#modern love amazon prime

[royalsunshinehotel]

Dev patels characters reacting to their s/o surprising them by wearing lingere?

A/N: This one has been living in my notebook for like two weeks now. Hope you enjoy <3 as always, consulting credit to @hecuba-of-troy

Anwar Kharral (Skins 2009) I feel like Anwar is the biggest geek. Even with all the money and clout that comes with being an indie darling, on some level, he can't quite believe that he's with you, he still sees himself as the geeky boy who ran off to London. He pulled you, he can't believe it. Anyways, Anwar reacts like Wiley Coyote. It's almost cartoon-ish the way his eyes bulge out of his head. He takes a minute to actually put his hands on you, but he makes it worth the wait.

Sonny Kapoor (The Best Exotic Marigold Hotel, 2011) Straight up I don't think Sonny would believe it. You're pretty chill as a person, always following your gut, and standing your ground when you need to, but Sonny, being Sonny, definitely jumps to the conclusion of you being the wildest western sex goddess dream, like a centerfold or one of the ladies from the internet videos . He proceeds to give you the head of a lifetime, good for you.

Neal Sampat (Newsroom, 2011-2014) To Neal, you are the definition of "baddie on a budget". If you work with him, the two of you have the same job and he's likely getting the same amount of pay as you, and he doesn't get paid what for the worth of the work he does, same for you. This is why he's absolutely floored when you come out in one of the nicest sets. Is it out of your budget? Yeah. Do you take advantage of his shock and ride tf out of him? Also yeah.

Deon Wilson (Chappie, 2015) Deon, due to lack of experence, would have a good moment where he's caught like a deer in headlights (ha ha), we think he'd probably admire for a while, want a 360 view with the softest look on his face. It would really be soft, and you'd get tiny kisses on your neck most likely.

Sheru “Saroo” Bierley (LION, 2016) Saroo is a little bit tough. I feel like, initially, he'd could be kinda mean, just ordering you to lay down and teasing tf out of you for being a 'slut', which you are, but for him, specifically. But on the other hand, I could also see Saroo just being so 😁 thrilled to be with you, especially when you look like an angel with no wings, "So like a person" is what you respond, and I feel like you gotta get smacked in the pussy a few times for that.

Jay Menha (The Wedding Guest, 2018) Sanjay immediately dives in. I feel like this is one of the few times where he'd ask if you like what your wearing before he dives in and starts to fuck you. Being of an artistic mindset, there is a good chance he'd want to take pictures or draw you looking so pretty, but he's a kind person. He won't make you wait for dick. David Copperfield I feel like you bust out the costumes/lingerie when David's been a little too lost in his work. Essentially, what happens is he's troubleshooting his latest plot to you while you're getting dressed, his nose practically buried in pieces of paper. He's lost in his own little world, so you pull him by the hair to bring him back to you. Once he sees what your wearing he gets hard because (1) it's you and (2) he was able to pay for the outfit with his books!!!! The fuck!! David, being David, proceeds to chatter on about the heroine and what she should do to one of her love interests, and it's a lot better than what he had going before you pulled him back to you. You have to sit on his face to get him to shut the fuck up, but that's hardly an inconvenience.

Joshua Madika Joshua would be a bit of a goof. I fully see you taking his credit card out on a spree, and he comes home to a mini fashion show where he gets hard at the idea of spending money on you. This man was built to be a sugar daddy, but if you tell him he can look, but can't touch, he'll respect that.

Sir Gawain I don't think they had lingerie in the middle ages, but I'm picturing something that likely has chains on it, and wouldn't be the most comfortable. There's a high chance that this would also link somewhat to medieval BDSM, and you are going to be teased within an inch of your life. Also, I feel like when your dressed up, your inside. IDK if I say this enough, but fucking Gawain outside 😛

[masterpieceavenue94]

Modern love: 03x1

[brownandbaffled]

ramble 01:

margazhi, Ep 4 - Modern Love Chennai

Milton & Jazmine

This will probably be my most favorite episode. It made me feel childlike excitement that we feel when we are around someone who we have a crush on. Like its just so easy and pure, teenage crushes are so much fun. Jazmine trying to catch a glimpse of Milton everywhere she went was so cute. And I think her saying that she will never be able to forget him is probably because he managed to make her so happy this winter after her parents had separated. She had found a kindred spirit. It made me emotional because I’ll probably never get to go back to that teen phase of crushes and also cuz I am on my period so more emo ig :P BUT ITS SO FUCKING CUTE.

And he says you don’t even try to impress anyone and she smirks slightly when WE BOTH know that she did slowly try to get his attention like anyone who has a crush on anyone. ITS SO SIMPLE. My heart.

Moreover, tamil is one of my most favorite languages to hear. I wish i could speak it more fluently. It’s so beautiful and we know that english will never ever be able to capture the true essence of any indigenous language.

Here is a small excerpt from the episode of the never forget you dialogue:

“After I leave, will you remember me?”

‘I’ll never be able to forget you.”

He smiles.

GAHHHHHHHH😭😭brb while i go cry frends

[how-to-be-a-tree]

MODERN LOVE CHENNAI

Ep.1 லாலாகுண்டா பொம்மைகள் / Dolls of Lalagunda

⭐️⭐️⭐️

>What is life?

Ep.2 இமைகள்/ Blur

⭐️⭐️⭐️

>What is important in love?

Ep.3 காதல் என்பது கண்ணுல heart இருக்கிற emoji / Love is heart eyed emoji

⭐️⭐️⭐️⭐️⭐️

MY FAVORITE!!! I LOVED EVERYTHING ABOUT THIS!!!!!😍

~

~

>What is the reality of love?

Ep.4 மார்கழி / December

⭐️⭐️⭐️⭐️⭐️

the amount of second hand embarrassment I got from this episode!!!! Ahhhhhh!!!

>What is it to be seen?

Ep.5 பறவை கூட்டில் வாழும் மான்கள் / Gazelles that live in a bird's nest

⭐️⭐️⭐️⭐️

"When I told you I wanted to be with Revathi forever, it was the truth. When I tell you that has changed that is also the truth. I don't know if this will change too. But as on this day, to the best of my knowledge, I truly believe that this will not change."

>What is it to be understood?

Ep.6 நினைவோ ஒரு பறவை / Memory is but a bird

⭐️⭐️⭐️

I definitely need a re-re-re-rewatch to find out what happened exactly, there is so much to unfold between the lines and timelines. btw, I'm not sure when will that be..

Their conversations are eveything to me!!!

"In the time gap between when these characters speak and that thursday, I've always wondered, what happened in their lives? Would they have eaten, slept, been late for work? Would their life, in the time that is unexposed to us, still be a life? Just like the question, "if a tree falls in a forest when there is no one around to hear it, does it still make a sound?" I've wondered about movies like that. When a movie ends, two lovers get together. In the theatre, when we hear the applause and see the curtains fall, we understand that the film has ended. But would the characters know that? Would they know that if their lives were made into a film? Would that be the last scene? Will they think that this would be their "and they lived happily ever after" moment? Does that mean that whatever happened afterwards was not interesting? Was that not worth making into a movie?"

+

>What is it to share madness?

[worldmusicandcinema]

[genericpuff]

holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

[jq37]

Who Is Allison Moore?: A Disney's Wish Mystery

OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.

So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.

Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:

No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):

Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:

What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.

And look at Disney's official page about Wish!

Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?

Night Sky and Manhunt.

Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.

I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!

They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.

12/26 Edit: A SMALL UPDATE IS HERE!

[khytal]

I still feel unwell

finished 71 kr last night. finished the kr manga just now. going to watch shin kr.

[misscammiedawn]

Dissociative Identity Disorder in Mr. Robot

So I have been writing little essays about Mr. Robot recently.

Dom's Sexuality, Gay Marriage and Whiterose

Back to the Future and Brainwashing

Today I wish to talk about the DID representation in Mr. Robot.

Actually I want to talk about the DID representation in the Hulk comics but there are 40 years worth of storylines involving it and it would require me to write about clinical understandings from the 1980s when it was called MPD (admitedly Mr. Robot's stumbles at the finish line with some of these same outdated treatment models) and that would take a while. Suffice to say it will happen eventually*. I shall make a new tag "Media Myself and I" and post it under that when I have more time to do it justice. Maybe I'll do others. I am uncertain. I believe I want to focus on positive depictions where there are no murder alters. The goal is to get people to want to enjoy things, not to steer them away. I have a few shows and games in mind at the very least.

Regardless… Mr. Robot is an easier topic to cover and is my hyperfocus of the moment.

So Mr. Robot is a show about isolation in the modern world. It's a show about socioeconomic stress, late-stage capitalism and what it means to enact meaningful change on a broken world.

But above all it is about the healing journey of Elliot Alderson, a man with dissociative identity disorder.

I say that at the start because Elliot's condition is never named until the final episode. In many ways a realistic depiction of a real world disorder was an afterthought noted in the final hour of the journey as a means of justifying the split personality trope and hiding a final twist. In spite of that the roadmap for the show was always leading to this destination and along the way they managed to get some fairly good representation out of the mix.

Season 2 even involves the only time I have ever seen a piece of fiction depict "blending" on screen. Blending isn't a symptom listed in either DSM or ICD manuals. It is, however, something one would hear about if they had a conversation with someone who had DID. I have used that scene to depict what it feels like to my partners.

I'm getting ahead of myself.

I love Mr. Robot. It is currently my favorite show of all time. If you have never seen it then please give it a shot. This post will be spoiler heavy and I'd hate to rob anyone the opportunity to watch S4E7 and have a pure emotional reaction to it. The show is on Amazon Prime and the full box set is available for $35-50 depending on format and vendor.

Go with my blessing.

-

The first season of the show begins with Elliot Alderson (Rami Malek) living a double life. By day a cyber security expert and by night he spends his time at his computer hacking people's accounts and satisfying a "little itch in the back of his head" that guides him to uncover the murky facts about people. The first scene of the show has him take down a cafe owner who hosts an illegal and deeply unpleasant website. I have seen individuals walk away from the first episode thinking that the show is "Dexter but with computers" but it is more lulsec activism with a Fight Club aesthetic.

The show has 4 seasons and each season depicts a different stage of Elliot's healing journey and with it completely different rules and depictions of his condition. I'll break down each season for what they do right and what they do wrong.

Season 1: Discovery

Elliot's system in season one is undiscovered but he has overt symptoms, meaning he is unaware that he has any alters but he suffers from clean breaks in his consciousness and drastically altered behavior patterns both which are a detriment to the "hidden" nature of the condition.

Commonly most people do not discover their condition until their 30s. I was 37/38 when our therapist started guiding us towards accepting our condition.

DID manifests in childhood but it's a hidden illness that does its best to go undetected. The point of the condition is to remain hidden. The internet and the educational resources it offers are helping younger individuals to recognize their symptoms and advocate for themselves at an earlier age but the standard medical understanding is that most people are developed adults before they are diagnosed.

Published statistics for DID indicate the global population of those with the condition is about 1.5% (some organizations argue the number should be higher due to how difficult it is to receive an accurate diagnosis, but 1.5% is the most consistent figure) which is rare but not to the point of never encountering it. For comparison, according to a 2023 census 1.0% of people in the USA identify as transgender. There are no tested classifications for Covert vs Overt display of symptoms but it is widely agreed that an overwhelming majority of cases within the 1.5% are covert.

We learn that Elliot is desperately lonely, abuses morphine and has paranoid delusions about men in black stalking his every move. Whenever Elliot is on screen we can never be sure what is real and what isn't, so there are times when men wearing black suits are on screen and we cannot be sure if Elliot is paranoid or delusional.

The show takes place through his perspective after all and we are a character in the show.

See… the narrative device of the show involves Elliot speaking to "friend", us. The audience. "Hello, friend." is a common refrain spoken throughout the show. The narrative begins a short while after Elliot had a complete mental breakdown and smashed up a server room, he is seeing a court appointed therapist, is socially paralyzed to the point of which we see him linger outside a birthday party and retreat home to cry in loneliness.

The entire first season Mr. Robot is depicted as another character, akin to Tyler Durden, a wild revolutionary who wants to encrypt the data of the world's largest bank in order to seal the debt records and reset everything back to 0. He starts off appearing in scenes involving the men in black stalking Elliot to mingle him in with the paranoid delusions and eventually begins interacting with him in earnest. Though the reveal is treated as a twist 8 episodes into the show Elliot does accuse the audience of knowing the entire time and he refuses to speak to us for some time, even going as far as to keep secrets from us because he cannot trust us any longer.

It's at this point that I will note that media depictions of DID tend to lean heavily on the phrase "it's a visual medium" and depict ways that characters can see, interact with and communicate with alters/parts in a dramatic setting. Off the top of my head Hulk is about the only form of fiction I've seen where the temptation to do this doesn't take over and even then the old "other face in the mirror" trope shows up there.

So for what it's worth the paranoid thinking and hallucinations are not DID symptoms and typically a person with the condition cannot see or hear their alters. In fact a testing criteria included in the MID exam is to rule out schizophrenia by eliminating the possibility that the voices heard are external or that any hallucinations exist. In Mr. Robot they are likely caused by Elliot's morphine addiction, but he gets clean after season 1 and Mr. Robot is always there.

There are some plot elements which I want to talk about but they do spoil the final "twist" of the show. So I want to warn again that anyone in the process of watching should be warned we are getting into entire show spoiler territory.

The Elliot we see in the show is the result of the stress fueled breakdown that Mr. Alderson had 6 months prior to the show starting. The timeline is fuzzy in my head but there were two triggers which set him off and began his condition flaring up (and/or caused him to lean harder into his drug addiction which in turn fueled his condition). The one we know about is that he was locked in a server room and forced to work long into the night on an issue and the already upset and stressed Elliot snapped and had a black-out.

We come to learn that he has had these his whole life but this is the first time such an incident occurred that he couldn't self-justify what had happened. He smashed up a server room, something he felt himself not capable of.

But the second trigger is the more important one.

His sister, Darlene, moved to NYC and started visiting him.

The bigger and better twist of season 1 is that Elliot and Darlene are siblings. This is hidden from Elliot and the audience for the first 7 episodes and her presence is treated much like Marla Singer from Fight Club, of whom she likely contains some inspiration, where she keeps showing up in Elliot's apartment and acting overly familiar with him.

In the earliest episodes when we are learning about Elliot's lonely life he looks at a photograph of himself and his mother at Coney Island. Due to some hallucinations we know that Magda is an abusive mother and screamed at/hit Elliot a lot. We learn more about her in future episodes and she is a truly horrible parent. Likely more than was ever depicted in the show.

The photo is actually of the full Alderson family including Darlene and Edward but is not shown as such until the reveals that Darlene is Elliot's sister and Mr. Robot is modeled after Elliot's father. The photograph is a reference to Back to the Future.

But it also is a fairly good visual representation of self-filtering information, even when it is contradictory in nature. This is common not just in DID but in all forms of CPTSD.

Complex Post-Traumatic Stress Disorder is a condition that develops during prolonged exposure to trauma and makes radical changes to the nervous system. CPTSD is considered a root of DID and it is universal for those diagnosed with DID to have a CPTSD diagnosis also.

One of the ways CPTSD symptoms manifest is "Emotional Avoidance". The nervous system is activated when triggers related to the trauma exist within the person's life. In order to function their brains push away these reminders and naturally avoid interacting with them. This causes those with the condition to become withdrawn, to isolate and to have distorted and often contradicting patterns of thought. For instance Elliot needs connection and safety that he associates with family but his family were his primary abusers and so he edits his memories to focus on positive associations such as a family trip to Coney Island that has become an obsession to him in adulthood. We later learn that Elliot's obsession with movies was born from it being his primary way of connecting with his father... which is fairly relatable.

His positive memories of his parents are held in high regard even though we know that his father "pushed him out of a window" and his mother used to put out cigarette butts on Darlene, tried to force her to commit animal cruelty and is often depicted in hallucinations as beating and screaming at Elliot.

In a case where it is impossible to avoid the traumatic trigger, for instance the return of relative who is a living reminder of his abusive childhood, the individual may begin to dissociate. Dissociation being where a person, overwhelmed by what they are experiencing has a separation from their normal state leading to a disconnect from emotions, sense of self and reality.

Episode 8 in particular contains a visual depiction of it when Elliot is having a quiet meltdown over finding out he has a 2 day deadline and his boss at work has known about the server exploit he installed all along.

(the show often uses the camera in ways to emphasize emotional walls, dissociation and isolation like this. This sequence does so by having hard cuts, shaky cam and frantic pace melt into a gliding slow lull where the background noise filters out and we can share in Elliot's distance from his situation for a moment)

Elliot's form of blocking out is extreme but has half a foot in reality (and half a foot in the logic born from the "twist" ending) in that in order to continue interacting with Darlene he views her as a member of Fsociety and edits out their connection until it is revealed in episode 7.

A small brilliancy about Fsociety is that the entire group is formed around Elliot and Darlene's need for childhood safety. The hacking elements of the show undoubtedly born from 9 year old Elliot spending time at Mr. Robot computer repair with a smile. The anon-mask that the show uses comes from an in-universe movie that Darlene and Elliot watched every Halloween and their base of operations is Coney Island. A place that both siblings seem to associate with safety and happiness...

Which is extra messed up when you factor Season 2's revelation that Darlene was kidnapped while on a family trip to Coney Island.

Darlene's panic attacks, need to feel special and her abusive upbringing are not the topic for this essay, but I wanted to make mention that Magda was such a horrible mother that a 4/5 year old Darlene thinks of being kidnapped from a family trip to Coney Island as one of her most precious childhood memories.

The desire to reach into the past and change things to create an ideal future is a heavy theme of the show and I feel it's important to note that though the Alderson siblings reject Whiterose and her scheme, they are both living in an almost literal fun house distortion of the few unambiguously GOOD childhood memories that they each have and have wrapped them around themselves like a protective blanket.

The plot of season 1 gets a lot more uncomfortable when you realize how much of Fsociety is two traumatized kids recreating positive elements of their childhood and trying to live inside of those memories while lashing out at those who took their father away from them. The entire plan is centered around events from 1995. The show takes place in 2015.

Mr. Robot himself is, of course, the ultimate symbol of that take on events.

Edward Alderson was a monster. He's referred to as such overtly in Elliot's detox fever dream. Everyone asks him who his "monster" is while handing him the key that we learn was to his childhood bedroom. A key that he hid to prevent Edward from entering his room late at night.

Yet throughout the first 3 seasons of the show we are only shown him in context of the positive memories that he and Elliot shared. Elliot was 9 years old when Edward passed away from leukemia.

At a point, Elliot is picked up from school. He has a bruise on his cheek and the scene begins with Edward asking "If I had to guess, you didn't tell Principal Howard your side.", assuring him it's okay to share his side of the story. Because Edward is convincing him to tell his side I am going to assume Elliot got into a fight but it's not impossible to assume that the school pulled Edward in to discuss the signs of physical abuse on the child. Edward would never tell Elliot to tell his side of that story so I assume it was a fight.

It's unclear if Mr. Robot is the one who participated in those fights (we only have 2 confirmed instances of Elliot's alters showing up in childhood. The window incident and the day Edward died) but Edward picks him up and protects him from his mother's wrath and bonds with him during that drive, he reveals his diagnosis to Elliot before inviting him to work with him at the computer repair store. Likely this is what leads to Elliot's hacker skills being born.

A hauntingly similar event in my own life is why I am a photographer.

Given that the majority of Season 1 has Elliot in the dark about his condition we are only given context as to why he is the way he is and see the display of dissociative symptoms which manifest from CPTSD. Mr. Robot existing at all is actually not required for this to be a good depiction of adults who grew up in abusive environments and the way they maladaptively cope.

I also want to give a little praise to the "itch at the back of [Elliot's] head" that shows up when he feels the desire to hack someone or dig deeper and the way he pushes forward with his own will until he calms down enough to let a creeping hesitation overcome him and prevent him from acting.

Passive Influence is part of DID. It's a situation where a "fronting" (that is to say part that is in control at a time) performs an unthinking action or is emotionally swayed by the influence of another part/alter that is not presently conscious. These are one of the biggest ways that the condition flies under the radar for many. When they are close to discovering proof of their condition they will often feel an unconscious push away from it. The phenomenon is fairly easily brushed aside internally as "a gut feeling" or an "impulse" but it's observable under the right conditions.

An instance I can think of in my own life is when our survival part is trying to push people away and our emotional part desperately tries to reach out. I will often find my hand grabbing a person's wrist and clinging tightly to it without even noticing that I've done it.

In the show Elliot is compelled by Mr. Robot when he feels someone is a danger or has a weakness that can be exploited. Part of him knows he needs to do something about it and so he lets himself be guided.

The season ends with The 5/9 Hack succeeding, all the financial data being encrypted and Elliot sent to prison for (minor) hacking charges.

He knows who Mr. Robot is now and he fears him as his enemy.

Season 2 (and the book): Exploration

The first 8 episodes of Season 2 are a filter for those watching the show, many drop off. Personally I love it but I can see why it's not for everyone. Season 2 is much slower than the first and Elliot is in prison for those 8 episodes. He's also imagining that prison is his mother's house.

That daydreaming coping mechanism is largely there to add a fairly unearned sense of mystery to a character development season and make things a little more visually interesting. For the most part I don't really want to focus too much on it or the way Elliot treats "us"/"friend".

The fact is that for this season Mr. Robot and Elliot are in direct conflict but they are feeling out their landscape and trying to find common ground. They are pulling in different directions but they are reacting and responding to one another. The show uses a chess match as a visual symbol of this and in such they are keeping one another in a constant state of check. They are opposed to one another but they are communicating and working things out.

So let's start by looking at the book. The book is a recreation of the in-universe journal that Elliot keeps while he is in prison. We see him writing in it during the show and the entire thing is available, it even includes little ARG elements to let you decode the messages Mr. Robot is receiving from The Dark Army.

The book is detailed like this and it's possible to note when Elliot's handwriting turns into Mr. Robot's handwriting. There are even points where there is "blended" handwriting. It's easy to spot in the above image because Mr. Robot writes with a heavy hand and in all caps where Elliot is soft and uses lower case, in the top line of the second page "you NeeD atteNtioN aNd aRe Willing to pay a lotta MoNey to get it." you can see Elliot slipping from one headspace to another while becoming upset at society.

Even still if you look above the FUCK SOCIETY image you see Elliot's calmer handwriting as clear and flowing.

When we were in denial of our condition we poured through journal after journal and chatlog after chatlog hunting for evidence to prove or disprove the theory.

It was when I looked at our old gaming journals (we took notes in pen/pencil live during TTRPG sessions because memory issues are gonna memory issues) that we noticed similar. Cursive used in some phrases, individual letters separate on another, the letters g and y getting curled at times and not at other times.

Subtler than what is displayed above but no less real.

Season 2 introduces us to Ray the warden brilliantly played by Craig Robinson. He empathizes with Elliot because he speaks to his dead wife as a means of coping with grief and assumes that Elliot is the same.

He offers Elliot guidance by asking him to play chess "against himself" and this leads to Elliot and Mr. Robot playing endless games of stalemate against one another with deletion on the line for the loser. It's the same brain and neither side wants to lose (nor do they truly want to win, Elliot admits as much in Season 3 that he likes having Mr. Robot and misses him when he's not around) and as noted above with passive influence, the games are always guided to end in a stalemate because no matter how opposed they are as forces, they both want the same things.

So... how about the Sitcom episode?

Elliot breaks his promise to Ray and looks at the website that he is tasked with doing tech support on. It's--- not good.

Ray uses a combination of crooked cops and convicted Neo-Nazis to have Elliot beaten into submission so he won't report what he saw. Elliot cannot handle this and has a mental break and wakes up in a 90s 4 camera sitcom world.

Alf is there. Because old episodes of Alf are playing in the medical ward at the time Elliot is being treated for his wounds.

The entire time he is taking a beating Mr. Robot is protecting Elliot by fronting and forcing him into an inner-world fantasy.

Okay... so Inner-Worlds.

In the show we actually had one of these in Season 1 during the detox trip but I want to talk about it now and round back and talk more in Season 4.

Inner-Worlds are a thing within DID treatment. Emphasis on the word treatment. It's one of the more commonly misunderstood things within discussion on the condition because it's regularly reported as part of the experiences within those who are diagnosed with DID but it's important to know that the existence of the diagnosis indicates the existence of treatment.

During any adapted 3 or 4 phase trauma treatment program that includes parts work, whether this be Internal Family Systems model which is used for individuals who do not have DID or system mapping and stabilization for those who do, the patient must work on creating a "meeting" space to visualize (or sense out emotionally for those with aphantasia) and much of the work of developing safety and structure within comes from filling that space with comforts and generating communication between parts.

I'll talk more on the "conference table" in Season 4.

It is possible for those not going through therapy to create one outside of the context of a therapeutic alliance but the creation of one is an intentional act. Not something that comes free with your childhood trauma.

Elliot's trip to the inner-world keeps him from experiencing any of the beating that the body is receiving and at the end Mr. Robot earnestly says he only wanted to take the punches for Elliot, nothing more. Elliot falls against him, tearful and whimpers out "Thank you" before we are given the flashback of the day Edward picked up 9 year old Elliot from school after the fight and confesses his leukemia.

For the record, my heart swells every time I see Mr. Robot acting as a protector.

So, let's talk S2E9 and the "blending" incident.

Blending is what happens when two parts/alters are co-conscious and are present enough that they are sharing control of the body. It's an uncomfortable experience. Co-Consciousness means that more than one part/alter is actively perceiving the world at any given time.

It's more complicated than binary yes/no. Every one of these experiences exists on a spectrum and no two people with the condition experience it quite the same way but there are levels of presence that one has.

The following is me talking more from anecdotes and personal experience than textbooks. I like to be clear when I'm not being academic because I do not want to spread misinformation in my arbitrary analysis of TV shows that will get 20 notes on Tumblr Dot Com.

Front is to be driving the body, to have your inner monologue playing (if you have one, most people do, but it's not a given) and have your emotions interact with the nervous system if you are grounded enough to feel your experiences. As I said, it's a spectrum. Everyone gets dissociated at times and can just go into auto-pilot or a trance. That all still counts as being in front.

To be conscious but not front is to exist in an emotionally reactive state. If Fronting is driving then co-consciousness is to be in the passenger seat.

It's truly difficult to describe and my therapist doesn't even fully comprehend it despite her being the one who educates me on these topics. Presently as I type this I can only feel one of our system (5 parts) active and "with" me right now. She's not speaking but she's reacting. I can feel her apprehension to us typing this much about our personal life, little flits of paranoid thinking that we'll get anon-hate or that people from our former life will see this and judge us. It's a presence and exists on a gradient. She's "awake" right now but I do not consider her fully "co-con" because if I asked her to tell me what she thinks about this sentence I can feel an emotional reaction (apprehension) but not a direct answer akin to "I think you should edit out references to our journal and focus on talking about the show" (which is what I imagine she would say right now). That's the spectrum.

Closer to the front a part/alter is the more direct communication happens.

There's also "asleep" and "dormant" when they are unresponsive. Pretty self explanatory. Elliot's system has 5 parts(plus "friend") and until Season 4 we only really see Mr. Robot and the main character version of Elliot. Magda and Young Elliot show up in hallucinations in Season 1 and Young Elliot is co-con in Season 4. Magda never shows up outside of emotional flashbacks and the inner-world.

So after Elliot and Mr. Robot combine forces (though Mr. Robot is still working with the Dark Army and is trying to move in secret) they have moments where they rapidly switch and cannot keep straight who is fronting at any given time.

There's a scene where Elliot is in another room thinking to "friend" when he hears an argument in the next room and realizes Mr. Robot is in the argument. As he walks in, Mr. Robot is surprised to see that Elliot is aware when he is fronting and he trails off and they switch.

Mr. Robot says that something feels off about how they are acting and that they feel like they're overheating.

A later scene depicts Elliot phasing out mid-conversation on the subway and picturing himself in the next car observing Mr. Robot talking to Cisco while a passenger plays erratic music on a keyboard.

That is such a horrifyingly accurate depiction of something we live with that I was stunned to see it on screen. I've included it in some of my stories that go over living with these experiences but the idea is when we are stressed out, can't keep our head straight and are blended like this we tend to have snippets of music playing over and over in our head. We also get what I refer to as "static" and that seems to be relatable in support groups.

A++ for the show depicting something about the DID experience that simply does not get spoken about outside of the spaces of people dealing with it. It was the moment I knew they actually spoke to people who experience this stuff and did proper research that wasn't just media depictions and medical textbooks.

The final part of Season 2's wild ride I want to talk about is the "lucid dreaming" bit.

Mind awake. Body asleep. Mind awake. Body asleep.

This again goes into Overt DID which I cannot comment on as much as covert depictions but the idea is that Elliot trains himself to remain awake when Mr. Robot takes over. We have seen from the blending experience that he is starting to remain when Mr. Robot is active and so he tries to force himself to stay when Mr. Robot is active.

In therapy this would be achieved through trust, communication and awareness. It's said in communities that systems tend to become more overt as they go through treatment as they are able to identify lines, parts can advocate for themselves and there's better understanding of what "self" means for every alter.

In my experience there's also an element of trying to pretend to be consistent and whole. We were coming out transgender when our therapist guided us towards DID diagnosis and there was a lot of tearing ourselves apart because we needed to act in a certain way for our safety and inability to do so put us at risk of being targeted. In accepting our system we have stopped trying to be the same individual and that has lead to a more overt presentation. As I tell my therapist "we need to act out our gender expression anyway. Every action we take is a performance."

That is to say, Mr. Robot has never attempted to maintain the illusion that he is Elliot Alderson (albeit he never identifies himself. He's even surprised to learn that Elliot calls him that) and Elliot doesn't even know he is "The Mastermind".

In opting to remain hidden and conscious he gains a greater degree of control and agency in his situation.

These things get easier as you learn your condition, build system trust and allow yourself to experience that which you feel comfortable experiencing. With the example of the beating earlier, Mr. Robot shut Elliot out and took the beating for him and Elliot resisted but ultimately did not want to be present. In this episode he learns that if he wishes he could have pushed through and been there and experienced everything, albeit as a passenger rather than the driver.

Therapy also teaches how to "go into the back room" to maintain stability. A technique that lets you volunteer to not be involved in a situation. My system all use this whenever I (Dawn) perform erotic intimacy of any kind. They cannot handle the thought of associating with those acts and prior to treatment it would emotionally disregulate our nervous system if parts that couldn't handle the concept were to be present during those moments because parts of me would be trying to dissociate while I am trying to act. It would either trigger a switch, cause blending or make a part shut down and become unresponsive for a large period of time- one of our partners actually discovered our system this way. She saw us shut down during a scene and realized it wasn't just a "mood swing" as we had insisted.

Elliot learns how to intentionally open up and be present when Mr. Robot is active and because Plot happens he is shot and decides to use this skill to close himself off and create a stronger divide between parts.

Season 3: Rejection

If Season 2 was the pair working things out on a chess match where they keep one another in check then Season 3 is after Elliot has tossed the board and decided to shut Mr. Robot out completely.

The arc words are "battling in our own voids", in Season 1 Mr. Robot was always aware of what Elliot was doing but Elliot was unaware of Mr. Robot's actions and in Season 2 they were fairly co-conscious to the point of overheating. Season 3 the connection is shut down. Mr. Robot has no concept of what Elliot is doing and Elliot no concept of what Mr. Robot is doing.

This goes back to the Overt/Covert thing mentioned at the start. It's a rare thing even within a rare disorder to have that level of amnesia barriers between parts and so I can't really comment on accuracy. It's a frustrating season for me in that regard because Season 2 was doing so well at depicting something that I have lived through that going back to Fight Club tropes was fairly disappointing to me.

Season 3 is great by the way. It's a debate on if 3 or 4 is the best but it's close enough that there is a debate.

The real meat of the discussion, spare for the events of the final episode where they reconcile, is in how other people treat them and talk about their condition.

Angela Moss is Elliot's childhood best friend and also lost a parent to the disaster that claimed Edward Alderson's life. She discovered Elliot's condition during his breakdown in S1E8 and was brainwashed by the show villain Whiterose in S2E11 (I have a write-up of the psychological principals at play with the brainwashing here).

In Season 3 she acts as Elliot/Mr. Robot's handler and is responsible for helping Mr. Robot continue his hacktivist terrorism without Elliot finding out. She betrays Elliot and exploits his condition. She also tells people about it without his knowledge or consent, which is pretty fucking monstrous in my eyes.

Don't out a person. Just don't do it.

When Mr. Robot asks how she can tell who she's talking to she responds "Your eyes. You're never trying to look away." which is accurate enough that I messaged my girlfriend to be sappy and grateful towards her as the first time she noticed our condition she told me it was our eyes.

From a 2022 IM chat, shared with permission:

"it's ... well, it's [...] your eyes soften, kind of, when going to Cammie. Dawn has this piercing gaze, like she's looking right into my heart and soul. Camden is just very alert, noticing so many things but not the level of piercing. Cammie... her gaze is softer. More focused, but in a ... drinking everything in, rather than seeking it out sort of way"

and added today when I asked for permission to share the quote:

"(for the record, Craig draws his eyebrows down in a particular way that makes his gaze intense in a good way)"

The show works as hard as it can to never let the audience wonder who they are seeing on screen at any time. Most scenes where Rami Malek is depicting Mr. Robot it is a brief perspective view to remind us what the other characters are seeing before switching back to Christian Slater playing the character. There are a few scenes which involve Rami playing the character for a full sequence. One is the context for a flashback where we see a scene Slater performed through another character's eyes where they see Malek.

The others usually involve us being in Darlene's perspective to highlight her unease and uncertainty of what is happening with her brother.

The only scene where it is ever treated as a surprise is when Darlene plants a bug on Elliot's computer while staying overnight and is roughly interrogated by "Elliot", only to realize midway through the conversation "Jesus. It's you".

The camera cuts back to reveal it has been Mr. Robot the entire scene. They avoid that trick throughout the show so it has large impact when it actually happens.

I feel like that scene (as well as the scene where Elliot wears the real Mr. Robot jacket and gives birth to the 2 Stage plan to take down Evil Corp) are important for reminding that no matter how differently Malek and Slater play their roles, to an outside observer they are the same person and when he acts "out of character" it could easily just be an emotional outburst.

Incidentally you can see the physicality of the acting if you go back and watch it again.

The end of the season has Elliot, betrayed, alone and terrified for the safety of his sister; finally reach out to Mr. Robot and open a dialogue.

He even goes out of his way to have this discussion on the Ferris Wheel at Coney Island both as a Season 1 callback and as a sign of trust. Elliot admits in this conversation that he missed Mr. Robot while he shut him out and wants him to be part of his life and in the season finale Mr. Robot says that he wants the two of them to keep talking.

Elliot also finds out that the window incident wasn't his dad pushing him out of a window. They jumped. Elliot asks in a kind and soft way to Mr. Robot, representing both his protector and an element of the loving father he wished he had, "did you know?"

Mr. Robot, the one who jumped. The one who wanted to protect Elliot from Edward says nothing. But he finally feels an alliance form with Elliot.

The road to healing finally has opened.

Season 4: Integration and Fusion

So let's address the elephant in the room right away. The show uses the word "real" to describe the Elliot who existed before the show started and considers him to be the only legitimate alter. There is enough wiggle room within the show to think that is in-universe ignorance but the show does nothing to prevent the fumble at the finish line.

I want to say upfront and before I start dissecting this season that outdated models of DID believed that there was a crack formed in a person's sense of self and that healing involved restoring the identity prior to the crack.

This is 100% UNTRUE and it upsets me that people once believed it. DID is formed in childhood during a time of a person's life (between ages 4-9) where the child is taking in data from their surroundings and integrating it into their socialized survival mechanics to form a personality. The child is working out what traits it can exhibit to receive nurture, care and protection from other humans and will adapt to those processes. Attachment Theory goes into greater detail about how this relates to the formation of psychological disorders, especially personality disorders.

For a traumatized child they will find that their environments do not offer consistent and reliable safety and thus they are unable to adapt to a version of their reality where they are able to maintain stable safety. This may be horrifying forms of physical, emotional and sexual abuse placed upon a child and is often depicted as such but it can also be a confused child trying to get affection from a cold and distant parent or having a parent who abuses alcohol and becomes inconsistent in their ability to give affection and care. Child psychology is a heavy and depressing field, sadly.

The result is that the child never forms a permanent sense of identity. This is a large factor in the formation of Borderline Personality Disorder and is why DID and BPD are so often thrown together within medical treatment and diagnosis. It's at the point of which when my therapist gave me our diagnosis she presented a clinical list of "myths" regarding DID and "BPD is the same thing as DID" was 5 on the list of 6.

The point of this detour is to say that there is no original self. A person who has DID never managed to form a stable sense of identity in childhood and thus they find themselves acting as chameleons in their day-to-day life, adapting to what they feel they need to become in order to receive the things they need from their surroundings. It's why there is a stigma in the BPD community over the concept of being "manipulative". In reality people with that condition are unconsciously adapting to their environment as a survival mechanism. With DID the added layer of dissociation is there to help the self function even when they are forced to interact with materials that are incompatible with their ability to function.

Pre-show Elliot was living a fairly comfortable life but his emotional needs were not met and at the time he was alienated from his sister. He was miserable and lived in a society that he felt was crumbling. His daydreaming gave birth to "The Mastermind" to remove the threats from his reality and Mr. Robot who had been there all along went into Protective Sicko Mode and decided to expedite the process in a way only a protector's morality could.

We'll get into system roles a little later.

The point is that day-to-day life Elliot (Janina Fisher's book "Healing the Fragmented Self" refers to the part untouched by trauma as the "going about daily life" part) is not Real. He is not The Original. Those terms do not exist and are meaningless in this space.

True/Real/Orignal-Elliot is as much a construct as Mr. Robot. He's a version of Elliot who does not have to think about the trauma, he can just live a happy normal life. The kind that Elliot speaks often and derisively about in Season 1.

With that out of the way, I'm going to ignore the bad use of language and talk only about what is depicted on the screen and not said out loud. Because if you remove the misconception about real/original from the mixture, this is a perfect depiction of final fusion model healing.

Season 4 introduces us to the conference table in the inner world. A conference table is a therapeutic technique used in trauma therapy where you bring the alters/parts to a conference. The idea is that it needs to be a neutral ground where everyone is comfortable and able to share their thoughts and ideas. With practice it can be a space one can close their eyes and imagine, seeing their system and allowing communication to happen between parts.

Mine is based on the Minerals Gallery in the Natural History Museum in London. I refer to it as The Library. You didn't need to know that but I didn't want to discuss this section without mentioning it.

Elliot's is the conference room in Evil Corp where he and Tyrell spoke in the first episode.

Interestingly enough there are only 4 seats in this set. I'm not sure what the implication is here as in the scene depicted above Magda (Persecutor Alter) is scolding Young Elliot (Child Alter) for sitting in a chair that isn't his. They mention all 3 alters who are not present (Elliot, Mr. Robot and The Other One).

My thought is that this is the show going all in on the idea that Elliot ("Real") is not an alter and does not take a seat at the table. Which I have issues with.

I'll note as I did with the inner-world that this is a therapy technique and not something Elliot would just have in his mind. It's an accurate depiction of DID treatment but Elliot isn't being treated for DID. Krista is no way near close enough to be able to help Elliot. She's wonderful and deserves the world and more for how she handles things in this season but she's in the pre-stabilization phase of therapy where she knows more than Elliot is willing to accept and needs to wait for him to come around.

Speaking of Krista. Episode 7 is the greatest hour of television rivaled only by Ozymandias from Breaking Bad and the M*A*S*H finale. At present it has a 9.9 on IMDB.

The episode is structured as a bottle episode in way of a 5 act play depicting the stages of grief. This is the episode where Elliot peels back to dissociative layers and understands the truth. The truth of what his father did.

I won't type it.

I don't need to.

The next episode involves Elliot seeing Young Elliot and following him to a museum exhibit with a model of Manhattan. In Season 1 when Elliot had his psychotic break after realizing Darlene is his sister Darlene and Angela checked this location stating it was a place he used to go in times of crisis.

It turns out when he was young Elliot hid the key to his bedroom here to prevent Edward from getting in. All these years later adult Elliot (or "The Mastermind" if you prefer, which I do not) discovers it and has a heart-to-heart with his younger self, screaming into the emptiness that he's sorry for not protecting him. Sorry for letting him get hurt.

The scene is lit in the golden hues that symbolize safety in this show. The final season also takes place during Christmas in New York so it gets to show off that color palette more often which is great for symbolism and aesthetic.

Young Elliot shows that the act of hiding the key from their father was protecting him. It was fighting back. Sometimes surviving is the best you can do and you need to forgive yourself for not being able to do more.

God I love this show so much.

That episode ends with the scene I most want to just overtly show off to an audience.

I already loved the show. The final episode may have broken my heart a little with its talk of "Real" but this scene? This scene gets it.

Prior to the above video clip Mr. Robot cautiously approaches and says "Hey, kiddo". Something he always says. It's who he is. Regardless of anything else he, Mr. Robot, is designed from the father Elliot wishes he had and when he hears Mr. Robot-- no Edward's voice he tenses up in terror, allowing the above scene to take place with Mr. Robot so scared that he has failed as a protector by allowing Elliot to remember and that he cannot be there for him any longer because of who he is based off of.

Those with the condition commonly create alters who are based on the traits of those in the child's life at the time the symptoms developed. I... have experience.

The lines I want to focus on the most are:

Mr Robot: If I could go back in time and change everything that happened to you... just make it all go away...

Elliot: Then I wouldn't be me... *He turns to finally look at Mr. Robot* ...and I wouldn't have you.

The final arc of the show is where the "Mastermind" twist takes center stage and Elliot enters his inner-world and finds out that he created a peaceful reality for "Real" Elliot to exist in so that he is unharmed by the horrors of the world that is crumbling in reality. Mr. Robot, as a protector, wanted to expedite the whole hack and destruction of capitalism in order to rescue "Real" Elliot from the inner-world prison. In time he came to accept "Mastermind" as a part of the whole and not a rogue alter who was endangering the body and their "Host".

S4E13 lays it all down. An imagined version of Krista speaks directly to Elliot and explains the system and their functions. Mr. Robot a father and protector who could prevent Elliot from intolerable situations. Magda, a persecutor who blamed Elliot for the abuse. Young Elliot, who Elliot could push the traumatic situations on, a common thing that many do unconsciously in CPTSD situations, dissociating from the person the trauma happened to, disconnecting until they are just another version of self.

Elliot then says "I guess she doesn't know about you." referring to us, the audience.

Krista(*) looks into the camera and addresses us directly, calling us the voyeurs who pretend we're not a part of it even though we have been here for it all. She even claims we are on her side in getting "Mastermind" to accept he is a constructed personality who was there to lash out at the society that caused him so much pain.

"You loved him so much you wanted to keep him safe, no matter the cost."

The episode ends with "Mastermind" Elliot waking up in a hospital and reuniting with Darlene only to realize that she has known the entire time that the person we have been following throughout the show wasn't her "real" brother.

...and god damn it I hate this element of the show so much.

I'll accept that they had very little time to clean things up and needed to get a way to have Mastermind agree to the fusion. I'll even demonize Darlene and say she was being selfish and ignorant in saying something hurtful because she missed the version of her brother that existed before Fsociety.

But Our version of Elliot says that he loves her and she doesn't reply. Her disappointment and resignation causes Our Elliot to go back inside and agree to the fusion.

The show ends in a first person perspective of Darlene seeing her "real" brother wake up and that's it. I'm glad we never actually see "Real" Elliot, that feels fitting.

Here's the thing about that last minute fumble though.

Let's talk about Integration and Fusion. They are different things.

Integration is when dissociative barriers come down. The system is stabilized to the point of which the alters are capable of communicating openly, sharing thoughts, memories and experiences and every part has the ability to opt in or out as life goes on.

"Functional Multiplicity" is what happens when a system is in harmony, no memories are being withheld and the system is able to go about everyday life with minimal disruption or disregulation. It is a valid goal for trauma therapy and there's a decent amount of medical stigma around it being used as the goal and not a step towards the goal. Many clinicians prioritize the appearance of normalcy over the function of the individual(s).

Fusion is when you go the extra step and take this communication and sharing of memory and experience and as you tore down the dissociative barriers you tear away the division between parts.

A system is made up of parts that make up a whole person and Fusion is the process of all parts uniting to "become" that whole person. It is a valid and normal goal for treatment. It shouldn't be held up as the only legitimate method of healing but it shouldn't be demonized for being an option. I say this because I have seen some people in support communities get real upset when the topic comes up.

The final sequence of the show, prior to Elliot opening his eyes, involves the system at the inner-world conference table agreeing to go through with it and walking towards a cinema screen. Elliot says this will only work if we go too.

The family (and audience) sit down in the movie theatre and memories flood onto the screen and pour out until all experiences and emotions are shared in one pool and Elliot Alderson opens his eyes with all 5(+audience) alters fused into one.

It was almost perfect if only Darlene hadn't have rejected the "not real" brother.

The cinema screen projecting memories, all the thoughts and experiences being shared as the Alderson System accept their parts in the whole and agree to the process? It was a beautiful visualization of a healing journey.

There are imperfect moments here and there. There are great moments I skipped over such as S3E8 (I'm not up for talking about Self-Deletion today) but all in all it's the best depiction of DID for a main character we'll likely get on TV. It's a whole and complete narrative and I love it so much. It makes me feel seen.

[francesderwent]

my brain is fried i'm so overtired I've cried spontaneously at least once a day for the past three days will you please help a girl out with a soft cozy wholesome movie recc please and thank you

I’m so sorry my dear!! I dug to the depths of a bunch of old tag games and my film tag and this is what I came up with!

when I’m strung out I tend to gravitate to movies that will make me happy-cry so this list will at moments tend in that direction. I tried to sort by what was available to stream now, and the sub-lists are in no particular order

if you have amazon prime (the basic package):

Penelope (2006). highly recommend, a funny little modern fairy tale about a lonely young girl searching for a way to break her curse. this one heals something in my heart

Stardust. also highly recommend! a chaotic fairy tale about true love and what a person would do for it.

Street Gang. the Sesame Street documentary. sometimes people are good and they’re trying to make the world a better place and they’re doing it with their friends.

How To Train Your Dragon. it’s a perfectly executed film and the score and animation is gorgeous. (also available on netflix)

if you have netflix:

Feel the Beat. a dance flick about a seemingly cold-hearted ambitious young woman becoming a dance teacher in her hometown

To All the Boys I’ve Loved Before. so so so rewatchable.

She’s the Man. the funniest movie on this list and possibly of all time. I have never shown this movie to a person who didn’t end up loving it. it’s Shakespeare’s Twelfth Night at boarding school as a soccer movie

if you have tubi?? you might not need a membership I don’t know how tubi works??

The Music Man. some of the best costumes and choreography my favorite age of movie musicals had to offer. a con man comes to a small Iowa town and starts to want to believe in the beautiful lie he’s selling.

Chitty Chitty Bang Bang. this movie was written by Roald Dahl and it is buck wild. widowed inventor and his two children buy a broken down racing car and?? hijinks and musical numbers ensue

if you have disney plus:

Princess Diaries (1&2). we know them, we love them.

Sky High. if you haven’t seen this, I highly recommend it because it is silly fun but it understands the genre it’s playing with.

Newsies (1992). scrappy newsboys form a union, sing songs, punch each other, ???, profit

Holes. the single best adapted book to film ever? the cast commentary is also hilarious

Rodgers and Hammerstein Cinderella (1997). absolutely delightful. Whitney Houston as the godmother! Jason Alexander as the butler! Brandy as Cinderella! Bernadette Peters as the stepmother!

if you feel up for a trip to the library, things to look for:

The Hundred Foot Journey. I only saw this one once but it’s about a family who opens up an Indian restaurant across from a Michelin-starred French restaurant and it’s gorgeous

A League of Their Own (1992). sisters! best friends! married women and their disreputable drunk coach friends!

The Secret Garden (1993). highly recommend! this one fixes me down to my bones.

This Beautiful Fantastic. also highly recommend! a woman who’s afraid of the world falls in love with it.

Secondhand Lions. also highly recommend!! a boy gets dropped off with his great-uncles for the summer, hears possibly made-up stories of their wild and adventurous youth

August Rush. a young musical prodigy searches for his parents.

Sense and Sensibility (1995). if you need Austen energy, this is the one.

Cinderella (2015). this movie is so gentle and so lovely.

Little Women (1994). life is gonna be hard and sad but it’s gonna be beautiful and the love will endure!!!

I hope this helps and I hope you feel better! ❤️❤️

[lupincentral]

France is getting a live action "Cat's Eye" television series, starting on TF1 and TF1+ this September!

The show will come in the form of eight episodes, and each will run for around 52 minutes in length. While the set-up is similar to the original animated series and manga, this retelling will take place during the modern day, in 2023.

A world-wide release on Amazon Prime Video is planned, however air dates outside of France are currently unconfirmed.

The story synopsis is as follows:

"The series traces the story of “Cat's Eyes” back to its roots, and follows the adventures of the three Chamade sisters as they improvise a series of daring heists around the French capital's most iconic (and security-conscious) monuments.

It's 2023, and Alexia, Tam and Sylia are reunited in the City of Light after many years apart. At the same time, a work of art that belonged to their father – who had died ten years earlier in a mysterious fire at his art gallery – reappears in a prestigious exhibition at the Eiffel Tower. The sisters decide to risk everything to steal the painting, in the hope that they will finally solve the mystery of what happened to their father. The trio soon find themselves in the crosshairs of Quentin Chapuis, commissioner of the French police's Organised Crime Unit (BRB), who is tasked with arresting these new, elusive art thieves. But what he doesn't know is that one of them is none other than Tam, the great love of his life…

From their chaotic emotional reunion, to combining their apparently normal existence with a dangerous, clandestine double life, the three sisters face challenge after challenge. Firmly of our time but with frequent nods to the 80s, the series will be an explosive mix of action, romance and comedy. This adaptation of the cult manga series “Cat's Eyes” reaffirms our ambitious programming strategy, built around event broadcasting franchises."

[masterpieceavenue94]

Modern love: 01x1

[sanpakueyes17]

Who’s had a similar experience?

So I had just downloaded Amazon prime for the first time and wasn’t too familiar with the interface. Couldn’t decide what to watch one day and good omens kept popping up. At this point I hadn’t read the book yet but it was in my possession, waiting for me to pick it up off my bookshelf.

Anyways, so I pressed play on good omens and started watching and was delighted. It took me completely by surprise. By the time I was 2 episodes in, I realized that I had accidentally started the second season. I was so swept away I continued anyways.

And therefore, the second season ended up being my introduction to good omens (oooh modern day pompadour 6.66 Crowley my extreme gender envy!)

( I love you Neil Gaiman. I always have, especially sandman in my college years. I’ve read good omens finally and I am equally delighted as with the show)

[demifiendrsa]

Amazon Prime Video has announced that it is producing a six-episode live-action series based on SEGA / Ryu Ga Gotoku Studio's Like a Dragon (titled Ryū ga Gotoku in Japan and initially titled Yakuza in the West) game series titled Like a Dragon: Yakuza (Ryū ga Gotoku ~Beyond the Game~ in Japan). The episodes will debut on Amazon Prime Video in over 240 countries and territories in two batches on October 25, 2024 and November 1, 2024.

Overview

■ About

The series is a live-action adaptation with an original story based on SEGA’s global hit game franchise, Yakuza: Like a Dragon. Directed by the critically acclaimed Masaharu Take, the series will feature Ryoma Takeuchi as the lead character, Kazuma Kiryu. Like a Dragon: Yakuza is the latest addition to the Prime membership. Prime members in Japan enjoy savings, convenience, and entertainment, all in a single membership.

Released in 2005 by SEGA, the Yakuza game series was positioned as an entertaining game for adults, which found massive fanfare amongst its target audience. The series depicts the lives of fierce yet passionate gangsters and people living in a huge entertainment district, Kamurocho, a fictional district modeled after the violent Shinjuku ward’s Kabukichō, that acts as the backdrop of the gameplay. Like a Dragon: Yakuza showcases modern Japan and the dramatic stories of these intense characters, such as the legendary Kazuma Kiryu, that games in the past have not been able to explore. The much-loved game has captured the attention and hearts of fans not only in Japan but also internationally and will now be adapted, developed, and streamed worldwide on Prime Video.

In 1995 and 2005, spanning across two time-periods, Like a Dragon: Yakuza, an original crime-suspense-action series, follows the life, childhood friends, and repercussions of the decisions of Kazuma Kiryu, a fearsome and peerless Yakuza warrior with a strong sense of justice, duty, and humanity.

■ Cast and Staff Comments

Ryoma Takeuchi, Kazuma Kiryu Actor

“I am truly honored to be given the opportunity to play the role of Kazuma Kiryu, a beloved character and the game series. I strongly felt that I was willing to put my life on the line. Audience will enjoy the show’s human drama and conflict that unfolds around Kazuma Kiryu. Moreover, please take a look Kiryu’s intense fighting scenes with the Dragon tattoo on his back.”

Masaharu Take, Director

“I have poured out my heart, soul, and the experience that I have garnered over 35 years into Like a Dragon: Yakuza. The unbridled passion, talent, and countless hours of efforts from the entire team have helped bring this spectacular story to life in the form of a riveting series that will be launched this year, the year of the dragon. Please look forward to Kazuma Kiryu, played by Ryoma Takeuchi.”

James Farrell, Head of International Originals, Amazon MGM Studios

“We are thrilled and extremely excited to announce the Amazon Original action-drama Like a Dragon: Yakuza, based on the popular Japanese game series. The unfettered appeal for Japanese content from within Japan and other parts of the world has been growing exponentially. While Prime Video Japan continues to offer a variety of content across genres, adapting an internationally popular game franchise that has such deep resonance and layered characters presents a unique charm and makes for an extremely compelling watch. We are committed to augmenting our content library and are confident that Like a Dragon: Yakuza will strike a chord with audiences all over the world.”

Masayoshi Yokoyama, Producer and Studio Head, Ryu Ga Gotoku Studio

“Since the day I first put pen to paper on the original Yakuza‘s script, I’ve never once thought about revisiting any of my work on the series. It’s because I understand all too well the challenges and hardships that come with remaking a finished title. However, if I were ever sent to the past through some kind of cosmic joke, this is the experience I’d want to create. If I had to go through the wringer anyhow, I’d want to make the most engaging versions of Kamurochō and Kazuma Kiryu I could—and this show has it all. There is no question that Prime Video’s Like a Dragon: Yakuza will become another landmark release for the Like a Dragon series. While the games let you experience their world through the subjective lens, this adaptation will be the ultimately objective way to enjoy the show. I have no doubt that fans of the series will be drawn to how it brings the games to life and adds new surprises. Newcomers, I’m sure will find themselves invested simply in the gritty realism of the show. If anything, I’d love to watch this version alongside audiences all around the world—experiencing all of its intensity and soaking in every single second.”

[moviefanadict]

If you loved X-files...you will most certainly love the TV show Fringe. It is a show with the most unique and out of the box scenarios that one could ever imagine. It is a 5 season series that will keep you on your toes and wanting more.

Fringe is almost a modern day X-files, although X-files bases its episodes and events on 2 FBI special agents that solve the unexplained and mind-bending cases based in the extraterrestrial. Fringe instead encompasses a primary Fringe Team composed of FBI Special Agent Olivia Dunham, once-institutionalized scientist Dr. Walter Bishop, his jack-of-all-trades son, Peter, and FBI Junior Agent Astrid Farnsworth. The four of them work as a team using fringe science to investigate a series of unexplained and often ghastly occurrences that are related to a parallel universe.

This show primarily focuses on the intertwined lives of Special Agent Dunham, Dr. Walter Bishop, and Peter Bishop. As we watch the relationships of these three characters grow, we discover along with them that their history goes much farther back than they realize. During this time Special Agent Dunham comes to learn that she was subjected to an experimental drug trial as a child, along with a group of several other children. Soon after discovering that she was subject to such experiments, Agent Dunham discovers that the result of this trial implanted special abilities that had become dormant over the years. Dunham's special abilities are eventually activated after a series of stressful, mid-bending events.

Later in the show, the Fringe Team discover that all of their unexplained and ghastly fringe cases are related to a parallel universe. They uncover a silent war that has been ongoing between their universe and the parallel universe, a war that was first ignited when both Olivia and Peter were mere children. As the show progresses we see how the Fringe Team works to put an end to the war between the parallel universes and protect the collapse of the two worlds as they know in.

Fringe is a phenomenal show and I give it a 10 out of 10 in the realm of science fiction and fringe science. You can watch this show on HBO Max and Amazon Prime.

[lesb0]

miss terra what’s ur opinion on taylor swift? i feel like her latest album was a huge disappointment compared to her others, but i also feel like people are only hating so much because they’re eager to see a successful woman fail. i think any artist worth their salt will eventually go through a “flop” phase. but at the same time, i do know she got to this place of privilege in an unethical way, & that the work of nonwhite artists is ignored in favor of hers. would you agree when people say she has a monopoly on the music industry?

Taylor is by no means a good musician/singer at all. it's the extent of her performance, on and off stage, that no one is better at. she's worked harder to build a fanbase which idol worships her and feeds into their obsession with a particular kind of quasi-religious parasocial relationship super consistently. She's never turned against them. Most artists aren't willing to feed into Celebrity Worship Syndrome. Taylor is insane enough to love it. She never gets tired and delves into her privacy, she genuinely loves stans and will keep giving them varieties of stuff forever, which is the actual thing that makes her famous. No singer can poach the swifties, because they aren't obsessed with music, they love Taylor.

Music itself does not matter to a layman, it hasn't in a century. Anti Taylors lie about caring about technical skill and composition and virtuosic singing ability, but they don't listen to Vivaldi or Paganini 🤷🏾‍♀️ It's all parasociality marketing! she could retire to sell lyric tshirts or go into perfume and all her fans will follow. And then people will complain that she destroyed the graphic tee industry.

She's a hilariously out of touch awkward woman with every possible privilege available to women. But that doesn't shield her from misogyny. people blame her for ruining the garbage tiktokified music industry or swiftinomics for causing inflation or her high emissions for causing global warming. Or criticize her as if she's a major capitalist monopoly. Newsflash there are thousands of billionaire capitalist male CEOs doing 50x worse, on purpose, at a mass production scale for profits. if you're going to criticize her byproducts as the epitome of capitalism, then get rid of your iphone and amazon prime, go vegan, and boycott Disney first.

She isn't even doing the bare minimum of what she could to mitigate damages, but neither does the average person throwing stones, while ignoring the men who are much worse. Newsflash, monopolies and the declining "purity" of music isn't what they actually love hating on, though their criticism always manages to curiously land on women... Hmm! 🤔

All that to say I do not care about the modern music industry, or any American music, because I only listen to historically informed baroque music conservatories or 00s visual kei anyway! lol