#media adaptation
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nicholasandriani · 1 year ago
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Beyond Survival: Music, Cybertext, and Paratext in “The Last of Us. A Three-Part Series In a world teetering on the brink of collapse, Less than a decade ago, you might have envisioned the iconic voice of Don LaFontaine echoing in your mind upon reading such an introduction. Now, as these realities seem inevitable, we’ve lost our sense of what’s purely fictional. The Last of Us” emerges not…
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cozylittleartblog · 9 months ago
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cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes
just to watch that all fall apart in the last year or so and especially the last two weeks
there's nowhere good to go anymore for artists.
edit - a lot of people are saying the tags are important so actually, you'll look at my tags.
#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite
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prokopetz · 8 months ago
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If the second twelve episodes of the Dungeon Meshi anime keep the same pace as the first, they'll take us up to chapter 56. While I don't think it's likely this is the plan, imagine that's actually where episode 24 caps off, then the series doesn't get renewed. We get a flashback to how Chilchuck met his ex-wife and that's the end of the show.
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egophiliac · 6 months ago
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ENG PLAYERS I BESEECH YOU
I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.
like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --
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spooksicl-e · 4 months ago
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old boy but /aff
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k-wame · 4 months ago
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best summary of this film ive ever read
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poorly-drawn-mdzs · 1 year ago
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Gaslighter? I hardly know her!
[First] Prev <–-> Next
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bedupolker · 2 months ago
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I don't know if you ever read any of the redwall series, but with how good your art style is you could do a graphic novel in that world and do it amazing justice.
I'm sure it's a great series but when I was in the target demographic age, rats were my favorite animal, and younger-me just couldn't get over that anti-rat propaganda. Older me just doesn't enjoy "sentient fantasy race is always inherently evil" as a trope.
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soratsuart · 1 year ago
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I find it incredibly funny seeing some fans complain that the movie wasn't "lore accurate" as if FNAF has ever been consistent with its lore, like
Wow, the movie changes a lot of stuff and is not accurate to what we thought we knew? *looks at The Silver Eyes trilogy* I can't believe that, how horrible *looks at The Silver Eyes trilogy* Who would've thought they'd change stuff that makes us doubt what we know about the series *looks at the fourth fucking closet*
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connabeth · 1 year ago
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nikooo-whathehell · 7 months ago
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(it’s not for nothing that the zone is addressed as a woman)
that's kinda specific meme I made for myself and one and a half people who are as insane as me to understand da meme
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this-potato · 5 days ago
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Anime:
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Comic:
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Netflix adaptation:
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meltedmush · 1 month ago
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Keep making the Binghorse. We gotta ward off people from entering this fandom. We need to keep it pure. I fr don't want this fandom to become famous. I'm scared that there will be toxic fans left and right.
HAHA I absolutely understand the sentiment. I feel a bit contradictory since I want more people to appreciate SVSSS, but the at the same time I like small tight knit communities and I personally can’t handle large fandoms whatsoever. 😭
Although I do feel as though describing the SVSSS as pure is very funny for how lawless this fandom is. But behavior wise, it is definitely a very positive and supportive space!! I haven’t met anyone or seen anything unpleasant since I’ve entered the fandom. Albeit, it’s only been a few months since I’ve started interacting with the fandom, and over half a year since I first read SVSSS, so I have no clue what horror stories the SVSSS fandom has. (I honestly haven’t interacted with that many SVSSS fans tbh…. Even though I want to.)
In addition, funny enough, I feel as though the book almost acts as its own barrier of entry. SVSSS isn’t the type of book you can read once unless you’re good at reading against the grain and noticing all the nuances and subtext. I know the first time I read SVSSS, SVSSS disturbed and confused me so badly. I talked to a few other people who read SVSSS once, who said that LBH and SQQ’s relationship felt like Stockholm syndrome. But people who’ve read SVSSS several times will know, that is not the case, and that SQQ is an INSANELY UNRELIABLE narrator.
I honestly find it funny how effective Binghorse or all the other skin creatures is at filtering toxic fans.😂
There’s always a general reaction to the skin creatures: “Omg, cute!!”, “wtf, but I like it”, “wtf”. Or getting blocked, or death threats. (I haven’t received any…? I don’t think…? One message I received is definitely debatable since I can’t tell if it’s sarcastic or not….😭)
But regardless, I’ll definitely keep drawing Binghorse!!! It’s actually really enjoyable!
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prokopetz · 6 months ago
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I admit I wasn't super stoked about the Dungeon Meshi anime's choice to give Falin the same lilting, vaguely stoned monotone as every Pink Haired Healer Chick out of the past forty years, but in context, and particularly paired with how the anime chooses to voice Laios, I think it kind of works as another parallel between the two siblings. Laios is Theatrical Affect Autistic while Falin is Flat Affect Autistic.
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ducklooney · 7 months ago
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More media leaks and believe it or not the original plans for Ducktales 2017. Yes, the original plan was for Ducktales to be based more on the Carl Barks and Don Rosa comics, with Donald Duck and Scrooge McDuck as the main characters. Especially the last poster by Joe Pitt, who was also one of the animators for Gravity Falls, Wander Over Yonder and Mickey Mouse Cartoons. These are designs from other animators, but there are more links to the OG Ducktales and the comics than to Ducktales 2017. Yes, Disney later rejected the ideas from Joe Pitt and then gave them to other people.
What do you think about all this? These are the original designs for Donald, Scrooge, Huey, Dewey and Louie, Webby, Miss Quackfaster, Gyro and Gizmoduck.
Still as a fan of the Donald Duck comics, I regret that they didn't adopt the original ideas for the Ducktales reboot to be more close to the comic book material, but again this is just my opinion.
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perseidlion · 3 months ago
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The Interview With the Vampire TV show is a perfect example of how adaptations do not have to follow the source material closely to be an excellent adaptation.
(This is a spoiler-free commentary, but it does discuss the dynamics of the characters in general.)
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I read the books back in the day, and of course, saw the original movie. Despite a laundry list of big changes, the series still feels extremely true to the books because it captures the spirit. It gets the characters and their fucked-up dynamics right. It doesn't shy away from them being melodramatic monsters. It keeps to the rules established in the source material. The show also makes sure to preserve key moments and key scenes, but always with a twist.
Since they did that, they were free to shift things in time, amp up and adapt certain dynamics, and change the race of characters in a way that deepens the story and complicates already extremely complicated power dynamics.
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The original movie stuck more closely to the era and the appearance of the characters as described by Anne Rice, but I don't think the story loses anything by changing those two elements. In fact, it gives it modern relevance and room for political and social commentary.
I have never ascribed to the idea that an adaptation has to be slavishly accurate to the source material to be a good adaptation. It just has to be smart enough to identify what to keep and what can change. An adaptation adapts. Honestly, I find it boring when I see exactly what was in a book up on screen with no surprises. Where's the fun in that?
The difference between a good adaptation and a bad one is not how accurate it is to the source material, but how well the adaptation respects what made the story compelling to begin with.
What's important here?
Lestat is dramatic and powerful and a monster who is deeply charismatic, but also manipulative.
Louis is overdramatic and self-hating, but oddly drawn to Lestat.
Claudia is fierce, but bitter about her eternal childhood.
Their relationship is deeply toxic but with true affection. They are monsters, but monsters capable of intense love and devotion - to the point where it has the power to destroy them.
THAT is at the core of this story. THAT is what they keep intact. This frees up all sorts of avenues for play around a few key plot beats.
This room for play also gives opportunities to expand on thinner characters or rewrite them entirely. It's been a long time since I read the books, but I don't recall Daniel standing out as more than a framing device, especially in earlier books. But in the show, he's one of the best parts. Not only does he take a much more active role in the story, he delivers some of the most hilarious and cutting lines of the entire series. If the show had stuck closely to the source material, we wouldn't have this Daniel.
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It was also smart of them to make Claudia a few years older. The eternal child element is preserved, but the layer of arrested teenaged hormones and womanhood that will never blossom adds an extra layer of angst and sadness. She is stuck forever in a state of rebellion, never allowed to settle and come into her own.
Having her be a young Black woman also deepens her attachment to Louis, visually, socially and symbolically. They are different from Lestat and they understand each other in a way he never can. She's still very much the Claudia from the book but with layers added to deepen her character and add new, fresh dynamics and complications.
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It's also delightful to see the show take the homoeroticism that was subtextual in the early books with Louis and Lestat (and in the original film) and making it unapologetically text. Anne Rice's Vampire Chronicles have always been incredibly queer and subversive, but it's amazing to see that side of it fully embraced and stated plainly with no ambiguity or qualifiers or hints. It's queer and that queerness is woven into the fabric of the entire narrative. Louis and Lestat are the toxic beating heart of the Vampire Chronicles.
It's also important because we need messy, dark, fucked-up queer narratives. Sweet, coming-of-age stories and romances are of course, important - especially for younger queer people. But us older queer folk not only want to see ourselves in multiple genres, we want permission to see imperfect, messy, and yes, even evil characters. It's a way of reclaiming the monstrous queer that was villainized for so long and making it our own. We want to find something beautiful in the dark.
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If we all thought about it, we could probably think of dozens of examples where a show or movie went far off-script from the source material and was still an excellent adaptation.
Interview With the Vampire is just the most recent and one of the best examples of a stellar adaptation that respects the source material but also builds and expands on it.
I look forward to seeing how they surprise me next season.
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