#meanwhile any male character (or nonbinary character they present as male for the sake of arguement)
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*grabs fandom by the shoulders* please tell me you understand that the dichotomy of the 'fan favorite man who’s done nothing wrong ever how dare you imply otherwise he's just a TRAUMATIZED BABY' vs 'woman who’s a selfish bitch who should just die for not always prioritizing the male favorite and for getting in the way of my m/m ship' is bad on both sides.
please tell me you understand these kinds of readings remove complexity and agency from both the male and female characters as well as the narrative as a whole. please tell me you don’t just want to flip the dynamic. please tell me you didn’t think it was originally bad only because it was the male character who should be demonized and the female character excused. please I am begging you to develop media literacy and to step away from radfem rethoric
#please tell me you understand that both extremes are reductive readings of the characters on opposite ends of the spectrum#this is mainly about critical role fandom and how certain corners of it embodies this sentiment something fierce#thinking they are defending female characters when what they’re actually doing is reducing her from complex and morally gray#into a paper doll ment to be shipped and babied#meanwhile any male character (or nonbinary character they present as male for the sake of arguement)#who doesn’t prioritize her get immediately eviserated#and god forbid they perceive him as a threat to their f/f ship#(who they are stubbornly refering to as lesbian despite its bisexual characters)#it was bad in c2 and its exponentially worse in c3#nella talks#critical role
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So... something kinda hit me abruptly and pushed me to feeling about ready to snap, so... Have a word vomit. Kinda feels like a greatest hits compilation of my “another angry queer rant” tag, but I need to get it out, so...
I know I’ve been over plenty about how I don’t feel represented even when I have something with gay representation. How I’d give dozens of Dorians and Iron Bulls to get even one run of Inquisition that properly has my male Inquisitor romance Cullen. How when I look at Mass Effect - this franchise that I love - I can only see how much it hates me for being a gay man who dares to seek content for me. How godawful it is that Gil’s story, a story that is explicitly a story centered on a gay man and the difficulties he faces BECAUSE of being gay, was written by a straight person who ABSOLUTELY does not GET. IT. And how fandom as an entity sucks, because so often it feels like the attitude of the people in it comes across as telling me that my desire to be represented in my media somehow comes in second to celebrating the advances solely for women, that my needs as a queer MAN (the emphasis usually theirs) are less important, because I can still see myself AS A MAN in other characters throughout media.
But... That doesn’t change the fact that this is a very real, very tangible THING for me to grapple with. And sometimes it feels like no one ever, EVER talks about this.
I mean, my go-to example is that after Inquisition dropped, you could not say A WORD in criticism of Dorian without people jumping down your throat, chomping at the bit to call you a homophobe for it. No matter what reason - but ESPECIALLY if you thought he was “too stereotypical” - you got hit with that label. Even if you were gay yourself, it was just your “internalized homophobia” that made you dislike him, or even being biased against the people who genuinely do lean in to the stereotypes, don’t they deserve representation too?!
Well, yeah. It’s not like I was saying they don’t. But that it’s a stereotype means it’s often still in media, still often THERE. It’s not always good representation, but it’s something. Meanwhile for those of us who AREN’T? It just meant further exclusion from the narratives. A continuation of our invisibility.
And sure, one queer character cannot represent every queer person, one individual who embodies one letter of the alphabet soup cannot be everything to everyone under that individual label. But, again, it still means that I don’t get to see myself.
If media representation is a life preserver, then I’m getting pulled out to sea while the lifeguards are busy with people who are closer to them than I am. Which, you can call it triage, cast the widest net to hope to get the most people, but when you’re one of those who are not even able to grab on to the net and use it to pull yourself closer, it’s not helping. And, because they’re focused on those who have grabbed on to the net, your struggle continues to be ignored.
Worse, sometimes they aren’t factoring you in the net they’re throwing (yes, I’m aware my metaphor is getting increasingly strained, just work with me here) because they think you’re not in the trouble they think others are - if you can “pass” as cishet, if you can exist without actively fearing for your safety, if you are the kind of person who can walk down the street and not expect to be harassed because you “present” gay, then you’re not as in need as those people who can’t, who are going to be threatened for existing while visibly queer.
But the truth is that you’re still suffering. I’m not gonna get in to the whole oppression Olympics nature of it all, but there is an element that those of us who “pass” as being “straight-acting” (and, for the record, I think these terms are bogus and bullshit, but I’m using them for the sake of simplicity in getting my message across, because I’m stream of consciousnessing this post instead of going to bed so you’re getting babble and word vomit so that this isn’t playing on a loop as I try and sleep) suffer that... I’m not going to say that it makes it worse, but it does have this level of SOMETHING that is a unique pain that you aren’t going to find from the people who are visibly and noticeably queer at a glance - it’s not just isolation, because this is something that you end up not talking about because no one around you realizes that you are queer, but also this voice in the back of your mind that starts questioning “are you REALLY queer? Are you queer ENOUGH?”
And that’s why it hurts that little bit more, is that much more a twist of the knife, when I see these people who push the “joke” of like “why did they even HAVE male Shepard?” or “the only way to play is as Kassandra.” Because it does reinforce this idea - that there is this attitude of this thing, this character that I was seeing as representation doesn’t matter. So that I take strength in that character, well, that’s just me latching on to REPRESENTATION AS A MAN, and we’re not here to protect your fragile masculine ego.
When all I’m looking for is a queer man like I am.
And sometimes, I don’t even feel like the other queer men I can look to get it. Like, there was that time about a year ago that I looked up issues of queer men in video games, and the three videos I found all got an “...and NOPE!” reaction from me - the first argued in math about how “queer people are a small portion of the population, we can’t realistically expect to be represented equally,” even though we’re talking about FICTION, which is, by definition, NOT reality, the second was clearly a cishet who compared not being represented as a queer person to not being represented as a Swedish person, and then a third who first had a thumbnail on a video of “good and bad representation” and Kaidan was the example of bad (so a negative mark against this video to begin with, but I was desperate), only to lead with Dorian as a good example, which... *vague motion above and at the “dorian critical” tag* I staunchly disagree with this stance.
Like... I have to struggle to think of who my role models in being a queer man are. It’s not just who fits my story, but who do I look up to, who inspires me. And, admittedly, the luster for any personal hero seems to inevitable wear off at this point, I’m in my early thirties, and most of the media I consume will have characters who are my age or younger PERIOD, so my queer heroes would have to be people I’d consider either peers or even someone who I am older than...
But then, that’s kinda the thing about being queer period - we lost a generation to AIDS, and for those who followed that generation, we’ve had to live in this world where our heroes don’t exist like us, while trying to pave the way for those who come after us, and who can’t conceive of what it is like to age - as in “go from adulthood to middle age to elder,” not just the matter of growing up from childhood to adulthood - and so even as they’re the one who we want to give all of this to... It still means we suffer because no one is there to offer US that hand.
And yet, try to explain this to media creators, and you get ignored or even shut down. Like, I about a year ago, I directly replied to tweet from Patrick Weekes, explaining how Inquisition failed me, how all bi LIs actually HELP me feel more represented as a queer person than the mix of sexualities that BioWare on the whole has said that they intend to do (re: the difference of LIs in DA2 and Dragon Age Inquisition). It got no response, not even a like to indicate that it’d been read by them. I could form in my head the response I’d have inevitably gotten from David Gaider when he still had an active Tumblr of what would amount to, nicest, “we cannot please everyone, enough people were moved by Dorian’s story to make it worthwhile, sorry.” Given some of my cynicism, I can’t help but believe that it would also have come with a “sorry you feel that way.” Particularly considering some of the comments he’s made about Cullen and Kaidan as LIs, both of whom being characters I connect to more than others in their respective games...
And like... Gaider is a gay man. Weekes is nonbinary. But they are from that generation who view being able to exist openly as queer as a revolutionary statement, which... It’s a statement I want to make, sure, but it’s not a revolutionary one to me - “existence” is the bare minimum. To me, focusing on existence as a queer person is to say that the queer character must justify existing as queer in order to be a part of the narrative. But what is revolutionary to me is to give the queer person a story in the narrative that has NOTHING to do with their queerness.
Like... Fantasy world here, Inquisition drops with Cullen and Cassandra as same-sex exclusive LIs, while every other aspect of their stories are the same. Women can’t romance Cullen, Men can’t romance Cassandra. Other than that, we have Cullen with his addiction/redemption arc and Cassandra not just struggling with her faith but even getting the chance to be Divine. Yes, fandom would FLIP. THE FUCK. OUT. But here’s what it says - the things that these characters go through in the course of the game are not defined by their sexuality. Hell, with these characters specifically, you get characters with MASSIVE relevance to queer stories that AREN’T exclusive to being queer - addiction is a real issue in queer communities, given how many of our safe spaces are bars or clubs, places where alcohol (and thus alcohol abuse) is easily obtained, and, by extension, drugs as well. Meanwhile, there are SCORES of queer people who struggle with the question of faith in the wake of their queerness manifesting.
THAT is revolutionary. To take these stories that straight people get all the time, that certainly have meaning as queer stories for the queer audience... And yet, when they go to these (hypothetically) queer characters, it has that subtext without making the story ABOUT their queerness, while still making it clear that, in this version of things, they are queer - players couldn’t pretend that it’s only in some parallel universe that they are queer, they would only be attracted to the same sex PC. THAT is revolutionary.
Or, y’know, take it back beyond BioWare for a little bit here - all the characters I feel the most connection to emotionally in TV shows are straight. All these men who are my role models only ever get shown being involved with women. At most, they’ll get queerbaited as MAYBE being queer, if you just keep watching! Inevitably, of course, they are not queer by the end of the show - the closest to date is the debacle that is Supernatural.
Yeah, there’s representation for ya.
And then there are those who end up looking at what I see as thoroughly inadequate and... They’re happy. They praise it. They look at this thing that hurts me, that excludes me, that can, when I’m in the bad headspaces, even make me question myself... And they have found something they like with it.
Which, for the record, good for them, genuinely and sincerely, I really am glad that someone is getting something out of this, but... Well, see above: life preserver, isolation, “sorry you feel that way.” Everyone else is getting what they needed, but what about me? When does my representation get to appear? Why am I always being left, scrounging for the scraps of the scraps? Why does other peoples’ representation always seem to get shoved to the front of the line, leaving me languishing in the back.
That’s the real thing about all of those lines of “if you don’t like it, go make your own!” At this point, even if I did manage to get something in my to-write folder cleaned up and ready to go, in reality... How am I supposed to feel like anyone other than me WOULD proceed to read it? That the audience would exist? Because... no one seems to care about this audience. Hell, how would I get anyone to publish it if it is only going to appeal to me?
I feel on the margins of the margins, where no one really cares. Hell, even here in my own blog, I feel afraid of backlash - I’ve had the assholes show up in response to like little brief comments that are off-the-cuff rambles, not worded in a way that makes them a full, detailed accounting, and either take them as evidence that I, personally, represent all that is wrong with fandom at large, or that I am a target for their trolling. Because saying that “I find the jokes about male Shepard not mattering to be diminishing of me as a queer person, can we please stop this?” is somehow not just lesbophobic, but VIOLENTLY lesbophobic. Or that saying that I don’t care that bad things happen to a fictional species is somehow advocating for violence against actual women. Or even explicitly calling out BioWare for lovingly lingering the camera on Miranda’s ass is slutshaming her. And of course, there are the assholes who responded to me saying on the BioWare Twitter announcement post for the Legendary Edition that, if it didn’t have a full trilogy male Shepard/Kaidan romance, I wasn’t buying it, and proceeded to a) call me entitled for it (like, read a dictionary, the very fact that I have to call for this content that doesn’t exist in the game proper is the OPPOSITE of entitlement...), b) tell me that I “shouldn’t deny [myself] a great story just because it doesn’t have gay people in it” and c) just generally be homophobic. Even in rolling with it on the basis of “the trolls are gonna show up period if you make it clear that you care about something, especially if you are trying to get representation for some group that is in the minority... It gets exhausting. It can be harmful. It makes it clear that you’re not welcome, even when you’re supposedly united by the fact that you and these people supposedly love the same piece of media.
I mean, among those examples, I’ve given the statements that inspired those responses no tags other than my own organizational tags, but SOMEHOW they find me anyway, so it wouldn’t surprise me if I got accused of like being another White Gay™ with this post, that I simply want to center the conversation wholly on myself at the expense of all other intersections of queerness and other identities or something for saying all of this, even though this is, and it says so from the start, a vent post, which, by definition, is centered on myself because it’s about me and my experiences and emotions. *sigh*
Anyway...
And, y’know, when BioWare actively refuses to even ACKNOWLEDGE that the absence of a full trilogy M/M romance option is a bad thing, it just ends up saying that the trolls are actually the audience they’re willing to court. That Supernatural ending with a brothers only focus that doesn’t even allow Cas to be mentioned other than offhandedly while suppressing ANY kind of emotional fallout to his admission of love says that they don’t care about the queer people who at the very least the actor was trying to be respectful and representative of. That every piece of media that says that to have a queer person in it, their presence must be explained and justified is saying that there needs to be a REASON for queerness, a reason that is not “because people are queer, and queer people come in as many stripes as cishet people, and so media should reflect that spectrum just as much.”
Even when the numbers of queer characters in media goes up, it doesn’t really move the needle. And that’s not even getting to the difficulties when you are any mix-and-match combo under the queer umbrella, or any other identity that intersects to marginalize someone in our society. It just...
Y’know, it doesn’t feel like “it gets better.” Rather it just feels like being stuck in position, just with a changing backdrop. Sure, things look different by the end of the day, but that doesn’t change that you’re not getting anywhere.
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