#maybe there are more complex reasons AND she also wants kids but like??

[gaylactic-fire]

Zelinkers on here will meticulously go through "evidence" of their ship's canonicity with a fine tooth comb and write thesis level analysis essays about it.

Then they see the school and Zelda's diary and go "Ooo she has baby fever ooo she wants kids" and think no further on the implications of Zelda becoming a teacher based on her own childhood and the calamity.

Head in my hands. Groaning in agony. Etc.

[mushroom-for-art]

Syn has been living in my head rent free so he gets put in situations, situations being going to a nice café apparently and chatting with another shadow mewtwo, hope this is okay @seasidemew also Pikkot and the concept of Stardust Café belongs to @spikyegg!

Business was steady within multiverse Stardust café, Pokémon filed in and out most ordering their treats to go as they continued on their journey through the possibilities while some chose to stay and take a seat, taking a moment to relax within the calm aromatic atmosphere of the shop, freshly baked treats and breads steamed creating a delicious scent with carefully crafted teas to suit. The customers chatted at their tables to those they'd never even met before from entirely different worlds all taking the time to enjoy the delicacies lovingly baked by Pikkot in the kitchen, strangers exchanged cakes and brownies to each other in warmth as for a time a great sense of community was created within the room.

Due to the boundaries of this space within and between universes synergy corrupt individuals found that they quickly mellowed out as the behaviours of seeking more power were impossible in this environment and yet being in this bubble outside of worlds kept them appeased allowing many to return to an almost rational state. Though the many customers still exercised an air of caution about the two dark hued genetic Pokémon that were chatting up a storm at one of the tables, creating a noticeable area of empty seats. The taller, lighter gray hued of the two laughed into his hand as his tail idly swayed the end glowing brightly as it brushed across the floor. The more dark blue gray hued one with bright glowing crackles of energy flashing over her skin continued moving her hands in flourish as she told her story, her tail tip flicked in engagement though rested on a stool rather than laying on the floor like her companion's due to the bright shining and incredibly sharp crystal fused into the tip of her tail.

"Of course I wasn't going to let such a cheap tactic fly, while I understand it from a battle strategy point of view my way of seeing it is, if one is going to execute some cheap trick you need to be sure you can follow through, use it to your advantage to strike an ending blow and win, otherwise you're just gonna piss me off," she laughed a bit of an empty cruel laugh her tail swaying near the base which didn't quite reach the end, "well, I say that is if the miserable little creature had any real chance of winning." Her hand moved, rolling her wrist to flourish with her hand once more, "not to brag or anything." Her tone not matching her statement.

"I will give them the fact they managed to create a mark," her finger touched over a small scar on her forearm tapping it before turning her arm in examination, "not that it's that noticeable, well not noticeable to normal people at least but noticeable to champions," her mouth turned into a grin and although she showed teeth it was playful as her tone complimented casually. Her companion smirked as he raised a brow before relaxing into a chuckle.

"Complimenting me won't make me reconsider my evaluation on how much of a threat you might be," though they watched each other with equal caution there was a level of ease and playfulness to his tone, "but it does boost my ego." She tutted.

"Arceus in heaven above we can't be having that," she remarked playfully. She leant back casually in her chair in a half stretch as he turned from the waist to look around the café casually at hearing the bell on the door chime, he regarded the Bisharp with little interest turning back to sitting forward. There was a softer chime from the order up bell as a short, glasses wearing orange tailed mewtwo collected the plates of cakes and other confectioneries along with the two teacups and a specially chosen tea brewed in a teapot to compliment the taste buds. As they walked around the front desk carefully holding the tray in their hands the Bisharp moved backwards in a deliberate fast beat that saw their foot standing directly on one of the mewtwos toes and their bladed body roughly knocking into them also as the mewtwo staggered from surprise and no doubt pain. Their momentum saw them side stepping before they steadied and slowed the tray still balanced and no treats lost or tea spilt as they sighed in relief.

The Bisharp barked some remark about watching where you're going to the Mewtwo as they continued forward, keeping their head down before arriving at the table of the shadow Pokémon without further incident. Carefully they took the plates from the tray placing them on the table along with the teacups and pot, the lighter one, Syn glanced over the food that had been delivered and brought his eyes over to glance at the other mewtwo, short for mewtwo standards for sure with a short tail to boot, a bump in the chest piece that would indicate a mega stone along with some noticeable scarring around the region. His eyes glanced at the cuts made in their side that were starting to slowly bleed.

"That looked like it hurt," he commented casually as they put down the last of the tables order, he watched them move their shoulder and arm to look at the cuts and frown to themselves.

"aah drat…I guess it did," the mewtwo who he realized was a female spoke from their mouth, "could've been worse though, so glad it wasn't." Her tone was infectiously positive and a bit on the loud side."Pikkots gonna end up making a first aid wall of shame for me though at this rate," she laughs in an easy manner, "well I hope you both enjoy, and Darkness don't cause any trouble."

The darker mewtwo made something of a bleh sound in response as the orange two walked back to the kitchen to go receive first aid for their cuts, giving the bisharp an incredibly wide berth.

Syn made a soft laugh, "I still can't believe you settled on Darkness as your name."

"Oh yea sure Mr Syn-ergy crystal, I was young I'd only had this body what 3 minutes when I made that choice, I'm looking into experimenting with a new name ya jerk." Her tone was easy though as he chuckled picking out a treat to try from the selection, dramatically hovering his hand above the plates twirling his finger.

"So, how do you know that other mewtwo? Didn't strike me as the type of person you'd hang out with."

Darkness took a macaron and popped it in her mouth happily enjoying the texture and flavor on her tongue with a satisfied hum before speaking with projected telepathy, "she's not, that was May she's," she paused struggling for words rolling her wrist in a few circles before uncertainly settling on, "she was my first suitable host that survived having me implanted into them, and she's the horrid creature that mutually corrupted me as I corrupted her." She made a noise, "and I suppose now in this body I'm technically her clone sibling as I had to use her genetic sequencing to create this absolute form of perfection." She gestures to herself proudly in emphasis, "I blame the unique situation of our corruption for my, difficulties now with taking over another host. Luckily this body suits me quite nicely." She shrugged casually lifting the teapot carefully with psychic energy and pouring the tea into one of the available cups, she glanced with her eyes and motioned with her head and Syn moved his cup to motion that yes he would like a cup too.

"You must be fibbing," he brought the cup to his lips to take a drink before biting into a cupcake, he continued telepathically, "she's hardly a viable host? I haven't seen her use any Psychic powers, she walks around mouth talks and carries things in her hands plus she let that Bisharp get away with bullying her, she seems too soft to survive a corruption event. And there's no way you're cloned from her, she's all small and cute looking and you're well," he gestures vaguely, "you're designer."

"Good save with that one," She chuckled "and you're telling me, I am well aware of the state of her," Darkness sighed a bit turning a cupcake between her fingers, "she's, something, she's annoying weak and placid but it took me years to wear her down enough to take over, I was implanted before she was even technically full grown or officially born. It's embarrassing to think how long she prevented me for, but I suppose admirable in a weird way. I have a bit more of an appreciation for her now that I'm, more organic, urg semantics." She bit into the cupcake aggressively with a frustrated huff at her display of emotions.

He raised a brow at her, "it took years to possess her? And what happened when you finally succeeded?" he leant his elbow on the table leaning in a bit to hear more, he was a bit surprised in all honesty wondering what that meant for the power this May had to remain herself for so long.

"When I finally was able to take control I found a strange amount of potential within her, I found when used by the right person, myself of course, she could be incredibly powerful and dangerous. She was strong and I'll admit I was shocked at how well she took hits. Though I decided partly from vainness and partly from the fact I resented her at the time that she was inadequate even with her potential and decided to find the perfect vessel which led to having to clone and make the perfect body myself. I have to do all the hard work around here." She chuckled to herself.

"I'll admit though, I do worry about what she'd be like under the effects of an unaltered synergy crystal, no ideas mister," She lazily pointed a finger at him in accusation as he put his hands up in mock surrender pondering what would happen if he extended his corruption to her.

"I can see your face thinking, it could be your funeral." Darkness shrugged idly before smiling a bit as she chuckled to herself pointing with her thumb at a different mewtwo of a red pink hue and many discoloration patterns wearing a prosthetic on one arm and using psychic energy to recreate the other to make up for not having actual arms below the elbow and higher on one arm and a more pointed tail, "it also means I'm related to that fool over there another clone not made by me, if I have to put up with them at least I get free entertainment." She laughed a bit but Syn could see a bit of softness to her as she watched the other mewtwo flirting away to some male customers.

The orange mewtwo May returned from wherever she'd gone sporting some plasters and bandages carrying trays and deliveries out to people once again. "So, that scar on her chest was-?"

"That's from me yes," Darkness casually answered before he could finish as she touched the jagged crystal growing out of her chest, "burst out of her when I finally took over, was incredibly painstaking making sure I got every piece out of her when I transfered into this form, I'm amazed I can still mega evolve with the mewtonite in such a state." She moved her tail, lifting it to show off the sharp crystal on the end like a blade, "this was all home grown however, carefully shaped and added."

"You grew synergy crystal?" Syn asked intrigued as she started to tell him about the process of successfully managing to grow and farm synergy crystal and how to encourage the crystals to grow a certain way.

Syn continued to glance over at the other customers as they discussed in lengths the process of crystal growing. He would watch the other mewtwos as well, some from many other universes arrived and he observed and mentally categorized them. Most of them looked like easy pickings, others looked like very filling meals. At some point Darkness as sneakily as possible opened a jar of gherkins, he accepted one to try in confusion to why she brought them to a sweetie café watching her bite into a cupcake and then a gherkin. He could faintly hear Pikkot in the kitchen gasp in absolute horror as though sensing someone was committing crimes against his baking as Syn could only stare in bafflement.

"Not pregnant are you, dear Darkness?" He smirked playfully in mock as he looked at her and she looked back at him, with the silence becoming just a touch deafening.

"Look-" She began before there was an incredibly loud clattering of metal trays and the scraping of a chair rapidly sliding across the floor before clattering over loudly. It distracted both the shadow Pokémon enough to look over at the drama.

The bisharp from before was stood with their table and chair thrown about and trays scattered across the floor. The red pink hued mewtwo apparently called Matt had his arms to his chest in startled protective reflex as he stood near the trouble making Pokémon.

"Look I'm gonna have to ask you to leave, that is completely unacceptable! Like look at this mess man, I'm gonna have to pick this all up!" Matt threw up his arms in an exaggerated fashion at his frustration at the mess. The Bisharp eyed Matt up as it moved slowly stalking to the side like some predator eyeing up its prey. The other customers quickly moved to be as far away as they could to be out of the danger zone.

"Woah.. Woah hey now..dont like how you're looking at me..you wouldn't attack a guy with no arms would ya?" Matt turned on his feet following the prowling Bisharp not letting it get behind him and quickly yelping as it decided to lunge with Matt promptly half throwing himself to the side out the way yelling, "NEVER MIND I GUESS YOU WOULD."

He slipped on some smooshed cake as he attempted to scramble away from the danger, Syn almost wondered if he should step in if only for the thrill of a fight. He moved to stand and felt Darkness grab his forearm with a quiet, "hold on I wanna see what happens," as he gave her a confused look wondering why she was preventing probably the only competent person from stepping in to help her supposed brother.

The Bisharp swung their arm to slash with intent to cause serious injury before it's body froze in place, a thin shimmering white outline could be seen around their body as May stepped out from the kitchen with a cold expression, her eyes completely white. Despite the psychic energy rolling off of her in waves picking up the scattered chairs and tables scooping up squished cake and generally tidying up she didn't float, her arms carefully wrapped under Matts to pull him up as he moved to very quickly duck behind his furious sister.

She looked around the restaurant scanning over to make sure that no one else was hurt and nothing else needed fixing as the Bisharp made a grunt of effort as they attempted to break free of the psychic restraint, her head snapping to look at them at the sound.

She stared at them, tail swishing up and down as the metal blade on their arm began to quietly rattle and with a crack the metal shattered and they dropped to the floor at the sudden release.

The bisharp wailed at the destruction of their blade and there was no sympathy on her face as they stumbled holding their injured arm that hung limp with the pain having more than just a damaged pride as they fled out the door. Her eyes remained aglow watching after them, undoubtedly aware that with a damaged blade the social position of that bisharp was now ruined, that they would likely lose their pack and struggle to hunt, and there was still no sympathy on her face as she blinked and her eyes returned to normal.

"Boooo you should've killed him," Darkness hollered as other customers looked at her in horror at her suggestion as she simply smirked and shrugged. May shook her head checking over her brother asking if he was hurt before sweeping up the scattered metal shards off the floor and moving to apologize to the nearby customers for the actions she just took.

"What just happened.." Syn glanced at Darkness in bewilderment but also in slight awe at the casual brutality he just witnessed.

"I told you, Mays got potential but for some reason she can use her powers to protect other people and not herself and when she does use her powers? Well you saw what happened. Again, no ideas mister I don't wanna see her as a shadow version of her."

"Of course," he spoke glancing over as May went back to work, "I wouldn't dream of it." He lied casually.

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[moonagedaydreamsofrhiannon]

IN DEFENSE OF TRAVIS MARTINEZ:

Because I’m sick and tired of seeing travis hate everywhere I go.

“Travis was sexist.”

Did he spout some sexist rhetoric in the beginning of the show? Sure. But it’s important to recognize that: A) he changed, and by season 2 he completely stopped, B) he was a teenage boy in the 1990s, and that kind of rhetoric was normal at the time, C) most of his sexist macho tough guy attitude was a complete act that he likely put on to compensate for his insecurity about his own masculinity, and internalized homophobia. (More on that later.)

(Also let’s be real, Travis is basically one of the girls anyway and I’m tired of pretending he’s not.)

2. “Travis didn’t care about Javi.”

Did we watch the same show??? Granted Travis may have had trouble expressing his feelings (also related to his insecurities about masculinity, likely learned from his father, as well as growing up in a patriarchal and homophobic society), but he cared deeply about Javi. In S1E4, Travis literally DUG UP HIS DAD’S GRAVE, through horror, tears, and vomit, in order to retrieve his ring to give to Javi. When Javi disappeared, Travis kept looking for him every day for months, and never gave up, even when logically it would have seemed impossible for him to still be alive. He comforted and reassured Javi when neither of them drew the card. He cradled Javi’s dead body and ate a bite of his raw heart (which was a metaphor for how much he loved him, and a parallel to Shauna eating Jackie’s raw ear.) Maybe Travis wasn’t always there for Javi in the way he needed, but he absolutely loved him, and it’s important to remember that Travis was also a traumatized, grieving, kid who just lost his dad.

3. “Travis slut-shamed Nat.”

As we are literally shown in the show, Travis was not trying to slut shame her, he asked how many times she had done it because he was embarrassed about the fact that he was a virgin, and worried that she would judge him, or that he wouldn’t measure up because he was more inexperienced than her. When she told him she hooked up with Bobby Farleigh, he did not get mad at her because she slept with another guy (he already knew about that, and was fine with it), he got mad because she hooked up with his bully, and then lied to him about it. I don’t blame Nat for this, she didn’t know about it at the time, and didn’t want him to get mad once she found out, but I also don’t blame Travis for being hurt and embarrassed and upset with her for lying about it.

4. “Travis was just kind of a dick.”

Sure, but so were all of them. He acted like kind of a jerk in the first season. So what? Shauna had an affair with her best friend’s boyfriend, lied to her about it for months, and refused to apologize. Misty tried to drug Coach Ben. Nat faked his brother’s death to him (yeah, she was trying to help him move on, but still not cool). All of them called him “Flex” (y’know, the nickname that was used to bully him for years). None of them are perfect or nice or likable all the time, and that’s ok; that’s the whole point. They’re realistic, complex, flawed, morally gray and sometimes unlikable people. They’ve all done bad things, but nothing Travis did is worse than what anyone else on that show has done. He was a traumatized teen whose dad literally just died. Also, me personally, if everyone around me was constantly calling me the mean nickname that was used to bully me since middle school, I would also probably act like a little bit of a dick.

5. “Travis is a straight man.”

Wrong. (Also not really a valid reason to hate someone… But most importantly, just wrong.)

Travis Martinez is clearly a bisexual.

So many of his issues: the insecurity, the bullying, the macho tough guy act, the whole weird complex about his masculinity, all of it stems (at least partly) from the fact that he’s bisexual and has internalized homophobia. The whole “Flex” thing is just thinly veiled homophobia. The main reason why he got bullied is because Bobby Farleigh spread a rumor about him getting back surgery to better suck his own dick. The unsaid implication there is that he’s a man who sucks dick, which is inherently queer, even if it is his own. If you look even slightly past the most surface level interpretation, it’s pretty obvious that Travis was bullied because of homophobia. His performance of stereotypical toxic masculinity was clearly over compensation for the fact that he doesn’t fit into the box of traditional straight masculinity, and was a reaction to the bullying from his peers, abuse from his dad, and internalized homophobia from growing up in a homophobic and patriarchal society. As the show progresses he starts to unlearn that toxic masculinity and internalized homophobia, and he allows himself to be more vulnerable, emotional, and feminine, and as a result, he becomes stronger, more confident, and more respectful of the people around him.

As for Travis being a man… Is he though???

In season 1, Travis is a man (narratively speaking); there is a clear distinction between Travis/Coach Ben and the girls. However, in season 2, we see a stark shift in how Travis is depicted. The separation between Travis and the girls pretty much ceases to exist. Narratively speaking, there is no distinction made between Travis and the other girls; they are one entity—one hive mind. Instead, the emphasis is now placed on the distinction between Coach Ben and the girls/Travis. When Coach Ben watches the Yellowjackets eat Jackie in horror and disbelief, Travis is right there with them, dressed in ancient greek robes along with the rest of them. In season 2, Coach Ben is the only real Man of the group (Travis has narratively become one of the girls, and Javi is just a boy, not a man) and he is shown staying separate from the rest of the group, and growing more and more uncomfortable with the cultish dynamics, while Travis, on the other hand, becomes more and more integrated with the group, as he falls deeper and deeper into cult beliefs, until he is a full-blown devout Lottie worshipper. Of the three males on the show, he is the only one who actually participates in cannibalism with the other Yellowjackets. Also he lost his virginity to a lesbian.

Whether or not you choose to believe that Travis is transfem (I do) you cannot deny that, at least narratively speaking, Travis is literally just a girl.

6. Travis is a victim.

I don’t know why nobody in this fandom seems to acknowledge this, but Travis is a sexual assault victim and I’m tired of people constantly overlooking and ignoring that fact. In Doomcoming, the girls (excluding Jackie and Nat) chased him down, sexually assaulted him, and then tried to kill him. That’s not something that’s up for debate or denial, that is literally canon. Stop pretending it didn’t happen. Stop pretending it wasn’t assault. Stop shaming him and making fun of him for struggling with sex, or not always being able to get it up. That’s a normal trauma response after being assaulted/raped. You guys are literally proving the point. This kind of treatment from society towards masculinity and male victims is just playing into the patriarchy and toxic masculinity, and is exactly what made him act the way he did in season 1 in the first place!

[mauesartetc]

Redesigning Helluva Beelzebub

Hoo boy, roll up the sleeves for this one.

The Original

In my review of Helluva Boss 108, I mentioned that Beelzebub's character design put me in mind of how some DeviantArt kid's fursona might look. And... Yeah I stand by that statement. The most likely reason I can figure Viv Medrano wanted her to be dog-like was to make a reference to her Die Young music video, which featured an anthro wolf singing a Kesha song (for context, Kesha herself voiced Beelzebub and co-wrote a song for this episode).

But for those who are unaware, Beelzebub's traditional depiction looks nothing like this.

Really the only visual similarities the Helluva version shares with the Infernal Dictionary version are the insect wings, six limbs, and the crown thingy over the head. (At least I think that's a crown-? Kinda hard to tell on both counts.)

Bee's eyes get somewhat more insectoid later in the episode, but that feels like a cop-out. Wow, her eyes and colors changed. Totally a bug demon, right?

They had the same problem in Hazbin Hotel with Katie Killjoy, who's allegedly supposed to be a praying mantis but barely resembles one, even after her transformation.

I understand the desire for fresh takes on old figures, and taking creative liberties so the new interpretation doesn't feel generic. But the changes should at least make sense. By now it's pretty clear Viv couldn't care less about representing Ars Goetia demons faithfully, as demonstrated with Paimon, Andrealphus, and now Beelzebub. You could slap completely different names on these characters and it wouldn't change a thing. I posted this meme a while back but it's never been more relevant:

On top of that, what reason could there possibly be for the design to be this damn complex? Why did she need so many markings on her face? Why did she need so many layers of hair? Why did she need flowing goo for her hair, tail, and body, each requiring dedicated effects animation?

When it comes to a hand-drawn production, less is more. Any superfluous details on a character just make unnecessary work for the animators.

Anyway, here's what Viv has to say about it.

Alright, I'll admit: The lava lamp bit is a little clever. Basically it works as a regular stomach does, but on demonic steroids. But it wouldn't look so much like Viv's making this up as she goes if we'd seen Bee's stomach performing its intended function in the episode. Let her chow down on a giant piece of food (maybe that cotton candy she's been handing out-?) and swallow it, and let Loona (and the audience) see it dissolving in her transparent belly. As a general rule, if it's not shown or explained in the work itself, it's not canon. Like I've said before, Viv: Elaborate on the nuances in the story you're telling, not on social media.

Also, "Her ears are designed after beehives"? Wh...Wha? Ma'am have you ever seen a beehive.

(Hell, even if you told me the ears were inspired by the generic cartoon beehive we're all familiar with, I wouldn't have guessed. There's a difference between being subtle and being vague.)

I can kinda see it in the overall shape, but that's a very specific design inspiration that wasn't clear at all in the design itself. Same with the "animal trainer" thing: I never would have picked up on that if Viv hadn't pointed it out. If a character design doesn't visually convey all the necessary information, it's not a successful design. Show, don't tell. There's a communication breakdown between what Viv's telling us and what Bee's design shows us.

(It's possible she actually meant "Her ears are designed after honeycombs", but even then, each compartment has a specific pentagonal shape that's not coming across at all here.)

I also find it interesting that Bee and Loona have almost the exact same body type. Of course Viv's pretty infamous for samebody syndrome, but it's actually unnerving how similar these two are.

Might this be a reference to Vortex's "type"? Is this foreshadowing a relationship with Loona? Am I overthinking this? Yeah, probably. Viv's demonstrated a clear preference for tall, skinny body types over the years, so it's safer to assume that's the explanation. It's all aesthetics. It ain't that deep. Occam's Razor and all that.

Finally, Bee how the hell does your shirt work.

The Concept

So at this point it seems most logical to lean into the "bee" thing for the redesign, and scrap all the canine elements. As for the blobby hair and tail... yeeeah let's nix those too. We're going for a streamlined version that's easier to animate. And because I ignored the ringmaster look for my redesign of Asmodeus, it only makes sense to do the same for Bee's animal trainer vibe (what little there is) for the sake of consistency. I know this version of Hell has a circus theme with its highest-ranking demons, but there's never been an in-universe explanation for why that is.

Let's look at actual bees, then. A quick peek at Google has informed me that certain insect species have smaller, "simple" eyes (also known as ocelli), in addition to their compound eyes. In bees, this manifests as a triangular grouping of three beady eyes on top of the head.

In her Helluva Boss episode, Bee's full demon form has three eyes, which could be a reference to this triangular arrangement, plus her regular form has two spots on her forehead in addition to the third eye. So it's possible Viv actually did research for something. Pleasantly surprised on that front.

Next, the body. I've noticed that some folks find Bee's skinny body type refreshing, as the sin of gluttony is too often personified with fatness. And that's fair. That's valid. But consider this:

Imagine any Vivziepop character saying that about a chubby person. Imagine the series sending the message that fat people can be sexy too, and that they have worth outside of their appearance, enough for at least one character to consider them girlfriend material. That they're valued and appreciated regardless of this culture's beauty standards (which we know nothing about since the worldbuilding is as thin and flimsy as tissue paper, but whatever). Imagine if this show finally had a fat female character who wasn't relegated to the background. Don't know about y'all, but that would be refreshing to me. And when you take into account all the fat-shaming of a character who isn't even fat, portraying a fat character as attractive would be a nice change of pace for this show.

Now let's talk about clothing. In the episode, Bee's clothes show off a lot of her body, with a cutout crop top and short shorts. We can take a similar approach for the redesign (something that still shows off her chest, belly, and limbs, in keeping with the extroverted "party girl" persona), but that perhaps includes more queenly elements.

The Redesign

Because this is a redesign, many elements were already in place, but I still had to figure out how this character would look as a bee. Here's where the preliminary sketches came in. Lots of trial and error in this process.

Wrestling with this character's face got a lot easier once I realized I could mold it into a pentagonal shape akin to a honeycomb compartment. It took a few tries, but at last, I had a final sketch.

All that was left to do was test out some color combinations.

I tried a few different approaches, but in the end, this is the version I felt worked best.

I used many of the colors from the original, but pushed the orange much harder since orange is the symbolic color of gluttony as a sin. And overall it gives Bee a nice honey-ish look rather than the generic black and yellow we already see on so many bees in cartoons. I thought the colored outlines on her clothing would add a soft, feminine touch, as well.

And just for kicks, here's a quick sketch of her giant form, inspired by the Infernal Dictionary drawing of Beelzebub.

Conclusion

The canon version of this character exists in the form she does for no reason than to stroke her creator's ego. "Hey guys, remember when I animated that Kesha fan video? Remember how cool that was? Wanna see me foist this unnecessarily-complex character design on other animators while I take a victory lap?" I wouldn't mind so much if Viv animated any of this herself, but she didn't. I could almost excuse this if she had no animation experience and didn't know how much work it requires, but she does. The self-aggrandizing entitlement is just off the charts. But a nonsensical design is leagues better than a stolen one, so... brownie points for that, I guess.

[fumifooms]

Helki compilation

Helki is a prisoner-turned-servant. He’s a criminal canary and was implicitly one of Milsiril’s charges, and now that she’s retired he’s become her servant.

He must have gotten into Milsiril’s good graces, wether through attachment or convenience, which is a feat considering Milsiril’s a socially anxious recluse. Interesting since it’s not like he seems like the agreeable type, shifty upbeat delinquent style… We really don’t know much about him, not even what crimes he did, so there’s a lot of space for speculation on all grounds.

Edit: Shanghai QnA with Kui gave us a new juicy morsel of info!

Interesting… The original answer in japanese is: パッタドルと同じような杖を使っていました。今も同じものを支給されているのですが、すぐになくすのでもはや携帯していないようです。 That it’s written in japanese seems to say that there isn’t the same double translation issue there was last QnA, so if someone wants to look at the original phrasing and word choices it can be done. Perhaps Helki-Milsiril has a more protégé dynamic undertone than previously thought… "For various reasons", meaning circumstances that made it so the squad had to choose between saving him and saving their own skin, or like, "man this guy’s personality sucks we don’t really like him"? Likely to be a mix of several things, since ‘for various reasons’ implies the situation was either complex or they had multiple reasonings. In either case, the phrasing is very much that Milsiril couldn’t abandon him herself, and so a relationship sprung out of that. Another instance of outcasts seeking out and sticking with other outcasts in Dungeon Meshi. This could mean that it’s a bit less out of personal attachment and more out of a sense of duty on Milsiril’s side as well though.

Still edit: So then maybe him staying with Rin in that comic isn’t that much because of work ethics or that he cares for kids (or maybe he does because he feels kinship to them, alone and mistreated), but because he didn’t want to join the other canaries in that room chatting and laughing… Maybe the isolation was exacerbated because he became Milsiril’s favorite, teacher’s pet style, but I’d also be careful about assuming the others disproportionately dislike him, it could be that they just don’t really care for him. Why? Could be because of his personality, because he’s seen as shifty or unreliable or annoying, if an event, who knows who knows, but I like to think because of the Rin comic that he generally just tends to be a loner, that he’s "weird" in a neurodivergent vibe, he doesn’t conform to proper social behavior which in elven society seems especially alienating. He’s the only one with Rin to think of her sake, not only worth observing/caring for but also asks her to eat, but he does this with an offputting stare, not really emoting, and then well, the infamous alone with her staring munching covered in blood panel. He stands out. I’m a fan of the theory that it was a "Helki? Not that I dislike the guy but I’m not risking my skin for him" situation… Ok end edit back to older observations.

He seemed to be acting out of his own initiative in the Rin comic, he doesn’t look thrilled to be there in many post-canary comics but he also seems content enough. He restrains Milsiril in the Mithrun cleaning comic which is interesting to think of for their relationship.

It’s fun to notice how he’s the only one that didn’t get bored of looking after Rin, and then reports back about her condition… I’d say he was getting used to taking care of kids which would come with the job of serving Milsiril, but then, not enough for him to clean the blood off himself hah. In this way it’s interesting to think about his relationship to the idea of parenthood, he’s probably the closest thing to a father figure/male role model Kabru had growing up, without mentioning the other kids. I feel like he’d consider himself an older brother, cousin or uncle figure sooo much sooner than a father, but even then I do think it’s just his job and he’s not really invested or forming real relationships with any of them much.

It’s curious to note that he’s dressed in canary uniform presumably after having been pardoned and living with Milsiril? Which you can tell by the armor bits (the yellow strips of spider silk). In the Kabru training montage and the Rin comic specifically. It seems very implausible for him to have still been a canary while being a retired Milsiril’s servant and being with her all the time, and the cleaning with Mithrun comic (where he’s not in uniform) happens after Utaya so it could happen after Kabru was taken in but around the time of the Rin comic. So why uniform? It could be one of the best outfits he has, so it’d make sense to wear it around especially if you’re sparring or getting… Blood on you? Could just be because that's how Milsiril wants him to dress. But yeah we don't know when exactly Helki becoming Milsiril’s servant happened. We do see Mithrun’s charge Cithis be tasked with taking care of him, so a charge being given a servant-caretaker role doesn’t seem all that out of the ordinary, sometimes even prior to retiring.

Imo, if he doesn't work for Milsiril he goes back to jail/the canaries/has to try and get a job instead of just tending to her, so Helki is staying with Milsiril because she's the best option for him. He’s her milsiril's personal servant and does mostly dull tasks involved in that. He’s not particularly suited to the role but they’ve gotten used to each other to him so she took him with her, and he does prefer it to canary work so it works out decent for him. I think he’s used to reading her and managing her moods and he’s one of the rare social connection she has.

Under spoiler is stage 2 interpretation stuff, bigger speculation, in a reblog I’ll make soon I’ll go over my thoughts for stage 3 interpretation lol. Helsiril I’m coming for you

Translation of the canary hierachy chart used is by Thatsmimi, here

[noetnoet]

Lifechanger - DEMO

Lifechanger is a 18+ real-life romantic drama where you'll play as a teacher who just started a job at a special school.

Content warnings: explicit language, (possible) mention of child abuse, mental health and (possible) unhealthy relationship.

The content warnings may change!

A few days ago you got a job offer at a pretty famous school, the Smith's Academy. You get a good salary, you live only 20 minutes away from the school, and you get a big starting bonus. Sounds perfect, right? Well, it is not as good as it seems at first.

This school is for troublemakers. The bad ones. Most of the kids are misunderstood, some are born evil and others just have the worst parents who put them in this school for no good reason. They all have one thing in common, they make the school feel like hell on earth. Not only the children will make your life harder, but also some of the adults are quite the challenges. This story focuses on relationships and mental health.

This job will change your life forever, whether it's for the better or the worse will depend on your choices. Welcome to Lifechanger.

Character Customisation. Choose your appearance and gender, and choose one of the 3 backstories. Will you deal with your past or let it consume you?

Play as a teacher. Choose between 3 students you can meet. Change their life for the better or the worse.

Romance. Romance your charming boss, an elegant co-worker, or a sweet mother of one of your students.

Complex Relationships: Everyone has secrets perhaps; someday they will come to light. Can you truly get to know your lover and friends?

See how your actions change the actions of those around you, good or bad. One thing is sure: Your choices matter a lot.

Danny Smith [M]: Your charming boss. At first he looks stoic and cold at first , not kind at least, but in reality he has a hard of gold. He enjoys working with kids and the school is everything to him. Maybe too much for him. He is very social but it looks like he never lets anyone get close. Can you truly capture his heart and get to know him?

Alice Smith [F]: Just like her uncle quiet charming, a bit too confident sometimes but it makes her quite attractive. She is the school psychologist and has helped a lot of children already. But not like Danny she seems to seperate work and life more. She cares for her students that is clear but there is something...sly about her. Can you figure out who she truly is?

Dolores Richards [F]: She is a secret fully. Yes she is kind and looks sweet but there is something about her. She married her husband while she was in college, it all seemed perfect but lately things have changed. Can you help her figure out what she wants?

Lisa: One of your students who is going through something that changes her life forever. Can you help her or will you only drive her further into her depression. [1/3 kid stories you can follow.]

Oliver: The son of Dolores and a student of yours . Although he is dressed well and he gets anything he wants from his parents, the things he needs most are neglected. Can you help Oliver find a way to feel fully loved again?

Jaden: A boy born in a poor family and although not on purpose neglected by his parents. He spends his days in school and at work trying to earn enough for his family. Can you find a way to help him and his family?

Other

Lifechanger is currently a WIP. The demo is at 14K. I am planning on updating every 2-4 weeks with a new chapter, the story will be between 30-40k words long. This is my first story so i’ll be keeping it fully free and i hope to learn a lot from it. Don’t be afraid to give me tips or help with my grammar.

Thank you for reading this!

Demo

Feedback

[sexycraisinthanos]

Actually I’m gonna talk about this, controversy aside, Hazbin Hotel is so fucking lackluster. From character design, as I've previously mentioned, to animation

Vivziepop had years to work on these character designs and this is the best she could do on a LARGER animation budget?

I’d hardly even call them redesigns since you couldn’t even tell they’re different than when they first debuted (save for Vaggie)

And the actual animation just looks so stiff and like it’s a fan made thing

Versus the pilot from FOUR YEARS AGO

The reasoning for the “simpler” designs is to make them easier to animate but they aren’t that complex of designs and I’m no animator I’ll admit so maybe it makes it easier for musical numbers, but part of the appeal of the pilot was the hand-drawn loose style

Plus, any interesting design choices that were there were taken away in the Amazon show

Not to mention that almost every character is supposed to be based off an animal and you can't fucking tell what animal they're supposed to be unless you fucking google it

THIS is supposed to be a spider. If I didn't know who he was, i wouldn't even know that. Maybe it's not a universal opinion, but I feel like if your character is supposed to be based off of something, it should be a little more obvious than four arms and dots under his eyes which are actually another set of eyes.

He's a gay man, who's also a sex worker/porn star, which can be told by his outfit, but none of his outfit looks good together. You've got two sets of gloves, knee high boots, a mini skirt, and a blazer with a bowtie AND a choker.

It is a perfect outfit to tell you everything you need to know about him because it's a fucking mess. It looks like when your kid dresses up in your fancy clothes to take pictures in but nothing goes together because the kid is 5 and doesn't understand that just because you like the clothes doesn't mean they go together.

This is apparently a deer, though I've heard he's based off a w*ndigo so he wouldn't be deer-based, WHICH IS STILL BAD BTW HE'S GOT SO MANY RACIST PARTS OF HIS CHARACTER ELEMENTS BUT I'M NOT EDUCATED ENOUGH IN THOSE ASPECTS TO TALK ABOUT IT

And the outfit is just...bad. Aside from the tiny antlers that can barely be seen behind the hair, there's nothing cohesive about it. There's his coat that doesn't match the era he's from, the bob cut, the microphone which doesn't look like a microphone, the neckline that makes no sense, the random stripes on his shirt that you can't really tell what they're supposed to be (suspenders and a tie? a print on the shirt?), the actual tee shirt he appears to be wearing underneath his coat, the gloves, and again the FUCKING BOWTIE WHY DO EVERY ONE OF HER MALE CHARACTERS HAVE BOWTIES IS SHE ALLERGIC TO NECKLINES?

Not to mention the colors of the show and the characters. Vivziepop is under the impression that since they're all in Hell, they need to have a color scheme. Or at least the more important characters do. And what color scheme is that? Red and black.

But you know what else has red and black?

EVERY

SINGLE

BACKGROUND

IN THE SHOW

And he just blends in with the background. Which is not something you want a character to do if they're one of the more important characters in your show.

[redflagshipwriter]

Nest Swap chapter 5 progress

In which Tim flirts with the sad thoughts but is not committed to them.

masterpost

Probably the best thing to do was to make sure everyone was happy with him. If he did everything that everybody wanted, there would be no issues. 

So, Tim finished his experiment for Miss Fox and sent her his report. The groceries arrived while he was finishing up. After he put it away, he made a peanut butter and jelly sandwich and ate it one-handed while he looked up the address that Jason had told him about. 

“That's pretty far away,” Tim mused. Some grape jelly dropped onto the keyboard. He swiped it up with his sleeve. He was a little less careful about the apartment now that he knew it was Big Tim’s place and not someone important or mean. 

Huh.

Tim paused mid contemplation. Speaking of important people, where was Mom? (And also Dad.) He turned his head around looking for the most recent post card. He usually kept that on the fridge.

Apparently, Big Tim had lost the habit. The dig post card tacked to the fridge was years old. Tim took it down and read it anyway, smiling at Mom’s handwriting. It was neat and precise, just like her. 

He felt better. He'd figure it out later. Tim put a pin on the thought and went back to focusing on his- on Jason's request. He squirmed in his chair while he thought it through.

The address was in a residential neighborhood, the kind with separate houses and not apartment complexes. The suspect himself lived in a duplex. The other half of the duplex was registered to a retiree who Tim didn't find any digital trail of, other than that her Social security checks were being cashed and her bills were paid on time. Oh, neat, she had been part of Gotham’s historical recreation society. She seemed kinda cool.

She had crazy huge electric bills, though. Tim frowned at that. He wasn't absolutely sure. But he thought that most people didn't have electric bills in excess of $600 monthly. How was she even affording that off of her Social security income? 

“Maybe the neighbor killed her and is using her apartment for nefarious purposes,” Tim reasoned aloud. “He's chasing her check and concealing the death. Maybe he uses her apartment to store his industrial sausage making machines.” 

It was a bit of a reach but it seemed a little more likely than his follow-up idea: her hobby was running every appliance in her house at the same time for all the hours that she was awake.

Focus, Tim! How was he going to surveil this place?

It wasn’t like there were any nice big buildings with dramatic awnings and gargoyles to creep around. It was suburbia. 

Tim spun around on his chair miserably, hands on his head to help him think.

Were there any abandoned homes in the area that he could use as a viewpoint? He checked on that. No. No, there weren’t. Dangit. He looked up everyone who lived in the neighborhood, wondering if there might be like, a family on vacation or someone whose second floor was unoccupied. He didn’t see anything useful like that. There were just a bunch of families with little kids.

He spun faster. Maybe the centrifugal force would somehow jar his brain awake.

“There’s nothing for it,” Tim decided ruefully. “I have to go undercover as a child.”

He put on the light up sneakers that he had ordered, washed his face, and made sure he had enough money for the bus. Then he set off on an adventure with a little notepad in his pocket. When he got to the apartment lobby he realized that he probably should have brought Big Tim’s phone, but oh well. It was too far now.

He took three buses and walked twenty minutes. He arrived in the right neighborhood in the early evening, around 5 pm. He looked for rogue groups of playing kids to join in. He’d do whatever game they were playing, then subtly interrogate them.

Unfortunately, it seemed like everyone was inside eating dinner. Tim frowned at one window. He could see a table being set.

Weird.

Alright, new plan. The old lady neighbor was probably dead, so he could just sneak into her half of the duplex, find a place to hide, and observe whatever sick and twisted stuff Jason’s bad guy did. Then he could tell Jason about it later, and he would like Tim.

He tried the backdoor. It was locked. Tim skulked around the house and tried windows until he found one that was open. He had to scramble a bit to climb up the siding to get into the house but he managed it. He hit the floor with a tumble.

“I have a mace!” said a female voice. “I am prepared to use it upon you!”

Tim rolled over to see the retiree. “Oh,” he said. “Hello.” He was a little disappointed that he was wrong about her being dead, though of course it’s always nice when someone isn’t murdered.

Mrs. Henderson yanked open a drawer and withdrew her mace. She pointed it at him steadily over her walker.

“Whoa,” said Tim. “That’s really cool. That’s Gothic, right?”

She looked at her mace. “...I believe so,” she said. “Get out of my home!”

“Yeah, I’m sorry,” Tim said, deliberately not agreeing. He sat up and crossed his legs. “I didn’t realize that you lived here.”

Mrs. Henderson slowly lowered her Gothic mace, which was probably a replica of one from Western Europe and weighed about 2 kilograms. “...Did you mean to go next door?” she said, sounding more confused and less hostile. 

“Yeah, I got mixed up,” Tim lied like a champion. “I accidentally locked myself out and no one is home.”

Although that really wouldn’t be true for much longer. Hm. Maybe Tim should have waited until tomorrow to come by.

[sketch-twentytwo]

This is coming of the heels of the FOP:NW season 1 finale, and I guess I was just disappointed in the ending.

The season has been building up Dev and Hazel's relationship (friendship you heathens!) and showing Dev's struggle to mature and really understand what he thinks is missing in his life (parental love from his father) but his heel turn kind of comes out of nowhere.

I don't think it should've been on Hazel to "save him" but they barely have a conversation the whole second half of the episode. I thought she could've given him some tough love, a speech about real friendship, or something.

Instead Peri tells him he cares about him (which is nice) and he basically forfeits and succumbs to being fairy/friendless and most likely being reset to square one (that is unless his sunglasses blocked out the magical, memory erasing flash).

I just think it could've been one of those finales where Hazel fights Dev with the power of friendship while still extending a hand. The guy is a selfish jerk and all, but he's also a ten year old nepo baby who doesn't know any better. Maybe we'll get some more dev-elopment if we get a season two, but he just felt more fleshed out and complex than the rest of Hazel's friends who get to keep their memories for some reason.

Oh yeah. That. For all the flack Timmy Turner got for almost revealing his fairies and the threat of them getting taken away from him over and over, Hazel just wishes her buddies can remember. At that point why not use the next rule-free wish to wish that she'll be able to remember her godparents FOREVER? IDK, it just sort of feels like some of the stakes of the show have evaporated.

I think it would've worked well if they'd just kept it with Hazel and Dev being the only god-kids in the show who have knowledge/memorize of fairies. Now it feels like there's too many people. But, we'll see what happens I guess.

Fairly Odd Parents: A New Wish has it's Pros and Cons, in my opinion. The character writing is FANTASTIC when it's good, but the plot lines aren't always compelling to me. I want to see more of it because I think it can and will be improved/built upon, but for now, it's a nice show I'd probably watch once and not again.

[shakespearean-dream]

TW!!! — blood, scarring and mild body horror ahead 🥲

benny’s turn!

before i start i wanna clarify i hesitated a bit on posting this because lovely mutual @vor-leser just posted his benny interpretation (go look at it and follow him btw), and idk if we like mind melded or smth but our human benny’s are super similar LOL. i damn near scrapped the whole thing out of fear someone would get mad at me but i Would Not be able to start over and get this done ever so this is as good as we’re gonna get. 😭 my apologies niko love u /p

this has been like a full 7 days in the making 😭😭 the art block that i felt coming on while doing ellen and ted hit me like an optimus prime sized semi truck this week along with a depressive episode so i definitely appreciate that happening and i am not upset about it at all! /s i’m totally good so don’t worry or anything /gen, mental health is just weird and i also wanted to explain the gap in my posts 😔

i do not know how to feel about this drawing if i’m so fr with you; i’m proud of myself for AM-ified benny cause i think i got the slowly rotting from the inside out primal freak energy down pretty good, but on the other hand this feels kinda empty?? i usually have a lot more commentary squished in here but i think my brain’s a little fried 🤦‍♂️ i love drawing me some beautiful buff men though so drawing normal ben was familiar territory. however his wack ass haircut i gave him is his punishment for being a PRICK!!! go sit in the corner and think about ur actions benjamin.

like ted n the rest of the sillies i’m not straying too far from canon with his personality, he’s an ass and a murderer and a hella smart dickhead who desperately needs to be punished by the universe (thank you for that one AM). hot take i did not like his “redemption arc” in his game scenario and i don’t think with how he was throughout the entirety of his life (and also throughout the game, main example his inner dialogue) he would actually go out of his way to help the kid because he means it??? n prove he changed to the guys he killed cause he means it??? i dunno maybe AM torturing him made him have a main character “omg i’ve been in the wrong this whole time!!1” moment like the game suggests i’m just not buying it 💀 i’m sure it’s just cause bennys scenario couldn’t be too long and they couldn’t fully flesh him out which i won’t fault the game makers for. i’m a steven universe fan, i know what time constrictions can do to a plot and redemption arc 😭 looking at you white diamond…

his wife n kids are up top and they’re kinda neat to me— i was considering the hc that part of the reason manya (his canon wife) left him is because she realized she was a lesbian which would be funny as fuck considering benny’s also One Of Them Queers 😭. i think during the brief times he was home and able to parent his daughters they got really scared and tired of him, one because he’s just a very threatening powerful and overbearing man, but also because i feel like he would’ve been on their ASS about everything. grades, extracurriculars, friends, wardrobe, this guy was micromanaging his family to an annoying extreme (ofc because of his perfectionist complex). he probably loved manya and the kids in his own weird way, but it was more contractual to him than any real personal relationship. maybe he inherited that from his own parents?? i doubt he ever talked to them after he moved out.

that’s about the end of my thoughts on this fucker. 🥲 funny storyyyy i just remembered i have laundry to finish so im gonna go do that, lord help me. thank you for reading all this if you did!!!!! we’re over halfway through so who do yall want next? wanna save AM or nimdok for last? i’ll see u guys later :]]]

[nobodysdaydreams]

Explaining fandoms I’m not in, but I have seen on my dash from the mutuals (to the best of my knowledge based on their posts):

Why? Because I thought it would be fun and entertaining and I hope I’m not wrong.

The Magnus Archives (TMA)- a group of people document creepy and supernatural events while they slowly one by one discover either that they are the monsters/possessed by them, or that they are being taken in by the monsters, or that their coworkers are the monsters, or that they themselves are possibly friends with or dating the monsters, or that they have been working for the monsters (or bad guys) the entire time. Many of the villains seem to be demented or possessed life sized toys and clowns or eyeballs. This podcast has so many episodes, and I see so many posts about it, but these seem to be the common themes.

Miraculous Ladybug- actually haven’t seen this one on my dash in a long time, but when I first did, despite appearing like a straightforward kids fandom, the shipping discourse confused the heck out of me. But if I have this right, based on the posts from my younger followers, two teenagers are animal themed superheroes who are dating each other and also have crushes on each other, but they don’t know they are dating each other, because they don’t know each others secret identities, because… okay, I still honestly have no idea why. There are ~5K posts about this apparently very central and specific plot line, but not one explains why they don’t just tell each other who they are??? Anything for the plot, I guess. Apparently this has been going on for a long time to the point where even the show’s target audience of children is confused as to how these teenagers and grown adults haven’t put the pieces together as to who everyone’s secret identity is.

Keeper of the Lost Cities (KOTLC)- there’s a girl named Sophie. She is an elf in a love triangle with Keefe and some other guy (I think his name is Fritz). Keefe’s parents are terrible, especially his mom. Sophie has horse DNA (I don’t know if that post was a joke or not sorry if that’s wrong). There’s an elf with fire powers. Elves read minds. There’s a group called the black swan who are the good guys, I think. Also I think the elves and humans are at war. I know Keefe’s parents are trash, does Sophie have parents? From what I can tell, she grows up believing she’s a human but then surprise! She’s an elf and the chosen one, and elves are possibly immortal? Wait, maybe Sophie’s a half elf. Is that a thing?

Spy x Family - two people are fake dating each other for spy reasons but eventually fall in love for real. The twist is, they each think the other is a normal civilian who doesn’t know about the fake relationship (which is kinda messed up to make someone fall in love with you for a fake cover but if they’re also doing the same to you that’s karma I guess) but I think it might end up ok, because they fall in love for real (Aw) but possibly also not okay, because I also think it might be revealed that they’ve been working for enemy sides this whole time (drama). Also the adopted daughter is a mind reader who knows everything but chooses to keep what she knows secret for the plot. Respect. And I recently saw something about the family having a super powered dog? Is he real?

The Murderbot Diaries - a bunch of robots are created for one purpose: murder. But when their murder programming goes haywire, they discover that they might have more in common with the humans they’ve been assigned to kill than they originally thought. Or that they have more humanity inside themselves than they thought… or maybe that the people who created them have more evil intentions than… well in hindsight, “the people who build the murder robots are evil!” seems like an obvious plot twist, but maybe they’re more morally complex or had decent intentions and just never intended for it to go this far… or maybe the robots get hacked or decide maybe they don’t want to be murder bots anymore which brings us back to free will. Interesting philosophical questions, but I think the robots might be getting into some wacky shenanigans as well. Also they apparently have diaries. I get that a diary is just like… a log of what they’re doing, but that won’t stop me from imaging a big scary robot with a little pink glitter pen writing “Dear Diary, I killed three people today. I still see their faces when I try to power off at night. When I go into sleep mode, I dream of their faces. I begin to wonder things, like whether they had families, dreams, or ambitions. I also wonder what they felt in their final moments. I fear this means I am developing a conscience and desire to turn against my programming and the creators. But probably nothing a little update and restart can’t fix. I’ll keep you updated, dairy. XOXO, Murderbot 💕” So. How did I do? Scale of 1-10, with 10 being “you nailed it!” and 1 being “None of this is remotely close. What posts have you been looking at?”

[blood-orange-juice]

Other characters about Arle.

Scaramouche:

Childe:

From what I've seen she does seem unhinged but in a, uhm... reasonable and tolerable way? What she does seems like necessary cruelty. Both guys are not exactly reliable narrators but I'm still curious if there's something about her that we will find out later. Or maybe her crazyness is a performance for colleagues and nothing else.

There's the Commedia dell'arte trope of Arlecchino serving two masters, but if she simply wants to save Fontaine it's a beautiful and relatable goal, there's nothing wrong with that. Alternative theory: she's loyal to Narcissenkreuz, not Fontaine.

(Narcissenkreuzers are everywhere, just like Rosenkreuzers irl. consider me a conspiracy theorist)

I'm also fascinated by the things she says to the House of Hearth kids. "True understanding can only be found, not sought" to a neurodivergent girl trying to fit it. "No one needs self-satisfied concern" to a guy with a savior complex. These are all not things intended for tying people to her, these are things to make them stronger and set them free. Their loyalty to her comes from a place of gratitude, not fear, they weren't coerced into it. Before the siblings' appearance I contemplated whether she could be a yandere, sweet to her followers and horrible to everyone who dares abandon her. This is something more interesting.

Siblings' lines about her.

Lynette:

Lyney:

Also Lyney mentioning somewhere in the 4.1 quest that she has a very unique view on what can and cannot be sacrificed.

Freminet:

Also she personally saved each one of them.

Their loyalty is so beautiful and genuine, and so sick and twisted at the same time. I want to see more of this.

So far she seems like a character who values survival over everything with a bit of a "strict asian parent" mixed in. Ruthless but not crazy. I wonder if it changes in next patches.

(I have an undestroyable headcanon that Childe has good intuition about people. he would have loved someone acting like a strict dad and he would respect a focus on survival. if he doesn't like her it means she is something else entirely)

I also wonder what happens to kids who are unfit for military/spying. I mean, there's Freminet but he's an engineer and a diver. Would a simple cook do all right in HoH?

[smytherines]

Fuck it, here's an Agent Mega dissertation

Alright since I have such elaborate headcanon for my beloved precious Owen Carvour, I guess I should do it for Agent Curt Mega too. Sigh.

So, going off of the last big one, if Owen is born in 1928, then I'm gonna say Curt was born in 1930. I'm forever won to the Texan agent mega headcanon, but I think it's safe to say that Mrs. Mega is not from Texas, probably more like New York or I've seen people say New Jersey.

We know nothing about Agent Mega's dad, but I imagine he was kind of a loser and low level con artist and moved his pregnant wife down to Texas to do scams around the bustling oil industry, and then soon after Curt was born a scam collapsed and he ran off. It's either that or an Aladdin 3 situation where he was secretly a spy the whole time and had to go into hiding.

So we've got mama Mega, raising a VERY hyperactive (read: ADHD) little boy on her own, in a place where she doesn't have any support, and he just becomes her entire world. But she has to work a lot, so Curt becomes used to taking care of himself, and most importantly- keeping himself busy so he doesn't lose it.

In this headcanon Curt would only be 15 when WWII ends- not old enough to fight, but definitely old enough to have personally known a lot of kids from his hometown who come home in caskets. I just truly think of WWII as a formative experience for both these guys. For Curt it just feeds into that inferiority complex.

Now anybody who has ADHD knows that you already spend a lot of your life feeling inadequate, feeling self-conscious about not being able to be the person other people want you to be (*especially* if you're queer). You get defensive, especially when criticized. You also get restless.

I headcanon Curt as growing up in Abilene, Texas, mostly because I have a friend who grew up there and I've visited and the vibe is right.

I don't know if anybody has ever seen The Last Picture Show, but its a film set in small town Texas in 1951-1952 (so a little late for our timeline but still) and it's (more or less) about two high school seniors essentially trying to escape this suffocatingly small, dying town before they become doomed to spend their lives trapped there.

That's definitely what I think about Agent Mega too- this gay, ADHD teenage boy climbing the walls of this little town, never being able to fully be himself. But he's got a lot of energy (and more than a little anger) to burn off, so he does sports. It's Texas, so football for sure. Maybe wrestling too. Perhaps wrestling is even where he has his gay come to jesus moment.

And when he isn't doing sports, he's home, alone (mama Mega is working so hard), out back drinking a beer (or two, or three) and teaching himself how to shoot. I think he becomes hyperfixated on becoming an expert marksman, because with all of this shit he cannot control, all the stuff he is supposed to be but isn't, this is one area where it feels like he has the power here.

What starts off as "kid drinking beer to feel cool and rebellious" starts to morph into a lifetime dependence on alcohol. Substance use is a big issue for a lot of ADHDers for the same reason I think it would be for Curt- it calms him down. It eases that constant restlessness in his bones. It softens the edges of other people's criticisms of him. It makes him care a bit less what others think about him.

In a vicious cycle, he drinks to avoid feeling those big feelings (especially as a man, especially as a gay man, especially as a gay man in Texas), but the drinking leads to more criticism, which leads to more drinking to numb the emotional response to that criticism.

But his hyperfixation on learning to shoot pays off. Let's say he becomes a junior state champion trapshooter (did I look up trapshooting competitions from the 1940s? yes I did). He's good, especially when he hits the sweet spot of drinking just enough to calm his ass down but not so much that he's useless. Maybe this is how he comes to the attention of the A.S.S.

And he fully believes that these skills he cultivated, the ability to hit hard and run fast and shoot accurately, his ability to escape when it doesn't feel remotely possible, is why many years later he just kinda rolls his eyes at Owen for insisting that they do things carefully and methodically. Careful didn't get him out of small town Texas. Careful didn't get him the exciting non-stop life he has now, a life where he *almost* gets to be himself a lot of the time.

When Owen "dies," and its Curt's fault, he naturally turns to drinking to numb that pain. But its a lot of pain, so it takes a lot of alcohol to kill it.

I'm sure I could go on, but as always I have rambled a lot here so I'm just gonna leave it.

[numberonecolinbridgertonlover]

What the Bridgerton character you relate to the most says about you (based on the show and my opinion) *mostly unserious edition*

Anthony - older sibling part one. That or you are the certified glue that holds your entire family together. Also, fake arse cynic, I know you want to be loved and cherished you’re just scared it will never last or no one will ever see you that way. Control freak but I get it.

Benedict - You are the personification of the quote about grief. (In case you don’t know which one I’m talking about: "How do you process grief? By running from it until it finds me in the middle of a sunny street on a beautiful day?") You have been running away from something your entire life, whether that be yourself or a feeling. Newsflash it’s gonna catch you one day. That said, you’re probably also lgbtq and camp.

Colin - gurrllll… read Benedict’s first and then come back here, you also need to hear that. You are a quote on quote pathological people pleaser. SAVIOUR COMPLEX. Girl, they’re not gonna love you even if you can bend the laws of nature for them. You’re naive, sensitive and desperate for someone, literally anyone to understand and care for you. Also, babes… you’re not unworthy of love, you just have imposters syndrome.

Daphne - I bet you loved watching Zoella in her prime. I also feel like you’re the sort of person that is constantly expecting/hoping to bump into the love of your life whenever you’re in public. You’re a hopeless romantic but I get it.

Eloise - You’re probably LGBTQ. You might have started out a feminist with the girl power quotes but have since delved deeper and have since been more radicalised. You probably struggle to connect with overt "femininity" for numerous reasons including the patriarchy and the media’s portrayal of women but you support all women regardless. Your fashion sense consists of baggy tops, jeans and jorts (RIP Eloise, you would’ve loved baggy clothes 😔) Do you own a carabiner? You’ve probably had a fuck arse bob era at some point in your life.

Francesca - girl I get it, I really do. I hate human civilisation as well. It’s loud, it’s overwhelming, it’s scary. You’ve felt like the odd one out everywhere you go and people always seem to pick up that despite how hard you try to hide it . You just want to live in peace, maybe with someone who understands you. That said, how’s that autism diagnosis coming along-

Gregory - You are the personification of that vine where the kid has a knife. ("What have you got there? A KNIFE. no-)

Hyacinth - I just know you’re funny asf. Haters hate to see you coming because they know you’re about to gag tf out of them.

Kate - older sibling part two, probably older sister. If not, just like with Anthony, the glue the holds the family together. You can stand up to haters but you can’t say no to your friends when you want to. Sometimes you’ve just got to bite the bullet and prioritise your own happiness girl.

Penelope - …where do I even begin? You were probably the person that everyone just unanimously decided they thought was weird or unapproachable and it has messed you up indefinitely. (That’s on them though girl, there is nothing wrong with you I promise 💋) Family issues. You have imagined getting revenge on everyone who has ever wronged you. Body issues (girl, you’re beautiful don’t let anyone tell you otherwise) Short.

Simon - Daddy issues daddy issues. Emotionally constipated. You can’t believe meaningless sex and substance abuse didn’t cure you.

Philip - You have anxiety.

John: Introvert™️ honestly just read Francesca’s you’re both in the same boat. You are not afraid to dip once the social battery has ran out and I respect that. You know how to set up boundaries. Though, I think you wonder sometimes if you have protected your peace a bit too much because your only friend is your pet or your mum let’s be honest—

Michaela: LGBTQ. And you’re right because she is beautiful- I bet you love the film Bottoms. Favourite artists include Chappell Roan, Renee Rapp. You like Bridgerton in a gay way (the women)

Violet: You’ve never quite gotten over that one relationship have you… you would love the song loml by Taylor Swift 😔✊.

Portia: I feel like you have been told one thing you’re entire life and you’ve kind of based your entire personality upon that only to realise when you have grown up and met new people that it’s all worthless and the very foundations of who you are are crumbling as we speak. But you look slay while it happens.

Lady Danbury: I bet you’re expecting me to tell you how much of a baddie you are… which you are but don’t pretend you’re not wearing a facade to ensure you never get hurt by anyone ever again.

Queen Charlotte: Alexa play right where you left me by Taylor Swift.

Brimsely: your gay situationship has messed you up.

[frankiebirds]

i have so many feelings about the "why mess with perfection" scene. im going to analyze it in a way it was probably never intended to be. fuck you silly crime show i can overthink ANYTHING. this got long so it's under a cut. please please read it though im actually very proud of this one.

personally i count this line as being more evidence that william reid is a scumbag. this is how diana describes her pregnancy with spencer in the episode immediately proceeding this:

"I went off my medication when I was pregnant with you. I spent every day in terror, but I made it. And it was beautiful. I had you."

it's a bit of a mixed bag, because she clearly considers it to have been worth it, but. i mean, maybe this is just me, but if my wife went off her antipsychotic medication for the duration of her pregnancy and "spent every day in terror", i wouldn't be raring to put her through that again. "I made it" also feels quite charged to me, like there were moments where she wasn't sure she would.

from what i could find, there's still no real consensus on whether antipsychotics are safe for use during pregnancy (as much as any medication can be) and i imagine there was even less certainty during the early 80s. any subsequent pregnancies would likely have also involved diana going off her meds, and pregnancy is difficult enough when you AREN'T also skipping your antipsychotics.

and diana's expression here—to me, that's not the expression of a woman who had one kid and was then just like "nah im happy with this one." it's a woman who had an extremely difficult pregnancy and whose husband then tried to convince her to do it over and over again. there's resentment in the way she delivers that line.

as sweet as this line is, i think it's ultimately diana protecting spencer. she can't say "my pregnancy was incredibly difficult, i couldn't bring myself to do it again" because spencer will get a complex about it. so she says this, although that doesn't mean it isn't also true. in a perfect world where diana's pregnancy was as smooth sailing as pregnancies get (because i don't think there's really such thing as an easy pregnancy), i think she still probably would have only wanted one child. it's not that this isn't why diana wanted to stop at baby number one, but i do think there's a second reason she's leaving out because she knows the truth will make spencer feel guilty.

but i think he sees through it. not that he'd ever tell her. (she knows anyway. not that she'd ever tell him.)