#metaphors of life

[aesethewitch]

When I was a kid, we moved into a house that had a huge lilac tree out front. It was mostly rotten, and it needed to be taken down before it fell. It took a while, but eventually, it was gone.

Mostly. A couple years later, little lilac babies popped out of the ground in its place. My mom was determined to get rid of them, because she'd planted a beautiful flower garden there, and the lilac trees would overshadow and kill the whole garden. I insisted on saving at least a few saplings. She said fine, but I had to dig them out and put them in pots myself.

So, I did. I spent days digging little lilac bushes out of the ground and putting them into pots. Some couldn't be saved, but some could. When all was said and done, I had five brand-new lilac saplings. Seven or eight years old, and it was my absolute pride and joy.

Three died due to sun scorching, severe drought that no amount of watering could save, and perhaps just being moved from their place in the ground. But two survived, and I was awfully proud of them! I'd go out and talk to them every single day. I watered them by hand and made sure they were fertilized properly. I learned all about their favored environments, and I was determined to make sure they lived.

One of my mom's friends saw what I was doing with the lilacs. She asked if she could have one to put in her backyard, and I agreed on the condition that she take very, very good care of it.

It's now fucking enormous. I'm talking ten feet tall and bursting with beautiful purple flowers every spring. My mom still gets updates each year as they start to bloom, which she forwards to me. And all I can think is, "That's my friend! Thriving some twenty years on, there it is."

The other tree nearly died, too. It lived in a pot for far, far too long. I wanted to plant it somewhere in my parents' yard, but my mom was reluctant. Eventually, we agreed to put it in the far back garden. It grew okay for many years, despite the shade, but in all these years, it's never bloomed.

Last year, the massive tree casting massive shadows over the lilac and the garden cracked in half and fell. It tumbled into the garden, crushing part of the nearby shed and destroying a few plants beneath it.

It missed my lilac by inches.

The clean-up is long done. The rest of the tree has been cut down, and my lilac has full sunlight for the first time in fifteen years. It won't bloom this year, I know. But it's got new shoots up. It's taller than ever. I spent half an hour a few weeks ago praising it for surviving all this time, dreaming about its future and telling it how I believe it'll become the tall beauty it's always been meant to be.

I think next year, I'll see flowers.

[vellhighbandi]

Pens won't work at the last second, you feel the rage running through your veins Remembering the time it worked, gladly gliding through pages and pages of nonsense You question is it the pen or you, did the pen stop working, or did you waste the ink Did you actually stop burning yourself, or did you empty your cartridge completely too Scratching skeletons of words, that could be but might never actually be A thorough thought wasted on a pen overrun, light of world, the train might never see

-Sharma

[astrowarr]

on grian's "that's how little that board meant; i was in good favor" line:

i don't think grian forgot about his 0 and frowny face, i think it just didn't matter to him. think about it: he's been sleeping in scar's bed. he spends so much time in the bamboozler's base that it takes a solid 30 seconds after he respawns there for any of them to register his presence as Wrong. he and scar have been taking jabs back and forth, yeah, and he knew about his score on the reputation board, but...

grian also knows that scar's actions will always speak much louder than his silver words. he knows scar, knows how he operates. not just that, but he knows first-hand how baseless and inconsequential every line on that board on monopoly mountain was in the end. scar's words have never meant anything, and grian knows that. you can't trust a thing he says, but his hands and his eyes don't lie; at least not to grian. that's what he was thinking about: the desert and the love it held

[lowouu]

When the world needed him the most, he returned ……. with desert duo art

Every summer, I always seem to come back to them.

[stil-lindigo]

motherhood.

[applestruda]

And all these words are sweet and meaningless You can't trust a single thing I say

[poorly-drawn-mdzs]

Sublime Equine.

[First] Prev <–-> Next

[365filmsbyauroranocte]

I Saw the TV Glow (Jane Schoenbrun, 2024)

[inkskinned]

something bad happened to you, and you died, and you came back wrong.

not wrong all the way. the little ways. you forget important dates, stopped going out with friends. it's harder to make you smile. you're apathetic towards things you used to love, afraid of places you used to go to cheer up. quieter. flinching. different.

you came back for love. you're still here for love. what pulled you back was a brightness so loud that even death couldn't outshout it. death heard the call and smiled at you and said okay. go home. somebody is waiting for you.

but you came back different. like lot's wife; you've turned into salt. you used to chirp through life in hops and skips; but now you lose skin just standing up. you have to move slower, skimming across this world without-touching-it. most things feel dull - until they're suddenly all-too-much. life, and being alive just rushes up and over you and you get hopelessly crushed.

you try to explain it to them: it is ugly, but this is what you are, now. the huge golden hoop of your halo now a little bronze ring. you are still watering your plants and wearing the same clothes. after all, you worked hard to come home. this life; so odd and off-color, now that you are wrong.

but they waited for you - it's just that they wanted the "you" that happened before this. the "you" that could sing in the show and hug people tight and look at a blade without breaking down to cry. the you with a smile in pictures. god, holyshit, it's like looking at a completely different person, isn't it. that other-you; the one they actually wanted.

you are the consolation prize. you are the body that forgot the ghost. you are the memory of the bad thing, and the death after; like you are wearing that memory as a banner. you are a fragment, an assembly. simulacrum. you don't make eye contact in mirrors, afraid the light will glance off and your true nature will flash back at you.

you hear them talk about it in their hushed, desperate whispers. sometimes they even admit it to your face; harsh and violent, acid thrown at christmas dinner. god, can you just fucking be normal again. you do not remember what normal is. you had to climb so far to get back here; you are far too exhausted. you want to open the glass door of your heart and show all the gears. can you help resolve whatever got messed up?

you try so, so hard. you came back for them. because you believed they would love you, even when you were so horribly broken. because you believed they would be patient. because you believed unconditional meant "without exception." you cannot do things the same way. you just get tired too quickly these days.

you want to put them on a couch and pour them the tea with hands that shake more than they remember. you want to line them up and draw them a map of where you have had to wander. you want to show every bruise in a backsplash; the little helpless ant of your soul carrying all that weight, over and over. you want to say: yes! it is different! but i did it for love!

you want to say: "i'm not the same, but i'm yours and i'm here. can that be enough?"

[sublimerences]

Baton Pass!

[starrblossom12]

Sometimes history repeats itself but backwards; in which the be-header proceeds to run away making monkey noises and the life dynamic is reversed.

[cubbyyyy]

You know what makes me sit in silence everytime i think about it?

The fact that Andrew was attracted to every version of Neil.

He thought he was hot when he still had his brown eyes/brown hair

He thought he was hot when he had blue eyes/brown hair

He thought he was hot when he had blue eyes/auburn hair and the number 4 tattooed under his eye. ”you are a pipe dream“ , he said, looking at Neils bruised and most honest self.

Then Baltimore. Neil got tortured. Got bruised all over his skin, scars that’ll never be forgotten and what does Andrew do? He asks yes or no and kisses his hip.

It sure af wasn’t love at first sight but the fact that his initial attraction never faded gives you a hint about what Neil is for Andrew.

(Not to mention how the versions of Neil changed the more Andrew learned about Neil as well. First he was Neil. Then he was Abram. Then he was Nathaniel. Until he finally became Neil Abram Josten.

All the lies. All the truths. It all came together and Andrew was there during all of it).

and if I start talking about Neil falling for Andrew the more he learned about him and the role he took over-

(Neil is there to protect the one who protects them all)

[pirateshelly]

As much as nearly every character she meets tends to act like there's something uniquely broken and wrong with Claudia, at no point does it truly seem to me like there actually really is? I mean, obviously she is extremely fucked up, she straight up went through a serial killer collecting trophies phase, but there's a level of fucked up that's sort of the baseline for every character in the show, and obviously being turned into a vampire as a child puts her at a unique disadvantage. But for all that everyone around her spends their time bemoaning how dreadful and doomed her life is, even Louis who genuinely loves her but also builds so much of his identity around feeling responsible for her Terrible Fate™, I really don't think she's like, fundamentally damaged any more than any of the other vampires are.

But Lestat is so unwilling to be wrong that every time her life hits an inevitable road bump instead of helping her through it he points and says "look! see! she IS a monster, I was right Louis, making her was a mistake!" (and I think he sees his own monstrousness in her but fails to also see her humanity)

And then Armand meets her and sees only someone who will inevitably lose her mind, so of course speeding up the "inevitable" and siding with the coven to plan her death is just a mercy, absolving himself of any blame. (and he projects his own frailty and desire for death onto her, failing to see her strength and her desire for life)

Which makes it so cathartic when she meets Madeleine, admits to her how broken she feels sometimes, and Madeleine's response is just. Well that's normal. Who isn't a little broken these days. Let yourself feel it, move on, let yourself feel it again if you need to. After spending her life having others act as if her emotions are something uniquely dark and worrying, Madeleine's incredibly blase attitude must have been such an incredible breath of fresh air for Claudia!

To spend her whole life being made to feel like something is Wrong™ with her, and then meet someone who's just like, "yeah, and?? Who isn't? Join the club I guess"

Which makes her death so incredibly tragic and frustrating because like. She was fine! She was making a life for herself! She wasn't doomed by her nature, she wasn't "doomed by the narrative" (whatever the fuck that even means), she was doomed for no reason other than that everyone around her (except for Madeleine) preemptively DECIDED she was doomed and never gave her a chance to prove them wrong.

[shokal]

irene skin sketches yay

[numblittlecrow]

So uhhh i bound a book if anyone cares:)

And then i drew minecraft men in it

[adhd-merlin]

I enjoy the "sending my gay son to homophobia kingdom" jokes as much as the next person but, to be fair to hunith, I think people forget how unsafe ealdor was implied to be for merlin.

right in the first episode, in her letter, hunith tells gaius that she's afraid of what people in ealdor might do to merlin if he was found out (he is so clearly at odds with people here that, if he were to remain, I fear what would become of him). so afraid, in fact, that she packed merlin off to gaius as soon as she found out that will knew about his magic. it sounds like the two of them didn't even get the chance to say goodbye, so it must've happened very quickly:

[transcript from episode 1x10]

given hunith's fear, there's no reason to believe that people in ealdor were much more tolerant towards magic than people in camelot.

then, in episode 5x03, we see an instance of villagers taking matters into their own hands and attempting to burn an old woman on the pyre for being a witch. while this happened in camelot, it didn't have much to do with the king's laws – on the contrary, the villagers even tried to do it in defiance of arthur's direct orders.

I can imagine this happening in other villages — and ealdor is, as hunith wrote in her letter, a small one. Would it be easier to hide there, or in a city where hundreds live and nobody knows you? better yet, under the protection and tutelage of somebody who could teach you how to control your random outbursts of magic? she had no way of knowing merlin would end up spending most of his time under the prince's nose.

then, of course, there's the fact that merlin was not happy in ealdor. although in episode 1x10 he tells will that he didn't want to leave and that his mother made him, he also tells arthur in an earlier scene that he left because he did not fit in anymore and "wanted to find somewhere that [he] did". (was he lying to will when he said he wanted to stay, to soften the blow of him leaving? perhaps; though it's likely that he actually felt torn about it).

as merlin painfully admits to gaius later, the years before he moved to camelot were the loneliest of his life. and hunith would certainly have noticed her son's deep unhappiness.

so, to get to my point — hunith's choice wasn't as crazy as it sounds. sometimes the only option you're left with is sending your gay son to homophobia kingdom and hope that things turn out all right for him.