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lijojo · 1 year ago

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genshin sugar daddies: leaving hickeys on you

premise: you have seven sugar daddies: one for each day of the week. it’s a bit overwhelming, but you try you’re best to keep each relationship relatively independent from the other. that means no hickeys. except, well, each one of them wants to make you theirs exclusively and they’re not above marking you secretly to send a message to tomorrow’s person. (yandere! possessive! genshin reverse harem x reader) (modern au!)

*if you want more yandere genshin sugar daddy content the introduction is here but this can be a standalone read!

tags: nsfw, dark content, afab reader, fingering, dirty-talk, unprotected sex, dub-con, smut smut smut smut smut

diluc is no stranger to jealousy. you can sense it in the way his eyes constantly beckon for yours. the way he grips tightly onto your waist. he never asks anything more than your gaze on monday evenings. they have to be on him. always. not for a second more are you allowed to look at anything else but him. he’s greedy, always pulling you to look at him once more. naturally, his gaze is always on you.

you feel it drag up and down your back. crawl into the little dip in your neckline to see what’s underneath your clothes.

so the one time, the one time, kaeya’s crafty attempts to leave hickeys on your folds and inner thighs in the midst of eating you out, diluc catches it.

he sees it the moment he peels off your panties. what should’ve been a slow sequence of him sinking his tongue into your pussy is immediately halted at the sight of a very small but noticeable bruise in the juncture between your thighs and your labia minora.

kaeya’s warning.

the change in his demeanor is undeniable. his heavy gaze flits over to your face. intentful. unaware of the hickey, you’re understandably confused.

if diluc’s seen something, he doesn’t tell you. instead, he internalizes the sight. it’s a warning and a challenge.

mine.

he’s quick to grab onto your wrists and pin them above your head. before you can brace yourself, he’s slipped a finger inside you. you gasp at the sudden intrusion, but welcome him as he curls his finger towards him, gently brushing against that spongy spot that leaves you breathless.

he chuckles lightly as you roll your eyes back. his thumb presses on your clit, nudging it side to side. “you’re soaking wet,” he mutters, sliding another two fingers inside you. “all for me?”

your hold on the sheets tightens.

he leans closer to your ear. “i can’t wait to smear the remnants of your orgasm on my cock. make it slick enough to slip inside you. make you feel good. we want my darling to feel really good, right?”

you hiss when he starts thrusting his fingers into you at rapid speed. desperate. eager to make you spill your affection onto his hands.

“that wasn’t a rhetorical question, sweetheart.”

you can’t help the moan that leaves you as you approach your climax. “y-yes! yes—ah—diluc!”

his grin looks so unlike him. his thumb starts to draw circles on your clit, going quicker and quicker the more you squirm and moan.

“cum on me. do it for me, princess. cum all over my hand. give me all your everything.”

you can barely understand the undertone in his words. instead, you reach your high. your orgasm pours out of you, onto his beckoning fingers. and instead of letting you go, he continues mercilessly until your left whining for him to stop.

and he does. eventually. he slowly pulls his digits out of your crying cunt. he collects the droplets that trickle out of your lower lips and let’s it drip onto his twitching dick. he runs his hands along his shaft, letting out a shaky groan.

“look how pretty you’ve made me. this is all you, darling.”

he fucks you like it’s he’ll die if he doesn’t. blinded by the mixture of pain and pleasure, you close your eyes and submit to the feeling of overwhelming bliss.

you’re so overwhelmed, that you don’t register how he’s kissing your neck like a man on a mission.

დ

the two of you are in the middle of a normal tuesday brunch when childe sees it. when you turn to accept the menu from the waiter, he can see the slightest marks that you couldn’t hide, even with the most expensive foundation.

you curse internally when you see his eyes narrow in on you. you should’ve known better than to ever believe that diluc would ever follow one of your only rules: no hickeys.

and now childe, notoriously competitive, will feel compelled to have his fill.

you should’ve worn a scarf.

you thought that the position of the hickey, and the slight fadedness your foundation was barely able to provide would’ve been enough. you were wrong.

like a built-in reflex, you smile. “what’s the matter? is there something wrong?”

he gives you a smile, an all-knowing smile as he takes the menu from you. “nothing is wrong at all, girlie. i’m just admiring that new necklace i bought you.”

you’re good at pretending nothing’s wrong, so you fiddle the crystals with your hand. “i love the way it shimmers,” you add, “i love how sparkly you’ve made me.”

if you’ve done anything to settle his displeasure, he doesn’t show it. instead, he averts his eyes to the menu. you know better than to believe that nothing bad will come out tonight.

for the rest of the night, he engages in small talk with you. about the weather. a new store that’s just opened up. some story about some poor guy who borrowed more money than he could ever give back. the thought makes you tighten your grip on your fork.

when you get back to his penthouse, he’s quick to strip you of your luxurious gown and all of it’s accompanied gold accents. when you reach to take off the necklace that decorates your neck, he stops you.

“keep it on,” he whispers, his hand crawling up your thigh to grip your ass. “wanna fuck you looking so pretty in my jewelry. wanna make you shine with sweat as pretty as those gems.”

“oh really?” you retort, sliding your hand between the two of your bodies and cupping his sex. he groans as you run your fingertips down his groin. “wanna make me shine with your cum?”

“yes,” he gasps. in the heat of the moment, his eyes catches the faint outline of diluc’s mark just below your jaw. overtaken by some primal instinct, he presses your waist against him. “you’re letting all those side-fucks give you hickeys?”

his words almost make you want to freeze. but you’re quick to resume back to normal, to pretend that those words don’t phase you. that you don’t hear the implications in the undertones of his voice.

it’s worse if you tell him it was unintentional.

“it’s a new development.” you tug at his hair as he digs his face into the crook of your neck. “you get only one.”

you need to have the upper hand. in a sea of seven men who are constantly demanding things from you, you have to take what you’re dealt with and do something before they overtake you.

he grins. “you’re such a tease. which motherfucker left this on you?”

you know better than to tell him. everyone knows that there’s seven who you’re regularly seeing. but they don’t know the names—not the order. you know better than to give names. these men are as powerful as they are rich, you wouldn’t do anything that’d upset the city’s dynamics.

so you avoid the question, like you’ve always done.

“i can think of better ways you can use that mouth, other than asking silly questions.”

his brow twitches, but he doesn’t do anything else to push you. instead, he smiles into your neck. “only one?”

“only one,” you confirm.

he doesn’t hesitate to take off your necklace. his hands dive to the back of your neck to unclip it and toss it to the side. you let out a yelp in surprise when it clangs onto the coffee table.

“i’ll buy you a better one,” he says in-between open-mouthed kisses on your jawline. “fuck, i’ll buy you a thousand more.”

he sinks down to your collarbone. “’been dreaming of this. my girl, my pretty, pretty girl, wearing reminders of me.”

♡

the two of you are in the comfort of kazuha’s home. wednesdays are reserved for writing, and like always, you’re pinned under his watchful gaze while he writes his thoughts away in his notebook.

with every few scrawls, he peeks over the paper to steal glances at you. you hum, pretending to be blissfully aware. you’re just here as his muse.

as of this moment, you snuggle into your comfortable place in the back of his study, leaning against the window that expands to his backyard that oversees the sunrise and sunset. your own notebook rests on your thighs, your knees pressed close enough to your chest to allow you to write smoothly. kazuha sits across from you, his feet sometimes brushing against yours. if you laid your legs out straight, no doubt that the balls of your feet would meet his waist.

he keeps stealing glances at you. has been for the past hour. no matter how much you try to focus on your own poems, you can’t brush away the feeling of being watched.

his eyes are impeccable, and can spot the marks that occasionally peak underneath your scarf when you move a certain away.

“you let them mark you?” he asks out of the blue. not accusatorily, per se, but you can detect the edge in his voice.

the corners of your lips perk unnaturally. the moment you’d been dreading since you woke up had arrived. you let your eyes soften, as if it could soothe kazuha by any means. with a gentle hand, you reach out to softly grasp his hand that tightens around the edge of his notebook. it’s something he accepts readily, enveloping your hand with his.

“i was meaning to talk to you about this, kazu,” you say tenderly. “it’s just something i’m trying out. everyone gets one. see if everyone’s okay with it.”

kazuha doesn’t say anything. his gaze is fixated on your intertwined hands. “my love, they mark your skin like animals.”

you smile like it’s no trouble. because that’s what you need him to believe. you feel like kazuha’s a loose thread. tug him in the wrong direction, the wrong idea, and he’ll undo the entire sweater.

“it’s only going to be seven,” you reply, trying to lessen the tension.

“it’s better if there’s just one,” he retorts gingerly. “they aren’t gentle at all, are they?”

you don’t like the way his eyes sweep over your entire figure. you hold back a shudder, feeling as if a ghost had just passed through you.

“they are,” you mumble, although you can hardly say it’s true. “don’t you worry kazu, i can handle myself.”

your line of sight flits back to your intertwined hands; he lets go, instead running the pads of his fingers down the back of your hands before settling on your wrist. his hold is firm. it’s not tight enough to cause you pain, but not gentle enough to let you pull away.

“i’m sure you do, love,” he mutters. but the way he says it makes it seem as if he doesn’t believe you.

his eyes connect with yours intently.

the rustle of your clothes shuffling echoes through the quiet study as he pulls your wrist towards his mouth. in doing so, you’re forced to lean forward. his eyes never leave you, not when he presses a soft kiss to the inside of your wrist.

“they just want you for your body,” he says, more to himself than you. “they don’t love you at all. everything would be so much better if you just dropped them. let me take care of it. take care of it all.”

you don’t say anything back. he doesn’t want you to. and even if you did, it wouldn’t be something he’d want to hear. you have bills to pay. you have enemies a wealthy poet wouldn’t be able to defend you from on his own.

his tongue slides out of his mouth to lick a long strip up your wrist, all while looking at you. he presses open-mouthed kisses in the same spot, sucking and nibbling with purpose. in-between kisses, his tongue draws letters on the expanse of your skin in a sentence you’ve begun to fear.

A L L M I N E

დ

when spring comes, tighnari will sometimes give you hickeys. he’ll do it in the heat of the moment in a passionate rut. he can’t think of anything else but you. how perfect you are for him. how beautiful. how you belong to him.

while he drives his cock into you the only way he knows how, his lips will find their place in the crook of your neck. on the curve of your breasts. on the plush of your thighs. he’ll kiss you like you’re his air.

he’ll whimper into your skin. in that moment, you’re powerless to stop him. his pace is godspeed, pummeling into you like you’re his lifeline. driven to leave his white reminders of his love and devotion into your aching pussy. you can barely hold yourself up steadily. your fingers tremble. overcome with an insurmountable high, you can’t push him away as he leaves hickeys all over your body.

it’s not to send a message to everyone, per se, but to express the feelings he’d been keeping pent up during autumn, winter, and summer. the overwhelming infatuation and adoration he feels for you.

his pension for leaving nonstop hickeys on you starts to settle on the fourth day. and by the end of the week-long rut, they’ve faded just enough that you can cover it up with foundation and expensive jewelry.

but when he’s not blinded by his sexual desperation during the spring, it’s a different story.

it’s a perfectly fine thursday mid-afternoon in the comfort of tighnari’s study when he sees it.

he catches a glimpse of kazuha’s kiss on your wrist when you pass a cup of tea to him. your sleeves ride up just a bit under the beaming sun. you notice too, and are quick to pull back. but it’s too late. the moment he’s set down the cup he’s grabbing onto your wrist and pulling back the sleeve. “what’s this?”

you’re tempted to let out a breath of relief that he didn’t notice the hickey that barely rested on the edge of your collar. when you donned on the turtleneck sweater, you feared that he’d notice it if it slipped down and grow even more livid.

just play it off. pretend. if you’re lucky, by the end of this week, you’ll end up with only six hickeys.

“oh, i must’ve bumped into something.”

tighnari scowls. “this doesn’t seem like an ordinary bruise. how’d you get it?”

you’re scrambling for a believable response. “i was leaning back onto the counter and didn’t realize the corner was there.”

he chuckles. “clumsy you.” his forefinger inches up the slightest bit to press on it.

you wince. subsequently, your entire body tenses. this isn’t like those times where you can lie sweetly to him whenever he asks for you to stay for good. this isn’t like one of those times you can charm your way out of a situation. the way he looks at you is knowing. feral.

“i wasn’t born yesterday, love,” he hisses. “i know a hickey when i see one, especially when i leave them on you every spring.”

the way he kisses you after is rougher than usual. desperate. needy. aggressive. he presses into you, his tail wagging tentatively. he brings your arms to wrap around his neck. his tongue caresses your own, exploring your mouth like it’s a new discovery. a new treasure trove.

he whimpers into the kiss, his little squeaks and moans muffled by his need to devour you.

you close your eyes and let yourself get swept up with the pacing. to get distracted by him. you hardly register the time pass before the two of you are naked, your clothes strewn across the floor in his bedroom.

your back is pressed against his chest, your ass hugging his dick while he slides his hand down the valley between your breasts, stopping to pinch your nipple until it hardens. his other hand is left to its own devices, settling on your waist.

his fingers find themselves in the comfort of your pussy. he whimpers at how amazing you feel around his fingertips. how every time he pulls in and out, there’s squelching noises that almost overtake his little whines and yelps. every time he pushes his fingers back in, your ass presses a little closer to his dick.

he moans like you’re the one pleasuring him. like he’s on the cusp of euphoria, only silencing himself to press open-mouthed kisses on your shoulder.

“it’s m-my turn,” he says in-between whines. “m-my pretty l-little pet.”

დ

when alhaitham gets home after a long week of working, all he wants to do is relax in warmth of your embrace. friday is his reward.

he eats dinner as always, asking you questions in-between bites while delivering long stares that still make you feel like you’re being researched. but this week, instead of insisting you two spend quality time together reading on the couch, he coaxes you into the bedroom.

he groans into the kiss, pressing you to the wall as he helps you out of your clothes. but when he opens his eyes to admire your body, he doesn’t like what he sees.

he lets out an unamused chuckle. his hand brushes over your shoulder. “what’s this?”

you try to speak, but he cuts you off with another kiss. when you gasp in surprise, his tongue dives into your mouth.

he leaves you breathless; his pace is rough, almost angry.

“what a bad girl you are,” he seethes, “letting all those bastards touch you like that? bruise your pretty, pretty skin?”

he doesn’t let you talk. he envelops your opportunity to reply with his relentless kisses. he presses harder into your mouth, your teeth almost gnashing together. it’s almost painful, as if he wished to bind you two together.

“every friday is my solace, my holiday, didn’t you know?”

you gasp for air. “i-”

“i’m not done yet.” he brings his lips to yours for another hungry kiss. “every week i work so hard so i can see you, cherish you, and this is how you repay me? i thought you were my good girl.”

he chuckles darkly. “but you’re just a bad apple, aren’t you? i’ll have to fix that.”

he continues to kiss you. to ravish you with his mouth. he swallows your moans, his hands eagerly exploring your body like it’s his first time. and like always, his hands find their place on your chest.

“i’ve always loved your breasts: the way they curve, the way they sway so sweetly every time you arch your back for me, how your nipples perk up with every caress of mine.” he flicks one and you yelp.

“those imbeciles really have no intelligence at all.” he licks a long stripe in-between the valley of your breasts. “your body is a canvas.”

his eyes connect with yours, beckoning your gaze. a silent connection, a guarantee that you’re looking at him. at what he’s doing. at what he’s making you feel.

he stares at you attentively, and once again you feel like you’re being studied. every gasp that comes from your lips. every twitch of your brows. every time your eyelids flutter is under his watchful gaze like it’s the only thing his sight is for. like he’s a scientist researching the cure to his very own hunger.

his lips find purchase just on the edge of your areola, sucking intently. “to mark you is a form of art.”

he relishes in the way you shudder. but he needs more.

with one hand on your waist, his other comes up to fondle your other breast, craving for more reaction.

“only idiots wouldn’t be able to realize it.”

დ

unlike all of the other saturdays, where you’re probably swept up in the grand scheme of things (attending formal events, meeting politicians, or shopping like ayato’s wallet depended on it), you’re lounging in ayato’s home office on a calm evening.

the two of you decided to end things a bit earlier today and relax a bit. and by that, you suggested to spend some quality time alone so that you didn’t need to walk anymore. although you prided yourself on stamina and tolerance to soreness, even you couldn’t keep up after just about a week of aggressive men fucking their jealousy into you.

“it was hot today,” ayato mutters lazily as he gently runs his fingers through your hair. your head rests on the plush of his thigh, just as he likes it. “are you sure that you’re comfortable in that turtleneck, love?”

you curl into yourself a little bit more, tugging the collar up. “yes, i’m perfectly fine.”

you’re not fine. you’ve been sweating up a storm underneath your sweater but you were adamant on ending this week with six hickeys instead of seven. your stubbornness refused you the pleasure of ice-cold showers to wash away how your clothes burned you.

he pouts. “are you sure? you look awfully uncomfortable, dear. you can take a shower in my bathroom, if you’d like.” he smiles. “i won’t look, promise.”

you turn to look at him, contemplating. on one hand, you don’t believe anything good will come out of undressing in ayato’s house. you don’t believe his promise, either. if you knew him any better, he’d walk into the shower on the grounds of saving water, where he’d see all the hickeys imbued into your skin. while diluc, childe, and kazuha’s marks were getting a little faded, you doubt you could somehow explain alhaitham and tighnari’s hickeys.

but on the other hand, you’d been in this sweater for a whole day already. and your skin was started to get irritated. you felt gross with all of the sweat you’d accumulated. maybe five minutes wouldn’t hurt.

you smile like there’s nothing to worry about. like you’re an adoring lover. like you’re whoever ayato wants you to be. you reach out to cup his cheek, to which he warmly receives.

“okay. i’ll be back soon.”

he chuckles as you get up from his lap to head to the shower. you had to be quick.

you all but run to the bathroom once you’re out of sight. you head to ayato’s bedroom where some of your clothes are. dresses, lingerie, t-shirts, jeans, shorts, and all other items of clothing he’s ever bought you hang neatly in his closet. you pluck whatever seems practical and make a break for the shower.

you slip off the diamond ring he’d given you months ago. you all but slam it onto the counter, relieved your ring finger can breathe for once.

the quicker you take, the more likely you can shower without incident.

but the moment you’ve stepped out of the shower, towel wrapped secure around your torso, to your horror, the door opens.

“hey, love, i was wondering—”

just before you can close the door shut on him, his eyes connect to the discoloring on your shoulder.

regardless of his discovery, you move to usher him out. but mid-way, your feet are halted in the middle of the bathroom floor. the words are crawling in your mouth. you want to tell him that you’d like to shower in peace, tell it to him teasingly, but you don’t think you can.

that’s not what he wants. that’s not what pays the bills.

you offer a tight-lipped smile. “like what you see?”

he paces towards you, caressing your shoulder. he leans closer to you, examining the color, the shape, the size. “hm, so that’s how they want to play this game,” he whispers, ignoring your question entirely.

his hands gently tug at your towel. he smiles. “won’t you open up for me, love?”

he guides your hands as you drop the towel, revealing alhaitham’s mark.

“hm.” he looks at you as if he’s silently critiquing an art piece. “i see what’s going on here.”

he takes the ring that you left behind on the counter and works to slide it slowly onto your finger again. “you almost forgot to wear the symbol of our love, dear.”

“oh, it must’ve slipped my mind.” it’s like there’s cotton in your mouth. your throat feels dry.

he chuckles at that. “poor thing. my poor lover can be so forgetful.”

his eyes drift down to your chest.

he presses a kiss above your breasts, where your heart is.

“she almost forgets that she’s mine.”

დ

even if he’s your designated sunday, if you aren’t careful enough, kaeya will create a week full of trouble for you.

when he eats you out, he becomes pussy-drunk. he kisses your lower lips like it’s his prize. his reward for working so hard this week. his tongue runs up your pussy to your clit in a slow, deliberate stroke.

when he reaches your clit, he lets his mouth mold over your nub. he licks at it gently, cherishing it like it’s his only rose on a lonely valentine’s day.

he makes love to you like he’s reached his happily ever after. his lewd slurping overshadows the shuffling of the sheets, your moans. when he dips his tongue into your cunt, he whimpers.

his fingers dig into your thighs, holding you in place. even when you’re overstimulated, begging for a break, he won’t let you go. he savors the way you tremble so cutely under his touch. how your cum leaks out of you in small streams after your fifth release. he’s immersed in your cunt, yearns to make out with your lower lips while his nose nudges at your clit.

it’s too much. the feeling of your climax is so overwhelming.

he wants you to feel this euphoria, to remind you of how he feels every time he looks at you.

he wants you so much. so fucking much it hurts him when he can’t see you. when he can’t hold you. when he can’t be with you like a real lover. he needs you like he needs air. he needs to feel you wrapped around him to give him life. to give him purpose.

that’s why when you’re so swept up in the feeling of a constant climax, when your legs feel numb, he gets so carried away.

if you don’t catch him in time, kaeya will leave secretive hickeys along your inner thigh, dangerously close to your folds. he needs the others to know he’s staking his claim.

to know he’s making you feel so good that there’s definitive proof.

at the end of the week, when you see him again after seven days of trying to calm down the jealous storm among your seven sugar daddies, he’ll grin.

it’s that same devious smirk he gives you at candlelight dinners, except it isn’t one to mask his vulnerabilities with charisma and one-liners. it’s one to tell you that he knows exactly what he’s done.

he knows what he wants, and he’s finally had enough of the fucking waiting.

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thepersonperson · 5 months ago

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Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

#cactus yaps #I need to have my weeaboo license revoked.#How on earth did I miss this?#GEGE WHAT DID YOU MEAN BY THIS.#Hi yes I will dress as a traditional groom on Dec 24th the most romantic day in Japan after someone else called the arrangement a date.#Is this even subtext at this point?#Why can’t these men use their got danged words instead of Umineko levels of psychological warfare.#Sukuna: ''Gojo is clearly driven by lust. How do I have s*x with him without actually having s*x?#Fighting and death are basically the same thing as s*x so I’ll do that and hopefully he sees that I love him.''#Gojo to Geto: ''Sukuna gave me the best *rgasm I've had in years. I think he hates me.''#Geto: ''Huh.''#Absolutely fascinated by girlfailures Sukuna and Geto horribly fumbling Gojo in completely different ways.#I want them to fight over him in the most passive aggressive way possible.#Gojo was meant to be a romcom harem protagonist.#Though Sukuna should be way more ok with poly given Heian rules on relationships.#But you know Geto was also ok that someone else was able to make Gojo feel good.#I like that prioritization of his pleasure. Even if it came a little too late.#Much to think about.#Consider this my Sukugo manifesto part 2.#Update 8/14/24: One of these days I'm just going to have to make a new post.#Update Cont: Sukuna calling Gojo his mid unenlightened husband wife spouse all at once using two kanji is truly insane.#Update 8/19/2024: All according to Keikatsu.#sukugo #ryomen sukuna #gojo satoru #jjk spoilers #jujutsu kaisen #lemons

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