#maybe it's because I was drawing them now that I have A LOT of thoughts I need to share

[tlbodine]

So, Things Are Terrible and You Want to DO SOMETHING

The election is over and, ah...did not go well. While a lot of folks are doing a post mortem of the campaigns and trying to understand what happened with the vote and fighting over who shoulders the blame, we've gotta turn an eye toward the future and figure out, okay fam, where the fuck do we go from here.

I don't have all the answers on this, and I'm not an authority by any means, I'm just a horror author with a blog. But I've been thinking a lot about it and I wanted to share my thought process with others who might want to DO SOMETHING but feel they're spinning their wheels.

Buckle in. This will be a long one.

Step One: Understand the actual risks and stakes.

I think it is very easy to start panicking now about the worst possible case scenario -- jackbooted military busting into the door to disappear everyone who ever said something mean about Trump or bought a banned book or something -- and let fear turn into inaction.

I'm not saying things can't get that bad, and I'm not saying that it won't be absolutely terrifying right out the gate for some particularly at-risk groups -- but the distance between "now" and "V for Vendetta" is long and filled with a lot of intermediary steps. There will be so many opportunities to prevent the worst case scenario.

I say this because, if your mental image of "Bad Things Happening" is The Purge, it will be easy to wake up on inauguration day, look outside to see that the world is not on fire, think, hey, maybe things will be okay after all, and then completely disengage. Alternatively, you might feel so frozen with terror at the possibility of persecution that you do nothing. This is why people are saying: don't obey in advance.

It is essential for those of us with more privilege to use it to take care of those who are more vulnerable.

So. Who is most vulnerable? What does that vulnerability actually mean? What are the most likely risks of Trump's presidency? Here's a Guardian article that I think does a good job of summarizing some of the main issues. Go read that, then come back here.

Step Two: Take steps to protect yourself

You've gotta put your oxygen mask on first, right? So before you start getting involved in other causes, figure out what risks YOU are at, immediately, and do as much as you can to secure yourself. Some potential action steps depending on your circumstance may include:

Renewing your passport (helpful for leaving the country, but also for gender/name change purposes)

Getting vaccines / boosters

Securing birth control

Ensuring your necessary papers (birth certificates etc.) are where you have access to them.

Drawing up legal paperwork for spouses/partners (always a good idea, a helpful safety measure in case you lose marriage rights)

Bolstering your data privacy and online security. Here's a step-by-step guide I found that could help with that.

The specific steps you need to take here depend on what risks you, personally, face. You'll want to do some more research into this for your particular scenario.

No matter who you are, though, it's probably a good idea to start saving money and being a little more conservative with your spending and/or pay down debts to free up some cash. You don't know what kind of emergency may befall you, and having spare money for an emergency is never a bad idea.

There is a possibility that the cost of many things you rely on might go up, if Trump goes through with his tariffs plan. You will want to plan for that.

Food costs may also rise due to tariffs (we import a lot of food from Mexico and Latin America for example) as well as a loss of immigrant labor. There is also a possibility that food safety standards could fall due to overturning regulations. Now would be a good time to look into local food resources like farm share/CSA, community farms, etc., and to stock up on a few key staples like rice and beans.

Okay. Now that YOU are reasonably safe...what can you do to protect your community?

Step Three: Get Involved

Here is your mission: You need to stay engaged enough to know what's going on, without burning yourself out or exhausting yourself, and to take actual decisive actions instead of wasting your energy arguing on the internet.

Got that? Okay. Good. Here are some action steps:

Support independent journalism. Subscribe to local papers, donate to and watch public broadcast programming. I signed up for news from ProPublica, for example, as well as the news-roundup service What The Fuck Just Happened Today. The goal is to stay informed without falling down an endless rabbit hole of upsetting information.

Share news and resources with others in your circle. This can be a good use of social media. It's what I am doing right now!

If it is safe for you to do so, challenge and educate your friends/family members/neighbors/coworkers. Only if it is safe for you to do so. Do not put yourself at risk doing this. And do not waste your time arguing with people who are unlikely to change. But if you have well-meaning people in your life who you think could be won over, look for opportunities to do this - the right way. I've had some success with this, I will probably write a guide about it in the future. In the meantime, here's a good article that can help.

Join local grassroots activism groups. You'll have to do some work to decide what groups to join and which causes you want to support, because you cannot do everything. But there are tons of organizations taking direct action in all kinds of causes. Search "grassroots [cause] activists in [where you live]" to start finding things. Once you get involved in one group, you might meet people who can introduce you to other groups and causes. Yes, this means you will have to go outside and meet people. I'm sorry.

Join direct action groups. Same concept as above. You'll have to search in your area but once you know people it'll be easier to find more opportunities. Some of these groups may overlap. You might find direct action opportunities by engaging politically and vice versa. GO OUTSIDE AND TALK TO PEOPLE WHO ARE DOING THINGS TO HELP.

Get involved in local politics. Here are some quick tips. A lot of things are affected at the city level - stuff like book bans and bathroom bills are often battled first at local libraries and schools, and you can be part of those conversations! Sheriffs are elected and can have a big influence on local policing. Local elections affect how tax dollars are spent, how homeless populations are treated, and lots more. Don't snooze on local elections. Get involved and stay involved.

Look up your representatives. Get in the habit of calling, emailing, and writing letters. Figure out what legislature is being passed and then call your reps and harangue them about it - both to support bills you approve of and shoot down ones you don't. Sign petitions. Join email campaigns. Here's one you can go sign right now from the ACLU. See? Not that scary.

I think a lot of people figure that getting involved in politics doesn't matter or that it's all small potatoes but...man. The president is not god, no matter what he thinks. The sitting administration is not the sole power in the universe. There is an entire machine of government we can lean upon and act upon.

Finally, some general safety notes:

Some forms of direct action are not legal. Take steps to be safe if you choose to partake. Follow the lead of more seasoned activists for what forms of communication to use and so forth.

If you're not willing or able to put yourself at legal risk to act, you can help others by donating to bail funds and legal defense funds.

We've already seen this in some areas, and it will only get uglier - some bad actors are feeling emboldened by the change in regime and will misbehave. It's a good idea to learn some self-defense skills, in whatever way is comfortable to you, and brush up on some tenets of victimology that can help you stay safe. I'll write more about that in the future.

All right. That's all for now. It's by no means comprehensive...but should hopefully help you get started taking the next step. Stay safe out there.

[sysig]

Puts the “plates” in “Fellplates” (Patreon)

[detshin]

The way Gosho has been destroying Heiji as a character is truly appalling to me. It's something that, as someone who has him as one of their favorite characters, I've been noticing and fearing for a long time now. Long time... Because the whole debacle with the confession has been happening for years and years (I'm not going to look up how many because that would be too depressing). But my god. It was funny when he failed the first couple times. I don't think I need to say what everyone thinks about it by this point right? We all agree that it's trash... Right? And another problem now are the excuses.

There were plenty of interruptions. Okay. Then Heiji forgot once. He just- forgot??? Somehow??? And you're telling me that NOW. In the latest file he ALMOST FORGOT AGAIN??? Shinichi HAD to remind him about it because he was totally going to forget AGAIN. He said it himself, that he almost forgot. WOOPSIE.

I'm sorry what. It makes no sense. The confession has been Heiji's sole purpose in the manga for years now. He's only been thinking about that all this time, it doesn't make sense that he ends up forgetting about it, not only once but almost twice???

And you know this time is not going to work either. We've got the perfect formula for yet another fail. The big surprise now would be if it truly ended up happening.

I hope that by the time the spoilers come out this week I can come back to this post and say that I was wrong. But yeah ... I don't think that's gonna happen.

Heiji Hattori deserves so much better. Kazuha deserves so much better. I'm honestly speechless 😶

[dye-it-rouge-et-noir]

"For particularly important things, it's always more reassuring to write them down like this." - Zhang Beihai

[ID in alt text]

[xxplastic-cubexx]

sorry if you've already mentioned but what (re?)ignited your love of comics/x-men/cherik? curious because there are so many different adaptations of them

i think im gonna speak for a few (or a lot of) people when i say that TL;DR the wolverine x deadpool movie that came out this summer is what pulled me back into comics and i COULD leave it there but i will go into excruciating and unnecessary detail instead because i love an origin story and i love oversharing.

under the cut tho because im nice sometimes (there's also wxdp doodles in here. if you want to see that)

ironically (and probably commonly), growing up i was more of an avengers kid. Kinda. Loosely <- binge watched the cartoons and movies and read copious amounts of comics and fics and i am hoarding fanart in my old dresser as we speak ok 'loosely' is a modest lie.

embarrassingly i remember getting into discus cause of captain america LMAO so yeah needless to say i was a Humble Fan- me joining my school's comic class/club didnt help either (shoutout to my teach from that she was the realest one out there for. A Multitude of reasons). she definitely is was inspires me to even draw still and make comics and i often think bout the tips i learned from her class tbh she was great

back to the movies t and comics tho, i got into em because my brother would offer to take me and that's how we'd hang out (i rarely saw movies in theaters and i even more rarely went anywhere as a teenager. still kinda like that today tbh ooops) and yk. it just snowballed after that.

my brother and i have always liked comics- he just more than me for a while (though he still very much loves comics and As We Know From My Posts we still talk about them whenever i see him To An Exhausting Degree)

durin then i was really into stony and i have a few surviving doodles i made but those are between me and god. and anyone who asks tbh LOL

'snap can you make this related to x-men again this is long' ok so fast forward to This Summer again I Still Don't Really See Movies but my brother offered to take me and this was the first time i'd actually seen an x-men movie in full

as a kid i only remember seeing the 'perfection' scene between erik and raven in first class while i was channel surfing. pretty sure i changed the channel after seeing mystique naked cause i was scared my parents would get mad at me if they caught me watching it LOL

BUT MOVING ON As A Kid i think it's also natural you'll sometimes watch 92 if it's on And I Did though evidently it didn't stick too hard (i do remember really liking beast and gambit though.... still do really): my knowledge of x-men was. INCREDIBLY sparse. like diabolically so so i didnt have too much expectations (aside from the fact i vaguely liked deadpool beforehand).

tbh i dont know why my bro never took me to see any of the x-men movies. it's not like he doesn't Also like x-men (90% sure nightcrawler's his favorite but my brother will be caught dead saying he has absolute favorites like that)- he owns a bitch load of deadpool comics/omnibus sets too (of which ive read over the years and reread this year) but Shrug moving on

Much Like Most Of The Internet i fell down the rabbit hole that way. i have some doodles i made a couple days after seeing WxDP that i now have an excuse to throw at all of you Look And Perceive

and so. As I Do. i got curious and told myself i'd binge watch all the x-men movies the week before i went back to school And Then I Did ft. My Brother Sometimes and then i said i'd binge watch all of '92 and And I Did That ft. My Brother Sometimes But Less So and now we're here. currently watching Evolution...

once i got to school i realized i lived near a comic shop and started getting into the comics that way (the first ones i got since going down this rabbit hole was Magneto Was Right!, The Resurrection of Magneto, and The Trial of Magneto. if you were curious !!!!! clearly i didnt care too much about context i just needed to see My Guy jelvejlkvj i have no regrets and Evidently ive read more since)

i'm pretty sure what dragged me into cherik specifically was the fact i saw a clip of The Famous ending to 92 where erik's aghast at the notion jean even has to question his love for charles. i think that was what officially had me refocus my lens on them: not a single poolverine thought after that LOL (all the cherik posting i saw on twitter definitely helped too but that was the nail in the coffin for any other interests i had: i was locked into cherik and x-men in general now)

that clip specifically, i was surprised at the fact they- frequently even- have the x-men franchise say erik loves charles and vice versa so bluntly. even if it's not meant to be romantic, i fear im just a fan of how casually the word's thrown around with them two and i got tender bout it all. Then Yk. i just live for the drama. the hilarity even. the sincerity .... they make me sick if i think of them too long so im gonna end it here

before i go tho ironically enough, the first x-men issue i owned was This one (story a this is that while stuck in some wacko dimension charles accidentally gets himself trapped in logan's mind while utilizing his astral projection. if you were curious). pretty sure i got it for free with another comic set i got years ago since our old comic shop loved to do that, but it's poetic aint it. maybe ill doodle something referencing it..

i should probably look into finishing this arc someday im Dummy curious to even know how it started and how it ends.....

[triglycercule]

ok erm. halloween animation meme lowkey postponed until next year (because i know damn well i'll need a whole year to finish this with my motivation 💀) because i have another much more invigorating and fresh idea that i wanna draw for the mtt. inspired by these 3 fuckass monkeys

[familyofpaladins]

Which of your TMayNT pieces were your favorites to do?

Do you have any favorite TMayNT posts you've seen from others?

Hi @friendlyneighborhoodterrapin ! :D

Oh man hard question

Favorite to do while doing it was probably Day 23: Fav human ally because, despite my previous trouble drawing the human characters after drawing so many turtles lol, drawing Cody Jones was easy and I ended up doodling him several times just for fun. I also enjoyed drawing the Day 5: Best Leo and I'm proud of how the armor turned out. And Day 14: Favorite Movie I actually did a lot faster than I thought I would and really liked how it turned out. I even made it the lockscreen on my phone lol

There were other days that I didnt necessarily enjoy while doing it, but loved how they turned out: Day 16: Favorite Episode, Day 22: Favorite Turtle Duo, and Day 21: Favorite Shredder

(Doing this ^^^ meme one was a struggle to get Oroku Saki to look right, and then my laptop randomly restarted when I was about 75% done with the piece, luckily it autosaved everything except the last few minutes of coloring I'd done. But despite the struggles doing it I loved how it turned out)

OH! and Day 4: Baby Turtles, it took the longest to do and I dont know what compelled me to draw thirteen turtles in one picture but I do love how it turned out lol

As for favorites others have done. Theres so many good ones, I dont think I could pick favorites lol

[adriartts]

alas, turns out grad school is hard so i haven't been drawing much of anything BUT. now. some side characters for yall

[diddlesnap]

I think there were some serious growing pains when katniss and peeta were starting to "grow close" again.

[anonyanonymouse]

🙈

[cheaploafs]

they were roommates…

[fruitsyrups]

Why does my phone autocorrects besties to beasties 😭 or I guess just. Why is this the first time I've noticed . Surely I must have said besties before ? ?

[feyburner]

I ??? woke up at 3am with this scene fully written in my mind palace and quickly jotted it down in the Notes app

*

Clark’s shaking his head before he realizes he’s doing it, and feels a twinge of embarrassment at his own bad manners when Bruce stops mid-word to look at him, brows raised.

“No?” he says.

“No,” Clark says, again without thinking, and again with the reflexive urge to apologize. Somewhere his mother is tutting without knowing why. But he doesn’t apologize, because he’s already saying, “No, it can’t—it can’t be that.”

“Okay,” Bruce says slowly. “Can you elaborate?”

He is, honestly, having trouble taking his eyes off the screen. The mockup design of his new suit is there, dark and sleek, ridged like tactical gear. The blue is like the last shade of evening before you can’t call it evening anymore, the color of nine PM in Kansas in July, so exact there’s a strong chance Bruce color-picked it from a photo. The yellow accents are the cool fluorescent yellow-green of lightning bugs. The red is dark as arterial blood. Every aspect of the suit has been updated—the colors deeper, the angles sharper, the S extending to the corners of its frame—but Bruce has done it without changing the fundamentals. It’s immediately recognizable as the Superman suit, just… well, a little cooler, maybe. A little more of the times. Even the tailoring is modernized. The neckline. The shape of the boots. Where the belt hits at the waist. Clark can tell just by looking that Bruce has not only spent a lot of time on this in general, he’s spent a lot of time designing it specifically with Clark in mind, Clark’s needs and preferences and the small discomforts of his current suit, things he might have mentioned offhand after a mission but never with the assumption that Bruce was listening or filing it away. No doubt the next slides of this presentation will detail all the hidden features of the new suit, and they’ll all be incredibly thoughtful if not slightly overkill, and Bruce will pretend his sole motive here was practicality and risk reduction and respond to any thanks with a curt nod.

And Clark wants to thank him. He will. It’s just.

“It can’t be… cool,” he says, inane. Bruce is watching him with that steady look that used to feel clinical, piercing, and now mostly reads as attentive. “It can’t be—like yours. Tactical, military-grade.”

“Lightyears beyond, actually.”

“It has to—Ma said once, a kid should be able to draw it with crayons. You know? I can’t look like a weapon. I have to—I want to look like a friend.”

He can feel himself flushing. It’s rare that he speaks like this, and rarer still that he does so while being stared at intently. Bruce may think of himself as the darkness, but his gaze is a spotlight: unwavering and revealing and more a little sweat-inducing, for one reason or another.

“Sometimes, when I show up, people laugh,” Clark says. “If it’s somewhere out of the way, where they haven’t seen me before. I show up and I look like a festival performer. It’ll be the worst day of their lives, and they’ve got no reason to trust my face, but when they see what I’m wearing—it goes from ‘Who are you?’ to ‘Who is this guy?’ And that’s a good thing.”

“Hard to be afraid of a man dressed in primary colors,” Bruce says, almost to himself.

“Exactly.”

“I see. Thank you,” he says, “for explaining.”

Clark tries not to show how surprised he is to hear that. Judging by the crook of Bruce’s mouth, his success is negligible. “Of course. Sorry I didn’t—I mean, thank you, obviously, for going to such trouble. I didn’t mean to come in here and—I really do appreciate it, I can tell you put a lot of work in—”

Bruce’s eyes cut away. “No. No need. I didn’t ask, before I…. It was only a first draft. If you’re amenable, I’ll incorporate your feedback into the second one.”

“Oh! Yeah. Yes, of course, but you really don’t have to—”

“If you have any further notes, I would like to hear them.”

There’s something determined in the lines of his face. Clark has the sense that this moment is important, that it’s a turning point, even if he’s not sure why. It feels like striking out into a sea of ice, a blank white expanse under which something precious and vital is hidden, has been hidden all along, just waiting for him to find it. To want to.

“Sure,” he says. He looks back at the suit and swallows, and knows Bruce will see the flicker of his throat and take some meaning from it, and wishes he knew what the meaning was. Or maybe Bruce won’t notice or read into it at all. Maybe Clark needs to calm down, in fact. “Um. I don’t want to assume, but does it… do things?”

“It does things,” Bruce confirms, after the barest pause. “Let me show you the next slide.”

[riicahr]

Finally updated my headcanons for the main Ninja's appearances ♡ The ones from last year looked ew to me so this was overdue.

Lloyd: I know he doesn't have curly hair, but I was unhappy with the way I drew it before so I tried something different and really liked this so I stuck with it. Light freckles, scars too obviously. The little braid is a personal touch of mine representing a connection to my OC hehe

Nya: the markings from her Ocean form were so pretty I had to keep them faintly, and the blue streaks in her hair seemed fitting too. Also a small nose piercing because she would. I love giving her turquoise colors too. Round face features

Kai: his spiky hair is always a challenge so I tried finding a way that's easier for me to draw. I love giving him a mullet too. Slightly crooked nose, sharp features overall & moles. Lotsa ear piercings. Tattoos probably as well

Zane: the most fun to do, his robotic features give a lot of freedom to work with. Making his hair half dark half white was a random idea but I love it now. Straight and angular features

Cole: wider face and body shape, long scar from his forehead down to the eye. I gave my best drawing dreads for him and I think I did well. Orange-green eyes from his ghost phase. Oh and a slight stubble, I thought it fit him well. Originally wanted to give Kai one too, maybe next time

Jay: saw a cosplay of him with this lightning scar across his face and I loved it so much I took it over. Also heterochromia for him, it just feels right. Lots of freckles, super fluffy hair. One hair streak looks like a lightning bolt. Soft shapes and features

Bonus ~☆°•.*

Ninjago OC yeaahh ♡

Nemari: Sharp jawline, pointy chin and nose. Very light freckles, big scar on right shoulder. Pointy ears, few ear piercings.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)