#mostly because they already know anyways also because they Get It. they understand the distinction in a way other people wouldnt

[termagax]

tldr "what does his face look like" that is his face. dont be rude.

[bookwyrminspiration]

Hi there!

I had some questions (or statements I wanted to discuss I’m not sure what to call them) because I genuinely don’t know much about the subject. I’m on anon right now but I may comment on my own account later. Also don’t feel obligated to answer if this makes you uncomfortable.

So I was wondering if you could articulate any thoughts on proshipping in the kotlc fandom? I wanted to know your thoughts as from my understanding (and please correct me if I’m wrong) you see it pretty positively, and I wanted to better understand the ‘issue’ (idk what to call it)

Anyways I thought I should include what I already know.

So I understand that when people participate in proshipping it does not reflect their actual worldview.

I understand that it is fictional and really doesn’t affect real life.

I think my issue with proshipping has to do specifically with it happening in the kotlc fandom, and this has to do with Keeper of the Lost Cities being a kids series. My problem isn’t specifically with that, but mostly with the amount of “kids” participating in our fandom space (not actual kids like ten year olds but from my understanding we have an array of people from ages 13-16 who I would consider pretty young)

I just worry about when people make posts about, for example, one of the main cast and an adult in the series, because the Keeper casts ages may closely reflect the actual ages of people in the fandom, we’re creating an unsafe environment and these posts may affect what these ‘kids’ think is okay in real life or for themselves.

Anyways, I wanted to share my thoughts but I really mean it when I say I want to hear your thoughts, I don’t think I know enough about the ‘issue’, especially from the other perspective.

(Also, this isn’t really about your call out post about call out posts, I’ve just seen you liking some pro shipper stuff so I thought you might be interested in that sort of thing)

Hi! Thank you for being respectful about this. First, I avoid labels like "anti" or "proship," as they tend to create an unhelpful us vs. them dichotomy. Especially when, like these terms, they have strong associations and generate strong reactions upfront. It's not, in my opinion, conducive to productive conversation

I believe that all fiction, including disgusting, depraved, uncomfortable fiction, should be allowed to exist without restriction. Whether that's incestuous, predatory, or otherwise.

We don't have to read/watch it. We don't have to like it. Or be comfortable with it. But it needs to be allowed to exist.

It's existence does not harm us (the most that happens is we realize, we are uncomfortable, and then we stop watching/reading/etc. and move on), and there is no way to reliably moderate fiction. It will always be arbitrary, and those arbitrary distinctions will always be enforced by the privileged with power, who will use it to create their narrative and silence others.

The issue many people get stuck on, like you, is about children. Now I'm not saying this is what you're doing, but I'd like to bring up the Think Of The Children logical fallacy. It's a more recent one, so it's less known, and I'm just linking the wikipedia.

What it does is switch to emotional thinking, creating this idea of these helpless little things in danger we need to protect. It creates moral panic, because what are you gonna do? Argue against the children? You monster! It can shut things down.

And while children are young and still learning and need guidance, they're also people. They have their own thoughts, reactions, and choices. They use their childhood to practice that, which is aided by fiction. Fiction is a practice run for the real thing; it can be that learning and guidance

Children take what they see in fiction, where no real people are hurt or in these scary situations, and react. They form opinions, determine what they think is right or wrong, and they have more room for error. For example, it is safer for them to misjudge an actually malicious adult in a story, learn what the warning signs were, and be more cautious going forward with no real life consequence than to make that mistake for the first time with a real person.

This is just a general overview. To specifically address this fandom and its ships, I'm going to start with this: when you were 14, did you think it was okay to date an adult? Did you ever see incestuous art/fic and start wondering if it was okay to date your sister?

Yes, consistent, repeated exposure of concepts from influential places can normalize them. Is that a genuine risk here, or what is happening? Have you seen it happen before on a wide enough scale to be generally applicable? I, of course, cannot speak for everyone, but I already knew those weren't okay by the time I joined the fandom at 13. Yes, 13 is young, but 13 year olds are capable of complex thought and reasoning. Their minds aren't going to be changed that easily, and a lot of them would probably resent the implication (even if unintentional, this is nothing against you) they couldn't figure it out for themselves. At least I would've

And more specific to keeper again: we have maybe a handful of these "weird" and "gross" ships/aus/etc. Posted by a number of people I could likely count on one hand, incredibly infrequently. This is a genuine invitation to think it through: what is that going to do?

Is that from enough places with enough power to normalize these ideas? Who is seeing it? How impressionable are they? Have they already formed ideas of right and wrong? Will this change that?

The conclusion I've come to is: 13 years old is young in the grand scheme of things, but at 13 years old you are capable of complex thought. I don't think the limited number of these "objectionable" topics and posters, which/who can be easily avoided, is going to normalize or make people think it's okay irl. It didn't happen with us, did it?

And I think, to some extent, limiting exposure or controlling media access takes away agency and choice, and that young people being able to experience difficult concepts in fiction before seeing them in real life is beneficial. This often then leads to "but what if they read something really icky they hate!" to which I say, kids aren't going to do things they don't want to. They won't watch movies, shows, or read books about things they're uncomfortable with or disinterested in. I simply put the book down and read something else.

And if they're being forced to, that's a different problem, and the solution is not to make sure the media doesn't exist or they can't access it.

This has been long, broad, sometimes specific, and more all in the attempt to be thorough. What it boils down to is: I don't think what you're worried about is going to happen, or is even slightly likely enough to genuinely plan for or worry about (not that you're unreasonable for worrying, though), and I don't think there's any trustworthy course of action that would separate the "good" from the "bad" and reliably, fairly decide who can see it and when.

I hope this helps answer your questions :). I'm happy to talk about it more, though I don't want to devolve into arguing, so if that starts to happen (with you or anyone else), I will likely end the conversation.

[scarlet--wiccan]

I’m not sure if you’ve already answered this but is there any way to update Django’s “shaman” stuff to be culturally accurate? And if not what would you retcon it to be?

I guess I didn't get around to answering this fast enough, since you decided to ask somebody else basically the same question. Itzel covered a lot of what I wanted to talk about, and provided some really great info about drabarne, who act as healers and leaders in Romani communities.

What I will add is that I think Django's position as a so-called shaman-- and the apparently widespread use of magic in his community-- is an extension of a very common trope in which "gypsies" make up a sort of mystical society, rather than simply being an ethnic minority. It's a trope that is usually very easy to debunk by just learning more about our history and social circumstances. You don't really need to intrude on potentially closed cultural practices to understand, generally, what Django's role would have been as a healer, a head of family, or spiritual leader in a marginalized community. Those are actually pretty universal concepts, and I think it's more than enough, in this case, to just build a character around that. Django's also.... dead, and he only really appears in flashbacks, so you're always going to be painting in broad strokes with him anyways.

Retroactively, if we are revisiting Wanda and Pietro's childhood, I do think we need to get rid of the hokey "shaman" role and the nivashi stone-- whatever the hell that was supposed to be. I would like to see more representations of Roma communities that are mostly made up of ordinary, non-magical people. With characters like Wanda, Django, or Natalya, there needs to be more of a distinction that while their magic is entwined with their Romani heritage, they are not magical simply because they're Roma.

Anyways, Scarlet Witch (2016) did actually retcon Django's powers as being derived from the same magical lineage as Natalya's. I know that the Natalya story needs to be fine-tuned, but I still really like that character. In the right hands, I think that the idea of Romani family who have cultivated ancestral magic to protect themselves and serve their community could be really powerful-- but it needs to be told with a lot of clear boundaries in order to avoid falling into the old tropes and stereotypes. Having a character like Django, who mostly functions as a more normal person and applies his mystical gifts in a much more grounded way, would help to balance out Natalya being a sort of magical superhero.

[dmwrites]

It was to the point that xB stayed up for days on end, finding any excuse to not even look at a bed. Luckily for him, Beef was similar, but mostly because he was so obsessed over his card game project. There may not even be hermits to play it, by god damn it Beef was going to finish this card game.

xB helped where he could, it was nice to have someone to talk to at the very least. And Beef, as a fellow loner, was very understanding when xB went out on his own. Beef never asked questions, or at least, never pried too often.

Today was not one of those blessed days.

“Dude, when was the last time you got a good night’s sleep?”

xB grimaced and put down the shulker full of carpet down hard, hoping this would end the conversation before it really started. “Uhh, dunno, been busy.”

“Dude!” Beef, clearly ignoring xB’s silent pleas to stop talking, said in concern. “That’s no bueno, my friend. Sleep is important from time to time. I know you’re like, a fish, or something I don’t know, but fish sleep too… I think, do fish sleep? Aren’t their like eyes open but they’re- anyway, the point is, you gotta rest those vibrant blue orbs of yours, get your beauty sleep!”

“I thought I was pretty already.” xB replied slyly, always willing to stir the pot.

“Oh, well, of course, xB, you’re like the second hottest hermit here, but you’d look even prettier if you slept. You look like a haggard witch- in a good way!” Beef said.

xB, despite his trepidation about the night to come, giggled. “A haggard witch?? Oh my god, I’m leaving you.”

“In a good way!” Beef reminded him, also laughing, and slung an arm around xB’s shoulders so he couldn’t fly off. “I will make you sleep, xB. As your friend, currently your only friend here, it is my duty to. Come on, the sun is setting. Put down your bed, you can even put it next to mine if you want, and we’ll catch some Z’s.”

xB wished he could explain, wish he knew even where to begin with why he didn’t want to sleep. But Beef was stronger then him, and xB reluctantly put down his bed. Just looking at it made a wave of dizzying tiredness rush through him. He got in, and before Beef could even say goodnight to him, he was out.

And then, he was awake again.

“God damn it.” He muttered.

Even thought his eyes were closed, the sun was shining through his eyelids. He reluctantly opened his eyes and sighed. A slime squished nearby. He got up from the bed he’d hastily set down at the foot of some giant statue of a man with a pink coat or something. The sun was rising over this swamp kingdom. Might as well keep heading on, xB thought, since I’m here. He packed up his bed, the bits of food he’d collected, and found a path to walk on.

He supposed it could be worse, waking up in this dream world. He just wished that it felt less real then the Hermitcraft world, so he really knew which one was a dream. He was tired in both, which was annoying. And both felt real, which was just confusing.

Every time he fell asleep, he just kept walking, kept exploring this abandoned land. Despite it all, xB was curious. These lands, kingdoms really, all felt so loved. Blocks placed with care, well-worn paths, silly jokes on signs. So why was it empty? He felt like an intruder, but then again, how can one intrude when there is no other life to intrude upon?

He’d been to the land across the ravine, so he picked another direction, and by nightfall, ended up in the far end of some other kingdom, which had bits of red stuff all over the ground. He settled down by what looked like a summoning circle, which was concerning, but hey, what wasnt anymore.

He got into bed, watching the sun start to set. And just as he closed his eyes, he heard a distinct pop, and a voice he’d never heard spoke.

“Hola? Hello? Who are you?”

“xB?”

xB gasped and jolted upright, grabbing onto the closest thing to him.

“Woah there, you trying to feel me up already?” Beef chuckled.

“Oh, sorry.” xB said, wrenching his hand back from Beef’s bicep.

“Didn’t mean to startle you. You must have been sleeping hard.” Beef said, making his bed. “Don’t you just feel so refreshed now after such a good night’s sleep?”

xB had never felt so tired in his life, and his mind raced, playing that voice over and over again in his head. There was someone else in the abandoned world!

“Yeah, never felt better.” xB said, hoping his voice wasn’t shaking.

[mbti-notes]

Anon wrote: hello! so, for the longest while, i was convinced that i was an infp. but, very recently, i realised that the struggles that i was going through, the problems that were coming up repeatedly, seemed to be more indicative of ne-te loop. i didn't actually get very far with the function development guide once I'd determined myself to be an infp btw. life kinda got in the way.

anyway, this realisation prompted me to delve back into your type theory guide. for the past week or so, I've been going through it in detail with a clear mind, considering every single type as a possibility and rejecting them one by one according to the evidence I'm typing up. I'm still about midway through the inf functions in the proper procedure that I'm following, but i've skimmed that entire post and others, because there's a couple of questions that's been bugging me throughout.

I've more or less narrowed myself down to an xnfp, although like i said, I'm still open to considering other types as well. what I'm mostly stuck with is the following:

1. how is an enfp's ne-te loop going to look in contrast to an infp's te grip?

2. how is an infp's fi-si loop going to look in contrast to an enfp's si grip?

i understand that, of course, every person is a unique example of their type. but I've been stuck with these two points, since i couldn't find anything on your blog related to how a specific tert function's loop looks in tandem with the type's corresponding dom function. like, i know what te-loop looks like, but i don't know how it would work with ne dom. i suspect where i might have gone wrong with typing myself (if i was mistaken, like i said, i am still going through the theory guide intensively), was misidentifying si grip as fi-si loop.

if you do have any past posts that I've missed, I'd appreciate you redirecting me to them. and i hope my doubt is clear, and that you'll be able to help me out. thank you!

-----------------------

As far as I can tell, there are several issues to address:

1) Overemphasis on how functions "look": This usually means you're too focused on outward behavior (superficial) and not really understanding how functions operate inside the mind (fundamentals). Until you are able to draw a proper distinction between cognition and behavior (which is the first major principle that I teach in the Function Theory guide), your focus will likely be misplaced on the what and then missing the why. Asking "what does my Te look like?" won't get you as far as asking "WHY do I use Te in this way?" Basically, you're not going deep enough.

2) Not accounting for Function Dynamics: Newbies often get stuck on viewing functions in isolation, which exacerbates problem #1 above. Once your learning becomes more advanced, you'll understand that functions are dynamic and intertwined. For instance, tertiary loop and inferior grip are very different because the function interactions that produce them are very different:

- Tertiary loop arises due to a unique relationship to i) dominant dysfunction, specifically dominant immaturity, and ii) auxiliary underdevelopment, specifically auxiliary resistance. Thus, evidence of tertiary loop must also include evidence of those two issues, which I have already included in the guide under the dominant and auxiliary function sections. These three parts must fit together properly.

- Inferior grip arises due to dominant dysfunction, specifically dominant extremes that create a troubling imbalance. One reason people find themselves in dominant extremes is because they're trying to force the function to work in unsuitable ways/situations, which causes escalating problems with stress, to the point of not being able to cope and adapt well. Thus, evidence of inferior grip must include i) evidence of dominant extremes, and ii) eventual loss of healthy dominant functioning, information which is already included in the inferior function section of the guide.

3) Not accounting for Type Dynamics: Type dynamics refers to the theory of the functional stack, of how the whole is more than just the sum of its parts. Each of the four functional stack positions serves a unique and specific purpose in your psychology with regard to what the ego needs and wants, which is briefly explained in the beginning of each stack position section, as well as the type dynamics section of the Type Dev guide.

For example, the proper purpose of the tertiary function is to complement and temper the auxiliary function. However, tertiary loop means that this healthy dynamic is altered and the tertiary function is being misused for a different and more nefarious purpose of propping up a failing dominant function.

This goes back to point #1 above of not grasping the "WHY" - what is the purpose of each function in the mind? It's very important to ask yourself WHY you are using the function in that particular way, in relation to the other functions. To what end or to what purpose is the behavior meant to serve?

.

It looks like all the information you need is already included in the study guides, so perhaps you have only been picking out some superficial points about the "look" of functions and ignoring the more important theoretical concepts that would help you understand WHY functions look a particular way. The problem with not reading the guide all the way through to full understanding before you start doing the hard work of analyzing yourself is that you won't see the bigger picture of how all the parts are meant to fit together.

Psychology is complicated, so function theory isn't exactly easy to learn. There are many levels of comprehension and you're still at the beginner level. It's certainly not a crime to be a beginner, since we all have to start somewhere. However, don't sabotage yourself with poor learning methods such as disorderly/unfocused reading, taking shortcuts, or thinking that the "gist" equals complete knowledge - these are common learning obstacles for NPs.

[madelynhimegami]

About twenty years ago (probably closer to nineteen), I finished my playthrough of Harvest Moon: A Wonderful Life.

This morning, I finished my (first?) playthrough of the A Wonderful Life remake.

Well before I finished, I decided I wanted to make a post talking about it, giving my general thoughts on it. And I'll probably just end up rambling. Who knows if it's at all interesting to people but. Here goes.

Being able to save and load anywhere at any time is such a game changer. Holy moly. Even though I didn't really have to do a whole lot of reloading (except where fishing requests were concerned). But it still felt very good to have.

On a related note, the remake is so transparent about its mechanics, it's amazing. I know that AnWL already had some tranparency added to it (especially wrt your kid), but just. Having as much info as the remake gives you, at all times, is nuts. Makes things so much easier to finagle around.

Likewise, thank god for automatically recording cooking recipes. It was already practically impossible to remember how to make anything in the GCN games. The fact that the Harvest Sprites gave you a new recipe every day also helped. As did telling you when your cooking skill levelled up, because the GCN games didn't tell you anything.

Characters actually sound distinct now! The thing about mediocre localizations is that you don't know what you're missing out on until you get a good localization. And wow, the amount of personality shown by having characters speak differently adds a shocking amount.

Even with all of the QOL updates... the main thing that makes me never wanna touch the GCN games again is that they're a lot less bugged. I once again blame the old localization.

(you think there's weird stuff going on in the remake. you have no idea.)

That being said, aside from being able to select your pronouns at the start of the game, the cast (including yourself) don't really do much of anything to gender you. AnWL gave me so much gender euphoria before I even knew what it was. (Not to mention the FoMT remake set the bar for being gay in a way that AWL is set up couldn't really replicate). So... who knows. Maybe I'll end up replaying it someday anyway.

Granted, I say that, but as I was typing that sentence I thought about how the event for giving your toddler a bath was broken so that you could not give him one. Instead of a Yes/No prompt the game just said "Several days later..." and then continued like you had said no. Maddening.

Nuts to it, someone just give me an annotated textdump.

After so much hemming and hawing about who to marry in the remake, I ended up just marrying Nami again. One part autistic lesb solidarity, one part her kid being so goshdang powerful. Either way, I joked about how nothing about me had changed in twenty years.

Once I got to chapter two, I started screencapping like crazy. Got almost 400 of them on my switch now. I just wanted to note everything I could about what my darling baby girl was doing throughout her life. Also my wife.

In my original playthrough, even though I tried to influence my son into either art or academics, he ended up becoming a farmer. But then again, I also didn't understand how to influence him optimally. Which sounds awful out of context. Oh well, at least his life was mostly organic.

I managed to get my daughter into academics before chapter two ended. Probably the most interesting thing that happened was how her dialogue changed. She started reciting her ABC's to herself, and mumbled about books, and said that gemstones were like puzzle peices. It was darling.

Since I've only played the entire game with Nami's child, though, I do wanna replay the game just so that I can see what a different kid is like.

Problem is, it just brings back the marriage problem. And the child career problem, because even if I marry Muffy, like hell will I raise an athlete (but I don't want scholar again... but also if they're an artist they run away from home after the game ends, which is kinda messed up).

A lot of people in the village make comments about how air conditioning isn't good for people's health. They did that in the original game too, if memory serves, but it's still weird. Is this a thing in Japan, or was the person that wrote those parts of the dialogue have a vendetta of some kind?

This is another thing that I know got changed in AnWL, but I'm still so glad that chapters are only one in-game year long. There's a special kind of pain to get to the end of the year, only to learn there's more you need to play before you see your kid get older.

Despite that, I still got a whole lot done, to the point that I spent most of the last two years just idling because I had nothing else to do. Same way I got to the endgame of the original, come to think of it.

I never bought the teddybear. I wasn't gonna do it when my daughter was a teen by the time I had the money. I'm not that dumb. Doesn't do anything but be spoopy anyhow.

I seem to remember the seed maker being instant in the GCN game. If it was, it got seriously debuffed in the remake-- you can only put up to twelve crops in at a time, and it takes 20 in-game hours for the seeds to be produced. Obviously meant to balance how absurdly high tree seeds could be sold for, but the prices were already slashed to pieces, so it was just overkill and made it hard to keep up with what crops I did or didn't have seeds for.

I genuinely hope I never have to make nine of each rare crop again. I mean, technically I never had to anyway, but I did and it was so much pain.

Cows are absurdly expensive in the remake. I guess it's to balance the fact that there's no limit on how long cows can be milked, but

here's the dirty secret

If you have a cow and a bull, they'll mate on their own without you needing to order for it. My cows in the GCN games were constantly getting pregnant. Anyone who complains about cows going dry was doing it wrong.

Sheep are significantly more affordable, though. So I ended up getting mostly those instead.

That being said, a star/brown/marble cow giving S Milk (and the latter two getting their milk processed into butter and cheese respectively) does give you more profit than golden wool does... until you get the Blessed Clippers and you start getting two bundles of wool per sheep (which is insane). But wowie are they expensive...

My new personal hell is having a dozen sheep following me around to scream at me. Did they do that in the original(s)? I never bothered with them....

I'm still sad Flora's not a marriage candidate.

As I mentioned, I was basically without anything to do by the end of the game. Which makes the infinite postgame chapter's existence kinda funny? I don't know what else I'd want to do with that, since as far as I've been able to tell nobody has new dialogue.

No really. I can't even 100% the game anymore because Van stops selling goats, I have over 5 million G, I've grown each one of every plant, caught every fish, dug up all the digsite items, and have all in-game achievements. What would I wanna keep playing for?

Also, why isn't Nina in said postgame chapter? If it's the afterlife anyway, then she should be there too, dangit!

I still don't understand why the dog is trainable.

The player's child is so adorable. I love my daughter so much, she's such a sweetheart.

Wish her self-esteem wasn't so low from chapter 3 onwards, though... another reason to see the game married to somebody else.

I am so grateful there's no friendship decay for the villagers.

What a great game.

And now, some of me rambling about my history with the series:

I don't know what drew me to the original AWL game. All I knew is that there was coverage of it in an issue of Nintendo Power, and I just kept reading and re-reading it. I had a couple friends that swore by the HM games (in particular, 64 and StHL), but beyond that I guess something about it intrigued me to the point that it became a game I really wanted. Had a plan of how I would run the farm and who I'd marry. And counted the days before I finally got it (must've been a birthday or Christmas present).

And I played through it, beginning to end. Despite my brother scorning it. Despite one of the friends that swore by HM64 thinking it was such a watered down derivative it made him laugh several times even as he tried playing it himself.

I also got the girl version when it came out. Don't remember how I afforded it, but I remember that I was too embarrassed by wanting it to let anyone know I did get it but myself. Never managed to finish it, but boy howdy did it have a lot of gender euphoria. I got to be a mom.

...I tried other HM games since. I got Magical Melody (which I recall using Action Replay to turn my player character into a girl that make perfect sense to me now but I don't know what I had been thinking at the time), but dropped it shortly after my wife started expecting.

I got both versions of HMDS (mermaid wife yes please), but only stuck with them for about two or three in-game years each.

I got Isle of Happiness, but honestly the fact that every item had decay to it stressed me to the point I couldn't play without Action Replay codes to keep everything top quality and freshness forever-- and even then the crap you gotta juggle is crazy. Played long enough to marry the Witch though, so that ruled.

I got Hero of Leaf Valley, and that one I actually stuck through to the end (including forgetting how many zeros were in fifty thousand and ended up raising up half a million G before the second year's end), but got too paralyzed with indecision on who to marry (it was mainly between Gwen and Aurelia, since I read that Alice couldn't be raised to red heart after the credits. Game seemed to have thought I had my sights set on Lyla, though).

I tried Rune Factory 4... but something about it just didn't vibe with me so I bounced early.

Every now and then, I thought about going back to A(n)WL, or maybe trying a different one. Never did, though. And Stardew or other inspired's didn't ever really grab me.

And yet I inhaled the chance to play the AWL remake when the time came. And now I've finished it. Go figure. I'm still not sure what it is about that game specifically that calls to me.

I think the amount of interactability with your kid is a big factor, though.

[nifflering]

Part two Beware spoilers for life on mars series one and two

Hello, hello, hello (some brainrotted fellows will understand this reference) Welcome to another edition of

*me rambling at you about life on mars (the UK version)*

Most important thing: this is my interpretation/analysis.

So, these are my personal, quite uneducated opinions. Also: I bought the series on DVD. No one will be safe.

Today, we'll be talking about the usage of colours in lom in general. If I do start and finish a rewatch and find some interesting scenes – I will add my commentary on them.

Like I already said many times before – there aren’t really many scenes in 2006/2007.

The shooting script of the first episode (I found it while floundering around on the waybackmachine) originally includes a scene in Sam and Maya’s appartement. (Context my beloved: Sammy boy is being kind of an ass, too busy with his job to solve his issues with Maya. She attempts talking to him but fails. I don’t know why they deleted it, because it would have really provided more context to their relationship and – most importantly, for my cause, a sneak peek of their apartment – I imagine it as very clean and kind of impersonal, a few personal touches, Maya’s attempt to brighten up the place. I think they’re both really busy, they started decorating but then Sam became DCI and he got too busy to use the apartment for anything except for sleeping. #Overwhelmed king)

Anyway, let’s take a look at.... a shot that to me represents a big theme of the show and some ✨️colors✨️.

After Sam gets hit by the car , he wakes up in this construction site with a poster of the soon to come high way. An image of the Future.

There’s a really distinct difference between the colour palates. The “future” sky is a nice light-blue, not a cloud to be seen, with some touches of orange and green. Everything is all white, clean and perfect – and it’s all coming soon(er or later).

Of course, it’s a very idealized version of the future. Because it’s how Sam perceives it – at this point in time, he’s very desperate to return.

(Just look at the scene where he first gets contacted through the math programme through the TV. The way Sam crawls towards the TV….. SIR, YOUR ACTING CHOICES. PLEAAASEEE.)

But it’s still surprisingly accurate. However, the idealistic picture of the future is quickly shattered, if you consider that – let’s squint our eyes - to see little Sam’s limp body lying on the ground. Surprisingly, in the 1970s we don’t really see a person being hit by a car (as far as I can remember - except Sam ofc)- But – let’s be honest in 1973 the streets are just every ground that is remotely driveable on.

The past still contains traces of those colours, mostly orange as seen in the dirty underneath the bridge. The air is heavy and greyish, trash and building material is littered on the ground.

The only bits of white are the high-flats in the background, but they are far far away.

Those buildings and streets are still being built – everything’s in flux. Things can change. But, should they? Sam is generally really unsure in that whole department but that’s the thing about it:

We never actually find out, (side note: I haven’t yet seen ashes to ashes) if Sam’s choices actually make an impact in the present. It certainly gives you the impression – his father staying away, his mentor teaching him those lessons, Maya’s birth, etc. etc.. But does it really matter in the end?

Or is it just all in his head? Is he still Sam Tyler in a hospital bed in 2006 or is he an amnesiac Sam Williams in 1973 on an undercover operation?

In the past, there are several buildings – bound to Sam Tyler’s identity, and which I will be further explaining in another ramble.

Let’s get back to colours. Two examples where a similar concept applies: The interrogation room and the general office space of the police department.

The room is flooded with light – courtesy of the huge windows (side note: privacy??? What’s that?). The situation is very transparent as the interrogation is literally being recorded. The person being interrogated has their whole support team with them, including lawyer, social worker and psychiatrist. This scenario is as by the books as you can get it.

I also really like that little shot of Sam adjusting the pens, character go brr.

Same thing in the general offices – a 2010s fever dream with all those clunky computers – which school computer lab have you magically transported me to?

Imagine the absolute horror that Sam feels when he sees the past police department.

Look at it

Without considering the lighting and furniture, the room looks sort of modern – it has a lot of windows and could be causing the same effect as the interrogation room on a visitor.

The officers are working diligently and carefully through every case and issue – investigating every clue and they never rest until they catch the perpetrator.

But that’s wishful thinking - In reality (at least in the past)the room is tinged with brownish yellow lighting, there’s no order to the tables, paper strewn all over the desks and even spending a second in this room will lead you to smelling like smoke for the next 55 years. I would faint. And I’m not even talking about the consequences of not being a white straight guy….

This police department doesn’t even have an interrogation room, they also rarely record any interrogations (leaving a lot of room for interpretation or using some creativity to catch the suspect or get an important lead) and mishandle, don't notice or even collect crucial evidence.

In the lost and found

Even asking for a lawyer – leads to being laughed at and insulted by the literal governor of the department. It’s quite dark and very cramped – it’s quite private – so no one will notice you beating up an innocent person….

But I still feel the office feels very lived in.

There’s a giant dart board, random trophies, dirty dishes strewn about… Good luck getting your case solved. Where’s the evidence that could solve your murder? It’s probably buried under some spicy magazines and a bunch of cigarette buds.

For all the time the police spend at the office, they sure do know when to stop and start going to the pub.

One scene in the later seasons – in the episode about the false imprisonment of the teenager who murdered his younger girlfriend, Gene Hunt is determined to catch her killer for good. He’s made a promise to her father and he’s willing to do almost everything to make his city a safer place (any means necessary). He urges the police men to do anything they can, work day and night and not sleep a wink until they’ve put the right person in prison.

And then, he peeks at his watch and drops everything because they need to get drunk in the pub.

and that's it, hope you enjoyed :)

BONUS: have some cinematic shots

For u @roxannepolice <3

featuring: desperation, isolation and crippling loneliness

lom 1

lom 2

[jeanmoreaux]

okay so not to alarm you but prince's gambit has rewired my brain

like objectively i admit this series is dark and gross and yada yada yada all the caveats, i get it....but also i'm gonna be so honest i was expecting worse? like more specifically between damen and laurent. like the world itself is crude and terrible but everybody made it seem like it was this insane relationship that leaned into the sex slavery part and i'm just so compelled by the fact that as characters, both damen and laurent are overall....pretty decent people. like sure they have slaves, they kill people sure, but they don't abuse each other to the same extent like i see in a lot of toxic ships and that's soooo fascinating. (especially because i'm still waiting on laurent's reasoning for his celibacy! what is he hiding!!!) the reason the ship works so well is that starts as enemies to allies first and they do shockingly treat each other with as much consent as they're able most of the time. and in book two especially there's just so much less horror than in book one.

i think it was uncomfortable to adjust to the world itself because of obvious reasons but i think the political intrigue of book two is SO interesting and compelling and yeah i'll say it, i fucking love stories where the enemies end up becoming the only people they can trust - and the REASON IS they are BOTH TRYING TO DO GOOD! which is again so andreil coded, although it's for sure in a different way. my other favorite character archetype is the bad guy who is actually doing good underneath he just never corrects anyone because it's easier and better strategically to be bad!!! (me reading this: oh okay so it's a rhysand thing isn't it) like sure laurent is a bitch but he's literally giving aaron warner

i'll admit i am slightly terrified of what will happen when laurent finds out who damen actually is but i am LIVING for these bonding moments where they keep saving each other's life like DAMN i'm into that shit

anyway. i've fallen into the deep end and i fear i'll be stuck here for a while but hey, it's fun. i feel like i should be more ashamed of enjoying it BUT it's fun.

i know you already finished kings rising by now and i know i already screamed sufficiently in the dms (<3) BUT i just need to post this because your reactions in any shape and form are priceless to me. like YEAH it isn’t as bad as some people make it out to be. like you mentioned in some other tags on your blog, for a series that people claim is about focused on sex slavery (which it is not lol) there is a lot of consent happening. also like. the gross and disturbing stuff mostly happens in book one (after that it’s getting much tamer (still heavy and disturbing things happening but to a different extent) and it’s mostly just established things playing out and the main dynamic shifts so so much from where it started and in book three you understand why things unraveled and happened the way they did in book one. and by then everything has changed and the person they used to hate is their focal point and the only person they can actually trust. and the loyalty and devotion are well-earned and bone deep on both sides. it’s just soooo *head in hands* 🧎‍♀️and just to have it said, with an ounce of critical thinking you can see that there are points being made—shocking and “problematic” things in this story do have a point to exist in the story. it’s actually a story that at its core much more about love and forgiveness and overcoming your past than anything else. people either get it or they don’t.

and i know you understand now when i said they are andreil coded in a distinct way in the sense that their dynamics resembles them but they both resemble them as individuals as well but also they are completely different from neil and andrew and ahhhhh it makes me feel insane but You Know.

[the-nameless-juan]

So guess what just came in the mail today! (Err well not technically today as I was out of country but y’all know what I mean!)

That’s my copy of the 2nd edition Oracle Dice by @publishinggoblin, as you might know by my posts I am a big fan of Tarot and tarot adjacent practices but I also a big fan of the first oracle dice which I got as an add-on in one @publishinggoblin’s previous crowdfunding campaigns (believe it was for The Narmol Tarot 2nd Edition) which I absolutely adored. Haven’t really posted it much about it mostly because it more than an other form divination seems to almost gleefully cut to the heart of things and hit nothing but nerves, but not in a bad way? Honestly don’t know how to explain it, it’s just the reading we’re always intensely personal and raw, so I never felt comfortable posting about my readings with them.

Anyways, when this 2nd edition was announced I backed it almost immediately at the Etched in Stone tier, to get those fancy dice made of, you probably guessed it stone. So I’ve decided to do this rambling review first impression thing for… well anyone who wants it!

First a look at the mat

The very that jumps out at me is what an improvement it is over the first one! Not to say the first mat is bad, the things takes center stage of my tarot reading and in fact has shaped it radically I love it to bits but the design of this new mat is just 💋.

Plus the texture is just fantastic, has that fantastic smooth silky thing going that I just love to glide my hand along.

And then there is the second side, while the loss of the rubber bottom to prevent slippage is regrettable this second reading space is wonderful. I haven’t even cracked open the guide to see the traditional use and interpretations but I am already feeling inspired. I cannot wait to get started, and I have a distinct feeling this may well be taking over as the centerpiece of my divination practice going forward.

Now then, onto what is probably the main event, the Dice

Ahhhhhh they’re so preety 😍 As a reminder these are the fancier Etched in Stone tier dice, each is made of a different stone and the faces are all etched in and inked and look absolutely stunning in person. Just holding them is a treat and the noise they make when you shakey-shakey them in preparation for a throw is fantastic. I fear now that I have experienced non-plastic dice I will never be able to go back, I have yet to even properly cast them but I love them already.

But wait, there’s more!

There were two Oracle decks on offer so of course I had to get both.

On the right we got the Dice Face Oracle which turn each dice face into its own individual card along with a guide to reading them as cards, but also encourages you to read them as their dice versions meaning you have options when performing readings and I love that shit, there is nothing that I love more than a reading that evolves and shifts the more you stare and stew on it. Also every one of the dice face icons are excellently designed and having them in a bigger blown up form is wonderful.

On the left we got the 22 card Lords of Oracle deck. Each of the dice has its own lord who is an embodiment of their die with their own lore and my god I love this art! I can absolutely see myself pulling one of these cards and having on of these lords color a reading in a completely new light, the potential is just breathtaking.

And last but certainly not least, the tomes.

I haven’t had a chance to truly sit down and read the guide, but from a quick skimming it is still written in the same easy to understand way as the 1st edition. The first edition was a fantastic guide to a admittedly complex divination practice and as long as this second edition continues that with the new dice it is a welcome edition to the books I reference on the regular, plus having page size version of the Lords of Oracle art is just wonderful.

The reading journal is a fantastically designed tool especially for those beginning with these dice. I would have loved something like this for when I started with the first edition as it was a tad bit overwhelming with it’s… everything. I will most certainly be making use of it

Righto, that’s my first impressions/ review of the Oracle Dice 2nd edition done. Will be trying a few reading when I have a chance and will hopefully remember to talk about is here! So if you got any questions or if I forget to talk about the reading experience feel free to textually yell about it here or in my ask box, see y’all!

[nananarc]

EXCUSE ME WHILE I RANT FOR A BIT

So anyway I finally started with the graduation project and, lemme tell ya, it was annoying. I mean I expected this, but it's still annoying.

The school and the mentor wants things to be of a certain aesthetic and standard so it can fit with the general public's taste and eventually it can be picked up by a publisher. it has to be commercial and easy to digest, for a lack of better words. Which is like, the opposite of essentially what i am as a person and as an artist.

So anyway I'll be doing Truyện Kiều again, illustrating the full book with better art this time. Here are some sketches I did:

Below is the mentor's very quick sketch for demo:

Which is. Ok cool, it's very traditional, Vietnamese fine art design and aesthetic. The thing that you see everywhere in books and media. The thing that is taught in fine art school. And it's also very HIM because he's a very prominent artist since a long time ago. I'm not talking about the difference in the era clothing tho because he demoed in Nguyễn dynasty while mine is of the Trần dynasty.

My style was criticized (politely) that the face doesn't look pretty, the nose is too prominent and big, the lineart is too scratchy and loose, and that I have to restrict the freedom in my lineart more.

Which is. Like. Pretty much all the things that i like about my art the most. I don't really like drawing "pretty" people, I wanna draw distinct and unique people. I like the fact that the nose is prominent because that's a very Vietnamese facial feature. Our nose is big, flat and flared. And I like it. AND I DIDNT EVEN DRAW IT THAT BIG. it's already stylized and stuff. The lineart is scratchy and spontaneous because that's how my ADHD brain works! And I like the freedom, the raw unfinished feel to it. And my way of scrawing is kinda similar to sculpting in a way that I like to put in a block of line or shape (yang) and then erase it and putting in more nothing space (yin). And I like Maximalism and Kitsch and Neo-traditionalism so I love to do things a bit crazy and new and filled with emotions.

My mentor comes from a very different generation, and a different field than me. He's very commercial, leaning more into minimalism, fine-art conservative and traditional aesthetic. WHICH IS THE OPPOSITE OF ME. Sadly we don't get to choose mentor cos there's only one lmao.

And also I don't understand why I have to aim for publishing in Vietnam too, because that's not where my target customer is. I'm a niche artist with limited customer base and they are international clients (who mostly pay better, treat you better, and appreciate your art more than the general public in VN do). Luckily I have a bachelor in business admin so I know how to do brand and marketing myself, othewise id just keep on trying to please everyone (flexing a little bit, but i was graduating with excellence and on the top 10 of my intake lmeo). Not to mention the fact that why do I even have to publish in the first place, because this is a school, it is a place to experiment, make mistakes, and learn. It's not a place to conform to the industry to make a living. If I wanna do that I would not be here and start working for a company already!

I understand it when they said that it would be a huge advantage if you can get published, but then again, that route is not for everyone, and it's not the only way to be an illustrator like they said. I have my own path to walk on, and I don't think they are aware that we even have those paths, because they are from a different generation. I mean, that's why I was struggling so much before to find a footing, because virtually no one here knows there are other paths! I had to dig things up myself through sweat, blood and tear.

Anyway I rant but i will keep trying to fight and do it on my own terms. They can't make me anyway. There's gonna be sticks and stones, but I mean, I can't physically make myself do something I do not wanna do. There's another option which is to drop it because I don't need the certificate anyway, but I wanna finish a big project of my own too.

[cornbread-but-minecraft]

What I Don't Like About Minecraft's Modern Music Part 1 - The Nether Update

hey, would you look at that! i'm actually making a post i said i was going to make. that almost never happens. anyway, i have a lot of opinions on minecraft's music, especially how it's been handled in recent (-ish) updates, so i figured i'd make a post series about it.

we'll be going update-by-update, just to make things simpler and a bit more future-proof. each post will be split into four sections, those being:

The Music Itself,

How it's Used In-Game,

How it's Broken on Bedrock Edition, and

How it Affects Cornbread's Music Fixer (my resource pack).

this will be, in no way, a full collection of all my thoughts on the subject, especially since they keep changing as the game itself does. but it will be my general feelings. anyway

The Music Itself

it's good.

wow. what an original take. no-one's ever enjoyed the nether update soundtrack before.

okay, but actually, yeah. music's really good. i don't really have much to say about the music's quality other than that. it's probably the only soundtrack in the past few years that straight-up has no misses. i do have some critiques tho.

firstly, very odd choice to center the new music so heavily around piano when C418's existing nether music has so much emphasis on other instruments. it's especially noticeable with rubedo. rubedo is probably the closest this album gets to being not very good.

chrysopoeia and so below seem to just kinda start their main melodies without any kind of fade-in, which (spoilers) isn't something i really like in the newer soundtracks. buuuut, i think it actually kinda works here. both tracks start with a not insignificant period of ambience before the main melody really kicks in, so, by the time you've noticed that the track is playing, it's already been playing for at least half a minute.

it especially helps that the nether itself received a lot of ambience in this update. it ensures that the tracks are never starting up from complete silence, which is a big part of the problem with tracks like bromeliad, for example. but i'm getting ahead of myself. also, pretend i'm not overusing the word 'especially', pretty please.

pigstep is in a noticeably different genre to all the previous music discs, a trend that would continue for years to come. i do not understand music genres enough to explain just how they're different, but they are. like a lot. not sure how i feel about this.

How it's Used In-Game

the nether update is the first* to have biome-specific music, and i (mostly) think it did it wonderfully. chrysopoeia and so below fit their biomes really really well. all the new biomes play and feel so distinct from each other it'd probably feel weirder if they didn't have biome-specific music.

and that's where my praise of this soundtrack ends.

let's start with the second-biggest thing and move our way up: the nether update added four new biomes and three new music tracks.

but fine. warped forests don't play music, so obviously they don't need their own track. so that leaves three new (music-playing) biomes and three new music tracks. that's one new track per biome, right?

no.

rubedo is exclusive to the nether wastes. the biome that was already there. the biome that is already heavily associated with C418's nether music. the biome C418's nether music was written for.

i feel like they should have had lena write a new track for the basalt deltas instead. as it stands, basalt deltas share their soundtrack with soul sand valleys. and we know the music is for soul sand valleys because java edition gave each one of these new tracks their own folder and so below's folder is named 'soulsand_valley'.

but if i'm being honest, all that up there really isn't that big of a deal. it's just a little weird. but the second thing i want to touch on actually is really bad and is kinda why rubedo's existence is such an issue for me.

each biome in the nether plays one biome track from the nether update and all four general nether tracks from volume beta... in theory. in actuality, the volume beta tracks almost never play because the game is set up so that each biome is almost twice as likely to play their one biome track than any of the four general nether tracks. i don't just mean any individual general nether track - i mean all four of them as a unit.

i can understand what they were going for. since the general nether tracks play almost anywhere in the nether, they probably just wanted to make sure that the biome tracks had more of a chance, since they only play in their respective biomes. but the exact chances they chose are simply way too much in the nether update's favor.

even the nether wastes, which give their biome track (rubedo) a weight of 6 instead of the usual 7, are still dominated by their one, single biome track. C418's dimension-defining music became a rarity all throughout the nether. and it makes what was once the best soundtrack in the game very, very repetitive and grating.

*i say the nether update was the first to have biome-specific music, but that's not actually entirely true. underwater music is also technically biome-specific, but it's much more known for being exclusive to the underwater than to any specific group of biomes. also, technically, it wasn't added to bedrock edition until the nether update, which i will be talking about soon.

like, right now.

How it's Broken on Bedrock Edition

okay, i lied. well, no. i said something misleading. (well, actually, i typed something misleading). basically, i'm not going to be talking about underwater music just yet. i will instead be talking about nether music first, and then underwater music. since this is the nether update post.

for some context, before the nether update, bedrock edition played all of its music at 10% to 30% volume, depending on the track. nether music specifically was played at 15% volume.

contrast this with java edition, which played all of its music at 100% volume. when java edition received the nether update soundtrack and fucked it up in all the ways i've already described previously in the post, it decided to play its new tracks at 50% volume, since the files themselves are so much louder than the existing C418 tracks.

how do you think bedrock edition handled this?

they could've done some math and decided to play the new tracks at 7.5% volume, since that's 50% of 15%. they could have doubled the volume of the existing nether music and had the new music play at 15% volume to keep the numbers round, and they almost did, but not quite.

see, this was around the time where parity was starting to become something important, so instead of adapting the java edition solution to work with bedrock edition, they just completely copied it, playing C418's nether tracks at 100% volume and lena's at 50%.

they did not change the volume of the rest of the music.

so this left the game in a situation where overworld and end music played at 10% to 30% volume and nether music played at 50% to 100% volume, which is a really big difference, but at least you had to change dimensions to hear it, so it's not as noticeable, right?

no. i misled you again.

during development, the soul sand valleys were internally referred to as 'soulsand valleys', with soulsand as one word. this is incorrect, so java edition ended up changing it before release. bedrock edition usually doesn't see the point in changing internal IDs (case in point, the flattening is ongoing as i type this in the year 2024), so it didn't do this. it did, however, change the name of the sound event the biome uses as music.

another thing bedrock edition doesn't like doing is fully removing features. so, when i say they changed the name of 'music.game.soulsand_valley' to write soul sand as two words, what i actually mean is they added a new sound event for that.

this new sound event is the one that got fixed up before release.

yet another thing bedrock edition doesn't like doing is having a biome's internal ID not match the name of the sound event it uses as music. i think you can see where i'm going with this. bedrock edition uses an outdated sound event for soul sand valley music.

remember when i said the bedrock team 'almost played the new nether tracks at 15% volume'? yeah, this is what i meant. 'music.game.soulsand_valley' plays so below at 15% volume.

so, to recap all of that, in version 1.16, the nether update, bedrock edition plays all of its music - menu, overworld, end, creative mode, dragon fight, end poem, etcetera - at 10% to 30% volume (really quiet), except for nether music, which it plays at 50% to 100% volume (really fucking loud), except for soul sand valley music, which it plays at 15% volume like the rest of the game! soul sand valleys are even inconsistent with basalt deltas, which are supposed to have an identical soundtrack.

did i mention that the outdated soul sand valley music sound event doesn't play any of C418's tracks like it's supposed to?

underwater music! is a lot simpler to explain.

basically, on bedrock edition, underwater music plays at 20% volume. this is technically within bedrock's previous range. it's just really loud. not loud enough to be in parity with java edition (which plays underwater music at 40% volume), but definitely loud enough to be noticeably inconsistent with other overworld music.

i simply wouldn't have chosen 20% volume, is what i'm saying.

How it Affects Cornbread's Music Fixer

it wouldn't be a me post if i didn't mention this pack at least a little bit, would it?

okay, so technically, the pack didn't exist until sometime after the wild update, but leaving both this and the caves and cliffs soundtrack until the wild update post would just be a lot, so i'm going to be talking about how this pack deals with nether and underwater music right now, as well as the history of those.

the very earliest versions of this pack were very bare bones. i didn't even notice the volume of music was inconsistent at the time, i just wanted swamp music to be less everywhere. but, version 1.0.0 did still change nether music a little bit, in that it made C418's tracks more prominent.

first things i did were i made soul sand valley music consistent with basalt deltas, and then i lowered the weights of chrysopoeia and so below from 7 to 4. this gives the game a 50-50 chance of playing either the biome's biome track or one of C418's general nether tracks, so that the new biomes still predominantly play their own unique music without being irritatingly repetitive.

i didn't want to remove rubedo completely, so i just lowered its weight to 1, so that it still plays, but with a 20% chance and not vanilla's 60%. this makes the nether wastes predominantly C418's volume beta music, as it should be.

fun fact: when i was first porting this pack to java edition, i actually forgot to tweak the weights of the nether music and had to fix it in a patch, so that's why the earliest version on modrinth is 1.0.1 and not 1.0.0.

it took me a while after that for me to change the volume to make it consistent with other music. odd, since that quickly became a major feature of the pack. but eventually, i did one of the things i suggested mojang do earlier in the post: i changed the volume of C418's nether music to 30% and lena's nether music to 15%. (well, in the bedrock style of the pack. eventually, i split the pack into bedrock and java "styles" that are separate from the edition any given release of the pack is for).

at the same time, i lowered underwater music to 10% volume. (also in bedrock style only). and that's how nether and underwater music have stayed in this pack all the way to the current version 1.4.1.

---

oof that was a long post. took me multiple days to write it and it's probably going to end up being one of the shorter ones in this series. or maybe not since i have to explain a bunch of context in this one that i won't have to later. idk ¯\_(ツ)_/¯

[mcu-multiverse-order-review]

Spider-Man - Season 2 (1968-1969)

Season 1 was mostly campy fun, with a side of awful occasional racism. Season 2 is dull and boring, with a side of sexism. The 60s were truly something. I'm not gonna put a content warning on any specific episode this time, just know that Pete just some rancid incel vibes this season.

MCU connections: None. This season established nothing that ties it into the MCU. 

This season does introduce some key elements to the Spider-Man mythos, specifically Spider-Man’s origin story, the Kingpin, and Captain Stacey.

In all honesty, I thought this season was shit and I really don’t ever wanna watch it again. (That is part of why this “review” took so long to make, I just didn’t really wanna keep watching. And to be honest with you, the only reason I finished it now is because apparently Internet Archive has lost a lawsuit or something, so I reckon don’t have much time left to watch this show, so I better get cracking)

Also something that came to mind after writing all this, this season had a very distinct lack of J. Jonah Jameson and Betty Brant, like they were there occasionally, but not even close to main characters like in Season 1.

As usual, episode breakdowns are below the cut.

I need to watch Season 3 asap.

Episode 21 - “The Origin of Spider-Man”

Bloody hell this episode has a narrator. Anyway, it’s our first Spider-Man origin episode, hooray! We get to watch Pete be a complete twat for a bit and then witness an old man die.

I’ve never understood why Pete’s response to the spider bite is always just “eh, I’ll be fine.” Like, if I were bitten by a spider you can bet your arse I’m down to the hospital. But then again I have heard horror stories of American healthcare, so maybe his response makes sense in the context of New York.

Also what is with Pete’s audio quality this episode? It sounds like the microphone was in a plastic tub while recording his lines.

I don’t usually point out animation errors, because they are plentiful in this series, but how the fuck did they invert the colours on the Spider-Man costume for a couple frames. I genuinely don’t know how you accidentally do that, especially on classic animation, like wasn’t this painstakingly made on film? Or am I understanding classic television animation wrong? Please, you actually know about stuff like this, lemme know, I’m interested.

This episode has much more detailed backgrounds than usual.

The Burglar ran to the ACME warehouse. Fucking Wile E. Coyote killed Uncle Ben.

Ok, not gonna lie, I actually like how they reused the opening theme for when Spidey tracks down the Burglar. It really solidifies how this is the first instance of Spider-Man spider-maning. 

“With great power, there must also come great responsibility.” Surprisingly not said by Uncle Ben, instead by Spider-Man himself after concluding he is responsible for Ben’s death.

Characters Introduced:

Peter Parker / Spider-Man

“Didn’t you already list Spidey from last season?” Yeah, but I’ve decided to re-include him because this was his origin episode. In this episode we see the evolution of nerdy little shit Peter Parker, to wall-crawling superhero Peter Parker.

Benjamin Parker / Uncle Ben

Poor Uncle Ben. He only had one line of dialogue and even with just that he had the vibes of a caring old man. Anyway, as will be established going forward into later series and films, Uncle Ben is one of the most important characters to Spider-Man, as he usually is the one to form Spidey’s moral code.

The Burglar

Unnamed in this continuity. The Burglar is Uncle Ben’s killer. A standard crook, no super powers to see, just a gun. I believe this being Spider-Man’s first antagonist is important as to why he stays a street level hero. No wars, no grand adventure, no supernatural event, just some nameless guy with a gun caused Spider-Man to become the Friendly Neighbourhood Spider-Man. And I think that’s quite important.

Episode 22 - “King Pinned”

Ooo, another prequel episode, this time showing how Pete got his job at the Daily Bugle.

I’m pretty sure almost everyone got redesigned this episode. Like, Jameson, Betty, and Aunt May all look different from how I remember them looking in season one, almost more detailed. “Didn’t you literally finish season one like a few days ago, how do you not remember the art style?” Easily, I have a shit memory for things that aren’t dinosaurs.

The fuck was with that married couple in the middle of the episode? Was that how the 60s does a side gag? Awful.

Characters Introduced:

Kingpin

Wilson Fisk makes his grand animated debut in this episode. I’m not gonna lie, I do like how this episode confirms Kingpin as Spider-Man’s first big bad.

Episode 23 - “Swing City”

So, does anyone else get the ick from shows or movies that show a character fantasising about a person they have a crush on? Like, I think it’s supposed to be cute or relatable, but I honestly just find it cringe and creepy.

And here we go again with Spider-Manning stopping Pete from getting to a date on time.

So this episode features an original villain pulling a page from Ultron’s playbook and raises the entirety of Manhattan into the sky. 

And the episode ends with Pete being sexist. I hate that I’m just really not surprised. Classic Peter Parker always did have incel vibes.

Episode 24 - “Criminals in the Clouds”

Starting again with a narrator, this episode continues to show how much of a prick Peter can be. Off the bat, he’s judging people, being sexist, and generally a selfish twat. I mean at least Pete’s selfishness always ends up biting him in the arse, but still, it’d be nice to actually have a likeable protagonist.

Also everyone left on that blimp absolutely died, right?

Episode 25 - “Menace from the Bottom of the World”

So that cutaway gag couple are back, why do I get the feeling they’re gonna be recurring, they ain’t even funny.

The fuck was up with the underground giant bird. Like, what the fuck is that even supposed to be? Archaeopteryx?

Not gonna lie, I am starting to feel much less engaged with these now. I think where they’ve dulled down the colour palette and put more of a focus on Peter’s bullshitery than Spider-Man’s escapades, the show just feels more moody, and honestly, boring.

Because every episode is a full 20 minutes instead of 2 ten minute stories, I’ve noticed a lot more filler. Usually in the form of minutes worth of just Spidey swinging with the backgrounds changing and music overlaid. I am so glad internet archive allows me to speed up the playback speed, because this is so fucking boring.

So far this season, with the exceptions of the Burglar and the Kingpin, every villain has been green. Why?

Episode 26 - “Diamond Dust”

A guy screaming, pretending to be a gorilla. That is all.

Episode 27 - “Spider-Man Battles the Molemen”

This is just episode 25 again, but why?

Alright, I stand corrected, Pete has been attacked by literal goblins. (🤓☝️”Erm ackshually, the Marvel wiki lists them as trolls”, nah, those are goblins, trolls are bigger) Hold the fucking phone, Pete just called them elves… My point is just this show high on something, and I just ain’t vibing with it.

Episode 28 - “Phantom from the Depths of Time”

Some big arse bugs kidnapped a load of people and Spidey stole a jet. Just the average day in New York. Despite so much weird shit going on in this episode, I really just don’t have anything to say. Actually, no, I’m gonna point out that this the only episode I’ve seen with like a “next week” type catch at the end, except the episode that its says is next is “Revolt in the Fifth Dimension”, but according to official episode listings that episode doesn’t come until season 3… I’m just confused now.

Episode 29 - “The Evil Sorcerer”

Ok, so first of all ancient wizards and shit is not what I expected with this series. Secondly, Peter you little shit, did you just call archeology dull? I actually fucking hate this man, he’s such a cunt.

Episode 30 - “Vine”

Time to be a fucking nerd. The time travel aspect of this episode takes Pete back 3 million years, this would place him in the Piacenzian age, the last stage of the Miocene epoch. Now I’m not exactly an expert of the Cenozoic, I personally spend more time researching the mesozoic, but what I can see from a very quick bit of research, the Piacenzian was a warm moment before the Ice Age began. All that to say 3 mya (million years ago) was a world dominated by mammalian megafauna, this would not include the giant lizard or bugs that attack Spider-Man.

Humorously, the Marvel wiki actually lists the time wrong for this episode, saying they travelled back 300 million years, this would place them at the very end of the Carboniferous period. You could claim it would look more accurate to the backgrounds, but even still giant lizards were not part of that ecosystem, but the giant bugs would be more fitting.

Episode 31 - “Pardo Presents”

Amazingly this episode shows Pete disappear from a date (technically) and he doesn’t get slapped for it at the end.

Episode 32 - “Cloud City of Gold”

Why do the bats have tails? Bat don’t have tails. This bothers me immensely. So I’m not exactly knowledgeable about bats, but I’m pretty sure it’s not vampire bats that use echolocation. I could be wrong, so this is another case of if you know anything about bats, please let me know if Pete’s whistling would fuck up a vampire bat. I’m aware that this episode is a city of gold type thing and I’m more focused on bats, but I’m trying to distract myself from the shit accents and fact that a fucking conquistador is the ruler of the city. Am I going to call the episode racist? No, I’m just not thrilled about a conquistador doing what they do, subjecting and tormenting, it’s not great vibes. At least Pete isn’t being racist here. Episode 9a did some serious fucking damage to my opinion of the character.

Also the golden eagle being made out of solid gold, Pete’s all like “I can’t do anything, it’s made of solid gold”, bitch it’s gold and your Spider-Man, that shit should bend like clay to him.

Episode 33 - “Neptune’s Nose Cone”

JJJ now owns a pet flying snake. That is all.

Episode 34 - “Home”

This episode features some 60s vibing. Groovy.

Other than that, the dialogue feels even more stilted than usual. Especially Pete crushing on Carol and that twat leader bitching about rules.

Also Pete’s a moron in this episode, basically talking about how he’s Spider-Man out loud. Like, seriously, he ain’t even quiet, how has noone caught onto this man yet?

Episode 35 - “Blotto”

OH NO! Watch out! It's Clive!

How horrifying!

Anyway, this show reuses so much animation is honestly distracting, but this episode in particular reused animation from itself, multiple times. I genuinely can’t tell if this was solely from the low budget or pure laziness.

Episode 36 - “Thunder Rumble”

So one of the villains of this episode is basically just a dickhead that looks like Odin, works for the Roman God of War, and has the powers of Thor, he even has Mjölnir. I’m not marking this as Thor’s first appearance, I just thought this was something of note.

Episode 37 - “Spider-Man Meets Skyboy”

Ah yes. The old trope of heroes fighting each other before realising they have a common enemy. What fun. 

Ok, but seriously how didn’t Spidey recognise Skyboy until after the helmet was removed? It doesn’t exactly cover his face.

Episode 38 - “Cold Storage”

Spider-Man got a bit chilly in this episode.

Episode 39 - “To Cage a Spider”

Off the bat, this episode establishes a couple things, one the general public of New York really hate Spider-Man. I guess they’ve been consuming too much of Jameson’s drivel. And secondly, I am genuinely surprised to see Captain Stacy defending Spider-Man’s right to privacy and not taking his mask off.

Characters Introduced:

Captain Stacy

So, officially Captain Stacy’s name in this continuity is Ned Stacy, but let’s be real here, he’s Captain George Stacy, father of Gwen Stacy. You might know who she is.

Honestly I’m just happy this season actually managed to introduce another important character right before it ends.

[abyssalpriest]

You know! I shouldve taken him seriously about him asking me to be (one of) his oracle(s). The amount of times i sit here and like a background programme on a computer like.... ill be, metaphorically, using the browser to type and playing games but ill see these bars going moving files around in the background... the amount of times my brain and mind is used as processing power for him. I know the feeling of what i call fateweaving - one word - which is basically realigning peoples consciousnesses and trajectories using words and logic, but words and logic are extensions of things with no words, so it doesnt have to be language... You basically use a vessel to do things with the substances under the surface of reality, you arent just persuading but rearranging subtle reality through persuasion and all other kinds of talking.

but like. my brain will be used to digest and compare and rework ideas and understandings of the world irt his information. i mostly drown it out bc it just grazes the conscious mind and uses the conscious mind for certain things like words and getting more of an external (my) opinion but

he wanted me to form a sort of complex in the astral for him to look through to. do a more. active version of this. god, lev is nothing if not subtle, i never fucking put two and two together that it was him doing it - because hes good at understanding consciousness lmfao and how it wakes from dreaming, how to stop someone waking up ie stop something from sticking out to them and also (this is two different skills) stop them from registering it. he effectively is just parsing certain things through me and using my fateweaving which..... thats what gave it away because im like "how am i fateweaving and why when these arent even my thoughts - hang on what these arent my thoughts no im just hosting them" lmfao

entire discussions come through me. im used to just getting random thoughts and havent been noticing how distinct they are from any causation. sitting here reading over this visions session to upload on wordpress and its just "so how does lev react to this (thoughts with no english on them).......... which is the case with........ and if he went here....... now this would tie to this energy........" and below it is absolutely fateweaving shit yeah hi this is not whats on my screen. this is why you want me to be an oracle officially i shouldve known this was already a thing - i mean i work with him like this anyway CONSCIOUSLY but like. ah! ok! better head back to the astral and really get that thang(tm) (the giant eye room) in place

[livelymyrtle]

Honestly atp I don’t know how to feel about Lin Manuel Miranda. I don’t want to be in that crowd of the “Hamilton and everything else he does sucks and it’s all awful” because it’s not really true… Hamilton was very good (mostly brought down from excellence by the second act), and I actually quite liked Encanto (aside from the fact that Abuela gets pretty much excused at the end + Disney forced him to do stuff like writing in Isabela). In The Heights I haven’t paid much attention to, but what I saw I remember being good, and I know he has plenty of other gems…

so why is it that I, like so many people, am just not feeling it? Netizens have recently been feeling more meh on him or even begun to hate him. So why this shift in perspective?

I think the sudden scrutiny against LMM has two main components:

1) Overexposure

After Disney has been putting him in everything, which was already after everyone was saturated with Hamilton and ITH stuff, I think people are just getting a bit sick of the man. It’s especially damning for Lin that he tends to make every main character himself, and that he has such a distinctive lyrical style(or rather, he is unwilling to diverge from that style - he wrote How Far I’ll Go for Moana and that was more off par for him). As a result, it just feels like you are watching the same thing over and over and over again with him - and at this point it’s just getting kind of exhausting to see him all the time doing what feels like the exact same thing.

It also probably doesn’t help that he has become associated with Disney just as Disney has begun losing popular favor. Nowadays, they mostly are doing mediocre movies with the exact same plot, characters, art style, aesthetic, and message(basically trying to be Studio Ghibli in plot except that they don’t have the slow pensiveness, nor the understanding of what consumers actually want, nor the desire to create art for art’s sake), and extremely awful live action remakes that literally nobody likes, so Disney’s new stuff has been bleeding popularity like a bullet wound. Now, people think of Lin in the same vein that think of their disappointment with Disney, which is probably not making him look better. I’ve even seen people blame Disney’s negative shift on him, which isn’t really fair, but… I can see why someone would draw that conclusion, you know?

2) More importantly, cultural shift in attitudes.

Post COVID and what I like to call the Reality Exodus, everyone went on their phones, got really depressed and pessimistic, and got really online. I think that this has directly lead to why people are no longer ok with some aspects of LMMs stuff. In 2015-16, we all loved Hamilton: it was an inclusive and fresh new take on US history, something that we were pretty starved of pride in. With the election of Trump, things seemed bleak: but people remained hopeful still that there could be pride in this country. The concept of Miranda only hiring actors of color was also just the right amount of groundbreaking but not too shocking for the culture - we were committed to diversity, but not so much to the point where we wanted truly diverse stories to be told, so the all-POC cast in a very white story was a good way to knock on the glass ceiling without breaking it. The added message of “we are all a part of America” was fitting for the widespread “we don’t see color, everyone is welcome, hakuna matata” brand of anti-racism that was the most widely accepted narrative at the time.

But as we got into COVID, we see In the Heights released. And all of a sudden, the Twitter mob has come out against LMM for… colorism in his casting, of all things??? Casting that was very diverse?? And that he wasn’t even in charge of anyway???

In hindsight the whole Twitter cancellation thing seems ridiculous, but I do think it’s an important example of how much more aware and critical we had gotten as a culture. And I think our new perspectives shifted our views on some of his earlier work, too: namely, Hamilton.

After COVID, a play written by a nonblack man about rapping slave masters (but they are all played by POC) didn’t really seem all that revolutionarily anti-racist. We as a culture had developed our understanding of racial theory to a different, more radical narrative: we should start uplifting the stories of real POC and make actual changes. All of a sudden, LMM’s rooting for diversity just didn’t seem genuine anymore the the culture at large. I think that has played one of the biggest parts in his loss of popular favor.

And that’s where we get to now: I just don’t know what to think. I mean, on the one hand, of course Lin Manuel Miranda does some great stuff artistically. But his art, his messaging, his image in general has become associated with an era of lenient attempts at equality that I just don’t really support. And no, before you think it, this isn’t going to devolve into the regular separation of art and artist stuff. But it is a question of separation: Can we separate the goodness of an art piece from its intent? Can we judge art or media as being good objectively? And how important of a part does messaging play in what makes something “good”?

My answer? I don’t know. I need a cup of tea and a nap. Peace.

[snekplush]

We got ten notes on the hidden dimension au so we have another post abt it.

Fun fact: this au is partially inspired by hollowknight and rain world. Time for some world building in the prison dimension woooooo. So there are layers and different zones in the prizon dimension. A large part of the prison dimension is the dead zone, the area where the krang still roam. Then, there is a massive debris zone between the dead zone and the hidden city. There would be several different hidden cities, all having their own special theme and environment that affects the yokai living there. Draxum would come from like the main hidden city, like the most popular, safest, well known, of all the hidden cities.

In this au, all yokai hate humans. Which is understandable, because the entirety of their kind was banished to another dimension with bloodthirsty bubblegum aliens. However, the reason Draxum was exiled from all hidden cities is because he begins performing very unethical experiments and taking large risks by getting stuff from the deadzone to destroy humanity and stuff. And by unethical experiments, I mean he experiments on other yokai and living things like animals and plants. So he gets exiled and makes the turtles from krang dna and turtle yokai dna that he just has on him. He would live in the debris zone, which is mostly just the ruins of past yokai civilizations.

And then the turtles! They would be raised by draxum as soldiers and to hate humanity. They all have a very close brotherly bond ofc. Also, I want them to all have a distinct element. Because of that, the bois get a few tweaks. Since draxum has a lot less morals here he would still continue to experiment on the turts to continue improving them. This would include adding machinery to their bodies to enhance their abilities and make them easier to control after seeing how difficult it is to manage them due to them being living beings with their own consciousness. Raph has the most krang dna, mikey being next, then leo, then donnie. Donnie had the most machine enhancements, then leo, then mikey, raph. And by machine enhancements, I don’t just mean like prosthetics that add weapons, I mean he put machinery inside of them.

They all have some sort of machinery in their brains to enhance their intelligance (ai and stuff) and so draxum can control them. You know how ai are with chess, that combined with leos already strategic mind is going to be a nightmare to deal with. Donnie’s brain is now a literal computer with files and folders he stores. They have parts of machinery connected to other inner parts of the body maybe to enhance or control something. Like maybe Mikey has machinery imbedded into his hands because draxum realized the potential he has for being a mystic warrior. Donnie’s battleshell has parts of it imbedded into his shell. Raph has something inside him to automatically shut him down in case he gets too out of control.

Also, leo’s new thing is now water. Like, he just forms it and can turn it into a portal and even shape it and control where it goes. So thats fun. Anyways, thats it for the rant. Another ten notes and ill upload abt this again.

[marengogo]

I posted 258 times in 2022

That's 258 more posts than 2021!

124 posts created (48%)

134 posts reblogged (52%)

Blogs I reblogged the most:

@akookminsupporter

@stormblessed95

@chikooritajjk

@marengogo

@parkparkjeon

I tagged 151 of my posts in 2022

Only 41% of my posts had no tags

#asks - 35 posts

#jikook - 33 posts

#bts 7 nation army - 21 posts

#people who are lost - 20 posts

#jm - 16 posts

#jk - 12 posts

#bts chapter 2 - 10 posts

#about marengo - 9 posts

#jkk nak - 8 posts

#jimin - 7 posts

Longest Tag: 36 characters

#we ain’t about that life around here

My Top Posts in 2022:

#5

i cant stop thinking about the way jimin was giggling like a school girl after he called jk over as a guest for his bday party, and then getting all awkward and flustered as if talking to his school crush. he was smiling so much even if jungkook was just standing there— and the way jungkook was also giggling when he said "jimin came by" to greet him happy birthday on his recent live. my boys are so smitten for each other its so adorable

It’s the way they do things all the members do, but when they do it every so often it feels like we are intruding, you know?

Oh and let’s UNOT7nify things for a change, shall we? for all those people out there going “but Hobi was there as well so”. To begin with, we have no idea of how it all went down. If JM didn’t come forth with that Hobi super-crop, we could have assumed that maybe they visited him at different times. But even with Hobi being there, who was the one that was so eagerly awaiting this day? Who was the one who gave us another very cute super-crop picture, of JK this time, while he is seemingly blowing out candles? 

Hobi also joined them during JM’s birthday live last year, and people that don’t want to acknowledge it will not, but the change of atmosphere was instant. Before his arrival, not gonna lie to you, I was in disbelief and I didn't realise I was holding my breath until Hobi came in. Same with the Team Party-Party~! V-Live in LV, the way JM’s whole demeanour changed when JK walked into that room. Tae unbothered and Hobi moving aside, both probably being very used to this dynamic by now, but us still watching and wondering if all of this is okay to witness?! LOL

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43 notes - Posted September 12, 2022

#4

QUICKIE - 1: The Moon Embracing The Sun

LOVE AGAIN - by Daniel Caesar, Brandy  [CASE STUDY 01]

[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]

–🐺–🐺–🐺–

Constantly, I hope everyone is doing great and I’m guessing we are all very excited about tomorrow! I’m perhaps overly excited and all I need to do at this point is try and get some sleep, like for real, but I feel like I’m a kid again and it's Xmas Eve’s Night where even tho I ain’t tryna catch Santa, I’m too hyped to sleep 🙃 … ANYWAYS, As the name of this series suggests, this is not going to be anything excessively long, but rather just a quick observation regarding some cute/lucky/noticeable occurrence I might have noticed or that might have happened in correlation to Jikook.

Today I’d like to talk about a “little” K-Drama called The Moon Embracing The Sun, which is from 2012, like, a good 10 years ago, but good stuff, good stuff! I literally just finished watching and it took me two weeks because I was trying to make it last (and it is a good 20 episodes). As you might already have deduced, the fact that it talked about The Moon and The Sun made me think of Jikook and straight away my brain started braining as I began to better understand a very distinct difference between how The West and The East perceive the relationship between the Moon and the Sun (myself being born and brought up in The West). 

First of all, I was quite intrigued to find out that the drama was a love story between the Sun and the Moon, since (as some might have gathered by now) with me being really big on mythology (greek/roman in particular), I’ve always had a hard time thinking of the Sun and the Moon as anything other than twins, which is what Apollo (eventually god of the Sun) and Artemis (eventually goddess of the moon) are. In The East it appears that they for the most part star crossed lovers for something the moon did apparently, but lovers nevertheless.

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46 notes - Posted October 14, 2022

#3

Silver Lining - What If #2 : I Caught You Bae Bae! [PART 1]

Dreamers - by Jungkook of BTS  [Music from the FIFA World Cup Qatar 2022 Official Soundtrack]

[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]

🐺 — 🐺 — 🐺—

This week has been a bit messy hasn’t it? And to top the madness all off, though I’m sure we are all happy to see that JK is doing well, thanks to his IG updates, it would have been great to “hear” from Jimin as well 🥹at this point is like, I know you working but, help a sister out you know? Like we be “worrying”/hella selfish here in this neck of the woods, like … jimiii↗️↘️iiin, I MISS SO MUCH IT HURTS 😭. So I thought I’d stop by to write something … cute me thinks? I think we can all use some fluffy, tender and light STD: Speculations, Thoughts and Delulu. In fact, the idea for this post was the result of me reading this post → Jikook After Tokyo by @wingzie. So welcome to another long ass post! 

Though wingzie’s post was clearly about both JM and JK, I haven’t been able to shake off the image of Jimin blushing/being shy. I’ve always felt like Park Jimin is the kind of human being who, at least until circa pre-2018, would instantly wear his heart on his sleeve full-throttle. As of present, he seems to be much more in control with regards to the majority of emotions that he can control, sometimes even resorting to smart talk/ cynicism as a substitute as well. But oh boi, it used to be that we were always made aware of any kind of emotion he felt from little happiness and ecstasy to pet-peeves and straight up being bothered.

The only time we are now privy of a non-controlled emotion from Jimin is when he blushes/gets shy. There are infinite reasons why different people get shy. Some people get shy out of being complimented, some people get shy just being in the proximity of the person they maybe fancy, some people get shy when put on the spot, etc etc etc. When it comes to JM, what in my opinion, seems to be his shy trigger are situations where he REALLY doesn’t know what to do. So he “blushes” or becomes “shy”, so to say, and in his case it seems to happen mostly on 2 particular scenarios:

He is out of depts, not in his element, doesn't want us to know, and he is well aware that it will show on his face.

He hasn’t yet processed his feelings with regards to a certain situation. Hence, he hides his face so that we don’t see how he is feeling in that moment, before he himself can actually process what it is that he is even feeling.

Now, though JM has admitted on many occasions that he is indeed the shiest member of the band, people who are just focused on his performance persona, or just observe him within his comfort zone (which is for example anything with his members RUN BTS, BON VOYAGE etc) will not notice this side of him all, in fact they might even think that he is “capping”.

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52 notes - Posted November 20, 2022

#2

hi dunno if you had this question or not but do u think before jikook become a "thing" vmin and jihope messed around... cos if u ask other blogs they will beat around the bushes but aint nobody actually answering lol im saying this cos vmin are close as jihope hobi was his roomate tho (roomates) i didnt see jimin &hobi dynamic turn around like this until bv in malta or burn the stage..?

anyway it doesnt changr my opinion on jikook im just curious cos it looks like they prob messed around lol and

at some point i think rm had a crush on jimin too thats why sometimes jungkook had ?? a "problem with minimoni " monitoring jikook

Hello Anon,

Sure, let’s talk abou it.

No, I don’t think JM messed around with any other member in BTS before, during or after JK. Short answer; amongst other factors, one (not the main factor but  …) is it would take a person who actually thinks they are desired in such a manner to do so, and quite unfortunately, for the longest time, I do believe JM didn’t believe himself to be said person at all. As for the Long answer, let’s look at each pairing you mentioned, shall we?

Let’s start with giving some context to my thoughts: 

Not sure if you read any other of my posts, but I think 2015 was the year JK started “peacocking” so to say, at JM, and through ups and downs it took them 2017/2018 to actually enter a steady relationship and by steady I don’t mean they were in an open relationship prior to this. What I mean is that they both were trying to figure out things like, for example; what they actually were feeling for each other, or would them “being together” actually work, or could they really actually do this., etc, etc etc.  

Furthermore, I should add, that I believe JM “taunting” JK with requests of kisses and telling him he liked him and wanted to go out with him etc, as they already had a very good relationship off-camera (as proven by various interviews), was just an also quite naive approached mixing at an attempt to establish a connection with JK on camera, with feelings he still himself hadn’t quite properly acknowledged. In simple words: He was consciously kidding about feelings he subconsciously already had but never really took seriously. 

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57 notes - Posted September 15, 2022

My #1 post of 2022

Well Well Well … - 1 : … BRUH~!

Shinunoga E-Wa - by 藤井風 (Fuji Kaze)  [HELP EVER HURT NEVER]

[Music is a very big part of my life and I’m MOSTLY INCAPABLE of writing without music, so I just thought I'd share what I am listening to while writing this]

–🐺–🐺–🐺–

I’ve been wondering.

For the past week, I’ve been wondering about what Jeon Jungkook would do for Park Jimin’s birthday  privately. Because I was 100% sure he wouldn’t appear in JM’s vlive, just as much as I was 100% sure JM wouldn’t vlive from his private home (my reasons being, are probably for another post though … 😁). BUT, at the same time I did  wonder; since JK doesn’t have the excuse of being at the company anymore, and since he is not going to release another 100% centric Jimin GCF; … what is he going to do? So you might be wondering: if you didn;t think he was going to do anything public, why still wonder about what he could do?

MIND YOU, being the private person that he is (they are), I did for the most part  expected JK to not post anything at all. So I was actually at work wanting to talk to my loved one and not being able to (don’t ask…) while waiting for some Jikookers to beg for JK to post something, the whole time thinking “…  it would be nice if they’d leave JK alone, is not like he is going to publicly do anything ..”. AND THEN, the second I thought that, I remember about last years birthday and I was like “🤦🏾‍♀️🙄😒😬…”.

Which brought me right back to the me that had been hypothetically thinking about “if, then what?”. If JK really wanted to publicly wish JM a happy birthday in a still intimate way but still not being caught: HOW THE FUCK WOULD HE DO THAT? 

See the full post

60 notes - Posted October 13, 2022

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