#media leaks

[ducklooney]

More media leaks and believe it or not the original plans for Ducktales 2017. Yes, the original plan was for Ducktales to be based more on the Carl Barks and Don Rosa comics, with Donald Duck and Scrooge McDuck as the main characters. Especially the last poster by Joe Pitt, who was also one of the animators for Gravity Falls, Wander Over Yonder and Mickey Mouse Cartoons. These are designs from other animators, but there are more links to the OG Ducktales and the comics than to Ducktales 2017. Yes, Disney later rejected the ideas from Joe Pitt and then gave them to other people.

What do you think about all this? These are the original designs for Donald, Scrooge, Huey, Dewey and Louie, Webby, Miss Quackfaster, Gyro and Gizmoduck.

Still as a fan of the Donald Duck comics, I regret that they didn't adopt the original ideas for the Ducktales reboot to be more close to the comic book material, but again this is just my opinion.

[hinamie]

I don't want to regret the way I lived

[infinitelystrangemachinex]

in this house we love the artists and engineers and actors who worked on arcane so much that we will not share the leaks

remember that the people who really suffer from leaks are regular people like you and me who worked hard for weeks, months, and years to make this show a reality

[snailkites]

imagine wandering (allegedly unassisted) from Central America to Los Angeles, spending several months getting fed all-you-can-eat raw chicken behind the halal meat shop and Popeyes, having your location leaked to the media, having thousands of birders come gawk at you, going on another jaunt to the LAX airfield, and IMMEDIATELY getting apprehended by the feds and sentenced to live in the zoo. such is the life of the Lomita Popeyes Yellow-headed Caracara

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[lovebots]

jjk bf texts! (3)

suggestive, female reader

includes: gojo, geto, yuta, toji, nanami, choso, yuji, megumi, inumaki, sukuna

rising from the dead to bring u guys part 3 ♡ college is intense rn

[nabbing-nibs]

This is a random post it’s just an archive of all available pixie chicks clips we have from random demo reels

[rvttendoll66]

[funhouse-mirror-barbie]

Okay. I gotta talk about it.

Warning for major spoilers for season 2 of Hazbin Hotel and discussion of leaks—I will NOT be posting any links to the leaks or posting pics/screenshots from them here. Just going to be talking about a particular character.

Okay, last chance if you don’t want to know anything about the spoilers/leaks!!!

Im serious!!! Last warning!!!!!

Lute is now unironically the most compelling character in the entire fucking show and I am not kidding.

Whoever wrote the little bit of her character that’s been leaked did a really good job. She is incredibly interesting to me now because we get to see her when her entire way of life and ideology is challenged.

Lute is a very flawed and cruel person, but she has always been extremely sure of herself and that she is unambiguously CORRECT in her way of life. And now she’s being faced with the fact that she and everything she lived for is WRONG and they just CANT accept it. So much so that it appears that she’s now hallucinating Adam to cope.

Lute cannot accept redemption is possible and her viewpoint is SO black and white that it’s likely going to end up killing her or at the very least will drive her to madness. She would rather burn the whole world than accept change. There’s a tragic element as well that comes with every character that lives in the extremes—she fully believes she’s in the right. So much so that she can’t understand why EVERYONE else in Heaven seems to be horrified by the exterminations. She thinks she is doing the best thing for everyone, and is now resisting the reality that is front of her.

What would be really amazing, and what I’m hoping for is that Adam really did fall and became a “Demon” in Hell. Because then she would have to deal with the person she looks up to and admires the MOST becoming what she’s sworn to annihilate. I don’t know if she could handle that.

The question of whether or not she could reconcile Adam, someone she saw as being heavenly and perfect, could fall and become what she hates the most, a demon, is really interesting. She’d be forced again to question her ideals and beliefs about what is right and wrong. That is the sort of deep character exploration I had been hoping to see from season 1 of Hazbin and didn’t really get.

This small glimpse into her character reminds me of other characters that are so lawful or black and white that they can’t accept change or realities that conflict with their worldviews. Rorschach from Watchmen and Javert from Les Miserables come to mind.

It would be really cool to show her in direct contrast to V (not calling her that sexist ass name at least I can pretend “Lute” is named after the fucking instrument) and have Lute be the foil to V’s continuing character arc from season 1.

Please please please don’t let this characters complexity be reduced to “evil bad villain is bad and evil” for the rest of the story please please please. (Gotta say tho, given Hazbin and Helluva’a track record with writing women villains….and tbh just. Women in general. I am going to be VERY VERY cautiously optimistic)

(Also I don’t care if her song is cringe I think it fucking SLAPS)

[jesncin]

Coddling Colonizer Guilt

"Performative diversity is when MAWS features a Native American variant of Lois Lane in the multiverse episode only to end the season on a Thanksgiving episode."

...is something I like to joke with my friends as a shorthand for referencing MAWS' squeamish approach to politics while still trying to reap the clout of "diverse representation". I want to get my thoughts out there and perhaps start a discussion over why this feels off.

Some disclaimers: Firstly, I'm not Native American. Understand this is an observation I'm making from an outsider perspective with no personal authority. I'm just a disappointed Asian Lois Lane fan. Secondly, I know the MAWS crew/creators had no malicious intent in any of these (what I consider) poor writing decisions. I'm simply here to challenge and analyze these narrative and visual choices.

MAWS takes a fairly controversial take on Superman mythos so far. Unlike Superman's historic roots as an allegory for Jewish immigrants with Clark coming from a Kryptonian socialist utopia (leading the imperfect people of Earth to a better tomorrow), MAWS chooses instead to reimagine Superman as a descendant from a planet of "alien invaders". If the leaked(?) concept art (warning potential spoilers for s2) is to be believed, Clark is the direct descendent of the leaders of the "Kryptonian Empire". Supposedly gone are the parents of Superman being scientists that warn of the destruction of their home planet- instead we have the "proud, loving, brilliant" "leaders of the Kryptonian Empire".

While we don't know if this is the direction the show is going in, there are already cryptic hints of it being planted and thematic elements set up that point to it being a possibility. Clark had spent a majority of the season wondering what/who he is (being incapable of talking to Jor-El's hologram because of a language barrier) only to find out his supposed origins in episode 9. He's devastated learning that he's an alien invader and, once he regroups with his friends, angsts about believing he's a weapon sent from Krypton to invade Earth. Asian-Lois Lane and Black-Jimmy Olsen assure White-passing-alien-man Clark Kent that he's different and not like other colonizers. Clark ultimately saves the day, proving he's an exception. It's curious then that the season ends on Thanksgiving.

As I've mentioned before, MAWS is exhaustively squeamish with getting political. Whatever happens in the show that resembles "themes" is quickly contradicted with very little consistent internal logic. One minute Superman is supposedly a threat that "wipes out good American jobs", should "go back to where he came from" and Lois makes a hope speech about how we shouldn't treat people who "are different" and "don't look like us" (??) with cruelty (so Clark's an immigrant going through xenophobia?) and the next he's a redeemed colonizer (a more prominent thematic arc). One minute Clark is "different" and scared of being othered- likened to a gay couple and allegorically closeted, and the next his friends call him out for being a lying liar for not disclosing his marginalized identity within a week (the narrative frames Lois and Jimmy as being in the right). This show's writing is non-committal with what it wants to say, and largely goes on vibes. That is to say I don't think the writers intended for the themes of colonizer guilt to accidentally tie into Thanksgiving as a set piece for their final episode.

I'm sure the reason the writers chose Thanksgiving as their final episode is because it's "relateable". Half the episode is dedicated to slice of life family reunion shenanigans and the dang turkey still not being cooked through. But in choosing Thanksgiving, the writers told on themselves here with their biases. The existence of Thanksgiving implies the existence of genocide (of Native American people) by colonists in the MAWS universe. And yet Black Jimmy Olsen doesn't know what racism is (Mallah and the Brain give him a judgmental stare as Jimmy admits he can't relate to being violently marginalized) and Asian American Lois Lane doesn't understand immigration and xenophobia (constantly being entitled to Clark's immigrant identity, being incapable of comprehending why he would keep it a secret, because secrets are lies). The MAWS crew wanted a "relateable" set piece but in doing so ended up reinforcing the historical revisionism the holiday entails. A foreign colonizer sharing a meal with his friends of color on Earth, whose culture, history, and identity are all white washed.

I would like to challenge this idea that Thanksgiving is somehow the "relateable" choice. Why pick this holiday? Why not celebrate Thanksgiving as a National Day of Mourning (as some Native Americans do)? Why not pick any Jewish holiday as a nod to Superman's creators (ignoring this version's colonizer interpretation for a second)? Why not pick Lunar New Year, a holiday celebrated by many people including Koreans (Seollal in South Korea)? It could've been another fun opportunity to showcase Lois' heritage, and create a fusion of cultures from Jimmy and Clark's families. At its most non-political and secular, why couldn't they pick any weekend? This is what happens when a show doesn't consider its world building and setting in a holistic way. MAWS will nod to xenophobic rhetoric, portray allegorical queer marginalization, and make the vaguest nods to systemic bigotry (Prof Ivo displaced a whole neighborhood! Yet we never hear from those figurative displaced people). But it does nothing to discuss any of that on a deeper level. Its characters of color don't know what racism is and Thanksgiving is just a fun family reunion, guys.

All this and they had the audacity to sneak in a Native American Lois Lane in the multiverse episode?? Why is she, out of all the Lois Lanes in this screencap, the only one in full traditional wear? Why isn't she in a smart casual business fit like Black Lois and STAS white Lois? Would she not have been recognizably Native American to the non-Native audience otherwise? Isn't this tokenizing? Do you think she has a xenophobic dad in the military like Korean American Lois does?

But that fits MAWS' approach to diversity, doesn't it? Surface level cultural nods, maybe make Lois wear a hanbok one time, and let the audience eat it up. Never mind that both Korean American Lois and Native American Lois have been stripped of their culture and history in every other aspect.

I use the word "relateable" a lot here, but I think the important question to ask is "relateable for who?". 'Immigrant' is too charged a word, so MAWS universalizes Clark's marginalization to "being different". Superman isn't even an immigrant in this version, that was all a smokescreen for the twist that he's actually a descendent of colonizers! Being wracked with colonizer guilt is way more relateable to the white audience than being an immigrant, surely. Thanksgiving is more relateable than celebrating any culturally specific holiday our "diverse reimagining" could have represented. Characters of color being functionally white (in a way that doesn't threaten middle America) is way more relateable. MAWS is a show that doesn't want to delve into Native American history. It would rather put a Native American Lois hologram on a pedestal and call it a day.

[twentyfivemiceinatrenchcoat]

the mice are offering you a slice of cake….

do you accept their tribute

[boylikeanangel]

2023 good omens fandom would never survive may 2019 when the entirety of season 1 got leaked on the emmy fyc site and me and several other blogs spent the entire month slowly feeding people spoilers and screenshots and we all shared the fucking google drive folder with the leaked episodes still with a watermark over them and spoke to each other about it publicly in riddles and it was the best month of our fucking lives. like we did that shit because it was funny it was like we were all staying up past our bedtime and getting away with it. you are all so boring now

[tsunreleased]

TS Unreleased Song Masterpost

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[Last Updated 10/27/24]

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Unreleased Songs:

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[ian-anthonyupdates]

Ian on Keith's Instagram story 29/08/24

[rvttendoll66]

[proffesionalalpaca]

I need more theories about Avatar 3 because I'm going to go crazy until the premiere 😭 I'm so curious how Spider will react if Quaritch really joins Ash's na'vi or worse kidnaps him again and forces him to join too

Let me just get my hat on *rustles of foil*

-

To put it simply I think if Spider was to find out Quaritch had joined the Ash clans, he’d be a mess of conflicting emotions: both pride at the fact his ‘not-dad’ is capable of connecting with Pandora and the Na’vi like that but also, from the nature of the ash people, be disappointed in who he has decided to connect with.

But for comedic effect here’s the initial reaction:

‘Quaritch joined the Na’vi’

Spider: YES!

‘It’s the Ash people’

Spider: FUCK!

-

Quaritch would, in my mind, definitely try to make his ‘totallynotmyson-son’ live with him, because being accepted by a group of Na’vi is what Spider wants right? But of course spider is a gentle person whose closest friend maybe the embodiment of Eywa herself, he wouldn’t want to be apart of a culture that values cruelty like severing and wearing kurus as trophies, or potentially having any affiliation with the RDA/human side of the war - who the ash people may be allying with.

I feel like the Metkayina will be where spider finds himself as a man and their pacifistic way of life being antithetical to his biological father would only attract him further.

The ash people will likely be the Opposite to everything the reef people & tulkun represent, much like their opposing elements - and while spider is a warrior at heart with an ever burning fire that may endear him to the ash people, I just can’t think he would be on board, though he would again feel conflicted if they were completely ready to accept him despite of all his differences. Everything he wants if he leaves behind who he is.

If Quaritch forced Spider to join the ash clans (which I don’t think it’d get quite that far but not for lack of trying on Mile’s part), Spider would resent his father for making him join the clan that’s trying to kill his ‘people’ (kiri, Lo’ak & etc…). It would, from in spider’s point of view, be little different from being forced to join the RDA directly.

-

Extra theory:

Themes of this film will likely be about war, forgiveness & rebirth.

War - obvious reasons but specifically about the cycle of violence of being wronged so you must take revenge which then creates the feedback loop of conflict that never ends. The ash people were likely on the losing side of a conflict/ many conflicts a long time ago and they still hold one hell of a grudge - which is why they’ll join the humans to defeat their ‘shared’ enemies.

Forgiveness - this is Neytiri’s theme, she needs to learn to let the past go in order to achieve inner peace and move on in her life without holding onto all that pain and anger. Especially towards Spider, where she’ll see that the ash people are the result of this blind hatred for the actions of one’s ancestors being put upon an innocent party. How petty & pointless it really is, especially how it can poison a person’s soul overtime. She doesn’t need to forget but to recognise that Spider and many humans are not all guilty of the crimes of a few terrible people. Maybe this will even aid in her journey to understanding humanities plight on Earth?

Rebirth - I’ve said before with project phoenix and the cultural symbolism of fire, there are huge indicators for rebirth to be a major theme and I think that will be Quaritch’s theme going forward as he sheds the identity of the human Quaritch and becomes the Na’vi man he lives as now, whether that is with the ash people or not is another matter but I think they will be crucial in finding his connection with Pandora, with Varang as a key point in this journey.

I also think from the leaks of spider that rebirth will be apart of his character arc, overcoming the limitations of his human body to truly be apart of Pandora. And kiri who could be reborn as the Avatar of Eywa herself.