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#me before you premiere
oswincoleman · 1 year
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7 years ago today, Jenna Coleman attended the Me Before You premiere in London! She played Katrina Clark in the film.
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electrozeistyking · 16 days
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It was worth it in the end.
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phoenixtakaramono · 3 months
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𝘖𝘪. Ladies and gentlemen, The Boys are back 💉🩸
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serpentarius · 4 months
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cannot express how badly I want that vampire to kiss that old man
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averlym · 2 months
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ghost story premiere day! check @melliotwrites for more info
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#*there's less than a day left* me: does this count as a prediction :33 sorry it's vague i just predict Vibes. stream sheep in wolf country#last several hours i can post this before it comes across as a Reading Comprehension Cringefail! due to the new update (premiere)#which is also to say i've rushed it in the last 24h after cc told me ''go for it''. i haven't digitally rendered like this since i was 15#in lieu of character designs falling into my lap from above i give you wolf & sheep & wolf & sheep. also House. also fire and water concept#brought to you by (1) general excitement i've been swept up in // (2) cc; who i messaged yesterday with a sketch on a half-wet receipt#and was an enabler of this nonsense // (3) copious usage of the procreate liquify tool and eyedropping colours from the pinterest boards#(4) '' rotatable 👍 '' from cc which means that the house in water isn't beset by reflections and vague. and this work is rotatable.#bonus points if you treat both sides as a spot the difference game.#tempted to print this out as like a6 merch. lowkey. // (4) me rendering last minute on the last possible day [art proj flashbacks] //#(5) ghost story art draft 1 i did like dec last year involving a shelf; incense sticks; peeling paint; spilled cup; the whole shebang -#if you look at the water house there's incense sticks in the window. yippee! had fun with that... it never made it out of sketch.#and then i lost the paper. alas. sorry i guess that was fated to never be. here's attempt 2.0 with months of hindsight#anyways let's talk really quick about song assocs! water imagery @idk you anymore // sheep in wolf country!! pretty obv. above#there's a house & there isn't a house. much House. idk how else to put it. // also that one timeline (not a song) saying <house burns down>#incense sticks mentioned in i breathe in you breathe out // the lighting for the field of grass comes from there's a house:#'where the grass looks like fire sick with anticipation'. also in the same song: pond mentioned 💥💥 body of water moment //#also also the house in this work is like. if you took the ghost story header & the ghost story programme houses and smushed them tgt#except i was lazy to render wood that clearly. and last note here is that the smoke was kinda insp from how clouds are done in chinese art.#ghost story musical
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Medical log, stardate 18935.15. Once more have I seen the tailor go out in his lizard fashion—
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batsplat · 3 months
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I keep seeing people say Agostini likes Marc and I think you had post which included what Agostini thinks about the rosquez situation.
I was wondering if you knew if they have actually interacted or how this fondness started. And if it's continued.
Apologies if you've already made a post about this and i missed it 😊
And thank you for all the responses to my prev asks!!! You are like my favourite grandparent i sidle up to and ask to reveal some new thing of the MotoGP world. Which you do so patiently 💛. ( I'm sorry for the grandparent comparison i couldn't find a better one 😔😔😔😔😔).
ahaha that's super sweet. and honestly, I don't think there's really a story here, beyond 'ago quite likes him'! they did a joint interview of sorts at the laureus awards in 2015 which is worth a watch - which came after that 2014 season in which a big talking point was how it looked like marc might be able to match ago's numbers in 'winning everything'... also you have that presser clip from 2013 where the riders are asked ago or hailwood, and marc says "if everybody say ago, ago" and laughs, which. I mean. I'm sure respected ago just fine but it's probably worth pointing out he's not exactly an enthusiast, is he
but yeah, beyond wading into a couple of marc controversies, ago's definitely spoken warmly about him quite frequently over the years. as early as 2014, he was saying that if marc matched his records, he deserved to do so - and in 2020, he said marc didn't need to switch bikes to prove his greatness. he compared marc to one of his own big rivals, hailwood, in 2019, he spoke with sympathy about marc's switch to ducati at the back end of last year and sounded confident marc could win again (+ here), and made similar comments early this year and likewise was fairly encouraging in may. in 2023, he also spoke about marc's capacity to put on a show. plus, he also said in 2018 that marc and valentino's relationship doesn't matter as long as "they both make us have fun and give us a show", and also that "they do not have to marry". giacomo agostini homophobic dog question mark
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a lot of it just seems kinda generic 'legend of the past being nice about the new kid', like say doohan was with valentino but without the mentorship angle. but yeah, ago does seem fonder of marc than he does of marc's contemporaries? with valentino, let's be honest, part of it is that he was the first to really show up and challenge some of ago's records (even steal some of them like premier class wins) - plus he's italian so there's really more direct competition than there is with marc. but y'know, obviously ago's been asked about both of them gunning for his records (generally win number for valentino and title number for marc)
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you can read tonal differences into those answers if you so choose, but you can also say he's expressing roughly the same sentiment for both (if you so choose). ago did also joke in early 2020 that he'd beat them both:
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(again, this is obviously a joke and I'm not going to read anything into it lol, just thought I'd include it)
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ago does have retired athlete talking head syndrome where he does... y'know, have a lot of opinions and has shared quite a lot of those opinions. which... okay, I'm aware this isn't really what this ask was about, but. look. I just have to bring in jorge lorenzo at this point. this is only tenuously relevant, but I think it kinda provides a fun contrast with how utterly drama-free the dynamic between marc and ago is... AND gives some much needed context for how ago was relating to some other star riders of this century
ago and jorge had always gotten on pretty well - and ago joked back in the day that jorge had to stop valentino from getting too many more wins. it is probably worth mentioning that in that 2013 clip I linked to above, all the riders at the presser were asked the 'ago or hailwood' question. in response, jorge, that old simp, essentially went 'actually the goat is valentino'... but that's really isn't about ago as much as it is about jorge's relationship with valentino being *gestures vaguely* complicated. weird. complicated. anyway, look, ago and jorge got on well, had done so for years. then, in may of 2020, shortly after jorge's retirement and with no racing whatsoever going on during lockdown, the two of them got into a PUBLIC SPAT!! (low key between this and the dovi feud picking up again at the end of the year, jorge was really working overtime to make motogp less depressing that year)
the argument was prompted by ago's comments about jorge's time with ducati and honda:
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so basically he's saying jorge was mid for three years because his head wasn't in it. which is... a debatable assessment of jorge's 2017-19, but let's just run with it. now jorge obviously isn't the type to just let this kind of thing go unchallenged, so he hit back:
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for some reason. jorge's father also got involved, as he has an unfortunate tendency of doing:
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(I'm gonna be so real, personally I wouldn't be particularly flattered if one of my parents suggested I could challenge one of my main career rivals 'on my day'. but anyways)
and then mr agostini in turn doubled down and told jorge that 'the truth hurts':
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note the bit about how ago had sided with jorge against valentino! it is broadly true that ago has often been very complimentary of jorge, including to the detriment of valentino - and apparently that might have created tension with valentino's team. ago also added the following bit and it's kinda even more brutal:
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so basically - ducati didn't pay jorge that much to win three races. funnily enough. jorge did not take kindly to these comments... and then he hit back on instagram (all of this is still in may 2020 btw, literally the only thing we had going for us). here's the text from the post:
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jorge lorenzo a proud fellow warrior in the 'it's useless to compare different eras' campaign, saluting a real one
so, after jorge had said that ago doesn't know what he's talking about, that this kind of criticism was 'improper' from a legend like ago... we'd actually finally gotten to the point where ago wanted to clamp down on the controversy. here's what he had to say:
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he doesn't want controversy! it's not his fault jorge didn't win! jorge didn't win a title with either ducati or honda! what a shame!
okay, there is arguably a slight difference in rhetoric between saying 'well I can't say he won at honda when he factually didn't!!!' and 'ducati paid him a lot and got nothing out of it' - BUT obviously this was still a bit of an olive branch from ago. unfortunately, we've gotten no updates on whether ago did ever reach out privately, but we did get jorge's response. and jorge... kinda accepts the peace...? but also not really!
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so to paraphrase jorge here, he's basically going 'sure fine I'll accept the peace but I also know ago will start the same shit again when he has a microphone in front of him!!' - and also makes it clear that jorge will not shut up about ago chatting shit, unlike those other cowards who just let ago get away with it (including other champions). jorge then goes on to talk about their personal relationship and ago's past support of him:
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and then jorge goes on to stridently defend his time with the ducati project - pointing out that, without detracting from what casey had done, it was a very good bike back when casey won the 2007 title:
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(yes, obviously there is a rider who was doing rather a lot more with that bike during the same time span as jorge was there - who you'll note jorge very much does not name. I suppose jorge's argument would be that this particular rider had been with the team since 2013. without getting too much into 2017-18 discourse in a post that really isn't about that, it is broadly true jorge just Was Not Clicking with that bike for way too long, but he was running dovi pretty close in 2018 until he got injured at aragon. which is also because dovi was having a pretty ragged first half of the season himself but y'know, six of one half a dozen of the other. also low key those three jorge wins did get during his time at ducati massively flatter how that stretch of his career gets perceived a few years later, but again. this isn't all too relevant. just some historical context!)
and jorge rounds up the whole thing by demanding an actual apology:
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and, lastly, here's what ago said in june:
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anyway, that's basically it as the public spat went, but it did still give us some nice little gems. you'll note that jorge believes ago was supporting him against valentino - "what I know is that in the duel I had with rossi he wanted me to win races more, for the titles and all that". and then, of course, there's the fun bit where jorge says that ago has also said inaccurate things about valentino before: "because he has also said things about valentino many times that did not correspond to reality". jorge going full 'enemy of my enemy' about valentino on this issue is just extremely him, not least because that is a rivalry where, according to him!! ago basically always was rooting for jorge! and YET jorge's like 'valentino may not speak up on this issue but I!! will!!' I honestly have no clue if there's anything specific jorge's referring to here that ago is getting wrong about valentino... but again ago does have retired athlete talking head syndrome so really it could be anything
what this does do is give us a little bit of confirmation that ago probably isn't the world's biggest valentino rossi fan (obviously, valentino wouldn't let you know that kind of thing so it's great when you've got someone a little more talkative like jorge around). jorge didn't have to bring in valentino here - he did so of his own volition, because he apparently disagreed quite strongly with something ago had said about one of jorge's fiercest rivals. by contrast, there's nothing comparable you can point to with marc... which, given that we've established ago has run his mouth about past champions, would lead you to the conclusion that ago really is a bit of a marc fan. all things considered, ago seems genuinely fond of the little guy! he's never really talked him down, or taken another rider's side against marc! why? ... unfortunately, I have no clue. maybe it is linked to ago's feelings towards valentino, maybe it's completely unrelated and he just likes marc a lot, maybe he's a fan of him as a rider or his personality or something else. there's not really anything to suggest they're particularly close - for instance, I don't think marc has had dinner with ago's family like jorge has - but he generally always seems happy to offer up a lot of marc prop without any qualifications. it just seems like quite an uncomplicated relationship, and given ago's been fairly vocal within the past year about marc's switch to ducati, about how he could win again etc etc... he's perhaps quite enjoyed following that story. mostly, there's clearly just a lot of mutual respect there... and if ago did ever find cause to criticise marc as strongly as he did jorge, well, it's a lot less likely marc would decide to clap back on instagram. that'll help, I suppose
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snow-lavender · 7 months
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just remembered that during the corruption arc (which was two years ago holy shit) sherbert made a tiktok using audio from brennan lee mulligan's yes or no monologue. i wonder if they were going "tee hee they don't know :)" while filming that.
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sleepingpopplio · 2 years
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Izuku Midoriya and confronting a complicated past— an analysis
With the upcoming arc in the anime about to come after next week’s episode, I think that it’s important to talk about Izuku as a character, and everything that has led him to this moment and this particular arc in the series. While there is a lot going on in that Kid’s head, most of the things that directly cause Deku to act the way he does during his vigilante time has been left unsaid and up to the reader to pick up on. This could be seen as sloppy writing, but it could also be seen as a great use of subtlety to create a slow downward spiral for our protagonist that can be incredibly rewarding for readers who take the time to do some extra sleuthing. So before the arc begins, and before the inevitable controversy on whether or not the arc was rushed or came out of nowhere, how about we take a close look at Izuku Midoriya as a character and his depth that is often ignored. Let’s take a peek at how his entire arc is filled with tragedy, hope, and the importance of confronting one’s past. Sit back, grab a snack, and enjoy my first in depth BNHA analysis where I hope to give manga readers who are currently watching the anime some added perspective. Also disclaimer: I love all the characters in this series and will not be bashing on any of them, as I feel as though it would be undermining the messages of the story and the depth of the characters. Nothing I say is meant to be putting down any characters and I am not blaming any single character for Izuku’s struggles. All fans of any characters are safe and welcome to enjoy this.
At the beginning of the series during the very first line from our protagonist, which is something that is supposed to help the audience understand the type of story they are about to read— Izuku says “people are not born equal”. He also states that he learned that fact at the young age of four years old. From the very beginning, Deku was made to believe that he is less than everyone else. Less than those with quirks, and therefore less of a human. Quirks, literally translated from Japanese, mean individuality. To be quirkless, in the eyes of MHA’s society, is to be without a soul. Or at least, that is what can be understood by a small child who simply wants to belong. Therefore, deku internalizes form a young age that he inherently has less value as a quirkless boy, and such internalizing severely damages his perception of himself for the rest of the series. He’s a useless deku that does not have much to contribute. However, during the very same first scene we also see Izuku fighting back against the kids trying to beat him up. Despite the odds stacked against him, Izuku midoriya is determined to prove himself. He’s determined to prove to others, and to himself, that he has value. He is also determined to keep moving forward despite society seemingly turning him away. But children need time to process their emotions. They need time to learn and talk through the issues they’re facing. Izuku does not do that. He keeps fighting, he keeps wanting to be a hero, but he doesn’t talk to any adult around him about how he feels. He doesn’t get told that he is perfect the way he is, or that he doesn’t have to prove anything. What happens when such insecurities and trauma are not given the space to heal at an early age? Well let’s move forward a few years…
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When Deku meets all might, and demonstrates his innate and pure heroism when he runs to save Bakugo from the sludge villain, he is offered a once an a lifetime chance: One For All. He is told that he can become a hero, and is aided in training to use the quirk and get into UA. By this point, Izuku’s self esteem issues that stemmed from his childhood and the the perception of quirklessness that was placed upon him by the world around him have only grown. He wants to be a hero, but he also has become quiet and reserved, as he thinks of himself more as an afterthought. He wants to help people, because he cares and he is a kind hearted individual, but also because he want to be useful. He has to be a useful hero, but how? The quirk of One For All thus represents a way to be useful in the way that Izuku thinks is correct, which is by being a quirked individual. So what happens when you give a kid with extreme self esteem issues, and who views himself as flawed for simply being himself, a very powerful quirk along side the opportunity to become a hero? That child latched onto the quirk like a lifeline. They have to make good use of their new quirk; they have to utilize the blessing granted to them or else they will remain useless and will be left behind. Izuku will work hard to earn his quirk because he feels as though he is unworthy, even though he already proved himself the second that his body moved on its own. Therefore, the second Izuku is given his quirk, he begins the cycle of using it as an unhealthy coping mechanism and source of validation. He is more hopeful than ever when given the quirk, but his unhealthy mindset is also given the power to run rampant. This is the story of a boy becoming the greatest hero he says, so early on in the series, but it also of a boy desperately trying to become more than he currently is, for better and for worse.
This then leads to the beginning of his time at UA, where Izuku, in addition to clinging onto his quirk as a replacement for his self esteem, begins reclaiming the meaning of his nickname Deku. “Deku is the name of a hero” he declares, and while taking back the power from his former bully and standing up for himself is an incredibly uplifting moment or Izuku in the beginning of the manga, there is another side of the coin that is the reclamation of Deku. Izuku Midoriya feels as though he has to be the new, hero Deku, or else there is nothing else worthwhile about him. He has to prove himself as a true hero or else he’ll have to go back to the old, useless Deku…He’ll forever be left behind. So, he breaks himself. Over, and over, and over again. The hero named Deku breaks his limbs time and time again, because if he doesn’t push himself to the brink, then he hasn’t done enough, and therefore he has failed the quirk that he was blessed with and failed the people who have helped him. The sentiment that he needs to hurt himself, or even nearly get himself killed, is incredibly concerning and could even be seen as suicidal ideology. Furthermore, this ideology creates an intense fear that follows Izuku wherever he goes, and even causes him to blame himself in scenarios where it’s not his fault at all, such as the summer camp arc where he was nearly killed by muscular, yet still beats himself up over Bakugo’s capture.
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Another development that occurs at the beginning of Izuku’s time at UA is the start of an insurmountable amount of pressure being placed on his shoulders. When Izuku first received One For All, he was told that he could use the quirk to achieve his dreams of being a hero. He knew nothing of its past, and was given no indication that he had to live up to it. Yet, during the tournament arc Allmight begins mentioning the idea of Izuku becoming the next symbol of peace. While an honor to have, being the number one hero and an international symbol was not what Izuku, a fourteen year old kid at the time of the sludge villian attack, signed up for. Yet, he takes on the responsibility with a nervous smile on his face, and the shadow of all might begins following him. Next, he learned about the horrifying figure that is All For One, and Izuku is told that he may have to fight him one day; He may have to fight someone that he had previously thought to be nothing more than an urban legend. The child who wanted to become a hero now has to be prepared to fight the demon lord. Moreover, these revelations begin the process of Izuku placing more and more pressure on himself to be the best hero possible. He cannot afford to make a mistake. He cannot afford to be useless, because the legacy of One For All demands that he be exceptional. Afterall, he’s the ninth user. Do the wants of Izuku Midoriya really matter more than the fate of the world?
During all of this, Izuku slowly becomes more comfortable with his quirk, and grows in confidence. He truly becomes equals with Bakugo and works with him to mend their relationship, and he also develops his shoot style in an effort to move away from imitating All might. These things are all possible development for Izuku’s character and also gradually take place as the series goes on. After so many years of being quiet, he finally opens himself up again; He opens himself up to love from his peers, and opens himself up to new experiences. He also becomes more willing to talk back to others, as demonstrated by his attitude towards Endeavor, and later his more frequent and friendly banter with Bakugo. However, the self esteem issues and insecurities never go away, and Deku still breaks himself every chance he gets. The pressure also still continues to build as Allmight retires, and Izuku becomes truly trapped in his role as the successor. He accepts his role, and is happy to be serving others, but Allmight’s retirement leaves a void that Izuku feels as though there is no one else left to fill but himself. There’s no backing out now, and Izuku’s quirk development now has to speed up or else he will never be able to fill that void. He also witnesses the might of All For One in person, and the nightmare of him having to face the demon lord becomes even more of a reality. Through all of this, Izuku still refuses to talk about his feelings with his peers or the adults around him, and instead he decides to keep marching forward without taking any time to let himself, or his mind, rest. The only sliver of hope for Izuku’s mental well-being is the fact that he still allows himself to cry. Therefore, the shadow of responsibility that followed Izuku morphs into a massive weight on his shoulders that helps to steer his development backwards and into character regression.
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Izuku’s mental health then takes a turn for the worst after the Overhaul arc, which was also a turning point for the series with its dark tone. As Izuku sees for himself the real horrors of the criminal underground, he once again blames himself for Eri’s circumstances and his inability to save someone. Through this experience, Izuku becomes so entrenched in the idea of becoming the perfect hero that he even begins denying himself the right to cry. He says that “heroes don’t cry”, and other characters such as Todoroki are shocked at the statement by their friend. Crying was one of Deku’s last healthy coping mechanisms, and he loses that too. Nighteye’s death cements this fact, as it is actually the last time that Deku sincerely cries in series, before the end of vigilante arc. All other times that he cries moving forward form this point are played off as gags, and thus Izuku represses his emotions to an extent that is even foreign to him, as someone who has been suppressing his emotions since he was a small child. It should also be noted that this arc highlight’s Deku’s uncertainty as a holder of One For All. This shows that no matter how much Deku’s confidence improves, he will continuously view himself as not good enough and fear the return of the former “useless” Deku. In addition, the overhaul arc also highlights Izuku’s loss of innocence. As I said before, Izuku is exposed to the true cruelties & horrors of the villian underground, but this development is not new. Dating back to the Stain arc, Izuku has been gradually losing more and more of his innocence. Even when he endured a very difficult childhood, Deku was at least able to told onto hope and be optimistic for the future, but being thrusted into the world of heroes takes the bright eyes boy and chips away at his soul. He keeps going, because as always he refuses to give himself time to heal, but the Izuku at the end of the Overhaul arc is not the same person as we was when he first enrolled in UA, and he never will be again. The fear, responsibility, and loss of innocence all culminate to send the mental health of Izuku Midoriya into a free fall, but he would never admit it. Instead, he keeps on smiling.
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We are getting close to the vigilante arc (I hope you’ve been enjoying this so far!), but one final significant development in Izuku’s mental state occurs during the Class 1-A and Class 2-A training session, where he is once again given responsibilities that he never asked for. At this point, Izuku’s confidence has grown exponentially, but on further inspection much of that confidence seems to be misplaced. You see, while Izuku becomes extremely confident in his use of One For All, he still remains insecure about himself as an individual. He still lives in fear of being useless, and constantly needs to prove himself. This is because Izuku Midoriya the individual is being slowly left behind, while the Deku the hero becomes comfortable with his quirk because if he can’t master his quirk then he has nothing. He is nothing… Then Blackwhip appears, and Izuku has to relearn his quirk even though he had already been working fro months to get to to the place he’s currently at. It feels like a slap to the face, but now that Izuku has now more formally met the vestiges, he’s given no choice but to accept his new quirks in addition to his role in “completing One For All,” as The 1st user puts it. Izuku Midoriya fades even more, the incredible amount of responsibility grows even more, and the hero Deku sees himself as nothing else but the ninth holder. Most of this understanding of Izuku’s mental state is not actually spoken of out loud in the manga/anime, but the context clues of the events leading up to this moment (as shown by all the writing before this), Izuku’s facial expressions, and the events afterward help strip away the smile that Izuku is so determined to keep on his face almost the entire arc and show high Izuku’s walls have grown around his internal anguish. Therefore, the metaphorical vault shown that Izuku uses to lock away his quirks is also used to lock away his emotions once and for all. The only leak in this facade that we have until the end of the vigilante arc is…
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Izuku’s character regression has already been set in stone by the time the war arc comes around, but what is important to note is how his repressed emotions manifest in the form of his intense rage. We’ve seen this before, with how Izuku becomes incredibly intimidating and unhinged during his fights with villains such as Muscular and Stain. All For One’s theme even plays in the anime as Izuku fights Overhaul to represent how monstrous he is int eh eyes of villains during battle. The difference during this arc is that other characters are finally catching on to just how toxic Izuku’s ideology has become. Bakugo in particular takes takes note of just how not ok it is for Izuku to not take himself into account, and shows visible concern while Izuku fights with Shigaraki in the air. Not only is Izuku being destructive to himself, but he also lashes out so harshly that is seems though he intends to kill Shigaraki in the moment. But to Izuku, he has no other choice. He is Deku, a hero, and the Deku who always does his best. Deku himself veery clearly states during this arc that he will no longer be the useless deku, and with that statement he resolves to kill the remnants of Izuku Midoriya, the quirkiness kid with bright eyes, himself. He cannot afford to be useless. He refuses. He will kill himself during this fight with Shigaraki if that’s what it takes to be a hero who saves everyone and a hero who is worthy of being the ninth holder of one for all. Finally, everything has come full circle, and the name Deku starts as something negative, then is given hope to become something positive, but then once again becomes a toxic image within Izuku’s life. That is why it is so important when Izuku is called by his first name in the vigilante arc— because Izuku Midoriya, both the quirkiness child and the current person, are deserving of love and have value beyond their quirk. Izuku is more than One For All, but unfortunately all of his repressed emotions that have been highlighted throughout this entire analysis have to explode out of him in order for him to heal. In addition, Deku and the repression of his emotions has led him to push everyone else away, even back when he was smiling nonstop. The war arc simply showcases ho bad that seclusion has gotten, and that when it comes down to it Deku will purposely exclude his peers in order to suffer alone.
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Izuku, in the vigilante arc, will simply be the ninth holder of One For All, whose only purpose and value lies in defeating All For One himself. Furthermore, at the center of this entire discussion, is the fact that Izuku is afraid of his past. All of his self esteem issues come from such a young age, and yet he does not know what else to do besides run from it. Izuku Midoriya is a character that is so defined by his past, yet is so desperate to escape it. Therefore, he will need to be reminded by his loved ones that the cycle of trauma that he has endured throughout his life does not have to continue. He can choose his own way. He is not shackled by his past, and thus healing is possible. It’s not too late, and all he needs is his friends to remind him of why he is loved for his heart, and not his quirk. Therefore there is no singular character that got through to Deku. All of 1-A saved the boy who was so desperate to save anyone but himself.
With that said…
Deku’s entire arc throughout the series leading up to the vigilante arc has been filled with regression, in the sense that the heros around him place more and more pressure on him to the point that he does not consider himself human, but rather a tool that has no value outside of One For All. This is the story of a boy that becomes the greatest hero, but also of a boy that was stripped of his innocence and beaten down by a system that rejected him since the beginning, yet he still dreamed of being a part of. The entire vigilante/villain hunt arc brings together all of the pent up pain and self-loathing that has been following him since the beginning of the series, and shows how everything that he’s been hiding has finally caught up to him. The pain and trauma that we see from Izuku in this arc was always there, and all it took was the war arc to trigger it to come forward. In conclusion, Izuku Midoriya is an extremely complicated character who has been on a fascinating downward spiral since the beginning of the series, and if readers can take the time to see how he got to where he is, then maybe we can at least better understand the context behind the vigilante/villain hunt arc, and the complexity behind My Hero Academia’s protagonist.
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Credit to @mettywiththenotes for having the post that inspired this essay, and that I originally had the conclusion of this analysis posted under as a reblog. Also credit to @pikahlua’s mha discord server that I’m in for encouraging me to write this!!!
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puppyeared · 2 years
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jonsaslove · 3 months
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Idk if this is just a me thing or what but i can seriously not remember the last time i watched or read an actor's interview about the show/movie they were on, I simply do not care to hear about their interpretation of things. I will come to my own conclusions and nothing anyone involved with the creation of the media can say will hurt me lol.
I think most people would benefit from this advice.
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itsblasttothepast · 4 days
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I followed you for the South Park slash (you haven't posted about Creek in a while), why did you start with the F1 posts all of a sudden. Not complaining, I like a few drivers, Im just curious
Ah, South Park... the good ol' times. It's just that there's not much Creek content anymore, Trey and Matt have forgotten about our kiddos.
Well, posting here about F1 was just a happy coincidence. I was rambling in FB (my main source of F1 fandom) when a person told me in a sarcastic tone 'you should post this in your blog then!'
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And then I came here, posted a long-ass rant about Checo, fell in love with mutuals and here I am!
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airenyah · 6 months
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awwww besties supporting besties
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NO. NO- you can't just DO THIS to me! i'm supposed to just hANDLE THIS???????
i'm supposed to be okay about buck being a kindergarten(?) teacher in his dream in 6x11 'in another life'??? in a season all about kids and in which buck's narrative has kinda been centred around being a father?
guys i just know this episode is going to fuck me up hard and i'm only five minutes in. pray for me
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So this episode was about teachers committing to and caring about their students, and district people too, and I love that :'). Sometimes all you need is a district person who will keep putting in the effort like that, and I love when it happens for people <33
Anyway! I'm so glad they got the interpreter for Amani, she so deserves it :'D. Everyone does :').
I'm glad Gregory decided to let them stay :') I think he can really help these kids out and be a good place for them :)) :D
Also proud of Tariq for finally calling Nick his name :'D hope they do get close :)
Poor Barbara though xD
And once again proud of Janine for fighting through it to get the ASL interpreter :')) and the way she did it was so iconic xD same for the parents lol, going to a reporter that already doesn't like the district LOL, but yeah I am so happy for them :D
Also I love Jacob and Janine <33
With going out for drinks at the end, I hope Janine doesn't leave them behind :((
Btw the reason for the boys being in Gregory's room being that the Mortons are in couples therapy is hilarious xDD
And lol hopefully it's just like, upkeep, because they just got married xD
Anyway!! I am distrustful of districts but I hope it works out (with the issues obviously) on the show :). And even though I am I know this side of the story needs to be seen as well so it's nice to see, switches it up on me a bit more than usual. Like, makes me a little more uncomfortable and see it a different way more than usual. Which is good :)
Loved the episode!!! I'm so excited for next week :D
And also terrified :')
But I almost definitely won't be able to watch it lol so, I'll see y'all a little bit after that lol
Bye y'all!
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lovingherwasgay · 8 months
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UMG: *pulls taylor's discography off tiktok*
me with 10 GB of scene packs shoved up my ass:
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