#mel meta

[animanga-bonanza]

According to LeBlanc, Mel is “an empath”, a “conduit and a mirror.” She can bend others’ magic to her own will. This explains why she’s so powerful, because she’s basically redirecting other people’s energy against them. So when she’s up against a powerful opponent she can turn that power against them. In other words, Mel isn’t just using her own innate power.

It also explains why she seems to only use her magic defensively — her target has to strike first in order for Mel to redirect that attack back onto them. And it’s not just magical attacks either. When Maddie fired a bullet at Cait, Mel redirected it to kill Maddie.

In my opinion, this power suits Mel perfectly. It’s technically non-aggressive, and reflects Mel’s natural talent for identifying others’ strengths and using them to her advantage.

[ithinkimnormal]

Sorry but It's actually so annoying how much people downplay the crucial role piltover's corrupt council games played in derailing jayce/viktor's work and pretty much putting shackles around their lives. The council is directly responsible for and directly FUNDING so much of the misery that happens in this show, before the story has even started. Before Powder ever finds the gemstone. They single-handedly doom half of the region to death.

Just during the show: Jayce wanted to create magic to aid and uplift the common people, the council wanted trade route instant teleportators to make themselves richer.

Jayce & Viktor wanted to work on technology to help miners and steelworkers and artisans who are trying to survive in the industrial hellscape of piltover and zaun; the council wants it shelved for another 20 years. (yes, heimer is part of the corrupt council - no matter how much his image is laundered by the fandom.)

They are inept and self-serving leaders, elected by themselves and their blood inheritances, utterly obsessed with ultimate profit. You can really see how parasitic their relationship is to the people at the beggining of act 1. Jayce is a token nameless life, so disposable to them that they were going to burn down all of his research and throw out all of his titles, making him not just a lower-house vassal but an EXILE, and the only reason why that doesn't happen is because they realize how much money they can suck out of his work.

This applies to Viktor too. See the way that Heimerdinger tells him over and over again that no other paths can be taken, he has 'fulfilled his purpose' and he should be content to die. See how Mel looks at Viktor like a bug she wants to squash under her palm when he rejects the idea of making weapons for council. See how they speak over him and only address Jayce, as if he's worth less than nothing.

You are only as valuable as the profit you're willing to create. You are a problem that has to be dealt with as soon as you refuse their orders. They have the power to ruin your life, and if they find an excuse, they will. This is a direct threat pointed at Jayce & Viktor during ACT2, when Jayce is pressured into becoming one of them to protect 'the bottom line profit' and, personally speaking, to avoid that ire being redirected towards Viktor. He's pushed into compliance and told a target has been painted on his back.

Arcane jayvik are doomed in big part not for wanting to do harm, but being forced to exist under the beck and call of billionaire leeches. They are both immigrants. They are both struggling to get a degree and keep themselves afloat and they want to help people so goddamn much but they have to keep postponing their dreams to serve uncaring masters. I really wish there was more fan content focused on these very real bonds of understanding and solidarity between them.

When Viktor says 'Jayce will understand' that's not a fluke; he's lived in this environment for years. He knows Jayce is being pushed down the same way that he is and that deep down they've been kept captive by the exact same people. When Jayce agrees that Viktor should do whatever he needs to do to keep himself alive, he means that from the heart.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[infinitelystrangemachinex]

Jayce and the fallacy of the butterfly effect in Arcane's narrative

If Jayce's symbol is the butterfly, then my theory is that we're going into a full "butterfly effect" narrative in Act 2. Either we'll watch it happen, or we'll only see Jayce come out the other side of it changed by the experience, knowing - or more importantly, THINKING he knows - what to do to change the future. Literally, to "defend tomorrow."

tl;dr: Jayce will encounter the butterfly effect in season 2. Viktor and Mel both foreshadowed this in season 1. I think Jayce will fixate on Viktor and will believe that stopping or changing Viktor either in the past or the present - most likely the present - will mean he can save the future. I believe this will lead to an even worse tragedy and may have the same effect as a self-fulfilling prophecy. Ekko's approach to changing the future by sticking closer to the present - considering only tiny increments of time to alter more immediate future outcomes - will be the superior approach. I also think that Jayce attempting to change the future will create the conditions that push Viktor to become the Machine Herald.

One of the most common reactions even the casual viewer had to Arcane season 1 was this: "If [character] had just done this one small thing a little differently, [tragic event] wouldn't have happened!"

Arcane has been called a Greek tragedy for the main reason that because of how well built up the characters' personalities and reasonings are, there's no other way season 1 could have gone. There was no stopping the multiple tragedies that occurred, because with one event leading to another, the chain of seemingly inevitable events goes too far back to identify what one singular event caused everything, what one character made what one decision to put our characters on the terrible paths they walked.

Arcane is about to investigate this idea in its own narrative, and I think that Jayce will be the character to stumble into the flawed idea that you can change one event, or stop one character, and change the future for the better. This is because Jayce struggles with a few very interesting character flaws, one of them being that he believes himself to be the main character, and it is therefore his responsibility to intervene, be a hero, and fix things.

Viktor and Mel both foreshadow Jayce's future encounter with the butterfly effect.

Recall that Viktor said: "There is always a choice."

Jayce sees choices in black and white, believes that he has no other options but to go along with what he's persuaded and pushed into, and acts too boldly with too much power multiple times.

Recall that Mel said: "We can't change what fate has in store for us, but we don't have to face it alone."

Jayce tries to solve big problems on his own, and though he delegates to Enforcers and the like, Jayce relies on his reasoning and his alone to make important decisions if he doesn't simply become persuaded - usually through strong emotions like fear - by other characters. In addition, since Mel is specifically talking about Viktor's plight here, it's worth mentioning that while Jayce did say that he would help Viktor in acts 2 and 3 of season 1, Jayce does wind up leaving Viktor to face his fate alone. When Jayce tries to change that fate in s2 ep1, ep2 shows that only tragedy can come of this as well.

Viktor and Mel's statements here are not contradictory. Viktor makes the point that you can always make a choice. In context, he's literally referring to the classic "secret third option," because given a choice between aggression and passivity, war and surrender, Viktor chooses to defuse the bomb instead. Mel, interestingly, seems to believe that destiny is fixed in a broad sense, and she operates as a politician and diplomat and investor who navigates that line of destiny in the most optimal way possible. In reality, in context, she is referring to the fact that Viktor can't change the way he was born and so he has no way to change his fate and therefore must face it, which is true - she's only missing the information that Viktor actually does have the means to change his illness and his body. Her wisdom still applies however, because he'll have to accept the hand that fate deals him after he makes that choice. Will he face it alone, or not?

There is always a choice, there's even secret third options, because having a fate doesn't mean that you are doomed to make only one possible series of choices. What it does mean is that each choice comes with a hand that fate deals you. It is impossible to know what all of these branching choices and consequences are in advance, and it is just as impossible in hindsight - the branches are too complex and the end outcomes are all equally meaningful, just different. If Arcane season 2 is to be a tragedy, it may show us that each possible outcome is still tragic if you fall for the fallacy of the butterfly effect.

Jayce is counseled by some of the wisest, cleverest characters with the deepest life experiences in Arcane, but he hardly ever takes that counsel to heart. If he does, he still acts on that counsel in flawed ways that have unintended consequences. This will come to a head in season 2.

Viktor and Jayce both have a butterfly following them around in season 1. The butterfly effect refers to one small seemingly insignificant event changing the course of history, and changing that event therefore changes history. Viktor bled over the railing of a Hexgate in season 1:

And Heimerdinger sees what we can only assume is Viktor's blood contaminating (?) the Hexgate in s2 ep3:

This might be the seemingly unimportant "inciting incident" that Jayce (and Heimerdinger and Ekko) settle on as something that should be avoided or erased by changing the past (if they time-travel with Ekko, for example).

I doubt that, if this is what this crew chooses to fixate on, it will be the only event that is considered as something to change. But let's take this and run with it for the sake of discussion.

As silly as it sounds, how do you stop Viktor from allowing his blood to come into contact with the arcane? Stop Viktor's involvement with the Academy entirely? Don't invent Hextech at all? But what if someone else invents Hextech besides Jayce? What if future tragedy befalls Piltover because it didn't invent Hextech?

The possibilities and what-ifs could branch on forever. But because Jayce is who he is, and because his tragedy with Viktor is still raw and recent and frightening, I think Jayce's butterfly effect experience will have to do with Viktor.

My personal prediction is that the timeskip between s2 ep3 and ep4 will be Jayce experiencing a timeline where Viktor, taken over by the Hexcore, brings about an apocalyptic event similar to what Heimerdinger experienced in his past. Either Jayce and co. can't go into the past to change the present, or Heimerdinger and/or Ekko advise strongly against it to avoid a paradox. This will lead to them re-entering the canon Arcane timeline before this apocalypse, but still after the timeskip. Jayce, believing that destroying Viktor and his cult will save the future, and believing that resurrecting Viktor was Jayce's mistake to fix, attacks him. But the consequences don't unfold the way he hopes, because trying to change fate once the cards have already been dealt has led to tragedy before.

The butterfly is a symbol of something other than just the butterfly effect - change, evolution, and rebirth. If the butterfly symbolizes the butterfly effect for Jayce, then I think it has a different meaning for Viktor - the change and rebirth meaning.

I've always found it very interesting that we see a similar-looking butterfly on Progress Day... but made of metal.

Every time Viktor's situation changes, he adapts and evolves. If Jayce attacks him, if his cult is destroyed, if the Hexcore is causing Viktor to decay, if all of these things happen at once - he'll just evolve again, and I think the Machine Herald is the next step. And the Machine Herald will be a triumph for Viktor, but Jayce will believe that he's created something even worse. The resulting feud will be a personal nightmare for both of them.

I think this still allows Viktor to use his own agency to choose to become the Machine Herald (the MH will probably be the "secret third option" that saves Viktor, or there will be a secret third option that ends the feud) while still allowing Jayce to be offended and horrified at whatever the Machine Herald represents or is trying to do in the undercity. Introducing the element of time travel allows Arcane to explore the meta concept of tragedy and fate that season 1 was built on while showing that you can't "solve" a tragedy, because there are other terrible possibilities lurking behind alternate choices. Especially if what you're trying to change is singular people or events and not systems of power.

This is why Ekko's approach with his Z-drive will be superior to Jayce's sweeping attempt at changing the future. Ekko's goal has always been societal change. He creates his own punk society in the undercity, more progressive and successful than anything Vander or Silco ever created, and a better bastion of safety, hope, and progress than what Heimerdinger founded in Piltover. Trying to change systems by going back in time is most likely futile. But taking what Ekko has already built in the Firelights, curing his tree, and fighting for the Firelights' survival bit by bit by optimizing the present with the Z-drive shows that:

It's more worth it to focus on becoming wise (Ekko's mask is an owl) and making choices you won't regret

It's best if you don't face your fate alone (act as a collective and take care of each other)

Consider every option, not just the obvious black and white choices

Maintain and fix what you've already built instead of abandoning it once things get difficult

Adapt as needed if the choices you made lead to dark consequences, and once again, stick together and take care of each other when the bad times do come

That's my Act 2 but, ultimately, my season 2 prediction based on the butterfly symbolism we've already seen. Ekko's involvement is what will give the series the at least partial happy ending that the creators have referred to. I personally don't think that the Viktor/Jayce feud will end quite so well, but maybe, they will still survive.

[thomas-jefferson-miku-binder]

hey, remember when Viktor was arguing with Jayce while trying to disarm Jinx's explosive device, and he got riled up with Jayce's ignorance regarding his and the undercity's conditions and messes up, causing the bomb's countdown to start and– and Viktor hesitates for a moment. it's incredibly subtle, it didn't even come to me on my first watches, but he... does. he takes his time cutting the wire, which I can't tell if it's meant to be read as caution or- something else, because after it he turns to Jayce, affirming "there is always a choice", implying he just made one

[ohnoitstbskyen]

Arcane Season 2, Act 1 - themes, analysis & predictions

I thought before Act 2 drops that it would be fun to go over the things that happened in Act 1, trace the characters' storylines, analyze them a bit, talk about some of the themes that are in evidence, and maybe make some predictions about where all of this is going to go.

It'd be a quick video too, I thought, twenty minutes, in and out, no problem. Like a list article!

But then it turns out that kind of a lot of things happen in Act 1, actually, and oh good gracious would you look at the time, the video is three hours long.

So, uuh, if you're severely Arcane starved before the new episodes drop, here's something to take the edge off I guess.

[mollysunder]

Some Ambessa concept art from the Arcane DVD commentary.

Also, 10/10 things to say to your kid Ambessa. We need to applaud Arcane for making sure that the audiences know fathers AND mothers will do their best to leave as much psychic damage to their children before their time's up.

[jabberwockey]

Crack theory about Mel's father because I'm actually going insane

Pantheon had such a random presence in this music video and I'm wondering if there's a deeper connection between them than just a trainer. And also, who else could pull Ambessa, "the Matriarch of War" than a God of War?

"You have your father's memory."'

Like Atreus? The man who remembered who he was even after the Aspect of War possessed his body & mind?

Everyone has already pointed out how Solari her armor looks, just comparing her and Atreus's (who was Solari) golden tattoos.

Clan Medarda has had canon connections to the Sun and Shurima even before the retcon (Credit to Zedd0Tak for the pics)

And finally Kino is seen wearing another Mt Targon necklace like the one Lunari princess/priestess was wearing, but now changed to include the Clan Medarda symbol at the top, so they definitely have SOME kind of connection to Targon.

[machineheraldbabe]

arcane, populism, and why viktor is the odd one out (yet again)

as a piltover-anti, a silco criticizer, and a pacifist, i am very very interested in how arcane presents not just the political undertones of both topside and the undercity, but the characters/dialogue through which they communicate those undertones. allow me to use some political science bro lingo to air out some thoughts.

long, long post incoming.

there are 2 ideological struggles at war throughout s1 (and i can predict that the struggle will carry over into s2): neoliberalism and populism - in their broadest terms since we're talking ofc about a fictional show dealing with surface level political machinations. by neoliberalism, i mean a focus on the social, political, and cultural structures of a polity (piltover, for our purposes) refocused into a strictly economic vacuum. and by populism i mean a unifying belief that the existing political systems of a polity fail to adequately represent their constituents, so the masses choose to rally around a specific gripe or issue, i.e., class discrimination, xenophobia toward immigrants, etc. this, in turn, forms a populist party or movement. an applicable example i can think of would be Nasser's Egypt in the 1950s.

*i know these are weighty topics with very real world implications! i just want to separate the theory to apply to our favorite fictional world.

the political struggle in question is put forward immediately by piltover, who, though presented as a technocratic state, embodies crucial neoliberal ideals emphasized especially by up-and-coming counilor mel medarda, much like how fresh-eyed american economists blew up the economic scene in the 1980s with a revival of capitalist, free market enterprise. take how she seizes the advent of hextech, for example:

she quickly sees hextech's potential yet not from the solely intellectual standpoint that jayce and viktor do - for her, it is profitable, literally and in terms of international relations. her goal is for piltover to prosper, but she has no rose-colored glasses on; prosperity means capital gain, and she's willing to override piltover's political and social systems to achieve her goal. an important caveat is that she draws the line at ambessa medarda's progression into militant authoritarianism, which deserves a whole post of its own!

piltover's populism moment will come later. first, let's unpack silco, who is probably arcane's most blatantly political figure, and a masterclass in the merits and failures of left wing, class-based populism.

silco, having been spurned by the classism and xenophobia that piltover's elite proliferate, and assisted by his rampant shimmer operation, fills the vacuum that vander's pacifism opened up. though silco's methods are unilaterally cruel (argue with the wall), the undercity clearly invested faith in him at some point, especially as vander's credibility as a guiding figure wavered over the years. he was fighting alongside vander for zaun's right to exist as their own independent body. in other words, he was uniting the undercity toward a common cause because the existing political system failed their constituents. to quote councilor shoola: "they may not be our preferred constituents, but they're still our people."

the track record of populism in our real world frequently ends in the ruin that silco himself brought upon the undercity. the kingpin is too dedicated to self-preservation, sees himself as too central to the movement, which prevents both compromise and/or a necessary armed revolt (insert your own politics about self-determination here). see italy's right wing populism party, Lega Nord, as a real-time example of this phenomenon.

but arcane makes an interesting plot decision with jayce, a very unexpected and "unwilling" contributor to piltover's abrupt dip into right wing populism. the showrunners love foils!

in arcane lore, i think it's safe to say that jayce's moniker "the man of progress" is pretty tongue-in-cheek. both he and viktor have a bemused tone about it in the run-up to his speech, and jayce is taken aback by heimerdinger's insistence that he deliver said speech. but the glowing, savior-esque imagery can't be ignored, nor can jayce's quick switch into his councilor role, no matter how reluctantly he makes it.

jayce is confronted by 2 forces that he seeks to combat in his quick tenure as councilor: internal corruption and an ineffective governing body. the latter goal is inspired almost solely by viktor, playing into jayce's naivety as a fresh-faced political figure, but this will be especially important to note later on. the innocence he offers up to mel is quickly erased, transformed instead into an uncomfortable - and inexperienced - militancy:

important in the bridge scene to my analysis is the populist "out group," or the designation populists give to those whom they actively oppose, and this opposition serves as their basis for organization. in this case, it's the undercity (keep this in mind for viktor's role!!).

jayce's combined frustrations at the unrest in the undercity and the council's (namely heimerdinger's) refusal to act, to both save viktor and to deal with the undercity's looming violence, motivates him to act like silco for a short time. unsatisfied with the status quo, he unites a likeminded individual, vi, along with the enforcers, to undercut the political system he feels is unable to represent its constituents or act in an effective manner. however, UNLIKE silco, jayce's realizes the inevitable cost the method of violence has and refrains in the end. he returns to the council and capitulates to some of silco's demands in the name of a peace piltover and zaun always thought impossible.

jinx's complete undoing of this underscores the failures of populism, especially as an extended movement over time. she wasn't accounted for. it's common sentiment at this point that she didn't attack the council for political gain. she was not invested in zaun's independence. she did it out of her and silco's twisted parental bond, and thus undid piltover's brief instance of compromise and compassion.

so...where does viktor fit into all this? and what are his implications for neoliberalism vs. populism in season 2?

viktor is neither wholly within nor wholly outside the populist outgroup - though jayce unintentionally shoves him back there in the pivotal bridge scene. furthermore, viktor also makes use of piltover's technocracy. he seems to have had a "raise yourself up by your bootstraps" history in arcane, contrary to left wing populist insistence that neoliberal ideals make this impossible.

this compounds as a double alienation for viktor, who also is straddled with the complications of his disability. a lot of his story is searching for a fellow in arms, if you ask me, and he had that with jayce until the pendulum swung, hence his return to singed.

if we stop there, viktor represents the failing of these 2 very flawed political ideologies. he fits nowhere and arcane uses him adeptly as a symbol of the failings of binaristic ideologues and systems. but let's speculate some more!

i'm convinced that viktor, due to his ambiguous 3rd party role in the story so far, will be one of the central villains (if not THE villain, if you allow me to be admittedly hopeful/biased) in season 2. consult the innumerable very well written theory/meta posts about the subject for more details, but one piece of evidence i want to focus on is this inherent physical, cultural, and ideological separateness that is innate to his character.

can we see him allying ever again with piltover, knowing that there's a split incoming? even without outside knowledge of league lore, singed's damning prediction ("if you take this path, they will despise you") cannot go unheeded. alternatively, then, can we see viktor allying with the supposed jinx-as-revolutionary side? no. personally, i see him as becoming increasingly unwillingly to compromise his a) immediate survival; and b) his ideals, especially after being endlessly sidelined in his attempts to express them in acts 2 and 3. he's also just a loner, guys.

there's some controversy on this point, but i'm convinced that the finger-printed cultists/followers we saw in the s2 trailer are devoted to viktor. starting with the shimmer addict he touched in the teaser, he is accruing a following all his own. and since noxus is here, touting their authoritarian militancy to replace piltover's outdated liberal ideals, nothing that jinx's revolution OR viktor's following does can be apolitical. to organize and to fight is survival under s2's raised stakes.

there aren't any binary spectrums when it comes to political theory in my opinion, so i am prepared to witness viktor introduce an entirely separate totalitarian narrative into arcane. where it will surely lack in militancy, it will make up for in its domination of the arcane. my biggest speculation is that, as they always do, piltover will fold and compromise at the last minute, perhaps yield to noxus, and invest wholeheartedly in taking down viktor's BBEG cultist regime. and by isolating his narrative repeatedly in s1, the writers planned this out expertly.

even if i'm wrong about viktor as third party, i like to think my observations still stand about the specific and qualifiable political divisions between piltover and zaun. the biggest hole this leaves for me is the question: will arcane ever take a stand? they seem very averse to making a blatant political statement, but i think their pervasive anti-police thread makes it clear that we're not meant to sympathize with piltover yuppies or their seasoned, jaded councilmen. let me know your thoughts!

also, as a jayce fan and a fan of arcane's overall story, none of this is meant as a CRITIQUE of him, mel, or silco. as silco said, "we all have our parts to play." i believe arcane's very greatest strength is their archetypal storytelling, and these distinct character roles are crucial to the success and vibrancy of the story.

if you read all the way to this point - ily <3

[blood-starved-beast]

Thinking about what Melinoe's birth must've meant for Zagreus and how upsetting for it to have been for Chronos to show up and muck it all up. All throughout Hades 1, Zagreus had subjected himself to both verbal and physical abuse so that he can bring back his birth mother. Having to own up to his own mistakes and put the affairs of others in order and resolving family drama and conflict. Putting in a lot of work so that in the end, that he and his family are in a better place than before, with that intent from the start or not that was the result. So that in the end, his parents decide that they're willing to try again with another kid, in an environment that is much better than what he had, no doubt due to Zagreus's own efforts. Mel may not be his kid, but that sense of accomplishment must be there you know? For her birth.

Only for all of that to be ripped away the moment Chronos of all people, the one factor no one (other than like, Hera lmao. And the Fates too I guess) could have foresaw. Then when he undoubtedly wakes up he's gonna find that his kid sister grew up a child soldier with her own problems and her own relationships and he and the rest of the family have no part of. Man, for the God of Relationship counseling Blood himself that's gonna be brutal to swallow. Like bad medicine or something. I no doubt believe he's gonna try to play it off ok to not give the impression it's Mel's fault or something but if I were in his place I'd be very very mad at Chronos. Like the House decorations are secondary all that emotional labor lost for that. I hope that's touched upon in H2.

[space-blue]

This is DEFINITELY the destroyed throne room of Mel's childhood.

But it really doesn't match Mel's design, or that of the dead princess. There's also no flower in the OG scene, and no obvious cracks in the wall. I'm inclined to think it's a new character and located there either before or after.

Either way it's nice to see that Noxian business will get screentime, and while it could be tied to Ambessa, I'm carefully hopeful for Mel.

[kinardsevan]

Wait. I have an addendum.

So I can understand why they pulled the henren scene now. Because as much as we’re losing our collective shit over it, those two concepts can kinda compete. We have them presenting as the protective siblings, questioning Tommy’s intentions, if he has pure motives, etc.

BUT THEN. We get Bobby later on in the same shift, telling Buck that he knows Tommy is “good people” and that he’s good for him. (This also makes the context of “how do you know” make more sense when we understand that they’re moving slowly. So in a version of their relationship where they’re having sleepovers but not sex, I can see where he’d be like “wait we’re not even boning yet, how do you know it’s good for me?”). Thus, you have a conflict of interest.

AND THE FACT THAT THEY DECIDED TO GO WITH THE ONE THAT DIGNIFIES IT AS A HEALTHY RELATIONSHIP.

Idk man. Just like. What a fucking love story they’re telling us. And to still give us the deleted scene after, so we can see what we missed, but not contextually have it detract from the core of the story. Logistically, this means (to me at least), that someone saw the conflicting information in both scenes and decided to go with the version that spoke to the importance of the relationship in Buck’s life. Because at their core, both scenes serve the same purpose: his loved ones deciding on if they approve. We were given the one that told us unabashedly that they do.

[melmedarda]

Mel and Caitlyn foilism here we come 🤪🤪🤪 When season 2 becomes about Caitlyn becoming the wolf just as Ambessa wanted for Mel. When Ambessa manipulates Caitlyn's anger and grief to make her into a woman after her own image. When goodness is no where to be found and now Caitlyn is no longer "weak". Not like Mel was.

When Mel is again on the outside, not just of her mother's favor, but of the city she cares so much for. When her mother takes her city and turns it against her... Turns the people she cares for against her. And when she is ostracized again, an exile in her city for having a heart of compassion, a heart for peace when it seems everyone wants war. When her mother makes her city a battle ground... What then? What then.

[twenty-qs]

Holy shit I just realized. Ambessa was totally trying to get Mel’s love interest killed 😂😂😭😭

Like she could’ve picked anyone with an axe to grind against the topsiders but she SPECIFICALLY picked the one with a vendetta against Jayce. Because yes she wants war, but also fuck this guy in particular. Oh you trying to get with my daughter? Inspiring her with rousing speeches of peace and the betterment of mankind? You’re not good enough for her, boy. You can’t even look me in the eye when I’m naked in front of you. She is literally such a menace of a mom 😭 can’t have shit in this household oh my god

She must’ve been so disappointed she had to stop the attack before Jayce could die lmao. I bet she made Jayce and Vi’s cool moment with the hammer cannon flop on purpose. Fucking hell.

[viserya-firstofhername]

I'm fine. It's fine. Everything is fine.

[thomas-jefferson-miku-binder]

I hate Mel Medarda discourse because she’s an insanely well-written character with a lot of depth, but people almost always have only two things to say about her: 1) evil girlboss or 2) never did anything wrong. both make me want to krill myself 🦐

In front of you, there’s a female character born of war who rejects the physical brutality of her family’s name and the regime she was born under. except said violence never really goes away because if it ever does leave, nothing else would remain

This character can and will reproduce the hatred she has always known, just in more palpable ways, ways where she’s allowed to look away — or even better, ways where she’s so distanced from the action itself that where she “looks” doesn’t even matter

It’s also so interesting to think that maybe Mel doesn’t dislike physical violence because it’s “bad” but simply because she does not excel at it The thought that if Mel was maybe stronger or a more skilled fighter, she would be just like her mother tickles my brain. yaaaas Although, to me, that's a more "what-if" scenario than the actual characterization Arcane deceipts

By the way, I do not think Mel is a monster. She clearly does try to be what she considers a "good" person, but the violence she’s always known sometimes escapes (just like in the Viktor scene above — she does not like to be disagreed with).

Sooo insane that she’s a diplomat/politician because yes. what other job in the world would allow her to exercise that repressed violence while also giving her the sense of duty—of goodness.

Mel is stuck at the scene of the execution form her childhood. All she does is repeat the same scenario in her head with different outcomes: sometimes one where she saves the prisoner, another where she doesn’t hesitate (that being the keyword here) to kill her

This reverberation of the violence she suffered is just her manner of coping with that traumatic scene. a way of lessening the pain without actually confronting its cause.

I feel like I need to clarify that no, I do not think Mel is “evil”. I don’t even think she is intentionally manipulative (most of the time), I think she handles people the only way she knows how to, which is probably one of the only reasons she survived Noxus at all (as, to how I see it, there's only a certain extent your House will guarantee your protection in Noxus).

I know the fandom talks a lot about Viktor and Jayce being idealistic, but I rarely see people mention how Mel is just as romantic. Jesus- that’s literally a huge source of conflict with her mother: Ambessa thinks Mel is naive, which to her means weakness, which to her is unacceptable.

I hate that Mel Medarda is forced to be subjected to fandom spaces, because, no, she is not a small bean. no, she’s not an evil girlboss.

Do I believe she is a good person? I think she tries to be (even if her notion of goodness is so heavily aligned with honor, too), and that tells me a lot more about her character than how successful she is at it