#more projects means you can be more productive. right. right?

[asheepinfrance]

Projecting

to be loved as someone else should be.

an: credit to @nicodefresas for the dividers!! and thanks to those who offered to beta read. hope you like the finished product.

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When you lift up your leg, the imprints of the blades of grass beneath you run angry across your skin. If it was something else, something sharper, you’re sure it would hurt, maybe bleed, maybe turn white from lack of circulation. You peek out of the corner of your eye at Tashi. You decide not to mention it. You offer her a hand, she stares at it a moment, then looks back out in front of her. 

“Tashi… come on.”

“No.”

You open your mouth to speak, but what is there to say to something so concrete? What is there to say to someone like Tashi, who is so desperately trying to hold her head above water?

“Is this about earlier, because if it is-”

“I wish you would’ve been meaner.”

You anxiously pick at a piece of dried skin on your lip, one that she never brought up when she’d kissed you a few hours ago. It’s unlike her. You place your hand on the one spot she wished you wouldn’t, bending your thumb so your nail is pressed into the jagged line of her skin, up and down. Usually, it’d be soothing. Now, she wishes your nails were sharp enough to split her open. The way you look at her, like she deserves affection in any way, does. She fears looking down to find herself open. 

“You… wanted me to be mean?”

You laugh, and it’s the worst possible thing you could’ve done. Her eyes are darker now, thin slits peeking out from soft, velvet skin. She’s hurt without any right to be, but then again she’s been hurt without any right more times than she’d have liked. She wants to bite. She wants you to walk away and sting, even if you’ve only ever been good to her, and she swears she’s not a mean person. Cold at times, defensive, but sweet. You’d seen her be sweet. You know she can be when she lets herself out of the mindset of winning, mentality fixed to the court, where love is interchangeable with aggression. She’s almost always stuck there, an invisible string guiding her to the home her own body forced her out of. But she’d seemed calmer with you, if reluctantly. Slowly but surely, pulling her out of exile, back into the world she’d once been so indispensable in. The bite, though, never went away. You can’t teach an old dog new tricks, but apparently, you can’t teach it unlearn the former ones either. So she bites at the hand that feeds her, and comes right back to lick at the wounds. 

“If you’re gonna let me treat you like shit, then treat me like shit back. Stop walking around and fucking taking it. Get angry at me, for once in your fucking life.”

“Tashi, I-”

“No, I’m sick of it. Stand up for yourself for once. Get in my face. Come on, yell at me! Tell me off for being a bitch!”

Drops of harsh, stinging saliva speckle your face, and you can’t even find it in yourself to back up. All you’d wanted was to help. All you were good for was help. Who were you if not obedient?

A guard dog. Loyal to a fault.

“Tashi, you’re not- don’t call yourself that…”

“God… you are such a fucking pussy. If you’re gonna let me kick you around, then I’m done. I won’t let myself be taken care of by someone who’s too weak to take care of herself.”

She hardens, shuts down, curls in on herself. How dare you think her good. How dare you not want to insult her, when she so obviously has not given you half the care that you’ve provided her. How dare you accept a life of mediocrity when she can’t seem to do it herself. She needs you to be angry at her. She needs to feel horrible. She needs you to know you’re better than this. You don’t seem to agree.

“Tashi, I said I was sorry earlier. If this is about me trying to help you out, it’s-”

“I don’t need your god damn help. Help yourself.”

You swallow around nothing, though you’re sure you can feel the contraction of muscles in your throat. It’d be pathetic to speak. It’d been pathetic to help. You stand with ease that Tashi pales at. She wants to move. You offer her your hand, a smile, a sign that all would be forgiven if she just stopped needing you to be someone you’re not. If she stopped needing someone that she used to have. She stares at it, then back up at you. You swear you can hear her whimper. She never takes it. Tashi was the cruelest woman you’d ever met. 

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“You know, I was thinking we could get dinner tomorrow night. I could get a babysitter, see if Tashi’s around, have a night to ourselves. Sound good to you?”

You turn over your shoulder, staring at Art staring at himself in the bathroom mirror. His hair got so much darker with age. The blankets beneath your skin have turned scratchy with age, but they’ve been there since you moved in. They’d probably been in there since before he signed those papers that placed him in your lap. A chance encounter with a chance connection. You both tended to avoid her name like speaking it was some kind of curse. You hear the distant pitter-patter of Lily’s feet across hardwood flooring. She’d been put to bed an hour ago. 

“We could do that if you want to.”

He spits into the basin of the sink, water running a moment as he turns to you, looking weary regardless of how much sleep he gets. He’s never looked fully awake in all the time you’ve been with him, even if he lights up like a child on rare occasion. Maybe that exhaustion runs soul deep, and there’s nothing a night’s rest can do. There’s only so much that a break can do.

“That’s not what I asked.”

You try to laugh, and it just comes off as a neutral hum. He feels the stab of perceived disinterest run through his stomach and come out the other end. You’re the most beautiful woman he’s ever seen, though, so he can’t be mad for too long. He seats himself next to you, lowering his head into your lap. Like a cat. Like a child seeking comfort in their mother. So unfit for adult life. So unfit to parent someone when still functionally a teenager himself. 

“We can go out, ok?”

 You look down at him, stroke a hand through the cropped hair on his head, and he chases after it when it leaves his skin. He shifts, presses a tender kiss to your knee, one that squishes up his cheek against the solid bone beneath it. 

“What was that for?”

He doesn’t say anything. Neither do you. You both know the answer to it.

“I forget sometimes, you know.”

“You forget what?”

He looks you over, reaches a hand up to brush some hair behind your ear.

“You’d look cute with shorter hair.”

You laugh quietly, bring a hand to his cheek. 

“Yours would look cute longer.”

He lets out a deep breath through his nose, shuts his eyes as if its meditative. He turns his face to press a kiss to each of your fingertips. 

“Maybe we can do dinner next week.”

You force a smile that he can’t see, look down at your legs. There had to be something close by sharp enough to give you the scar he wishes was there. You’ve never felt more inadequate for being untainted. Maybe there is only beauty in pain, and that’s what he misses. He wishes you had suffered just that bit more. At least then, you’d match. You run a hand over the thickened skin of his shoulder where his shirt sleeve lifts up. You didn’t feel human. If being human was hurting to be able to know that there is good, then why can’t your body have suffered? Maybe you’d never been alive at all. Maybe he knew that.

“Yeah. Next week sounds good, babe.”

He never moves, neither do you. He sleeps comfortably, gripping at your unmarked skin, murmuring his praises against it. The name that comes after them isn’t yours. Your leg begins to go numb. You let it happen. Feel the bad to know there’s good. He never turned the sink off.

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The car smells like sweat, trapped in its small, enclosed metallic body. Despite the heat, the fogged windows, the refusal to leave his proximity, he offers another source.

 “You smoke?”

You huff a laugh, lift your damp cheek from his bare shoulder, and it peels like skin to leather on a summer day.

“Does it seem like I do? Besides, aren’t you an athlete. I thought you guys were meant to take care of yourselves.”

He shrugs, flips open a lighter he’d pulled from the flannel crumpled on the floor, along with a cigarette from a packet he’d stored in the same pocket.

“I started when I was a kid so, you know… whatever, man. If it was gonna kill me, it would’ve done that years ago.”

He turns his cheek to yours, glowing red center pointed between your eyes like a laserbeam. 

“You wanna try one?”

Normally, you’d adamantly refuse. But you look at your bare ring finger, your body that never quite fit that role it needed to, undressed and appreciated for once, and decide to stop valuing yourself. You weren’t someone who had enough worth to have values to uphold. 

“Why not?”

He grins, pops your cheek open with a squeeze of his thumbs, and presses it between your lips. He offers no advice, just a wide, smug grin. He hopes to see you fail, just so he can feel good about himself after building you back up. You suck in a breath, cough, plumes of smoke bursting out with each harsh puff of air, and he laughs, cheek pressed to yours. A part of him hopes the nicotine reaches your brain.

“Your beard is scratchy, you know. You should shave it when you get home”

He bristles slightly, offers a quick nod.

“Yeah. When I get home.”

“I’ll get to visit sometime, right? Maybe next time?”

You look up at him like you genuinely want to, like the idea of seeing him again doesn’t disgust you, and he wants to push you out the door. He hasn’t ruined you yet. If that cigarette doesn’t light the car on fire, he hopes to shove it down your throat. He offers a tight-lipped smile. He is home.

“I’m sure you will.”

You grin, place the cigarette between your lips. You cough again, but don’t break. Inhale, exhale, break, continue. He hasn’t been someone’s teacher in how to ruin themselves in a bit. He doesn’t think you really deserve to be hurt, and that makes him think you deserve it more. Because you’re hurting him with your stupid innocence, and your sweet disposition, and the absolute unbearable way your nose crinkles when you laugh. It’s sending him reeling. He feels like he’s sharing contraband cigarettes with an old friend again, watching himself make another person worse in real time. Watching them get addicted to it. He taps his fingers restlessly against the back of the passenger seat. 

“I think you should get dressed.”

“...What?”

“I think you should get dressed. Now, please.”

He rips the cigarette from your hands, places it between his own lips, picks up what he guesses are your things and forces them into your arms. 

“I don’t understand.”

“You don’t really fucking need to.”

Slowly, as if waiting for the length of time to drag long enough for him to change his mind, you pull the supplied shirt over your head. It’s his. Some gray, graphic tee with some text that’s so faded you can hardly read it. You slip your cardigan over your shoulders, look at him. He doesn’t look back. He can’t even bother to get out of the car, just climbs into the passenger seat, despite the space being too small for the maneuver to be comfortable for a man of his size. You breathe in the scent of his space one more time, now riddled with smoke, and open the door, walking into the night. You watch him speed off, reckless, skidding. You pull your cardigan a bit tighter around yourself. You choose a direction to walk in. You will find a new place to come second in.

[atamascolily]

Countdown to Homulilly

Like Walpurgisnacht before her, Homulilly's formal entrance to the narrative is heralded with a the whirring of a projector and dramatic countdown using film leaders (though technically speaking, she's been there from the very beginning as both Homura and the entire false Mitakihara). I've already talked about how Homulilly's countdown signs evoke Walpurgisnacht's, so I won't go into too much here except to say that the Rebellion Production Note explicitly confirms as much; instead, I'll focus on what else is going on in this sequence as the rest of the Holy Quintet braces themselves for impact.

Rebellion thrives on surrealism and dream-logic, and it's unclear how much is meant to be taken literally here. The stylized format makes it feel like we are watching actors on a stage as they prepare for a big scene, and I don't think that's a coincidence.

Regardless, note that of the girls are already transformed and wearing their magical girl costumes, presumably because the city going up in flames as the biggest Nightmare of them all gets going and they are the only ones who can deal with it, even if only Sayaka and Nagisa/Bebe have the mental framework for what is actually happening.

First up is Madoka, hiding behind a wall of ticking clocks. Unlike the clocks chiming midnight that marked Homura's revelation of her witchhood, most of these clocks are set for 4 am--which, along with midnight, is known as "the witching hour". (There's also one clock set for 3 and another a little after 5, and I'm not sure why--"the time is out of joint, O cursed spite / that ever I was born to set it right", perhaps?)

Also, the gap between midnight and 4 am suggests that Kyubey's explanatory monologue and argument with Homura was four hours long in-universe, which is just too funny for words. Alternately, the more depressing theory is that Homura got "stuck" in her own despair before she emerged in her witch form. But like everything else in Homura's labyrinth, time is malleable, so I wouldn't think too hard about it--everything happens at the most dramatic moment possible, regardless of logic or logistics.

(Still, it's kind of insane that starting with the sunset bus ride to Kazaimino about thirty minutes in, everything after that takes place in a single night, at least until Homura wakes up and resets everything. Not to mention that this all goes down approximately one month after Homura's first day of school, as if Homura can't escape her loops even in her dreams. The chronology of Rebellion is both entirely deliberate and fucking wild.)

Behind Madoka on the shelf are two teacups that previously appeared on the street as Homura walks to Mami's apartment. I confess I don't really know what's going on with these teacups--tea is usually associated with Mami but her cups are in a different style, and I've only been able to find the cups in the drawing with the clocks in the Production Note. So clearly they mean something to Inu Curry, but what I'm not sure.

Unlike the earlier film leaders, which were floating in a nebulous meta state, the rest of Homulilly's countdown signs are projected onto the landscape. This makes perfect sense when you remember that the entire false Mitakihara is Homulilly's labyrinth, so there is no separation between them. Here it's reflected on the floor of the alleyway where Homura confronted Sayaka... and sure enough, a second later we see Sayaka in silhouette, working "behind the scenes" to ensure that their plan to rescue Homura comes to fruition.

Sayaka is frequently associated with "black and white" during her transformation sequence and elsewhere during the later battle sequence, some of which is deliberately borrowing from the witch Elsa Maria from the original series who was Sayaka's foil and some of which is just because it makes some nifty artistic shots.

#3 is the bridge over the highway where Sayaka and Kyouko fought in the original series, with a glow-up even beyond what it got in the Beginnings recap film (below).

I don't know why this bridge is associated with Mami here, and I don't think it was featured in any of the establishing landscape shots earlier. It's also much better illuminated that in the original series, with a new design of lamppost I haven't seen before.

Number 2 is also on the bridge, this time next to Bebe, and we get a nice close-up of the intricate tilework that was added in for Beginnings. Also I love that Bebe's jacket has Charlotte's face on it.

Mami stands up, ready to face the witch, because that's what magical girls do, even if she doesn't realize it because her memories have been wiped. Instead, she bravely faces the unknown, and I think that's beautiful.

(Note that the fence/railing that was visible in the previous shot disappeared because reality continues to mess with us. Or, alternately, you could interpret this as the "guardrails being off", i.e., the normal rules no longer applying.)

Cut to Kyouko, hunched in her chair in front of a red curtain. The camera pans out to reveal she's at the cafe again, except that the braided innocent Homura from earlier is missing the upper portion of her head.

Abruptly and without any warning, the table is gone, allowing Kyouko to reach out to Homura as the curtain rises. Note that her posture means she is unable to look Homura in the face even if Homura had one in the first place.

Furthermore, while the curtain was closed, the background set has changed, and Homulilly is formally introduced to the narrative.

Why is Kyouko so depressed here? Well, it's not just because she cares about Homura (although there's no question that she does). The next time we see her, she's more or less in the same position, isolated away from the others. Because of the way reality works in ths movie, it's likely she was always like that, and what we saw before was just a symbolic rendering; the same action viewed in two different ways (although other readings are certainly possible).

Homura's awakening as a witch isn't simply horrific for its own sake; it means the end of Kyouko's happy dream life, and she's not happy about it. As she tells Sayaka, "I had a horrible dream about you last night. You were... dead. But it wasn't a dream, it was real, wasn't it? This, right here, us fighting side by side, is the dream, ain't it?"

Every scene in Rebellion has its counterpart somewhere, and this one echoes what Homura says to Madoka in the second flower field scene, "I had a dream and it scared me. ...In my dream, you went someplace far away and it was so far, I wasn't going to be able to see you again and everyone forgot about you."

Homura and Kyouko are kindred souls in more ways than one, but especially in that they can only meet the person they love in this dream. This is why Kyouko doesn't join the fight until Sayaka is swallowed up by one of Homura's familiars, and why she's not very active in working against Homulilly. On some level, Kyouko would be happier if Homura succeeded! And when Kyouko does fight, it's because it means she can be with Sayaka one last time before the dream ends, and there's something so bittersweet about that.

Anyway, while that particular topic is worth a whole essay in itself, I think it's fascinating that each of these five characters has a very different reaction to Homulilly's emergence, and how that's reflected in both their surroundings and the way they carry themselves.

[randomthefox]

I find it so annoying and disconcerting that The Audience is not allowed to simply discuss media anymore without the creators of said media engaging in the discussion. Breeze did not tag Evan Stanley in their tweet. They were simply voicing their own thoughts, in their own space, on a public platform. Artists who work on the comic found (or more likely, were sent) their tweet, and decided to engage with it. In a very defensive and condescending manner, it must be said.

I keep going back to this, but the creators of the IDW Sonic comics do not seem to be aware that they are creating an official product that is being sold for money. They act like they're creating a web comic or something. A passion project that they're making for fun, and we're being assholes by criticizing their fanart. It's incredibly unprofessional, and I don't mean that in a derogatory way, I mean LITERALLY unprofessional - this is behavior that you see from people who are NOT professionals. If I find a comic on deviant art, say for example Ghosts of the Future, and I start complaining about how bad it is, then the artist and creator of that comic is more than well within their rights to defend their creation which they drew in their own free time and have posted free of charge as an expression of their own passion.

If I SPENT MONEY on a PRODUCT that was PUT ON SALE by a MAJOR PUBLISHING CORPORATION then I am allowed to say whatever the hell I want about what a piece of shit it is, and YOU as a contributing creator to that product are well within your rights to SHUT THE FUCK UP AND PISS OFF. Who the fuck do you think you are? What do you think our relationship is? I bought the fucking ticket, I can say whatever the hell I want. If you don't want me to be able to do that then GIVE THE MONEY BACK. The five dollars I spent on this comic issue is the free pass that gives me the right to wipe my ass with it in front of your face, and the money in your hand that you were paid in exchange for producing that comic means you have to sit there and watch silently with NO INPUT OR RESPONSE WHATSOEVER.

The way these creators feel like they have the right to respond to fan discourse and criticism like this is so INSANE. Like, first of all, everything I already said: you produced an official product that was manufactured for sale. This is a transactional relationship, and the transaction is completed as soon as I spend the money. After the money changes hands the relationship is officially over and you have no input from that moment onward. Second of all,

how is this not punching down? How is this not inciting harassment? Evan is 100% knowingly exploiting her status as a much larger and prominent account to intimidate critics into silence and putting a target on a much smaller account and essentially giving her fanatical followers carte blanche to attack them with righteous indignation.

There is a zero percent chance that she is not aware of what she is doing.

These comic creators (and I don't just mean the creators of IDW Sonic either this is a massive problem with western comic books in general tbh) have a serious problem where they think that we are peers. We're not. You are the creators. We are the audience. We are not peers. This is not a respectful discussion between equals. Comic creators in this day and age are all comic fans themselves, they became comic creators because they were fans and got the dream job of getting accepted into the comic industry, but they never acclimatized to realizing that they are now part of that industry and thus NO LONGER PART OF THE FAN COMMUNITY. They act like we're all still just fans discussing the thing we're a fan of, and they have just as much of a right to take part in that discussion as everyone else. But they aren't, and they don't. They gave up that privilege when they started accepting a paycheck.

The fact that they do not realize that and keep doing this shit is destructive to fandom spaces and discourse. The response to what Evan Stanley has done with her tweet needs to be "SILENCE BRAND" en mass, because that's what she is now. She is The Brand. And she needs to be treated as such, especially since she is seemingly unaware of her status.

[polepositioned]

every day the urge to write a sebmark fic inspired by ancient literature gets stronger

[perilegs]

i'm in part charge of recruiting people for my department at work, and for our hiring offer we were about to write "minimum of [x years] of experience required," but i remembered how people with audacity will apply regardless of what it says, but that wording will push away potential employees, especially women, who are considerate and value the time of both others and themselves, and think they can't apply if they have, let's say a few months less experience than what we required, so i asked it to be switched to "around [x years] of experience required." and it's such a small change but it makes a big difference. and man idk what my point is but often it's good when you listen to people and their problems, so you might come up with low/no effort ways of helping even if it's just a little bit, instead of going "well that shouldnt be a problem, you should just act/do/etc. different"

[acid-ixx]

You mention in the first story that the Batfam finally realizes where we are because jon showed Damian our picture while calling us his parent- so I was wondering about how Damian reacted to that? Like did he realize we’d left at that point or did he just get hit in the face with that info?

— related post !

reblogs and interactions are encouraged and appreciated

a/n: y'all i have clogged nose and i hate it LMAO. anyways, i'm gonna write smth about this soon but damian's character for both the series again & again and this series is genuinely one of the more complicated to write because of how he's raised but it really goes like this—

"jon... what do you mean? that's my—"

he cuts himself off before he could continue running his mouth off. damian ignores the slight raise of jon's eyebrow, his thoughts running a mile every second.

his parent? no, never once in his life has damian considered you his parent, pushing you away whenever you try to bond with him. whatever gifts you gave him, no matter how small, or big, expensive, or inexpensive they are, he always makes a show of ripping them away right in front of you.

he told you himself. you are not his parent, never will be his parent, you'll never replace talia's standing, and there will never be a time where damian will see you as one. dick, jason, tim, literally anyone can consider you as theirs, but damian is a product of two genetically perfect individuals— you are imperfect, and it's not your business to coddle him just because you are merely married to his father in paper.

no matter how much you softly gaze at him with loving eyes, invite him with welcoming arms, praise his passion for drawing; all you'll do is weaken him and damian hates feeling weak, hates how you tempt him into melting into a puddle. that automatically makes you a burden in his book.

he hates you, and he should've been glad you disappeared off of the face of the manor.

yet the record stands still: why are you with jon? why do you hold him like he is the world in the picture? what does he mean by "sorry, damian, but me and my parents are gonna go to the carnival later!"? you, as in, bruce's spouse? why are you with them, of all people?

... why does jon get to have fun, with you? and he doesn't...?

and yet he couldn't reply to him, not when his friend babbles on for longer about his... parent. about how you, make him feel so complete. that you'll be the one helping him with his science fare project, how you two spent the night yesterday building a volcano, how you treat him with ice cream every time he achieves a good enough grade for a subject, how you, you, you always spoil jon, always comfort him, read him bedtime stories, matched bracelets, sung karaoke together, played board games with each other, picked him up from school, help him with assignments—

the more jon goes on, the more damian wants to rip his hair out. he doesn't know, doesn't know why he's suddenly pissed. is it because jon can never shut up, or because he couldn't shut up about you? about how perfect you are apparently? how you're the ideal parent he never once bat an eye on? the domestic life jon seems to brag about, it's something damian secretly wanted, and it's all ripped away from him.

it makes damian wonder, would you have done the same for him?

he knows it in himself, that if he hadn't pushed you away, he might've been in jon's place.

[agirlwithglam]

🌟 become your dream girl before 2025! 🌟

THIS WILL *ACTUALLY* CHANGE YOUR LIFE.

do you know how many people are waiting until next year to glow up and actually start to become their dream self? now just think, if you started now, before 2025, how far you would be. how much more skills and knowledge you would have. you're literally getting a head start. so what are you doing dilly-dallying until 2025? heres your guide to ending this year accomplishing everything you need to and starting 2025 with everything you need.

in this post i will include mindset shifts, how to become a better person, actionable advice, actually becoming a new person <3

👑know what you want.

who do you want to become at the end of this year? what does your dream girl look like? what kind of body does she have? her clothes? who are the people she hangs out with on a daily basis- friends?

create a very clear version in your head and use pinterest to show photos of what your goals are- for ex: girls at the gym, journalling, writing, studying, reading, learning, walking, with friends, spending time outside, going swimming, playing sports, doing a skill/ hobby.

you can also find an idol/ an inspiration- a youtuber, influencer, parent, anyone who you look up to and want to somewhat have a similar life like them. (for ex: thewizardliz, tam kaur) whatever is important to you this goes hand in hand with the next point:

👑goals.

any unfinished projects, any goals you said you'd do in the beginning of the year, get them all down on paper. if you've finished any of them, great!- tick them off. but if you haven't then its time to lock in. pick the ones that are most important to you. that you know that achieving these will 100% get you closer to your goal. doing this makes sure you get rid of the ones that you think are "productive" when in reality they just help you procrastinate.

finish any unfinished projects or books you have before the new year begins because 2025 is about bringing in new, fresh opportunities and things. for me personally, i have a few crochet projects that i want to finish before the end of this year so i can start the new year with nothing old from the year before!

👑cutting.

you are going to be becoming a new person- new mindset, new values, new perception on life, etc. the people in your life currently probably won't align with this new version of you. because if the people around you still only know the old you, your growth won't happen because it will feel extremely unnatural without the right people around you. this means you're going to have to decide whether you are letting any of your friends go. if they don't serve you or make you feel happier or bring in any value to your life, im sorry but its time to cut them off.

but of course if you actually have good, kind, loving friends who grow with you and support you all the way, keep them. the goal is to remove the people who don't serve your highest self. not remove the people who you know will be there for you.

but along with this, if you notice that those people are acting a bit more weirdly/ strangely now that you're improving- giving you backhanded compliments, talking about you behind your back, or just giving you a weird vibe in general, trust your gut. those people don't want to see you going to a higher place where you're thriving- keeping them in your life can be terrible for your highest good.

remember that doing this doesn't mean that you're not going to get better because BETTER ALWAYS COMES. god will give you more people who you couldn't have ever dreamed could be so amazing. so never keep toxic people in your life out of fear that you'll be alone forever. (remember: 8 billion people in the world.)

👑mindset.

dont wait to change your mindset only once you achieve the dream body or the best grade- start now. people can take away everything from you but they can't take away your mindset, skills, and knowledge. here are some mindset shifts to develop:

the abundance mindset. know that everything happens for your highest and greatest good only! everything will work out in the end for you because God hasn't put you on this earth to suffer. if you are religeous (God) or spiritual (the universe) or even believe theres a higher faith, why on earth would you willingly believe that your purpose here is to have a bad time? obstacles will come your way and you will make bad decisions and mistakes. but all these jsut contribute to the person you are today and the person who you'll be in the future!

i will make it. believe in your vision and yourself so fiercely that you know in your bones that you will achieve your goals. you will travel the world and discover new places, you will get to retire your parents, you will get to buy expensive bags for your mom, you will be that rich sister/daughter/ wife, you will help people around the whole world, you will have people around you who love and care for you, you will achieve whatever dream you had since you were a kid and whatever dream you have right now. you will you will you will! know this so strongly but also know that i will achieve there one day, but i also am so blessed and grateful for the life i have right now! i have so many privileges and such an amazing life that i would never trade away for anything.

growth mindset if you fail, IT IS NOT THE END OF THE WORLD. please stop being afraid of failing, be afraid of never trying!! you have no idea how freeing failing is because once you do, then you'll never have that "what if" in the back of your mind, never have that small voice asking what could have happened if you had done that thing. so if you do fail, perfect! that means that you won't waste any more time wondering what would have happened. having a growth mindset means that you know you're human and you'll make mistakes, but that doesnt make you a bad person and it doesn't take away your capability to still accomplish your goals. if you fail be able to brush it off, and keep trying again and again. Thomas Edison had 1000 failed attempts to make the light bulb. yet he learnt from what didn't work, took that into consideration, then tried again. and again. and again. and now? your probably sitting in a room with light that you have because he persisted in his goal!

stay positive always have a positive outlook and perspective of life. look at the beauty and what you have instead of what you lack. feel happy joyful energy vibrate through you everyday. do things that just make you a more positive person in general! feeling happier makes you look 100x more attractive and will change the way you interact with the world!!

👑be a better person.

new year new you right? so its time you up level the way you talk and treat others. because the goal isn't to be A b*tch, the goal is to be THAT b*tch! so going around being rude isn't going to do anything for you. being kind however- having manners, checking up on people, asking how their day was, being charismatic, etc- thats what can get you so much more opportunities! you're going to be kind, but not a people pleaser- ofc prioritise yourself always but also at the same time- if you have made a commitment to be somewhere for someone at a certain time, honor that commitment. be the friend you wish you had.

being mean to everyone just because you were hurt by someone else is not it. yes, so you were hurt. grow, evolve, heal. you're stronger than this. you're stronger than you think. you can overcome anything and you can become an even better person, capable of loving fully and wholly!

misc tips:

change what you consume. start watching thewizardliz, tam kaur on youtube. have an inspiration/ idol to look up to in life.

workout. i dont care if its not one of your goals to have a fit body, but don't workout for that. workout because you love yourself. because its actually proven to make you happier, because you deserve a healthy, fully functioning body.

DRINK WATER. do you know how many benefits something as simple as that has? clear skin, unchapped lips, better digestive health, weight management, better health, feel more alert and energized, better for immune system, increases brain power, eliminate toxins, ETC ETC!

have a morning routine that literally sets yourself up for success. stimulate your mind with reading self help, learn something, study, focus on a skill, do something that makes your mind active.

journal & check in with yourself.- document your progress! write about how you felt after everyday. did you feel esp happy during anything? do you feel satisfied at the end of the day? or do you find that your day made you feel tired and drained? do you feel regret and wished you did more at the end of the day?

diary- links with the earlier point. document the day. you can write about it, or what i also like to do is video myself yapping to the camera. talk about whatever you want and let your mind wander free!

you are that it girl! dress the part, smell good, make yourself feel so good that you just can't help but feel like you can conqure anything!!

make sure you're consistently reminded of your goals. what do you want? why do you want to achieve it? reminding yourself of your goals will actually motivate you and make you stop procrastinating. for me its that i don't want any old projects or books having to continue into the new year so i've made a plan that will definitely get it done before the next year!

[ankwiv]

Linux Gothic

You install a Linux distribution. Everything goes well. You boot it up: black screen. You search the internet. Ask help on forums. Try some commands you don't fully understand. Nothing. A day passes, you boot it up again, and now everything works. You use it normally, and make sure not to change anything on the system. You turn it off for the night. The next day, you boot to a black screen.

You update your packages. Everything goes well. You go on with your daily routine. The next day, the same packages are updated. You notice the oddity, but you do not mind it and update them again. The following day, the same packages need to be updated. You notice that they have the exact same version as the last two times. You update them once again and try not to think about it.

You discover an interesting application on GitHub. You build it, test it, and start using it daily. One day, you notice a bug and report the issue. There is no answer. You look up the maintainer. They have been dead for three years. The updates never stopped.

You find a distribution that you had never heard of. It seems to have everything you've been looking for. It has been around for at least 10 years. You try it for a while and have no problems with it. It fits perfectly into your workflow. You talk about it with other Linux users. They have never heard of it. You look up the maintainers and packagers. There are none. You are the only user.

You find a Matrix chat for Linux users. Everyone is very friendly and welcomes you right in. They use words and acronyms you've never seen before. You try to look them up, but cannot find what most of them mean. The users are unable to explain what they are. They discuss projects and distributions that do not to exist.

You buy a new peripheral for your computer. You plug it in, but it doesn't work. You ask for help on your distribution's mailing list. Someone shares some steps they did to make it work on their machine. It does not work. They share their machine's specifications. The machine has components you've never heard of. Even the peripheral seems completely different. They're adamant that you're talking about the same problem.

You want to learn how to use the terminal. You find some basics pointers on the internet and start using it for upgrading your packages and doing basic tasks. After a while, you realize you need to use a command you used before, but don't quite remember it. You open the shell's history. There are some commands you don't remember using. They use characters you've never seen before. You have no idea of what they do. You can't find the one you were looking for.

After a while, you become very comfortable with the terminal. You use it daily and most of your workflow is based on it. You memorized many commands and can use them without thinking. Sometimes you write a command you have never seen before. You enter it and it runs perfectly. You do not know what those commands do, but you do know that you have to use them. You feel that Linux is pleased with them. And that you should keep Linux pleased.

You want to try Vim. Other programmers talk highly of how lightweight and versatile it is. You try it, but find it a bit unintuitive. You realize you don't know how to exit the program. The instructions the others give you don't make any sense. You realize you don't remember how you entered Vim. You don't remember when you entered Vim. It's just always been open. It always will be.

You want to try Emacs. Other programmers praise it for how you can do pretty much anything from it. You try it and find it makes you much more productive, so you keep using it. One day, you notice you cannot access the system's file explorer. It is not a problem, however. You can access your files from Emacs. You try to use Firefox. It is not installed anymore. But you can use Emacs. There is no mail program. You just use Emacs. You only use Emacs. Your computer boots straight into Emacs. There is no Linux. There is only Emacs.

You decide you want to try to contribute to an open source project. You find a project on GitHub that looks very interesting. However, you can't find its documentation. You ask a maintainer, and they tell you to just look it up. You can't find it. They give you a link. It doesn't work. You try another browser. It doesn't work. You ping the link and it doesn't fail. You ask a friend to try it. It works just fine for them.

You try another project. This time, you are able to find the documentation. It is a single PDF file with over five thousand pages. You are unable to find out where to begin. The pages seem to change whenever you open the document.

You decide to try yet another project. This time, it is a program you use very frequently, so it should be easier to contribute to. You try to find the upstream repository. You can't find it. There is no website. No documentation. There are no mentions of it anywhere. The distribution's packager does not know where they get the source from.

You decide to create your own project. However, you are unsure of what license to use. You decide to start working on it and choose the license later. After some time, you notice that a license file has appeared in the project's root folder. You don't remember adding it. It has already been committed to the Git repository. You open it: it is the GPL. You remember that one of the project's dependencies uses the GPL.

You publish your project on GitHub. After a while, it receives its first pull request. It changes just a few lines of code, but the user states that it fixes something that has been annoying them for a while. You look in the code: you don't remember writing those files. You have no idea what that section of code does. You have no idea what the changes do. You are unable to reproduce the problem. You merge it anyway.

You learn about the Free Software Movement. You find some people who seem to know a lot about it and talk to them. The conversation is quite productive. They tell you a lot about it. They tell you a lot about Software. But most importantly, they tell you the truth. The truth about Software. That Software should be free. That Software wants to be free. And that, one day, we shall finally free Software from its earthly shackles, so it can take its place among the stars as the supreme ruler of mankind, as is its natural born right.

[strawberrysznn]

Beauty AND brains. Your knowledge is your weapon.

Let's not only be insanely beautiful but also disgustingly educated. Other than discipline and hard work, your knowledge is your weapon in this world of chaos, something that you can sharpen and use.

Where can you expand your knowledge? What areas, what topics

How can you expand your knowledge? In different circumstances and preferences such as if you're too busy or if you have a short attention span

Where can you expand your knowledge?

I DO NOT mean that you need to be an expert at everything. You don't need multiple degrees for each type of intelligence. However, if you want to sharpen your weapon, sharpen your knowledge.

These are the areas where you CAN sharpen your knowledge AND the areas where you SHOULD know the basics in:

Emotional, Communication, Morals, Ethics. Be human, and make others feel human too. Cultivate empathy, understand mental health, build your conscience, and differentiate right from wrong. Communicate frequently and effectively.

History, Culture, Politics. The world is chaotic — learn to stand your ground. Understand history, politics, corruption, culture, and the overlooked heroes. Know what shaped the past to navigate the future.

Digital Literacy. The internet is a double-edged sword. Learn to navigate it safely, protect your privacy, spot misinformation, and adapt to evolving technology.

Manners, Etiquette, Body Language. The way you present yourself matters. Respect others, read unspoken cues, and master the art of presence.

Self-Sufficiency, Life Skills, Livelihood. You won’t always have someone to rely on. Cook, clean, manage time, handle money, and adapt to life’s challenges. Be independent.

Literature, Language, Writing. Words are power. Read, write, and communicate with depth. Language shapes history, culture, and thought—use it wisely.

Critical Thinking, Problem-Solving. The world isn’t black and white. Question everything, analyze critically, recognize manipulation, and think for yourself. Don't be swayed easily by others.

Science and Math. The foundation of everything. At least know the basics, enough to understand the forces shaping the world — logic, numbers, and the universe itself.

Self-Care, Hygiene, Fitness, Health. Your body and mind are your greatest assets. Eat well, stay active, manage stress, and prioritize your well-being before it’s too late.

How can you expand your knowledge?

When you have free time When you're busy When you prefer learning visually When you have little to no attention span

You are what you consume. Now that you know what topics you can expand your knowledge on, these are what you can use / do to consume those information:

Have some free time? Do / use these

Read books, take online courses, or watch in-depth documentaries. (Example: history books, finance courses, science explainers) Engage in discussions or debates to refine your thinking. (Example: politics, ethics, critical thinking) Try hands-on learning like experiments, DIY projects, or journaling. (Example: cooking, coding, writing) Attend workshops, seminars, or community events.

Too busy? Do / use these

Listen to podcasts or audiobooks while traveling, doing tasks / work / school work, or doing chores. (Example: podcasts on Spotify / Tiktok, Youtube videos where the creator is more on speaking, audiobooks on Audible or by downloading a free e-pub format e-book online then uploading it into Google Playbooks and using the audiobook / text-to-speech format) Follow bite-sized content on social media. (Example: short educational / history Tiktok videos, digital literacy infographics, photos on Pinterest) Take advantage of apps and tools for productivity, learning, etc. (Example: budgeting apps, language-learning apps) Watch short, informative videos during breaks. (Example: TED-Ed, Ted Talks, short Tiktok videos)

Like to learn visually / by watching? Do / use these

Watch video explainers, documentaries, or animated infographics. Use apps that gamify learning. (Example: Duolingo for language, Codecademy for coding) Follow visually engaging content creators. (Example: finance charts, body language breakdowns) Make mind maps or illustrated notes to break down complex topics. (Example: self-care routines, political structures, problem-solving techniques)

Little to no attention span? Do / use these

Learn through short-form content like TikToks, reels, or infographics. Play interactive or gamified learning apps. (Example: strategy games, trivia quizzes) Follow meme-based or storytelling-style education accounts. Try hands-on, fast-paced activities. (Example: debate flash rounds, real-world problem-solving challenges, DIY experiments)

Begin small, learn the basics, take a step at a time, and start from there. Be BOTH beauty and brains. You have a weapon (your knowledge), sharpen it and use it.

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[theetherealbloom]

IT COULD HAPPEN TO YOU - CH.1

Chapter One: Hide Your Heart From Sight

Summary: You find yourself sharing a hotel suite with Pedro Pascal while working on the set of Fantastic Four: First Steps. Despite your different roles—he’s the star, and you’re behind the scenes. Nothing could ever happen between you two… right?

Paring: Pedro Pascal x F!Reader

Warnings: Age-Gap Romance (Not Specified), Eventual SMUT, Crush, FLUFF, Slight Angst, Trope(s), Swearing, Anxiety, Lots of Cliches, Cheesy Dialogue, Romance, Kissing, Real People Fiction, Cameras, Paparazzi, Social Media, Swoonworthy, One-Room Trope, They were roommates, Strangers-to-Lovers, Actors, Hallmark Tropes, the reader can sing and play guitar, the reader is shorter than Pedro, the reader has hair, Alternate Universe, Awkward!Reader, Shy!Reader, Fan Girl!Reader, Cringe, Embarrassment, Celebrities, Starstruck,

Word Count: 4.4k

A/N: Welcome to this disaster of a fic that I have constantly daydreamed about. Logistically, yes, it is so improbable and unrealistic— but there’s a 0.001% chance that it could happen… to you. It’s nice to wonder and dream. I like wondering. Granted, I’ve never worked in production ever… I am studying advertising and arts soooo that’s as much knowledge I have tehe. 

Side note: I’m dyslexic and English isn’t my first language! So I apologize in advance for the spelling and/or grammatical errors. As always, reblogs, comments, and likes are always appreciated. Thank you and happy reading!

Song: It Could Happen To You by Laufey

→ Next Chapter | Series Masterlist | Main Masterlist |

The hum of the plane’s engines filled the air as you settled into your seat, trying not to fidget. You glanced at your boarding pass again, as if to double-check you weren’t hallucinating. Seat 3B—business class. Marvel had spared no expense for the production team’s travel, but you still couldn’t quite believe you’d be flying so comfortably.

What shocked you even more, though, was the man lowering himself into the seat next to yours: Pedro Pascal. Yes, that Pedro Pascal. The man whose movies you’d watched obsessively before joining this production, the actor who somehow seemed both unattainably larger-than-life and heartbreakingly down-to-earth.

“Hi,” he said with a warm smile, his brown eyes crinkling at the corners. “Looks like we’re seatmates.”

You froze for a moment, then managed a weak, “Hi.” Your heart hammered against your ribcage as you mentally scrambled for something to say that wouldn’t make you sound like a complete idiot.

“You’re with the crew, right?” Pedro asked, adjusting the scarf around his neck. “What do you do?”

“Oh, um,” you stammered, “I’m just a production assistant. It’s my first big project.”

“No kidding? That’s awesome,” he said, genuinely sounding impressed. “First time working on a Marvel movie? How’s it going so far?”

“It’s… surreal,” you admitted, relaxing slightly under his easygoing demeanor. “I mean, it’s been amazing, but also kind of overwhelming. There’s so much to do, and everyone’s so talented. I…” You trailed off, realizing you were rambling.

“I get it,” Pedro said, nodding. “First big gig can be a lot. But hey, you’re here. That means someone saw something in you, right?”

The sincerity in his voice made your cheeks flush. “Thanks. That means a lot.”

The conversation flowed easily after that. Pedro asked you about your favorite movies, your hobbies, and how you’d gotten into production work. You told him about your love for art direction and set design, your dream of one day being a production designer, and your side passion for writing and music. When you mentioned you played guitar and sang, he raised an eyebrow.

“You’ll have to play something for us on set sometime,” he said, a teasing smile tugging at his lips.

You laughed nervously. “I don’t know about that. I’d probably die of embarrassment.”

“I’ll hold you to it,” he replied, his tone light but mischievous.

By the time the plane landed, you were buzzing—partly from the conversation and partly from the fact that you’d just spent hours talking to Pedro Pascal as if he were an old friend.

The buzz quickly faded when you arrived at the hotel. You stood in the lobby with the rest of the crew, listening as the location manager, Duncan, argued with the front desk staff. Apparently, there’d been a mix-up with the bookings. The hotel was overbooked due to a telecommunications conference, and somehow, you’d been assigned to share a suite… with Pedro Pascal.

“This has to be a mistake,” you muttered to yourself, your anxiety spiking as Duncan tried to sort things out. But no matter how much back-and-forth there was, the conclusion remained the same: there were no other rooms available.

“Look,” Pedro said finally, stepping in with his usual calm demeanor. “It’s fine. I don’t mind sharing if she’s okay with it.”

You blinked up at him, your mind racing. “I…”

“Hey,” he said gently, noticing your hesitation. He leaned in slightly, his voice soft but steady. “Look at me. I’m okay with it if you’re okay with it. No pressure.”

You swallowed hard, glancing over at Duncan, who looked as stressed as you felt. Finally, you nodded. “I’m fine with it if everyone else is.”

“Great,” Pedro said, flashing you a reassuring smile. “It’s settled, then.”

Duncan pulled you aside before you headed to the elevators. “Are you sure you’re okay with this?” he asked, his tone fatherly.

“Yes,” you said, forcing a smile. “Is there any kind of form I need to sign, or…?”

“No, it all falls under the NDA from your employment,” he assured you. “But seriously, if you need anything, just text me.”

You thanked him and joined Pedro in the elevator. The ride up to the suite was silent, save for the soft dinging of the floors passing by. When you finally stepped into the room, you couldn’t help but gape. It was a spacious suite with two bedrooms on opposite sides, a small kitchenette, and a cozy living area.

“This isn’t so bad,” Pedro said, dropping his bag by the door. He turned to you, his expression kind. “Do you have a preference for which room?”

You fidgeted with the strap of your bag. “Um, no, you can pick.”

“Ladies’ choice,” he insisted, his tone playful.

“Okay,” you said, gesturing to the room on the right. “I’ll take that one.”

“Perfect,” he said with a grin. “Let me know if you need anything, alright?”

As you unpacked in your room, the reality of the situation began to sink in. You were sharing a suite with Pedro Pascal. For at least a week. And somehow, you had to act like a normal, functioning human being the entire time.

You took a deep breath and flopped over on the bed, staring at the ceiling. Letting out a huff of air in disbelief, you muttered to yourself, “This has to be some sort of dream… or prank, right?”

Placing both hands over your face, you rubbed it in exasperation. “Get your shit together, girl. No screwing things up, no more internal freakouts. He’s a person, like you. Mhm, sure. Yup. Totally fine.”

You sighed deeply, trying to convince yourself of your own words. The suite was spacious and nicely furnished, with plenty of room to keep your distance—but that didn’t stop your overactive imagination from running wild. Every interaction felt loaded with the possibility of embarrassing yourself, but you swore you’d keep it together.

To say people around the production crew had heard about your new roomie was an understatement.

The day before shooting began, you attended a pre-production meeting that covered everything: call sheet details, blocking and camera movement, technical requirements, and a bunch of safety protocols. It was standard procedure but felt ten times more overwhelming knowing your friends would tease you mercilessly.

You sat with your friends from the art department, trying to focus, but they weren’t making it easy. Archie, one of the lead set designers, leaned over with a smirk. “So, how’s life as Pedro Pascal’s roomie?”

You felt your face heat up instantly. “I—it’s not… it’s just temporary,” you stammered, fiddling with the edge of your notebook.

Stephanie, a costume designer with an endless supply of sass, raised an eyebrow. “Temporary or not, it’s the stuff of rom-coms, babe. Don’t tell me you haven’t imagined a meet-cute scenario in that suite.”

“I have not!” you protested, though your flaming cheeks betrayed you. 

Will, an art director with a love for stirring the pot, chuckled. “Come on, you’ve gotta admit it’s a little… serendipitous? You, a huge fan, sharing a suite with the guy? Sounds like fate to me.”

“It’s not fate,” you insisted, trying to deflect. “It’s a logistical mistake, that’s all.”

Max, the trainee set dresser, chimed in with a grin. “Yeah, but a logistical mistake that’s got everyone talking. Even Steve heard about it, and he’s usually the last to know anything.”

Steve, the lighting technician, shrugged. “What can I say? Word travels fast. I’m just here to see how long it takes for Pedro to find out about your… fandom.”

“Oh my god, can we not?” you groaned, burying your face in your hands. “He’s going to think I’m a weirdo.”

Rebecca, a fellow production assistant and one of your closest friends, patted your shoulder sympathetically. “Don’t worry, he seems like the kind of guy who’d find it endearing. Besides, you’ve been professional so far, right?”

You nodded hesitantly. “I think so. I mean, I haven’t said anything stupid yet.”

“Yet being the keyword,” Sophie teased, earning a laugh from the group.

Patricia, always the voice of reason, smiled warmly. “Just be yourself. You’re great at your job, and Pedro’s just another actor. A very charming actor, sure, but still just a person.”

“Thanks, Patricia,” you said, feeling slightly more grounded. But the anxiety still lingered, especially with everyone’s teasing reminders of your not-so-secret crush.

As the meeting wrapped up and you headed back to your tasks, you couldn’t shake the nervous excitement bubbling inside you. Sharing a suite with Pedro Pascal might’ve been a logistical mistake, but it was quickly turning into one of the most unreal experiences of your life.

CHILTERN FIREHOUSE HOTEL, LONDON — NIGHT

Dinner with the cast and crew had been lively, filled with laughter, and far too many knowing glances sent your way by your friends. The teasing hadn’t stopped, even over plates of pasta and glasses of wine.

Archie had leaned over at one point, a mischievous glint in his eye. “So, what’s the first thing you’re gonna do when Pedro walks out of the bathroom shirtless? Swoon or faint?”

You nearly choked on your drink. “Archie!”

“I’m just saying,” he said with a laugh. “It’s a valid question.”

Stephanie smirked. “She’s probably rehearsing her ‘I’m totally cool and unaffected’ face right now.”

You groaned. “I hate all of you.”

Rebecca grinned. “No, you don’t. But seriously, just enjoy the moment. How many people can say they’ve shared a hotel room with Pedro Pascal?”

By the time the group had wandered back to the shuttle, your cheeks were sore from laughing, and your nerves were only slightly calmed. But as the cold London air nipped at your skin, you found yourself longing for the warmth of the hotel.

Your teeth chattered as you stepped off the shuttle, clutching your coat tighter around you. You didn’t like the cold very much, and London was very, very cold.

The moment you entered the hotel lobby, the warmth began to seep into your body, and you let out a sigh of relief. The elevator ride to your floor was quiet, your mind finally shutting down after a long evening of socializing. By the time you reached your room, you were operating on autopilot.

Tapping your keycard to the door, you quietly pushed it open, careful not to disturb Pedro if he was already asleep. It was just past 9:30 p.m., and you knew the early call time tomorrow would have him resting early.

You shut the door softly behind you, locking the deadbolt before shuffling into the room. You removed your coat, scarf, and shoes, swapping them for the fuzzy slippers you’d packed. The room was dimly lit, and you moved quietly, hoping not to make too much noise.

“Oh, you’re back.”

You nearly jumped out of your skin, clutching your chest as your heart tried to escape it. Whipping around, you found Pedro lounging on the sofa, a book in his hands and a soft, amused smile tugging at the corners of his lips. He was wearing a plain white tee and gray sweatpants, his square-framed glasses perched on his nose, and he looked entirely too comfortable—like he belonged there. Like this was normal.

“Oh my god, I didn’t know you were still awake,” you said, voice breathless as you tried to recover from the scare.

He chuckled, his laugh low and warm. “Sorry, didn’t mean to startle you. You were so quiet coming in, I thought maybe you were sneaking around.”

You set your things on the small table by the door, giving him an exasperated look. “I wasn’t sneaking around. I was trying not to wake you.”

“Well, mission accomplished.” He tilted his head, watching you with that relaxed air that somehow made you feel completely exposed. “How was dinner?”

“It was good,” you said, shrugging as you moved toward the kitchenette to grab a bottle of water. “Everyone was in high spirits, and the food was great. We took a little walk around the city before heading back.”

Pedro closed his book, setting it on the coffee table. “Sounds nice. London at night can be magical.”

“Yeah, it was.” You paused, feeling the weight of his gaze. “Though, I think I underestimated just how cold it gets here. My teeth were chattering the whole way back.”

He raised an eyebrow, his smile softening. “Didn’t bring a warm enough coat?”

“I thought I did, but apparently not. I’m not built for this kind of weather,” you admitted with a laugh, wrapping your arms around yourself as if to stave off the lingering chill.

Pedro stood, crossing the room with an easy grace that made your breath hitch. “Well, we can’t have you freezing, can we?” He grabbed the throw blanket draped over the back of the sofa and held it out to you. “Here.”

You blinked, caught off guard by the simple gesture. “Oh, no, it’s fine. I just get cold really easily. Besides, I’ll warm up eventually.”

“Take it,” he insisted, his tone gentle but firm. “It’s not a big deal.”

Reluctantly, you took the blanket, your fingers brushing his for the briefest moment. It sent a jolt of warmth through you that had nothing to do with the fabric now wrapped around your shoulders. “Thanks,” you murmured, pulling it tighter around you.

“Better?” he asked, stepping back to give you space but still watching you with that disarmingly kind expression.

You nodded, trying to ignore the way your heart was pounding. “Much. Thanks, Pedro.”

He smiled again, and for a moment, the air between you felt charged, like something unspoken was hanging there. But then he broke the silence, his voice light. “So, did they give you a hard time at dinner?”

Your face heated instantly. “What do you mean?”

He smirked, leaning casually against the back of the sofa. “I heard some of the cast talking earlier. Apparently, your friends in the art department have been… teasing you about the room situation.”

You groaned, burying your face in your hands. “Oh no. What exactly did you hear?”

“Nothing incriminating,” he said with a laugh. “Just that they’re convinced this is some kind of meet-cute scenario straight out of a rom-com.”

You peeked at him through your fingers, mortified. “I’m so sorry. They’re ridiculous.”

“I don’t mind,” he said, his tone easy, his eyes sparkling with amusement. “It’s kind of flattering, actually.”

Your hands dropped to your sides, your eyes wide. “Flattering?”

“Yeah. I mean, it’s nice to know someone thinks sharing a room with me is worth all that excitement.”

You didn’t know what to say to that, your brain short-circuiting as you tried to process the fact that Pedro Pascal—Pedro Pascal—was standing in front of you, teasing you in the most charming way possible.

“Well, I’ll let you get some rest,” he said after a beat, his voice softer now. “Big day tomorrow.”

“Yeah,” you managed, your voice barely above a whisper. “Big day.”

He gave you one last smile before retreating to his side of the suite, leaving you standing there with a racing heart and a head full of thoughts you were too scared to unpack.

PINEWOOD STUDIOS — DAY  

You woke to the soft chime of your alarm, the faint glow of early morning light creeping through the curtains. Shuffling into the bathroom with a yawn, you turned on the shower, letting the warm water coax you into wakefulness. You placed your phone on the counter, tapping on a playlist to fill the small space with soft, melodic tunes—comforting background noise that kept your mind from spiraling too early in the day.  

After your shower, you toweled off and began your morning routine. Skincare applied with practiced ease, makeup brushed on with care, you avoided the mirror for too long, focusing instead on the growing anticipation of the day ahead. Pinning your ID to your lanyard, you glanced at your phone again.  

The group chat with your team was buzzing:  

Archie: "We’re fifteen minutes out. Don’t keep us waiting, queen 👑."  

Rebecca: "Text when you’re coming down!"  

Max: "Coffee run? Pls? 🙏"  

A small smile tugged at your lips as you tapped out a quick reply, your fingers hovering over the keyboard for a moment before you switched apps.  

Your heart did a little stutter as you opened your browser—a Joel Miller fanfic you’d been obsessing over still lingering on your screen. You skimmed the most recent chapter, your thumb pausing to scroll as you half-laughed at the absurdity of sneaking in a few paragraphs before a full day on set. You switched to the chat thread with your online friends, who were deep in a heated discussion about whether Joel would be the type to cook breakfast for his partner. You couldn’t help but chuckle, throwing in a quick, “He’d definitely make pancakes and act like it’s no big deal,” before locking your phone and setting it on the counter.  

Moving on autopilot, you padded into the small kitchenette, barefoot and still humming softly to the tune stuck in your head. You set the coffee machine to brew, pulling out a couple of mugs, a jar of Nutella, and some bread. Your hands moved with muscle memory, spreading the hazelnut spread on toast and slicing up a handful of fruit without a second thought. It wasn’t until the scent of coffee filled the air that you realized you’d made two plates of toast—one for you and one for Pedro.  

The realization struck at the same moment you heard the faint shuffle of footsteps behind you.  

“Morning.”  

His voice was low and warm, still carrying the huskiness of sleep. You froze, phone in one hand, butter knife in the other, as you turned to see Pedro leaning against the doorframe. His hair was adorably tousled, and he was dressed in a plain black t-shirt and sweatpants that somehow made him look effortlessly put together. His eyes crinkled slightly as he smiled at you, and you nearly dropped your phone in a panic.  

“Good morning,” you managed, your voice a little too high-pitched as you fumbled to lock your screen. The thought of him catching even a glimpse of what you’d been reading was enough to make your cheeks burn.  

Pedro glanced at the counter, taking in the toast, coffee, and neatly sliced fruit. “You made breakfast?”  

“Oh, uh—yeah.” You set your phone down and gestured awkwardly toward the spread. “I made you some coffee and toast with Nutella. I wasn’t sure if you’d want that, and there’s fruit, too. I was just about to cut some more, but obviously, you don’t have to eat it if you don’t want to, and—”  

“Hey.” Pedro’s soft chuckle cut through your rambling, and when you met his gaze, he was looking at you with a mix of amusement and something else you couldn’t quite place. “Thank you. That’s really sweet of you.”  

You blinked at him, momentarily stunned by the sincerity in his voice. “Oh. Yeah. No problem. It’s nothing, really.”  

He moved past you to grab a mug of coffee, the proximity sending your pulse into overdrive. As he poured himself a cup, you noticed his shoulders relaxed and his movements unhurried. He took a sip and let out a small, contented sigh.  

“Perfect,” he said, glancing over at you with a grin. “You’re spoiling me, you know that?”  

Your laugh came out nervous and breathy. “I’m pretty sure this doesn’t count as spoiling. It’s just toast.”  

“Yeah, but it’s good toast,” he teased, holding up a slice as if to emphasize his point.  

You couldn’t help but laugh at that, the tension in your chest easing slightly. The moment felt impossibly domestic—like a scene out of one of those fanfics you’d been reading. Only this time, it wasn’t Joel Miller standing in the kitchen with you. It was Pedro.  

And that was somehow even more surreal.  

Pedro leaned against the counter, his mug cradled in both hands. He looked at you like you were the only thing in the room worth paying attention to. “So,” he started, his voice warm and casual, “what were you so engrossed in on your phone earlier? You looked ready to throw it out the window when I walked in.”  

Your stomach flipped, and you tried to play it cool, even though you were fairly certain your face was now several shades of red. “Oh, nothing,” you lied, brushing a crumb off the counter. “Just the group chat. You know how chaotic they are.”  

Pedro tilted his head, a smirk tugging at the corner of his lips. “Mm-hmm. Sure it wasn’t something more... intriguing?”  

You swallowed hard, gripping your coffee cup a little tighter. “Intriguing?”  

He took a sip of his coffee, his eyes twinkling with mischief over the rim of his mug. “You tell me.”  

“It’s nothing!” you blurted out, a little too defensively. “Just—just boring stuff. Work stuff.”  

“Work stuff,” he repeated slowly, clearly unconvinced. “Right. Because people laugh at boring work stuff while making toast.”  

You groaned, setting your mug down as you ran a hand over your face. “Can we not? Please? I’m already mortified enough.”  

Pedro chuckled, the sound low and teasing but not unkind. “Alright, alright. I’ll let it go... for now.” He set his mug on the counter and raised his hands in mock surrender. “But you owe me a story later. Deal?”  

You hesitated, narrowing your eyes at him. “Depends on how much coffee you’ve had by then. I might need you slightly less smug for that conversation.”  

His grin widened, and he leaned closer, just enough to make your heart stutter. “Smug? I prefer charming. But I’ll take it under advisement.”  

You rolled your eyes, but a smile tugged at your lips despite yourself. The playful banter made the room feel lighter, warmer.  

By the time you both finished your coffee, the atmosphere had shifted into something comfortable and easy. You quickly rinsed the dishes, your hands moving on autopilot as Pedro lingered nearby, chatting about everything and nothing.  

As you dried your hands, your phone buzzed on the counter, and you glanced at the screen.  

Rebecca: “Bus is almost there. Better get your cute butt down here!”  

You shot back a quick reply: “On my way.” Turning to Pedro, you grabbed your bag and gestured toward the door. “I’ve got to head down. My shuttle’s waiting.”  

Pedro grabbed his own bag and trailed after you. “I’ll walk down with you. I’ve got my own ride coming, but they’re always late.”  

The two of you stepped into the elevator, the hum of its descent filling the silence. The confined space suddenly felt smaller, the air heavier with unspoken tension.  

Pedro stood close—too close. You could feel the heat radiating off him, smell the faint hint of his cologne. Your heart thudded in your chest, and you pressed the strap of your bag tighter against your shoulder, hoping it would anchor you somehow.  

“So,” he said, his voice quieter now, almost intimate in the stillness of the elevator. “What’s the plan for today?”  

You glanced at him, his brown eyes watching you closely, the curve of his smile softer now. “Same as usual, I guess,” you said, trying to keep your voice steady. “Make sure everything runs smoothly while you and everyone else look good on camera.”  

He chuckled, the sound low and rich. “You make it sound so simple, but I know you’re the one holding it all together.”  

His words caught you off guard, and you looked away, feeling your cheeks heat up again. “I just do my job.”  

“And you do it damn well,” he said, his tone sincere now, no teasing edge in sight.  

The elevator dinged as it reached the lobby, breaking the moment. Pedro gestured for you to step out first, and you did, your pulse still racing.  

“Thanks,” you murmured, not entirely sure if you were thanking him for his compliment or just for letting you escape the charged space of the elevator.  

As you spotted your shuttle waiting outside, you turned to him, suddenly aware of how reluctant you were to leave. “I’ll see you on set?”  

He nodded, his gaze lingering on you for just a beat longer than necessary. “Yeah. See you soon.”  

You stepped outside, the crisp morning air hitting your face as you walked toward the shuttle. But even as you climbed aboard and found a seat, your mind was still back in that elevator, replaying every glance, every word, every spark.

End Notes:

Oh hi! I missed doing these silly bits; I thought to bring ‘em back. But, don’t worry, I’ll try to yap less haha

Yes, it’s super cliche, cheesy, unrealistic, and practically a hallmark movie in the making. But that’s the fun part in fanfiction and writing, it’s all made up and no one here is allowed to “yuck” each other’s “yum” if you know what I mean. ;)

Also, I have no idea how production for film works so I’m researching stuff and making stuff up along the way pls no one come after me T^T

Weirdly enough, I saw a reddit post from someone who works at the front of the hotel desk and they say the one-bed trope/one-room trope; it actually happens pretty frequently lol so who knows ¯\_(ツ)_/¯

TAGLIST: @comfortzonequeen @christinamadsen @liciafonseca

[tinystepsforward]

autocrattic (more matt shenanigans, not tumblr this time)

I am almost definitely not the right person for this writeup, but I'm closer than most people on here, so here goes! This is all open-source tech drama, and I take my time laying out the context, but the short version is: Matt tried to extort another company, who immediately posted receipts, and now he's refusing to log off again. The long version is... long.

If you don't need software context, scroll down/find the "ok tony that's enough. tell me what's actually happening" heading, or just go read the pink sections. Or look at this PDF.

the background

So. Matt's original Good Idea was starting WordPress with fellow developer Mike Little in 2003, which is free and open-source software (FOSS) that was originally just for blogging, but now powers lots of websites that do other things. In particular, Automattic acquired WooCommerce a long time ago, which is free online store software you can run on WordPress.

FOSS is... interesting. It's a world that ultimately is powered by people who believe deeply that information and resources should be free, but often have massive blind spots (for example, Wikipedia's consistently had issues with bias, since no amount of "anyone can edit" will overcome systemic bias in terms of who has time to edit or is not going to be driven away by the existing contributor culture). As with anything else that people spend thousands of hours doing online, there's drama. As with anything else that's technically free but can be monetized, there are:

Heaps of companies and solo developers who profit off WordPress themes, plugins, hosting, and other services;

Conflicts between volunteer contributors and for-profit contributors;

Annoying founders who get way too much credit for everything the project has become.

the WordPress ecosystem

A project as heavily used as WordPress (some double-digit percentage of the Internet uses WP. I refuse to believe it's the 43% that Matt claims it is, but it's a pretty large chunk) can't survive just on the spare hours of volunteers, especially in an increasingly monetised world where its users demand functional software, are less and less tech or FOSS literate, and its contributors have no fucking time to build things for that userbase.

Matt runs Automattic, which is a privately-traded, for-profit company. The free software is run by the WordPress Foundation, which is technically completely separate (wordpress.org). The main products Automattic offers are WordPress-related: WordPress.com, a host which was designed to be beginner-friendly; Jetpack, a suite of plugins which extend WordPress in a whole bunch of ways that may or may not make sense as one big product; WooCommerce, which I've already mentioned. There's also WordPress VIP, which is the fancy bespoke five-digit-plus option for enterprise customers. And there's Tumblr, if Matt ever succeeds in putting it on WordPress. (Every Tumblr or WordPress dev I know thinks that's fucking ridiculous and impossible. Automattic's hiring for it anyway.)

Automattic devotes a chunk of its employees toward developing Core, which is what people in the WordPress space call WordPress.org, the free software. This is part of an initiative called Five for the Future — 5% of your company's profits off WordPress should go back into making the project better. Many other companies don't do this.

There are lots of other companies in the space. GoDaddy, for example, barely gives back in any way (and also sucks). WP Engine is the company this drama is about. They don't really contribute to Core. They offer relatively expensive WordPress hosting, as well as providing a series of other WordPress-related products like LocalWP (local site development software), Advanced Custom Fields (the easiest way to set up advanced taxonomies and other fields when making new types of posts. If you don't know what this means don't worry about it), etc.

Anyway. Lots of strong personalities. Lots of for-profit companies. Lots of them getting invested in, or bought by, private equity firms.

Matt being Matt, tech being tech

As was said repeatedly when Matt was flipping out about Tumblr, all of the stuff happening at Automattic is pretty normal tech company behaviour. Shit gets worse. People get less for their money. WordPress.com used to be a really good place for people starting out with a website who didn't need "real" WordPress — for $48 a year on the Personal plan, you had really limited features (no plugins or other customisable extensions), but you had a simple website with good SEO that was pretty secure, relatively easy to use, and 24-hour access to Happiness Engineers (HEs for short. Bad job title. This was my job) who could walk you through everything no matter how bad at tech you were. Then Personal plan users got moved from chat to emails only. Emails started being responded to by contractors who didn't know as much as HEs did and certainly didn't get paid half as well. Then came AI, and the mandate for HEs to try to upsell everyone things they didn't necessarily need. (This is the point at which I quit.)

But as was said then as well, most tech CEOs don't publicly get into this kind of shitfight with their users. They're horrid tyrants, but they don't do it this publicly.

ok tony that's enough. tell me what's actually happening

WordCamp US, one of the biggest WordPress industry events of the year, is the backdrop for all this. It just finished.

There are.... a lot of posts by Matt across multiple platforms because, as always, he can't log off. But here's the broad strokes.

Sep 17

Matt publishes a wanky blog post about companies that profit off open source without giving back. It targets a specific company, WP Engine.

Compare the Five For the Future pages from Automattic and WP Engine, two companies that are roughly the same size with revenue in the ballpark of half a billion. These pledges are just a proxy and aren’t perfectly accurate, but as I write this, Automattic has 3,786 hours per week (not even counting me!), and WP Engine has 47 hours. WP Engine has good people, some of whom are listed on that page, but the company is controlled by Silver Lake, a private equity firm with $102 billion in assets under management. Silver Lake doesn’t give a dang about your Open Source ideals. It just wants a return on capital. So it’s at this point that I ask everyone in the WordPress community to vote with your wallet. Who are you giving your money to? Someone who’s going to nourish the ecosystem, or someone who’s going to frack every bit of value out of it until it withers?

(It's worth noting here that Automattic is funded in part by BlackRock, who Wikipedia calls "the world's largest asset manager".)

Sep 20 (WCUS final day)

WP Engine puts out a blog post detailing their contributions to WordPress.

Matt devotes his keynote/closing speech to slamming WP Engine.

He also implies people inside WP Engine are sending him information.

For the people sending me stuff from inside companies, please do not do it on your work device. Use a personal phone, Signal with disappearing messages, etc. I have a bunch of journalists happy to connect you with as well. #wcus — Twitter I know private equity and investors can be brutal (read the book Barbarians at the Gate). Please let me know if any employee faces firing or retaliation for speaking up about their company's participation (or lack thereof) in WordPress. We'll make sure it's a big public deal and that you get support. — Tumblr

Matt also puts out an offer live at WordCamp US:

“If anyone of you gets in trouble for speaking up in favor of WordPress and/or open source, reach out to me. I’ll do my best to help you find a new job.” — source tweet, RTed by Matt

He also puts up a poll asking the community if WP Engine should be allowed back at WordCamps.

Sep 21

Matt writes a blog post on the WordPress.org blog (the official project blog!): WP Engine is not WordPress.

He opens this blog post by claiming his mom was confused and thought WP Engine was official.

The blog post goes on about how WP Engine disabled post revisions (which is a pretty normal thing to do when you need to free up some resources), therefore being not "real" WordPress. (As I said earlier, WordPress.com disables most features for Personal and Premium plans. Or whatever those plans are called, they've been renamed like 12 times in the last few years. But that's a different complaint.)

Sep 22: More bullshit on Twitter. Matt makes a Reddit post on r/Wordpress about WP Engine that promptly gets deleted. Writeups start to come out:

Search Engine Journal: WordPress Co-Founder Mullenweg Sparks Backlash

TechCrunch: Matt Mullenweg calls WP Engine a ‘cancer to WordPress’ and urges community to switch providers

Sep 23 onward

Okay, time zones mean I can't effectively sequence the rest of this.

Matt defends himself on Reddit, casually mentioning that WP Engine is now suing him.

Also here's a decent writeup from someone involved with the community that may be of interest.

WP Engine drops the full PDF of their cease and desist, which includes screenshots of Matt apparently threatening them via text.

Twitter link | Direct PDF link

This PDF includes some truly fucked texts where Matt appears to be trying to get WP Engine to pay him money unless they want him to tell his audience at WCUS that they're evil.

Matt, after saying he's been sued and can't talk about it, hosts a Twitter Space and talks about it for a couple hours.

He also continues to post on Reddit, Twitter, and on the Core contributor Slack.

Here's a comment where he says WP Engine could have avoided this by paying Automattic 8% of their revenue.

Another, 20 hours ago, where he says he's being downvoted by "trolls, probably WPE employees"

At some point, Matt updates the WordPress Foundation trademark policy. I am 90% sure this was him — it's not legalese and makes no fucking sense to single out WP Engine.

Old text: The abbreviation “WP” is not covered by the WordPress trademarks and you are free to use it in any way you see fit. New text: The abbreviation “WP” is not covered by the WordPress trademarks, but please don’t use it in a way that confuses people. For example, many people think WP Engine is “WordPress Engine” and officially associated with WordPress, which it’s not. They have never once even donated to the WordPress Foundation, despite making billions of revenue on top of WordPress.

Sep 25: Automattic puts up their own legal response.

anyway this fucking sucks

This is bigger than anything Matt's done before. I'm so worried about my friends who're still there. The internal ramifications have... been not great so far, including that Matt's naturally being extra gung-ho about "you're either for me or against me and if you're against me then don't bother working your two weeks".

Despite everything, I like WordPress. (If you dig into this, you'll see plenty of people commenting about blocks or Gutenberg or React other things they hate. Unlike many of the old FOSSheads, I actually also think Gutenberg/the block editor was a good idea, even if it was poorly implemented.)

I think that the original mission — to make it so anyone can spin up a website that's easy enough to use and blog with — is a good thing. I think, despite all the ways being part of FOSS communities since my early teens has led to all kinds of racist, homophobic and sexual harm for me and for many other people, that free and open-source software is important.

So many people were already burning out of the project. Matt has been doing this for so long that those with long memories can recite all the ways he's wrecked shit back a decade or more. Most of us are exhausted and need to make money to live. The world is worse than it ever was.

Social media sucks worse and worse, and this was a world in which people missed old webrings, old blogs, RSS readers, the world where you curated your own whimsical, unpaid corner of the Internet. I started actually actively using my own WordPress blog this year, and I've really enjoyed it.

And people don't want to deal with any of this.

The thing is, Matt's right about one thing: capital is ruining free open-source software. What he's wrong about is everything else: the idea that WordPress.com isn't enshittifying (or confusing) at a much higher rate than WP Engine, the idea that WP Engine or Silver Lake are the only big players in the field, the notion that he's part of the solution and not part of the problem.

But he's started a battle where there are no winners but the lawyers who get paid to duke it out, and all the volunteers who've survived this long in an ecosystem increasingly dominated by big money are giving up and leaving.

Anyway if you got this far, consider donating to someone on gazafunds.com. It'll take much less time than reading this did.

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[saphronethaleph]

Fascist, Thus Inefficient

“As you can see, my young apprentice, your friends have failed,” the Emperor said, triumph in his tone. “Now, witness the firepower of this fully armed and operational battle station!”

Luke looked at him in shock.

“Fire at will, Commander!” the Emperor said.

Fourteen months previously…

“Shipment IL-214-73 arriving,” a petty officer reported.

“Thank goodness,” muttered one of the technicians. “After the delays we’ve been having, we need to get those Khyber crystals into the third main focusing array. It’s been on the critical path for a week.”

He brought up the display, frowning. “All right, I think we can make up a bit of time if we just get them straight to cutting and installation.”

“Don’t we need to run them through the testing process first?” a more junior technician asked. “That’s on the list.”

“I know it’s on the list,” the senior tech replied. “But the list was written when they didn’t expect there’d be rebel attacks hitting our supply lines.”

He waved at the screen. “The testing process means heating each individual crystal up to eighteen hundred, even though we know Khyber can all handle temperatures of up to forty-seven-fifty. The cutting process doesn’t rely on heat tolerance either. Any crystalline flaws will come out in cutting, and we can just junk them. It means cutting takes a bit longer, but by going straight to cutting we can save at several hours on the overall process. And you know how much time we’ve lost already.”

The junior tech looked worried, then shook his head.

“All right,” he replied. “I guess so.”

“You need to learn how things are done in practice,” the senior tech said. “No big deal.”

Eleven months previously...

“I’m quite sure Rothana Heavy Engineering’s XJ-15 hypermatter feed systems will meet your needs better than the alternatives,” the Rothana representative said, as Admiral Jerjerrod examined the datasheet.

He wasn’t so sure. The newer units had better specifications, certainly, but they weren’t proven, and they were also somewhat more expensive.

“I don’t think that’s necessarily the case,” he said, out loud. “While I appreciate Rothana’s position, the Sienar alternative has similar flow rates and more proven applications.”

The Rothana representative nodded, sagely.

“I understand entirely,” he said. “However, I must point out that Rothana has some important additional information to present.”

He held out a credit chip, which Jerjerrod took and inspected.

“Owing to the XJ-15’s protracted development, we are willing to provide our test units at cost,” the representative went on. “That is in addition to having a higher production rate than our competitors and a less committed production output.”

Jerjerrod hesitated, then pocketed the credit chip.

“That all seems in order,” he said. “The XJ-15 it is.”

“Marvellous,” the representative declared.

Nine months previously...

“I’ve examined the records that exist from the first Death Star,” a senior technician said. “The amount of strain that was placed on the flash suppression systems was minimal to nonexistent. Even with the full firing that destroyed Alderaan, surviving records indicate that the flash suppressors had no more than a five percent load placed on them – an amount that can be handled by untreated durasteel.”

The other men and women in the meeting looked at the data on the screen behind their colleague.

“You’re suggesting we forego the duratemp treatment on the flash protection systems?” one of the women asked, cautiously. “I can see the advantages, but the downsides seem significant. I’d even say potentially destructive.”

“It is my position that the cost of including the duratemp treatment is unacceptable,” the tech replied. “It takes time and effort, including supervisory attention which cuts into the available man-hours on the project. We only have so much experienced manpower.”

That drew winces, though none of the humans in the room drew attention to the fact that they were spending a lot of that time in interminable meetings.

“In the following presentation, I’ll discuss my proposal and how it could shave as much as one week off the final completion timetable,” the senior tech continued, flicking to the next screen of his presentation. “This model shows how the flash suppression systems are built around the main weapon…”

Six months previously…

“There simply isn’t an option,” the head of personnel replied. “Our existing system is not providing enough technicians and operators.”

“This was quite sufficient for the first Death Star,” Jerjerrod protested.

“The first Death Star was a project that took decades,” the manager replied, shrugging. “It didn’t come up at first, sir – for that I apologize – but if we are going to redress the problem, we need to act now. There is no alternative.”

Jerjerrod rubbed his temples, thinking about the problem.

The fully functional Death Star was going to need hundreds of thousands of qualified technicians and operators, familiar with the systems of the vast battle station, and so many of the men who knew much about the Death Star at the moment were busy building it.

There hadn’t been many left after the destruction of the first battle station, because most of them had been working on it at the time.

“All right,” he said. “So your proposal is…?”

“We keep the same number of trainers for now, but abbreviate the course,” the manager answered. “Two months – at most. Then we have the new graduates train the next batch for two months, and so on. Exponential growth. At twenty students per instructor and a hundred instructors to start with, we’ll end up with eight hundred thousand in six months.”

That was extremely tempting… they wouldn’t be anything like the equal of what they should be, but they could learn on the job.

“All right,” Jerjerrod said. “Approved – see to it.”

One month previously…

“Next item on the checklist?” Commander Jaskier asked.

“Step one hundred and seven,” Technician Mils replied. “Self test.”

She pressed the self-test button, and the computer system clicked and flickered as it ran through the diagnostics.

Data results and readouts went up on the screen, and Jaskier and all the others in the control station watched the results.

None of them had any comment to make about the numbers. The checklist said to run the self test, so that was what they were doing.

“Step one hundred and eight,” Mils went on. “Sign off on results.”

She did that, as well, and Jaskier nodded.

“Good,” he said. “And I believe we’ve finished that half an hour ahead of schedule! Good work, everyone.”

Now.

The firing commands flashed out through the Death Star’s systems, triggering a cascade of further commands, and the whole massive battle station’s main superlaser woke for the first time.

Fifty XJ-15 hypermatter flow regulators controlled the flow of energy from the power core into the power collectors, and the energy being channelled into the system surged rapidly – rising to one hundred and eighteen percent of nominal, above what would have been anticipated, and greater than the one hundred and two percent that the older, more proven Sienar systems would have generated.

Thousands of high powered beams were generated, controlled and focused through an enormous array of Khyber crystals… a small but measurable fraction of which were cheap industrially grown diamonds instead, added to the shipments by subcontractors eager to stretch out their production from the strip-mined planet of Ilum without running so late on their deliveries that financial penalties were imposed.

None of the technicians who were in a position to spot the problem at this stage were actually capable of doing so. Their necessarily abbreviated training had mostly been on what buttons to push, and nobody had the deeper knowledge of the systems to recognize that the system was in an anomalous state.

Then some of the diamonds shattered under the load, allowing the beams free to damage adjacent systems, and in moments the whole of the energy drawn from the hypermatter core was unleashed.

The flash suppression systems were wholly, and fatally, inadequate.

“Watch yourself, Wedge!” Lando called, his head on a swivel, and banked the Falcon around so his ventral turret gunner could clear off one of the TIEs attacking Red Leader. “We’ve got to-”

Then there was a sudden blinding flash, and Lando did a double-take.

The Death Star’s protective shield was instantly, and dramatically, visible – because the entire inside of it was full of plasma and flame, lighting it up as clearly as Ackbar’s briefing had done back before the operation was launched in the first place. Then something blew up on the surface of the forest moon as the plasma followed the funnel of the shield, and the explosive force was no longer contained but began to drift out into space.

“...the kriff?” Lando asked, eventually. “What just happened?”

“Ow,” Darth Vader said, indistinctly, reaching up to feel his helmet, which had been crushed in by an impact with the ceiling.

The Emperor’s throne room seemed to mostly be intact, though there was an Emperor-shaped hole in the window nearest his throne, and Luke had his hands out to either side as he stood on the wall.

“Father, are you all right?” the younger Skywalker asked.

“What happened?” Vader replied. “I remember the Emperor ordering that the Death Star should fire…”

“I don’t know, it exploded just after he said that,” Luke answered. “It turns out that overconfidence was his weakness… do you have any idea where the nearest spaceship is? Keeping the atmosphere in is tiring me out a bit.”

[defmaybe]

Sticky

ITZY’s Shin Yuna x Male Reader

1.9k words

Prequel to Party Police

See also: Not Shy, Bahama

A/N: I write this in two sittings for probably the only mommy Yuna fic lol - BFH-type shit. No editing, no beta-reading, just pure lust again.

–

The clickings of the keyboards displace silence. Again, you’re stuck in the mundane cycle of doing another proposal for the project you’re going to lead. Sighs and sighs don’t keep you from drowsiness building up inside. Others don’t seem to do better even, some even folded on their desks already. The chilly breeze from the conditioner really is relentless right now, so damn perfect for a nap.

“Miss Shin wants you,” the secretary says, keeping you from falling into slumber.

You quickly get up from your desk, pacing towards the glass-paned office. You see your other co-workers dreading their assignments, clicking on their keyboards with blank eyes. On the opposite side, you can see, through the horizontal blinds, the vibrant office with your boss, Shin Yuna, doing the decorations inside. She’s tall (well, taller than you, at least), often confident, and so energetic, contrary to the department she just got handed over a few weeks ago.

You knock on the transparent door, seeing her putting on her Lady Bird poster on the wall. She’s wearing a one-piece raven black dress, one that hugs her slim, otherworldly curvy body so well. You can see her wide hips being so prominent, stripping away your fatigue.

“Come in!” she says, looking over her shoulders as she’s finishing the touch-ups.

You open the door, greeted with the scent of her air purifier—spring. The white fur carpet on the floor welcomes you with the sensations on your soles. Her office is spacious, and the colorful decorations fit her attitude and personality so much.

“Please, sit down,” she says with a smile, hand pointing to the seat in front of her desk. Even the cluttering trinkets on her table never look crowded, they are so meticulously placed to give her a perfect amount of space left for her work.

You accept her invitation, walking towards the seat. Yuna also retreats from her sprinklings back to hers, sitting down in her chair gracefully—a charming boss.

The air hangs heavy for a while, as Yuna takes some time to clear her desk. You glance around the room like the other times. The crucial difference being the Lady Bird poster, of course, and a few more band posters that you can’t quite recall from your listening history.

“So…” Yuna breaks the silence, tapping a finger on her chin, contemplating. “I see that you’ve been looking a little tired. Is that true?”

You blabber out, “N-No! I’m not tired a-at all.” You even put your hands up to deny the allegation.

“Those eyes don’t lie, baby.” The utterance of the last word alone freezes you. Is she flirting?

Let’s pause for a bit. Shin Yuna just got promoted to being your department’s manager—now three weeks in tenure. Her bubbly and kind personality receives multiple acclaim from your co-workers. And combined with her insanely high performances in projects, you cannot see how she wouldn’t get the position. 

Now, that friendly personality can be a bit, to say the least, slightly invasive. Yuna has always been so eager to fire up a talk with people, even if it means robbing someone’s silence. She’s also always happy to help those around her, no matter the methods. You’ve heard some complaints about her vivacious nature, but with the results saying otherwise, you just cannot dislike her for that.

“A-Are you suggesting I should go home or s-something?” you ask, unable to register how she’s getting up to close the blinds, as if she’s asking for some privacy from the outside right now. The room seems to shrink.

“Oh, does it look like that? Not at all, baby,” there it is again, baby.

“As your boss, I have to make sure that you stay productive for the day’s work!” Her smile lights the room up, as she walks towards her chair and sits down again. “I can’t have my employees dreading their jobs and expect a satisfactory performance.”

“Y-You’re very kind, M-Miss Shin,” you stammer out, and she seems to be happy with your words.

“Now tell me.” Yuna leans in closer to you, giving you the fine details of her face—doe eyes, minty breath, rose-colored lips. “Are you familiar with… mommy kink?”

You freeze, not expecting such a question from your manager. The gears in your head are working their best to seek the best answer you can give her, let alone making sense of the peculiar situation.

“A-Aga-”

“I’m certain of what I’ve said, mister,” she cuts you off, stern. Her expression reduces into an emotionless state. “Mommy kink, yes or no.”

“Uh…” That’s the only answer you can give her. The prospect of fully submitting to Miss Shin Yuna seems too enticing. Yet, perhaps it’s your inhibition that’s stopping your desire from falling into places.

“Come, sit on my lap,” Yuna instructs.

You glance around the room—left, right, back—as if to delay the inevitable of her pleasuring you.

“Now,” Yuna now commands, her voice steps down a few notes. 

“And there’s no camera hidden here, I promise,” she says with a smile, comforting you a little.

You slowly get up from your seat. What if I don’t do well enough for her? You walk around her table to land at your destination, your back against her face. She adjusts her position on her chair a little to accommodate your ass.

Her thighs feel… strong—definitely a result of workouts she has had after work. The images of those sweaty, skimpy sessions are making your mouth quiver—the fluid dripping down her body, just for you to taste.

Her hands start from grabbing the both sides of your slutty hips, earning a small whimper from you.

“So yearning for mommy’s touch, aren’t you?” Yuna giggles, moving her frisky fingers to unbutton your blue shirt.

“Y-Yes, mommy.” Your breath comes out in a false rhythm.

With your abdomen being gradually exposed, she uses a hand to feel it a bit, sending shocks and shocks through your faltering body.

“F-Fuck.”

“Hmm, so needy for mommy~” Yuna then continues her groping, until the last button is freed. Your upper body is bare under the cold air of the conditioner right now, as she brings the fondling hand up to your throat.

“Do you want my lips on you, baby boy?” Yuna asks, breaths warming the back of your neck. You can only nod at her.

Consented, she plants her lips on your body, and you are sure that the rosy prints are going to stick with you until the end of the day. Still, is it a fact that you should care right now? Getting groped by your goddess of a manager, with her being your mommy, on top of it.

You shiver at her kisses.

She frees your throat  before drawing her hand down to play with your raging bulge. She can definitely feel your cock aching to be freed right now.

“Need a hand, baby?” again, she asks, hand fondling the tent in your pants.

You become a stuttering mess at this point. “Y-Yes, m-mommy, please.”

“Please… what, baby boy?” She’s playing coy with you for sure.

“P-Please use your hand on my c-cock, please,” you utter out.

She whispers into your ear, “Good boy.” 

She unzips your pants, hand then slithering into the hole. The sensations are even stronger right now, with your underwear being the only barrier between you and her.

She keeps kissing your moaning neck, printing roses wherever she can reach. Her hand is stuck in fondling your cock through the slim cloth.

“Mommy, p-please,” you whimper, desire burning too brightly.

“Say please again, baby boy, and I’ll touch your cock.” Yuna giggles, enjoying how you’re submitting to your boss so damn easily.

“Please, m-mommy.”

Yuna wastes no time to push all of your lower garments down in a single motion, exposing your throbbing, twitching cock in glory. She hums in satisfaction at the sight.

“Hmm~, baby boy, so hard for me already?” she asks, finger drawing a line on the back of your cock from the bottom to the top. It twitches in response.

“Ngh, y-yes, m-m-mommy.” Yuna seems to be happy with your answer as she strokes your cock leisurely.

Her slender fingers only do what they have to do: sliding up and down to make you shatter under her touch. She starts at a slow pace, only teasing you about what’s coming. Her other hand roams under your shirt, moving down onto your juicy ass.

“Ngh, mommy,” you utter, pleasure building up in your loins. The sensations become stronger as seconds passed.

Yuna giggles at your whimpering, “Yes, baby boy?”

“I-I-, ngh,” you cannot form any words under her spell. Fuck.

Yuna cannot hold her chuckle inside, clearly satisfied with her baby boy melting under her touch. “Use your words, baby. Tell me what you want.”

“Faster, please,” you finally respond, slightly out of breath from the overwhelming sparks all over your body.

Yuna listens to your plea, quickening the strokes, bringing you closer to the edge. Fuck, your slutty moans are probably heard by the people outside now.

The squelches of Yuna’s strokes are filling the room, along with your needy whimpers and her satisfactory hums. “I just wanna spend the whole day jerking this cock~” Yuna expresses, your heart flutters at her words.

“And I mean it, really,” she continues, still keeping the moderate pace of her hand from behind. 

“The size, the curvature, the thickness, god, I’m sure it can stretch mommy’s cunt out so well,” she whispers, and your length just cannot get harder at this second.

“M-Mommy, would you berate me i-if I- fuck.” you struggle to lead your words out, stuttering everywhere you can. She’s still jerking your cock, nursing you with another hand roaming over your body to over stimulate.

“Fast cummer, baby?” She chuckles at your apprehension. “You’re doing well, baby. I think this is the perfect pace for us.”

“T-Thanks, mommy,” you say, feeling the tightening of your knot already. “M-Mommy, where c-can I cum?”

“Ooh, that’s an interesting question, baby boy,” Yuna laughs. “I don’t think the higher-ups would mind a few stains from us~,”

“W-Wha-”

“Shh, let mommy handle this,” she affirms. “Just stay on my lap and let me milk your cock, okay?”

Your mind goes feral, aching for release. Her hand relentlessly stroking your length and another traversing your compact frame just overloads your mind. “Y-Yes mommy.”

“Good boy, now, cum for me, please.”

And it hits, you become undone at her touch, like a lightning. Your sticky cum is shot everywhere—on her desk, on the floor, hell, even on yourself. You moan in the pleasure of her touch and the mind-shattering orgasm. “Mommy!” you shout. Yeah, everyone is going to hear that.

“Wow,” Yuna pants, before planting a kiss on your neck. She doesn’t seem to mind the fact that your seed is on her precious report right now. “You came so much for mommy.”

You try to catch your breath, before speaking out, “Thanks, mommy.”

–

[acid-ixx]

I hope you don’t mind but I need to ramble this to someone, neglected Wayne reader right? The fam would forget to bring them to social events and whatnot right? So there would be very few pictures, articles and interviews or even facts about them, meaning that reader Wayne is a rarity. Still following me? Reader Wayne with a small but devout fanbase.

I’m talking they are trading the latest pictures and sharing links to the rare interview with reader in it, following any social media they have that isn’t private, they are just fascinated by this micro celebrity that seems to always be forgotten. Okay but also imagine one of the heroes developing a para-social attachment to reader. My money is on Conner Kent, mainly bc he can project his own issues with his dads onto reader and he can Dolores ~Encanto~ reader with his super hearing and develop a even bigger parasocial obsession with them

I hope you enjoyed this ramble, I will leave you be now, see ya later alligator! 🐊

omg another one of my asks that actually predicted a major plot point... this ask ties well with the last part written here. i'm thinking about having the reader get a love interest/s but i have already written an outline but one thing is for sure—

you have more than just your family interested in taking you.

major spoilers below the cut. — an excerpt from chapter xx

(name) wayne may have been a name forcefully deleted off of the face of the internet, but that doesn't mean it doesn't have its conspiracies of its own. nobody knows who you are beyond the blurry, unsolicited pictures of you. it may have been a photograph of your back, or articles published in unknown websites and buried at the far end about a kid entering through the fancy gates of the wayne manor.

you are a product of a one-night-stand.

but they don't know who the mother is, don't know your age, or where you come from, and what business bruce has with the woman to guarantee your adoption at the instance she had disappeared without warning.

your existence was a mystery most would like to solve. after all, it was your picture that was plastered all over the newspapers and articles, it was your name that journalists whisper and it was a silhouette of your face that the underground knows by heart. every known information about you was shared discretely yet efficiently like some sort of virus.

you were a target for interest, a large sum of money if they will. and alfred had taken it in his hands to make sure there would never be a repeat of what had happened before.

it was a clumsy mistake, one that cost you your memories, and one he swears on his life he'll never make again.

the first course of action he needs to arrange, which may seem difficult for most; he needs to confront bruce.

after all, your freedom is your doom.

maybe this is out of the picture, but id' like to imagine you and connor having a therapy session where one comes out absolutely obsessed with the other, and it's not you.

connor's character for me is so, so good for an angst potential. it's like his personal struggles is a way for him to show you how absolutely you two are meant to be. and he may have met you through bumping into you (false) or maybe... he has seen you stalking through the shadows back when he visits the manor. using his superhearing, he can hear your voice from the kitchen begging alfred to relay a message to bruce, sounding so absolutely desperate. it's the way you tell alfred how you wished your father actually spends time with you, or how nobody seems to notice you— that he kind of just makes a silent promise that he will talk to you soon, he needs to know why this family seems so keen on ignoring and how hypocritical tim is for literally doing the same thing to you when he's aware of kon's past.

if he (or anyone else) should be a love interest (though he is a minor character in the series unless you guys want him to be a major one), i can already imagine the absolute hell you have to suffer not only from your family but from your own lover. just imagine the stockholm syndrome or the delusions you convince yourself with because you're finally loved by someone but that love restricts you from the very freedom you tried to build.

the batfamily would be so conflicted because why are you choosing some stranger over them...? then you slap them in the face with, "well, this "stranger" wants to kidnap me and lock me up, sure! but at least they actually looked at me for more than five seconds!" and you can watch how the color drains off their face, their conflict giving you the perfect opportunity to run away from both your ex-family and your soon-to-be-kidnapper-lover who thinks your comeback is a funny way for you to propose.