#music is my favorite language

[sweetsaucyhazel]

my Spotify Wednesday morning playlist is called "lycanthropic cabaret wednesday morning" and I'm not sure if I'm into it or just confused.

got any recommendations of songs you'd put on this list?

[scullysflannel]

maybe obscure but what are some of your favourite moments of script spareness in tv, whether it's no words at all or arrestingly simple straightforward dialogue

really love this, especially because it's what I'm drawn to in tv in general. it's a visual medium! vince gilligan caught flack for being completely right when he said dialogue "often carries too much weight in writing." some favorites:

for silent episodes, buffy's "hush" and evil's "s is for silence." I'm so interested in fact that robert king said "s is for silence" was so hard to write and edit because they couldn't use dialogue or adr to bridge the gap if they cut a scene or used a different shot. everything had to be deliberate.

buffy's "the body" also uses silence dizzyingly well, and there's no music at all in it. it really captures the disorientation of sudden loss.

likely thing for me to bring up, but there's an alias scene where sloane tells his wife that he's a bad guy. the dialogue was scripted (ron rifkin talks about it in the dvd commentary), but it's drowned out by music, like the show is taking his voice away when he tries to justify himself. I don't know if they always planned to cover the dialogue or if it was an editing decision, but it's exquisite to me. plus it keeps the focus on amy irving giving it everything she's got (!). perfect song choice too.

the end of "never again," mulder trailing off as he finds his words inadequate. I know the shooting script says scully knows what he was going to say, but it doesn't remotely play as a moment of unspoken understanding. it plays like a moment of realizing the impossibility of complete understanding, which I love. it's a paradoxical sign of respect and an admission of defeat. it sticks with you.

better call saul as a show is a testament to spare, deliberate dialogue, but especially "but so what." the powerlessness in that line, especially for two characters whose job depends on the power of a good speech — I still can't even think about it. no further comment.

kim and jimmy throwing bottles off the balcony in "the guy for this." that's unspoken understanding. but it's so sad and dangerous.

"we fucked up with nora" on the leftovers. yeah you sure did!! that whole big surreal action movie of an episode all boils down to this one basic truth. I especially love "we"; kevin's only company is himself.

"not penny's boat" on lost. a classic for a reason.

so many halt and catch fire scenes fit this mold, but for pure silent revelation, joe recognizing that haley is gay in season 4. gorgeous.

the americans tooth pulling scene!! we all see it!! just like in evil's silent episode, silence is erotic.

I also love the choice to stage the most decisive moment in the americans finale — paige getting off the train — in a way that makes it impossible for them all to talk about it (ever).

the last scene of the sopranos. obviously.

[giantkillerjack]

One of the things I love about Glass Onion is the way that the camera and music work together to tell nonverbal jokes.

Like when Benoit basically has to hold Miles' hand to get him to the conclusion that someone reset the puzzle box Benoit lies about receiving:

Benoit asks if it's possible that someone reset the box, and Miles then declares that someone must have reset the box like it is this huge reveal - and the camera zooms out while the music subtly swells as though he really has figured out something smart, when actually he literally restated what Benoit just said.

[panimoonchild]

Not a yes sir, not a follower

Ми не безвідмовні, не послідовники

Fit the box, fit the mold

Вміщатись в коробку — відповідати стереотипам,

Have a seat in the foyer, take a number

Займіть місце в залі, візьміть номер

I was lightning before the thunder

Я - блискавка перед громом

[elijah-loyal]

not to be horny on main for good storytelling but im in love in love in LOVE with joshua castille and ej cardona's performance in the hunchback of notre dame

[dollsdesires]

I’m so happy to find another Mac Miller fan! What’s your favourite song of his??

I love meeting other Mac Miller fans! 🥰 Picking a favorite song of his is hard; I have SO many 😅. My favorite albums are Circles and Swimming 🤍. You asked for one favorite, but you’re getting 6 😛😂

Also, I apologize for the delay on replying to these asks. I haven’t been able to check my inbox/DMs lately. I’ve had my blog running on a queue. Hopefully I’ll have some extra time this week 💕

[when-the-music-fades]

CASKETS - Glass Heart (OFFICIAL MUSIC VIDEO)

Maybe if I take back what you meant to me

Just like you took my self-belief

It's like a war I fight inside myself

I always lose and I can't help

Fall for the beating of my glass heart

The beating of my glass heart

[batri-jopa]

And Then We Danced / და ჩვენ ვიცეკვეთ (2019), dir. Levan Akin

#ATWD amateur guidebook

Soundtrack & Lyrics - Part 5 [go to: Prologue, Part 1, Part 2, Part 3, Part 4]

[Note: Most of this film music corresponds with what's happening on the screen. The less characters are speaking - the more traditional folk tunes take their turn in commenting the events. Old songs are fitting so good that the story becomes universal "tale as old as time". Lyrics translation usually comes from Google Translator and is absolutely awful but I don't speak Georgian so what else could I do]

21. ბინდისფერია სოფელი (Bindis Feria Sofeli)

The village is gradually getting darker What is our life will fly away like a bird Someday the grass will grow on our village

Even those who thought it was hard to walk were briefly looked after. The rust of the gun will eat the rust of the earth, the heart of the man will be sad. Death will come invisible, he will throw away his weapon in a second. What we will take to the world, no one else has taken what.

[The part above is what you can hear in the movie. Below is the part that is not in the movie but I suppose is well known to Georgian audience]

I will recite the poem to you and it will be good for me to die And you will remain here as a memory of me They used to tell me that they were just like me Let the country rejoice and I die in the grave Those who are right like me will listen to the voice of panduri Don't fall apart, don't get married

[Note: 1. Lyrics I found at genius.com 2. It's worth to realize that this is one of the moments in the movie with very distinctive contrast of mood between music and the movie scene: we can see a theoretically joyfull wedding scene and Merabi's face changing from numb to overhelmed with joy - yet the song in the background speaks about death and its inevitability. Is this contrast meant to only emphasize that the wedding is actually not so joyful since it's for "saving girl's honour"? Or that Merabi's feelings are closer to grief than joy? But even when his face changes, the song keeps on going - is that to suggest that love and hope is stronger than the vision of death? or rather that this love is hopeless? You decide (Anyway - Sunrise Sunset this ain't...)]

ბინდისფერია სოფელი თანდათან უფრო ბინდდება რა არის ჩვენი სიცოცხლე ჩიტივით გაგვიფრინდება ჩვენს ნასახლარზე ოდესღაც ბალახი აბიბინდება

იმასაც მოკლედ უვლია ვინც გძლად ეგონა იარა თოფს ჟანგი შესჭამს ჟანგს მიწა, კაცის გულს დარდი იარა, მოვა სიკვდილი უჩინო, ერთ წამში აგვყრის იარაღას ჩვენ რას წავიღებთ იმქვეყნად, სხვას არა წაუღია რა.

ლექსო ამოგთქომ ოხერო თორო იქნება ვკვდებოდე, და შენ კი ჩემად სახსოვრად სააქაოსა რჩებოდე, მოსთქომდნენ ჩემებ სწორები ფანდურის ხმაზედ ჰყვებოდნენ, ქვეყანა მხიარულობდეს და მე საფლავში ვკვდებოდე, მოსთქომენ ჩემებ სწორები, ფანდურის ხმასა ჰყვებოდნენ, სახლო არ დაინგრეოდე, ცოლო არ გასთხოვდებოდე.

22. Qalaquri 1 & 2

[Note: the title means "urban" but I have no idea what exact song (songs) were used in a movie. I can hear them but I can't understand a thing so I can't tell how much important this might be. IF YOU'RE GEORGIAN AND YOU KNOW WHAT THE SONG IS ABOUT - I WOULD LOVE YOU TO TELL ME!❤️ - The song is at 1h 28min of this Facebook reel)

23. განდაგანა (Gandagana)

(for the meaning - read Note below)

[Note: this time I don't think it's wise to pay attention to literal translation of Gandagana because this song seems to have much more metaphorical meaning in this particular movie scene than in any other before. That kind of direct "translation" you can find at lyricstranslate.com but these sentences doesn't seem to make much deeper sense for the average outside-Georgia viewer. Better check out these interpretations below (and note that the exact moment the "Tarnanani ninano" can be heard in the movie is right before Merab's "Congratulations"):

1. according to this page: "Gandagana" is a traditional Georgian folk song about love and longing. The lyrics tell the story of two lovers who can't be together due to their families, so they express their emotions through longing and sadness. The chorus repeats the words "Tarnanani ninano" which can be roughly translated to mean "Forever we will be apart." The song reflects the difficulty of love in a time where young lovers were not always able to choose their partners, and the pain and sorrow of having to separate.

2. Overall Meaning - according to this source: The song seems to explore themes of love, longing, and the complexities of relationships. The opening lines, "Gogov gogov kiskisa, Ak chamodi tsklis pirsa, Tskali masvi kokita, Gamadzgeni kocnita," can be loosely translated as "Go, go, dear little one, Like a flame, you ignite my soul, Like a thunderstorm, you strike me." These lines express the intense and passionate nature of the relationship being described. It suggests that the presence of the beloved person has a powerful impact on the singer, evoking feelings of excitement and desire. The following lines, "Tarnanani ninano, Tskals napoti Cmaohkonda," continue the exploration of love and longing. "Tarnanani" is a word that can be interpreted as a yearning or longing, while "napoti" means a missing or longing. So, the phrase could convey a sense of the singer's deep yearning for their loved one. "Cmaohkonda" might refer to a specific place or a metaphorical state representing the separation or distance between the two individuals. The later verses delve into the complexities of the relationship, describing emotional challenges and the struggle to find balance. Lines like "Kibis uku debelio, Me ikedan verçamoval" suggest that there might be a conflict or imbalance in the love affair. The lyrics also touch upon the physical and intimate aspects of the relationship, with phrases like "Baxçaşi rom pipinebdi, Pancridan diginaxeo" depicting a sense of affection and desire. Overall, "Gandagana" captures the intense emotions and complexities that can be experienced in a passionate relationship, expressing longing, desire, and the challenges that come with it.

The lyrics comes from lyricstranslate.com

გოგოვ გოგოვ ქისქისა აქ ჭამოდი წქლის ფირსა წქალი მასვი ქოქითა გამაძგენი ქოცნითა

თარნანანი ნინანო

წქალს ნაფოთი ცმაოჰქონდა ალვისი ხის ცამონა თვალი დადექ ნაფოთომიამბე საჲვარლის სემონათვალი

ნალიაზე მე ვერ ევალ ქიბის უქუ დებელიო მე იქედან ვერჭამოვალ შენზე ჩუუხუთებელიო

თაროზე მაქვს ხუთი ვაშლი სამი შენ შიგინახეო ბახჭაში რომ ფიფინებდი ფანცრიდან დიგინახეო

24. ცანგალა და გოგონა (Tsangala Da Gogona)

Tsangala and girl Tsangala.. girl (2)

Tsangala went to the city, And stole grape from there, He didn't share grape with anybody, And digged grave for himself (ashamed himself)

Tsangala and girl Tsangala.. girl (2)

This guy dances well, He stands on halluces, If he hurts his legs, whose fault will it be?

Tsangala and girl Tsangala.. girl (2)

[Note: 1. This song is even more contrasting to the movie scene than the song during wedding scene - Tsangala song is considered really joyfull and most people are dancing and having fun while our character falls into pieces. Could there be any better way to emphasize how lonely and separated Merab feels in his grief? 2. Lyrics was found at lyricstranslate.com ]

..ცანგალა და გოგონა-ა ცანგალა გოგონა-ა (2)

გოგნი გოგნი გოგნი გოგნი გოგნი გოგნი გოგონაა გოგნი გოგნი გოგნი გოგო გოგნი გოგნი გოგონა

ცანგალა ქალაქს წავიდა ყურძენი მოიპარა ყურძენი თვითონ შეჭამა საფლავი გაითხარა

..ცანგალა და გოგონა-ა ცანგალა გოგონა-ა (2)

გოგნი გოგნი გოგნი გოგნი გოგნი გოგონაა გოგნი გოგნი გოგნი გოგო გოგნი გოგნი გოგონა

ეს ბიჭი კარგად თამაშობს ფეხის წვერებზე დგებაა ამან რომ რამე იტკინოს გოგონას და��რალდება

..ცანგალა და გოგონა-ა ცანგალა გოგონა-ა (2)

გოგნი გოგნი გოგნი გოგნი გოგნი გოგონაა გოგნი გოგნი გოგნი გოგო გოგნი გოგნი გოგონა

25. წინწყარო (Tsintskaro)

I walked by Tsintskaro, Tsintskaro... I met a beautiful woman there, with koka (a jug / picher) on her shoulder. I spoke a word to her and she got offended, got enraged, stepped aside / ran away! (By other translation: kept standing aloof )

[Note: this song was already heard sooner in the movie (morning after Merab's and Irakli's first night) and described in the Part 2. (Special thanks to @notasapleasure for helping me identify that it's the same song)

This time Davit initiates the song right after returing home from his wedding and Merab quietly starts to sing along. It seems to comfort him somehow. Is only the beloved traditional polyphonic song that is comforting or the memory it brings?

I think that, together with the fact that Merab decided not to throw down the Spirited Away poster (the one that got commented by Irakli) as he did with the rest of the posters on his wall - indicates that he still wants to think about Irakli. I think it might suggest that he wants to keep warm memory about him even after giving back the ear-ring (and I'm mentioning it because I've seen some reviews interpreting the ear-ring scene as "it's over", letting go, Merab deciding that he discovered and accepted his own self and doesn't need Irakli anymore. I think that yes, maybe his approach was to be seen as taugh and proud in the eyes of his leaving lover, but it does not necessarily reflect what he really felt nor how hard giving that ring back was for him). Now all that is left is Spirited Away poster. And Tsintskaro.]

X. Final dance

[No words, only mood]

26. რა ლამაზია თუშეთი (Ra Lamazia Tusheti)

"How beautiful is Tusheti/Georgia"

How beautiful Tusheti and Lasharoba Tushur are, with twisted horns and a forehead with a candle.

There is a curvy son and a woman crouching on the slope, the water of the wild Alazni singing in the Ewes.

Drinking cold beer with the horn of a stall, barbecuing naked on the fire, fingers dancing on the harmonica of a Tush woman.

I close my eyes, I can still see the necks of the horses and the wolf-clad shepherd boys in the horse's harness.

The blue-dressed pines stand like a bride, I love Dartlo and Chigo mountain, I burn them with love.

How good was Tusheti and Lasharoba Tushur, Chedila with twisted horns, forehead with a candle.

Grilled barbecues cooked on ghadar

[Note: 1. The translation is awful because I could only use google-translator. But the general meaning undoubtly is "How beautiful is Georgia". And I think that's another of the series of music contrasting the movie action. The end of the movie rather leaves us with a feeling of "how untollerant" Georgia is, so the song seems a bit ironical. But let's not forget that Merab actually loves his country and its culture, dances and food... so maybe it's not ironical at all? Georgia is beautiful and young people wish they could love their country freely and not have to plan leaving it for their safety 2. Lyrics source is lyricstranlate.com ]

"რა ლამაზია თუშეთი"

რა ლამაზია თუშეთი და ლაშარობა თუშური, რქებჩაგრეხილი ჭედილა სანთლით შუბლგადატრუსული. ფერდობზე ჩამწკრივებული კოხტა ვაჟი და ქალია, ევებში ამღერებული შმაგი ალაზნის წყალია. ჯიხვის რქით ცივი ლუდის სმა, ცეცხლზე შიშხინი მწვადისა, გარმონზე აცეკვებული თითები თუშის ქალისა.

თვალებს დავხუჭავ, კვლავ მოსჩანს სადოღე ცხენთა კისრები და ქორბეღელას ფერხულში მგლისმუხლა მწყემსი ბიჭები. პატარძალივით დამდგარან ლურჯკაბიანი ფიჭვები, მიყვარს დართლო და ჩიღოს მთა, მათ სიყვარულით ვიწვები. რა კარგი იყო თუშეთი და ლაშარობა თუშური, რქებჩაგრეხილი ჭედილა, სანთლით შუბლგადატუსული. ცვარმოდებული მწვადები ღადარზე გამოშუშული

27. Kinto's Song

I don't know what to do anymore I don't know what to do anymore I have only one heart How can I divide the two? Muhammad and Abdul too I swear to love Both of them fall in love How will it be? One promised me a scarf for love The other one kills himself for my sake I like you both What can I do, what do you want? Love to both Tell me how to separate you Muhammad and Abdul Don't bother me like that my heart and love I am only changing one One promised me a scarf for love The other one kills himself for my sake

[Note: 1. Kintauri and Kinto's culture is so important in the movie I already made SEPARATE POST ABOUT IT and the whole separate tag: #ATWD kintouri trail . To summarise it: kinto were street fruit sellers in Tbilisi in early 20th century, with characteristic clothes and dance (kintouri) and many of them were gay men (though this fact is many times ommited in georgian sources). The "Kinto's song" was found on old x-ray record and it also tells about gay love. This all brings important context to the fact that Merab and Irakli became dance partners of kintouri duo and were dancing parts of this particular dance throughout the whole movie. 2. Once again the translation comes from google-translator and the lyrics from marketer.ge )

აღარ ვიცი რა ��ქნა მე აღარ ვიცი რა ვუყო გული მხოლოდ ერთი მაქვს ორს კი როგორ გავუყო მუჰამედ და აბდულიც სიყვარულს მეფიცება ორივეს შეყვარება აბა როგორ იქნება ერთმა შარფი დამპირდა სიყვარულისთვის მეორე კი თავს იკლავს

ჩემი გულისთვის მე ორივე მომწონხართ აბა რა ვქნა, რა გიყოთ სიყვარული ორივეს მითხარ, როგორ გაგიყოთ მუჰამედ და აბდული ასე ნუღა მაწვალებთ ჩემს გულს და სიყვარულს მხოლოდ ერთს ვანაცვალებ ერთმა შარფი დამპირდა სიყვარულისთვის მეორე კი თავს იკლავს ჩემი გულისთვის

28. ბაღში გაგიცან (Baghshi Gagitsan)

I met you in the garden for the first time, I looked at the moon Your throat was like white wine in a glass I looked at it and couldn't stand those twinkling eyes The twinkling light of your eyes turned into a light

Are you born of your mother or are you a fairy flying from the sky? What pen wrote the eyebrows of your eyes If you ordered me, you know what I would do for you I would move the place where you were born to my house

I would like to know, beautiful, where you are staying In which region does such a good fruit grow? If you ordered me, you know what I would do for you I would move the place where you were born to my house

[Note: 1. As crucial as this song is for the whole And Then We Danced movie I was able not find any good translation of this lyrics that would sound satisfying enough. But I have no doubts that the first verse of this song is directly reffering to Merab and Irakli meeting behind the kvevri in the vineyard!❤️ If not for the fact that the crucial scene is left without music - one might imagine this song to be a perfect background music. Could it be another example of following contrasts in the movie? Love scene between boy and girl might openly refer to a traditional song - but for our boys the song is only secretly suggested in end credits... 2. Source of the lyrics was tsutisopeli.com and archives from alazani.ge ]

ბაღში გაგიცან პირველად

ბაღში გაგიცან პირველად თვალი შეგავლე მთვარესა ყელი გიგავდა ალალ ღვინოს ჭიქაში მდგომიარესა ვერ მოვითმინე, ვერ შევხედე მაგ მოციმციმე თვალებსა შენი თვალების ციმციმი შუქად ეფინა არესა

დედაის ნაშობი ხარ თუ ცით მოფრენილი ფერია შენი თვალების წარბები რა კალამს დაუწერია რომ მიბრძანებდე მე შენთვის იცი რას გადავიტანდი იმ ადგილს რამანც შენ გშობა ჩემს სახლში გადავიტანდი

ნეტავ ვიცოდე ლამაზო სად არის შენი სამყოფი რომელ მხარეში იზრდება ასეთი კარგი ნაყოფი რომ მიბრძანებდე მე შენთვის იცი რას გადავიტანდი იმ ადგილს რამანც შენ გშობა ჩემს შახლში გადავიტანდი

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[corvuscorona]

got more Entire Coherent thoughts about LOST CORNER than I have ever had abt a kenshi yonezu album on first listen, or possibly at all. I kept thinking about that interview for spinning globe where he was talking about spending all this time looking for the Perfect Individual Piano to use for SPECIFICALLY that song. there is so much piano in this album. Each More Different Than The Last. and there are NOISES more kinds of noises than I even know what to do with; it felt like every single song I was going "oooh whatever that is right there, I like that, it sounds like ___" or my wife was. there's so much evidence of PLAYING AROUND I'm in love with it.

he's talked a few times about wanting to always move on to the Next thing & Try Stuff and the whole album is just. peak That. but the fact that it's ALSO the Most Cohesive Entire Album of his (not even going to "imo" this. even if "listening to the songs in order and going 'whoa'" hadn't convinced me, the crossfade being Like That would've) is so. ..!! you know??? it's exciting.

とまれみよ reminded me IMMEDIATELY of リンネ ( @luchiaketchum !! have you heard it yet? ). my wife said that POP SONG sounds a lot like an answer of some kind to 感電 (& thinking about it now, LOST CORNER sounds a lot like an evolution of it?). ゆめうつつ is literally just About his previous works (& I feel like it executes more skillfully on the "unfolding the song as it goes" thing he was trying to do with Paper Flower, in the musical sense). It's stupidly fun to pick these songs apart layer by layer Like Sandwich Ingredients because it really FEELS like there's one million little Thoughts and Decisions behind every "here's intrusive nonmusical sounds like the ones in Flamingo and でしょましょ again" and "I'm gonna use like 5 different distinct Voices in a row so it sounds like I'm having a conversation with Me" and "piano. harpsichord. exactly 1 synth noise in this song about rakugo. different piano. laugh. train crossing noise. yell. touching the guitar strings into the recording device" like. it's. it has. a curiosity. about it. that I like a LOT.

Also weirdly struck by how the bagpipes really do Combine with the piano in spinning globe & become more than the sum of their parts & I don't know What that sum is but it makes me hold the "sincere song for an animated movie" concept differently in my brain compared to the last time I heard him do something similar MY POINT IS THERE'S SYNTHESIS HAPPENING IN THIS THING NONSTOP FOR 20 WHOLE SONGS IN A ROW it's so chew-on-able.

YANKEE has always been my fav, tho STRAY SHEEP came close to unseating it I think, but idk. I think LOST CORNER finally (after 10 whole years!!!!) might actually Win. it has so much going on & I'm So into its personality overall. jazzy & grown-up & inquisitive & (confirmed) AMAZING for playing in the car. & I haven't even gotten into the lyrics yet almost at all !!!

[youremyonlyhope]

Me: I do not care about Descendants enough to watch that new movie. I barely cared when I saw the original ones. Me: *Watches one behind-the-scenes dance rehearsal of Brandy and Paolo* Me: *Silently SOBBING* Me: Ok fine. Fine. I know they have barely any screentime but AH ok. Fine.

[relicsongmel]

Being a music-based synesthete with absolute pitch is wonderful but so frustrating because the vast majority of people have no context for the way I experience music and thus whenever I try to explain it it makes no sense to them. What do you mean you can't tell what color this song is. What do you mean you don't hear a Bb minor chord and feel your body react to it before your brain does. What do you mean you can't feel the warm sunbeams of D major dancing across your face. My world is filled with musical color but even if people think it's cool they will never really see it and it makes me sad

[higekki]

send ♪ and i'll share a song that reminds me of MY muse. send ♩ and i'll share a song that reminds me of YOUR muse! send ♬ and i'll share a song that reminds me of OUR muses relationship!

[monmuses]

// *replying to asks and doing drafts while listening to the Undertale soundtrack hits SO differently compared to anything else i listen to.

[have-you-read-this-short-fiction]

[jeonstellate]

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[cakeissweeterthanpickles]

AHHHHHHHHH 😵‍💫