#most of these are pitch perfect quotes | Explore Tumblr posts and blogs

rivangel · 9 months ago

Text

every—lesser known—canon fact about Levi Ackerman.

infamously over the years, there have been countless false rumors about Levi in particular out of the cast. many of them have become popular, even ubiquitous, and it's annoying!

and also disheartening when you find out it's not true....

and hurtful when you realize it was - sometimes - made up by trolls.

so i'm making this post<3

credit to @levisfavoriteacup for the idea!!

*disclaimer: i'm not perfect, so this may not be Everything™️ but I am confident that it's the majority of information available, and that it's trustworthy. :)

First the most populars. There is no evidence across interviews nor other content over the years that:

Levi is ugly, and is considered ugly in AOT.

Nope. See here: (tumblr link), or:

Isayama finished his first sketch of Levi mostly on a whim, but the moment he drew his face, he had a sense it would work well / he knew he had something good. Something told him: "the yaoi fangirls are going to like this one".

As time passed and his popularity grew, Isayama caught onto this and wanted to portray him more attractively (in multiple ways) to the viewer/reader.

But from the beginning, this was something of the goal. He is short because Isayama had in mind what young women/fangirls in Japan consider attractive: a man with a higher-pitch voice; has a small face; and who is "short but strong".

In the world of AOT, he (in a nutshell) is mostly considered plain or awkward, but combined with his reputation and style, he's very charming. "He cleans up nice." Overall, it is positive :) But more importantly, realistic I think.

He's also something of a celebrity. People who advertise their product as being used by him are more successful; when he's seen in a shop, this by itself is considered "advertising" and more people come in. Quote: ""the tea that the hero bought”".

He's definitely not a 2/10 at any rate😇.

—the 24th episode of Naoki Yoshida's Anime Plan, 2013 / Interview with Frau Magazine, 2013 | Hajime Isayama x Hikaru Suruga (2014) | AU Smartpass - Erwin & Levi Close Up Interview Part 1 | Taking shelter from the rain reprise: Levi and Peaure

Levi’s type would be someone who’s "tough, feminine and sensual".

Levi's type "might" be tall people. But context matters, because in multiple translations "don't you think?" and "might be" are thrown around a lot. Isayama isn't known for his clarity. When asked, he practically said the question right back. —fan Q&A from a festival in Betsumaga, Aug.2014

What this quote might have come from is a statement by the author of an article Isayama was likely involved in. I can't say this is 100% canon, but in my opinion it's a little less canon than the Smartpass AUs; if those are sub-canon, then this is sub-sub-canon:

Levi's romantic type is someone who walks three steps behind him, and likes cleaning.

In the past, in Japanese culture, for a wife to walk three steps behind her husband implied highly traditional gender roles. What this is much more likely to mean is that Levi's romantic type is someone who will let him protect them, or will run away and survive even if it costs his life. (And they have to like cleaning.)

—the article is from 2013, and no longer exists. but the link was used as recently as 2021 as a source in this post by a reliable translator. I've found this quote also in varying qualities of translation across Japanese and English forums, so to the best of my knowledge, it's reliable.

Levi's cravat is a piece of his mother's dress + he was wearing her dress when Kenny found him.

This is a popular rumor that Isayama has never confirmed (i think it is true, tho.)

December 25th was chosen by his comrades because he doesn't know his actual birthday.

The guidebook only states that it is his birthday. I can't find any more context on this. —AOT Guidebook; p.256

His character profile:

—AOT Guidebook; p.78–79

His name is Hebrew, and means "attached" or to be "joined".

Isayama came up with Levi's name after watching American documentary "Jesus Camp". (It's about a summer camp-type program where evangelical Christian children are taught extreme beliefs. One of the children was named Levi.) Isayama heard it and thought it sounded cool. —Hajime Isayama x Hikaru Suruga (2014) | 2010 blogpost by Isayama

Levi is in his early 30s (in s3/RtS/volume 19). –Interview, Universal Studios Japan’s SNK THE REAL exhibition, 2016 | confirmation

If Kuchel was still alive, Levi would want to make sure she had an easy life. This means specifically filial piety, a concept exclusive to the East: he would fulfill his duties as a son for her. (tldr he's a mama's boy :3) —Bessatsu Magazine, 2019

Levi would have thin facial hair, but he prefers not to, so he shaves frequently. —January 2020 issue of Bessatsu Magazine (chapter 124)

He doesn't like coffee milk or coffee jelly. They're out of the question even.🤐 —July 2018 issue of Bessatsu Magazine (chapter 106)

He just gets depressed when he drinks coffee. Maybe he loves tea that much? He stopped calling Hange names like 'shitty glasses' since they became commander because he "seems" to respect their position that much. However, a Smartpass story delves deeper into this (and states as I suspected): [After Hange makes a joke] "Since becoming the commander succeeding Erwin, they’d toned down on their past speech and behaviour that had a touch of tomfoolery; Levi understanding that they were nevertheless trying to maintain the self “that was the case then”, also loses the will to curse at them." + "In the past, Hange had a Hange-type dream, and should have been progressing to that purpose. That lately, was it the weight of the office of commander, or was it due to the reality that is “all the world was our enemy”, their manner had changed considerably." —May 2017 issue of Bessatsu Magazine (chapter 92) | Goodnight. Sweet dreams, dear. Act II: Levi

If he and Kenny had fought one-on-one, Levi would've won. —December 2016 issue of Bessatsu Magazine (chapter 87)

intermission: all about tea

His favorite "food" is black tea. No actual food.

He doesn't add sugar or milk to his tea because he considers it too expensive—which it is canonically. Despite this, he will share his tea with his comrades (his original squad as far as is seen).

Even though he's Captain, he'd rather drink it straight (the implications of which are he's a hardworking man, like that of a farmer. aka, this makes him seem humble).

If a time of peace ever came, Levi wants to open a black tea shop (he said in a dreamlike way, not so much based in reality).

He also knows a good amount of facts and history about it. He's a tea enthusiast!!

Levi receives pilfered tea in shipments monthly, thanks to Erwin.

—AU Smartpass - Erwin & Levi Close Up Interview Part 2 | Part 1 | Taking shelter from the rain reprise: Levi and Peaure | Bessatsu Magazine, Jan.2014 | September 2016 issue of Bessatsu Magazine (chapter 84) | AU Smartpass My First Time Around: Levi Ackerman | The Case of the Corps Tea Party - File No. 09 Levi's Side (3/3) | sugar and milk in tea from the Japanese perspective

Levi, out of his original squad, found Petra cute/sweet in the general sense of the word "kawaii". Like Levi's romantic type however, this was sort of a non-answer to the question (of whether Levi thought she was cute). —2014 interview

After RtS, Levi seems to consider Hange and the 104th his family. —AU Smartpass My First Time Around: Levi Ackerman

He wears a cravat because Isayama based part of his design off Rorschach from the movie 'Watchmen'. He looks "delicate" because of his size and weight, but he's so powerful because [in issues before the reveal of the Ackerman bloodline] of "invisible power" at work. —January 2016 issue of Bessatsu Magazine (chapter 76)

The best way to describe the way he thinks is to compare him to the main character from the movie The Hurt Locker (2008). His character was born from Hiei from the manga 'Yuyu Hakusho', and Rorschach from the movie 'Watchmen'. The former was the basis for his appearance (especially his eyes), and the latter was the basis for his personality. Firstly though, Isayama had an image of a small man being the strongest.

—Hajime Isayama x Hikaru Suruga (2014) / Brutus Magazine (2014)

He is something of a protagonist (especially in s3p1). — Animedia, June 2018

His favorite tool (in general...?) is microfiber cloths (for dust I guess. Levi has no need for weapons :3) —July 2015 issue of Bessatsu Magazine

He will usually laugh/smile when he sees convenient cleaning goods (i.e., vacuum cleaners? feather dusters? ((cuz he's a shorty?❤️)) —Bessatsu Magazine, Dec. 2013

He does want to be taller sometimes. He gets eager to clean up after meals rather than cook at all. He can cook, though. —Bessatsu Magazine, Aug.2014 | fan Q&A in Oyama, Oita, Mar.2018

Levi mostly couldn't adapt to the changes that came about after the truth was discovered. Only he wears mostly the same uniform, cape, and blades.

After RtS, Levi personally retrieved Erwin's remains himself, for whom there was a special memorial service. After Eren (inadvertently) called him a "tiny old man" in season 3, Levi didn't care, but when he thought of it by himself later, he was hurt (unclear exactly why). Levi's father, most likely one of Kuchel's customers, is an insignificant man who's short. That's where Levi's height comes from. His face comes from his mother. At the start of season 4, Levi didn't change much compared to the 104th because he's turning into an "old man" who'd rather stick with his flip phone so to speak. He "doesn't break out into cold sweats". AKA he's always calm under pressure. He considers prostitution to be an ordinary job because of his childhood. Levi's vision is very sharp, way above average. He thought Eren's new look beginning season 4 was unclean/dirty (in more ways than one perhaps). —fan Q&A in Oyama, Oita, Mar.2018

He has slight bouts of insomnia. He never snaps/explodes when he's angry. But he does get angry or grumpy a lot, in general. He doesn't sing. It's more likely he would dance. If he was a fan of Momoiro Clover Z (jpop girl group), his favorite would be Momoka. When/if he drinks, he has a high tolerance, but he can get a little drunk :) One thing he highly hates and fears is mold. He is the one who ordered Armin to dress as Historia during the uprising. His blood type is A. Blood types are much like horoscopes in Japanese culture, and Levi's is as such: kichōmen, or well-organized; he likes keeping things neat, but can be stubborn and stressed out easily.

Whether he eats enough or has a good diet? He is "a bit lax". Maybe he forgets to eat sometimes, or has a low appetite. When Levi bathes, he goes for a quick shower then soak in hot water, which takes about ten minutes. Like a bird :')) He on any given night gets about 2-3 hours of sleep. He thought Eren was the best at cleaning (in season 3 / uprising arc). Because of his childhood in the Underground, Levi has a preoccupation/obsession with cleaning (specifically to ward off disease). He also doesn't have any pajamas, mostly keeping day clothes on when he goes to sleep - which is in "his" chair. Levi cuts his own hair using clippers. (Something like:)

He's aware Oluo imitated him, and found it annoying. Levi's horoscope (in general) as a Capricorn: Humanity’s Strongest Soldier - Levi. He possesses warmth in the midst of a dispassionate nature, and he is capable of leadership without verbal expression – both of which are special qualities of a Capricorn. Capricorns tend to hold certain levels of authority, even if they must carry out somewhat unreasonable tactics while in such positions. But when such authority is backed up with actual abilities, a Capricorn can gain Levi’s type of confidence and also be put on a pedestal by those around them. However, Capricorns won’t be dependent on others, much less trust them easily. They don’t hold high expectations and thus never feel a sense of failure. Levi’s faults include the inability to express himself clearly. Even though he wants to encourage his companions, he always speaks in a roundabout way, and without Hanji’s translation it’s nearly impossible to understand Levi’s intended meaning. Even though he is dependable in most situations, when it comes to love/romance, he expresses himself clumsily/awkwardly. —FRaU Magazine, Aug.2014. | fan Q&A in Oyama, Oita, Mar.2018 | Levi: Close-up Report (Part One) | Translator *the horoscope wasn't written by Isayama, but was published alongside canon information, and it's also not factually wrong, so I'm including it.

The dark circles under Levi’s eyes are to convey the “self-destruction” he takes on to reach the “standard” of Humanity’s Strongest. —Interview on the topic of Levi, May 2015

His 'liege'—as Eren is to Mikasa, and Uri is to Kenny—is Erwin. He is afraid of making deep relationships because of the cruel world he lives in; he can't know when someone he cares for will die or how soon. That 'gap' left in Levi's heart by Kenny's death was filled by his squad (the 104th). If Levi hadn't joined the Survey Corps, he would've been a "very irresponsible person". Risky with his life perhaps? As a kid, Levi used to make himself stronger in order to receive praise from Kenny. When he abandoned him, he wondered what his strength was even for. He was able to find peace with Kenny after his death. In CH72, the reason Levi kicked the shit out of Eren and Jean is because of his argument with Erwin earlier.

He knows he's a slave to his own strength, aka the idea of being a hero. He realizes it when Kenny asked what he's a slave to in s3/ch69. —Answers Guidebook, Aug.2016

If he ever changed his appearance, the one thing Levi couldn't be able to give up is his undercut :') He would grow out the top and tie it up :3 —Oyama homecoming event Q&A in 2014 | 2 | 3

Levi knows how to use a gun, but he "places more trust" in knives. —Bessatsu Magazine, 2019

Levi tolerates saunas. But instead of enjoying himself he seems to see it as a test of endurance. (LOL) —Bessatsu Magazine, 2020

Levi has newspaper-level handwriting that he practices often. He's very conscious of it and being connected back to the Underground. —AU Smartpass TEXT: Levi’s Signature

Isayama had considered killing Levi around the time of the thunderspear explosion. (As always) Isayama deliberated with his editors whether or not it'd be meaningful if he died, and they decided it wouldn't be. —Kawakubo interview, 2021

Specially, Levi holds his swords in a reverse grip "his own way" since he wasn't officially trained. —Illustrate Note Magazine, 2017

Levi forcefully bathes Hange by knocking them unconscious. —AU Smartpass - Erwin & Levi Close Up Interview Part 1

Levi is 4 at the time that Kuchel dies. —What the director informed Kamiya Hiroshi of on set

His character song is called "Dark Side of the Moon", found on YouTube here. Translated lyrics here.

how to draw Levi:

—AOT Guidebook; p.229 | +Illustrate Note Magazine, 2017

#please share... this took days of time and effort #levi aot #snk levi #snk levi ackerman #levi ackerman #levi attack on titan #captain levi #rivaille heichou #levi heichou #captain levi ackerman #levi rivaille #rivaille ackerman #aot manga #snk #levi art #levi shingeki no kyojin #attack on titan #levi.thoughts

500 notes · View notes

gunpowderdtim · 8 months ago

Text

It's no wonder Out happened when you really think about it. Nastya doesn't like organic life because it's complicated, it can break, sometimes it's even unfixable.

quote from gender rebels

Nastya is in love with Aurora, and in saying that she is saying "you are not organic life, I can deal with you because you are metal and algorithm and predictable" - we can see this in bedtime story when she says she'll tweak Aurora's story creation algorithm

screenshot from A Bedtime Story

Aurora is not inorganic. She is not ai. She is a space moon made of flesh and blood and teeth and bone. She is not an ai. She is a body that was taken and stripped of autonomy, of the right to self identify, of the right to think- to be imperfect and organic.

The metal is a veneer that hides how messy and traumatized and unfixable she is. From the outside she is a starship. From the inside she can still bleed.

And this makes them fundamentally incompatible. But yet, they are in love.

And really, it's no wonder Nastya fell in love with Aurora. Let's take a look at Nastya's home planet, or at least home society:

"Terminals were scattered across the planet. There was one on every street corner, one beneath every lamppost and one in every commune block." "The midwife-machine performs a series of programmed manœuvres to quieten [the baby]. It cradles it and hums at several pitches until it finds one that seems most soothing. Mechanical arms stroke the baby’s flesh even as others start the process of implanting augmented reality interfaces into its nervous system." "The Czar an atrophied frame, never present in the real world and worn to dust by the chemical compounds that kept his brain alive so it could live forever in a perfect virtual paradise. The Rabotnik a copy, a mind preserved unchanging in the instant before its death and placed in an everlasting metal frame." (Cyberian Demons)

Its safe to say the world Nastya was born into, from the very minute she was born, was ridden with technology. She has augmented reality interfaces inplanted into her from birth. It would stand to reason that being taken from this society, wherein technology is everywhere, inside and out, would stand for a bit of a shock.

Aurora too had been augmented by the Cyberia.

While it is stated that the last time Nastya had used the ports themselves was directly before her death — "The last time she had used the ports, her tutor had ripped them out of her as the rebels stormed the palace" — Aurora is laced with Cyberian technology. I'd imagine she has something of a 'bluetooth wireless connection' with Aurora, rather than the physical data transfer of files between the ports and Nastya, it may as well be similar enough.

Imagine being Nastya, going from Cyberia, wherein there is augmented reality contantly, transplanted onto a ship with metal blood, a jonny, and a vampire. To Aurora, where the only bits of augmented reality run through Aurora.

Of course she'd fall in love with her. Aurora is familiarity. Aurora isn't organic. Aurora isn't human.

And of course when the undeniable part of aurora that is organic, that is a flesh moon plated in metal with her brain hooked to machines, when so much has broken and been replaced, when, presumably, aurora is less of an algorithm, nastya leaves with the brand cyberia left on her.

Because Aurora healing, becoming more of herself and less of a starship, is messy, and organic, and human.

and hard for nastya.

‘Think how long she’s been flying you around. Think how many bullet holes you’ve punched through her and how many atmospheres you’ve dropped her through. Think how many alterations and improvements we’ve made, Tim to her guns and Ashes to her storage and Brian to her engines and the Toy Soldier to who knows what. How much do you think is left of her after all she’s brought you through?’ Nastya held up the ancient, battered piece of hull plating. Just visible under the grime and scars of particles of space junk was a fragment of the Aurora’s original logo and serial number. Jonny honestly couldn’t remember the last time he had seen a version that hadn’t been painted by the Mechanisms themselves. ‘So she’s free, now.’ Nastya gestured around at the spaceship they were standing in. ‘This Aurora can take you where you want to go. I’m going to take my Aurora somewhere else.’

Aurora was ship of theseus'd. Aurora was improved. Aurora was no longer cyberian. (both literally, and metaphorically)

So nastya left.

#is this anything guys #nastya #aurora #nastya rasputina #aurora the mechanisms #the mechanisms

458 notes · View notes

girlkisser13 · 3 months ago

Text

apollo cabin headcanons

children of apollo

• apollo claims his children with a radiant golden aura with "we will rock you" playing triumphantly in the background.

• they are all born with a golden ring around the iris of their eye.

• many, if not all of them are born around sunrise and die around sunset.

• whenever there's a day that the sun isn't shining, it means a child of apollo has died and the sun god is mourning them.

• sometimes, someone will sing a random note, and then everyone around them will harmonize with them.

• the infirmary is always so HECTIC. like they all have insanely good accuracy so they’re just constantly throwing medical supplies at each other.

• they’re experts at hiding earbuds under their clothes so that teachers don’t see them.

• they’re all really sensitive to sounds. every tune that is off-key is the equivalent of a fork scrapping against a plate.

• their adhd is worse than most demigods because they can’t stand silence. long testing periods where you have to be silent are absolute torture for them.

• they all have some form of synesthesia.

• it’s harder for them to get sick compared to other demigods but when they do, it’s a mess. they take a lot longer to recover from the sickness.

• they’re always awake at the crack ass of dawn. not because they’re the children of apollo, but because apollo plays loud rock music every morning at a frequency that only his kids can hear.

• they’re basically roosters.

• they all have perfect pitch (they can tell what a note is just by hearing it).

• not all of them are good healers but there are certain times when it is mandatory for all children of apollo to be working in the infirmary.

• these times are mostly during and after war, an outbreak of a highly contagious disease, or after a particularly violent game of capture the flag.

• those who can't heal cut bandages, hand things to their siblings, and comfort scared patients.

• during the winter they always have the feeling of the warm sun shining on their skin even if it isn't there.

• as cool as they try to act, they are all shakespeare enthusiasts and can't help but quote it if you get them started.

• twins are common in the cabin since it sort of runs in the family.

• they’re ready for a musical number at any time. like one of them can yell the first note of a song and everyone else will join in.

• because artemis has her hunters, apollo tends to have more sons than daughters (it evens things out). when a daughter of apollo arrives to camp, her brothers are super overprotective over her.

• they’re known for replying to things with song lyrics.

• those who are musically inclined had formed an acapella group called the acapollos.

• they are completely terrified of the dark, due to their father being the god of light.

• they don't hate the dark itself— they're afraid of what they can't see, resulting in each of them having night lights above their beds. these night lights are shaped like the sun.

• they tend to glow when they’re near their crush or favorite person. the stronger the feelings are, the brighter the light is.

• they have secret late night jam sessions with lyres, pan flutes, and tambourines that can go all night. apollo listens in with a magic radio whenever they happen.

cabin exterior

• the cabin is bathed in a soft, golden glow, reminiscent of sunlight. this effect is most pronounced at sunrise and sunset, symbolizing apollo's dominion over the sun.

• the walls are adorned with intricate sun motifs and celestial designs, depicting various phases of the sun, stars, and constellations.

• musical notes and lyres are carved into the woodwork, reflecting apollo's role as the god of music. wind chimes made of delicate metals hang from the eaves, creating a harmonious melody when the breeze blows.

• quivers of arrows and archery targets are prominently displayed around the exterior.

• golden and yellow flowering vines, such as sunflowers and marigolds, climb the cabin walls, adding a natural touch and symbolizing the sun's life-giving energy.

• the architecture features clean lines and an open, airy design, with large windows to let in plenty of sunlight, creating a bright and welcoming atmosphere.

• one wall is dedicated to a mural depicting scenes of various prophecies, showcasing apollo's gift of foresight. the mural changes and updates itself magically as new prophecies are made.

cabin interior

• various musical instruments, such as lyres, guitars, and harps, are scattered around the cabin. there are also dedicated spaces for practice and impromptu jam sessions, complete with sheet music stands and comfortable seating.

• the walls are adorned with paintings and murals created by the campers. these artworks depict scenes from mythology, portraits of famous musicians, and abstract representations of music and light.

• the interior decor uses a warm color palette of golds, yellows, and oranges, creating a sunny and cheerful ambiance. the furnishings are made of light-colored woods, adding to the bright and airy feel.

• one wall is dedicated to a large blackboard or whiteboard where campers can jot down lyrics, poems, and song ideas. this serves as a collaborative space for creativity and inspiration.

• several small, soundproof practice rooms are available for campers to practice their instruments, sing, or record music without disturbing others.

• a corner of the cabin is dedicated to repairing and maintaining musical instruments. it is equipped with tools, spare parts, and workbenches for campers who enjoy the technical side of music.

• the cabin is designed with excellent acoustics, ensuring that music sounds rich and vibrant. this makes the entire cabin feel like a resonant chamber, enhancing the musical experience.

cabin traditions

• on the winter solstice, they stay up all night so they can see their dad and all celebrate by saying "welcome back!"

• they have a weekly archery challenges among themselves with rotating themes, like shooting while blindfolded, hitting moving targets, or shooting from unconventional angles.

• they have an annual slam poetry competition in june when everyone is back at camp.

• the cabin regularly holds workshops on different aspects of healing, from herbal remedies to more magical techniques. they often team up with the demeter cabin for plant-based healing knowledge.

• they organizes an annual talent show open to all campers. it’s a fun, light-hearted competition where everyone can showcase their skills, whether it's music, archery, healing, or something completely unexpected.

divider by @samspenandsword

#percy jackson and the olympians #heroes of olympus #pjo #hoo #pjo hoo toa #pjo fandom #hoo fandom #pjo series #hoo series #pjo tv show #pjo disney+#pjo cabins #lester papadopoulos #apollo #apollo cabin #cabin seven #cabin 7 #children of apollo

180 notes · View notes

sapphim · 1 year ago

Text

Monstrous Wardens Masterpost

A great big collection of text from the Dragon Age games and novels about darkspawn, Grey Wardens, and the Calling, to fuel everyone's monstrous wardens headcanons.

This has actually been sitting in my drafts for like half a year now bc I thought I really should scrounge around for more quotes from Last Flight, Awakening, and Legacy. That... didn't happen, and there's really no sense in holding off longer. If I ever do get around to it, I'll pull more quotes to add. But I consider this complete as is. enjoy~

—

The Song

The Old Gods will call to you, From their ancient prisons they will sing. Dragons with wicked eyes and wicked hearts, On blacken'd wings does deceit take flight, The First of My children, lost to night.

—Canticle of Silence 3:6, Dissonant Verse

“The Old Gods beckon, as they always have.” The Architect turned and paced to the other side of the cell. The shadows cast on the walls by the glowstone danced ominously. “That is what you hear. To my people, it is a call that we cannot ignore. It whispers to our blood and compels us to seek the Old Gods out. We search and search for their prisons, and when we find one, we touch the face of perfection and thus desecrate it forever.”

—Dragon Age: The Calling, chapter 6

So close. We nearly reached him. Made it down to what looked like a dwarven thaig where the song was actually audible, real and thrumming through the air, not just in our heads. It rattled through the lyrium pillars and shook the earth beneath our feet to its dreadful tempo.

—[DAI] Note: Ancient Warden Logbook

There were creatures in that land. Dark things that lurked in the corners. Cole couldn’t see them, and didn’t want to. He worried that they could see him, however. […] And worse, there was the music. He didn’t know what it was, but it seemed to come from far, far oﬀ. It called to him, but not in a pleasant way— it had an urgency that sped his heart and made his blood burn. The dark creatures, the lurkers, they listened to it. He didn’t know how he knew that, but he could feel them out there, craning their necks, raising taloned hands toward that call.

—Dragon Age: Asunder, chapter 9

As the griffon began to climb through the clouds that followed the Blight, Isseya heard a faint, strange melody seep into her mind. She had no sense of it as actual sound; rather, it seemed to come from within, almost as if she were humming the tune to herself. She could never have imagined such a song, though. It was the most beautiful thing she’d ever heard. Aching and ethereal, it seemed to pull her toward a memory of nostalgic bliss that she had somehow lost—but that she would do anything to recover. Anything at all. […] “What was it?” the elf asked, shaken. […] “The Archdemon.” […] For the rest of their ride back to Antiva City, Isseya sat small and quiet on Blacktalon’s back, unable to reconcile the horrors of the darkspawn with the sweetness of their song.

—Dragon Age: Last Flight, chapter 3

The Chorus

The faint sounds of movement ahead got more frequent, and along with them, they began to hear a strange humming. It was deep and alien, a reverberating sound that they felt in their chests and that made their skin crawl. […] The deep humming was coming from [the creature. It] was moaning softly, almost chanting, and this moan built upon the sounds of many others behind it in the shadows. They hummed in unison, a hushed and deadly whisper the creatures spoke as one. […] All of them walked as calmly as the first, shambling toward them while moaning and hissing softly. The sound was loud now, reverberating around them like a physical force. […] They watched the darkspawn advance, their weapons held at the ready. Even with their prey cornered, the creatures did not accelerate. Their hum became louder, reached a hungry, fever pitch.

—Dragon Age: The Stolen Throne, chapter 14

Were they digging? He had the impression that the masses of them were all engaged in some sort of industry, all united in moving great portions of the rock out of the cavern and expanding it even further. Yet there were no sounds of tools crashing against stone, no hammering sounds or grunts of exertion. All he could hear was a rhythmic groan, a keening pitch that it seemed each of the darkspawn contributed to. The sound of it made his skin crawl, and he realized that the chorus in the distance responded to it. Like a cat that arched its back to meet a brushing hand it became ecstatic; it surged and almost overwhelmed his senses.

—Dragon Age: The Calling, chapter 6

The Senses

They were more than simply skilled at fighting darkspawn; they knew them intimately. They sensed their presence, sometimes even gleaned their intent.

—Dragon Age: The Calling, chapter 4

He could feel the darkspawn out there now. Genevieve was right. It just took some time to become acclimated. They were at the edge of his consciousness, lurking in the shadows far out of sight. It was that same feeling when someone was standing behind you, and you didn’t hear them or sense them in any way; you just knew.

—Dragon Age: The Calling, chapter 5

Bregan closed his eyes and carefully reached out with his senses. There were darkspawn all around him. Not in the same room, perhaps, but nearby. He could feel them tickling at the edge of his mind. As always, the sensation came with a feeling of foulness, as if a poison had seeped under his skin.

—Dragon Age: The Calling, chapter 2

“There is a taint that is within the darkspawn […] A darkness that pervades us, compels us, drives us to rail against the light. It is in our blood and corrupts the very world around us.” The creature gestured toward Bregan with a withered, taloned hand. “It is also within your blood. It is what makes you what you are, what you sense in us and we in you.”

—Dragon Age: The Calling, chapter 2

Anders: Hmm. Hawke: What's wrong? Anders: I think [the Grey Wardens are] nearby. Anders: Or it could be darkspawn.

—Dragon Age II

The hunter had a sensitivity to the taint that went far beyond any tracking ability he might have learned during his time with the Ash Warriors. He was always the first to sense the approach of darkspawn, and he could discern between the various breeds by their scent alone. Some of the Grey Wardens even used to claim that Kell could do the same with them, sense who was who from afar just as if they were darkspawn. If so, the hunter never commented on it.

—Dragon Age: The Calling, chapter 11

She felt Bregan out there, felt him just the same as she felt the darkspawn. Every now and again she would turn a corner in the tunnels and would feel her brother’s presence on the edge of her senses, almost as if his scent had been carried to her somehow on an invisible wind.

—Dragon Age: The Calling, chapter 15

The Dreams

Alistair: Oh… and then there were the nightmares. Duncan said it was part of how we sense the darkspawn. We tap into their�� well, I don't know what you'd call it. Their “group mind.” Alistair: And when we sleep, it's even worse. You learn to block it out after a while, but at first it's hard. It's supposed to be worse for those who Join during a Blight. How is it for you? Warden: Nightmares… yes, I know what you mean. Alistair: Some people never have much trouble, but that's rare. Others have trouble sleeping their entire life. They're just more sensitive, I suppose. Alistair: Everyone ends up the same, though. Once you reach a certain age, the real nightmares come. That's how a Grey Warden knows his time has come.

—Dragon Age: Origins

The dream, when it came, was similar to the hundreds of dreams Fiona had suffered since she’d become a Grey Warden. Before, however, it had always felt as if she was looking on the dream from afar, hazy and easy to forget. Now it was crystal clear. Fiona stood on a battlefield littered with dead men. All of them were soldiers in heavy armor, knights wearing the griffon standard of the order. Each had been brutally slaughtered. The smell of blood and decay hung thick and cloying in the air, the buzzing sound of flies nipping at her senses. Overhead, the sky filled with an endless, roiling black cloud. It looked like ink spreading slowly in water, a great stain that blotted out the horizon. She had been told about this. The first sign of the Blight, said the Grey Wardens, is found in the clouds. When the mighty dragon rises, its corruption touches the world and spreads. She was alone on that field of corpses. All alone. The wind picked up, a sickly breeze that carried with it the stench of carrion. A gloom fell upon her, and she stumbled as she watched something rise from out of the field of bodies nearby. It was enormous. A great, black thing that was as cold and terrible as anything she could have imagined. Fear pulsed through her. Her heart raced, and she looked away. She didn’t want to see it. She threw her hands up in front of her eyes not to see it. Yet still she felt it coming. Her foot caught between two corpses and made her fall back on top of them. Dead flesh pressed against her and still she covered her eyes. Still she felt the darkness surging ever closer to her. It was coming. And it was coming for her.

—Dragon Age: The Calling, chapter 14

The Calling

Hawke: You don't look well, Bethany. Are you injured? Bethany: Injured? I have the darkspawn taint forever in my veins, barely held in check by the Wardens' rituals. Bethany: I will never be well again.

—Dragon Age II

At first, it was just a whisper. A creak in the door hinge I could put off oiling. But soon, all I could hear was the music. It was there when I swung my staff and wiped the sweat from my brow. It lingered in Lyam's laughter and stalked my dreams. I can't explain the sound—the song—but I knew. It's a poison that grows in the mind, then consumes the body.

—[DAI: The Descent] Codex Entry: Warden Ailsa's Diary

It scratches at my thoughts, the music almost a voice, at once unearthly and beautiful. I found myself humming it aloud a few days past. Where once it intruded, it now feels a natural part of my mind's course. It coils around memories I hold dear—training with Ser Keller, riding in the moonlight, my mother's face the last time I saw her—and inserts itself into them, so that I could almost swear that music, that sense of a presence watching and calling, had always been a part of what I remember.

—[DAI] Codex Entry: Regarding the Calling

She had seen enough of the corruption to last a lifetime, and somewhere off in the far distance was that strange sound, the beautiful whispering. She didn’t want to listen to it, but couldn’t help herself. She closed her eyes and tried to pick out what the whisper was saying. Was it a song? Was it a name? It almost seemed that it was calling out to her, stroking her soul ever so softly. . . .

—Dragon Age: The Calling, chapter 14

The humming sound, however, was stronger even than before. It was no longer something muted and distant; it was everywhere. It was behind the walls and under the floor; it filled the shadows and caressed his skin. There was a terrible beauty to it now, an awful yearning that pulsated within the sound, a tugging that pulled at the edge of his consciousness and yet frightened and nauseated him at the same time. The humming had eclipsed any sense he had of the darkspawn. Any attempt he made to reach out with his mind to sense where the creatures were found only a wall of beautiful sound instead. Like a weed, it had insinuated itself into his consciousness, blocking out anything useful.

—Dragon Age: The Calling, chapter 6

The far-off chorus had become a powerful symphony, a great swell of beautiful music that no longer pounded to get inside his head but instead tickled at the edges of his thoughts. It was far easier to ignore, but now he found it distracting. He found himself losing his train of thought whenever he listened.

—Dragon Age: The Calling, chapter 10

The taint fogged her thoughts a little more with each passing morning. Her diary, once a detailed chronicle of every day’s thoughts, went neglected for weeks, sometimes months. She was losing her mind. She wasn’t the only one, of course. It had gotten harder to tell the reality of the Blight from the horrors of her dreams. Sometimes she wasn’t sure which one she walked through, or which one she fought in. The elf had learned to recognize the confusion that sometimes passed over other senior Wardens’ faces. They, too, heard the Archdemon’s song echoing through their heads, a trifle louder every night. They, too, fought to block it out and to hide the signs from their comrades…

—Dragon Age: Last Flight, chapter 21

My body is breaking down. The fingernails were the first to go. I started to itch all over, and when I scratched, they peeled back. Clumps of hair fell away. Then clumps of flesh. I hear a song in my head. It's deafening. The most beautiful thing I've ever heard. But I don't hear it with my ears. It's in my brain. A blissful sound. This must be the call for which the darkspawn yearn, what causes them to dig so feverishly. I'd still rather die. Suppose that's something.

—[DAI] Codex Entry: To Be Corrupted

His skin itched terribly underneath those bandages, but he resisted the urge to peel them off. The pain throughout his body was dull but insistent, as if his body protested against this unfamiliar movement. The sluggishness made him wary. There was a thickness to his blood, a deliberateness to his heartbeat that made him feel like something alien was crawling inside of him and sapping his strength. […His arms] were half covered in dark blotches. At first, he wondered if that was some kind of injury, or perhaps a bloodstain. But then he noticed the texture of the skin within those discolored areas: rough and withered, just as darkspawn flesh was. […] Every part of his skin that wasn’t covered by the greyed cloth bandages was corrupted. It was like a network of black mold working its way across his entire body, and everywhere it touched he could feel a hot buzzing underneath the flesh. It was difficult to look at.

—Dragon Age: The Calling, chapter 6

The Architect stared into Utha’s eyes and nothing happened at first. Then black veins began to appear along her hand where the darkspawn touched her. They became darker and darker, the veins branching until her entire hand was criss-crossed with them. […] Her flesh withered and curled, the air filling with the foul stench of decay. […] The stain on her skin spread, crawling up her neck and covering her face. Her coppery hair began to grey, and then it became white. Her long braid twisted and curled behind her, like a match that was burning itself into a cinder. Her eyes shot open, blood red, and she opened her mouth in a soundless scream... and what wisps remained of her hair simply fell out. And then it was done.

—Dragon Age: The Calling, chapter 16

Bonus entry that made me go "hey what the fuck"

What I remember most is its tongue flapping against a row of spiky teeth. I'd heard emissaries possessed the ability to speak, but the words were unnatural. They twisted and lurched as they left the creature's mouth, accompanied with a spray of saliva. "Have you ever experienced living flesh ground between your teeth?" it asked Mila before biting through her throat.

—[DAI: The Descent] Codex Entry: Darkspawn Emissary

#dragon age #grey wardens #darkspawn #wardenposting #canonical texts

501 notes · View notes

likeadevils · 1 year ago

Text

1989 Timeline

This is a very long post that puts all the songs on 1989 in order of Taylor creating them. I’ve also included a few other songs she worked on while writing 1989 and quotes from Taylor and her collaborators talking about her process

Of all the albums in Taylor's discography, I think this is the one that improves the most when you listen to it in order. All of those things Taylor was talking about in the promo for this album-- how this is an album of her coming into her own, figuring out her values, learning to stand on her own two feet-- it all clicks into place. Listening to it in order has made me cry on more than one occasion, and it's also the thing that made me start this whole crazy process of figuring out the dates she wrote each song.

If you don't want to read the whole post, check out this playlist of the album in order or this playlist of her entire discography.

I’ve also added this color coded scale of how sure I am of the date:

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based on guesswork and is highly likely to change, or, all that is known is the general season.

Unknown: All that is known is the year (from the US Copyright Offices)

Without further ado...

Oct 6, 2012: Taylor seems to have been in a studio in London (Note: I have no idea where this photo comes from and I can not find a place that specifies if this is a music studio or radio interview.)

This Love: Oct 17, 2012 (Confirmed)

October 19, 2012: Taylor mentions wanting to work with Imogen Heap, prompting Imogen to get in touch with Taylor

Time Interview: Who’d be your dream collaboration, especially now that you’re taking more musical risks? Let me think. Imogen Heap! She’s amazing. Taylor: Someone asked me in an interview "Who would you like to work with?" and I said Imogen Heap. I get an email to my management, sent like "Imogen just saw that Taylor just said an interview that she would like to work together" She said "Why don't you come out to my studio." Imogen: I got a phone call [in 2014] saying Taylor Swift was in London, she'd love to work with me and the only date she could do (between 4 sold out 02 arenas!) was the day after we got back, Sunday. It was both unexpected and not at the same time as I'd heard Taylor was a fan a while back via this Time magazine piece but somehow didn't think it would actually happen.

Fall 2012: Taylor possibly writes a song with Harry Styles and Jacknife Lee (her producer for The Last Time).

Jacknife Lee: “It was out of my field of expertise and interest, but I was intrigued and my girls were thrilled. Taylor was nice and very professional. She knew what she wanted and there was no fucking about. She was seeing Harry Styles at the time, so he came to Topanga on her recommendation. She wrote a few songs with him, and it was the same thing – quick. But this time it was more directed by the management and label. They were after something specific. I wanted more acoustic and gentle, almost Americana, and they wanted bombast. They got what they wanted, and that was the extent of my foray into teen-pop territory. It was fun.”

All You Had to Do Was Stay: Jan 10, 2013 (Confirmed)

Taylor is photographed outside Conway, and then tweets "Back in the studio. Uh oh..." Later, Taylor confirmed that she was recording All You Had To Do Was Stay. Taylor: I had a dream that my ex showed up at my door, knocked at my door, and I opened it up, and I was about ready to launch into the perfect thing to say [...], Instead, all that would come out of my mouth was that high-pitched chorus of people singing, 'Stay!'...and then you go to say something else, and it's just like 'Stay! Stay! Stay!' And I woke up, I was like 'Oh, that was mortifying. But that's kind of a cool vocal part.'

January 11, 2013: Taylor is photographed outside Conway again

How You Get The Girl: Jan 15, 2013 (Confirmed)

Taylor posts a picture of her playing a guitar in the studio, captioned "Somewhere in LA..". Later, Taylor confirmed that she was recording How You Get The Girl. Given what was going on in her personal life, she likely wrote this sometime in the fall/winter of 2012, but all we know for sure is the date she recorded it.

February 9, 2013: Tweets "Grammy rehearsals last night, studio today, who knows what tonight holds! (I do. Laying around watching TV and eating candy.)"

March 6, 2013: Taylor is photographed outside a studio in LA

March 23, 2013: Posts a picture of her playing guitar captioned "Pre show. Columbia, South Carolina"

I Wish You Would: May 28, 2013 (Inferring)

Taylor is photographed out for lunch in Rhode Island with Lena Dunham and Jack Antonoff on May 27, before leaving for her show in Phoenix, Arizona the next day Taylor: "Max Martin and [Karl Johan] Shellback [Schuster] were the last people I collaborated with on [2012 album] Red, and I wished we could have done more and explored more. So going into this album, I knew that I wanted to start with them again. Then I thought, “Wouldn’t it be amazing to work with Ryan Tedder?” And then I was with Jack Antonoff and Lena Dunham at the beach, and we started talking about our favorite ’80s music. All of this started happening organically, and I found myself gravitating toward pop sensibilities, pop hooks, pop production styles." Jack: "We were hanging out at her house in Rhode Island and we were talking about John Hughes movies, and a lot of the music that inspired [them], and just this general culture of sound in that time period that was really larger-than-life in an anthemic, positive way. These songs could be at the end of films that were really, really beautiful and said a lot. That actually ended up being a song called 'I Wish You Would' which is going to be on her album. We first worked on that song together and realized we kind of have a good thing. Taylor: “This is a song I did with Jack Antonoff, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes "I made this amazing track the other day. It's so cool, I love these guitar sounds." And he played it for me and immediately I could hear this finished song in my head, and I just said "Please, please let me have that. Let me play with it, like send it to me" And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called "I Wish You Would", because Jack wrote back and said "I love that".”

June 7, 2013: At the CMA fest, Taylor is asked if she's started writing for her next album yet

“It's starting, all the anxiety is starting and when the anxiety starts, then the writing happens right afterward, usually. Um, so, yeah, I basically... I like to, I like to write for about two years before I'm finished with an album because I... at this point I kind of know that whenever I write in the first year is going to get thrown away, because, I'm going to like it, but it's going to sound a little bit like the last project I had, and the second year usually ends up sounding like the next project. So I think at this point, at this point I feel like staying the same is the easy way to go but it's not the way that I want to go, creatively. I think you need to challenge yourself, I think you need to change up your influences, I think you need to be inspired by different things that you've been inspired by before, and, uh, y'know, It's harder to call people you don't know, and it's harder to think of topics you haven't covered and think of new ways to say old emotions that everyone feels, but, that's the goal at this point."

June 20-21, 2013: Taylor and Selena Gomez hang out, and Taylor potentially writes Wildest Dreams.

July 15, 2013: Taylor gives a brief interview to Rolling Stone

“The floodgates just opened the last couple weeks,” she says of the songwriting process. “I’m getting to that point where I’m irritating to be around because I’ll be with you for half the conversation and then the second half of the conversation I’m clearly editing the second verse of whatever I’m writing in my head.” “I really loved collaborating [on Red],” she says. “You work with a lot of different people and you find the people you have this dream connection with in the studio. I know those people and I know the ones I want to go back to. But I also have a really long list of the people I admire and I would really love to go and contact. So that’s kind of where that is.” “I think that the idea of having a different approach to every single one of my albums is so exciting to me. I never want to make the same record twice. Why do it? What’s the point? It’s so overwhelming that when you’re starting a project there are such endless possibilities if you’re willing to evolve and experiment. If you’re willing to become a different version of yourself, you can really go anywhere with it. And that’s kind of where I am. The kind of the laboratory experimental stage of really catching onto a new thing that I’m liking.”

July 18, 2013: Taylor unfollows the three backup dancers that left her tour for Katy's, meaning Bad Blood was likely written sometime between July and November 2013.

Sweeter Than Fiction: Summer 2013 (Speculation)

Taylor wrote this one over email, and then it was recorded in New York (partially in Jack's living room, partially in an actual studio)

August 25, 2013: Taylor and Selena Gomez hang out at the VMAs, and Taylor potentially writes Wildest Dreams.

August 25, 2013: Taylor gives a brief interview on the VMAs red carpet

"But I think [songwriting is] about to start to kick into full gear. I'm about to go into the studio. It's about to get really intense."

Out Of The Woods: September 14 2013 (Inferring)

On September 14, Fun cancelled their show. Taylor was likely either flying to or from Charlottesville, where she had a show for the Red Tour. Jack: "When I did the track for Out of the Woods, which is a Taylor song that I'm really proud of, there was some issue at a venue and our show was canceled that night and I didn't have my stuff, I had left it on the bus, so I only had these old samples on what was on my laptop, and caught up that 'oh oh'' thing, and I only had one drum kit on there, and these dumb little things [sometimes turn into a great song]" Jack: "So 'Out Of The Woods' was the third thing we worked on together, and probably the easiest. I sent her the track for it, and she sent back a voice note with the verse and chorus in what felt like five seconds. And it was just perfect. It's eerie how similar it is to what the final product is." Taylor: "This is a track that Jack Antonoff sent me, and I was actually on a plane, I got it and I got on a plane and I'm listening to it, and I'm just like listening to it and mumbling melodies cause the song came to me immediately like, in full [...] I think what I should start by playing you, is when I got the track, what I sent him like an hour later, and it is, me.. um, me singing what came to me, which ended up being the finished version of the song, or at least really close to it."

September 20, 2013: In a brief interview with USA Today, Taylor says she plans to work on her next album between the next few legs of the Red Tour

"I’ll be in the studio, figuring out what comes next. I really like to take two years to make a record, and I’ve been writing and doing stuff for the last year. This is kind of the year that it goes into overdrive, and it’s all I think about and I become obsessive over it and I’m hard to talk to"

September 22, 2013: Taylor gives an interview to New York Magazine where she talks about her plans for TS5

These days, Swift is thinking a lot about her next record. While on the Red tour, she’d been writing songs and stockpiling ideas: reams of lyrics, thousands of voice memos in her iPhone [...] she plans to spend much of 2014 writing and recording the new album, a prospect she finds exhilarating and terrifying. “I worry about everything. Some days I wake up in a mind-set of, like, ‘Okay, it’s been a good run.’ By afternoon, I could have a change of mood and feel like anything is possible and I can’t wait to make this kind of music I’ve never made before. And then by evening, I could be terrified of the whole thing again. And then at night, I’ll write a song before bed.” Swift hopes to collaborate with new songwriters and producers. But she planned to begin, she said, by heading back into the studio with Max Martin and Shellback. “I want to go in with Max and Johan first, just to figure out what the bone structure of this record is going to be. “I have a lot of things to draw from emotionally at the moment. But I have to draw from them with a different perspective than on Red. I can’t say the same things over and over, you know? I mean, I think it’s just all the more important that I don’t ever allow myself to coast. At the same time, there’s a mistake that I see artists make when they’re on their fourth or fifth record, and they think innovation is more important than solid songwriting. The most terrible letdown as a listener for me is when I’m listening to a song and I see what they were trying to do. Like, where there’s a dance break that doesn’t make any sense, there’s a rap that shouldn’t be there, there’s like a beat change that’s, like, the coolest, hippest thing this six months—but it has nothing to do with the feeling, it has nothing to do with the emotion, it has nothing to do with the lyric. I never want to put things in songs just because that might make them popular, like, on the more rhythmic stations or in dance clubs. I really don’t want a compilation of sounds. I just need them to be songs.”

September 28-October 5, 2013: Taylor and Selena Gomez are in the same city, and Taylor potentially writes Wildest Dreams.

October 12, 2013: Taylor gives an interview to the Associated Press

Swift: I think the goal for the next album is to continue to change, and never change in the same way twice [...] How do I write these figurative diary entries in ways that I’ve never written them before and to a sonic backdrop that I’ve never explored before? It’s my fifth album, which is crazy to think about, but I think what I’m noticing about it so far is it’s definitely taking a different turn than anything I’ve done before. AP: You said recently you’ve been working on songs for the new album for about six months. What can you tell us about what you have planned? Swift: It’s too early to tell who are going to be my predominant collaborators, but I do know that my absolute dream collaborators were Shellback and Max Martin on the last project. I’ve never been so challenged as a songwriter. I’ve never learned so much. I’ve never just been so excited to show up to the studio every day, just because you never know what we’re going to put together. I’ll bring in ideas and they’ll take such a different turn than where I thought they were going to go, and that level of unexpected spontaneity is something that really thrills me in the process of making music. ... What if we did this? What if we made it weirder? What if we took it darker? I love people who have endless strange and exciting ideas about where music can go."

October 14, 2013: At the NSAI, Taylor talks about reinventing herself for different albums

"I’m making my 5th record now, so I think you have to change things up, you have to explore different corners of music as much as you can. Cause I really, it’s been a big goal of mine to never make two albums that sounded the same. I really want my fans to be able to be like "Oh that song? Clearly that's from the Fearless album", "No that one, that one was from Red" and so I’m in the process of doing that thing all over again for my 5th album and it’s amazing to be in the studio and to be songwriting again, and be honored for songwriting tonight"

Blank Space: October 26, 2013 (Inferring)

It looks like she’s wearing the same outfit in this behind the scenes footage and these candids Taylor: "I was going into write with Max Martin and Shellback, who are two of the primary collaborators on 1989, and I... was preparing all these things, and I, I think Blank Space was like the third thing I played them, and they just stopped and they were like "NO, this is the first thing we're working on today." [...] I had the idea for the chorus and I had the hook, but a lot of the verse was gibberish." Taylor (On what song took her the least amount of time to write): "Blank space, cause I'd written a lot of the lines down already in the year preceding the session"

October 29, 2013: Tweets "Sitting in the studio writing the next album (!!!!) and wanted to thank you for the American Music Award nominations!"

November 1 : While promoting Keds, Taylor is asked about her next album

"What I go through is going to be the story that I tell. I think lyrically, I always try to tell my fans exactly what’s happened to me in the last two years, and that’s the thing they can expect. Everything else, they won’t be able to expect. Having been in the studio with this one, I’m just like… oh, this is going to be fun"

Bad Blood: Fall 2013 (Speculation)

The backup dancer drama seems to have kicked off in mid-July. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

New Romantics: Fall 2013 (Speculation)

Unfortunately, Taylor doesn't really talk about this song. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Wildest Dreams: Fall 2013 (Speculation)

Selena reportedly told a fan she was there when Taylor wrote this, and I've noted above all the times Selena could have been with Taylor in 2013 (Here's my personal ranking of how likely each date is). Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013.

Wonderland: Fall 2013 (Speculation)

Another one Taylor just doesn't talk about all that often. Given that it's produced by Max Martin and Shellback, and Taylor was in the studio with them pretty much non-stop from October-November, we can assume that it was recorded sometime in the Fall of 2013

Nov 20, 2013: Taylor posted "While in the studio, I came to the realization that my bangs are long enough to use as a sleep mask on long flights. Then I remembered I don't ever use sleep masks on flights. So really, I just need a haircut"

November 25, 2013: Taylor and Scott Borchetta have a meeting to talk about her plans for TS5 and are both asked about the next album at the AMAs

Taylor: “We got a lot already. There are probably seven or eight [songs] that I know I want on the record. It’s really ahead of schedule for me. I’m just stoked because it’s already evolved into a new sound, and that’s all I wanted. And I would have taken two years to make that happen, but it just kind of happened naturally, so that’s all I could really ask for.” Scott Borchetta: "Well earlier today we got together and she played me seven new songs, and she’s just on fire. The level of desire and passion that she has just to keep getting better, she’s an artist that just really never wants to just say ‘Well okay this is good enough’. It’s always gotta be better. She’s in amazing creative place right now." By the end of November, Taylor had likely recorded This Love, All You Had To Do Was Stay, How You Get The Girl, I Wish You Would, Out Of The Woods, Blank Space, Bad Blood, New Romantics, Wildest Dreams, and Wonderland. That’s 10 songs total, 5 of which were likely recorded in the past two months, and 7 that had been made since Taylor and Jack had their conversation about 80s music in May.

Dec 21, 2013: Taylor briefly talks to Billboard about TS5

"I’m really loving collaboration right now [...] I see it as a bit of an apprenticeship. I want to be around people who love writing songs and have done it for years. Every time I’m in a studio I’m learning, like how to build a drum track, and getting a new perspective on things. It’s so thrilling to keep learning on your fifth album. As soon as [an album] comes out I’m figuring out what the next one will be. It’s gotten to the point where each one is a reinvention, which is what I like best. I like it when it sounds new and people don’t know where you’re going to go next."

Say Don't Go: Jan 1, 2014 (Confirmed)

Diane Warren: Warren, who typically writes on her own, says the two of them “sat down and wrote the song […] from scratch” during the last few days of 2013. She remembers being impressed with how specific Swift was with her lyricism and how considerate she was about how her fans might receive it. “She was very particular about how she said certain things. It was a really interesting experience. She gets her audience [...] She’s deeply aware of how her fans want to hear something. I can’t explain it, but that’s probably why she’s the biggest fucking star in the world.” Several days after writing the song together, they got into Warren’s office to record a demo, where Swift played it on her acoustic guitar. “We demoed it on New Year’s Day. And I’m a workaholic, and that’s fine for me,” she says. “But I remember being impressed that she did, too. Everybody’s on vacation, but she showed up.”

You Are In Love: Jan 2014 (Inferring)

This song is copyrighted for 2014. Taylor has said a few times that Clean, Shake It Off, and Style were the last songs written for the album, meaning You Are In Love was likely completed in January or early February. Given Taylor's busy schedule in late January and early February, I'd guess this was written at some point in early January. Furthermore, I'd guess it was sometime after the 9th, when she returned from looking at house in New York.

I Know Places: Jan 22, 2014 (Confirmed)

Taylor: "I sent this voice memo to Ryan Tedder because I'd always wanted to work with him, and finally we scheduled some studio time. So I always wanna be prepared, I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said "I can't stand that, I wanna work on something else, think of something else" So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called "I Know Places" So this was the voice memo that I sent to him the night before we ended up finishing the song"

Welcome To New York: Jan 23, 2014 (Confirmed)

Ryan Tedder: "I thought we were going to walk in and start something from scratch because that's what I was used to. Then she calls me and says, 'Is it cool if I already have an idea?' I said, 'Sure.' She said, 'I have this song, I'm obsessed with New York and I just moved there, I want to write an ode to New York because no one's done it in a long time.' And then she sent me a voice memo. She's like, 'I want it to sound like 1980s.' So the next day I brought in a Juno-106, which is a very 1980s keyboard and I literally programmed that entire song right in front of her. It was very much on the fly, and that song was done in about three hours. And I did the rest of the production I think later that week. I was in Switzerland on a tour bus, and I did four versions of 'Welcome to New York,' one of which I liked personally more, but the thing about artists is they become very obsessed with the demo. She was in love with the demo so no matter how hard I fought, she brought it back to the demo, so really what you hear is what I did on the first day."

January 26 2014: Dianne Warren says that she recently wrote a song with Taylor

"I worked with Taylor Swift on a great song [...] I'm excited about the [song] that we did, it's pretty cool Dianne in 2016: “I know [Swift] likes it, so hopefully it will see the light of day. I know she really likes the song. She didn’t want me to give it away, so hopefully that means she wants it.”

January 26 2014: Taylor loses Album of the Year at the Grammy's to Daft Punk. She tells a few different stories about what the rest of the night looked like for her-- in some she goes home alone, in some she has some friends over-- but in all of them, this is the night where she decides that she's gonna name the album 1989, and she's not going to let her label tell her to put any country songs on it.

Clean: Feb 9, 2014 (Confirmed)

According to Imogen Heap's blog post, Taylor had the first verse and chorus by the time they got into the studio, and then wrote the second verse and bridge during the session. Taylor's part was wrapped up in 9 hours, ending at 8pm, while Imogen stayed up until 4am because she didn't want to stop working on it. Taylor: ""Shake It Off" and "Clean" were the last two things we wrote for the record, so it shows you where I ended up mentally. “Clean” I wrote as I was walking out of Liberty in London. Someone I used to date— it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. [...] The first thought that came to my mind was – I’m finally clean." Imogen Heap: I was really writing the tiniest amount just to help her do what she does. I put some noises to [“Clean”], played various instruments on it, including drums, and anytime she expressed she liked something I was doing, I did it more. It was a really fun day. She recorded all her vocals [for “Clean”] during that one session. She did two takes, and the second take was it. We always thought she would probably re-record it, because we thought it can’t possibly be that easy. But after we lived with it for a few months, we felt it was great.

February 15, 2014: Taylor posts "It was a studio Valentines Day with Max and Johan!"

Shake It Off: Feb 15, 2014 (Confirmed)

Lover Diaries (From Feb 22): "This week I’ve been in the studio with Max and Johan every day and it has been the most creatively successful and fulfilling time. The first day, Johan just made a really up tempo drum beat because we decided we needed something UP and light. We worked at it for a few hours before I just started singing “shake it off, shake it off.” And then the best way I know how to describe it is that the chorus just fell out of the sky. It ended up being this song about doing your own thing even though haters are gonna hate, and you just have to dance to your own beat. We all went home and I wrote the first and second verses and brought them in the next day. We wrote this chanty cheer leader bridge that I absolutely LOVE. We spent all day doing vocals and the next day recording background vocals. I think it’ll end up being the first single and Max said it’s his favorite song he’s ever been a part of." Taylor: "The problem was, I had all these lyrics, and I didnt have, like... writing session was coming up and I'm just like "I'm not getting a melody, I'm dead, I don't know what I'm gonna do." The thought terrified me, so I just sorta sulked into the studio and I was like "Guys, I have like an idea but its like, lyric, but I... and I know the vibe I want-- I want it to start off and the second the song starts, I want it to be the song where like, if it's played at a wedding, and there's this one girl who hasn't danced all night at the reception, all her friends come over to her and there like "You have to dance, come on, you have to dance on this one!". That's what I wanted. So I was like "Shellback, can you just go to the drum kit and try to play that?" Taylor: "There's one thing that I've always said to Max, is like "I don't like horns" I just always had a thing about it, I was always like weirdly scared of it, or intimidated by horns, I don't know what it was? It's a weird, like, nerdy studio fear of mine. I was like "No, no horns!" and I don't.. I don't even know, I don't have a reason for it, I love songs that have horns on them, I was just like "I don't think I can pull off horns." Strange. But, he goes over to the mellotron and he starts playing this horn sound. I'm like "What are you doing. Don't do that." and he's like, "No, I think this is cool" and I'm like "No it's not cool, and where are your chorus chords, because, that, you're just playing three chords over and over again and I can't make a chorus out of them, why don't you go to like a chorus chord that starts off the chorus, where is the one, like why don't you go--" and then there was this moment, where I thought of the whole chorus, and it's over the chords that I had just told him are not "chorus chords", which is a ridiculous thing to say."

February 18, 2014: Taylor is photographed entering Conway Studios

Style: Feb 19, 2014 (Confirmed)

Niklas Ljungfelt (guitarist): I played on “Style,” a song I started with Ali Payami for ourselves. He was playing it for Max Martin at his studio; Taylor overheard it and loved it. She and Max wrote new lyrics. But I recorded the guitar on it before it was a Taylor song. It was an instrumental. I didn’t have a clue that Taylor would sing on it. The inspiration came from Daft Punk and funky electronic music. Taylor: I'm pretty sure after we finished this one I knew the record was done. Shake It Off and Style were the last two songs to be written for 1989.

March 2014: Taylor's interview with Glamour is published (likely conducted two months beforehand)

TS: Working on this album has been unbelievable [...] I'm already in love with it. It's so different. CL: What's the new sound? TS: On Red I did three songs with Max Martin Shellback [...] I think we'll be doing a lot more than three songs together on the next album [Laughs].

March 26, 2014: Taylor is photographed entering a music studio in New York

"Slut!": 2014 (Unknown)

Taylor: The song “Slut!” is a song we wrote for 1989 and in it, I kind of cheekily play on the discussions at that time of my life around my dating life. And that’s not the only time on 1989 that I’d done that, I’ve done that on “Blank Space” and when I came down to having to pick songs for the album, I think I though, “Okay, well, I’m going to choose ‘Blank Space��” and, unfortunately, had to make some tough decisions in terms of what to put on the tracklist. But I love this song because I think it’s really dreamy. And I always saw 1989 as a New York album, but this song, to me, was always California, and maybe that was another reason it didn’t make the cut, because sometimes, thematically, I just had these little weird rules in my head. But I’m so happy it’s finally going to be something you guys hear, because I have always been proud of it, I’ve always wanted it to come out into the world and now it is, so yay!

Suburban Legends: 2014 (Unknown)

Taylor hasn't talked about this song, and it was produced by Jack Antonoff, who she didn't schedule time in the studio with in the same way she did with Max Martin and Shellback, so there's not a lot to work with.

Is It Over Now?: 2014 (Unknown)

Similarly to Suburban Legends, Jack produced this, so there's no obvious point in time to point to. She has spoken briefly about it though. Taylor: “Is It Over Now” is a song I wanted to end the album with because I think it’s kind of a fun play on words of like, “Is the album over now?” I always saw this song as sort of a sister to “Out Of The Woods” and “I Wish You Would,” I kind of saw those songs as similar, so, unfortunately, when we were making these decisions of what to put on 1989 and what to leave behind, I had to make some tough choices, and now it doesn’t matter anymore because you guys are going to hear all the songs. I’m so happy this song is out. I really love the “let’s fast forward to three hundred takeout coffees later,” that session, I just feel like head banging to every time it comes on. Hope you agree.

May 30, 2014: Taylor writes in her diary:

So a crazy story unfolded in the last 24 hours. Last night, I had this vivid dream where the photo I’d chosen for the album cover wasn’t good enough, intriguing enough, artful enough. It woke me up. I couldn’t shake it and it stayed with me all day. Because that nagging feeling I’d been pushing back for weeks was now confirmed in my gut … It wasn’t good enough. I went to the venue, mind racing, wondering if I’d have to do an entirely new photo shoot … I got to my dressing room with newer versions of the “cover.” I looked at it and felt nothing. The team pulled up this new scanned file of the Polaroids we had taken during the shoot. I saw within 10 seconds. The shot. The cover. It’s a Polaroid of me sitting against a beige wall with a blue seagull swear shirt on. You can see my red lips, but the photo cuts off my eyes. From some reason unknown to me, it’s the most intriguing photo I’ve seen. I think it’s the mystery of not seeing my eyes. Maybe it just looks effortlessly cool. The craziest moment came when something caught my eye. The cover photo is photo 13. I kid you not.

August 23, 2014: Taylor is photographed walking out of a studio in LA (Note: I can not find a place that specifies if this is a recording studio, dance, photography, radio, or television studio.)

Now That We Don't Talk: Summer 2014 (Speculation)

Seeing as Taylor said she didn't have time to figure out the production, I imagine this came fairly late in the process. Taylor has a habit of adding songs right up to the deadline-- with Folklore and Evermore, she added multiple songs a week before the album came out. The latest she added songs to albums while signed to Big Machine was September, though (both Forever & Always and So It Goes...), so I assume that's the absolute latest she could've added a song to 1989. Taylor: "Now That We Don’t Talk” is one of my favorite songs that was left behind, it was so hard to leave it behind, but I think we wrote it a little bit towards the end of the process and we couldn’t get the production right at the time. But we had tons of time to perfect the production this time and figure out what we wanted this song to sound like. I think it’s the shortest song I’ve ever had, but I think it packs a punch, I think it really goes in. For the short amount of time we have, I think it makes its point.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

#txt*#timeline*#taylor swift #OH MY GOD ITS OUT ITS OUT ITS OUT I'VE BEEN RESEARCHING THIS FOR THREE YEARS AND IT'S DONE #!!!!!#as always let me know if you want further sourcing on anything/if you spot a typo or something

463 notes · View notes

semischarmed · 1 year ago

Text

Demonizer

Hope you’re not religious…

———

Parker Mills here sure was. The cross, dutifully hanging on his neck in every other post. The obligatory bible passage quoted on the profile. A “#believer” given every other caption. The works. By all accounts, religion had been good for him. He seemed like a genuinely nice guy. Friendly to all, despite the evangelizing. Virgin too- saving for marriage, of course. His parents on the other hand were vile fucks. The Mills often terrorized our small town’s tiny lgbt community but by some stroke of divine luck, the son of those demons turned out completely normal. Better than normal. Parker was probably the nicest jock in town. Parker also turned me the fuck on. With Parker, I just knew. Just knew that those kind blue eyes and gentle smile adorned that angelic face and ripped body. Knew that with his family’s wealth and that face, he had the makings of the town menace. Knew that despite all this, he was entirely clueless on his appeal and unwilling to share his god-given gifts. Many have tried to corrupt poor Parker, but the man was a saint. He even looked uncomfortable doing anything beyond a quick peck on the lips. I just knew I could make him my own cocky motherfucker.

There were a handful of options in the dark web. Entirely different avenues ranging from a neurosurgeon offering direct transplant to a ritual for astral projection. It took 1 month just to sift through all the possibilities and options. Each one felt messy or required some form of constant maintenance. They wouldn’t do. I wanted Parker permanently. All of him-body, mind and soul. At last I had landed on the Demonizer Potion. The effects seemed to vary drastically, though they all seemed to warn of its corruptive properties. In the end, I chose it because it filled the most important niche for these products for me- I could actually afford it.

Finding a witch to procure this particular potion was… surprisingly easier than expected. In fact, it was downright effortless. Miranda, a witch just a town over, scoffed when I mentioned it to her. “A girl’s gotta pay her bills. Besides, It’s a lot easier and a lot cheaper to hide out here than it is in the big city.”

And that was that. For the “low-low price of $500”, I had the demonizer potion in hand. The drink was pitch-black. Darker than black even. And it seemed to pull all warmth from the room in an otherworldly, sinking feeling. I had no doubt this thing was the real deal. I read the instructions: “Drink with your intent.“ I imagined mine.

- - -

I knew the perfect time to strike. It felt oddly fitting to take him during a service. In the church’s bathroom, I took a quick swig of my future. Just a third of the black substance. I gagged as I felt it stream down my throat. And I winced, expecting a burning sensation. No-not a burning sensation. It was more like a pit of nothingness spreading throughout my body to my fingertips. The burning came after. All at once, the world around me spun as I felt my body leave physical manifestation. I watched as my spectral hands flashed white then black in a pulsating pattern, before finally settling on a grey.

Parker Mills sat, listening attentively. They seemed to be playing some religious music. My only religion sat right in front of me. In devilish glee I began to stream into him. Inch by Inch, I flooded into his thick dick. He made a small grunt at first insertion.

Parker shifted in his seat as the worship choir continued singing. His face grew red as he tried to hide a growing boner. The worship singing droned and I felt a sharp pain in my head. As if empowered, Parker’s own soul began to push me out.

In the end, I only managed to slip a bit of the grey essence into him. It did not seem to have much effect, aside from giving him an inexplicable need to grab the flask from the bathroom floor. I tried to make a mental note of that.

I sighed, defeated, as I fled into the night. In the darkness, I recuperated as I planned my next visit.

- - -

This time, there would be no fanfare. No choir to welcome our joining and my rebirth. I wasn’t sure how long I could stay in this world without his warm flesh tethering me mortal, so I knew I had to get in him fast.

I followed the man to his apartment, sitting patiently in a dark corner of his bedroom as he went about his day.

When he was close to sleeping, he turned off the light and sat on his bed in a meditative tone. I watched in anticipation as he closed his eyes and began to pray. “Lord, ple-“

“Mmhhmph!” I struck the man a snake, prying his full lips open and forcing his body to gorge itself with me.

This time, no music. Just the sounds of a teary-eyed Parker choking on invisible mass. Drool ran down his cheeks as I inched more and more of my form inside. His neck bulged and eyes grew wide and bloodshot as he tried badly to reject the intrusion. Lubricated by Parker’s own saliva, by the taste of Parker, I greedily dug into his insides.

Parker’s body began to move involuntarily. Deep in violation, it tried in vain to get me out. He smashed his head over and over again across the apartment wall trying to shake me out. I only forced myself inside harder. His head shook as it contorted in odd angles. Biceps started scratching at his own throat, trying to get me out to no avail. Eventually, they were forced splayed open as Parker’s body began to travel up the apartment wall. At first, his legs began to kick, then shake, then they begun to dangle ominously off the ground. In a perverted facsimile of his religion, I strung Parker up his own apartment wall, arms outstretched in a blasphemous pose as if to welcome me. “All are welcome..no, I am welcome,” I thought to myself. I continued my assault.

As Parker screamed, I weaved through each crevice until I could find the core of his soul. It looked pure and white, aside from the small speck of gray in my earlier intrusion. Gingerly, I pried the soul’s own mouth open as I laughed. I wanted Parker to his depths. Parker to his very core. And so I burrowed and coiled. Shackled myself to it. Shackled him to me. Like a trap jaw, his soul’s mouth closed. Forever sealing me in nice and tight as I continued squirm and fill into Parker. His spirit was mine. It bent in odd and unnatural angles, contorting until it tore. Outside, I felt Parker’s thrashing head slow into a twitching.

I wanted-no needed every part of Parker to myself. So I begun to fill into the tears of his ravaged soul. I then felt the the fibers of those tears heal- with me embedded. Euphoric. Stillness.

Parker’s pale blue eyes shot wide open, dilated. “P-Please,” he whimpered, before they go glassy and a smile began to form on his lips. Parker’s flesh collapsed into a pile on the floor, body, mind, and soul spent.

- - -

My first breath as Parker felt out of this world. Parker’s body was his temple after all. When I felt his lungs fill for me, and air flow into us for the first time, I felt the power in his drawn breath- Like having an athlete’s lungs chained to my whims. I felt our drawn air circulate inside me, tickling bits of me in drunken pleasure. Granted, I was not that unhealthy in my previous flesh, but this new home was unreal. Merely existing in his flesh felt like an unburdening. Energy brimmed from fingertip to fingertip and my mind raced with a clarity I did not know possible.

“I can’t believe you just feel like all the time” I teased as I twirled my new perfect hairs. I couldn’t help but giggle in my new perfect voice. Hearing it vibrate into a low moan was music to my ears, as the man’s hand travelled and cupped his own perky ass. “Fuck,” I panted breathlessly as I massaged my new right asscheek. The Jock’s face twitches in vain retaliation. “Fuck you feel so good…” I twisted his nipple. “Thank you for saving yourself for me.” Hearing and feeling this Parker, a Parker the world has never seen- A Parker he himself had never seen, drove me mad with lust. This was a private Parker, my Parker, one bound to me for my personal enjoyment. A moment exclusive to us. This seemed to light a fire in the original Parker and I felt my soul shiver as his encapsulated mine. “g…g-get the fuck out of me!” He spat.

With newfound agency, the original Parker ran to his desk and managed just one action before I could wrestle back control.

I gulped. My shaking hand dropped the empty flask as I felt his intent hung around me like a death sentence. “Cast this demon out of me”.

Control over my perfect meat-suit went dark. Like a barrier emanating from within, I felt myself squeezed out of my home. Then falling. Falling for an unbelievable amount of time. I blacked out.

- - -

I awoke with the smell of sulfur in the air, the sky was dark and glowed a faint orange. I stood as I surveyed my surroundings, horrified. I saw a sea of bodies writhing and groaning.

“Is this..?” I couldn’t bring myself to finish that sentence. I closed my eyes as I thought of the potion and the life I gave all to come to this. I didn’t even have a chance to play with my new body. A sensation stopped my racing mind abruptly.

It was a hand.

One of the bodies on the floor moaned as it spoke in velvet. “Are you joining or what?” I shook it off me as the realization slowly dawned on me. It wasn’t groaning… it was moaning. They were not damned. At least, they were certainly not upset about it.

Then I felt something else stir inside me. Hope? No- At least, not my hope. I grinned as I realized what had occurred. I took note of my spirit- a spirit that was a part of Parker’s. Partially superimposed. Partially one. We were bonded together, even as souls. When his sleeping soul came to, I felt that hope of his immediately vanish. He grabbed our merged face in horror, before looking around.

“B-but, I never did anything… I was perfect…” Parker trailed. I felt a blackness pour out of me. That’s it? Is that all there was to being a demon? These people were not suffering in the slightest. If anything, this was something to look forward to. This time, I felt no resistance from Parker as our shared soul began to fondle itself. Our face, however, was stone cold. Parker was in control.

Feeling all that he had to look forward to, something shattered in him. I felt as much- Rage. Betrayal. Then, Liberation. He looked up into the sky with a sneer and hands outstretched. “This what you wanted, asshole? I do everything right and you still put me here? How much time did I waste in those stupid lectures? How many people did we turn down?” I immediately felt the pieces of this new Parker worm into my psyche. “Fine”. He said with a broken satisfaction.

Like a root, he spread throughout me. Bonding each of us tighter and tighter. This time, I felt a natural cockiness exude from Parker, and by extension me. It felt wrong, coming from Parker. At the same time, a part of me felt like this truly was Parker. This time, the disillusioned man continued fondling himself on his own volition. He brought me into the fold, guiding my movements. “Bro…” . I felt mind mind dull in euphoria. “Bro….”. It rolled off our tongue lazily. Something about it just felt natural. “Parker, if you don’t stop… we’ll”. His mouth opened in a wide smile as he gave both pecs a squeeze. “I know. Enjoy the ride bro”. All at once the pieces of Parker rooted into brimmed with energy. “Fuck it, right? You should be thanking me for this… My body is my temple… and I’m letting you live in it. Thanking me is the least you could do.” Searing pain hit us both. Despite all this, he retained a crazed expression as he kept defiling his own soul. Bit after bit, I felt him kneed soul into mine. Though terrified, I couldn’t help but soften. This was truly a side of Parker I had never seen. Here he was, tainting himself- tainting us both- locking us to eternal damnation. Into one being. And he laughed while doing it. I could feel it in his depths. A raw aggression. A depraved, sexual hunger in him. One that swallowed me infinitesimally. One that strung me up inside him, fed me pieces of himself. Fed me too much of himself. Fed me to him. My head was spinning as the lines between us blurred even further. This new Parker coursed through me as he guided me to finish the job. Let’s sin in this temple together. The last, innocent piece of the original Parker spurted out of our soul in a torrent of spectral cum. We could see the weightlessness of it. We watched as it floated up to the dark sky. This remnant of the original Parker-the original me, would be mine. I drew the land into me, felt empowered by the flames as I jetted up. In unbelievable pace we ascended back to the living world.

- - -

Final bits of soul continued to ascend but with a swift, dark grip, we grabbed it and jammed it into our body’s chest. I watched my meat shudder at the feeling. It breathed into life, but remained unconscious. Our soul now brimming black, I caressed my perfected form in satisfaction. We were Parker. And we needed every bit of ourselves to be whole. On that note, I jammed our dick right into the Parker Meat body’s chest and watched as it shuddered. Caressing the face now wholly mine, I jammed our dick in again and again, reveling in the body’s shaking. I watched it claw into the floor, legs kicking and flaying in some automatic attempt to keep its own soul out. I only continued with faster and faster pace, grunting in his manly tone until finally-release. The invisible barrier around flesh punctured and I willed my spirit to pump bit after bit of myself into the small orifice. The Parker body only made gurgling noises as I streamed inside. Once all of me was finally home, I felt my flesh begin to enclose me and laughed as I felt the barrier reforge- only with me inside it this time. I made quick work of the last piece of the original Parker’s soul. Staining it black and integrating it into myself.

Tears now flowed freely down Parker’s flush cheeks. His hands caressed his thick biceps in gratification. We were finally complete.

I moaned as I felt myself overcome a familiar sensation that my old body often experienced. However, this sensation was entirely foreign to this Parker-flavored bod. Electricity coursed inside me, and moans turned into screams as shook back and forth in a downright religious experience. My back arched in violent delight and I felt the lights go out from my new pale, blue eyes. Parker’s first cum- our first cum together- absolute pleasure. My jaw slacked and drool began to escape as I was still reeling from the sensation.

Mess. I sat there panting for a second, chest and stomach soaked and coated in our liberation. I scooped a bit of the white and stared at it in my hand, watching this body’s own seed violently shudder and contort unnaturally before phasing into a dark mist. In demented glee, I felt the mist like an extension of myself and began feeding it into the rest of the untouched cum still outlining my abs. I licked my lips in savage pleasure as I watched as the rest of it slowly turn dark and soon felt it also under my control. Exquisite. I sent the small package of myself into the air, flying towards one of my teammates. Just a small piece to convince him to submit himself to Parker’s temple.

I couldn’t wait to show the town our new self. We are Parker. And all are welcome to worship at this temple. “Let us pray”.

- - -

Now, have you accepted Parker as your personal lord and savior?

#male possession #male body control #male merge #male takeover #malepossession #soul possession #male corruption

456 notes · View notes

allywthsr · 11 months ago

Text

WANNA BUILD A SNOWMAN| (l.norris)

summary: you and Lando go outside when it snows

wordcount: 1.1k words

pairing: landonorris x fem!reader

warnings: none!

notes: what are we thinking??

advent calendar

”Lando! It’s snowing!“

You sat on the couch when you looked outside and saw the white flakes falling from the sky.

”It’s just snow“, he chuckled.

”But it rarely snows in the UK!“

”I‘m sure it won’t even stay for long, it‘ll probably melt right away.“

With a pout you looked at him and continued swiping through instagram, liking fan edits. Today was a chill day, Lando had no training and you had no work, it was perfect. Lando turned on the TV and put on something random on YouTube, you two were cuddling on the couch, he lay on the long end of the couch, while you were laying almost on top of him, cuddling to his side with your head resting on his chest and your legs tangled. To no surprise, you two fell asleep pretty quickly, and when you woke up, some random stuff was playing on the TV, when you slowly blinked and looked outside the window, the whole garden was white and covered with a thick layer of snow. It was still snowing pretty heavily and your jaw dropped at the sight, you looked at Lando and saw him still sound asleep. Either you woke him up or went outside without him, you couldn’t wait to get out there, even if it made you seem like a two-year-old, you loved snow and loved building snowmen. You turned off the TV and grabbed your phone to look at the time, 4:00 pm, what a perfect timing to spend the rest of the day outside.

To your luck, Lando began to stir because you weren’t lying next to him anymore, with a groan he opened his eyes and stretched his arms over his head.

”Why did you move away?“, he mumbled with closed eyes and a hand searching for you, you grabbed that hand and linked your fingers together.

”Look outside baby, it snowed!“

He opened one eye and looked outside the window, ”Do you wanna build a snowman?“, he quoted the Frozen song.

”Oh baby, that was probably the most romantic thing you ever said.“

He burst out laughing and the high-pitched sound echoed through the house, it made you smile. He kissed your hand and got up, checking his phone quickly before you two got ready for the cold. You stole another hoodie from Lando and pulled it on, the big quadrant logo was hidden by your winter jacket, your gloves and beanies were put on and you were ready to go outside. Lando was looking just like you, like a little marshmallow, wrapped in his jacket, beanie, gloves, and scarf on.

You opened the living room door and together you went outside, the snowflakes landed on your beanie, and Lando pulled out his phone and took a picture of you, you were looking super cute.

But quickly you got to work, forming a small ball of snow and rolling it around the ground, Lando was doing the same, rolling the ball until it got big enough. You worked on the bottom ball and Lando was doing the middle, you were walking through the whole backyard, collecting the snow.

Lando and you felt like little kids again, playing in the snow like you saw it for the first time.

Lando placed the head of the snowman on the other two balls and you went searching for rocks, to place as his eyes and mouth. When you returned, Lando was just walking inside to look for a carrot in your fridge, yesterday you made him a snack plate with different vegetables and he didn’t know if the carrots were still there. Luckily a few were lying on the bottom of the fridge, he grabbed one and headed outside again.

He pressed the carrot in the snow and you looked at the snowman in front of you, it made you so happy, clapping your hands and jumping up and down, literally like a three-year-old, but Lando still looked at you with adoration in his eyes. He pulled you in for a kiss and a hug, squeezing you tight.

”I wanna take a picture“, you wiggled out of his grip and put your phone against a glass that stood on top of the table, opening the camera app and setting the timer on ten seconds.

Quickly you run back to Lando, in his arms, and kissed his lips until you hear the shutter go off. You grabbed your phone and looked at the picture, you could clearly see you kissing in the foreground and the snow and the snowflakes in the distance. You made a mental note, that you had to set it as your background later. While you were busy with your phone, Lando hit your back with a snowball.

”No, you did not“, with a grin you packed your phone back in your pocket and grabbed snow in your hands, and formed it into a ball. You threw it towards Lando but failed the direction miserably. He started laughing and formed another snowball, hitting you this time on your leg, you tried again, creating a smaller ball, and threw it towards him, this time hitting him lightly on his stomach.

You hid behind trees, but it was no use, Lando found you every time and hit you, even if it was very briefly, with a snowball.

When he turned his back to you, you seized the opportunity and ran as quietly as you could behind him, grabbing a bunch of snow and letting that go directly over his head, so he was showered with snow. With a shocked expression, he looked at you, ”You‘ll get that back!“.

He grabbed your shoulders and pushed you gently into the snow, laying down on top of you, securing your body between his and the ground. You two looked into each others eyes and the sexual tension started to rise, but before anything happened, Lando kissed your forehead and pushed himself to the floor next to you. He started to make a snow angel, moving his arms and legs through the snow, motivating you to do the same.

When you sat in the living room with a hot drink in your hands and Lando cuddling with you under the blanket, you looked back to the beautiful snow day you had.

#lando norris #lando norris imagine #formula 1 #lando norris x you #lando norris x reader #lando norris fluff #lando norris x y/n #lando x reader #lando norris one shot #lando imagine #christmas #snow

378 notes · View notes

allthingsgofestival · 1 year ago

Text

Jensen McRae

Hometown: Santa Monica, CA

First kiss: Sweet

Why you're skipping the high school party: I’m skipping the party to stay home and read Slaughterhouse-Five by Kurt Vonnegut or The Idiot by Elif Bautman.

Did you go to prom? I did not go to prom.

What'd you do instead? I think instead of going to prom, my mom and I saw Pitch Perfect 2 at the movie theater.

Song on repeat in high school: "Girl" by Jukebox The Ghost

High school yearbook quote: The only way out is through.

High school superlative: Most outspoken

Tumblr Class of 2023 @ All Things Go

📸: Brooke Marsh

#jensen mcrae #tumblr yearbook #tumblr university #all things go #all things go festival

358 notes · View notes

raptorladylover6969 · 21 days ago

Text

JWCT SPOILERS BELOW‼️ (theory time once again hehehhe)

who the HELL do the atrociraptors belong to. Like officially. Legally even. Who owns them?!? Is it Soyona or The Handler?? I’ve been trying to come up with plausible ideas regarding who has official “custody” over them so URHHRHR. Jensen said and I quote to The Handler “You trained em good.” And its clear with the bond between her and the raptors, she’s been by their side for YEARS. But then somehow, Soyona pops in and comes into play, claiming that she too also trained and “nurtured” them.

She clearly has history with them too via the painting of Ghost in her penthouse. And yet somehow, both Soyona and The Handler’s training styles are complete polar OPPOSITES. Their motivations and feelings about the raptors are also COMPLETE OPPOSITES. Soyona loves to brag about the fact that Red will kill anyone she tells her too. (Red would even kill HER.) Soyona doesn’t seem to show much care for Red either, and might I add, isn’t THAT strategic when sending Red after someone. She’ll just blindly point the laser at someone and hopes that Red will get the job done. She’ll blindly send her off and walk away, probably not even caring about the fact Red is 100% at RISK most of the time.

The Handler meanwhile, is extremely calculated about when she thinks its a good time to send her raptors. She cuts down the alarm system in front of Darius’s cabin, hell she literally calls his NUMBER to double check if bro is still home. Literally during the first few seconds of s1 ep1, you can see her truck in the rearview mirror, she’s clearly assessing the area, and securing the perimeter before she chooses to act. And when she notices its unsafe for the raptors, or they’re not feeling well, she retreats. I feel like this has turned to me shitting on Soyona 💀 which ykw HAS AND WILL….

“Najdnsksnd laser is soooo much more precise than a whistle.” You left your own laser lying around for literally anyone to pick up and use against you. The Handler keeps her stuff ON HER and IN HER LINE OF SIGHT 💀 and the laser is easier to use. Someone else mentioned (sadly forgot who) that with the whistle, sure its not as simple or quick and hella tedious, yeah, to anyone else it is. But to The Handler? Its GENIUS. Only she knows the correct pitches and blows, and exactly how many blows to initiate a specific command, theres a big list of commands, so it takes a LOT to know them all, so The Handler being the only one who knows them, is perfect, and the only way for someone to even acquire her whistle is going up to her, and yanking it off her neck, which she 100% sure isn’t gonna let happen. Also, it not being completely precise is what makes it better. She clearly trained the raptors enough for them to KNOW what she wants and needs them to do with just a couple of BEEP BEEPs.

Anyway, back to my original point since my last paragraph was just a random rant 💀 I have a few theories. The Handler is the one who actually owns the raptors, Soyona was just someone else who was interested in her work and probably assisted her with the care of the raptors. The whistle method was the og method of training, but Soyona thought that the process was kinda trash and too tedious, so SHE came up with the laser pointer.

Theory 2 is Soyona owns the raptors, and The Handler was her second partner, but The Handler was the one who was mostly around the raptors as they were being trained, thus forming the bond she has with them. The laser method is the og, but The Handler came up with the whistle as a “side project” so she can better communicate with the raptors.

Theory 3 ties back to Theory 1, except The Handler and Soyona both have shared custody over them, and are on-going partners, but The Handler being like the og og is in more control when it comes to the atrociraptors. It was The Handler who came up with the whistle method, AND the laser method so Soyona would have someway to command the raptors with whenever she has them, like with Red, who I’m assuming The Handler just gave to her since they have shared custody.

What do yall think?

#jurassic world chaos theory #jwct #jurassic world #jwct s2 #jwct s2 spoilers #the handler jwct #raptor lady #the broker jwct

23 notes · View notes

feyhunter78 · 2 years ago

Text

"You Know Other Men??"

So I based this off that one incorrect HOTD quote that goes:

Reader: "You are the most jealous man I know."

Aemond: "You know other men??"

You ran your hands through your hair, beyond frustrated, as you watched Aemond clean the blood from his sword. You had not been married for very long, but your courtship had been nearly a year, so you believed you understood Aemond’s moods quite well. Clearly you were mistaken.

“You seem upset, dear wife.” He remarked, glancing up at you, blood splattered across his face.

“Upset? Do I really?” You asked mockingly, your voice high-pitched and strained.

“Yes, you are doing that thing where you smile, but you are actually quite angry.” He said, a mischievous smile on his perfectly pink lips.

You want to strangle him, you want to kiss him, gods perhaps you would do both. “You did not have to kill Lord Edwin.”

Aemond raised an eyebrow. “You are my wife, it is my duty to defend your honor.”

“He was merely informing me that my skirt had been torn.” You protested; eyes wide in disbelief.

Aemond finished cleaning his sword and set it on a nearby table, turning fully to face you. “Why was he looking near your skirts at all? He was aware you were a married woman; his eyes should not linger below your chin.”

It’s maddening how good he looks covered in blood, and you have to restrain yourself from grabbing him and dragging him back to your shared chambers.

“He was being kind. Just like Sir Dorin, Lord Balter and that barkeep in Fleabottom, all were merely being kind.”

Aemond stepped closer to you, tilting your chin up with one finger. “Sir Dorin was clearly lusting after you, I caught Lord Balter pawing at your bodice, and that barkeep was intentionally trying to get you intoxicated so that he could have his vile ways with you.”

“Sir Dorin was assigned to protect me, Lord Balter was simply admiring my necklace, which he intended to purchase a duplicate of for his betrothed, and the barkeep was only giving me drinks because you were paying for them.” You counted off the explanations on your fingers, eyes fixed on Aemond.

His smoldering gaze was slowly chipping at your anger, and when his hand came up to grasp your waist, fingers splayed, your breathing picked up.

“I hear no reason for why they should have lived.” He said simply, dipping his head, his nose brushing along your cheek, voice low and vibrating through you.

“Aemond.” You sputtered, flabbergasted at the way he could so easily circumvent your words while smoothly disarming your anger with the barest touch.

“Y/N.” He purred, lips brushing against yours. “Do not be angry with me, sweet wife, I cannot help but be protective. You are so beautiful, and I know if you were married to another, I would stop at nothing to steal you away from him.”

Your face was hot, your resolve all but crumbling, as you felt yourself lean into his touch. “How far would you go for me, my love?”

Aemond’s hand gently cupped the back of your neck, lips against yours as he spoke. “I would kill for you, y/n, you know this. You have seen this.”

You toyed with the lapels of his coat. “But if I was not yours, what would you do?”

He meshed his lips fully with yours in a searing kiss, the hand on your waist like a vice grip, as he skillfully took you under the taste of mint on his tongue, so unique and so Aemond. Ever the man of duty, he was always presentable, always in perfect condition. Never did you find his appearance unpleasant, even now when he was covered in an innocent man’s blood, you craved his skin against yours, pushing yourself flush against him, uncaring if your dress got ruined.

“I would hunt you and your husband down, captivate you with my words and actions, take you to my chambers and make you see stars over and over until you forgot your wretched husband ever existed.” He said, pressing heated kisses to your skin.

“But I would still be married.” You reminded him.

“I would take you in front of your husband, let him see how his wife writhes on my cock, how she begs for the pleasure only I can give her.” He growled.

You whimpered at his words and squeezed your thighs together.

He smirked, his fingers caressing your clothed side, gently creating a confusing mix of emotions to bubble within you. “Then after you finished, babbling my name, too cockdrunk to form a proper sentence, I would make sure he saw as I seeded you. Make him watch as I ensure that my son takes root within you.”

“Yes,” you breathed out, hand fisted in his tunic. Your chest brushed against his as your breathing turned rapid, your pupils blown wide with lust.

“Then I would kill him, feed him to Vhagar and bring you home.” He finished, pressing a sweet kiss to your clavicle.

You blink in confusion as he pulls away, an unbothered expression on his face. “I think you are the most jealous man I know.” You said, hand still clinging to his tunic.

Aemond hummed lowly, his eye roaming your face. “You know other men?”

You rolled your eyes and playfully smacked his chest. “As if you did not know. Their blood is on your sword, dear husband.”

“Better their blood on my sword, then their hands upon your skin.” He responded, shrugging as he fought back a smile.

“You are insufferable.” You said, shrieking with laughter when he swept you into his arms and kissed you.

“And you are lovely.” He said, connecting your lips once more, you both smiling into the kiss.

Tag list: @nyctophilic0vitnir, @svtansdaddyx, @fan-goddess, @dc-marvel-girl96, @shintax-error, @bellameshipper, @the141bandicoot, @the-phantom-of-arda, @haydee5010

#aemond x reader #aemond x you #aemond x y/n #aemond x fem!reader #meg's writing #not a request just a thought i had #aemond targaryen #aemond targaryen x reader #hotd fanfics #hotd #wife!reader #aemond targaryen fanfiction #prince aemond #aemond x female reader #I actually think this man is so funny #he's crazy but it's funny #also blood thirsty reader is my fav too #hotd fanfic #prince aemond x reader

597 notes · View notes

bloodyquillink-blog · 11 months ago

Note

hi i’m not sure if your taking requests, but if you are can you do a logan walker x reader where the reader and logan were engaged before logan got taken by rorke, and when he gets saved he’s a completely different person and is closed off and even more quiet, but when one of rorkes members send a message to the ghosts team saying they want to take the reader now aswell, logan gets super protective and opens up to her about eveything that happened? if not totally ok!! thank you so much!!

A/N: I am and thank you for being my first tumblr request! I hope I’ve done you justice with this.

Warnings: Big angst, hurt/comfort, descriptions of injuries and torture methods (if I missed anything please let me know)

Word Count: 4.4K

To Be Changed, Logan Walker x Reader

Your marriage was so happy and perfect, even though the world wasn’t. Despite the fear of your whole wedding being destroyed before you and Logan even put on the rings and said your vows, that didn’t stop either of you. If you were going to die, you might as well die tied to one another, surrounded by the people you treasure most. Thankfully, that wasn’t the case. The wedding went without a hitch, ignoring the occasional pitches of anxiety that bubbled in everyone's stomachs. There was a beautiful mountain that overlooked a nearby beach, it felt like the clouds parted just for you two that day. The sun shone down on the white you and Logan wore. The red rose in his breast pocket, the artificial one you gave him when you went on your first date, was accentuated by the surrounding colors of blue water and green grass.

Logan was usually fairly quiet, but that day when he said his vows, he spoke more than you did. He managed to avoid stuttering, though you could feel his hands shaking. You were so proud of him and each word from his lips warmed your heart. That alone let you know that this was the right decision, the only one.

Before you cut the cake, he whispered to you, “I can’t find the words to describe how much stronger you make me feel.” You looked at him, confused and curious, before he continued. “I barely speak to my own family and brothers, maybe because I don’t need to… but you changed that. Now, I’m just droning on and on about whatever’s happening at the moment. Because of you. Hell, my mom barely heard me talk this much.” He wrapped his arms around you, cupping your hands that held the knife for the cake. “I bet she’s watching us now. She’d love you so much.” And with that, you both cut the first slice.

A quote floated through your mind, “To be loved is to be changed.” and by God, did you change Logan.

That’s what made today so painful.

That’s why you sat on the floor in front of the front door to you and Logan’s home. That’s why David held you, holding the back of your head so you didn’t see him silently crying while you sobbed. You held Logan’s mask and dogtags close to your heart. Eventually, Keegan and Merrick had come out of the car they drove here. Keegan knelt down to rub your back, attempting to comfort you as best as he could. Merrick told you more than he, as a Captain, should tell any civilian. He’d made an exception for you. Seeing as he had a job to protect his best friend's children in the most dangerous job they could all have now, you joked that Logan and David were his adopted kids.

He never denied it. Because of that, you might as well have been his adopted kid, now in-law too. And as that in-law, it was his job to tell you that Logan was, for better or worse, not dead. You looked up at him with tears still falling. He explained what happened from the beginning. A man, a horrible man, named Rorke who was a former Ghost that the Federation destroyed and turned into something repulsive. David added that it was Rorke who had dragged Logan away on that beach. That fucking beach. He explained how it was his own fault for not doing more, for not saving him despite his injuries that, even now, two weeks after, he was still healing from.

You almost slapped him. You wanted to slap Merrick too. You were heartbroken and afraid and every negative emotion you could possibly feel nearly boiled over. You sat on the couch, the men around you as they tried to help you breathe. When you calmed down enough to speak coherently, you asked a simple question:

“Will we ever see him again? Alive?”

Merrick answered, as hopeful as he could be.

“We’ll do everything we can to make sure we will.”

That’s all you could really ask for. David moved and carefully dug into his front pocket before he pulled out his hand and offered something small and shiny. It was Logan’s ring. Both of your rings were made of titanium for its durability, Logan was worried about scratching or otherwise damaging it, so he chose titanium. Strong and durable. You had told him it reminded you of his personality, how he just kept going under all circumstances. You would’ve started crying again if this alone hadn’t already exhausted you. As much as you wanted to hold all of Logan’s things to try to feel like he was with you, you handed his mask and dog tags to Hesh. You knew where the mask came from. Who originally wore it.

“I think they’d want you to hold these.” you said, quiet as ever. David knew you weren’t just talking about Logan, but their father, Elias the “Scarecrow”, as well. He grabbed the mask and tags, putting the tags on and clutching the mask like a lifeline. As everyone stood up and walked to the door, you hugged David and whispered to him, your voice still shaking.

“It’s not your fault. I know he doesn’t blame you. I don’t either.”

“Thank you,” He paused, “I’ll do everything in my power to bring him back to you.”

You hugged Merrick and Keegan before they walked back to the car.

“Be safe!” You called out. A useless but well-intentioned farewell to the soldiers. They waved back before pulling out of the driveway, leaving you alone.

That night, you took Logan’s ring and put the chain of your favorite necklace, one he had given you before your marriage, through the ring and laid it around your neck. You cried, holding his cold pillow and wearing an old hoodie you’d stolen from his closet while he was gone. Your body ached with every sob.

Three months later, you began cleaning the house before the depression that kept you in your room most of the time got too bad. It helped a little, going through every nook and cranny. You even went into the attic. Any time either of you traversed into the usually dark storage, it would end with you holding the giant vacuum, claiming you saw a spider the size of your head while Logan chuckled. After a bit, he’d go up with a flashlight only to find some critter that got stuck up there because of a hole. Once he’d patched up the hole and cleaned out as much as he could, it all felt more comfortable.

As you looked through old boxes, you found pictures. The oldest going back to when you both first met. It was a charity for veterans in your old town where Logan, David and Elias were stationed. There were games you and your friends played, competing. At one point, Elias jokingly joined in which pulled David and, naturally, Logan. As the night went on, you and Logan got closer. He barely spoke but his chuckles at your comments were enough for you.

“I was so close to winning! You gotta give me credit for that!” You argued, cheeks hurting from smiling so much. You turned to see Logan looking at you, his brow raised and smirking.

“How? You’re 25 points behind me.” He remarked.

“I would’ve won if… if I had been playing with someone other than you!”

“Like who?”

“One of my friends, probably Ash!”

“You have 10 points.” Each time the tiny basketballs went in the hoop, it was 5 points.

“Yes and I would be 10 points ahead of them which means I would win!” He practically wheezed at that as you giggled. You looked over to see David and Elias staring at the both of you, wide smiles plastered on their faces.

You kept looking through the box. Finding photos from the day you met Keegan and Merrick, then the day you visited Mrs. Walker’s grave for the first time. You stared at that picture of Logan and David sitting together in front of the stone. It was so peaceful.

You held the photo to your chest and thought of Logan. You whispered to yourself, “Please, please protect him. Keep all of them safe. I just want them to be happy… Elias and Diane, please watch over all of them.”.

Another three months later, you hadn’t heard from David, Keegan, Merrick or any other military personnel. It had been a total of eleven months since you last saw your husband. You were Logan’s emergency contact and many people aside from the Ghosts knew you, so if something happened then someone would contact you. This should be comforting. No one calling you means no one’s dead, right? Nothing bad. So why were you so anxious? You couldn’t reach anyone so maybe something did happen and-

Your phone rang. It was David. You answered immediately.

“David? What happened? Where have you been?”

“Come outside, I have to show you something.”

It’d been a long time since you ran that fast. David sat in his truck, as you ran over to the passenger side, he leaned to open the door from his seat. As soon as your door closed and you buckled in, he began driving.

“David, what’s going on?”

He inhaled through his nose, you noticed how hard he was gripping the wheel and that he was going a bit fast. He was a careful driver normally. If he was amongst civilians, he was calm and never dared going above the speed limit in case there was a child or a dog or pedestrian walking when and where they shouldn’t be. This drive, however, was different. Something happened.

“We got him.” He looked at you, your eyes wide as they slowly filled with tears. “He’s back.”

“W-when did he get back?” You stuttered.

“Almost two weeks ago-” You opened your mouth to speak but David put his hand up. You waited. “Knowing Rorke and his history, we kept Logan on base to heal some and do some mental evaluations.”

“David…”

“I need to warn you right now, he’s not gonna be the same man you knew before all this shit happened. He’s gonna have a lot of recovering to do.”

David went on to explain Rorke and what the Federation did to him. You were quiet.

“Did he do all of that to Logan?”

“We aren’t sure. We just know that whatever it was wasn’t good. He’s clear to come home today if both of you are ready, but I just needed to tell you.” Good thing the house was clean.

“Thank you, David. I know this has probably been harder on you than anyone.” David tried to laugh.

“I mean it’s my job-” You put your hand on his shoulder.

“You know what I mean. Thank you. Seriously.” He exhaled slowly, he seemed to relax a little.

“You’re welcome.”

“You can come by whenever you like if Logan comes back. Maybe just give me a warning, ok?”

“I will. I promise.”

David parked the truck after you checked in at the front gate. Your heart beat rapidly despite the slow walk through the base. You recognized some of the men and gave a half-hearted wave when they greeted you. You could already tell. They knew why you were here.

You walked into the base hospital. David took you down numerous hallways you knew there was a chance you’d see one day but never expected, never wanted to walk down. But this was for Logan. David opened the door to the room you stood in front of.

You couldn’t tell if your heart was breaking or if you were having a heart attack or what…

There he was, sitting against the bed he must’ve been in since returning, looking at you.

Logan was in a hospital gown, his arms and legs below the knee exposed. The skin was covered in jagged scars and stitches that were still such a dark and aggressive red. Along with that were numerous bruises, a painful variety of purples, yellows, and green in some spots. His right arm in a cast and sling. On his other hand, his ring and finger are wrapped, probably broken or dislocated. You notice how his left shoulder and upper arm seem to be wrapped with gauze. You don’t want to imagine what injuries he must have that you can’t see.

His face. His handsome face. He looks so tired. Logan turned towards you and tried to limp over, using the bed for stability. You rushed forward instinctually. Once he was close enough, he slowly wrapped his unbroken arm around your back. You looked at him. He had dark circles under his eyes, faded bruising on his left cheekbone, two intersected scars ran across his face. One started between his eyebrows to his cheek. The second from the middle of his chin, across his lips until it passed the other scar on that same cheek. His skin was cool and pale, unlike the warm complexion he had prior to the kidnapping.

You ended up staying for about two hours before you got a list of medications from doctors, some extra gauze wraps and a pamphlet detailing how to handle a deep second degree burn at home. That was why his shoulder and arm were wrapped. You said goodbye to David, Keegan and Merrick soon after.

The first few weeks, Logan mostly stayed in bed. Every day you checked his injuries, the stitches and the burn, to make sure there was no infection and they were healing properly. By the fourth week or so, the burn had healed, leaving behind a large patch of discolored skin. At nearly the sixth week, his cast was removed. His arm and fingers had healed well and correctly. David had told you that when Logan was taken, his arm was broken. When he was found, his arm had healed incorrectly as a result of improper care, assuming any care was given, so the doctors had to re-break it before putting it in the cast.

After the seventh week, Logan was able to walk around without limping. However, he mostly just stayed in your room. Sometimes, you’d spend the day in the living room in hopes it would coax him out. It didn’t work. You cooked his favorite meals but he would usually bring the food back to the room. When it was time for bed, you essentially snuck around the room to avoid scaring him in case he was sleeping. You were pretty sure he wasn’t sleeping, at least not as much as he should’ve been. It remained this way for a few more weeks.

A month and a half into Logan being back home and he’d uttered a scarce amount of words. “Okay”, “alright”, “yes”, “no” and whatever else kept his sentences short. He barely talked to you anymore. Of course, you kept David updated as often as possible. You felt like he just wasn’t there. Now, he was more of a ghost than ever.

Two months in and he started going to the base again. For what? You don’t know. You had asked where he was going, dressed in his “soldier getup” as you called it.

“I’m going to work. Can’t be late. I’ll be back later.” He’d stated hastily before heading out. This continued on for another two weeks until you decided to talk to him before he left.

“Logan, honey, can we talk?”

“Um… sure, but I have to leave before 9.” He was trying to rush again.

“I wanted to ask about that actually…” He looked at you, mostly expressionless. “You were just gone for almost, what, six months? Why are they having you back at work when you might as well have just finished actually healing?”

“I… There’s still work to be done.” he stuttered. You cocked your head. You turned to him from your position on the couch.

“What work?” you asked slowly and quietly. You knew he wasn’t lying. You didn’t want him to think you thought he was lying. You wanted to keep the conversation calm so he wasn’t overwhelmed.

“It’s a lot. I don’t think- right now isn’t the right time.” he began to turn.

“We can talk later if that’s better, but I just want to know. I’m worried about you.”

“You don’t need to worry, I just need to do some things.” His voice carried no emotion. He was almost at the door when you stood suddenly.

“Logan, I just want to understand!” Logan stopped in his tracks. You stared at his back. “I want to just talk, please… I know your job is important and I don’t want to get in the way with complaining…” Your voice cracked. You wrapped your arms around yourself. Logan was here, in the same house as you. You stared at him but you felt lonelier than ever. “You’re so far away, Logan… and… and I know there was so much that happened and we didn’t know if we’d ever see each other again, but we’re together now!” You walked closer to him. He heard your steps but he stayed still. “We don’t have to act like nothing happened. We couldn’t if we wanted to, I know that… but please talk to me again. I married you because I love you. I married you and everything that came with you. I said those vows and ‘in sickness and in health’ because even when you’re hurting, I’ll be there. I’m here right now! But I need you to let me be there. I need you to stop hiding yourself away from me. I want to know you again, Logan.” Your breathing had picked up as tears welled up in your eyes.

Time just stopped. You turned and sat back on the couch facing away from him. You quietly wept into your hands as everything just seemed to spill over. You had reached your boiling point. You didn’t hear the footsteps coming to you until you opened your eyes and noticed the giant boots that faced your much smaller feet. A large pair of hands slowly removed your hands from your face, one tilted your head up.

You saw Logan’s beautiful eyes, a sort of hazel that seemed gold in the light. He slowly knelt down in front of you and hugged you. Not like the barely there hug he mustered at the hospital when he couldn’t even walk on his own. He pulled you tight against him and you immediately curled around him as you sobbed. He let you. Logan pulled back after a moment and held your face. He wiped your tears with his thumbs.

“I love you too… more than anything.” He stared into your reddening, tear-filled eyes for a moment before sighing as he sat next to you. You held his hand, his thumb stroked your knuckles as he thought about his next words. “A couple days ago,” he started, “something happened. I can’t tell you what yet but it was cause for concern. Especially with Ghost team.” He paused and looked at you, directly into you. “I want to tell you everything, but it’s going to be a lot to process and it’ll probably be scary. I don’t want you to deal with this, with all the problems coming to us because of Rorke but you’re right to want to know what’s happening and you deserve to know.” You looked at the time, 8:55 A.M. You stood, Logan followed, still holding your hand. He pressed your hand against his chest and over his heart.

“I love you.” You whispered.

“I love you too. I’ll talk to Merrick today and I’ll try to get home as early as I can. We can talk about everything while we make dinner.”

“Together?”

“Together. I’ll call you if anything comes up and if you need me to, I can get groceries, ok?” You nodded. This is all you asked for. You hugged Logan tightly as he wrapped himself around you. You walked him to the door where he kissed you goodbye, on the lips. It felt like it had been forever since you’d done that. You stopped him before he moved. He almost retorted when you pulled off the necklace you still had on. He stared at the ring hanging from it. You took the ring off and put it back on his hand. He stared at it for a moment and smiled. A tired little smile that took so much weight off of you. Logan grabbed the necklace and took the time to put it back around your neck before he kissed you again.

“Thank you.” He whispered, still smiling. You smiled back as he walked to the car, waving when he began to drive. It had only been 10 minutes at most but those 10 minutes were so freeing. The rest of the morning you spent outside, reading and occasionally texting your friends when they checked in. The sun warmed your skin and the air was so fresh. You went back inside around 3 P.M when Logan called you:

Logan: “I can come back home around 6 tonight.”

You: “Sounds good, any ideas for dinner?”

Logan: “I could really go for lasagna.”

You: “Can you stop at the store on your way back? I have a list!”

Logan: “Yeah, just send it to me.”

With that, you texted everything you needed before moving to clean up the kitchen and free up space.

Later that night, Logan returned with everything you asked for plus a tub of ice cream. Your favorite flavor. You got to cooking, boiling the sheets and preparing the sauce while the oven preheated. You cooked together, like old times. It had been so long. Music quietly played as you both took turns tasting everything. A little extra salt and paprika here, with some pepper too. You laid down the floppy lasagna sheets while Logan poured the sauce over top then you both spread your favorite cheeses before adding more sheets and so on. While the lasagna was in the oven, you sat on the couch together. Logan held you in his arms as you stroked the hair on the back of his neck. After savoring the peace of the moment, Logan started talking.

When he was kidnapped, Rorke had put him through the same trials he himself had experienced. Being force fed poisoned food was the start until Rorke seemed to grow bored and eventually forced him to eat the plants the poison had been extracted from. Logan told you everything. All the grim details. At some points, you actually felt nauseous just hearing the horrors. When he was almost done talking about what he was forced to endure, you just held him and continued to encourage him to talk. He held you tight as he explained. The beatings he was put through. The way his arm healed wrong and he could hardly use it without feeling pain.

Then he looked at you. You felt so fragile with the way he looked at you with his tired eyes. He spoke again.

“Rorke knows about you.”

You never met this man in your life, never saw pictures. But he was like a boogeyman. He could appear from under your bed at any moment.

“His soldiers… left us a message… Threatening to take me again. They said this time they’d take you too.”

That’s why he was going back to base. To work with his brother and everyone to make sure nothing happened. You didn’t live far from the base but they were thinking about bringing you on post to be cautious. That’s why Logan went back to work so soon. To protect you. That’s why he was telling you all of this now, to further protect you.

You were scared. Hearing about something like this happening was one thing, but knowing the man who stole your husband and almost broke him from the inside out was completely different. Especially when you knew that he wanted you too. Oh god. Logan held you and told you that the two of you could always move on base where you’d be protected and closer to him. You’d be amongst him and the other soldiers and Riley, Hesh’s dog. They wouldn’t let anything happen. And so you agreed. That night you just focused on being together, holding one another and eating your delicious lasagna as you reminisced together.

Over the course of the next week, you brought as many of your necessities over to base where you and Logan continued living together. You met some friends of his and their partners, gaining your own group of friends not long after moving. Some had even assisted in bringing more of your things over when Logan had to work.

Later down the line, the Ghost team flew out. You weren’t told anything about what the mission entailed, but when Logan came to you, mask on, and put his ring in your hand before kissing you goodbye, you had an idea.

“I will make sure no one, not a single person touches you. Not a single damn person. I will keep it that way. I promise.” He whispered, voice more stern than ever.

Your friends on base were all a wonderful support system during the next week they were gone for. You weren’t able to reach out again but you believed in them. You took care of Riley, who’d grown to love you.

When the week was done, they came back and Logan had made a beeline for you. You were reading, his ring back on your necklace when the door opened and your husband walked in, covered in dirt and other unidentifiable muck and alive. You rushed to jump into his arms and kiss him, ignoring the weird taste of said dirt in your mouth. You gave his ring back, ignoring the dirt that was on his hands too. While you held him, he whispered in your ear, “It’s all over now. We can go home.”.

So you did. David, Keegan and Merrick were kind enough to assist with moving your things back over and checking your house for anything that wasn’t meant to be there, anything that indicated a break in. Shit, they’d even checked the vents too. When that was all done, you made lasagna for them and spent the evening laughing together and savoring the peace that had finally come over the world again. Later, you and Logan laid in bed together, happy as ever and whispered sweet words to each other. Both of you could finally get some rest.

The end, thank you for reading! I will also post this on my ao3 @ RiversSong82

#cod ghosts #cod ghosts fanfiction #cod fanfiction #cod fanfic #logan walker #cod logan walker #logan walker x reader #logan walker x m!reader #logan walker x f!reader #logan walker x gn!reader #quill writes

99 notes · View notes

cellarspider · 8 months ago

Text

26/30 PIE to the face

(Previous) | (Index) | (Next)

⛬

We return to a movie that is going to linguistically hurt me again, Prometheus. You get to read a ramble about PIE. You’re welcome.

Content warning for MORE OF ME. I cannot be stopped.

So. Imagine you have found a sleeping alien. You believe that they were on a mission to destroy humanity as a disappointment. What do you do? Not waking them up is certainly an option. But what if you do? You’re going to want to not disappoint them.

One could, for example, study the records still maintained within the alien ship. Learn about their culture. Get more than one guy to learn their language, particularly since this translator you’ve got seems to be a little gung-ho on things like “seeing [his] parents dead.” That’s a bit of a warning sign.

And hey, something horrible happened on this ship, probably right before or right after this alien was put into hibernation. There’s a lot of dead bodies on the ship. Having a trauma counselor or three there would be a good call. People trained in de-escalation, definitely. Give you a chance to talk the alien down, and help them process stuff in what’s hopefully a culturally appropriate manner, given your xenological research before waking them up.

You’ll probably want to make sure to take the ��kill humanity” button away from them too, that would be a good idea. And, preferably, not have exploded the head of one of their colleagues.

Am I describing a process that would take years? Yes. It should. This is the most important thing humanity’s ever done.

It’s been two days since the Prometheus landed.

As stated before, my faith in fictional humanity was not high in this scene.

David wakes the Engineer up. Rather than any of the measures I described above, the Engineer is met with David, Weyland, some security guys, Doctor Franenstein the head-exploder, and Shaw.

It took most of the humans a good hour or so to stop looking like death after waking up after a two year nap, and this Engineer’s been under for a thousand times longer. The poor bugger is visibly hung over and feeling sick, almost falling over on Weyland.

Shaw starts demanding David ask where they’re from, what’s in the ship’s cargo, why was it made for humans, all in English as Weyland tries to talk over her. They are speaking a language that only took its modern form 1600 years after the last events on this ship took place. The Engineer has zero clue what anyone’s saying.

The Engineer remains silent, and visibly disturbed by how Wayland orders his security guy to hit Shaw, which just makes the still unintelligible questions louder and less coherent.

And then David starts speaking to them.

There was a short dialog between them filmed, but in the final cut, the Engineer doesn’t speak at all.

The final cut also removes Weyland’s pitch for why he should have immortality–he created life in David. David is something more perfect than human. Therefore Weyland is a god, and gods never die.

This is, as you can imagine, not convincing. It would’ve made Weyland slightly more explicable as a character, but the movie hasn’t even done that for its lead, so of course it doesn’t for Old Man Capitalism.

In the full release, David only says a few sentences. To quote Anil Biltoo, who wrote the translation:

The line that David speaks to the Engineer (which is from a longer sequence that didn’t make the final edit) is as follows: /ida hmanəm aɪ kja namṛtuh zdɛ:taha/…/ghʷɪvah-pjorn-ɪttham sas da:tṛ kredah/ A serviceable translation into English is: ‘This man is here because he does not want to die. He believes you can give him more life’.

This is–okay. In the theater, I did not know precisely what this language was. But I was making a fair imitation of the Engineer's expression in response to this, because I was pretty sure it was PIE.

Proto-Indo-European, that is. A massive swath of world languages are all traceable back to one source, though we have no records of it. Linguistic reconstruction of how they evolved from earlier roots allows us to infer a language that must have existed, and we call that the Proto-Indo-European language. PIE for short. And this is a big ol’ slice of PIE right here.

And I had a whole thing in early drafts of this post. I’d convinced myself over the years that my inexperience with PIE had led me astray in the theater. I’d convinced myself this was a PIE conlang. Meaning, I thought this was a language created for this movie that sounds like a cousin to PIE. That’s still howlingly weird, for reasons I’ll get into. But then I saw this featurette:

youtube

[Video description: A behind the scenes featurette for Prometheus entitled “Language Of The Gods”. It interviews Anil Biltoo on his work for the movie, in which he explains the concept of a proto-language, of PIE in specific, and what he did for the movie.]

It’s PIE. It’s a different reconstruction of PIE than the current standard, but it’s PIE.

And I feel vindicated, because that’s what I heard in the theater. David opened his mouth and out came PIE.

I can actually read a few words in the excerpt. I could hear them in the theater. The word /hmanəm/ is clearly meant to be a root word of “man”, which standard reconstructions indicate is the descendent of PIE *ǵʰmṓ. /Namṛtuh/ is very clearly from PIE *ne-mért, “not-die”, because anything that looks like “mort” in an indo-european language probably has something to do with death. And “/kredah/” is close to PIE *ḱréddʰh₁eti, hence Latin “crēdit”, hence modern italian “créde”, “he believes”.

PIE is just like that, sometimes. Some roots are unrecognizable, others are instantly identifiable. I’ll include my attempt at a gloss (a brief technical explanation of the meaning and grammar) at the end of the post.

The implication is that the Engineers taught their language to humans. That was Proto-Indo-European, which then spread from there. I almost started laughing in the theater at this.

In the real world, we know a few things about where PIE came from. PIE was probably spoken by people north of the Black Sea, at least five thousand years ago. This guy who’s just woken up with a hibernation hangover went to sleep three thousand years after that.

But, y’know what? Fine. Let’s say it’s a liturgical language. David’s done the equivalent of walking up to somebody and speaking to them in church Latin. Weird, but not impossible that it could be understood. Or maybe they’re just so damn long-lived and linguistically conservative that it’s more like talking to somebody in an old-timey news broadcaster voice. Still weird! But comprehensible.

But you know what we can’t possibly link back to PIE? Egyptian, Sumerian, Akkadian, Hawaiian, or the Mayan languages, most of the other ancient cultures the movie says the Engineers definitely contacted. Did all those come from the same ur-language? We don’t know. We can’t know, because our reconstruction methods are ineffective past a certain point. But if they did, then their root language had to have existed before the Bering Strait closed off the Americas from Asia, making any common ancestor at least twice as old as PIE. The movie’s implication is that it was PIE. The language of the gods is PIE. PIEngineer.

Apparently everybody who the Engineers talked to just forgot the language of the gods, save for the linguistic descendants of some nomads on the Black Sea Steppe.

And that’s before we get into the worse implications. We can’t tie East Asian languages back to PIE. Austronesian languages. American languages. African languages. Were these people just not contacted by the Engineers? Did they forget? Did they refuse to listen?

None of these are good answers! None! They’re all bad!

In Anil Biltoo’s defense, he’s an academic linguist, and, to my knowledge, not one who’s a conlanger. Ridley Scott specifically wanted to work in the oldest possible human language, and Biltoo delivered on that, based on modern scholarship. He did not make an alien language that evolved into a human language. If Scott had wanted that, David and Jesse Peterson would probably go feral for the project, but they weren’t asked. What would be the most naturalistic thing to do, if you wanted to get across the idea that humans inherited language from the Engineers?

You make a Proto-Human language. People have tried before, and others have argued their attempts are bullshit. This is one of those times that Wikipedia has a “the neutrality of this article is disputed” flag at the top of the page, because there are nerd fights everywhere on this. We don’t even know if a Proto-Human language ever existed–there could have been multiple independent origins of language–but if you’re writing fiction, sure, Proto-Human exists.

Come up with a vocabulary and grammar that could work for Proto-Human, have David speak it to the Engineer, it sounds alien to everybody, nobody gets to be the special children of the gods, and no linguistics dork in the audience will laugh at you.

They will definitely laugh at what happens next, though.

But the post is not done! Bonus linguistic nerdery below, including a sample of my constructed language and its script.

⛬

(Previous) | (Index) | (Next)

⛬

Citations for alt-text rambles:

https://moomin.fandom.com/wiki/Stinky

https://www.deviantart.com/pretty--kittie/art/Prometheus-Engineer-407327934

https://www.uni-wuerzburg.de/en/news-and-events/news/detail/news/new-indo-european-language-discovered/

Edit: additional citations!

Movies in 15 Minutes review of Prometheus by @cleolinda, as retrieved from the Internet Archive. Hat tip to @kantama for identifying it!: https://web.archive.org/web/20120726203957/http://m15m.livejournal.com/23209.html

PIEngineer gloss

Alright, for the language nerds in the audience, I’ve put together a potential gloss, entirely based off of PIE roots available on Wiktionary and a shaky understanding of PIE verb construction:

/ida hmanəm aɪ kja namṛtuh zdɛ:taha/…/ghʷɪvah-pjorn-ɪttham sas da:tṛ kredah/ this.[singular neuter??] man.NOM [anaphoric demonstrative].1.NOM.MASC here not-die EMPHATIC/towards.3MASC.PRES(?)…life-many-[resultative or inchoative verb suffix? adjective of possession, accusative singular?] [genitive singular reflexive?] give.[middle 3S] believe.[stative(?) 3S] A more literal translation would therefore be “This man here does not (want to) approach death…he believes he (can be) given more life-having to himself.”

I am not good at figuring out suffix affixation for PIE verbs, so I probably missed or misinterpreted a few in there. I’m not sure how to break down /zdɛ:taha/ in particular, and /sas/ is a bit mysterious to me. Biltoo definitely created his own PIE reconstruction for this. Vowels are all shifted (ex *éy -> /aɪ/), there’s more palatal consonants (*ḱi-Ø -> /kja/, *polh₁-r̥-m -> pjorn), and other sound shifts I’m too scatterbrained to categorize right now.

PIEngineer to Tade Taadži translation

Alright. I previously mentioned that I have a conlang. I have yet to mention that it is distantly related to Prometheus, powered by the spiteful creative energy this movie engendered in me.

So it’s only fair I translate this passage into my language, write it in my script, and give a thorough gloss.

Jàà odormàà, hu sàà id aannãgu … midadjã kii jur kaas ʻus mogeso. /jɐː odoɾmɐː hu sɐː id aːnːãgu/ / … /midadjã kiː juɾ̥ kaːs ʔus mogeso/ This.VOC not-native-person.ALL, death.INST not go.ATTR want.PRES. Forever.NOM give this.ALL 2S.VOC ACC 3S.NEAR.ponder.PRES.3P.FAR.ACC

Translation notes:

I am assuming David is speaking formally, clearly, and respectfully in this translation, even if one of the people he’s being respectful about is Weyland. Both Weyland and the Engineer are thus addressed using the Vocative case when first directly mentioned.

Due to the formality of the speech, formal style glyphs are also used: these require significant planning ahead of time, to identify ligatures, aesthetic considerations, and, ideally, to select a total number of words that works out to a multiple of six, as this is culturally the ideal number for a line of text.

Formal ligatures can cross glyph boundaries, and are read every time you encounter part of them in the left-to-right, top-to-bottom reading order. The most common ligatures are between grammatical markers, as in this text, but can extend to whole glyphs or even individual components of them. If one is feeling particularly artistic, aesthetic ligatures may also be joined between thematically similar glyphs.

Gendered pronouns are not used in this context. Politeness dictates that any third person pronouns be replaced with the equivalent of “this” or “that”, unless given express permission to use more informal terms of address. This is especially true when referring to non-native speakers, as they do not have an equivalent social role to the five (yes, five) genders of Taadži culture.

The word for “non-native person” used to indicate Weyland literally means “thing that has a spirit”.

Following my shaky PIEngineer gloss, I tweaked the verb in the first sentence: “to die” would normally be “hur hybà” (lit. “to stand at death”), but this has been changed to “hu iddà”, “go to death”, indicating that Weyland fears even getting near the idea.

The word for “forever”, “midadjã”, is derived from the word for 6^6, or 46,656. Tade Taadži uses a base six number system, because I felt like taking Jan Misali up on his heximal advocacy.

The normal word order for the language is SVO, but in dependent clauses it becomes OVS, just to make things harder for everyone, including me, who muttered “ah fuck” when I had to check my notes to remember where to put an allative and vocative in there. It’s after the verb, apparently.

The language has verbal person marking in some contexts, and I deliberately bent the second sentence into a more poetic mode so that I could show it off while retaining formal speech, referring to Weyland’s belief as if it’s a person. The glyphs ligate the person marker to the tense marker, Both to save space and for aesthetic purposes.

I had no word for “believe” when I started writing this sentence, so I grabbed a verb already associated with thinking during unmoving meditation to stand in for it, to get across the idea that “this is something he has thought about a lot”.

It’s a shame David’s being polite, because while I didn’t have a word for “believe”, I do have a word for “to believe despite evidence to the contrary”.

Bonus citations:

https://en.wikipedia.org/wiki/Daemon_(computing)

⛬

(Previous) | (Index) | (Next)

⛬

#Prometheus 2012 #Prometheus (2012)#LANGUAGE TIME LANGUAGE TIME #also an abundance of Engineer screenshots #because I have a type and it is “hairless inhuman and affronted by the rudeness of their alarm clock”#also “doomed by the narrative” because no one in movies save for Guillermo del Toro agrees with me

52 notes · View notes