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#mcu first couple
unicornspwnall · 10 months
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THE MARVELS (2023) dir. Nia DaCosta
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arrumiekookie · 10 days
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I miss them together so much. Quentin and Idie pestering, fighting, bickering with eachother and then being all over eachother is my jam. Their dynamic is top tier, specially when they make eachother become better. They have so much to catch up... so much to speak about.
Duddling away while I brainrot over them again... I need more fanfiction, more art.
Craziest part is... These two are Logan [Wolverine]'s pupils... He treats them as his children, and they were being little rascals all the time, making life harder every chance they got.
I need them smooching on eachother like in High School.
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sadwetcatmk · 2 months
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I was reading over this earlier and have deemed it good enough to post I think
It's a Moon Knight Avengers team up fic I started like last year, I only have to finish the last chapter before it's done !! Hopefully that shouldn't take too long, I'll post the second chapter in a week or so to give myself some time
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demigodofhoolemere · 2 years
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Marvel: This character from this other thing is also gonna be in this thing and this thing which means you have to watch this thing and also this other thing to understand them and also these individual movies are building up to the plot of the next Avengers team up which will lead into this thing and this thing which will have this character and this plot thread which means you’ll also have to watch this thing and—
Me:
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martianbugsbunny · 11 months
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Stucky fanart in the Good Year 2023 anyone?
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velvet4510 · 2 months
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succulentlesbians · 2 months
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well actually it started as a reawakened blackhill obsession which wound up into a natasha and yelena obsession and then i saw fic with yelena natasha AND daisy??? I am in a obsession blackhole. Help me. But actually this is just me complimenting your fic again. I hadn't really considered the dynamic of season 4 daisy and just freed Yelena and it is DELICIOUS. The levels of trust and comfort Yelena would have to have towards Daisy to go to her instantly out of everyone alone makes me really curious about their previous relationship. Then Yelena and Daisy's exploration of the cities they go to and just being regular girls, even for a moment was just so heartwarming. I especially enjoyed the scene where Daisy kept the gelato cool for Yelena, it speaks a lot about their relationship that she'd use her powers (Which in season 4 she'd probs consider a burden/curse) just to do something so simply sweet is just. OUCH. Thanks for the very good fic :) Can't wait to see where you go with it.
god i love blackhill i love nat & yelena i love all three of them, you're so real for this spiral
daisy & yelena background is definitely something i've been thinking about. i wasn't able to really include it bc the fic was all in daisy's POV but i think that their interactions when they were younger is what "saved" yelena, where she was close to pulling a nat and leaving because of daisy (except then obv got brainwashed...).
daisy helped her see the beauty in humanity again bc she has so much compassion and yelena, who would've been pretty damn burned out by the red room at that point, would be able to feel some companionship in a way that we dont see btwn the widows bc of the competition btwn them and really latch onto daisy and to some extent, trust her with being a human in a way that she couldn't with other widows. so of course when she gets free she wants to go back to someone who made her feel real and alive, someone who she trusts.
them exploring the cities was something that i tried to put in thinking of yelena in hawkeye- she explicitely asks kate abt seeing the sights in new york, so i wanted to adapt that to this fic! she wants to have new experiences! she wants to live and explore! and of course it added a nice lighter component to an otherwise emotionally heavy fic where daisy also gets to just live for a little while, which she absolutely does not do ever. get this girl a work-life balance.
daisy using her powers is always such an interesting thing to think about. she hates it at first. she believes they're a gift. she sees the destructive nature of them. she fully believes that she breaks the world apart. she believes that they're all of what she is. she doesnt care if it hurts her. all in the seven seasons and often at once.
but also overwhelmingly we only see her use them in battle situations. and she can do so much beyond that! def i think s4 shes only using them when necessary for her self-assigned murder mission so branching out is a whole different thought for her. id like to expand on this a bit in the next fic bc her powers are Always on my mind but... we'll see. cant have everything 😭 even though im the one writing it.
but me getting into daisy's head for this whole fic was: how can i help lena, how can i make her feel better, how can i help her succeed. wait a fucking second why am i going through emotional growth? none of that. let me focus on yelena. noo the emotional growth is getting meeeee.
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shydaydreamer28 · 7 months
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The first (and criminally only so far) on-screen kiss for Cleaphen.
These 2 were cute. I feel robbed with the series not getting picked up.
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waiting-on-mars · 11 months
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wesvis ran so sambucky could walk
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youssefguedira · 20 days
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look i haven't seen deadpool and wolverine and won't for another month if i see it at all (i'm not paying for it) so this is all conjecture but i find the fact that its marketing has been heavily focused on implying that deadpool and wolverine are/will be in a relationship, which is like clearly not going to happen this is the mcu lmao, and the fact that it has been pushing this so hard for a character whose queerness has entirely been reduced to essentially making gay jokes for extra edginess points while refusing to ever engage with it more deeply (i admit i haven't seen the first two deadpool movies in several years but he is in a long running relationship with a woman and just like. makes jokes about finding colossus hot to my memory) than that, Not A Good Look, you could say. and like come on it's 2024 this is textbook queerbaiting and for a movie that seems to be pushing its supposed potential queer relationship in all of its marketing all of the jokes have always just felt vaguely homophobic to me. maybe the movie will make me feel differently but like. i highly doubt that
#saw people going 'look how they marketed the movie'! as a gotcha evidence for people not thinking they could be in a relationship#and like. come on. don't do that to me. marketing is not an indicator of the films actual approach to queerness though in this case it#largely all felt played as a joke which is how the films treat it#say what you want about whatever subtext you see in it i'm not going to criticise you but don't give disney points they don't deserve#and like ok i get that i shouldn't be looking for meaningful queerness in fuckin. marvel movies. but they have romantic relationships in#them all the time. DEADPOOL has one. i have lost my ability to give disney any leeway and i am tired and we deserve better than this#neon has thoughts#for additional context: i liked deadpool fine when i was 13 and watching at a friend's at like midnight because it was the first r-rated#movie i think i'd seen. and i have gone from apathy towards wolverine to active dislike. so i really don't care about this movie in the#first place and it just. i respect the shipping whatever i don't care. but it's queerbaiting it's straight up queerbaiting#and i am so tired#like there's queerbait in couple i want to get together is implied to do that and don't. and there's queerbaiting as in deliberate#intentional marketing campaign presenting two characters in a queer context and then proceeding to not do that. maybe it'll surprise me!#but i don't have faith in the deadpool movies or marvel as a whole to do anything even vaguely interesting with it beyond going haha#wouldn't it be funny if these two were dating. haha this is an r rated mcu movie look how edgy we are#hasn't escaped me that the first film to feature prominent marketing reflecting queerness is the first r rated one lmao#beyond the whole disney's first gay cycle
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seasicksilver · 10 months
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my brother, my keeper…
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elspethdixon · 1 year
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I'm a newbie to the Stony fandom by way of the MCU and was told the Resurrectionverse was one of my first must reads. Is there anything I should know going in that I wouldn't because I don't know the comics well?
That’s a complicated question. I’m going to post a short version that just lists major differences from the MCU and a long version that’s a summary of the comics backstory.
Short version: RR&R is a fixit fic for the 616 comics version of Civil War (and a previous event called Disassembled). The two biggest and most important differences between MCU and 616 Civil War are:
1) In the comics, Steve and Tony are much closer friends then they ever were in the movies/have been close friends for a decade, and
2) Instead of an international set of “accords” about superhero activity, the Civil War conflict is about the American government wanting to make every superpowered person join a registry and be subject to government oversight (this is thousands-to-millions of people rather than a few dozen because the comics also include mutants/the X-Men, and “Mutant Registration” is a political goal that anti-mutant conservatives in the comics have wanted for decades, we know from various X-Men storylines where people come back in time from alternate futures that in timelines where it’s implemented it often leads to very bad dystopian things), with Steve on the “fuck this idea and fuck you”/tear the system down side and Tony on the “if we cooperate maybe it won’t be as bad”/try to reform the corrupt system from within side. Bucky Barnes/the Winter Soldier has nothing to do with it. Also the conflict ends with Steve surrendering and then getting publicly assassinated by bad guys.
Other important differences:
Spider-Man is an early-20s adult who is married to MJ.
Tony Stark is about twenty years younger/the same age as Steve and is less of a manic-depressive quippy maverick and more of a clinically depressed control freak (who has never been romantically involved with Pepper). In the past he struggled with severe alcoholism and is now sober in the “I never drink alcohol ever” way.
Nick Fury is a white guy with a completely different backstory and personality from MCU Fury (and there was never an Agent Coulson, his right hand man is a guy named Dugan).
Hank Pym and Jan Van Dyne/Ant-Man and the Wasp were two of the original Avengers and are in their 30s with zero children (Hope doesn’t exist). Hank canonically has bipolar disorder and in the past has done both crazy mad scientist things and shitty relationship-destroying things while manic.
Luke Cage is married to Jessica Jones and they have a kid. There is a character named Spiderwoman/Jessica Drew. She is a physically enhanced former ninja who has nothing to do with Spider-Man.
Dr. Strange was involved in the whole Civil War thing on Steve’s/the anti-Registration side. The anti-Registration Avengers are crashing at his house (instead of in Wakanda) when the story starts.
Clint was never part of SHIELD and has a totally different backstory (he’s not in the first fic for reasons of temporary deadness but appears in the sequels).
Thor and the Asgardians are supernatural being/possibly actual deities rather than aliens. Thor was briefly dead during the whole registration fight but got better.
Jarvis is a human rather than an AI.
Sam Wilson/the Falcon has a pet bird that he’s psychically soul bonded to.
Bucky did not kill T’Challa’s father and T’Challa is not significantly involved in the Civil War conflict beyond glaring disapprovingly at it from Wakanda.
Wanda Maximoff/the Scarlet Witch is a mutant and one of Magneto’s kids. Prior to the whole Civil War thing she disastrously lost control of her powers and went crazy, destroying the Avengers’ headquarters and killing Vision and Clint (she later brings Clint back via those same powers). At the start of the story she is MIA.
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bereft-of-frogs · 1 year
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If you had told me a year ago that I would be *this* wary about the sequels to two things I loved…well I would believe you because a year ago the cracks were already really apparent but 3-5 years ago I would be shocked and me now I’m just really sad about it.
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hesitationss · 2 years
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would you still like me if i drew gotham academy fanart ?
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coffeeworldsasaki · 1 year
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God i want to watch the new spiderverse movie so bad
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sinestrosmind · 6 months
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A Chance to Say Goodbye
Summary: Tony Stark, ever the futurist, had put a hidden protocol behind Flame's Pack Rally Protocol. When Pack Rally is activated, this hidden protocol, the Recovery Protocol, is activated. And as per protocol, Alpha aided in carrying it out.
Flame has followed Alpha's guidance, had led her through finding the pieces and putting together the heart of the Recovery Protocol. Now, she receives a final message from the late Tony Stark, has a chance to say goodbye, and finally meets Recovery.
Warnings: Endgame spoilers, Grieving
Characters: Tony Stark (Hologram), Flame Copps
Wordcount: 1,674
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"Hey Flame," the recorded hologram greeted with his hands tucked into his pockets. "Welcome to the Recovery Protocol. If you're seeing this, best case scenario you broke in or stumbled upon this. I hope it is. God, I hope-…" He trailed off, a hand raising to cover his mouth as he looked away and to the ground as he normally does when he was in deep thought. His mood was quick to change, though, lowering his hand and his eyes falling back onto the general direction of Flame as he quickly picked back up his previous, normal, somewhat playful yet firm tone. "If it is, turn this recording off now, now's not the time and you don't need to worry about the future. Leave that to me."
There was a pause as the recording of Tony thought. "But," he began, the playfulness of his usual tone being replaced by a sadness. "Worst case scenario, you followed the instructions I left you- built the suit, installed the AI for it, watching a hologram recording of me explain this all to you. Which means I'm dead- or presumed dead. Or in a coma." He was rambling, which he usually did when he was stressed or had something on his mind. "-Just, something happened to me to engage A.L.P.H.A.'s Recovery Protocol, leading you here."
Tony sighs, raising a hand to scratch the back of his head as he took a couple steps across the front of the room he was in when he recorded the message. "You probably haven't flown in a while," he says, a sadness still to his tone. "Either too busy or too depressed- or too busy being depressed." Tony clearly was trying to cheer Flame up with a little joke, as his normal tone had somewhat come back, but it was quick to fade again with his next words.
"That's fine, really," he reassures with a nod, looking to the general direction of Flame again. "You'll get back in the air when you're ready," he continues. "And hopefully technically-not-me me will be by your side, just like how you and I used to fly." There's a pain in his voice, and clear in his eyes even in the holographic recording.
"He's, really just a glorified sentinel robot, if I'm being honest," Tony explains, beginning to ramble again. "Nobody can wear him, don't have to worry about anyone putting him on and flying off in him. Don't have to worry about anyone stealing him either, he can fight," he says with a shrug.
There was a pause for a few moments before Tony began speaking again. "Y'know, I just realized," Tony says with a sharp turn and a couple steps across back where he started when the recording began. "You're probably pacing around him- curious, maybe a little weary, definitely wide eyed, just like when we met." Tony was right, he was generally always right. Flame wasn't surprised at all that he was right.
"Or," Tony began again. "You've locked onto hologram me and haven't moved since this started, and I really don't blame you." Another attempt at a joke, the life back in his voice, and it did get Flame to crack a smile. "If you're pacing," Tony quickly continues. "You probably have noticed how he always turns to face you, how when you turn and switch directions his head follows, like he's studying, learning, calculating." As Tony speaks, he's gesturing to the Iron Man suit that is projecting the recorded message.
"There was really only so much I could do before I ran out of time to work on him," Tony explains. "I got the important stuff. The personality, I absolutely had to get the voice synthesizer working, you always said you enjoyed hearing me talk so I just had to get it right." As he was listing off and explaining, Tony had been wandering a bit, his back now to Flame- or where she would be if she was sitting still. "I think I did okay," he begins, quickly as he turns around to face the way he was originally again, hands out of his pockets and open, palms facing Flame as if he was explaining or introducing something. "But it doesn't really matter what I think. It only matters what you think." Tony says, hands ending up back in his pockets again.
"I made sure to add major memories of us," he starts, turning to look at the Iron Man suit beside him. "The dates, working on our best suits, and things you like, a lot- among other general major memories, like the… New York thing. All of it I uploaded into his databanks. Maybe then he could really connect with you and help you." Tony sounds worried and hurt again as he stares the suit down. "He's got all my schematics, all my plans, all that I've ever written down or recorded in my personal files or in any Stark Industries files. He can build anything you want him to, just like I could." Of course he would, he wouldn't leave Flame of all people flying in the dark. Alone.
"Make sure to watch those recordings of all my tests on my suits I did when I first started, I think you'll like them- especially if you're feeling down." There's a forced playfulness to Tony's voice now, Flame can hear it. He's hurting just as much as she is, he's just able to hide it.
"And, hey," Tony starts, kneeling down to be closer to eye level with Flame. He knew she'd be on the floor, he had to, the holographic recording of him is looking right at her, right in her eyes. "Flame," his tone was soft, kind, hurt. "It's okay," he reassures. "I know how you are; you probably fought yourself to exhaustion and then some and you were unable to say goodbye to me. Or they wouldn't let you into the hospital to see me one last time." Tony pauses for a moment, letting Flame breathe and trying to collect himself. He didn't have to fully hide with Flame.
"It's okay, Flame." he says, voice pained and hushed. "It's okay." He gives Flame a reassuring nod and time to breathe again. "Now's your chance to say goodbye."
Flame takes time to catch her breath, trying to control her breathing, trying to steady herself so she can speak. It seems Tony had planned for this as well, he moves to sitting instead of kneeling now, and it seems he's waiting.
It's a few good minutes before Flame is able to compose herself enough to move closer to the holographic recording, and she waits. She waits for his wandering eyes to settle, and once she and the recording of Tony lock eyes, Flame almost breaks again. She holds strong, though, and gives a deep sigh with a nod.
"Goodbye Tony," Flame nearly whispers, voice hoarse and weak. She bows her head and closes her eyes, leaning towards the hologram for comfort as if it were really Tony there as tears begin to fall again. Though, the somewhat familiar faint hum was quickly replaced with silence, and then just as quickly replaced with an all too familiar voice.
"Well hello to you too, Flame," the "glorified sentinel robot" greeted with a more playful version of Tony's normal tone of voice. In his exact voice- only as if he were within the suit. Flame stared up at the suit, tired eyes wide. The suit simply stared at her for a moment before speaking and moving again.
"Alright, c'mon, hey," the suit began as he knelt down and wiped away a stray tear from Flame's face. "No more tears. Time for sleep." He told her, standing and nudging her shoulder to move the way he wants her to. She complied, though reluctantly, having no strength or will left to put up a good fight. "Come on," he urged her again, staying by her side and resting a hand on her shoulder. "You know that I know that you know I know you haven't slept right since Tony died, time for bed." The suit left Flame's side after speaking and giving her a pat on the shoulder, walking ahead towards the pile of blankets in the corner of the workshop.
Flame slowed to a stop as the suit tossed the few topmost blankets out of the way, revealing Flame's little "den" underneath. He then promptly sat down in the dip in the blankets and looked to Flame, seemingly expecting something from her judging by his posture and the small "well?" gesture he had made with his hands.
The feline's gaze fell to the floor, one ear locked onto the suit as he spoke up once again. "If you don't get to sleep on your own within an hour of Tony's message being completed the first time, he's programmed me to give you a dose of melatonin." He told her bluntly, Flame knew by his tone and body language that if he had a face that could emote, he'd likely look bored but worried. "Come here."
Flame's gaze fell upon the suit again as she took heavy, slow steps foreward. "What do I call you?" She asked as she neared, voice a whisper now. She gave him a confused look as he shrugged and reached out for her.
"I'm called "Recovery" in all my files," the suit began, gently pulling Flame in close and covering her up with the uppermost blankets like she likes. "But Tony programmed me to respond to anything you want to call me."
Flame nodded as she settled and tucked herself closer to the suit, resting her head on his chest. A weakened purr rose in her own, finding comfort in the familiar weight from the blankets on her back, as well as the arm wrapped around her and the soft, gentle hum of the arc reactor powering the suit.
Within the hour, Flame had fallen asleep and Recovery seemed to have followed her lead in his own way.
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