

Your heart fluttered. “Elvis Presley, you can’t just go giving anyone and everyone your secret passwords.”

“You aren’t just anyone.” 

You did your best to ignore the gleam in his eye. You’d probably just imagined it anyway. So much had changed- too much- and yet he was still the same man you’d loved all those years ago. 

Loved. Suddenly none of those feelings felt past-tense.

“I should go to bed.” You pulled away, ignoring the flash of hurt in his eyes. “You should too, conference starts early tomorrow.”

“I don’t sleep much these days anyway.” Elvis offered a weak smile. “Can I walk you to your door?”

You stood on shaky legs- how many gin and tonics had you ordered? 

“If you like.” 

He frowned at your cool tone, but nodded. When you stumbled in your heels, he watched as you kicked them off without ceremony, padding along the luxurious, carpeted corridor in bare feet. 

“Remember when we’d drive down to the creek, in summer?” He spoke softly, and your pace slowed. “You wore those shorts your Momma hated.”

“You loved ‘em.”

“Wonder what she’d say to those shoes.” 

You shared a chuckle- while Elvis’ family maintained traditional Southern values, they also had a rebelliousness your family didn’t understand. Your mother went to special pains to ensure you kept your shoulders covered at all times, never touched makeup or booze, never wore a skirt north of your knees. 

The hotel room door loomed over the two of you, ornate and inviting. 

“Well, goodnight.” You turned to go, but Elvis’ fingers wrapped around your wrist, pulling you close. You looked up at his eyes, clear blue and inches from yours. His breath fanned hot across your face. He hesitated for a moment before wrapping his arms around you, tucking your head beneath his chin. 

“It’s been good to catch up, darlin’.”

He was still standing there, easygoing smile on his lips, when you locked the hotel door behind you. 

** ** ** **

Sleep didn’t come for you that night, and by the time sunlight streamed in through the ornate silk curtains you were kicking yourself for letting Elvis back into your head. The press were ruthless, ready to take any crumb of what you could give them and spin it into a national headline. You needed to choose your words carefully, to be ahead of whatever questions they could ask, but you weren’t. 

You put on a white suit with sharp shoulders and golden embroidery down the sleeves. It made you feel like a queen, but it didn’t take away any of the grogginess. You placed dark aviator glasses over your eyes and headed out with a sigh. 

“Excuse me?” You manager, Joey, ripped them from your face the minute he saw you. “We want them to see your face, sweetheart.”

They were about to announce names in the next room, the moderator taking initial questions from reporters. Your heart thumped so loud it drowned out every other noise. 

“The cameras flash really bright in there. I’ll look worse if I’m constantly blinking the lights out of my eyes.”

“Why do you think people buy your music?” Joey said with an exasperated sigh. “You’ve got a unique sound, sure…” 

He gripped your chin and you fought the urge to pull away. “But your face? There’s a reason we call that the moneymaker.”

“Is there a problem here?” Suddenly a large presence was behind you, and Joey released your chin so he could take two steps back. When you turned, Elvis was glowering at the other man. 

“No problem!” You squeaked. The situation with your manager was… standard, from what you could tell. Other female singers went through it all the time. “Joey was just giving me a… pep talk, before we get started.”

Elvis quirked an eyebrow, but his shoulders relaxed a little. “You’ll do great. You’re the queen of New York blues.”

Those two sentences filled you with pride, and your heart slowed, just a little. Elvis studied your face like he was trying to read your mind, and it was all you could do not to blush under those blue eyes. 

Then someone called his name, and he disappeared through the curtains to greet the crowd. There was only one rule at the press conference: each performer would have the spotlight, on their own, for ten minutes. Elvis’ manager swung it so he was on stage all by himself for the first ten minutes- even if you wanted to steal the spotlight, it would be impossible. Smart. 

His solo time was over in a flash though. Your name was called and Joey all-but pushed you out in front of the sharks. 

The flashes instantly blinded you, and you almost stumbled on your way to the table, but you sat down without a hitch. Step one, check. 

“Howdy.” You smiled into the microphone, prompting another roar from the crowd. Then the questions began.

“When are we going to see another album from the queen of New York Blues?”

“Keep an ear out. My new single will be out next week, and an album not long after.” 

“Your last album had a whole lot of love songs, can you tell us what - or who - your inspiration was?”

The question would have made you stutter, but with a glance to the moderator, you knew you were on your own. 

Then a warm hand found yours under the table. You could feel the cool metal of his signet rings, and it relaxed you. Elvis.

“Inspiration is a funny thing for any artist.” You managed to keep your voice steady. Almost friendly. “Blues comes from the South: work songs, field songs, church music, folk and pop all coming together. It’s full of pain and love. It just so happens that when I write a song, I draw more from love.”

Your fingers dug into your knees under the table as you realized your mistake. Too specific. It gives them too much of an in.

“So is it safe to say you’re in love?” 

“With my music.” You said with a firm smile. “Every Friday I put on my red shoes and dance the blues, gentlemen.”

A chuckle spread through the crowd, but one reporter wasn’t ready to drop it. “Are you currently seeing any men?”

“Yes, a whole lot of them. Right in front of me.” Another laugh from the crowd, Elvis’ hand gave you a reassuring squeeze under the table before withdrawing. When you chanced a glance from the corner of your eye, he was smirking. 

“Do you have a boyfriend?”

“Why, are you interested?” Your chuckle was a little high-pitched, forced. You could keep your cool well enough, but this was the part of the job you hated: the scrutiny of everything personal. It wasn’t enough to put your soul into your art, people wanted a piece of everything else too.

“Just interested in the truth.” The reporter smiled, but it was more of a sneer. “Who are you seeing?”

“Nobody.” Eloquent answers hadn’t worked, maybe short ones would. 

“Dating around?”

“No.” You shifted in your seat.

“What do you have to say to the rumors about your secret marriage?”

You rolled your eyes. “I starred in one movie with Marlon Brando. As a background character. We never even spoke.”

“Is that a hint of bitterness there?” A laugh- at your expense- broke through the crowd. You forced a smile. 

“Well-”

“Could we get some questions about her music, please?” Elvis leaned forward with a pointed gleam in his eyes. “C’mon, this is the queen of New York Blues here, fellas.” 

He glared at the moderator, who checked his watch. “Actually, it’s time to open up the floor to questions for both artists. Who would like to begin?”

The next few hours went by in a blaze of questions- mostly for Elvis, but a few about your upcoming album and collaborations. If any reporters asked personal questions, you deflected them- or Elvis glared at the reporter until they decided to change tactic.

By the time the event was finally over, you just wanted to go back up to your hotel room and collapse in bed. Maybe cry. Definitely cry. Something about giving away so much of yourself at once felt like being ripped to shreds, even if it was your job to feed the frenzy. 

“What were you thinking?” Joey said as he walked you to the elevator. He put on an insulting falsetto, “‘Oh, I’m not seeing nobody’, ‘No, I don’t date’- what was that? We need the fans to think you’re available, not a nun.”

“Yes sir.” Irritation knit your eyebrows together, and Joey pointed at your face. 

“And that. What have I told you about smiling? People want to see you as their happy girlfriend, not their miserable old crone of a wife.”

“I’ll get it right next time, Joey.” Your smile was all teeth. “They seemed excited about my next album.”

“Humph.” He grunted as you reached the elevator, you stepping inside while he hung in the doorway. “I’m going to be taking follow-up questions. I’ll try to sow some actual intrigue around your personal life, see what I can do to salvage this.” 

He took your aviators out of his pocket and tossed them at your feet. “You forgot these.” 

A growl interrupted the moment before you could think of a reply.

“You gonna get in that thing or what?” A low voice drawled from behind Joey, who turned to see Elvis glowering at him for the second time that day. 

“Not at all, Mr Presley. Fantastic job today, by the way.”

“Hmm.” Elvis dismissed the man with a wave of his hand that left no room for discussion. 

Once the elevator doors closed, he knelt to pick up your sunglasses. “You drop these?”

“Um. Yeah.” You blinked back tears, pasting on a smile. “Thanks, E.P.”

People want to see their happy girlfriend, not a miserable crone. 

Joey was a good manager. He could book you in anywhere- all the bars and clubs and even a few theatres, which was almost unheard of for a Blues artist, much less a female one. But the price you paid for that - aside from 40% of your royalties - was being ground into the dirt after every performance, musical or otherwise. You knew he enjoyed it, got a thrill out of tearing his performers down after seeing them built up. But there was nobody better in the business.

“You could do better than him.” Elvis said as you rode the elevator to the penthouse. 

“Who, Joey?”

“I know it’s not my place, but you’d really be better off with a player like Brando.”

“Me and Joey?” You laughed. “We’re not a couple. He’s my manager- just my manager. I wasn’t lying about being single.” 

You squeezed your eyes shut, clamping a hand over your face. “But I can’t believe they asked about Brando. When I heard that rumor, I never thought they’d actually say it to my face.”

“Unprepared paps.” Elvis mumbled with a roll of his eyes. “Always ask stupid questions.”

“I hate them.” You spoke without thinking. It felt good. “Every time they ask me anything, it always goes the same way. Who am I dating? What does my non-existent boyfriend think of the album? When am I getting married? If I wanted to answer those questions I’d call my Momma."

Elvis smiled at his shoes, glancing at you from the corner of his eye. The elevator pinged and the doors opened on your floor. You both got out, but didn’t make a move. His room was on the right, yours on the left. 

"It’s not like anyone’s interested, anyway.” You'd meant it as a joke, a parting word, but Elvis stopped you before you could turn around.

Before you could open your mouth, his lips were on yours, hands cupping your face gently. Like you were something precious. He was the only man who’d ever touched you so reverently, like he was lucky to be so close to you. 

The kiss was soft, but hungry. Before you knew it, Elvis had you backed against the wall, his hands on your hips as he devoured your lips until you had to break apart to breathe. 

“Consider me interested.” Elvis breathed, thumb stroking over the small of your back. 

“E-” His name turned into a gasp as Elvis’ lips found your neck, finding the sweet spot where your neck met your shoulder, as easily as he had when you were teens in the back of his truck. He remembers everything, doesn’t he?

“Next time they ask,” Elvis kissed just below your ear, “You can answer yes to all those questions." 

He pulled back to look in your eyes.

“Please.” He said, even though he hadn’t phrased it as a question.

You nodded, leaning up for another kiss. “I forgot what it’s like.”

He looked at you curiously. 

“You. Being close to you. E.P, I’ve never stopped thinking about you. I know it’s only been a day, but you still make me feel… safe.”

His arms tightened around you. “I should’ve called you more, on that first tour. I was an idiot, darlin’. I hope you can forgive me.”

“Kiss me again. I’ll consider it.”

[newyorkthegoldenage]

Apologies—I meant to post this to another of my blogs. But since a few folks have liked it, I guess I'll leave it.

NYCB Attracting Younger Fans

The AP put out this story, which has run in many papers.

I've never understood why so many organizations prize young patrons over old. The old ones have more money, after all. But I suppose they're thinking of their future: today's young people are tomorrow's "sea of gray." 🙄

It's also news to me that Whelan is in charge of programming. I'm sure that Stafford has (a big) say in what goes on.

At 75, NYC Ballet is getting older. Its audience is skewing younger, and that’s the plan

By JOCELYN NOVECK Updated 12:58 AM EDT, May 24, 2024

NEW YORK (AP) — Alice McDermott settled into her seat at New York City Ballet on a recent Friday night, excited to see her first-ever ballet performance. The 31-year-old Manhattanite, who works in recruiting, was on a fun girls’ night out with three friends she’d met through work, starting with dinner.

“They told me I’d love the ballet,” says McDermott, who was also excited to realize she was already familiar with one of the evening’s performers, Tiler Peck, via the dancer’s popular Instagram feed. “They said you can put on a nice dress and just immerse yourself in another world, whilst marveling at what the human body can achieve.”

Seems they were right: At the end of the evening, McDermott, a new fan, went home and watched a ballet documentary.

Perhaps you could call it “Ballet and the City”? Whatever the term for McDermott’s ballet evening with pals, the scenario would surely be music to the ears of the company — which has been celebrating its 75th birthday with fanfare this year — and especially its artistic leaders of the past five years, Jonathan Stafford and Wendy Whelan.

The two, both former dancers at the storied troupe founded by George Balanchine, have made it a key goal to bring in a younger audience to ensure the company’s long-term health — and more broadly, to guard the vitality of a centuries-old art form.

It seems to be working. Though some initiatives have been in place for longer, the last five years have seen a marked shift, according to numbers provided to the Associated Press: In 2023, 53% of ticket buyers were under age 50, and people in their 30s made up the largest age segment by decade. Five years earlier, in 2018, 41% of ticket buyers were under 50, and people in their 60s made up the largest age segment.

Now, longtime ballet followers note that on a bustling Friday evening you can look down from the first ring of the David H. Koch Theater at Lincoln Center and not simply see, well, a sea of gray.

`A GENERATION OF YOUNG PROFESSIONALS’ A major factor in attracting younger people, especially those under 30, has been affordable pricing. There are also evenings targeting young professionals, including post-show receptions. And there have been collaborations with visual or musical artists with youthful followings — like the musician Solange, who in 2022 was commissioned to score a ballet by 23-year old choreographer Gianna Reisen.

The Solange collaboration was a significant moment, Whelan and Stafford said in a recent interview, surveying the past five years as the thumping of leaping dancers’ feet echoed through the ceiling above Stafford’s office.

“We sold out every show,” Whelan noted. “It was a little nugget, but it was memorable.”

Perhaps even more important was the fact, says Stafford, that about 70% of those ticket buyers were new to the company — contributing to “a generation of young professionals in the city that are at our theater every night now.”

Wendy Whelan and Jonathan Stafford, Feb. 29, 2024. Photo: Bebeto Matthews via the AP

Katherine Brown, the ballet’s executive director, said the company had taken a look at the theater and vastly reduced the price of certain seats — and saw them fill up. She also noted the 30-for-30 program, where members under 30 can buy any seat in the house for $30. “That thing has just exploded,” Brown says, from some 1,800 members in the last full season before the pandemic-forced shutdown, to some 14,000 now.

One can’t discount the “pure economics” of an evening at the ballet, especially for young people, says Wendy Perron, longtime dance writer and former editor of Dance Magazine. “When I was in New York in the ’70s and ‘80s, I just couldn’t afford to go to the ballet,” she says.

GETTING BETTER ACQUAINTED Also not to be discounted: the effect of social media in promoting dancers as people with personalities.

“We’ve got this crop of really exciting but also relatable, approachable dancers, and through social media, audiences can connect to them in a way they couldn’t back when we were dancing,” says Stafford, who retired as a dancer in 2014.

Consider Peck, one of the company’s most popular ballerinas (and a rising choreographer), whose Instagram feed had reached McDermott before she ever saw her dance. Peck supplies her half-million followers with short, punchy videos about everything from her 10 favorite dance roles to how she applies stage makeup. Her videos often feature her partner onstage and off, rising principal dancer Roman Mejia.

It’s all very different from a time when — like Odette in “Swan Lake” — ballerinas used to be mysterious and, above all, silent.

Social media — whether used by the company or via the dancers’ own feeds — can also answer questions. If you attended a performance of “The Nutcracker” a few seasons ago, you might have wondered why dancer Mira Nadon, as Sugarplum Fairy, suddenly disappeared from the stage at a key moment. The answer was on her Instagram later: her pointe shoe had slipped off.

“See, you can get all your answers from Instagram now,” quips Whelan, who herself has an active feed.

ESTABLISHING A PARTNERSHIP A few months ago, Whelan, a much-loved former NYCB principal who also retired in 2014, got a congratulatory text from Stafford in the morning — it had been exactly five years since the two had taken the helm after a turbulent period when #MeToo accusations caused scandal.

Historically, the company had been led by one man — Balanchine until 1983, then Peter Martins. This time, the board tried something new: a duet. Stafford was already interim head, and Whelan had applied for the job.

“They put us in a room and closed the door, and we were like – ‘Hi?’” Whelan says. “They were like, figure it out! And we did.” Stafford, the artistic director, serves as a bridge between the creative and business sides. Whelan, associate artistic director, focuses on the delicate task of programming.

Company insiders describe a mood different from the days when one outsized, all-powerful personality ruled from above. For one thing, the pair says they’ve instituted annual taking-stock conversations with each dancer.

Diversity — ballet is slowly changing but still overwhelmingly white — is also a priority, they say, and that includes diversifying “the pipeline,” meaning students at the affiliated School of American Ballet.

Recently, the company heralded its first two Black dancers to dance Dewdrop, the second most important female “Nutcracker” role: India Bradley and guest artist Alexandra Hutchinson of the Dance Theater of Harlem. Yet to come is a Black Sugarplum Fairy. The company says 26% of of its dancers identify as people of color, whereas 10 years ago that figure was 13%. Stafford and Whelan have commissioned 12 ballets by choreographers of color in the last six years, it says.

“We know where the gaps are, and we take it seriously,” Whelan says.

She and Stafford say they’re also paying more attention to wellness, be it physical training to avoid injury, healthy diets, or a more frank discussion of mental health.

As for the company’s financial health, it is strong, Brown says, four years after the pandemic cost tens of millions in losses The 2024 budget is roughly $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.

As for new fan McDermott, she’s planning more visits, along with her friends.

“I think we have a new tradition between the four of us,” she says. “We’ll definitely be making it a bit of a thing.”

[britt-kageryuu]

The guys are sitting around a large table that has a long grill through the middle, with a couple metal plates on some parts that act as griddles. The table seems to be on a rooftop somewhere, but the skyline is blocked by canvas sheets painted to look like a New York City Skyline.

The guys are all dressed in color coded shorts, their masks, and shirts with different graphics on them. Raph = an Aligator Snapping Turtle holding a barbell in its mouth wearing sweatbands, Donnie = Reboot Process Interrupted Current Mood: Murderous, Leo = a turtle covered ing glitter with a unicorn horn on its head, Mikey = I have a Psychology Degree and am Eager to Use It! (Threat).

They were having Yakiniku, with a few other things on the grills and griddles, chatting among eachother, and answering questions from the chat. On one end Mikey was experimenting with 'steam baking' a cake on the griddle.

Shelldon is flying around the area announcing the questions, while River is in stand-by/sleep mode on a box in the back charging. Shelldon is also acting as a speaker playing music as he floats around.

"So we had to send someone to grab some more ingredients, the poor new guy was so confused by the list, so I volunteered to go with him." Mikey says as he checks his experiment, "This guy apparently never went shopping in the marketplace before, and I swear he almost overpaid on ingredients, so many times. Senior Hueso gave us a budget, and I wanted to make sure we stuck to it."

Shelldon swerves around next to Donnie, "Hey Dad, TechnoTurtle, wants to know how you have so many 3D models in such a short amount of time. Got any answers Dude-Dad?"

Donnie was in the middle of eating so it took a minute for them to answer, "Well to be honest, I have planned to make numerous games with 3D models in the past, and then lost interest for various reasons. So I had all the Models saved on a spare memory bank." They pause to take a sip of their drink, "And before we get a question about the many outfits, I left some odd videogame clothes/costume data attached to the models so it's very easy to add new outfits. Think of our Models as videogame avatars instead of VTuber models. Also I don't know what programs others normally use for making VTuber models, Mandarin and I have been using a mix of my programs, and some free to use art programs."

Mikey is seen moving his cake experiment to a counter near the table to cool under a netted cube, "I may have made our original model concepts, and done some minor rigging for them, but once we discovered the mix of programming we use now, yeah definitely better for us. I may love doing art, but making models for VTubing was more complicated than I wanted to deal with." Mikey quickly grabs a few pieces of meat and veggies from the grill with tongs, "Heck, once I told everyone I designed our models, I had to emphasize on my commission page that I don't do models. But I have been making 2D, 2.5D model Assets, with a wide variety of skin tones, and even different species variants." Mikey says with some pride in his voice.

Leo was about to say something, but stopped to stare as Donnie starts to eat a sandwich, he made with grilled meats and veggies, whole. It wasn't an unusual sight for the guys, but it's been a while since he last saw Donnie do this. And that's not to mention the audience who are all very confused and concerned by this.

"I don't know why I'm surprised to see you eat like that Dee, but Wow. I forgot you could-" Leo paused for a sec, "That almost came out very wrong. And not in a way I would want to say."

Sadly some of the audience was able to pick up on the almost innuendo, thankfully they didn't mention it in chat, but they did make memes out of the clip.

Donnie looked at Leo with great offense after finishing his sandwich. "Annoyed Huff. Rude. Dear Brother, you can not fault me for my softshell instincts!" They say with a huff and crossed arms. Their tail seen whipping around behind them.

Raph just lets out a sigh with a shake of his head. "You two are always so chaotic with eachother. But you're my knucklehead brothers." He uses some custom chopsticks to flip the meat he put on the grill before eating it after a few seconds.

The stream goes on with more chatting, and eating, though after a bit of time they're joined by April, Cass, and CJ. With a note that their Dads are on vacation, to get away from some the guys chaotic antics recently.

The chaotic antics in question were not mentioned, much to the audiences great disappointment.

--------------------

Masterpost

This was at least partly my original idea for their 4th of July post, but I decided that the guys would rather just enjoy the festivities instead of streaming the entire time.

And yes Donnie is swallowing the sandwich whole. I just realized how wrong/weird it sounds to describe that hence the 'unspoken innuendo' line.

[kemetic-dreams]

Carol Diann Johnson was born in the Bronx, New York City, on July 17, 1935, to John Johnson, a subway conductor, and Mabel (Faulk), a nurse. While Carroll was still an infant, the family moved to Harlem, where she grew up except for a brief period in which her parents had left her with an aunt in North Carolina. She attended Music and Art High School, and was a classmate of Billy Dee Williams. In many interviews about her childhood, Carroll recalls her parents' support, and their enrolling her in dance, singing, and modeling classes. By the time Carroll was 15, she was modeling for Ebony. "She also began entering television contests, including Arthur Godfrey's Talent Scouts, under the name Diahann Carroll." After graduating from high school, she attended New York University, where she majored in sociology, "but she left before graduating to pursue a show-business career, promising her family that if the career did not materialize after two years, she would return to college.

Carroll's big break came at the age of 18, when she appeared as a contestant on the DuMont Television Network program, Chance of a Lifetime, hosted by Dennis James. On the show, which aired January 8, 1954, she took the $1,000 top prize for a rendition of the Jerome Kern/Oscar Hammerstein song, "Why Was I Born?" She went on to win the following four weeks. Engagements at Manhattan's Café Society and Latin Quarter, nightclubs soon followed.

Carroll's film debut was a supporting role in Carmen Jones (1954), as a friend to the sultry lead character played by Dorothy Dandridge. That same year, she was nominated for a Tony Award for Best Featured Actress in a Musical for her role in the Broadway musical, House of Flowers. A few years later, she played Clara in the film version of George Gershwin's Porgy and Bess (1959), but her character's singing parts were dubbed by opera singer Loulie Jean Norman. The following year, Carroll made a guest appearance in the series Peter Gunn, in the episode "Sing a Song of Murder" (1960). In the next two years, she starred with Sidney Poitier, Paul Newman, and Joanne Woodward in the film Paris Blues (1961) and won the 1962 Tony Award for Best Actress in a Musical (the first time for a Black woman) for portraying Barbara Woodruff in the Samuel A. Taylor and Richard Rodgers musical No Strings. Twelve years later, she was nominated for an Academy Award for Best Actress for her starring role alongside James Earl Jones in the film Claudine (1974), which part had been written specifically for actress Diana Sands (who had made guest appearances on Julia as Carroll's cousin Sara), but shortly before filming was to begin, Sands learned she was terminally ill with cancer. Sands attempted to carry on with the role, but as filming began, she became too ill to continue and recommended her friend Carroll take over the role. Sands died in September 1973, before the film's release in April 1974.

Carroll is known for her titular role in the television series Julia (1968-71), which made her the first African-American actress to star in her own television series who did not play a domestic worker. That role won her the Golden Globe Award for Best TV Star – Female for its first year, and a nomination for an Primetime Emmy Award in 1969. Some of Carroll's earlier work also included appearances on shows hosted by Johnny Carson, Judy Garland, Merv Griffin, Jack Paar, and Ed Sullivan, and on The Hollywood Palace variety show. In 1984, Carroll joined the nighttime soap opera Dynasty at the end of its fourth season as the mixed-race jet set diva Dominique Deveraux, Blake Carrington's half-sister. Her high-profile role on Dynasty also reunited her with her schoolmate Billy Dee Williams, who briefly played her onscreen husband Brady Lloyd. Carroll remained on the show and made several appearances on its short-lived spin-off, The Colbys until she departed at the end of the seventh season in 1987. In 1989, she began the recurring role of Marion Gilbert in A Different World, for which she received her third Emmy nomination that same year.

In 1991, Carroll portrayed Eleanor Potter, the doting, concerned, and protective wife of Jimmy Potter (portrayed by Chuck Patterson), in the musical drama film The Five Heartbeats (1991), also featuring actor and musician Robert Townsend and Michael Wright. She reunited with Billy Dee Williams again in 1995, portraying his character's wife Mrs. Greyson in Lonesome Dove: The Series. The following year, Carroll starred as the self-loving and deluded silent movie star Norma Desmond in the Canadian production of Andrew Lloyd Webber's musical version of the film Sunset Boulevard. In 2001, Carroll made her animation debut in The Legend of Tarzan, in which she voiced Queen La, ruler of the ancient city of Opar.

In 2006, Carroll appeared in several episodes the television medical drama Grey's Anatomy as Jane Burke, the demanding mother of Dr. Preston Burke. From 2008 to 2014, she appeared on USA Network's series White Collar in the recurring role of June, the savvy widow who rents out her guest room to Neal Caffrey. In 2010, Carroll was featured in UniGlobe Entertainment's breast cancer docudrama titled 1 a Minute and appeared as Nana in two Lifetime movie adaptations of Patricia Cornwell’s novels: At Risk and The Front.

In 2013, Carroll was present on stage at the 65th Primetime Emmy Awards to briefly speak about being the first African-American nominated for a Primetime Emmy Award. She was quoted as saying about Kerry Washington, nominated for Scandal, "She better get this award."

Carroll was a founding member of the Celebrity Action Council, a volunteer group of celebrity women who served the women's outreach of the Los Angeles Mission, working with women in rehabilitation from problems with alcohol, drugs, or prostitution. She helped to form the group along with other female television personalities including Mary Frann, Linda Gray, Donna Mills, and Joan Van Ark.

Carroll was diagnosed with breast cancer in 1997. She said the diagnosis "stunned" her, because there was no family history of breast cancer, and she had always led a healthy lifestyle. She underwent nine weeks of radiation therapy and had been clear for years after the diagnosis. She frequently spoke of the need for early detection and prevention of the disease. She died from cancer at her home in West Hollywood, California, on October 4, 2019, at the age of 84. Carroll also had dementia at the time of her death, though actor Marc Copage, who played her character's son on Julia, said that she did not appear to show serious signs of cognitive decline as late as 2017. A memorial service was held in November 24, 2019, at the Helen Hayes Theater in New York City.