#morally gray females

[lovely-cherubs]

You wanna know what’s more refreshing than a strong, well written, female character? A strong, well written, MORALLY GRAY female character!

I want, no, NEED more morally gray female characters.

[clown-eating-pig]

I really love gertrude robinson bc how often do you get an older woman character who just really sucks? She sacrifices ppl that trust her. She is so focused on keeping the world from ending that she completely doesn’t notice one of her assistants routinely torturing the others. She dismembered a guy. She does her job badly on purpose. She’s cunning and sneaky. She dares her murderous, immortality seeking boss to kill her. She gets murdered by her murderous, immortality seeking boss. She’s not particularly friendly. She somehow had access to plastic explosives. She’s a manipulator and a liar. She’s bound to the avatar of destruction. She helped a guy get rid of a pig by telling him to put it in conk crete. She is like the opposite of a sweet little grandma and that’s beautiful.

[thewriteadviceforwriters]

Crafting Compelling Morally Gray Characters: A Guide for Fiction Writers

In literature, there is often a clear distinction between good and evil. Heroes are portrayed as virtuous and villains as wicked. However, in recent years, there has been a rise in the popularity of morally gray characters - those who do not fit neatly into the categories of good or evil. These characters are complex, flawed, and often make decisions that challenge the reader's moral compass. In this guide, I'll help you explore the art of crafting compelling morally gray characters and how to make them stand out in your fiction writing.

What Are Morally Gray Characters?

Morally gray characters, also known as morally ambiguous characters, are those who do not conform to traditional notions of good or evil. They may have both positive and negative traits, and their actions may be motivated by a mix of good and bad intentions. These characters often blur the lines between right and wrong, making them more relatable and intriguing to readers.

Examples of Morally Gray Characters

Some well-known examples of morally gray characters include:

Severus Snape from the Harry Potter series: Initially portrayed as a villain, Snape's true motivations and actions are revealed to be more complex and morally ambiguous.

Jaime Lannister from A Song of Ice and Fire series: Known for his arrogance and incestuous relationship with his sister, Jaime's character evolves throughout the series, showcasing his internal struggle between his duty and his personal desires.

Walter White from Breaking Bad: A high school chemistry teacher turned methamphetamine producer, Walter's character is constantly torn between his desire for power and his moral compass.

Why Are Morally Gray Characters Compelling?

Morally gray characters are compelling because they challenge the reader's perceptions of right and wrong. They are not easily categorized as heroes or villains, making them more relatable and human. These characters also add depth and complexity to a story, making it more interesting and thought-provoking.

The Power of Relatability

One of the main reasons morally gray characters are so compelling is because they are relatable. They are not perfect, and they make mistakes, just like real people. This makes them more human and allows readers to connect with them on a deeper level. When readers can see themselves in a character, it creates a stronger emotional connection to the story.

The Element of Surprise

Morally gray characters also add an element of surprise to a story. Their actions and decisions may not always align with what the reader expects, keeping them on the edge of their seat. This unpredictability makes the story more engaging and can lead to unexpected plot twists.

The Exploration of Morality

Morally gray characters also allow for a deeper exploration of morality in a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality. This can lead to thought-provoking discussions and a deeper understanding of complex moral issues.

How to Craft Morally Gray Characters

Crafting morally gray characters requires a delicate balance of positive and negative traits, as well as a deep understanding of their motivations and internal struggles. Here are some tips for creating compelling morally gray characters in your writing.

Give Them a Strong Motivation

Every character, regardless of their moral alignment, should have a strong motivation for their actions. For morally gray characters, this motivation should be complex and not easily defined as purely good or evil. It could be a desire for power, revenge, or even a sense of duty. This motivation will drive their decisions and actions throughout the story.

Show Their Flaws and Vulnerabilities

Morally gray characters are not perfect, and they should not be portrayed as such. They should have flaws and vulnerabilities that make them more relatable and human. These flaws could be physical, emotional, or moral, and they should play a role in the character's development and decisions.

Create Internal Conflict

One of the defining characteristics of morally gray characters is their internal conflict. They are torn between their good and bad tendencies, and this struggle should be evident in their thoughts and actions. This internal conflict adds depth to the character and makes them more relatable to readers.

Avoid Stereotypes

When crafting morally gray characters, it's important to avoid falling into stereotypes. These characters should not be one-dimensional or defined solely by their moral ambiguity. They should have unique personalities, backgrounds, and motivations that make them stand out as individuals.

Show Their Growth and Development

As with any well-written character, morally gray characters should experience growth and development throughout the story. They should learn from their mistakes and make decisions that challenge their moral compass. This growth and development will make them more dynamic and interesting to readers.

How to Make Morally Gray Characters Stand Out

With the rise in popularity of morally gray characters, it's important to make yours stand out in a sea of similar characters. Here are some tips for making your morally gray characters unique and memorable.

Give Them a Distinctive Voice

A character's voice is an essential part of their identity. It should be unique and reflective of their personality and motivations. For morally gray characters, their voice should reflect their internal conflict and the complexity of their moral alignment.

Create a Strong Backstory

A character's backstory can provide valuable insight into their motivations and actions. For morally gray characters, a strong backstory can help explain their moral ambiguity and add depth to their character. It can also create empathy and understanding for their decisions.

Use Foils to Highlight Their Morality

Foils are characters who contrast with the main character, highlighting their strengths and weaknesses. For morally gray characters, foils can be used to showcase their moral ambiguity and challenge their beliefs. This can add depth to the character and create interesting dynamics between them and other characters.

Morally gray characters add depth, complexity, and relatability to a story. By challenging traditional notions of good and evil, these characters force readers to question their own moral compass and consider the gray areas of morality.

[thousandyearphantombunker]

"We want more morally grey/flawed female characters"

You bitches can't handle APPLE WHITE!

like people keep saying "you couldn't even handle rose quartz" but this is even more pathetic to me. How can y'all make this kid into a monster?

[wannabeprincess-8]

annabel: I hate myself and I will be as cruel as I see necessary and sacrifice anyone to be with lenore, i am extremely self destructive and couldn't care less if I died as long as I can be with lenore

people: girlboss!

annabel: *is self destructive and cruel*

fandom: you bitch!

[milliesnotes]

Why do people keep saying Emily “got ruined”

Y’all she was never nice, are we forgetting she was helping YUL manipulate Grett at the beginning of the season 😐

[l-michalska-writer]

Worried prompts:

Are you alright?

What happened?

What’s wrong?

Who did this to you?!

I was so afraid you’ll never wake up…

I would make them bring you back to life if I had to.

When did you know you were sick?

What do you mean you’re not gonna make it?!

Don’t you ever again take a bullet for me, understand?

Do you need me here?

Watch out there for them, you understand?

Did you take your medicine?

You have to lay down at least for a one week.

Where is it hurting?

Can you feel something beside the pain?

Please, open your eyes.

If you got yourself killed, I would bring you back just to kill you again for your stupidity.

Did he hurt you?

Don’t you ever forget I love you.

I couldn’t live with myself if anything happened to you.

What is it, honey?

Don’t ever throw yourself at the knife like that again, do you understand?

[bitchdafuqyousay]

i cannot stand you hoes

you fuckers will really just find any reason n excuse at all to hate on female characters, huh. like damned if she does damned if she doesn’t. they cannot win with you bitches smh

she’s upfront n emotional? ugh she’s so annoying she’s always in hysterics she needs to calm down. she’s levelheaded n even faced? god that woman is such a cold hearted bitch she doesn’t care about anyone she’s practically a villain! she’s got a temper? she’s always angry she’s so mean. she’s jovial all the time? she’s so annoying whys she always so happy it’s not realistic!! she’s super smart? she’s such a know it all she thinks she’s so clever n better than everyone else. she’s not a super genius? oh lord she’s sooo stupid what a ditz. she’s open n trusting? how can she be so naive n forwards she’s such an idiot! she’s reserved n keeps things to her chest? she’s so dishonest n a total snake i bet she’s secretly a villain!!

she’s super strong? she’s way too op it’s all just plot armor n makes no sense she needs to be knocked down a peg! she’s not as strong as the other (male) characters? god she’s useless she’s a total drag an absolute burden on the other characters!! she’s conventionally attractive n sexy? the over-sexualization is terrible she’s just pointless eye candy it’s annoying. she doesn’t meet conventional beauty standards? that bitch is so ugly haha look at the size of her forehead n her flat chest!

let’s not even get fucking started on the way y’all scream “villain” at any female character who isn’t a saintess of pure n unrestrained morality, but then throw a bitch fit about “mary sues” when another one is. female characters cannot do anything right in y’all’s eyes n you’ll take any chance to hop on them n drag em through the dirt by their necks. you hate a woman for the same qualities that make you love a man it’s pathetic.

[alextlopez]

Imagine being able to introduce yourself with a pinterest board, like a character board. Cute and easier.

[surplus-of-sarcasm]

31st Story, Part 2

TW: Blood, implied past captivity and torture, stitches, wound description, angst, corrupt system, issues regarding figure (brief), bruises, angst, knife, touch starvation

Part 1

Guess who's back with a hella long piece. vacay from college for some time with semester 1 over, woo! enjoyyy 💙

“So how did you sleep?” the vigilante asked as she walked downstairs to find the villain sitting cross-legged on her couch. 

“Well,” he answered evenly, emotionlessness overtaking his tone as usual. It wasn't a complete lie; he'd slept better than he had in a long time, but his eyes had wrenched open a little after sunrise, even though he wasn't a morning person. He couldn't relax too much into this life, the knife he took shoved into the pocket of his sweatpants, but she didn't need to know that. 

“I'll make us breakfast,” she announced.

“I'll help you out,” he offered, even though he knew she could probably infer what his motives were. He still wasn't taking any chances anyway. 

She nodded curtly in response, leading him to the kitchen. And he'd almost wished someone had warned him about the whiplash of doing something so outlandishly casual with your enemy, as he watched her make a sandwich and soon enough followed suit, still hyper aware of the knives and the boiling water in the kettle. 

And of course, nothing was lost on Vigilante, even if she probably wasn’t half as nervous as he was, the half-frantic, wild animal wrapped in the poorly fitting garment of someone calm and collected. “Are you always this tense?” she questioned as she sat down at the table and he sat opposite from her.

“Just hungry,” he shot back smoothly, a seasoned liar. Sure, he technically was half-starved, trying to eat slowly just so he wouldn’t retch, but if that was the case, he would’ve relaxed when he ate.  

The vigilante said nothing as she took a bite of her sandwich, but her disbelieving eyebrow raise needed no further additions. 

The villain’s grip tightened on his mug as he worried his frayed bottom lip between his teeth,”What do you want? If you’re going to question every micro-gesture of mine, then why’d you bring me here?” His voice was hoarse with exhaustion, probably from all the screaming he couldn’t muffle, not that he cared.

“I get it,” the vigilante said placatingly, even though it was clear she was somewhat irritated. She wasn’t a goddamn bleeding heart just oozing compassion and patience, not that he expected any different. “You’re afraid of getting hurt.” 

“I am not afraid of crap, Vigilante.” It came out softer than he’d intended, almost as though he was the one trying to calm the situation, a new trait of people-pleasing a new and heavily despised survival skill he’d recently acquired. 

The vigilante wanted to argue, but she also knew that from the day she’d walked into his cell and pulled him out, that she’d been walking on thin ice. That the man in front of her wasn’t his normal, unflappable self that could dish out a lot worse than whatever she dared to throw at him, so for the rest of this tense, awkward breakfast, they both remained quiet. 

It had taken them about two hours of trepidation spent in the opposite ends of the living room for Vigilante to break the silence. “So, about the plan,” she started.

“Yeah?” he asked, now turning to face her. 

“We can’t fight her by traditional means. We don’t have the time to amass an army big enough to rival my sister’s own. The main thing we need to do is find some way to desecrate that shining image of hers,” she explained. 

The villain let out a low hum as though he was contemplating something, but the slight shift in the nature of his gaze indicated he’s noticed something. “Knocking your sister off of her pedestal is surely going to gain you some traction,” he noted. 

“I don’t care much for the spotlight,” she countered. 

“I know. But you seem to care about making sure your sister doesn’t have everything. Still, that isn’t the issue anyway.”

And again, he was right. There is something so utterly sickening of being born in someone’s shadow, of having all your power from someone else’s name. Vigilante was only formidable in people’s eyes because it was required of Superhero’s sister. Again, she’d never claimed to be dramatically selfless.

Still, she took note of how the villain made no effort at eye contact, his eyes trained on the pattern of her wooden coffee table, but she refrained from commenting. “Right. The general idea is, if the adoring public find out what she does to the people in her custo-”

The villain, in his most daring act of the day, had let out a sardonic snort. “Oh, save it. I don’t think you realise that how people like me are treated doesn’t really irk anyone. Because that’s how the world works, it’s easier like that. I’m not the most notorious, but it’s safe to say I’m ‘famous’ enough,” he made air quotations with his fingers, “People usually want to know about the trial, when it comes to people they’ve heard of, but no one gave a damn. No one cared to know I never really got a trial in the first place. Because they were just relieved that the Big Bad Guy was off the streets. Locked up somewhere. It doesn’t matter that my record says I’m guilty of crap I’ve never done. Because technically, I’ve committed my fair share of my crimes, what’s more to the pile? Hell, if it keeps me locked away for all eternity, then why not?” 

This time, the villain’s gaze was steely, his teeth gnashed together and his tone harsh, and yet before she’d even commented, the villain was quick to force the muscles of his face to work on pulling it into a blank expression, his hand going to his pocket. 

Where, unbeknownst to Vigilante, the knife from yesterday was. .  .

It took her a moment to register his words and realise he was right. The likes of Villain wouldn’t garner the sympathy of the same people that cheered when they were locked up, at every suffocating press conference where her sister’s airy voice seemed to ring in her ears. 

But how else was she supposed to rouse some sort of public outcry against her sister? She needed the key, the concept, the idea, and from that she could form a plan. It was why she thought of asking the villain in the first place. 

“Then what should we do to get people to notice?” 

The villain’s pale hand made its way out of his pocket, his expression still nearly unreadable. “Your sister’s clever. She’s almost untraceable, and uncovering her shady past would be difficult. Or actually, more difficult than having her do something terrible now.” 

“So you’re saying we somehow force her to commit some sort of terrible crime?” 

“Force is the wrong word. It wouldn’t be a choice she wouldn’t make on her own accord. And that’s our selling point. No one needs to make her pull underhanded crap because she’ll take that choice anyway. And from then, whatever it is you want to reveal is actually going to have a basis.” 

The villain straightened his posture, pulling his now slightly loose fitting hoodie down so straighten a wrinkle only for it to come down with a strange difficulty, like it was stuck to his skin, the man letting out a soft hiss. 

“You alright?” she asked. 

“Fine,” he answered curtly, getting up. He knew exactly why his jacket had stuck to his form in the first place, and he really didn’t need Vigilante’s supposed concern. There’s a lot worse he’d seen in his life, in those three months alone than some old scratch reopening. Walking into his room, he shrugged his hoodie off in front of the mirror only to notice that the stupid scratch was in an area he could barely reach, deeper and uglier than he thought, blood running down it in crimson rivulets, exposed tissue that was barely healing showing too. He didn’t know where the gauze was, or how he’d even manage treating the wound. And somehow, his past vanity, or rather basic awareness of his appearance that he now called vanity hadn’t completely faded away considering he noticed bone and skin where muscle used to be and the ridiculous amount of bruises adorning his figure in various shades of dusty purples and browns; every sign of how his captors had turned him into a punching bag for all their sadistic cravings. 

“Villain?” 

Hell no. He didn’t want anyone in this room with him while he looked like this, frantic again and wishing he could rip his hair from its roots. He almost didn’t care that he was still bleeding and it hurt to shift even slightly, or that his wound felt warm to the touch and was probably infected. He sat there on the bed, gripping onto the sheets like they were the only thing tethering him to the world around him. “Just,” he faltered. As much as the villain hated it, he couldn’t do crap right now without her help. He bit his lip again and exhaled slowly. “Come in.” 

She cursed softly when she looked at the wound, the scarlet already snaking down his lower back now. It didn’t take her long to come back with a whole lot of first aid equipment. “This’ll hurt,” she said slowly. 

All she got was a low grunt in response as she pressed antiseptic-soaked gauze to his back, and even though he barely let out a noise, didn’t move out of the way, his shoulders still tensed up under the pain. 

Involuntarily, she stroked a hand through his hair, a reflexive action even though the vigilante wasn’t particularly touchy, especially with her enemy turned ally of convenience. He turned to stare at her, looking nothing short of surprised, but not irritated or afraid. He turned around again as she stitched up his wound and tended to his other scratches, surprised how well he was holding out. The villain barely flinched through the process, but again the man had always been surprisingly enduring.

The villain seriously didn’t remember the last time anyone had tended to his injuries, even before getting captured. He’s sure someone did, during the times he couldn’t do it himself, but no one had ever run a hand through his hair when he’d tensed up or anything of the sort. He despised the fact that it hadn’t irritated him, instead he was left there dumbfounded, half-wishing she would do it again and half-grateful she refrained from it, from making him feel so bloody exposed like that. This entire ordeal, how strangely gentle the vigilante had been with him, how he slowly relaxed even though the idea of being this vulnerable, this close to one of his enemies terrified him.

The villain didn’t like to feel things that weren’t dry, controlled anger or smugness or absolutely nothing. So he didn’t, pretended he couldn’t until he believed it. 

Every lie dies in the end, no?

The vigilante had got up to hand him a new t-shirt that he slowly pulled on, minding his wounds but still refusing any help with it. “Thanks,” he mumbled awkwardly. 

“Y-you thank people?” she asked, half out of genuine surprise and half to lighten the mood. 

The villain didn’t smile, but his lip twitched up ever so slightly with a half-smirk, “I’m a villain, but I’m not a complete tactless bastard.” 

“I guess you could say that, and you’re welcome. I’ll just go clean up. Put your jacket in the basket over there.” The vigilante looked down at her bloodstained hands, and the villain gave her a curt nod. 

He was lucky she hadn’t taken the jacket herself, or noticed the knife somehow, and he could still keep it. It felt even scummier after right now, when she could’ve just let him bleed out, or made it worse since she was this close to him. He didn’t even know what she would try the second he was no longer useful. 

Carefully, he lowered his form onto the bed, letting out a soft groan. This was the strangest stage of his life yet, he presumed. 

So many times, life is about choosing the worst option, the choice you’d swore to never make, about condemning yourself to being at the mercy of the unknown. People will scream at you to avoid the lion’s den, but sometimes it is the only shelter from a raging storm ready to destroy you into nothing. And yet, maybe there is wisdom in the most foolish decisions, and safety in the most dangerous risks. Because even if you’re riddled with deep wounds and scars, even those can heal under care, even in the most unexpected places.

✨️Le Taglist: @larinzz @syberianjade @lateuplight @altu-interactions @enbious-prince @astr0-mj @thelazywitchphotographer @a-fucking-simp-00 @addictedsandwhichaki @justalittlecorrupted @quaggasus @theangstyclown @vernilliom @mothmancommitsarson @starssabove @kurai-hono-blog @talkingsperm @muffinrebel44 @sunnynwanda @annablogsposts @cardboardarsonist @itsmyworld23 @onlywhump @m3rakii @crotchgoblin69 @wtfevenisausername @pendarling @avloki-pal @kaiwewi @those-damn-snippets @genuinelythioehat-is-whump @ghostofnorth

Wanna be on the taglist? This'll take you there!

[lovely-cherubs]

Kurapika's Thoughts About Haruka:

"Haruka is a complex and multidimensional individual like all humans, but even then, anything she does sends chills down my spine. She appears to be calm, collected, and sweet to those she despises, but I know that deep down she wants nothing more than to shoot a bullet into their heads, and inject them with poison till they're rotting inside out. Her vindictiveness, and her ability to hide it extremely well, is what makes her the worst person to get on your bad side."

"Another thing about Haruka that I personally don't like and disturbs me is how she so listlessly is able to harm others and lie.

Why isn't she utterly disgusted like I am when I have to kill or hurt someone? She laughed at me when I asked this and said that I should've picked a different agency to work in if I was that icky about having to kill. I didn't know whether I was shocked or disturbed with her response. I was about to argue until she added on saying:

"You can't work in or for the Mafia and not kill anyone, Kurapika. It just doesn't work that way. If you knew anything about the mafia, then you'd know that u were bound to catch a body at some point. Working here requires mental and even emotional desensitization, something that I've developed due to being repeatedly backstabbed and betrayed by multiple people in my life—most of those people being intimate partners and even now former friends."

I didn't say anything after that because I knew that she was right. But still, they way she said it sounds like she's done this before. It makes me think of the spiders."

[almadash]

Everybody makes mistakes✨

Characters are Rilda (the morally gray calico) and Crystalline (the always supportive but tired griffon).

Been experimenting with some vertical comic strips, aka the webtoon style. I would really like to start a comic there someday, but so far it’s still a dream. Expect some more short comics like this, though!

[mademoiselle-crabaletta]

When the study came out that said 60% of americans read at or below a 6th grade level I was like "no frickin way"

But after reading reviews on goodreads.............I can see it 😭

[firesofdainix]

"We need more ambiguous female characters!" You guys can't even handle Princess Bubblegum

[arospecsyourblockdudes]

One thing about me is that I always have been and will always be a Gertrude Robinson defender. Everyone would love her if she were younger+hot and/or a man I’m not lying to you I know it. I’m sorry no one can understand the tragedy of an older woman realizing that she gave up having an actual life outside of the Institute and the entities for literally nothing but maybe you should’ve respected women more idk

[nellasbookplanet]

*grabs fandom by the shoulders* please tell me you understand that the dichotomy of the 'fan favorite man who’s done nothing wrong ever how dare you imply otherwise he's just a TRAUMATIZED BABY' vs 'woman who’s a selfish bitch who should just die for not always prioritizing the male favorite and for getting in the way of my m/m ship' is bad on both sides.

please tell me you understand these kinds of readings remove complexity and agency from both the male and female characters as well as the narrative as a whole. please tell me you don’t just want to flip the dynamic. please tell me you didn’t think it was originally bad only because it was the male character who should be demonized and the female character excused. please I am begging you to develop media literacy and to step away from radfem rethoric