#might actually do some real designs

[interpolationz]

obsessed with whatever tf this interaction was

[genericpuff]

Have you ever considered the idea of drawing your favorite Hades characters in your own style, or do you think they are wonderful as they are drawn?

... y'all asking me to draw Hades AU stuff? ( •̀ᴗ-)

[kaguya-muneuji]

souma for @ophanem’s diner shuffle!

was thinking of a unit name for them and (with the help of a friend) came up with “Soda☆pop!” and maybe the event name would be like Vibrant Flavors → Colorful Start! or smth like that but anyway here u go :D

[meirimerens]

straight up not respecting some of the alleged p2 characters' ages as they were given on the VA's papers bc you're telling me this is a 27yo man on the left & a 35(!)yo woman on the right? you jest. this woman is in her 20s at most. she doesn't have a wrinkle of age on her face. just worry. i know men age like milk this is taking the piss. i know patho 2 is the "hot blemishless 20something white(-passing) women" game but at this point own it. don't try lying to me. she doesn't look a day past 29. got friends below 25 with more winkles. in the first half of the 20th century too. where would she be getting her anti-aging serums.

you're telling me this woman who's a chronic worrier, dealing with chronic pain, who smokes like a locomotive to cope is allegedly 5 years Older than this guy who's been drinking himself to sleep for like 5 years.

(mike's mic voice) don't piss me off

[icewindandboringhorror]

I was just thinking what a cool job this might be.. what if you were just the person who makes little still images of cute animal figurines doing various activities to post on social media...? like.. show up to work and just spend the whole day like "hmm... this table should be placed to the left a little.. let me set this miniature bagel down in this way... this tiny rabbit should be wearing a scarf", setting the backgrounds, the lighting, etc. ... dream job perhaps lol...

[aeide-thea]

poäng appreciation post 💛

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[kewpidity]

pinterest keeps shoving ai images down my throat so im about to start stealing the character designs out of spite

so to be clear i hope this goes without saying if i see you pushing ai art on here you're getting a hard block

[arolesbianism]

I <3 transmasc Wendy because it adds another thing to the kid who does not know how to handle anything being thrown into everything pile but instead of a thing like dead sister it's the prospect that he kind of likes having short hair and the idea of being a guy and it still makes him feel like the world is ending until suddenly the ppl around him are just like fine with it and everything is like cool actually and he melts over that too until finally he's just a normal baby trans person and can get back to being bad at coping with his other hashtag issues again

[wawawawawawawawawawawawawa]

i might for funsies do some drr redubs for practice heehee (i'm a voice actor but just as a hobby rn) cuz my voice droppes because of the T so i need to practice- i dont JUST use my normal speaking voice (i lowkey NEVER do lmfao) but i totally change my voice, so i need to practice doing that with my larynx as different as it is

[sanstropfremir]

(About the Alice in borderland) So I'm not the only one who thought so! I had read the manga before the season 2 came out and when I saw this arc, I wondered how they would cover the guy up. Everytime I thought that surely, they won't really put him naked, that would be too hard to cover... well imagine my surprise when watching the episode. Btw are you enjoying the new season so far?

uh spoilers i guess since its only been out for like a day but i'm already finished?

i don't like it as much as the first season, tbh. i kinda zoned out in the middle and don't remember what happened, which makes me think there was something up with the pacing. but also maybe i don't think you're supposed to watch an entire season of television in one sitting and while you're making jam, so maybe it was a me issue. what i liked about the first season is that they were able to disguise the fact that it is based on a manga relatively well when adapting the visual design. there are some visual design conventions that are common in manga character design that when adapted to live action just do not make sense logistically, and so it can be really obvious when you're watching something that has been adapted. i don't usually have a problem with that kind of thing, bc it usually happens in places where you would expect there to be whack ass clothing, so the fact that it looks weird isn't going to break immersion (ie like the fma adaptions etc). but i found the second season had way more trouble due to just the absurdity of some of the characters, especially with the return niragi. normally i don't really give a shit about weird costuming, but his post burns look is just. well. i thought he looked like someone airdropped in an anime character in the first season and i think it even more for this season. idk, i don't really think that it's a problem per se, it just took me out of it enough to remind me that it's an adaptation of a different media form and i think i would have preferred them to have been more uniform in adapting the character designs across the board at the expense of one being less 'canon' accurate, as opposed to having one that stands out very strongly despite looking 'accurate'.

[singwhenyoucantspeak]

okay but in an academic setting this is still probably considered self plagiarism and is still against academic integrity policies. of course if you posted the art to your website AFTER submitting it for class that would be fine, but pulling something you previously wrote/created to submit for an assigment instead of doing the assignment fresh for that specific class is actually still considered plagiarism. Obviously it is a clearer issue if you have already submitted it to a different class and are re-using it. but if it is previously published somewhere, like your website, you are going to get into trouble. For the same reason, dont submit a blog post you wrote that kind of works for a class essay prompt. any plagiarism software will find the blog post and flag that and it will still be considered plagiarism. If you really want to engage with something you already made, the most you can do is cite yourself, but in terms of academic integrity policies you are supposed to be creating something completely new for all assignments.

[tkbrokkoli]

just did the Talk abt changing my name in November w my family 😬

[icewindandboringhorror]

Recent game related things .. hrmm...

[mint-is-here]

I kind of created a lmk oc so ill just explain the basics of her premisse? I guess?

So, her name is Lian and she used to have visions of glowing eyes looking at her from the dark when she was younger, had terrifying nightmare that she could barely remember. But besides that, she was a normal child and, as she grew up, the nightmares started to go away and she wouldnt always see eyes and smiles in the corner of her room.

Everything was fine.

That changes though, when Lian decides to leave her home town to live in Metropolis and learns about the strange but somehow familiar man that is running for mayor of the city. She can't explain it, but the man just reminds her of the terrifying things that creeped in her child bedroom. It doesn't help that the old, almost childish nightmares come back clearer than ever and that the dark seems scarier than usual. Now she realizes that her fears as a child might not have been truly irrational and that maybe it might be coming for her.

[non-operator]

okay... let me start off with "I'm sorry" because I lied and I'm bored, gave H*llavu B*ss a go because my feed is full of it and HH now and I have no impulse control and I also can't leave things unfinished. And HB is free on youtube; I can technically pirate hh but I don't want to be in that much effort for that...

And like, I think it's the same as I feel about that one song from HH. It's not that great, though I guess I can see why people like it? But in a "I don't think you people ever moved past deviant art era plot and art". Which, to be nice, isn't bad by itself but objectively speaking, there is better media and stories out there. All in all, I'm giving it a 2.5/10; I think the best way to summarize HB is that it's a show made for people who were already in love with it before watching it, not a show that tries to win over its audience.

Plot

It is episodic, so I will admit that plot isn't that big of a factor in the series. But I will say that it loses sight of its premise pretty fast. Like, it's advertised and set up as a "wacky hijinks in a found family assassination business", but after the first few episodes or so, it stops showing them doing work/killing people and how they go about that, and focuses more on what happens around or outside of work. For example, ep 6 and 7 just doesn't even show them working and skips straight to the aftermath and what they're going to do after work. The Spring Break episode does show them working, but it glosses over it; IMP is more like a plot device than a premise. Ep 2 straight up has them doing other stuff (aka bodyguarding, something that is explicitly said to be not a service IMP offers). Fuck it, even the Harvest Moon Festival ep is not work-related. For a show that is supposedly centered on IMP and the main cast killing humans on behalf of sinners with a grudge, it doesn't actually interact or play with that concept. And I think it basically drops completely out of focus in Season 2.

And like, I can understand if the show wants to make it more about character dynamics than the business, but the pilot (and ep 1 kind of) promises to explore that *through* IMP work. And that leads into the next big problem with HB

Character

I feel like everyone except Blitzo is underdeveloped, especially the women in the show. We get a lot of insight into Blitzo's motivations and emotional baggage and how he copes with that in unhealthy and asshole-y ways. But literally everyone else is kind of thrown under the bus unless it's relevant to Blitzo. The only character that kind of escapes this treatment (but not wholly) is Moxxie.

But Millie is only defined by how she's Moxxie's wife, and basically nothing else. Loona-- does have some more characterization than Millie, but her biggest-- and basically only-- role in the show is being Blitzo's difficult adopted daughter; her character arc about idk getting more in-touch with her feelings and being more expressive is centered around how she feels about Blitzo. And then the side characters: Octavia and Stella. Octavia is also about being a daughter to her father, and that's kind of it! Even though she's struggling with her parents' (incoming) divorce, she's only shown to be interacting/having an emotional connection with Stolas; Stella is never in the picture. Stella is-- just a major bitch, and that's it. That's all she has to her character.

But Octavia and Stella are side characters, so I can accept them having pretty flat personalities, but Millie and Loona? Those two are part of the main fucking cast. How are they being sidelined this hard??

I think a lot of the show revolves around Blitzo, so if the characters don't matter to him or don't bounce off well with him, they kind of get shafted by the writing. Like Millie. She is just generally so easygoing with Blitzo's antics that there's nothing for Blitzo to really react to there, so she's just essentially a background character.

Speaking of, almost all the characters and relationships are kind of built to parallel Blitzo and Stolitz (we'll get to this ship in a minute). Like, Moxxie is supposed to be a nice foil to Blitzo because they're both afraid of rejection, but they deal with that in opposite ways; Moxxie is polite, professional, no backbone because he doesn't want confrontation lest it lead to rejection whereas Blitzo is crass and a dick about everything so he can push people away before they reject/hurt him. And they both want to be loved, but Moxxie has a healthy relationship with Millie whereas Blitzo has no such thing in his life, so another contrast. And also daddy issues.

This is okay on its own. It makes a compelling dynamic between Blitzo as a boss and friend to Moxxie.

But then they do this for almost every character?? Loona (basically) has daddy issues and can't express herself that well because she's under-socialized and Trauma, Octavia is a daddy's girl and is too emo to communicate her feelings, Stolas has daddy issues and also communication issues, Fizzarolli has daddy issues (when he doesn't need to???)

And then there's the fact that it feels like the other relationships we see are supposed to work as parallels/foils to Stolitz as well? Moxxie and Millie and happy and healthy and committed, unlike Stolitz. Fizz and Asmodeus manage to work around that class disparity/power imbalance because they can communicate with each other, unlike Stoliz. They kind of just function as a "this is what Stolitz could be if they got over themselves and talked"

And generational trauma and the desire to be loved can be a major and shared theme, but there should at least be nuance between each representation of it?? These are literally all the same in that it boils down to "I don't know how to ask for proper intimacy".

Ships

There's only one main ship and it's Stolitz, and... I find it compelling?? But it's just not executed well enough. They just rush through the development, so when the show actually reveals that there's mutual attraction, it just feels like it comes out of nowhere and the audience has to do a lot of the legwork to figure out what the fuck happened from point a to point b.

It's also like, it steals a lot of attention from other aspects of the show. I feel like a lot of Season 2 episodes kind of focuses more on that relationship in favor of other characters who need screen time and development (like Millie)

I could give a really long analysis on Stolitz, but I'm just going to say that the problem kind of just boils down to the show doesn't sell that they actually feel genuine affection for each other. I can see them projecting their own emotional baggage onto the other and using each other, but there's no transition from the transactional relationship they have in the beginning to liking each other as people. In fact, I don't think they even know each other outside of sex and work. Which is bad. Because I can buy them fucking up communicating their wants and thus settling for fucking each other for "professional" reasons, but if the show really wants to sell this ship, there has to be something genuine between them that draws them to each other.

Which is to say, Stolitz is a ship for people who already love and want the ship, not for people who are just There. As in, the show seems to make the assumption that the audience wants this ship to happen and that the ship will happen, so they don't really take the time to establish a solid foundation and growth arc for it. It just feels like big emotional or romantic moments without the actual necessary context to make it work. Which is just a problem for the general show.

Pacing

It's bad. It's so bad. I can understand leaving arcs unresolved for a bit so that there's suspense or whatever, but they keep adding more arcs and problems while leaving unfinished plotlines unfinished. Only to then resolve it super quickly. Like ??????? It's all so cramped and rushed-- but then they sometimes slow it down in the worst way possible in that it just kind of ignores previous developments for a one-off episode or something (like S2 Ep 2 where they just ignore the Stolitz drama for wacky adventure in the human world and Stolas and Blitzo are just acting like nothing wrong happened). (And I Know! I know they showed details in the background that explain that this happens because both of them are ignoring the problem, but even so, they shouldn't be acting so casual with each other; it should be made more clear that they're both still uncomfortable but *acting*) (and something that changes the relationship should be shown to the audience clearly? Not just put in as "blink and you'll miss it" text messages??)

And sometimes this rushed pacing leads to info-dumps or telling, not showing. Like with Stolas' focus episode where we learn his backstory. It's not super bad, but it weakens the impact of big plot moments; we just hear Stolas saying he endured his loveless marriage for his daughter, but we. never really see that...? The times he's with her when she's a child doesn't count because Stella's not a picture in that. The one time we kind of see something related to this statement is when Stella's kind of being loud in the kitchen and he checks in on her sleeping peacefully, but like. That's not really and example of him enduring Stella's temper and insults for Octavia's sake. He hasn't even seen Stella at all before he drops by Octavia's room. The next time is when Stella is throwing an imp at him in the kitchen and Stolas is trying to be... nice? reasonable? But at this point, I think it's clear to Octavia that her parents don't love each other. And even then, we never really see him paying attention to her or expressing concern about what Octavia might think or feel during the fight, or trying to reassure her that this is just a normal spat between married couples afterwards as damage control. We can just take his word for it, but it's just not as powerful. I'd say the same goes for when we learn about Moxxie and his father/traumatic childhood. Would've been great to see how he struggles with that specifically or had more clues to that before we see him completely resolve to stand up to his father.

It just feels like the show itself expects the audience to be completely in love with it, so it doesn't really bother to develop its world or characters until Big Emotional Moments and at that point, it just gives the necessary context to pull it off real fast, so everything just feels so... compact and dense and not very natural. It's not trying to sell itself to a new audience, it's catering to an audience that's been supporting them since the pilot.