#mel meta

[moonsdancer]

mel medarda, the goddess that you are

(the sheer awesomeness of her design and characterisation never ceases to amaze me, there's just so much to explore and excavate with her 😍)

“Mel turned out to be among Arcane’s most complex creations, one who keeps revealing different layers and ends up in a very different place than the one where she started.”

source 1, 2

[isagaiia]

you are the wolf

[melmedardaapologist]

with arcane’s focus on visual elements, something that’s been nagging on me lately is mel medarda’s final design and why it compounds the tragedy of her story:

firstly, when we see mel in her flashback, she’s already wearing her significant white/gold, but tempered with blue—noticeably missing her mother’s greys and reds, even then, showing her idealogical differences

then in piltover, we see mel as her own self-actualization—all white and gold and black, colors connected to power, and with an elegant cut that still places her slightly apart from piltover fashion. it shows her place as a non-combatant (long skirt) and someone privileged (the pure white) and wealthy (the gold. so much gold.). this is mel medarda at the pinnacle she’s worked so hard to achieve—it’s elegant because she is elegant

which of course becomes subverted when we do see the gold accessories taken away and the white dirtied when she’s kidnapped by the black rose—this is the first and only time we see mel in actual disarray, and it shows how vulnerable she is when she’s outside the political sphere

and after her transformation, we have this costume change, where aside from the increased gold (now representing magical ability instead of just wealth), we have mel in a a skin-tight catsuit style getup, allowing for greater movement, and her hair done in micro-braids in a style that won’t affect her center of gravity. at first, when i was watching, i was confused (especially about the hair), but then i realized—

this isn’t mel dressing herself to reflect a change, this is leblanc’s vision of mel, where power is swiftness and she is markedly different than others in a way that is now impossible to ignore

and she tries to return to her previous sense of self with the white hood, going back to a trademark of her style, but notably this is an outfit worn to conceal, not reveal and show off like her previous iconic dress, and her change is visibly with even just the hood off

and when mel accepts black rose’s help and betrays them and her mother dies, the white hood disappears—try as she might, she cannot go back to who she was, and she stands before noxians as a mage and mother-killer and a wolf, something dangerous

and then, when we see mel leaving piltover, she’s wearing nothing of her original self, but a combination of black rose’s getup and her mother’s colors. there is almost nothing of “mel” in this outfit, as if she’s been subsumed by these two identities—noxian and mage

even her makeup has shifted, with the red line under her eyes and the gold in her lower lip directly copying her mother

this isn’t a mel who’s realized herself in a new identity. this is a mel who, when faced with the enormous loss of her brother, mother, lover and former identity, has fallen into the definitions and roles that were presented to her, and who is now primed to continue the cycles started by her predecessors

and moving on from arcane, i think it would be fascinating to see mel in one of the newer shows to see how she grapples with this and if she either falls back into tradition and dooms herself, or if she’s able to break free and reforge her identity on her own terms

[hexhomos]

The jayce mel breakup scene was a long time coming and jayce was right (IMO)

What if i told you this entire conversation was not just about their situation but something else. What if told you this is all double-speak criticizing mel's type of self-lucrative governance where only the shiny pearls are elevated from the muck? Where only the prodigies are worth saving?

Why would you save just me? why wouldn't you want to save everyone? This is about the city. This is about her long comfortable reign and how she argues in S1 that Jayce needs to make concessions for corrupt politics, that he needs to mold himself in their image.

You focused on me because I could make you money (that you already HAD) while countless lay dead every day as a consequence of your lack of awareness, your aspirations of empire-metagaming. The richest woman in the city aiming to make herself richer; an impulse she inherited from her family that she reproduced as law. Ten years of this and she's just now waking up. SUCKS!

He's still an investment. He's still base value. This is him after seeing the heat-death of all that exists and realizing all the layers of compliance.

The actual physical pain cutting through. How Jayce starts to glitch out the closer she gets trying to explain how she simply couldn't see all that damage coming as a result of her billionaire machinations & he's once again assaulted by images of THE TOTAL APOCALYPSE that is to come if they just continue to play nice/do nothing to address the present. The way this is also Jayce speaking on Viktor's behalf, positing both of them as an unit when he had no voice against Mel before as a zaunite (see again the bomb scene in s1, Viktor's POV disregarded as Mel focuses on pushing Jayce towards power, the same way Ambessa was preparing Caitlyn to take over, the same patterns.)

Jayce shouldn't even have apologized for this shit he was right but this show hates to talk politics, all of the finale was avoiding the point. This was the bare minimum and ppl still got mad at him for saying it!

[moonsdancer]

As a huge Mel fan, I was already suspecting her of having powers from about 1.07/8 and the final shot of the season one finale only affirmed that. So I don't think it's a 180 (?) of her character. Especially because thematically, her powers are canonically an extension of her persona. As Ambessa says in Arcane mages seem to be seen as cunning, morally grey, representative of guile. All attributes that Mel has possessed since inception.

Ultimately, Mel's core conflict is always about her identity, and whether to embody the Wolf or the Fox, both, or some fourth other thing that she will discover. She tried to be the fox in Piltover, and it ultimately failed. Now she's thrust back into Noxus, and may need to take on more wolf attributes to simply survive. But hopefully her journey is about balance. All of which she can explore with an added layer of complexity via her powers as well.

Hot take but I feel like the writers in season two of arcane turning Mel into a super human with powers who can fight is a 360 of her character. Her character in the first season is strong because she’s intelligent, morally gray, and cunning. She is shown not to have any interest in violence nor any combat experience. I just felt it was a big leap from what her original concept was.

[neo--queen--serenity]

I think it was a very fascinating and deliberate choice on the creators’ part to give the two people closest to Jayce—Viktor and Mel—the same imagery that evokes the mystery mage who helped Jayce when he was a child.

We see this visual callback first in Viktor, in Act I:

This makes sense, of course, once we know the mystery mage is Viktor—albeit a future version of himself. But what struck me is the fact that they also gave Mel Medarda the same treatment.

When Jayce first sees her after the awakening of her magic, he sees that image—a being whose mere presence caused his weapon to light up in recognition, paired with a robe covering their identity—and I think there’s a great possibility that he asked himself if this was the one; the mage who saved him when he was young.

Once she reveals herself, he visibly relaxes, and they reconnect. But the physical change in her is clear in her body language. She now moves like the mage in Jayce’s memory. She hides her face in her hood often, something she never used to do before. And her mannerisms are slightly different, which could easily be accounted for due to her not being used to the magic now alive in her body. But it’s the change itself that makes the viewer do a double-take.

It could just be that Mel and Viktor are the only mages we see up close in the series. Perhaps it is simply what happens when magic transforms their wielder in subtle, physical ways.

But I think the parallel holds narrative weight as well. The two people with the most affection and influence over Jayce both end up touched by the Arcane in ways that are both transformative and involuntary. The are changed after their bodies become vessels of magic.

I think that’s why the creators gave both Mel and Viktor the same iconography that would invoke a clear memory from Jayce’s childhood as the symbol that started him on the path to magic.

Viktor actually was the mystery mage from Jayce’s memory, and after the finale, the viewer knows why. But I think, implicitly, the point was that either one of them could have been.

[linddzz]

I love the theory of JayMelVik. They could be the ultimate power throuple and man Mel would be so good in there. She's already so supportive of her boytoy's weird codependent thing with his lab partner (tbh she's probably like "I didn't realize this was a package deal but I also did not realize that the boytoy Himbo I wanted to politically manipulate is a needy puppy so... sure") Checking in to see how Viktor is doing in the hexcore goo. "He'll come back to us."

It's all there ok! Season2 showed me the wonder that could be Mel going "This is my boyfriend Jayce and this is Jayce's soulmate, Viktor. Jayce and I make out and Viktor and I are frienemies for reasons that don't have anything to do with Jayce and more to do with Viktor's opinions of politicians."

Unfortunately Season 2 also absolutely torpedoed my ability to see Viktor being ok with this. Holy shit this look he shoots between Mel and Jayce when she interrupts them. Holy shit Viktor

This is the angriest he looks in his entire actual villain arc. This is the most murderous he looks. He looks like he just found his man cheating and he's going "actually maybe I will straight up kill his ass" (Viktor she interrupted because you were literally choking him out what is wrong with you)

I think it even goes deeper than just sexual jealousy. I think that codependent nerd labeled her a homewrecker when she made Jayce a councilor and in doing so committed the heinous crime of having Jayce do things outside of the lab more. She took Jayce's attention. She took Jayce's mental energy off the work. The dream. Their dream. At that point banging Jayce was just the sprinkles on top.

But then when I go "I don't think there was as much sexual/romantic jealousy" I remember this. Viktor...my guy...

And it's so one sided. It's so one sided he's so petty with it. Mel is so supportive! she's already viewing them as a pair of brilliant minds! She figured out quick that Jayce comes as a package deal!!

She comes in to ask how he's doing and help support Jayce. she says "he'll come back to us" and worries about what the hexcore is doing to him. and Viktor's stupid little cocoon tries to bite her!! yeah it's likely a reaction to her own latent arcane ability but my take is funnier

He's so petty!! Uncalled for!!! Viktor please you are killing what could be the baddest hottest power triad in Runeterra!

[ithinkimnormal]

Sorry but It's actually so annoying how much people downplay the crucial role piltover's corrupt council games played in derailing jayce/viktor's work and pretty much putting shackles around their lives. The council is directly responsible for and directly FUNDING so much of the misery that happens in this show, before the story has even started. Before Powder ever finds the gemstone. They single-handedly doom half of the region to death.

Just during the show: Jayce wanted to create magic to aid and uplift the common people, the council wanted trade route instant teleportators to make themselves richer.

Jayce & Viktor wanted to work on technology to help miners and steelworkers and artisans who are trying to survive in the industrial hellscape of piltover and zaun; the council wants it shelved for another 20 years. (yes, heimer is part of the corrupt council - no matter how much his image is laundered by the fandom.)

They are inept and self-serving leaders, elected by themselves and their blood inheritances, utterly obsessed with ultimate profit. You can really see how parasitic their relationship is to the people at the beggining of act 1. Jayce is a token nameless life, so disposable to them that they were going to burn down all of his research and throw out all of his titles, making him not just a lower-house vassal but an EXILE, and the only reason why that doesn't happen is because they realize how much money they can suck out of his work.

This applies to Viktor too. See the way that Heimerdinger tells him over and over again that no other paths can be taken, he has 'fulfilled his purpose' and he should be content to die. See how Mel looks at Viktor like a bug she wants to squash under her palm when he rejects the idea of making weapons for council. See how they speak over him and only address Jayce, as if he's worth less than nothing.

You are only as valuable as the profit you're willing to create. You are a problem that has to be dealt with as soon as you refuse their orders. They have the power to ruin your life, and if they find an excuse, they will. This is a direct threat pointed at Jayce & Viktor during ACT2, when Jayce is pressured into becoming one of them to protect 'the bottom line profit' and, personally speaking, to avoid that ire being redirected towards Viktor. He's pushed into compliance and told a target has been painted on his back.

Arcane jayvik are doomed in big part not for wanting to do harm, but being forced to exist under the beck and call of billionaire leeches. They are both immigrants. They are both struggling to get a degree and keep themselves afloat and they want to help people so goddamn much but they have to keep postponing their dreams to serve uncaring masters. I really wish there was more fan content focused on these very real bonds of understanding and solidarity between them.

When Viktor says 'Jayce will understand' that's not a fluke; he's lived in this environment for years. He knows Jayce is being pushed down the same way that he is and that deep down they've been kept captive by the exact same people. When Jayce agrees that Viktor should do whatever he needs to do to keep himself alive, he means that from the heart.

[ratatattouille]

My problem with Mel’s arc is that it focuses on defeating Ambessa (in combat) rather than politics. Ambessa was not who Mel needed to physically defeat, but someone she needed to ideologically defeat. And we don’t see any of that. By the time Ambessa calls Mel “the wolf” it’s hollow, because it’s about Mel being a more powerful combatant than a wise ruler. In this moment, her “foxness” is about how she figured out the “deception” of the Black Rose and not how she outmaneuvered her mother politically. Perhaps it would be epic if we knew what the fuck she meant by “I see your face deceiver!” and then super sayan-ing out of nowhere. Her not having mercy on her mother is about being a Medarda, a question that wasn’t the focus of season 1, merely a catalyst. Becoming a Medarda was the goal Mel had, not the need. She needed to learn how to rule. Instead, she learns how to kill. And then she’s off to her home in Noxus as more of a soldier and spy than a queen. 

Which likely means two things:

-S2 got bored of Mel and just gave her cool reflective powers to make up for it. Making every interesting development about her character happen off-screen, in the writers room, or on another show.

-S2 was deliberately trying to communicate that it sided with Ambessa. That violence and combat, war, is not merely a failure of state craft, but necessary or inevitable to political growth. That militarism is the only thing that can answer militarism. That the only way to ensure the progress you make is secure is arming yourself. Even though this topic has some grey areas, Arcane explicitly picks a side by narratively using Ambessa to justify Piltover’s weaponization of hextech.

i know fandom has a lot to say about Mel being a “strong-black woman” character, but as a black woman myself, I hated how they stripped her of what made her such a strong, enigmatic presence in S1. Her prowess, her wit and cleverness. Her sheer intellectual power made her so FORMIDABLE.

She’s just a lost, hurt uwu little puppy for most of S2 before she’s given her US government assigned Avengers superhero uniform.

I miss when Mel hated her mother and knew she couldn’t plead with her like an adult. Mel in Act I was already using Lest to spy and we almost got a good story then—POOF!—Black Rose.

If I was to give my entire review for Arcane in one sentence it would be this: What was the point?

[alexkablob]

Something about the inherent Lest/Maddie parallel that exists in Arcane S2—each of them the honeypot relaying the pillow talk of the clueless aristocrat they're sleeping with back to who they're really loyal to—and the way it reflects how Mel learned more from her mother than she likes admitting to herself (or than Ambessa ever gave her credit for until the very end) because, on the surface, they both use the same tactic to keep an eye on their potential rival.

And yet! Mel's compassionate treatment of Lest (a trans woman sex worker who she considers a genuine friend, is protective of and willing to accept criticism from, and who she refuses to consider expendable) contrasted to Ambessa's contingency plan with Maddie (a radicalized fascist who she converted into an asset by convincing her she was a more effective leader than Caitlyn and who was, in the end, eminently expendable) is one of the starkest illustrations of just how different Mel is, and how much better a leader of the Medarda clan she's going to be.

[jaguarys]

I find it fascinating (derogatory) how the general fandom conversation has shifted from "this woman is getting in the way of our gay ship and she's USELESS and ANNOYING and WE DON'T LIKE HER!" to this weird "no actually she's just not involved in her own relationships because she's too cool and special and awesome and a girlboss". But the problem is that there's not actually a veritable difference there. People still aren't engaging with her as a fully-fledged character. Like sure man calling her a girlboss is fine it's whatever but let that lead somewhere else. Engage with her. Can you actually name any of her character traits or are you just blindly praising her so that you can focus on shipping the guys in the background without feeling bad about it

[rabbiitte]

Queer Coding in Media: Jayce and Viktor's Case.

Let's address what Christian Linke recently said about Jayce and Viktor's relationship because this is making some noise in the community:

According to the co-creator, Jayce and Viktor love each other like “brothers”.

Christian states that he doesn't understand why people see their relationship as a romantic one.

Linke also added, after the end of the series, that Viktor is canonically asexual and dismissed a possible romantic relationship with Jayce due to that reason.

We'll expand on these points next. But first, some context.

| About queer coding...

If Jayce and Viktor's relationship is seen as beyond brotherly, it's because it was portrayed that way. Their relationship is very queer coded.

Queer coding refers to the practice of subtly implying that a character in a piece of media is part of the LGBTQ+ community without explicitly stating or confirming it. This is often achieved through subtext, symbolism or specific character traits associated with queerness. This often arises due to societal restrictions, censorship or creators intentionally embedding queer elements into their work.

Queer coding for a couple in media involves using subtle visual, narrative or dialogue-based cues to suggest a romantic or deeply intimate connection between two characters without explicitly confirming their relationship as romantic or LGBTQ+. This type of queer coding focuses on the dynamic between the two characters rather than just one individual's traits.

When discussing queer coding in media, the examples can include both the content of the relationship itself (dialogues, interactions and dynamics) and visual and non-visual narrative (cinematographic techniques, narrative techniques and the use of music). Both aspects—content and narrative—are essential to queer coding because: a) Content provides the material that audiences can latch onto (dialogues, dynamics or gestures) and b) the narrative guides how the audience perceives this material (through visuals or music, for example).

Below are examples and methods used to queer code couples:

Relationship's Content (character's dynamics and dialogues):

These are the in-universe moments or dialogues that give romantic or emotionally intense undertones to the relationship. For Jayce and Viktor, this includes:

1. Use of subtext in dialogue or relationships:

Ambiguous or "more-than-friendship" dynamics: Characters have intense emotional bonds or interactions that go beyond typical friendships but stop short of being explicitly romantic. Jayce and Viktor’s connection, for example, is filled with vulnerability, admiration and devotion beyond brotherhood. Their willingness to risk everything to save each other in each timeline adds a tragic, almost romantic layer to their bond. Jayce’s comment calling Viktor “beautiful despite his imperfections” and their mutual sacrifices suggest a deep connection that goes beyond friendship or platonic relationships. Their bond, tied to time loops and destiny, feels more like a soul bond with a cosmic significance that transcends a typical brotherly dynamic. In other cases, this would be a romance.

Loaded Dialogue: Lines of dialogue may carry double meanings or suggest emotional or physical intimacy without being overt (e.g., characters use ambiguous terms like partner, special or soulmate, which can suggest deeper feelings without explicitly labeling the relationship). For example, if one says, "I’d sacrifice everything for you," it resonates beyond platonic territory. Dialogue between Viktor and Jayce is filled with layered meanings that suggest a connection deeper than traditional friendship. Here are some examples:

When Viktor’s former mentor warns him about sacrificing love and legacy, Viktor instinctively replies "Jayce will understand," directly associating Jayce with love and signaling how central Jayce is to his emotional world. Similarly, Jayce’s decision to abandon politics to return to the lab is encapsulated in the line "my place was always here in the lab with you," which emphasizes that his devotion isn't just to their work but specifically to Viktor. The repeated use of "partner" by Jayce further blurs the lines between professional collaboration and emotional intimacy, as the word carries dual meanings, suggesting equality and closeness. The term is somewhere between friends, brothers and more than that. Hence, the term can be freely interpreted. Viktor later reflects on their bond by stating, "it was affection that held us together," acknowledging that their relationship transcended shared goals and was rooted in genuine emotional warmth. Finally, Jayce telling Viktor, "there is beauty in imperfections," as he admires Viktor’s struggles and physical challenges, conveys profound validation and care, elevating their bond to one of deep emotional resonance. These lines collectively demonstrate how their dialogue is charged with a sense of intimacy and mutual admiration, allowing the relationship to be interpreted as more than platonic, hinting at queer coding through its emotional depth and layered expressions.

2. Body language and interactions:

Lingering gazes or physical proximity: Close, lingering touches, extended eye contact or standing too close for “just friends” —common romantic cues—are often used. For example, long hugs, holding hands or standing closely during emotional moments are subtle ways of suggesting attraction or intimacy. In Jayce and Viktor's case, Jayce is almost always the one who initiates the physical contact. Jayce's non-verbal language with Viktor is marked by gestures of reassurence with a hand on his shoulder, hugs without centimeters of distance and fast moves to help Viktor in the face of his weakening due to his illness. An important detail to take into account is Jayce's reaction to Viktor and Mel's return. When Viktor returns from the dead, Jayce surprises his friend with a hug that knocks him off balance by his strength. When Mel returns after no one knew of her whereabouts, Jayce doesn't even hug her, but instead complains about why she didn't save Viktor.

Protective gestures: Scenes of one character sacrificing for, protecting or expressing deep vulnerability to another can suggest more intimate feelings. Jayce and Viktor's relationship also has the presence of hundreds of moments in which they both profess for the safety and well-being of the other. In season one, after having sex with Mel, she wakes up in an empty bed. It turns out that Jayce was with Viktor, waiting on the side of the bed for him to wake up. This detail alone shows where Jayce's loyalty lies. But, overall, Jayce is very delicate and helpful towards Viktor. In turn, the only moment in which Viktor initiates physical contact is to reassure Jayce so that he doesn't feel pain on the astral plane. Both join their foreheads in a significant gesture of appreciation and affection and console each other at the end of their existences.

3. Avoidance of heteronormativity:

Lack of romantic interest in the opposite sex: A queer-coded character may show no explicit attraction to the opposite sex while forming deep emotional bonds with same-sex characters. This is especially true for Viktor, who has had no interest in any character of the opposite gender during the two seasons. The guilt Viktor felt over Sky's death shouldn't be confused with sexual, romantic or aesthetic attraction. Viktor practically didn't even know Sky's name during the first season and, despite knowing each other since childhood, Viktor continues to call her "Miss Young" during the second season. As you may already know, Sky's presence in the second part of Arcane represents what Viktor has left of humanity. Jayce is a separate case, since he did have a sexual-affective relationship with Mel, despite not being officially a couple. However, he always put Viktor's well-being above his relationship with Mel.

Unconventional partnerships: Instead of marrying, having children, or living “normal” lives, queer-coded characters often follow nontraditional paths. The unconventional partnership between Jayce and Viktor lies in their shared path of devoting their lives to science and progress instead of following more traditional societal expectations. Their bond, rooted in their shared ambition and mutual understanding, creates a life partnership that revolves around innovation, discovery and reshaping the world. Together, they prioritize their intellectual and creative pursuits over conventional relationships, with their lab becoming the core of their connection and purpose. This can be seen, for example, in the moment when Jayce decides to resign from politics because he realizes that his place is next to Viktor in the lab. This partnership not only defines their lives but also strengthens their relationship, making it deeply meaningful and unique in its intimacy and shared vision.

Visual and non-visual narrative (cinematographic techniques, narrative techniques and music):

These are the deliberate storytelling choices that imply deeper subtext or allow the audience to interpret a couple's bond as queer. Examples include:

1. Visual narrative:

Symbolism (in scenes): are visual and narrative moments intentionally designed to evoke ambiguity, emotional depth or hidden meanings in a relationship. These scenes often rely on subtext, metaphor or visual framing to suggest intimacy or connection between two characters, leaving their nature open to interpretation. For example, Jayce's campfire scene. Fire might symbolize Jayce's internal turmoil. Mel appearing first may reflect her role as a significant figure in Jayce's life, while Viktor appearing next could symbolize a deeper, enduring connection. The fire "burning away" Mel and transitioning to Viktor might suggest that, in this moment, Jayce's thoughts are consumed by Viktor, representing a priority or emotional focus shifting toward Viktor. So, Viktor isn't simply a colleague or friend but someone whose presence looms large in Jayce's thoughts, surpassing Mel's. While the scene might not explicitly state anything romantic, the visual choices align with tropes often used to convey profound emotional connections, making it easy to interpret the subtext as romantic or deeply personal.

The decision to interweave Viktor’s scene with Jayce and Mel's scene while having sex is highly unusual too. If Jayce and Viktor are purely platonic friends, such a juxtaposition does feel strange. I understand, both Jayce and Viktor are "merging" with something beyond themselves, but can you imagine a similar scene with Jinx and Vi? If Jayce and Viktor's relationship were purely professional, friendly or brotherly, such imagery wouldn't normally feel warranted in storytelling.

Parallelism: In storytelling, parallelism refers to the use of comparable or mirrored elements—such as characters, themes or visuals—to draw connections or contrasts. It often involves showing two or more situations, characters or relationships side-by-side to highlight their similarities, differences or shared significance within the narrative. In Arcane, the creators align Viktor with Mel through parallels. Through this technique, creators seem to suggest that Viktor holds a similar or even equivalent place in Jayce’s life. Since Mel’s relationship with Jayce is explicitly romantic, this framing subtly implies that Viktor could also occupy a romantic or emotionally intimate role.

2. Non-visual narrative:

Music and Lyrics: are powerful tools to subtly hint at romantic or emotional dynamics between characters without explicitly stating them. By selecting specific songs or using lyrics that carry layered meanings, creators can invoke emotions or associations that resonate with queer themes, intimacy or romantic undertones. Songs that have lyrics with open-ended or ambiguous lines, when placed over scenes with queer-coded characters, allow for multiple interpretations. This creates a sense of queerness without labeling it outright, allowing the audience to interpret the relationship as they see fit. As is the case of the song The Line by Twenty One Pilots. Through the line "pull the blanket tight now" you can interpret the song from Viktor's point of view and dedicated to Jayce (since Jayce was the one who gave the blanket to Viktor).

Comparisons and mirroring: narrative parallels with romantic couples, either in character arcs, sacrifices or framing. For example, Jayce and Viktor share a significant bond across multiple timelines. Jinx and Ekko, meanwhile, also share a significant bond in another timeline. This could be interpreted as both couples choosing each other, even, in alternate universes. This is an idea that is commonly related to romantic relationships. Love across different universes is seen as something beyond fraternal and worthy of epic romantic love. In the same episode that Ekko meets Jinx in another timeline, Jayce meets Viktor in another timeline too. The same thing happens in episode three of season two. In the same episode where Vi and Caitlyn fight and part ways, Jayce and Viktor also fight and part ways. In this way, Jayce and Viktor follow a similar pattern and theme (albeit on a larger scale) to that of the other canonically romantic couples in the series.

Subtext in dialogue: refers to lines with double meanings that subtly suggest emotional or romantic undertones. The choice by the creators of lines that are commonly associated with romantic relationships such as "beautiful despite the imperfections", "in all timelines, in all possibilities, only you can show me this", "my place is in the laboratory, with you" or "it was affection that held us" convey an ambiguous message that leaves the possibility of multiple interpretations open. The use of the term "partner" was not accidental either. This word is commonly used by queer individuals to signify a romantic relationship while avoiding gendered language. Jayce and Viktor not calling each other “brothers” is significant because it leaves room for ambiguity, suggesting that the creators might not have wanted to firmly define the relationship. Jayce only called Viktor "brother" once and then insisted on the term "partners" until the end of the series.

As you noted, these aren’t accidental choices—they are purposeful creative decisions made by team members who do support the romantic interpretation of Jayce and Viktor's relationship. Animators, voice actors and designers contributed to shaping this relationship through subtle creative choices. For example, animators might have chosen specific expressions or gestures to convey deeper intimacy, even if this wasn’t explicitly stated in the script. Leaving their relationship ambiguous might have been seen as a “safe” route in the face of disagreements.

In collaborative works like Arcane, no single individual (not even Christian Linke) dictates the entirety of what's canon or not. Creative contributions from diverse team members with their own agenda and interpretations also shape meaning.

If the intention was to show a “brotherly” relationship but the execution led to widespread interpretation of a romantic one, it's failure in storytelling. If the intention was to show a "queer coded" relationship and the execution led to widespread interpretation of a romantic one, then it's success in storytelling.

Death of the author: Viewers also have their own interpretations and that's valid. Varied interpretations shouldn't be dismissed. Here the death of the author applies. This term refers to the fact that, after an author publishes a piece of work, that piece ceases to belong exclusively to the author. Once a work is released, it belongs to the audience as much as the creators. If significant parts of the fanbase interpret Viktor and Jayce as more than friends, that interpretation becomes part of the narrative’s cultural impact, regardless of authorial intent.

The interpretation in media of queer codes is deeply influenced by cultural cues. Although this changes from society to society, social cues are the same for everyone. If Viktor and Jayce’s interactions evoke a sense of romance, it’s because the storytelling taps into those cues, whether intentionally or not. The relationship between them two integrates cultural and social codes typical of queer relationships.

Cultural codes: are tied to traditions, beliefs and shared understandings within a specific culture or subculture. They include symbols (objects, gestures, or imagery that carry specific meanings within a culture —e.g., a wedding ring symbolizing commitment—), narrative patterns (storytelling conventions that audiences recognize, such as the "star-crossed lovers" trope or visual parallels that suggest a connection between characters), expressions and language (words, phrases, or metaphors that carry connotations shaped by cultural usage —e.g., the word "partner" often implying romance in contemporary Western culture—.

Social codes: are the behaviors and norms that define interactions and relationships between individuals or groups. These codes are often context-dependent and include: body language (physical gestures or proximity that suggest intimacy, power, or affection —e.g., lingering touches or intense eye contact indicating closeness—), relationship norms (expectations about how certain types of relationships—platonic, familial, romantic—are expressed in actions and language) and contextual cues (the way relationships are framed by their environment, such as a candlelit dinner indicating romance or playful banter suggesting friendship).

The way Viktor and Jayce interact is coded in a way that aligns more with romantic love than familial or platonic love. So, asking to associate Jayce and Viktor's relationship with a “brothers” type of relationship would mean having to disregard cultural and social codes.

| Romantic Undertones as "Canon Adjacent”.

As I previously said, the romantic undertone of Jayce and Viktor's relationship would result in a canonically established couple in any other series. So, what I see here is a double standard in romantic representation in the series. For example, many think that Ekko and Jinx are canon after (a conversation that wasn't added to the series and after...) Ekko gave his jacket to Jinx. Jayce and Viktor’s dynamic features more romantic subtext than that but they still are dismissed as "brothers". Is this homophobia? No, of course not. How could it be homophobia if Arcane shows an established lesbian couple? Well, let me tell you, lesbian representation is more socially accepted in male-dominated spaces due to fetishization, whereas romantic relationships between men are less embraced. The idea of two men in love can lead many people to question the masculinity of these men and the masculinity associated with characters like Jayce or Viktor is vital to League of Legends. Making a canonically gay male character is riskier for the franchise because, in lol, masculinity is an element that, many times, determines the election of one character over the other.

Unlike Vi and Cait, among whom (I understand) there was the belief of a romantic relationship, Jayce and Viktor were never associated in that way. So, I can see the risk.

If Linke intended to focus on male friendship, that’s fine, but dismissing other interpretations, especially in a story as emotionally charged as Jayce and Viktor’s, can come across as limiting or dismissive of queer readings, whether intentional or not. It would have been better for Christian Linke to shut up and let everyone have their own interpretation about Jayce and Viktor's bond. Instead of insisting on interpreting Jayce and Viktor’s bond as “brotherly”, it would be more inclusive and respectful to let viewers interpret their relationship freely. By insisting on framing Viktor and Jayce as just “brothers” or “friends,” the show risks falling into the “no-homo” trope, where creators deliberately steer clear of portraying characters as gay despite clear romantic subtext.

| Linke's arguments.

Arguments like "media lacks non-romantic platonic relationships" feel insincere because these type of relationships aren't underrepresented in media. That crisis never existed. Many popular shows and movies focus on deep, platonic male bonds (e.g., Sherlock Holmes, The Lord of the Rings, Supernatural). While it’s admirable to showcase strong male friendships, it’s not a groundbreaking theme. In such a case, there is a lack of representation of non-romantic platonic relationships between men and women. These type of relationships are equally rare and more deserving of advocacy, but we still have timebomb (Jinx and Ekko). In conclusion, media has no shortage of non-romantic male-male bonds, but LGBTQ+ male romantic relationships remain underrepresented. So, Christian Linke's dismissal about JayVik was even more noticeable after that argument.

Also, I would like to add that referring to a relationship as a "romantic" one doesn't diminish the importance or depth of a bond. Friendship isn’t erased by romance. In fact, many memorable romantic relationships in media are related to friendship (e.g., Anne and Gilbert from Anne with an E). But, to call it a brothers-like relationship would diminish the profound, cosmic depth of their connection because their bond is about recognition, unconditional support and shared purpose, even at the cost of the world. It’s poetic and tragic, resonating with themes of love, identity, and the human condition. The time loops, their repeated choice to find each other and their interconnected destinies make their relationship feel larger-than-life. For many viewers, this mythic quality resembles soulmate narratives rather than simple friendship or brotherhood.

Another argument that reveals Christian Linke's rejection of Jayce and Viktor as a possible romantic relationship, is the statement about Viktor being asexual. I would like to ask what is the point of revealing this information after the show ended? Representation works best when it's woven into the narrative, not dropped as an afterthought. Beyond that, I think Mr. Linke should educate himself. Experiencing little or no sexual attraction doesn't mean that romantic attraction cannot be experienced. Being asexual doesn't mean that a person can't be gay.

Asexuality: is a sexual orientation characterized by the lack of sexual attraction to others. This means that an asexual person typically doesn't experience the desire to engage in sexual activities with anyone, regardless of gender. However, asexuality exists on a spectrum. Asexuality as a spectrum refers to the understanding that asexuality encompasses a wide range of experiences and expressions of little to no sexual attraction. Rather than being a single, fixed identity, the asexual spectrum includes various orientations and preferences regarding sexual and romantic attraction.

Many asexual people form deep, meaningful romantic bonds and there's no inherent contradiction between being asexual and experiencing romantic feelings. To use Viktor’s supposed asexuality as a reason to dismiss any potential romantic undertones between him and Jayce feels reductive and dismissive—not just of their dynamic, but also of the diverse experiences of asexual individuals.

Let's end this post on a more positive note with Arcane team members who do support Jayvik.

Posts from animators + Jayce's voice actor with a JayVik fanart.

Viktor's character designer + posts from animator.

Moose is the creative director + AgentR is an animator + Mel's voice actress.

[xetlynn]

Could you write Viktor (arcane) with reader who is clingy and loves to skinship please.

arcane imagines- viktor

Christmas party

[arcane] [main page] prompt: viktor takes you to his work party in which to show you off. His coworkers were shocked at how much pda he shared with you. Not seeming like the type to do so. (i think i made him a little ooc...)

Footsteps creep close to you as you're hunched over your desk, typing away on your laptop. “Love? That you?” You don’t even glance behind you, finishing the sentence but still leaning your head toward the sound as if you were going to give the person your attention.

“If it was someone else that would mean someone broke in, hun.” The most familiar accent whispers into your ear, kissing your temple. “I’d better become more aware of my surroundings then.” You finally place your hands in your lap, turning the chair to face your boyfriend. Grabbing at his tie to keep him down so you can kiss his lips. “Missed you~” You coo. 

“I missed you too.” He mutters against your lips as you force yourself to stand up, deepening your already locked lips. 

You were obsessed with your boyfriend, almost unhealthily as you felt the urge to always, always touch him in some sort of aspect. He pulls away, placing a finger on your lips before you could bombard his lips once again. “I have a work party.” He spits out with half-lidded eyes, craving another kiss from you. 

You scrunch your nose. “Alright, when is it?” You press your lips to his finger playfully. “I’ll miss you while you’re gone.” You tell him. 

He snickers, “I want you to come with me, dear.” His hand held onto your waist, and your eyes gleamed. “Really? Are you sure?” You question, only making sure because Viktor is extremely private with his life. Taking things slow was in his blood, you didn’t mind it though. You loved this man. And as you respect him, he respects you.

Your love language is physical touch and as his normally isn’t he still let you touch him whenever you pleased. Now he expects it, now he actually loves it. He yearns for it For you. 

“Of course, we haven’t had a party since the first week of us dating, same time last year.” He begins, “it’s been a year and I want to show off the love of my life.” He pecks your cheek and you bite your lip, holding yourself back from pouncing on this man. 

“It’s this Friday, I’m sorry for the late notice.” He juts out his bottom lip. “You knew I’d be free though, don’t lie.”  You boop his nose, your hand was trailing up and down his arm,

“I’ll get our outfits together. I’m extremely excited now.” You let him go, grabbing your phone. He leans against his cane, watching you fervently scroll on the device. “How would you feel about the color red? Since it’s a Christmas party I’m guessing?” You ask, sneaking a few peaks up at your boyfriend who’s trying to hide his smile. 

“I say, choose whatever you like, dear.” He walks over to your closet to grab pajamas he left from the many nights of sleeping over here at your apartment. 

“You spoil me.” You giggle, shutting your laptop and going to your bed to flop down on your stomach. “Always,” he mumbles as he changes out of his work clothes. Unbuttoning his white shirt. You break away from your screen just to take in the view before you. You let out a small whistle and he rolls his eyes, throwing the clothing at your head and you let out a laugh. “You're such a pretty boy.” You hum, hugging the shirt to your chest as you bounce up to your knees. 

“[Name].” He warns and you giggle. “Sorry, sorry. I know I’m just too seductive.” You wink, crawling to the edge of the mattress, motioning for him to come close. He got his plaid soft pants on before walking over, holding a sweater he was about to throw on. “Yes, dear?” He looks down at you. 

“I love you.” Your hands go to his sides, pursing out your lips to which he smooches. “I love you too.” He gets his sweater on and you pout, keeping your hands on his skin. Not allowing the cloth to go all the way down. “Wanna watch a movie?” He asks with a lopsided smile. 

“Mm, movie?” Your eyebrows are knitted together, Gaping up at him as your mitts wander all over his skin. “Dear,” he grins, snatching at your wrists to pull them away. “Let’s watch a movie.” He climbs into his designated assigned side of the bed. “Oh okay, so you hate me.” You dramatically sigh, snuggling into his side immediately along with handing him the remote. Viktor snorts, turning on the tv. 

•••

“Dear, what is taking so long?!” Viktor shouts from outside your bathroom, fixing his red holiday tie. “One moment, I’m almost ready, I swear!” You yell back, checking yourself out in the large mirror. The dress felt a little tight in your chest area. Pressing your lips together, trying to adjust it but nothing helps it. “Oh well.” You whisper, shutting off the lights and exiting the tiny room. 

“How do I look?” You give a twirl, your heels clicking on the wooden floors. Viktor gawks at his girlfriend, his cheeks flushing. “I’m guessing it looks good?” You tease, grasping at his hand to force it on your hip. Wasn’t much of a hassle to do. “Of course, more than good.” 

“Great, let’s go.” You press him into a kiss. His hand falling to his side as you strut away. Slipping your purse over your shoulder. He follows behind you, his eyes never leaving your body that looked absolutely stunning in the red dress. 

•••

“Are you sure they’ll like me?” You glance up to your boyfriend, walking hand in hand into the building. “Hun, that’s a silly question.” He squeezes your hand. You smile, bussing his soft lips. A gentleman opens the door for the both of you, you thank him as Viktor nods his head to the man. 

You admire all of the decorations in the large hallway. “I can’t believe you work here.” You murmur, it was gorgeous on the inside and out. “It is quite nice.” He agrees. 

“It should be in the media room.” Viktor directs you, pointing with his cane. “You never told me this place was ginormous” You genuinely are impressed with his workplace, not seeming to stop with compliments. He just smiles at your words, 

At last you two enter what looks like a ball room. Your eyes widen. Clutching his hand. “Wow.” You whisper in admiration. “Heyy! Viktor and… who’s this?” An unfamiliar man comes up to the both of you. You smile politely. “This is my girlfriend, [Name]. Hun, this is Jayce. My partner on the latest assignment I told you about.” He introduces and you thrust out your hand. “It’s nice to meet you! I’ve heard lots.” 

His expression was in utter confusement but nonetheless took your hand, noticing the other one holding onto his coworker’s. Which shouldn’t be surprising he was just told you were his girlfriend. “You as well, how long have you two been with one another?” 

You look over to Viktor who motions for you to go ahead and answer. “We just celebrated our 1 year last week actually.” You inform him, letting go of Viktor’s hand to hold onto his side. Jayce catches that as well. He didn’t figure that his work partner would be into physical touch but he just melts into your touch. 

“Well, congratulations.” Jayce says to you, glancing over to Viktor who was just gawking down at you. It was if he were in some weird trance. “Thank you!” You beam. 

“Of course, let me introduce you to my wife. She’s actually a part of the executive team and planned the party herself- I’ll be right back.” He says, heading off to find his life-partner and you look to Viktor. “He seemed lovely!” You bump his hip gently. “He is a genuine man, for sure.”

The two of you go over to the snack table, Viktor’s hand stays on the small of your back as you make a plate for the both of you to share. Waiting for Jayce to come back with the mystery woman, well mystery to you. 

“Do you want fruit?” You ask. “Sure.” He shrugs. You look back to him with an annoyed look. “Yes, dear.” He corrects himself, and you chuckle. You hate the word sure with a passion. It never tells you what the person truly wants. 

“Thank you.” You huff, finishing up the plate. 

You snake your hand back to his torso, you feed him a grape as you step to a table. A voice clears their throat behind you and you place the plate down. Both of you turned to whoever it was. 

“Mel, this is Viktor’s girlfriend, [Name].” Jayce presents you  as if you were a huge surprise and you straighten your posture, swallowing down the fruit you had just popped in your mouth. “You’re beautiful!” You spit out on accident and she giggles. “So are you! I didn’t know Viktor had such exquisite taste.” Mel flatters you and you radiate happily. 

“Oh! You’re too kind!” You blush, sheepishly squeezing yourself into your boyfriend’s side. Both Jayce and Mel observe your demeanors. How utterly in love you guys are. 

How every move he takes, you follow, or how your hands are glued to him in any way they can be. And Viktor wasn’t any better, he liquefies into every touch. His peepers at no time leaving sight of you. 

As the four of you chat you suddenly have to use the bathroom, you try to look around. Wondering where it could be but you didn’t want to interrupt the conversation. You chew at your bottom lip, Viktor notices. “You alright, dear?” He whispers into your ear and you nod. “Mhm, where’s the restroom?” You couldn’t hold it anymore. 

Mel overhears. “Oh, I can show you! Come with me!” She offers out a hand and you take it, not without kissing Viktor’s shoulder. 

As the two of you walk away, Jayce turns to his work partner with wide eyes. “Why didn’t you tell me about her!?” He aggressively questions and Viktor sighs. “I mean seriously! She’s wonderful!” He continues. 

“She is.” Viktor nods, stuffing his empty hand into his pocket. “And you are so whipped for her. I mean the pda. I did not take you to do that.” Jayce was incredibly dramatic but Viktor kind of expected it. 

“Are you done?”

“Almost,” Jayce says. “You melt right into her, and you can’t look away for a single second. You’re obsessed with the woman!” He exclaims loudly. 

“Of course I am, Jayce. She’s my girlfriend.” Viktor lets out yet another sigh. “I know but I’ve never seen you with such… love in your eyes. You never look at me like that.” Jayce teases. Viktor glares at the man in front of him. “You’re an idiot, Tallis.” Viktor sees you heading back, mentally cheering that he doesn’t have to listen to this anymore. 

Mel and you were laughing with one another, your hand holding your stomach. The two of you leaning on one another. “You are so bad!” Mel shakes her head, giving your hand a small pat as you calm yourself. “I know, I know! That’s not even the worst of it!” You cry out, Viktor’s lips tug upwards. Jayce was even grinning ear to ear at the two women enjoying themselves like this. 

“What are you two laughing about?” Jayce questions and even Viktor’s intrigued. “Oh, um, I’m telling her about how Viktor and I met.” You disclose, raising your brows over to Viktor with a smirk. His cheeks turn red, remembering the moment. “What was so funny about it?” The tanned male asks. 

Viktor bows his head down, it was embarrassing on his part. 

“It was at a grocery store, both him and I were looking at the cucumbers and grabbed the same one. Like straight out of a romantic movie. Except Viktor told me that I would probably need it more than him.” You tell the story, going over to your boyfriend's side, taking his hand. “Oh my god.” Jayce gasps but Mel gently hits him. “It’s not even the best part!” She already starts snickering. 

“I told him that I need more than a cucumber for satisfaction. I was trying to flirt, it came out horribly.” You giggle, the two in front of you bursting into laughter. Viktor hides his own chuckle. “How did little Vik respond to that?” Jayce inquires. “Oh he was too stunned and I of course made it worse for myself!” 

“I told him, oh gosh I don’t know if I can say it.” You hide your face in your boyfriend’s shoulder. “I can do it.” Viktor perks up now that the worst of his part is over. “Go ahead.” You clench your teeth, cringing at the memory. Jayce and Mel are practically on their toes, so excited to hear. 

“She told me that she’d take my cucumber though. Then her face dropped, realizing what she said. She then backtracks and she says she meant number but the cucumber joke messed her up.” He tells the rest of the story. Even explaining how your first date went. 

And as time passed throughout the night you were chatting it up with everyone that came over. With that you could feel Viktor’s energy begin to deflate. You excuse yourself from the group conversation and walk over to the punch table. “You okay, dear?” Viktor worriedly asks. You knew he wouldn’t leave unless you said you wanted to. “I’m getting a little tired of all the talking.” You lie, pulling him into a hug. 

“You ready to go home?” He rubs your back, soothingly. “Mhm, as long as you’re okay with that?” You innocently look up at him. Knowing you were playing him too well. “Of course, [Name].” He plants a kiss on your forehead. 

“Let’s go say our goodbyes and we can head home.” He assures you and you smirk as you give him one last hug. 

•••

Turning the car on, you look over to your boyfriend who’s closing his eyes, resting in his seat. “I lied.” You back out of the spot. “Excuse me?” He opens his left eye, raising a brow. “I didn’t care if we left or not. I just knew you wanted to leave.” You simply say, pushing the gear into drive before laying your hand on his thigh. 

“What?” He sits up. “I lied because I knew you would’ve forced yourself to stay for my enjoyment.” You inform him with pursed out lips, wanting to pat yourself on the back. “Honey, you didn’t have to do that.” His hand falls a top yours. “I know but I love you and know the love of my life so well. I’d rather spend the rest of the night with you.” You look over at him. 

“I love you so much.” He groans out, throwing his head back. “Really? How much?” You stick out the tip of your tongue. His hand travels up your forearm then back down. Repeating this action. “I’ll have to show you when we get home, won’t I?” He purrs and you let out a squeal in excitement. 

[ambafaerie]

Appreciation Post for Shoola

I want to start this post by gushing about Shoola’s a design, a Black woman adorned in gold and red, from her clothes to her accessories, to show off she is the that she is one of the richest and most powerful in Piltover, a city already teeming with rich aristocrats and politicians. Speaking of accessories, Shoola’s mechanical neck ruffle is absolutely brilliant a great symbol of Piltover’s status as a steampunk state with her golden eye mask in S2 a cool addition that I must admit I much prefer over the ruffles. Oh, and her finger rings are absolutely gorgeous I love the sound they make when she taps her fingers on the table.

Now on to her character. Shoola is a politician and a member of the ruling Piltover council so her hands aren’t exactly clean, in fact she is one of the people Jayce is shaking hands in the montage of him embracing the political game. But Shoola is one of the more moral council members and the one who advocates for diplomacy and peace with Mel.

She voiced concern for the potential loss of income people would face from the shutdown of the shipping lanes, initially protested Heimerdinger’s forced retirement, and pointed out to the rest of the council they have lost touch forgetting that while the people of the Undercity were not their preferred constituents they were still their people.

The last line hits hard because it contrast the other councilors like Bolbok suggesting a hex weapon to use against them or Cassandra stating the Undercity is impossible to control, all of which is within earshot of Viktor, a man who came from the Undercity.

Shoola advocates for the capture of Jinx after she bombed the council but that’s it. She and Mel opposes the plan to fully invade Zaun in retaliation for the mural attack. Shoola was the only Piltovan who listened to Jayce’s speech and choose to stay and work with Mel to protect Piltover from Ambessa and Viktor.

Finally, there is the implication Shoola is the only one who has Sevika’s back in the new ruling council. She and Sevika lit together the funeral papers and Shoola was the only one who didn’t give Sevika a dirty look when she took her seat and turned her eyes instead at the new councilors who did. Shoola’s personality and previous actions lend weight to her implied relationship or solidarity with Sevika.

In conclusion, Shoola might be a supporting character but she is underrated in the fandom. She is empathetic and gorgeous character and is one of the only few characters from Piltover who never wavered from their principles.

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.

[nualaofthefaerie]

I'm tired of explaining the same concept 170000 times.

Do you see how not a single line or diagonal threatens their queer identities?! Miss me with that Skyvik and Meljay make the boys OR the girls straight...where?! THESE BITCHES ALL GAY!! LET THEM SHARE A BED!!!