#middle-grade novel

[itsawritblr]

It really sinking in that a literary agent wants to see my novel.

My OCs:

[newlevant]

Preview of Sam Long’s story, drawn by the amazing Cynthia Yuan Cheng! (@cynthiaycheng, cynthiaycheng.com)

Becoming Who We Are Kickstarter ends Dec 14! Preorder now to help us fund the book!

bit.ly/becomingkickstarter

[cilawarncke]

On Revision with Elisabeth Dahl

Welcome to ‘Between the Lines’ – interviews with teachers, writers and writing teachers on specific aspects of their craft. In this week’s conversation, Elisabeth Dahl (no, no relation) discusses the transformative power of words, with a special focus on teaching revision. Photo courtesy Elisabeth Dahl ‘I worry for people who don’t write’ Author, illustrator, editor, educator: Elisabeth…

[checkoutmybookshelf]

I mean...this combination of depth and toilet humor is literally Shakespearean, so A+ for Eoin Colfer.

[jesncin]

WEIRDO, a middle grade graphic novel memoir about young Tony Weaver Jr.'s journey through his awkward preteen years as he navigates how to be his true nerdy self in an environment unkind to his mental health. I co-created/illustrated this book! It's out in bookstores that sell American graphic novels now.

[duohensheng]

i never expected the plot of tgcf to be so reliant on the concept of a group chat

[teleport-warning]

[otteranha]

The kids all read to Eddie, it’s good for him to hear their voices the doctors say. And Steve wants to, he wants so badly for his usefulness not to be over already. But even with all his old tricks from school, with all the underlining and going line-by-line, he struggles with the language and tiny print in Tolkien, and Herbert might be even worse. Usually he ends up moving the bookmark ahead more than he’s really read just so Dustin won’t look at him like that.

He feels foolish, useless, like a big dumb drag on the group, not doing his part when Eddie needs this, needs to hear people, his people. And when Steve runs out of things to say he can’t even read to him like everyone else can. Hell, even Wayne comes after 12 hour shifts and reads until he can’t stay awake. Steve’s failing Eddie again and it’s making him crazy.

He’s walking past the hospital gift shop when he sees the book. It’s a kiddie book. Obviously, it’s way too childish for Eddie, there’s a mouse on the cover for crying out loud. But the title is printed in that old-timey font, like something Dustin would use to write ~spells~ for their little game and when Steve skims the first chapter it’s easy to read. He brings the book back to Eddie’s room with him. 

Later, Eddie swears that he absolutely heard the first part that Steve read, coma be damned, he just made Steve start from the beginning because he wanted Dustin and the rest of them to hear the whole thing. Later still, when they bring home their first foster kid, Eddie will pull a battered copy of Redwall off the shelf and ask if she wants to hear a bedtime story.

[littleeyesofpallas]

I have always loved Molly Knox Ostertag's work, in particular the really cute, heartwarming tact of the Witch Boy trilogy's trans allegory and the way it feels so well built to walk that fine line of appropriately nuanced but still perfectly digestible for its intended teen audience.

Well The Deep Dark is more of precisely that style of writing and it blows me away just as much now as Witch Boy did the first time I read it. It's exactly the kind of book I wish I'd had as a kid, and the sort of thing that lights a little hopeful flame in the jaded dark corners of my heart. It's the sort of thing that helps me feel optimistic about a generation of kids who will grow up with this kind of story as their formative personal mythos.

I know I don't usually do reviews or recommendation on this blog so I dunno who this is for really, and it certainly won't have any particular reach, but if you find yourself with the chance to, I really can't recommend The Deep Dark enough. And of course everything else Molly Knox Ostertag has had a hand in, even the one's she's not been the sole author on.

[ultrakeencollectionbreadfan]

Considering the success of the Percy Jackson TV series, I do hope this graphic novel series is adapted at some point.

[ruegarding]

hi, quick question, how did you feel about Beryl Grace's character and how she was written?

hi! overall, beryl is another character that falls into the "interesting concept, not elaborated on in canon" category. in pjo, she's not particularly developed bc of her distance to the main character and narrative. in hoo, where she's directly related to a main character, she's flat, zeus is flat, hera is flat, thalia is barely relevant, and jason's entire character suffers from hoo being inconsistent and poorly written, which means anything that, arguably, should be done well doesn't hold up.

in pjo, beryl’s character isn’t very fleshed out, but she’s a side character to a side character, so it's understandable. she's also dead, but when she was introduced the majority of parents we knew abt were alive, so it wasn't too big a deal (this changes drastically w hoo, where there are more dead parents than living ones).

her existence answers a few questions: why doesn't every mortal parents know who their child's godly parent is? bc some of them cannot handle it. why did thalia run away? bc her mother coped w her mental instability by turning to alcoholism. why does thalia want to join the hunters? bc she wants stability. why can't thalia return home? bc her mother's dead. a lazy way out, maybe, but, again, beryl is a side character to a side character. the implied depth of beryl's character, that thalia cared enough to not only check on beryl's well-being after being revived but also feels enough guilt abt leaving that it's used against her soh, does a lot of the heavy lifting.

in hoo, we learn very little abt beryl's character, despite the fact that she is now connected to a main character. in fact, beryl's inclusion in hoo doesn't do much.

is beryl given depth now that she's closer to the narrative? not really. thalia had to raise jason bc beryl was always self-absorbed, so she and jason don't really have a relationship, therefore nothing to explore. and also the implied depth from pjo is removed bc actually thalia stayed bc of jason and doesn't care abt beryl. so, if zeus went back to beryl, had two children w beryl, that would imply that he loves her, right? no. bc why would we take this opportunity to imply that zeus cares abt other ppl and make him a multi-dimensional character. what does it mean that beryl unites two pantheons by having a greek child and a roman child? don't know. rick never explores it. why was jason sold to one direction? bc hera sucks and beryl's self-absorbed. how was jason able to recognize thalia's face despite last seeing her when he was two (or three??)? did hera tell jason abt thalia as he was growing up? was it all part of hera's big plan? don't know. probably. is jason and thalia's relationship an important focus of the series? no. do we explore the ramifications of beryl being a celebrity w children? no. where does jason's idea of what a mother should be ("caring, loving, selflessly protective") come from? not established. probably thalia...? was it necessary that jason's mother was beryl and not literally any other absent parent? no. was jason and hera's relationship explored in hoo, at least? if u settle for "kinda."

i can not overstate how little beryl shows up in hoo.

there's also a separate issue in how her disabilities are handled. like i say often, this is a series abt disability and therefore these things matter. she explicitly has an addiction and is coded w bpd and she and zeus are villainized for both of these things.

compare it w may. may can't give luke what he needs bc of her disability and it's approached w empathy and portrayed as a tragedy. similarly, hermes loves her and helps her how he thinks is best. and despite this, the audience can still empathize w luke's anger bc none of this changes the fact that he did not get what he needed as a child. that's how u write a complex relationship fitting for a main character of a series abt disability.

instead, beryl is written as incredibly shallow and repeatedly described as "unstable." she likes zeus bc he's powerful and he gives her attention. she caught his attention for shallow reasons and she wanted to keep it for shallow reasons. zeus is written like the villain for leaving, bc obviously he's also shallow and only there bc she gives him attention. this entire situation would be a tragedy if it were written w a modicum of care. it was a no-win scenario. he could have stayed forever, he could have made her immortal, and she would still be unstable, be unsatisfied. she put her entire well-being in his hands, and there is no way he can make her happy forever. it's sad! the love could've been there and it wouldn't've fixed anything!

boo sort of tries to add depth to her character and relationship w jason, but, again, it doesn't hold up bc jason doesn't have a relationship w her. for the two (or three??) years he lived w her, she doesn't even raise him. thalia does. jason doesn't see multiple sides of beryl. almost everything he (and the audience) knows abt beryl, he learned from thalia's crash course on why their mother sucked. the only exception is this promise beryl made, that she'd come back for him, except jason's already come to terms w the fact it's a broken promise, that beryl was never coming back for him, before the story begins. rick never establishes any redeeming quality of beryl's, or beryl's influence on jason, so jason's rejection of her doesn't pack any emotional punch bc...what exactly is there to reject? to let go of? why would the audience be attached to her? why would jason be afraid of becoming like her when there's nothing in the narrative to suggest they're similar?

it's not tragic. it's not triumphant. it's lackluster.

[kayleerowena]

THE WITCH'S WINGS & OTHER TERRIFYING TALES, an 'are you afraid of the dark?' graphic novel with three stories based on hispanic urban legends, comes out october 3rd 2023!!!

kick off the halloween season & ✨ preorder it now ✨ if fun, spooky middle-grade horror is your jam!

i'm so excited for people to get to read this book; everyone involved put so much love into it, and i can't wait to hear what people think once it's out in the world. to celebrate how close the release date is, here are a few preview pages from my segment of the book, the tale of the haunting of bus #13!

[gabibookworm]

Here are some books I've enjoyed by Palestinian authors. One small way we can help Palestinians is by reading their stories and sharing them. I included a variety, so whether you want to read heartbreaking stories of living under occupation or you want to get really attached to a Mars rover, one of these books should pique your interest 📚

[tkingfisher]

New book! Coming Friday the 25th! You can pre-order the ebook online starting...well, as soon as it gets approved on the various sites, or get either ebook or hardcopy directly via Argyll Productions!

This is not a horror novel, it’s a middle-grade fantasy, in the same vein as Wizard’s Guide to Defensive Baking, although shorter and I think lighter, so if you just need something fluffy and cozy to unwind with that will not force you to grapple with trauma or cause you to develop any new phobias, I think this one’s safe! Probably!

(...I’m such a lousy judge of these things...)

[theboyatthebustop]

Would you believe me if I said all of these graphic novel adaptations (except for the whatever after one) came out in 2022?

[jesncin]

Indu, the Lunar Boy. Child from the sky.