#me trying to justify

[yumaisbored]

i may be writing the story, but please know it is by no means within my control. i just created the characters, whatever happens to them has to happen. i too am devistared by the turn of events.

[bet-on-me-13]

Danny commits to the Bit a bit too hard...

So! For the first few weeks after his accident, whenever Danny would try to help the people of Amity Park, he would be treated as a Villain.

No matter if he had just defeated the Big Bad of the Week or saved a Cat from a tree, everybody in town only saw him as a Monster or Villain to he feared and hunted down. Danny was really getting sick of trying to get them on his side, until Sam made a suggestion.

"Why not just...play into it?" She said, barely looking up from painting her nails.

It was just an offhand suggestion, but it stuck with Danny. Why shouldn't he lean into it? The people of Amity Park already saw Ghosts as Evil, and they already assumed he was in cahoots with the Ghosts attacking the town. Why shouldn't he just...play into it?

So he does just that.

From that day on, whenever Phantom was spotted he would dramatically monologue about his Evil Plans, or claim that another Rogues attack on the City was his own act of terror.

Box Ghost destroys the towns Warehouses? It was on his orders.

Ember mind controls masses of Teenagers? All part of his Plans somehow.

Every Adult in Town is kidnapped by Young Blood? Danny gave them over to a friend as a Gift.

He crafts an identity for himself as the most Vile and Horrible Ghost that has ever attacked the City, using his own infamy to cement his legend even more firmly. The town only sees a Monsterous Villain, who has eveded capture near effortlessly for months on end, who constantly attacks their City and gets away with it.

Of course he still needs an excuse for how his plans keep getting stopped, and he gets it when his girlfriend Valerie becomes the Red Huntress. Before that, he just claimed infighting or the Fentons getting lucky, but Valerie becoming the Town's Hero meant he had a plausible excuse for how he kept getting "Foiled".

Val was suspicious, because she was not as involved as Phantom painted her to be, but in the end she had no proof of him faking his defeats. And she couldn't come up with any explanations for why he would do that in the first place. I mean, who would fake being a Supervillain? It had to he something else.

This did come back to bite him a while later, when the Justice League decided that enough was enough, and dispatched Justice League Dark to recruit Red Huntress and help Deal with him.

Coincidentally, that was the same day Pariah Dark attacked the Mortal Realm and sucked Amity Park into the Ghost Zone.

And honestly? Danny had spent over a Year proclaiming himself as a Villain who commanded Ghosts to attack the Human Realm, and he had heard about the Right of Conquest being Absolute in the Ghost Zone, so why not make it official? Why not overthrow the Ghost King, become the Ghost King, and cement his identity as a Villain while also forbidding Ghosts from entering the Human Realm without his permission?

He may have gotten a bit carried away and forgotten that the Villain thing was a disguise...but hey! He was still preventing Ghost Attacks! ...mostly. That's got to count for something right?

He may have let the Bit run a bit too far...

...

Check the tags for more context!

[cologona]

Yeah nothing Jason does would work in the real world. Good thing he does not live in the real world. He lives in Gotham, which operates on the logic of Hollywood movies from 40 years ago. Oh wait- perhaps that’s integral context for his character!!!

[dulaari]

Star Trek: Deep Space Nine - Crossroads of Time (1995)

(credit: Diamond Longplays)

[letsplaythermalnuclearwar]

love how Would You Fall In Love With Me Again emphasised that Penelope is just as in love with Odysseus is he is with her. she doesn't tell him to move the olive tree as a trick, she says it to prove that he is still the same man who left twenty years ago--that he's still her husband. she is crying and desperate and tired of waiting. she doesn't care about the blood on his hands, because they are his hands and that is all that matters

[thatnununguy]

What if I built a robot version of you that makes it obvious that I completely misinterpreted your entire character? Haha, jk.... unless.....

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[qualityrain]

call out my name when you need me again

if you know who I am, why won’t you call my name?

[caluette]

itoshi brothers / “still”

[farosdaughter]

A detail that really struck me while rereading TBOSAS is Coryo’s concern over Lucy Gray’s survival in the wild (p507).

Mind you, this comes after being bitten by the snake and chasing her in the forest with a gun. Coryo’s parting thought upon leaving a world that, according to his paranoia, is deadly to him, is of Lucy Gray. Even in the throws of hysteria, Coryo is hoping that Lucy Gray’s escape will be successful and he ensures that she’ll have the means to survive.

I find this duality in his feelings for her extremely fascinating: on one side he perceives her as a threat to his survival, and as such he hunts her down before she can do the same to him. However, once he realises that no one can harm him in the forest, his latent regard for Lucy Gray resurfaces as worry about her future wellbeing.

Once again, his behaviour reminds me a lot of Darth Vader’s final line ‘Where’s Padme? Is she safe?’ in Rots. I know for sure that Coryo wondered the same about Lucy Gray in the years and decades to come.

[shalom-iamcominghome]

[mylittlecrow]

i will never shut up about jon promising to protect sansa in 6x09 and then the parallel of lyanna begging ned to promise to protect jon IN THE NEXT EPISODE. something something “if the day should ever come when your lord father was forced to chose between honor on the one hand and those he loves on the other what would he do?” and we KNOW ned picked love. ned loved his sister so much he lied to his king and bff to protect jon. ned loved his daughter so much he sacrificed his honor and duty to the realm and lied to protect sansa.

the writers intentionally put sansa at the center of jon and dany’s conflict. sansa’s not in king’s landing during the battle in 8x05 or 8x06 but she still haunts the narrative, her name is brought up by FOUR different characters. jon was ready to die if dany saw him as a threat to the throne. “i'm tired of fighting it’s all i've done since i left home.” and the only way to get through to him and to get him to fight again and to kill dany is to mention sansa and how she’ll never be safe with dany around. “if we don’t take back the north we’ll never be safe i want you to help me but i'll do it myself if i have to.”

and sansa is so used to being alone. she spent months waiting for robb to rescue her from king's landing, and it never happened. robb chose the north, his duty, over her. and she's beaten for the north's independence and then sold to two different families who stole the north from her. and then she finally finds help in theon and brienne and podrick but she doesn't feel completely safe again until she's in jon's arms. but even then she's still ready for more disappointment, to be separated from her family again because “life is not a song” and “there are no heroes.” but jon isn’t robb. “jon isn’t tormund. jon isn’t davos, or the red woman, or stannis for that matter. jon is jon.”

“where will you go? where will we go. i won’t ever let him touch you again. we need to trust each other. until i return the north is yours. touch my sister and i’ll kill you myself. what you did for her is the only reason i’m not killing you. i’m her family too. what about everyone else? what about the other people who think they know what’s good? i’ll protect you, i promise. no one can protect me, no one can protect anyone.” but jon proves her wrong, he can protect her. he will keep her safe. because when his day comes and he has to chose between love and duty, he chooses her. there still are heroes in her story and their story isn't over yet.

[tubbytarchia]

gg buddy am I right (ethubs doodle that I don't know what to do with)

[please-read-the-manga]

Hm... the idea of the ghosts of Uchiha continuing to endure beside the mourner who grieves them, even beyond death... Idk, it compels me.

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[potatobugz]

its like this, basically