#maybe this doesn't make sense

[natjennie]

no actually because remember that post I made about button house physically mirroring the progress the ghosts and alison make as a family. and now I'm thinking about how s5 made that even more of a direct relation because like. fanny's whole poem about home and the idea that they are considering selling a chunk of the land just as the ghosts are nervous one of them is going to move on and then the selling of the whole estate is negated when julian makes his speech. oaauggh I need to read a million different things about houses as characters and places as reflections of their inhabitants god

[lady-a-stuff]

I'm thinking about all the hallucinations being their biggest fear?

Tolya finding his twin dying by his blade, Kaz facing Jordie's ghost, Inej being alone with a man in a room and being intimate with him, Jesper having to face his mother and the power he hides (or facing his truly self)

I know it doesn't make sense but I want the hallucinations to have something in common

[darth-caillic]

So I’m kinda developing this idea in my head (I’ll probably flesh it out more once mando season 3 is out) in regards to Biska (my third kryze sister)

I’ve never been satisfied with the story Biska currently has. It feels too much I’m fridging her for Karaay and Jaks’ development.

So what if instead of dying she abandons the family?

While Biska loved her sons she was never meant to be a mother (in a similar fashion to how the Fantastic Mr Fox was never meant to be a father).

Biska cared for Jaks Snr. He was kind. He helped Biska during the darkest times of her life. He treated better than Korkie’s father ever thought to. But I don’t think they ever truly loved each other romantically. The tricked themselves into out of some misplaced desire to help each other.

It all reaches a boiling point where Biska can’t take it anymore. So she walked away. She commits herself to the ways of the Old Mandalorians so she doesn’t think about the sons she left behind.

I dunno. These are late nights thoughts (as of when I'm writing this) that I’m just kinda tossing out there. It just feels more compelling than having her die.

[mist-the-wannabe-linguist]

Dunno how to put it properly into words but lately I find myself thinking more about that particular innocence of fairy tales, for lack of better word. Where a traveller in the middle of a field comes across an old woman with a scythe who is very clearly Death, but he treats her as any other auntie from the village. Or meeting a strange green-skinned man by the lake and sharing your loaf of bread with him when he asks because even though he's clearly not human, your mother's last words before you left home were to be kind to everyone. Where the old man in the forest rewards you for your help with nothing but a dove feather, and when you accept even such a seemingly useless reward with gratitude, on your way home you learn that it's turned to solid gold. Where supernatural beings never harm a person directly and every action against humans is a test of character, and every supernatural punishment is the result of a person bringing on their own demise through their own actions they could have avoided had they changed their ways. Where the hero wins for no other reason than that they were a good person. I don't have the braincells to describe this better right now but I wish modern fairy tales did this more instead of trying to be fantasy action movies.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[higherthanhell]

I just listened to an ad that said you'd take 6 million breaths during a pregnancy.

Now IF that is true, than that puts some shit into perspective.

I have trouble comprehending large numbers but you breath a lot.

What I'm trying to say is billionaires have more money than you can breathe in 9 months

By a lot

[serafisolaris]

The devil has my ear today I'll never hear a word you say

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[iite-cool]

he can't be gentle. how could he possibly be something that was beaten out of him so cruelly at such a young age?

you don't get soft fingers dancing lightly along your hairline as you sleep on his lap, no, you get a large, calloused paw brushing back your hair so he can see your pretty, pretty features better cos it was annoying him. he can't hold your hand don't be daft he'll crack your smaller bones in half... is the reasoning that he hopes will convince himself to stop fucking thinking about playing with your pretty fingers and pressing soft kisses to them. he's not soft! he's a killing machine! he knows nothing but anger and rage and numbness. so what is this strange fuzzy sensation in the hollow hole in his chest that's bothering him? why does it feel good? why is it making him fucking smile?

when he curls his mass around your sleeping body, don't be mistaken. he doesn't want to feel the way you fit perfectly against him. he's just.. trying to swallow you whole. he's not trying to get closer to you no no he's actually attempting to steal your joy. it's not as if you lessen the, thus far, endless and overwhelming burden of his corporeal blight oh no he's just using you.

everytime he presses his mouth against you and doesn't suck your blood out, he reasons that he's practising self-control and instead forcing himself to leave featherlight kisses that make you giggle oh so sweetly even when he knows deep down that he'd pluck out every one of his own teeth if even one dared puncture your skin. simon's not a soft man. he's not a gentle man. he's killed countless with the very hands that you play with. he tells himself you mean nothing to him, that he could walk away and forget you whenever he felt like it but everytime he wishes that his fingers were softer so that they may be more pleasant upon your skin and everytime he wishes that his lips were less chapped so that you may kiss him more, he knows he's fighting a losing battle.

simon riley will become a soft and gentle man in your embrace and there's not one thing he can do to prevent it.

masterlist

pls comment i have so many thoughts about this man that need to be talked about xx

[woolysstuff]

I AM SO NORMAL ABOUT HIM

Evil!Sun my beloved (Edit// This Evil!Sun is from TSAMS and is not an AU of mine guys)

Bonus doodle

[coldbycrossfade]

MAN THAT REALLY COLORS THIS RESPONSE IN THIS CONVERSATION SO DIFFERENTLY FOR ME

[bananadramaaa]

Before I start screaming about your Alastor design and end up on their broken radio again (oops, my bad)

Do you have more headcanons on his siblings and/or on his father? Because your the first that I've seen with the sibling headcanon and I want to know more of what's going on in your head. :D

In my head there's chaos :D

As I wrote earlier, Alastor grew up surrounded by sisters (it makes more sense to me for his character). There was one more child who died at an early age, so the family may have been larger.

As the majority in the fandom, I headcanon that one of the biggest threats was the father, who's basically just a loser who thinks everyone owes him something (and most likely one of those who blames his wife for the fact that they had mostly girls, their son's "soft" nature was also the wife's fault and that she turned their children against him).

I headcanon that the kids were pretty close in their childhood times. But after their mother's death (it happened when they were young adults; the youngest sister was already a teenager), each went their own way. The eldest daughter(Adelice) tried to make a career in acting. She was a part-time jazz singer at a bar, but was killed by a suitor she turned down. The second sister (Leonore) took the youngest (Bertilda) with her after their mother's death; much later they were both married and found out about Alastor's death through newspapers with headlines screaming, "The serial killer who terrorized the town for years has been shot dead".

[ingoodjesst]

have you put the pieces together yet, detective

[onesidedradiostatic]

was gonna make a joke about this and have this be a shitpost instead but honestly may pass out soon so I'll type this seriously cause I have no energy to come up with a clever joke

it's interesting how vox's insults in stayed gone are literally just different ways of saying "you're old and outdated you're old and outdated you're old and outdated you're old and outda" tackled with a bit of "you're a coward" in there, whereas alastor's insults are not jabs at vox being new or modern tech, but rather his practices, "clout-chasing mediocre video podcast" he's saying he's a pandering, attention-seeking sellout, and he targets at vox's insecurities, questions his power, then makes fun of him for still being salty about his rejection.

I feel like it's pretty telling how vox's insults are just SO shallow, while alastor's cut deeper and more personally. while you could say, alastor may be just better at roasting than vox, I feel like it could also tell you something about alastor's hatred of vox being based on actual reason, which makes sense, he is the one who rejected the idea of being on a team with vox, the one who decided to make the decision to step away from their friendship. there were likely legitimate things about vox that alastor started to notice he didn't like.

whereas vox's hatred is extremely petty, he's still pissy over that rejection, he has no reasonable reason to hate on alastor's practices or medium. literally ALL he has is constantly repeating how tv is better and newer and how radio is worse and older, that he literally uses that SAME snap back even after alastor has his part "what a dated voice!" "you're looking at the future! he's the shit that comes before that!". he has NOTHING on alastor. if you asked him to make a list about what he hated about alastor he would probably just give you 10000 synonyms of "he's old and outdated" and be unable to come up with anything non-superficial. because the falling out on his part, from his perspective, was being rejected. and after that, BLIND RAGE. he hates alastor. he does. but he can't reasonably tell you why.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[literaryspinster]

I hear a lot of talk about how Hollywood isn't comfortable with showing romantic relationships, interracial or otherwise, without a white person involved. But I'm not sure that fans are actually comfortable with that either? And I don't think they're comfortable without a significant white (white male specifically) presence in their favorite genre shows.