#me lying: i'm over this :)

[hopeinthebox]

bts + reductress headlines pt.14

[starboardharpy]

My first contribution to the Hades fandom hello

[flying-cat]

people who undermine the importance of izuku and katsuki's relationship throughout bnha because of "annoying shippers" or because they just don't like katsuki are insane because their relationship is literally so? important??? to the entire story???? katsuki is the deuteragonist of bnha. he was one of the first characters to show up. he was the first other person to know about OFA. so much of the manga is spent showing his development. if you deny his character development and relationship development ("relationship" does not always mean romantic relationship) with izuku, you are quite literally denying a massive part of the series. the manga starts with them and ends with them. you're allowed to dislike him but if you dislike him so much that you, in turn, start hating how izuku is a "punching bag" or a "doormat" for the entire series because he doesn't stay angry and vengeful at people even though a massive part of his character is that he's compassionate and kind even to people who aren't to him or used to not be, and you seriously think that that makes him weak, and you just start to dislike the main two characters of the series, i think you should. idk. stop reading, probably. read the revenge fantasy shit that you obviously want to read. there are like seven million manhwa available to you where the character gets the revenge you so desperately want to see.

[tomcriuse]

Álvaro Morte as Sergio Marquina La Casa de Papel | Season 1

[le-chevalier-au-lion]

the game lasts 14 hours: rosquez [e], part 1

Marc had been dreaming—yes, dreaming is a good word for it. One minute, he’d been upright on the bike, panting like a dog inside his sweat-damp helmet, Pecco half a heartbeat behind, the grandstands around Sepang a blur of color and heat-fuzzy people. The next, he thinks he’d been down, or dead.

Now there’s someone hammering on his door. Hard enough he can feel it pulse on his teeth, on the tips of his fingers that are cold and numb.

His eyes are gritty. Everything about his body moves a heartbeat too slow, unresponsive. It takes Marc a moment to drag himself upright, to convince his legs to move. Dead fits better, he is sure of it.

The pounding becomes deafening. Marc forces air into his lungs once, twice—and off he goes. He swings the door open, almost closes it again once he sees who’s there. He could be dreaming, still. Or very high on the good painkillers.

“Marc,” Valentino croaks.

He’s panicking—maybe. Probably. It’s there in his wide, watery eyes, in his hands, wobbly and clammy. He jitters, looms on Marc’s doorway shaking worse than an addict.

“You have to believe me,” Valentino spits once it becomes clear Marc won’t speak. One-two-three, one-two-three, one-two-three, his fingers tap on the wall. His mouth pulls to the side, like he sucked on something sour. “I’m in a time loop, it’s—”

“Alright,” Marc cuts him, “do you want to come in?”

Valentino blinks. His shoulders jump, grow stiff, and he sways a step back before he remembers himself.

“You always say that.”

There’s a strain in Valentino’s voice, a knot unswallowed. Marc wonders if he should bring that up, decides against it. It’s easier to move to the side, invite Valentino in wordlessly. He should ask how he got his room number, how he bribed the staff to let him come up.

Or not. It wouldn’t be that surprising.

Valentino stumbles like a baby deer, all long, uncooperative legs. Sweat prickles on his throat, on his forehead. His gray shirt is fucking soaked with it. He looks—it must be said—like shit.

“You look like shit,” Marc decides to inform him. It’s a little—mostly—because he can’t think of anything else to fill the silence. He never can.

“You always say that too,” he scoffs.

Offense is better than panic—Marc hates when people panic around him. And it makes Valentino suck in a breath, convulsive, short, and then another, one more after that, each one easier. The minutes tickle by until he collapses into a plush arm chair, a puppet with his strings cut, sleeplessness carved into the bags under his eyes, into the gray sallowness of his face.

Marc checks the clock on the wall, the aggressive, bleeding red of the numbers. 05:13 AM. It’s early, still, but he needs to go on a run, have breakfast with Álex, sit down with his crew to smooth out his tire choice. Five points between him and Pecco, he can’t afford to make a mistake.

He doesn’t have time for Valentino going on a full freak-out, and yet—

“You believe me.”

Marc sighs, gets around brewing himself a mug of coffee. Only one, he isn’t sure if Valentino should be taking any caffeine when he’s this close to a heart attack. It’d be funny, for this to be a loop where he dies so early, doesn’t learn anything from it.

“You don’t contradict senile people.” He’s smiling, a little, a sharp grin tucked on the corner of his mouth.

Ha ha, Valentino barks. He’s clinging to the armchair so hard the fake leather creaks under his bitten bloody nails. “You believe me. I know you do.”

It isn’t usually this difficult to not be an asshole before 7 in the morning.

Marc could be cruel—it’s not often he gets to catch Valentino wrong-footed, genuine. His anger is so mirror smooth, an opaque, enchanting thing. Few people can dig into him and make it hurt. He could be much kinder, too. Say something like you’re obviously afraid, it’s not the time to question anything, of course I’d help.

Not a good idea. There’s a timeline where Valentino punches him for that, he thinks.

Marc is also very tired of offering kindness to Valentino.

He swallows. “Let’s say I do.”

Valentino lets out this noise—like Marc stabbed him right between the ribs, right where it hurts. It’s the thing about him, one of the worst ones. Doesn’t he know that a good third of Marc’s life has been spent dealing with what he says? Rolling with those wild fairytales, bracing for the next hit.

It sticks to the roof of his mouth. I believe you believe that, soothing in the same twist where it’s mocking, an oystershell of the unkindness that Marc has been rehearsing once he stopped showing his soft underbelly.

“Is this the first time you’re coming to me?” He asks, raises an eyebrow.

“No.”

“Really?”

Valentino hums an unwilling assent, kisses his teeth. The sharp tsk sound is so familiar that Marc feels like he was plucked from his body, tossed ten, eleven years ago. The sense of vertigo has him braced against the narrow, non-descript counter, watching out for the trickle of coffee that will—maybe—ground him. He’s an optimist.

“Twenty-six,” he huffs out, scowls. It sounds like it was pried from him laboriously.

The coffee machine beeps. Marc does the unwise thing and turns his back on Valentino, fiddles with the buttons. He will take it with sugar today. He fucking deserves a spoon or two, something sweet to soften the blows.

“I’m guessing I’m not exactly helpful.”

Marc feels a hand pressed between his shoulder blades, hot as a brand, that touch raking over his nerve endings even through the protection of a shirt. It’s proprietary, tugs on his guts like a fishhook. His insides might as well spill out, redredred and so overly honest it hurts. He flinches, remembers he shouldn’t have. His mouth twists, lips pressed together.

Everything suddenly aches.

“Are you ever,” Valentino breathes out because he never had a problem with being cruel.

It’s easier to hold on to that—it’s the gentleness that has Marc grinding his teeth, dull pulses of pain settling in his jaw.

He closes his eyes, then forces them open—you can’t run from a tricky corner, or from Valentino. “Any reason in particular you’re messi—”

“I’m not messing up with your weekend,” Valentino hisses. Time loop, right. Marc is still annoyed at being interrupted.

But his face is so close, Marc can spot each new wrinkle, the skin of his earlobe sagging under the weight of his earring, the patchy, half-shaved stubble on his oddly cadaveric cheeks. He forgets to not be charmed, forgets how abrasive Valentino can be.

“In my experience, you typically are,” he counters, mostly to be difficult.

Valentino’s face spasms. Marc counts down the seconds until he hardens, becomes a naked blade under sunlight. His expression crystalizes into his usual mask, except for his bottom lip wobbling, the manic glint in his horribly blue eyes.

“Allora, it’s always a fight with you.”

“Something like that, yeah.”

Marc curls his hand around his mug, sinks into the heat radiating against his palm. Valentino tightens his grip on his shirt, turns him around. He has to look up—if it’s through his lashes, well, it’s so very early, and he hasn’t taken his coffee yet, and he’s bleary and good as dead.

Neither of them speak.

It’s 05:28 AM, the clock cheerfully informs him. He needs to get going, or he won’t have time to go on his run.

Marc doesn’t move. Valentino keeps him boxed against the counter, gripping his arms. It’ll bruise. His bones creak under that hold, but it’s the closest to tethered he’s felt in a while. He lulls himself into that false security, knowing it’ll bite, knowing he’ll take the bite anyway.

“So why come to me?” He asks, once the silence grows boring, once it starts gnawing on his sanity.

Valentino lets out this laugh—a little hysterical, choked. “It’s not my first choice. Uccio tries to give me Alprazolam and Luca tells me to go back to bed.”

Marc hums, faux-commiserating. “It’s good advice, have you tried it?”

“Right?” He keeps laughing or making that noise that looks like a laugh and sounds like it’s tearing him apart stitch by stitch. Marc could try looking into it, divining the omens of his day on his spilled guts.

Or—

“What happens next?”

He wants to know what Valentino will say today—it’s his favorite part of any game they play, getting roped into those stories. Falling for Valentino’s deranged Cesar on death row charm.

This time, Valentino skips the charm. Marc wishes he weren’t so disappointed.

“You’re going to die.” He nods, yes and?

Valentino grows stiff, death-serious, mouth wrenched in a snarl that bares his sharp canines. The press of his fingers goes from settling to a permanent ache, right over the place where he broke and didn’t heal right. It’s good, the kind of pain Marc can sink into and enjoy, constant, so dear by now.

“You can’t not care. You believe me.”

He smiles—bland, strained around the edges. His face feels like clay. “There’s always tomorrow, no?”

It’s a joke. Almost one. Marc has barely spoken when he notices how flat it falls, how he misses the apex of comedic timing by a mile.

There’s barely enough time to set his coffee on the counter. Valentino crowds into him, or wrenches him closer. They’re chest to chest like this. Blurring into each other, Valentino’s thumb splayed over the longest scar on his arm, Marc panting hotly over his protruding collarbone.

“You just don’t—”

“Valentino,” he sighs.

Marc has—they’re both bleeding, the walls of his hotel room pressing into him grimy and suffocating like a slaughterhouse floor. It’s too much blood, too much history, too much. Marc has made him angry. The ugly anger. A knotted mess Valentino can’t smoke-and-mirrors his way through, that pours out of his flashing eyes, his grinding teeth, his hands digging into Marc like he’ll crack open his ribs.

He doesn’t remember how many times he’s seen it before. Not many. Valentino is pathologically non-confrontational, his smiles slick and meaningless right as he lines a shot. Maybe he’s losing his mind, fraying, shattering.;

And maybe Marc is losing his mind too. I got you, he thinks, triumphant—the poisonous, acrid triumph of racing even when his arm twists like it’s trying to kill him. He still can make Valentino lose his footing. No one else but him.

“You’re going to die,” Valentino repeats, takes a step away from Marc like he’s scalding. He starts pacing, a caged thing, a Russian doll of nervous ticks. “It’s going to be—it’s going to be fucking terrible. It’s going to hurt. Why isn’t that enough for you?”

Marc looks—briefly—heavenward. Valentino scoffs.

And that’s it. Another one.

“How many times have you gone over today?” He asks, hopeful and hating himself for that hope.

Valentino smirks—like he has a knife tucked between his lips, joylessly, scraped raw. “Once or twice. It’s not like you ever take it seriously.”

The sound of the door slamming closed echoes in his chest. Marc tries to breathe, fails. Has to bend over the counter, the cold marble a blessing against his overheated skin. The chilly shock hoists back to his own body, but the nausea remains, a mouthful of thorns and bile he can’t swallow.

He wishes that Valentino would answer once—just once—how long he’s been on a time loop.

But he can’t linger too long on that. Marc has to go out now, go on a run, have breakfast with Álex, talk with his crew about his tires, die on T5 of lap 12.

Ater sixty-two runs, he’s pretty damn good at it.

[localguy2]

I hate that this is genuinely something I'm writing rn, but nothing has more RATTLED my faith in the writing team's ability to write a Zane story then him calliNG ARIN CRINGE-

[errruvande]

I found someone who's gonna talk with me about about G Dragon 24/7 😭 She was so close this whole damn time, she's my bestie's friend. We've already talked for like 3 hours and she's fed me 26$72872819 pics of soft goofy GD I wanna cry

[chaggiehearts]

Do people still use this kind of templates?

Anyway, my Chaggie headcanons :) disclaimer that this is just the way I interpret them, it’s 100% okay to disagree lol

[y-rhywbeth2]

Hey, other Durge players, I'm curious: what class/es did you give your Durge and how do they tie into their backstory?

[moonchild-in-blue]

Okay I know I said I was going to stay offline for a while because headache, but I just had the most horrible thought and have to share.

You know the piano on Drag Me Under? The rhythm at which the keys are pressed? Is it just me, or it sounds eerily like a heartbeat? HEAR ME OUT.

I'm not saying it's supposed to sound like that, and I'm aware the tempo is slightly off from the normal/usual heartbeat rate BUT. What if it is? What if you look at it from that perspective?

In the lyrics, Vessel says that they are lying down together. What if this is his/his lover's heartbeat, like when you rest your head on someone's chest and can feel it echo in you?

If he is indeed being dragged down, maybe this is the final moment before the descent? Into Them or down under, I'm not sure. "To merely behold you" - what if this is him remembering their last encounter before They abandoned him? Before Atlantic took place? Since they can't be together? Since the rhythm bleeds nicely into Blood Sport, their parting song? The one before the Big Sad? Does this make sense or am I crazy??

[stewy]

ARIAN MOAYED in Arranged (2007).

[residentialsinyomakai]

Hello hello!!! Guess what. Yokai art dump below the cut!! So cool and shiny wow

Its true, I do >u<

I'll try and section these and give the usual explanations below! Image ID for more drawing specific inksplanation.

Click for full image! Since a lotta these are weirdly shaped they were cut off....augh...

McKraken and Maddiman related doodlesssss they're some of my faves <3 i will always love them even if they're not my focus characters atm (well. McKraken kinda is rn but also Babblong so YAY)

Misc. Yokai and ocs! The frog is Kerosque, the guy w the swirly pompadour thing is Swiss, and the monkey is Romono (although he's a Regretevator OC from FOREVER ago, he's still my son <33)

SWISS STUFF RAUGHHHH ! inconsistent style will be APPARENT here try not to notice shuhhhhhgh

Height for main yokai in my AU/on Casp's team! (In the anime it's just primary summons then wwwww)

Some yokai practice/design hcs bc my friend asked!! I was so happy to share 🤭 LOVE YOU CHERCHERRRR

Some of my little guys once more! Rawry' prob one of my faves yokai to draw, easy and fun to do show-accurate or stylized.

OCSSSSSS. AND BADDINYAN. MY EVIL CAT <3333 the guy next to the frog in the middle is an oc idea but idk for what yet =▽=

AUGH. THERES AN IMAGE LIMIT? Well in case you're wondering it's 30....post the rest after I get tomorrow's doodles. See you then and thank you for looking at and reading about my arts!

[kittylittersmoothie]

again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and

[sukibenders]

Look, I enjoy the Targaryens as much as the next person and think that their house, their family mess, all of it is very interesting. I want a dragon so bad and they are one of the reasons, I get it. But, on the same hand, it gets annoying when people say/act like they are the only interesting house within ASOIAF (this rhetoric is mainly on Twitter, from what I've seen) and it primarily has to do with them having dragons (to which, for a time many Targaryens didn't have after the dance and until Daenerys came into the picture). Look, having dragons is cool and all, but if that's all that makes a house interesting then maybe that house is boring. And, could be just me, but by saying that I feel like it's lowkey disrespecting all the work GRRM put into the other houses and their characters. If the Targaryens are your favorite that's fine, but there's no need to act like the lore behind other houses also isn't just as important. I'm new to this fandom, but there are so many aspects that have pulled me in and it's sad that people ignore it just because it's not a part of one particular house.

[pocketramblr]

Watched new hope yesterday and have a vague idea floating around in my head... But first I wanna see something

[coquelicoq]

i can't believe there's a multi-episode arc in the middle of kill me love me where the main characters just hide out in a bucolic village playing happy families. this is not gonna end well