#maybe in season 1 but otherwise I don’t think so

[quinn-of-aebradore]

the blame falls on jayce's shoulders because he's the one that combined viktor with the hexcore at the beginning of season 2! and then when he comes and then tells jayve he's going to leave, jayce is going to say "i never asked for this" YOU were the one that combined the hexcore with viktor. i know they're both victims but the way people try and act like viktor wasn't being manipulated by the hexcore this entire time annoy me so bad, especially the comments about it i see on tiktok.

Alright anon, I generally agree with you and I am very exasperated with Jayce for blowing a hole in Viktor’s chest, but as with all things. Nuance.

Firstly, regarding Jayce combing Viktor with the Hexcore; there is no way in hell Jayce could’ve known what was going to come of that. Which, obviously, means maybe he shouldn’t have done it if he didn’t know the outcome, but also the second the Hexcore registered that Viktor was in the room, it started gravitating towards him. Jayce tried to hold it back with those tongs and it was stronger than him. I give him grace for that whole situation because desperation and adrenaline are some insane fucking drugs and also because the moment Viktor was back in that lab, his fate was sealed, regardless of Jayce coming into contact with the Hexcore or not. Firmly believe that even if Jayce had set him there and left to go find help, he would’ve come back to find that the Hexcore had merged with Viktor anyway. I think it’s also worth noting that Viktor started this process on his own in Season 1. Viktor was the one who chose to feed the Hexcore his blood and Shimmer, though yes, he was doing so out of desperation. But still, that was his choice, not Jayce’s.

Secondly, about Viktor being manipulated by the Hexcore; absolutely! I 1000% agree with that. I do not think that whatever is appearing to him as Sky is actually Sky, that is Something Else, in a way that’s very parallel to the fake Kino we saw with Mel in episode 5! Viktor does not have the full picture of what he’s been doing with the Arcane and we only have a handful more tiny pieces than he does!

And third, on whatever Jayce saw in his missing time; I am getting the feeling that he witnessed/lived through multiple alternate timelines in which things went Very Wrong, likely at the hands of a heavily corrupted and possessed Viktor, who Jayce could not bring himself to kill. That’s why he’s so adamant about not failing again. I don’t think this perception is 100% accurate to the state of things in the core timeline, but I also don’t think Jayce’s perception of the Arcane as whole is entirely accurate. He’s been exposed to the worst of it, the mind-rending and reality-shredding horrifying potential it contains, whereas Viktor has only been exposed to the best parts of it, the good it can do (even if that’s not exactly what’s happening with him in reality). We don’t know exactly how long is between Act 1 and Act 2 this time around, probably a handful of months, but I am very much willing to bet that Jayce was gone for a lot longer than that from his perspective and came back not only with run-of-the-mill PTSD (as to be expected) but also some seriously magically inflicted psychic damage. I don’t think Salo!Viktor was being metaphorical when he said that the Arcane took Jayce’s mind. His perception of reality has been irreparably altered and I wonder if it’s part due to the lack of this alteration that led to him potentially sparing alternate timeline Viktors who otherwise should’ve died. He almost killed a child, again. Something isn’t right when it comes to both him and Viktor.

Jayce is to blame for a whole lot—the entire end of episode 6, obviously—but I don’t blame him for Viktor’s initial transformation. Whatever comes next, however, does fall on his shoulders. That I won’t dispute for a second, though there is without a doubt more going on there and I am SO excited to see what’s going on behind the curtain with all the weird magic shit.

[bourbonificould]

in every TWDG season, assuming you’re on the protagonist’s side, how long do you think you’d last and how would you survive/die?

Alright so this is throwing my 20 year old self in lmao. I generally think im not dumb enough to make certain mistakes, but my luck would definitely catch up to me.

Season 1: Ep4 - Around Every Corner or Ep5 - No Time Left. I think I’d die in Crawford, the herd would probably get me or I’d die for the plot in Ep5. Probably taking one of the Kenny “deaths.”

Season 2: Ep2 - A House Divided or Ep4 - Amid The Ruins. Carver has no idea who I am. There’s probably no incentive for him and he’d pick up either me or Walter. In Ep4, The Russians prolly would’ve got me lmao.

Season 3: Ep5 - From The Gallows. In the mess of the herd and battle, I’d probably catch a bullet or maybe I’d get lucky enough to be with the group the entire time, of which I’d probably go after Gabe and David (I assumed the herd was worse in Richmond at first lol). I might survive that.

Season 4: Ep3 - Broken Toys. I think I’d get brutally beaten on the boat. Considering placement, I’d probably be in the same cell as Louis/Violet, and both of them are in the mud. Trying to get the Delta guards to stop would get me like whooped or something worse. If I made it to Ep4, I think I’d be just fine by that point, since I’d just have to get on the cart safely.

[cinnbar-bun]

Watching Reality TV With You (Various One Piece Characters x Reader)

Characters: Zoro, Sanji, Trafalgar Law, Luffy, Perona + Mihawk, Nami, Kizaru/Borsalino, Eustass Kidd

A/n: Sorry I’m a huge fan of Real Housewives so take these silly headcanons!!!

Note: GN reader, the relationships with the character(s) and reader can be seen as platonic/romantic depending on what you prefer :) Mihawk + Perona’s relationship to each other is also not stated just for your personal preference. These are all just very silly things, don’t take this too seriously since it’s crack!

Zoro

“The hell? Why are you watching this crap? It’s not even real!”

He just sighs and grumbles about how this is dumb the whoooooole time.

Tends to sharpen his swords or try and nap while it’s on.

Until lowkey he starts peeking a bit like ‘did she just say that?’

Suddenly has opinions on it and tries to deny he’s interested but his eyes are GLUED once they start arguing and the suspenseful music is playing.

“Well, if I was her, I think I’d just kick them. Or maybe cut their car in half.”

Sanji

Opposite of Zoro. The man is probably a bigger fan than you and most likely is reading the gossip online.

It’s your weekly night hangout where he brings snacks and cozy blankets for you two to sit and enjoy while watching.

Gasps audibly and loudly.

He’s both the best and worst to talk about this with because he respects all women and he forgives them for everything, so they all get passes from him.

“Yes she may have talked badly about [name] and stole [name]’s house and maybe crashed a car. But we all do that. We need to show forgiveness. She’s having a tough time- her dress came in the wrong color.”

Law

Like Zoro, he’s very disturbed by the very prospect of reality tv.

But he’ll try. Let it be known he’s trying.

He doesn’t get interested in it but he does try to follow along so he can discuss it with you.

Not gonna lie though he’s the guy who’s focusing on their plastic surgery or illnesses.

Will literally pause the show just to examine what they may/may not have done and if the surgeon botched it up.

Imma just manifest this, he’s prolly a Terry Dubrow stan.

“Who’s your favorite Housewife so far?” “Terry.” “But… Terry isn’t-“ “It’s Terry.”

Unironically would drop a horrible quote from whichever show you’ve been watching and he’d say it so seriously that everyone’s jaw will drop and it takes him a sec for him to realize what he said.

Luffy

Imma keep this short for you- he ain’t looking.

He ain’t caring.

No thoughts.

He only cares when there’s a party and food is being served.

“Woooooah! Look at all that food!!!”

Doesn’t even recognize who is who and will just mindlessly wait for food to come on screen.

Perona + Mihawk

I’m putting this as a two for one they’re my everything <3

You and Perona are the ones who watch it lots. Perona does complain about how much they argue but she loooooves looking at the houses and clothes of the women. Makes comments about wanting to fly first class or visit the beautiful places they go to.

Mihawk is reading.

Perona is biased as hell and only defends the people that are wearing cute clothes. Otherwise? Shit list.

“Ugh! What is that dress?! It’s so hideous!” “Is that all you’re focusing on?” “I agree with (Y/n), Perona, she just had gotten into some relationship troubles with [name], so I think [name] is wrong.”

You and Perona are gasping and shocked that Mihawk 1) talked and 2) had an opinion on this???

Turns out the man had been listening the whole time (he’s quite the multitasker).

If Perona is the most biased viewer, Mihawk tries to remain objective and impartial. He's always listing out the nuances of a conversation.

“I think [name] is just jealous.” “Well, if we remember in season 4, episode 14-“

He’s a smart ass sometimes, but it’s okay, he’s our smart ass.

Perona is always enthusiastic about marathoning the shows again and watching it. She tends to do dress up requirements for watching it.

Nami

I’d hesitate to call Nami a “fan” of reality shows.

She’s aware of them, yes. Does she particularly care for it? Nah, not really.

They’re more background noise and eye candy for her.

She just likes putting them on and glancing every once in a while to gaze at the beautiful houses and trips.

“Oh that’s so expensive… imagine what you could do with all that!”

Sometimes has a fun game for herself to estimate the cost of an outfit, accessory, or house. It’s scary how accurate and detailed she can get with it.

Tends to mostly focus on fashion and get new ideas to steal- I mean, incorporate.

Doesn’t have strong opinions on the cast, but she isn’t too crazy about the louder members.

Kizaru/Borsalino

He’s heard of it, he thinks.

And, well, since you’re so into them, he’ll give it a watch.

“Oh my, these ladies are incredibly wealthy and beautiful.”

He’s not even ogling them he’s just amazed at the way they dress, behave, and/or decorate their spaces. It’s almost like being starstruck???

The guy who will pause the tv at certain scenes to point at random decorations or outfits and be like “darling, would you like that?”

He does get sad when they start to fight.

“Aw… I was just liking the party… why are they arguing now?”

His favorite cast member is your favorite one <3 he’s just a cheerleader like that, dear.

He could listen to you talk about it for hours if you wanted, and he’d be amazed by your knowledge.

“You know, if you’d like for me to have you be on a show like this, I could probably pull some strings!”

Kidd

1000000x worse than Zoro

I cannot recommend putting it on in front of him.

“The hell is this shit?! Turn it off!”

You refuse and now he’s stuck watching grown women argue over dumb things (in his mind).

Complains the ENTIIIIRRRRE time. Nonstop commenting and complaining.

Okay but he’s hooked after a bit, the drama is just too good.

But now he’s WORSE cuz he’s got OPINIONS and THEYRE ALL SHITTY!

This man is an instigator. I swear to god he’s just saying shit just to rile you up and be contrarian.

He's stanning the biggest menaces on the show.

You two will probably get into (very silly) arguments about some of the situations and people.

And unlike say, Sanji, who tries to defend a person, Eustass will just say you’re wrong and then add something unhinged to it.

“Naw you just don’t get it. If I was her, personally, I think I’d just burn their mansion down and then slash their tires.”

[apoloadonisandnarcissus]

"The Last Temptation": One Megathread to Rule Them All - Clues and Speculation, PART 3

9) How will Sauron prove his love for Galadriel?

We are back, and we are cracking the code here, we are cooking, and I want to thank @justacynicalromantic; @pearlstomyeyes and @historical-romances9, for their ideas, and with whom I wholesome agree. And there's foreshadowing to back it up.

In both Part 1 and Part 2, we already discussed some crucial points leading to “The Last Temptation” scene: (1) Sauron in love with Galadriel, (2) Galadriel having conflicted feelings for him in return and (3) her seek him out alone at the finale, and how the director of the finale, Charlotte Br��ndström teased on “X-Ray Vision” podcast:

I think Sauron even really loves Galadriel and you see that at the very end. 

The season seems to be building towards: 

Against all warnings, Galadriel will seek out Sauron alone at the finale; 

She’s ready to sacrifice herself (based on the visions of Nenya in 2x04, my bet is that Galadriel knows she’ll die in her duel with Sauron, but will go to fight him anyway);

She’ll 100% want to destroy Sauron, and there is no doubt in her mind (especially after seeing first-hand what he did to Celebrimbor, in 2x07).

Sauron will somehow prove he really loves Galadriel (to both her, and the audience).

The question is: how?

As I’ve mentioned on Part 2 of this megathread, I don’t think visions alone are enough to put this point across, because Sauron will always look/sound manipulative by showing Galadriel visions of Halbrand/“what could have been”/or whatever.

He can show her all the same, but I don’t think that will be *the* proof that he truly loves her, and that everything they shared before (when she believed him to be “just Halbrand”) wasn’t a deception on his part. 

Morgoth’s iron crown isn’t only a means to lure Sauron out or to used as a mere "sword", as we’ve seen on the trailers. And, as I’ve discussed in Part 2, my bet is Galadriel will try to test Adar’s theory that Morgoth’s iron crown + Nenya can destroy Sauron for good.

From this “Behind the Scenes” teaser, we know that Galadriel will get Nenya back, and has it during her fight with Sauron in 2x08. 

I already talked about this being Galadriel’s plan in Part 2, but I will develop it here. With that being said, and as @justacynicalromantic so brilliantly observed, Morgoth’s iron crown is not a MacGuffin, but the Chekhov’s gun of the plot. The iron crown is a very powerful object, infused with Dark magic (maybe Blood Magic even) who has the power to destroy Sauron’s physical form, as we’ve seen in 2x01.  

Now, prepare for strangeness and to be mind-blown because Morgoth's Iron crown is fatally wounding someone at the finale (coming full circle). And there will be some healing involved, to save this character’s life. Now, this sounds out of “Star Wars” (and I'm not sure if I’m a huge fan of this myself), but stay with me.  

In 2x04, we already saw that Nenya has powerful healing properties, when Galadriel saves Camnir from a fatal Orc arrow wound, before heading to fight the Orcs alone, and allowing Elrond & co. to escape back to Lindon and warn Gil-galad the Orc legions are marching towards Eregion.  

(This screenshot looks terrible because I had to up the brightness otherwise, we wouldn’t see anything).

We have two possible scenarios here: 

Either Galadriel stabs Sauron with the iron crown, regrets it, and heals Sauron; 

Or Galadriel accidentally scratches/stabs herself or Sauron does, with Morgoth’s iron crown during the fight, and is dying, but she’s healed by Sauron (hence proving his love for her). 

My main problem with being Sauron getting stabbed in this scenario: (1) we already saw that happening; and (2) it wouldn’t prove to the audience and to Galadriel that he’s actually in love with her. And I do believe Galadriel’s mindset going into this fight will be to destroy Sauron, and so I don’t see her regretting stabbing him, nor leaving him for dead.

My bet: Galadriel is the one who gets fatally wounded by Morgoth's Iron Crown.

This season, there’s already been a female character dying of poisoning by an Orc arrow (R.I.P. Bronwyn). And as Arondir explains to the audience, in 2x03, Orc arrows have a foul substance the flesh doesn’t forget (couldn’t find the actual quote). So: can this be foreshadowing?  

With Orc arrows the poison is slower (Bronwyn didn’t die right away), but what of Morgoth’s very crown? The Dark magic on it it’s 10000 times stronger. Meaning, a mere scratch can be enough to be fatal, even to an Elf. So, I can definitely see this mirroring Frodo’s Morgul wound from the “Fellowship of the Ring”, leaving Galadriel at the brink of death. 

Now, will Nenya come into play in this scenario?

I think it can go both ways, really. Because Sauron is a powerful Dark sorcerer on his own and he’s a servant of Morgoth, so he doesn’t exactly need Nenya to save Galadriel’s life. But maybe he’ll have to use it? The magic on the crown can be so strong, that Nenya’s power might have to come to the rescue (meaning Nenya's healing powers in 2x04 are also foreshadowing to this scene).

This would make Galadriel “touch the darkness” for real, because with Frodo the wound from the Morgul-blade never fully healed throughout the years. So what will happen to Galadriel if she does get stabbed by Morgoth’s iron crown, and is healed by Sauron himself? Unless the power of Nenya acts as counterbalance to this.

Can Elrond’s choice come into play in this scenario, as well? 

If Elrond isn't forced to make this choice in 2x07, I think this scene will be it (especially since fans have already noticed "Elrond’s theme" on the "Last Temptation theme").

Elrond can witness Galadriel get wounded by Morgoth’s Iron Crown and falling down, and have to face the choice between saving her life or stopping Sauron (in the future), just like he promised her in 2x04. And, in this scenario, he would eventually choose to save the Elves, and leave Galadriel for dead.

Where do we go from here? 

As I’ve already speculated in Part 2, I think Galadriel’s true feelings for Sauron will either be: (1) explicit portraited or (2) highly implied in this scene, and that’s why Magda Walma aka “the Polish reviewer” believes that Celeborn won’t ever in “Rings of Power” (he will, but I’m betting no earlier than Season 4 or even Season 5, to help Galadriel heal from all of this).

In this scenario, I can only see two possible outcomes, really: 

Either Galadriel willingly goes with Sauron at the end; 

Sauron goes away by himself, and leaves Galadriel behind, unarmed and saved (further proving his love for her). 

Either way, and even if these theories aren’t true, I think it’s safe to say we can expect an insane and highly emotional scene between Sauron and Galadriel at the finale. I don’t believe for a second, she’ll outright resist him again. It’s not what the season has been building up towards.

[sassenach77yle]

||COUNTDOWN ||SEASON 1 EPISODE 11 || THE DEVIL'S MARK ||

#83daysofoutlander☆

“Claire, I know there are things you dinna wish to tell me. But I have one thing to ask ye…honesty. When you do tell me something, let it be the truth and I promise you the same.” “I agree.”

 “Now, there’s one thing I must ask ye, for your own safety as well as mine: are you a witch?”

Are you serious?” But Jamie does not budge, “I’ve often seen that scar on your arm and thought nothing of it til I saw the same on Geillis Duncan today.

She called it the devil’s mark…so.”

 “I’m not a witch. But after you hear the truth then maybe you’ll think otherwise…I’m from the future. I was born on October 20 in the year 1918, that’s 200 years from now.”

Do you hear me? Do you hear me?” Have I ruined everything? Quietly, he whispers, “I hear you.”

You think I’m raving mad, don’t you?” Unfazed, Jamie destroys ever fear with four words,“I believe you, Sassenach.”

“Do you really believe me?”

“Aye. I believe you, Sassenach, though it would have been a good deal easier if you’d only been a witch.”

Outlander 1×11 ~ “The Devil’s Mark”

[takemetodragonstone]

in succession 2x08 dundee when logan says “the past is all made up” i really do think that’s the thesis of the entire show btw.

like, the roy kids’ conflicting memories of their childhoods that are never clarified through any kind of flashbacks or confirmation, the entire fucking cruises scandal and the coverups of major crimes, kendall’s accident and how he even tries to rewrite the past in the finale (“that didn’t happen. I made it up”) as logan so often did in both big and small ways (from denying his knowledge of the cruises crimes before congress to small moments of “I told you this already” and “did I even make contact?”)

the fucking poem Dreamsong 29 by John Berryman that all the season finales are named after. this is just the last stanza:

“But never did Henry, as he thought he did, / end anyone and hacks her body up / and hide the pieces, where they may be found. / He knows: he went over everyone, & nobody’s missing. / Often he reckons, in the dawn, them up. / Nobody is ever missing.”

And we never have real confirmation that logan did know about cruises because the characters (minus kendall) deny it to the last. but we know. we keep our plausible deniability because we don’t know, but we know. the show essentially makes us complicit in the same way that the characters are. most of them don’t know that he knew, because they never had any explicit proof, but as kendall says in season 3 “C’mon. We knew.”

the narrative continually shows us that logan “keeps a watchful eye over his whole empire” with perhaps the best example being how he buries the evidence of kendall’s accident and manslaughter at the end of season 1. that’s a very clear parallel to the cruises situation and that’s so skillfully and subtly woven throughout season 2 when the cruises scandals are coming to light and kendall is still reeling from the accident and his guilt.

and all that’s not even touching on the whole matter of ATN and the debate over how involved logan really is in what news stories and political views his network pushes (which could be a whole separate post of its own). very similar to how the cruises thing is handled, the line is always that logan isn’t involved, while the narrative shows us otherwise.

there are a million other examples both big and small that i could pull but this post is already such a disorganized mess. someday i’ll write an essay about it i swear, or maybe somebody else out there already has, but i just needed to point out how brilliant and subtle the show is about this as i’m rewatching season 2

[im-sleepdeprived]

Seasonal • Pt. 1

pairing: peter parker x reader

summary: inspired by the taylor swift song ‘peter’, you’ve known peter parker pretty much your whole life but after an incident one evening, you two become closer than ever

a/n: ahhhhh here is the long awaited ‘Peter’ inspired fic !!! (i changed the name obvs but you’ll get why i chose this one later) this is actually pretty slow (in my opinion, compared to what’s to come duh) but its cute and I really enjoyed writing it, i hope you guys enjoy reading. also TOTALLY feel free to tell me what you think and what you might like to see !! i always love some feedback

warnings: awkward teens lmfao (they’re such cutie pies), there’s some mention of injuries, but dw I made it funny, mostly building up for what’s to come later, fluff (for now lol) !!

masterlist, requests are open !!

There were few certainties in life. Tuesday followed Monday, Five plus five equals ten, and you had no shot in hell with Peter Parker. 

You’d known each other for most of your lives, going to the same schools, and growing up in the same neighborhoods, until eventually, sometime around the start of freshman year, he and his Aunt moved into your apartment building. 

You still remembered the excitement your little teen self had felt as you’d watched them move their things in. You remembered thinking his aunt looked like the sweetest woman in the world. And Peter…well he looked like the sweetestboy in your world. The boy of your dreams. 

Dreams you always kept to yourself of course. 

Dreams that suddenly, didn’t feel so far away, and for once in your life you felt like maybe, just maybe, you had the tiniest shot at having something with him. Something real. 

It all started one day after school. 

You’d had a long day. Longer than usual. 

Classes had been tough with exams coming up and you were stressed out from all the notes you had to make sure you had, to the homework that needed to be done, to the piles upon piles of books you needed to read, study, and memorize parts of. It was a lot. 

So, naturally, you weren’t really aware of your surroundings as you were walking home that evening. You’d been cramming in the library and you hadn’t realized how late it had gotten, but of course, that didn’t stop you from continuing your studying on the way home. With a book in hand, you made your way through the streets.

Of course, it was New York. So, of course, that wouldn’t fly. Faster than you could blink, someone had grabbed your bag and was running off. you stood there, mouth gaping. Fuck, your keys were in there and your parents weren’t home. How the hell were you going to-

“Here you go ma’am, sorry about him, he has daddy issues,” Spider-Man said to you with a wave of his hands. Spider-Man. You didn’t reply at first. 

“Y’know, you should be more of your surroundings,” he said gently this time. “Maybe put the book away for now? I don’t know, just a suggestion.” He absentmindedly rubbed the back of his neck and shrugged slightly. 

You’d know that voice anywhere. It was the voice you daydreamed about, the voice you heard across the hall, the voice you’d been hearing basically all your life. But that action, that little quirk, confirmed everything you were just thinking. 

“Peter?”

“WHAT?” The white eyes of his mask were blown wide. “No. Nuh-uh, I don’t even know anyone named Peter. Sounds like a douchey name if you ask me.”

You would’ve laughed if you weren’t so shocked. “Peter I know what you sound like,” your voice was soft so no one around you could hear. It was late and this particular street was pretty deserted but you figured you couldn’t be too careful. 

He was quiet for a moment before sighing and bringing both hands to rub at the face of his mask. He grumbled. “Ok fine, it is me. But Y/N you can’t tell anyone, I mean anyone, okay? Otherwise, this whole thing is ruined.”

You felt a pang in your chest. You knew you weren’t the best of friends or anything, but you’d known each other for a long time and you thought there was a certain respect that came with that. Of course you weren’t going to go around yelling out his secret. 

“I would never do that. Actually, I’m sorry I said anything, that was stupid. We can forget this ever happened. Thanks for the bag,” you held it up for emphasis, “I needed my keys.” You moved to walk past him but he grabbed your shoulder.

“Wait, I’m sorry, I didn’t mean to totally freak out on you it’s just…no one knows about this. And I don’t want them to know. It would complicate things.”

“Things like what? Like running around in a bright onesie and calling yourself a man when you’re barely a teenager?” You replied in a teasing tone, hoping he wouldn’t feel as bad that you figured him out so quick.

He laughed. “Among other things, yeah. What book are you reading anyway?” He asked, nodding to the book you still held in your hand and you wondered if he was trying to change the subject. 

You figured you’d let him. Holding up the book, you replied, “‘Biology: A Self-Teaching Guide’,” you smiled sarcastically. “It’s self-teaching because Mr. Harrington is shit at his job!”

Peter cackled. “I know exactly what you mean. You know, the other day he spent the last thirty minutes of class checking his fantasy football? Class is forty-five minutes!”

You shook your head, smiling slightly. “I wonder how he still has his job,” you mused. 

“Oh, that’s easy, no one is reporting him because no one minds. He lets every do as they  please so they all love him.”

“True.” You laughed. Some time since you’d started talking, you’d both started walking towards your building. 

“Are you walking me home now?” You held your breath. Obviously, he had every right to just swing away right then but…you hoped he didn’t.

“Well you obviously can’t be trusted to walk alone, honestly I really think that if I left right now, you’d open that book back up and walk into a lamppost.”

You threw your head back laughing. “Okay,” you held up both your hands in surrender, “fair enough.”

And while you’ve both known each other for a long time, you truly think that this walk was when you really clicked with Peter. He was funny, he was smart, and he was obviously the most selfless person you knew if he spent all his free time ridding New York’s streets of criminals without anyone giving him credit. 

When you reached your apartment building, you wished you hadn’t. You could’ve spent all night talking to him and youwere scared that once you walked through those doors things would go back to polite smiles and quiet ‘heys’. You didn’t want that. 

“Hey…if that ever happens again, and I’ll do my best to make sure it doesn’t,” he gestured to his suit, “but if it does and you lose your keys or something, you can always hang out at mine. If you want to of course.”

“You wanna hang out?” You asked confused

He seemed to have taken it the wrong way. “Oh! I didn’t mean to sound weird, I was just thinking-”

“Yes!” You blurted out, your face heating up. “I mean, yeah hanging out sounds cool. Maybe even…if I still have my keys?”

“Yeah, yeah that sounds great. Obviously��I didn’t mean you had to be locked out to hang out but yeah…” He scratched the back of his neck again and you imagined his cheeks flaming up just like yours under his mask. 

“Cool,” you nodded. 

“Cool,” he nodded back. 

You two stared at each other for a while. 

“Well, I should…” You jutted your thumb at the door as your voice trailed off. At least he wanted to see you again. That meant something, right?

“Right. Yeah, of course. See ya later Y/N.” He waved and you returned it. 

“See you later Peter,” your hand flew up to your mouth. “Shit. Sorry, um, I’ll see you- I mean bye Spider-Man.” Idiot. 

You rushed to through the door, leaving a smiling Peter in your wake. 

You were psyched Peter wanted to hang out with you on more casual terms. It was all you’d dreamed of for as long as you could remember. You’re little crush on him dated back further than you could really remember, but you knew it started sometime back in kindergarten. So you were rightfully excited that things were finally progressing, you just weren’t expecting it to happen so soon.

Later that day you were sitting in your room when suddenly you heard a tap on your window. Peter, fully decked out in his Spider-Man suit, was perched on your fire escape. 

Your brows furrowed but you rushed over to let him in. “Um, hey? What’s up?”

“Oh nothing much, same old same old. You?” He said casually as if you’d known each other your whole lives. Well, you kinda had. But still.

You stared at him a bit before you heard a dripping noise. At first you thought it was rain. And then you realized it wasn’t raining, nor had it rained at all recently. You looked down to see blood dripping. From Peter. Blood was dripping from Peter onto your fire escape. Shit. 

“It’s okay. It’s not that bad honestly.” He said lightly, but you noticed the slight edge to his voice. It definitely was that bad. 

You wanted to freak out. You wanted to tell him to go to a hospital so he could get proper treatment but you had a feeling he wouldn’t listen. 

“Peter,” you said, your voice soft but urgent. “What are you doing here?”

“You’re the only one who knows. I wanted to see a familiar face right now and if I went to see anyone else it would take too much explaining,” he shuffled around on your fire escape, wincing as he did so. He finally settled, leaning his backagainst the railing and laying his feet in front of him. He ripped off his mask, “I’m sorry Y/N, I don’t wanna freak you out. This was just the first place I thought of and-”

“No no no. It’s okay! Better than you passing out in some alley somewhere.”

“Exactly, you get it!” 

You side-eyed him. “Y’know, I think you’re too enthusiastic for someone who looks like they had sex with a cheese grater.”

He chuckled. “Funny. You’re real funny, you know that. Sex with a cheese grater,” he mumbled, leaning his head back. He chuckled again. “That’s hilarious.”

“Okay….alright just…..” You worried your hands. You had less than no clue what to do. But you had to figure out something. Soon. Otherwise, you’d have a dead teenage boy on your fire escape and you really didn’t know how you would explain that to your parents, and you didn’t want to figure it out.

You held up your hands. “Wait here and I’ll be right back.”

“I can’t imagine where I might go right now, but alright.” You heard him mumble under his breath, his head lolling to one side. You would’ve sasses him right back if you were so worried. You had to admit, it was admirable how he still managed to cling to his humor even when he was so hurt. 

You ran to the shared bathroom in your apartment, making sure to keep quiet so as not to wake anyone. Things were already hard enough. 

You grabbed an old first aid kit (you’d always thought it was stupid and unnecessary to carry around but here it was, saving your ass) before making your way back to your room. You closed the door and locked it for good measure before crawling out of your window and sitting on your knees beside him. 

“Ok. I’m gonna need you to help me though, do you think you could do that?”

He nodded softly and you got to work. It was nerve-racking but you got through it. Peter helped a lot, explaining what needed mending, and what would be fine being left alone. “I heal faster.” He’d explained to you and you had no choice but to believe him. 

When you’d finished you went to the kitchen and poured both of you cups of lemonade. “You should probably be drinking water or tea or something but oh well.” You shrugged as you stepped out of your window again, handing him the cup and settling on the other side of the fire escape. 

“I prefer this.” He said as he took the cup from you. “Thanks.”

“No thank you,” you said in a serious voice. “For serving this city.” You placed your now empty hand on your heart and bowed your head in respect. 

“Shut up,” he said, but he was laughing. You laughed as well. “So how did the whole Spider-Man thing start? Last I remember you were just little Petey in the robotics club.”

“Still in the robotics club, but somewhere in the midst of that I got bit by a radioactive spider.” He went off, telling you the whole story and you listened with both ears, tuned into his every word. It was crazy to you that the boy across the hall, the boy you’d known since you were children, had been through all of this. Alone. Your heart broke a little for him at that moment and you were glad he finally had someone he could talk to about this, even if it was just you. 

“Wow.” You shook your head in disbelief after he’d finished. “Not really sure where you got the whole ‘I need to put on a suit and get out there!’ attitude after being bedridden from a spider bite for a whole day, but good for you!”

He let out a loud laugh. “Alright Ace, enough about me. Tell me something about you.”

“Ace?” You asked with a furrow in your brows. 

He shook his head smiling, “Think it suits you, don’t you?”

Your face lit on fire. You looked down at your hands, “Um, well there’s not really much. What do you wanna know?”

“Anything. What are you interested in, something you’ve never told anyone?”

You peered over the fire escape railing and looked up at the sky. “Stars.”

“Stars?” He asked. 

You nodded. “Stars. Constellations. They all have stories, they’re named after certain things. People used to use them as guides when they traveled! But it’s stupid, I mean,” you scoffed, “we live in New York. There’s no regular stars here, let alone constellations.”

He stared at you for a while and you stared feeling nervous. He probably thought you were weird for bringing that up, how fucking random to just start going off about stars, normals people are interested in sports, art—

He started nodding, “Tell you what, when I’m healed, which won't be long, we’re gonna go see some stars.”

Your brows furrowed together. “What?”

He chuckled at your expression, all he could think was how cute he thought you looked. “Yeah, you heard me. We’re gonna go see some stars. Consider it a thank you for helping me today.”

Your cheeks flushed. “You don’t need to thank me for anything Pete, I’d help you no matter what.”

Now it was his turn to flush. “Thank you,” he said in a sincere voice. “But fine. Just think of it as two friends stargazing together.” He grinned.

Friends. That sounded nice. “Wait I didn’t know you could drive?”

He grinned even wider before standing up. You followed his lead, making sure he didn’t hurt himself in any way. “Thanks for everything Ace, but I think that’s enough for now.”

He moved to jump off the balcony but you stopped him, “Wait! At least use the front door, everyone’s asleep.” 

He slipped his mask back on and quickly shook his head, “Thanks but May’s asleep and I don’t wanna risk it.”

You nodded. “Right. Well bye then, and if you need anything Peter, you know where to find me.”

“Ditto,” he said, moving to stand on the railing of your fire escape. He gave you a two-finger salute. “G’night Ace.”

“Goodnight Pete-” your hands flew up to your mouth and you had to hold back a scream as you watched him completelyfall backward off your fire escape. “What the fuck!” You whisper-shouted, moving to the railing just in time to see him swinging away. 

“Son of a bitch,” you whispered softly and you could’ve sworn you heard him laugh. 

“Peter there’s no way I’m doing that.”

“C’mon Ace, I do it all the time!”

“That’s not the same and you know it! Have you ever tried swinging around the whole city with someone else?”

He went quiet for a moment. “Well, not around the whole city per se, but…I’ve swung while holding someone!”

“How long?” You deadpanned. 

He looked down and mumbled something incoherent. 

“How. Long.” You repeated. 

“Like, around the block maybe?” He looked at you sheepishly. 

You scoffed, “Peter fucking Parker I can’t believe you're trying to get me to agree to letting you drop me from thousands of feet in the air!”

“Hey come on! If I wanted to kill you I wouldn’t ask for permission, I would just do it.”

You narrow your eyes at him and he raises both his hands. It’d been a week since the night on your fire escape and Peter was fully healed. He really did heal faster than average because when you’d asked him to see the wound, it had been completely gone. Not even a scar was left.

“Y’know, if you wanted me to take my shirt off Ace, you could’ve just asked.” He’d said with a boyish smirk. 

“You fucking wish dipshit.” You had shoved him away but you couldn’t help the little smile working its way onto your face. 

You’d spent time together after that night, walking to school together, Peter popping by after patrol if you were still awake to just hang out for a bit. It was great. Until now. 

Peter had decided it was time for him to make good on his promise to take you to see the stars and you were refusing. 

“Please Ace, let me do this.” He gave you a little pout making you bite your lip in consideration. He tried not to smile, he was winning and he knew it. 

Silence. And then, “Where are we even going?” Bingo. 

He didn’t try to hide his grin now. “You’ll see. I know a place, it’s perfect for something like this.” He approached you and his voice turned sincere. “And I promise I won’t drop you, trust me, I know what I’m doing.”

“How can I trust you when you just told me the furthest you’ve ever swung with someone was a block,” you grumbled, but you didn’t push him away when he moved to hold you. 

“Enough complaining,” he said as he wrapped an arm around your waist. “Arms around my neck Ace, hold tight.”

He suddenly pulled you in, clinging to you tighter than before and you had just started to think maybe this wasn’t so bad. But then he jumped. And you screamed. 

Your stomach fell and you kept thinking you’d hit the pavement, he’d swing too low, or maybe he’d accidentally run into a building he hadn’t noticed. But when none of those things happened it actually became sort of…fun. 

“I can’t believe I’m riding Spider-Man!” You screamed, thinking he wouldn’t hear you because of the wind but you were proven wrong when you heard him hollering with laughter. 

You smiled as you clung to him. You should have trusted him at the start although there were times when he would dip lower than normal and if you didn’t know any better you would’ve thought he was doing it on purpose because every time he did, you clutched him even tighter.

Soon, the ruckus of the city seemed to die down and you could hear the thwip of his webs clearer than before. It wasn’t long after that you were landing on a tall hill making you wonder just how fast he could get around with those webs. 

Peter set you down and you immediately missed being in his arms. But then you turned around. 

“Oh my god,” you whispered. You could see the entire New York skyline and it was stunning. This city really was beautiful, it wasn’t for everyone, but it would always own a special place in your heart. 

You heard Peter chuckle beside you before he placed his hands on your shoulders. “I know, but that’s not what we’re here for Ace.” He pulled you a bit, making your head lean back. And then you understood. 

“Oh my god,” you said, louder than before. The stars were glittering above you both, the sky like a sparkling black fabric shielding you both. “They’re real!”

Peter laughed again. “I know right?” 

You looked back at him. “Peter this is….I don’t even have words for how amazing this is. This is the nicest thing anyone has ever done for me.”

His heart melted at that moment. He gave you a smile so soft it reminded you of fluffy clouds and soft ice cream on a hot summer day. “You like it?” He asked almost as if he wasn’t expecting you to. 

You looked at him in disbelief. “Do I like it? Of course, I do! It's beautiful! How’d you find this place anyway?”

He shrugged, “Oh y’know, just found it while I was swinging along one day. But hey,” he said quickly, making you question if that was how he actually found this place. “Look I set up a place for us.”

You decided not to question him any further and you let him lead you through a few overgrown bushes until you reached a small clearing. There lay a small picnic blanket with snacks and drinks set up.

You look back at him. “Are you for real right now?”

His mouth falls open. “I’m sorry! I—I didn’t mean-”

You pulled him into a hug. “Thank you so much, Peter. I mean…wow, I just…wow.”

He held you even tighter. “You don’t need to thank me, honestly I’ve been waiting for forever to go on a date with you soreally thank you for even being here-”

You went slack in his arms and Peter had never wanted to beat himself up more than he did in that moment. You pulled away and looked up at him with questioning eyes, “Date?”

Peter blanched, you never knew someone could look so pale, yet be blushing so much at the same time. He was gaping like a fish, his mouth kept opening and closing as if words were supposed to be coming out, they just weren’t reaching your ears. 

“Because,” you continued, deciding you needed to step up and help him out a little, “a date sounds good. Really good. I’d just like to be aware of the fact that I’m on one.”

He looked at you with wide eyes. “Are you—are you sure? Cause I can just shut up and we can totally pretend that never happened.”

You laughed and shook your head. “I’m sure. If you are, of course.”

“Yes! I mean—” He scratched the back of his neck and sighed. “I’m sorry I just made this really weird didn’t I?”

You laughed again and gently placed your hands on his shoulder, making sure to look him dead in the eyes. “Peter,” you made sure he was listening. “S’not weird. At least, I don’t think it is. Okay, so we’re on a date! Love that for us. The onlything I would’ve changed is my outfit.” You looked down and pouted. “First time I’ve gone out with someone in my pajamas.”

“Well, I love it. I think you look beautiful.” He grinned. He seemed to have relaxed a little after your reassurances. 

You looked down to hide the blush forming on your cheeks. “Yeah yeah, save the flattery for the second date.”

“Will do.” He laughed and grabbed your hand. He led you to the picnic blanket and moved some things around. You realized he must’ve come here earlier to get things ready and your heart warmed at the thought. 

Peter set out the snacks and drinks and the two of 

“Here lay down,” he said to you after he’d cleared things out of your way. 

“God Parker, at least buy me dinner first.” You rolled your eyes dramatically but obeyed and laid flat on your back.  

“What do you think all that was?” He shot back with a grin. 

You shrugged as you settled yourself on the blanket and he moved to lay next to you. “More of a midnight snack.”

He laughed, “Noted.”

You turned your head towards him and nudged him a little with your elbow, getting him to look back. “So…what are we doing.”

He laughed again. “We’re stargazing Ace, that was kinda the whole point.”

“Oh, right, right.” You nodded and went quiet.

“What’re you thinking?” He asked. 

“Star stuff.”

“What do you mean ‘star stuff’?” He asked, voice full of poorly concealed laughter. 

“Like the fact that I don’t know shit about stars.” You admitted. 

He chuckled beside you before bringing his head right beside yours. “Okay see that really bright star with a bunch ofother stars crowding around it?” He pointed until you got it. 

When you nodded he said, “What does that tell you?”

“That it’s an extrovert?” You leaned back to look at him.

“No,” he shook his head smiling. “That’s Rigel. It’s a blue supergiant star in the constellation of Orion. And actually,” he shuffled a little closer. “See those three big stars all next to each other?”

You nodded, forgetting all the jokes and focusing on everything he was saying. 

“That’s Orion's belt,” he continued. “Each of those three stars is actually way bigger, and brighter than the sun.”

“Woah,” you looked at him wide-eyed. “Where’d you learn all this?”

“Oh y’know,” he waved a hand casually. 

You gaped. You propped yourself up on your elbows so you could look at him. “I absolutely do not know. First, I thought you were just Peter Parker. Then, I find out you’re also Spider-Man. And then, I find out you’re Peter Parker, Spider-Man, and also, extremely well-informed on star stuff!”

He laughed, There’s a lot of things you don’t know about me yet Ace.”

You nodded softly. “That’s true. We should change that.”

He looked deep into your eyes and you saw something like wonder in them. “Yeah?” He asked

“Mhm.” You poked him softly in the side. “Wanna know you, Peter Parker. All of you, from the dorky lego-obsessed-kid to the nerdy science genius who secretly fights crime.”

He grinned so wide and you swore it was brighter than any star in the galaxy. You were completely content with this being your view for the rest of the night. “Alright, come here,” he tugged you down making you squeal as he held you in his arms. 

“Hey, eyes on the sky Ace,” he said when he caught you staring.

You blushed and rolled your eyes, “Fine, whatever. I don’t wanna look at you anyway.” The complete opposite of what you were just thinking.

He smirked as if he knew too. “Sure thing babe. Now let me dazzle you with more star stuff.”

The ‘ride’ (if you could even call it that) back to your place was quiet and peaceful, and a part of you thought it was a tad bit longer than the way there

Peter landed softly on your fire escape but he didn’t let go of you just yet and you weren’t in a hurry to end the night. 

“So…we’re here.” Said Peter, his voice a bit muffled from the mask. You nodded and reached up, carefully working it off his head. 

“Thank you,” you said, hoping your voice conveyed the sincerity you felt. Everything about tonight was perfect and you hoped he felt the same. 

He smiled softly. “You already said that.”

You nodded. “Maybe. But it doesn’t hurt to say it again. I had an amazing time Peter.”

“Even though you were in your pajamas and you didn’t know it was a date? Well, not at first.” He gave you a questioning look, almost looking unsure. 

You grinned, “Especially because of those things. I don’t know,” you shrugged, “thinks it makes us unique.”

“And if wanted to do something that’s not so unique for the end of a first date?” He gulped. “Figured I kinda owed you something basic about tonight…unless you don’t want to?”

“Peter Parker, are you asking if you can kiss me?” You smiled up at him and he blushed all the way down to his neck. He mumbled something you couldn’t make out. 

“I’m sorry what was that?” You turned your head and leaned in dramatically and you heard him sigh. “Isaidifthatsokaywithyou.” He rushed out. 

You pulled away and stared up at him. “That’s more than okay with me actually.”

He didn’t waste a second. His hands that were resting lightly on your waist gripped you tighter and you grabbed his face, his mask that was in your hand falling to the floor. He captured your lips in an urgent kiss but it was somehow soft at the same time. It felt as if he’d just been waiting to get this chance and now he was savoring it and trying to memorize every part. 

You both pulled away breathlessly. His face was flushed and he looked so cute you had to lean in and give him a few softer pecks. He grinned so wide that you started to laugh. “Why’d you stop?” He asked. 

You laughed harder. “I can't kiss you when you're smiling so hard!”

“Ok ok fine I’ll stop!” He tried to keep a straight face but it didn’t last for 5 seconds before he was grinning again. He rubbed a hand over his face while you giggled at him. “Sorry if I’m super psyched I got to kiss you, I mean look at you.”

That got you to stop laughing and you felt your face start to heat up. You leaned over and landed a big smooch on hischeek. Peter turned pink. “Okay see, that was really great Ace but I really wanna kiss you.”

You smiled, “Then kiss me, bug boy.”

He started to lean in but you pulled back at the last minute, “Hey wait. Did we take longer on the way back than we took going? Or was that just me?”

“Oh that,” he nodded. “Air traffic.”

You narrowed your eyes. “Air traffic?”

Peter cleared his throat, “Look I’m the designated driver, or swinger, I know what’s going on. You don’t need to worry about it Ace, I’ve got it covered. Now I need your lips covering mine, right now.”

“Fine whatever,” you rolled your eyes with affection and leaned in. 

Things couldn’t be more perfect in your life. 

After you and Peter had made things official, he’d invited you over a few times to spend time with May, and you’d asked the same of him with your parents. Of course, your parents knew who Peter was, and May definitely knew who you were (she’d told you as much and you started to wonder if Peter’s crush might date back almost as far as yours. There was a chance) but it was different now that you two were together. 

“Is she gonna make you leave the door cracked?” You whispered as Peter led you by the hand through his apartment and to his bedroom. You two had just gotten back from school and you were going to work on your homework together. Homework which would mostly consist of the two of you making out on his bedroom floor. 

He scoffed. “No. She trusts us.”

“Mhm,” you pondered. “And that has nothing to do with the fact that you asked her to stop embarrassing you when I’m over?” You entered the room and Peter closed the door behind you, but not before he gave you a look. 

You shrugged and smirked a bit as you placed your bag on his floor and started pulling out your textbooks. “Did she say something to you?” He asked. 

Your smirk turned into a full-blown grin. “Y’know I’m actually starting to think she likes me more than you.”

He rolled his eyes. “It’s started, amazing.”

“What’s started?”

“The two of you ganging up on me,” He grumbled which made you laugh out loud. You reached over and squished his face with one hand, your thumb on one cheek, and the rest of your fingers on the other. “You’re adorable when you’re grumpy.”

You felt him fighting off a smile under your fingers. “Adorable enough for a kiss?”

“You can always get a kiss from me, Petey.”

He gave you a serious look. “I’m gonna hold you to that.”

You returned his seriousness with a solemn look of your own. “I hope you do.”

Just as he started to lean in, the door to his room burst open, making you jump away so fast you fell on your back. 

“Hey, kids!” You scrambled back up as May entered the room. “I just wanted to make sure you guys were…okay. Are you okay?”

Peter threw his hands up in exasperation, “May!” 

She held her hands out and quickly said, “I’m sorry! Sorry, but I also wanted to tell you I’m going out and I won’t be here. So be responsible.”

He rolled his eyes. “We’re just going to do some homework.”

She nodded, “Yeah okay, and I totally believe you!” She started inching towards the door. Placing a hand on the frame shesaid, “Pete, remember our talk.” Peter went red. But before he could stop her she went on, “Use protection.”

She flew out the door, leaving you wide-eyed and Peter as red as a tomato. It was quiet between you two for a moment before you decided on what to say. “Soooo….your aunt definitely thinks we’re fucking.”

Peter looked mortified. “Ace I am so sorry-”

“No, it’s okay! Fair assumption, I mean, we are teenagers so it's kinda of what we’re known for right now. Plus, she’s only looking out for us.”

“You’re not mad?” He asked worriedly.

“Why would I be mad Pete? She was actually super chill about it, my parents would’ve dragged you out of the apartment.” He laughed but there was something else on your mind. “Can I ask you something though?”

“Anything,” he answered quickly. 

You smiled, “Have you um—Have you ever…” You trailed off but you knew he understood what you were getting at.

‘OH! Well, no but yes?” You gave him a weird look. “So I mean like…I’ve done stuff but not all the stuff. Y’know?”

You nodded. “Have you…ever?” His voice was quiet as if he were afraid you’d shun him for even daring to ask. 

“Not all the stuff,” you answered simply. 

“Okay,” he looked down, unable to meet your eyes, and you weren’t quite sure what to say at the moment either.

“Do you think-” he still wasn’t looking at you as he tried to finish his sentence, “do you think we…we…Do you?”

“Yes. Probably.” That got him to look up.

“Really?”

“Well not right now obviously-”

“Oh of course not,” he cut you off quickly. “But like…eventually? Do you see yourself being with me like that? Trusting me enough?”

“Yeah, I think so.” Now it was your turn to avoid his gaze. “Do you? See yourself trusting me and…whatever.”

He laughed a little. “Yeah, I do.”

“Cool.” You nodded quickly and cleared your throat. “So I actually had a question about this science problem.” You held up one of the worksheets you were sent home with.

“Oh no, you’re not switching the subject that easily.” He gave you a knowing look.

“No,” you faked offense. “Can a girl not ask her genius boyfriend a science-related question?”

“No,” he said simply. “You still owe me a kiss.”

You rolled your eyes, “I think we’re forgetting what really matters here.”

“Me?” Peter suggested.

“Homework.”

Next thing you knew, he had tackled you and had you pinned you on the floor. 

“Wait! No stop!” You yelled when you felt his hands creeping up your sides. You’d made the mistake of telling Peter you’re ticklish and boy had he been using it against you. 

He grinned with triumph. He knew he’d won but that didn’t mean he wasn’t gonna milk it. “Are you gonna give me kisses?” He leaned over you, letting his nose brush yours as some of his longer curls fell onto your face. 

“I really like these,” you whispered as your hand moved up to play with them. Your tone was more sincere now, completely forgetting the game you were playing and completely focusing on Peter’s hair. It was getting a little longer than usual and you adored it. 

“Yeah? I’ve been meaning to get it cut but I haven’t had a chance. Between school and Spider-Man-”

“No! Don’t cut them please,” you begged, eyes suddenly wide in horror at the fact that he was even thinking of chopping off his beautiful curls. 

“Really? Didn’t know you liked them that much.” He gave you a boyish grin.

“I treasure them as if they were my own,” you said sincerely making him shake with laughter. “So you wouldn’t even be cutting your hair Petey, you’d be cutting our hair.”

He laughed again, “Fine you win! I won’t be cutting it anytime soon, but I’m gonna need you to hold up on your kissespromise.”

“Yay! I love you!” You leaned up to kiss him where he hovered over you but he pulled away. You pouted slightly, howdare he give you such a hard time about kisses and then not accept them?!

“You love me?” He asked quietly. You froze. Why did you have to say that? Sure you two had been together for a while now and you’d known each other for even longer but…what if he didn’t feel the same? What if you had just ruined everything?

“Um…” You tried to move out from under him but he kept his arms locked around you. You were stuck, there was nothing to do other than talk. “Look Pete, I don’t want you to feel weird-”

“But do you love me?” He insisted. 

You sighed and turned your head. You might not be able to get away but that didn’t mean you had to look him in the face while you embarrassed yourself. “Yes.”

“Good.” He leaned down until your noses were touching again, “Because I love you too.”

Your heart skipped a beat in your chest. “Really?”

He chuckled softly, “Think I’ve loved you for a lot longer than you’ve loved me, Ace.” He leaned down and closed the distance between you, finally getting that kiss he’d been after you for. 

“Now do a pose!” Peter yelled over as he squinted through his camera. 

You rolled your eyes, feeling shy all of a sudden. “Peter, we’re in public, can we please stop now?”

The two of you were taking an after-school stroll through Central Park. It was autumn now and the scenery was absolutely gorgeous and Peter had demanded to take pictures of you the whole time. School had started back up almost a week ago and already the two of you were facing the heat of your senior year.

“Oh come on,” he jogged back to you and threw an arm around your shoulder. “Gotta get used to me showing you off Ace,” he pressed kissed the side of your head. “This what it’s going to be like when we go to school together.”

“We already go to school together.” You smirked at him. 

He rolled his eyes dramatically. “You know what I mean Ace,” he squeezed your shoulder softly. “I mean when we go to Columbia.”

You looked up at him with a smile so wide there was no way you could hide it. “I know,” you said softly. “I can’t wait.”

“Me either.” He smiled back. 

The two of you had discussed schools and where you’d be going. You spent a lot of your time during summer going overthe pros and cons of different universities and settled on going to Columbia. Of course, you weren’t just going for each other, but that was definitely a perk. 

It was perfect, really. Peter was planning on majoring in biophysics (a major you’d told him you thought was created just for him, two of his best subjects combined) and they had the perfect courses for that, not to mention their photography classes. He’d done a ton of research on them already. It was a hobby of his you’d learned about shortly after the two of you had gotten together, and you had to admit, he was really good. And he was only getting better.

And you were planning on majoring in Journalism, with a minor in English. You and Peter had a joke where he’d be making the groundbreaking scientific discoveries and you would be writing the award-winning articles about it. 

“I know you’re gonna make me sound smart,” he’d said smugly. “And sexy.”

You’d laughed at him. “Peter, how am I supposed to make you sound sexy?”

“I don't know, but as an amazing writer, that’s for you to figure out Ace.”

“I’m not a journalist yet.”

He winked. “But you will be.”

You bit your lip at the memory. You had this small fear (or silly as Peter had put it when you’d voiced it to him) that you wouldn’t get into Columbia. You weren’t even worried about Peter, you were pretty sure he’d get into every school he’d enrolled in. The boy was a genius after all. 

“Hey,” he said softly. He stopped walking, pulling you to a stop as well. Pulling his camera strap over his head, he stood in front of you and grabbed both of your hands. You looked down. 

“Uh uh,” he shook his head and tsked as he moved one of his hands to hold your chin between the knuckle of his index finger and his thumb. “Look at me,” he said and gently pulled your head up. “I know what that look means.”

You shook your head a little. “Means nothing. What do you mean?”

He gave you a sad smile. “I don’t like when you think like that y’know. I don’t want you upsetting yourself.” You didn’t answer so he continued. “Fine. It’s just up to me to distract you then.” He pulled away to grab one of your hands, intertwine your fingers together, and start walking again. He started to swing them back and forth dramatically. 

You giggled, which made him smile. His plan was already working. “Oh, by the way, I’m taking you out tonight.”

“What?” You asked. You didn’t remember making any plans for tonight.

He nodded. “Yeah, I’m gonna pick you up and we’re going to our spot. I was thinking around 10.” Your ‘spot’. The place where Peter had taken you on your first date, where you hadn’t known it was a date at first and had shown up in your pajamas. The two of you had kept going back since that initial night. Most of your summer nights (and sometimes early mornings and even afternoons) were spent up there, gazing at the stars, and talking about your futures. That place had grown to mean so much to the both of you and it held the sentiment of more than one of your firsts together. 

“Are you sure you won’t be busy, y’know with Spider-Man or school or something?” You looked up at him questioningly. Of course, you wanted to spend time together but you didn’t want him worrying about cheering you up so much that he slacked on his own stuff. 

He slapped a hand on his chest and feigned offense. “I’m sorry, what is this I’m hearing? You don’t wanna hang out with your boyfriend Ace?”

“No of course it’s not that,” you laughed and shoved him lightly. “I just don’t want you feeling like you need to spend time with me when you have so many other responsibilities.”

Peter laughed and shook his head. “No way. You can’t seriously think like that Ace.” He gave you a side-eye and sighed. “Maybe you really aren’t smart enough to get into Columbia.”

“Peter!” You shrieked and slapped his shoulder while he hunched over with laughter. You couldn’t help it, you joined him. 

Once he’d calmed down he straightened himself back up and looked at you with such adoration in his eyes, you nearly melted. He grabbed one of your hands and brought the knuckles up to his lips. “You know I’m only joking Ace, you’redefinitely getting in. In fact, they’re probably getting your place ready as we speak.”

You threw your head back and laughed. “Pete I haven’t even applied.”

“Exactly! You’re so amazing, you don’t even have to apply, they totally want you.” He wiggled his brows suggestively making you snort. You shoved him forward to continue your walk. “Enough about school for now,” you looked at him. “You said we’re going out tonight?”

“Oh yeah,” he grinned at you and you saw the nerdy part of him he tends to be a little insecure about. You’d told him multiple times it was your favorite part. You absolutely loved it when he started ranting about something he loved. “So there’s some new-” He shook his head quickly. “Actually, I’ll keep it a surprise and tell you when we’re there.”

You gaped at him, about to demand he tell you right now what he was about to say but before you could get the words outhe was positioning you infant of a tree bursting with different shades of orange, red, and yellow. New York really was beautiful in the fall. 

“I need some more pictures for my portfolio,” he said as he backed up a few steps. “Also, I’m loving today’s outfit.” He winked at you. 

You looked down. You weren’t wearing anything special, just a sweater, a pair of soft, baggy jeans, and some Converse.You were pulling down your sleeves when you realized what he meant. It was his sweater. You grinned, “Fine. A few more, and then you’re done.” You waved a finger at him. 

“Yeah, yeah.” He muttered and snapped a few pics. He pulled the camera away for a moment. “Stop looking so grumpy Ace, c’mere.” He walked toward you and grabbed your hand. He started leading you onto the grass which was completely blanketed in colored leaves. “I need you to lay down.”

“Okay, this is getting ridiculous.” You held your hands up. 

“Wait, no. Hear me out, Ace. I need to share my artistic vision.” You rolled your eyes but that didn’t stop him. “I’m gonna have you lay down in the leaves, look how bright and pretty they are! You lay down, let your hair down and spread it out a bit, and smile!” He punctuated his sentence with his own smile. 

You stared at him for a bit before grumbling, “You are so lucky I love you.” Sighing, you moved to lie on the ground in front of him while he grinned above you holding his camera eagerly. “Y’know the only reason I’m so okay with this isbecause this is your sweater.”

“S’alright,” he casually waved a hand as he checked something on his camera screen. “You can have it, it’s yours now.”

“What?”

“Well it’s been on the ground of Central Park, I sure as hell don’t want it.”

You burst into laughter. You didn’t even realize he was taking photos until you opened your eyes to see his camera lens in your face. After a few more clicks and him instructing you on some different poses, he leaned back and held out a hand. You ignored him and pushed yourself onto your feet, dusting off your clothes.

When you looked back at him, he was looking at you with a hurt expression and you almost felt bad for rejecting his hand. “You said you don’t want anything that’s been on the ground of Central Park.” You joked. 

Next thing you knew he had you in a hug, holding you tight. “I’ll always want you, Ace.”

He pulled away, “No matter what dirty part of New York you just came out of.” He tried to kiss your cheek but you shoved him away. 

“Absolutely not!” You yelled and started running away from him. 

“Wait Ace, come back.” You could hear him behind you laughing, as he chased you. You knew logically, with his superpowers and all, he could absolutely outrun you if he felt like it. And it seemed like he felt like it. 

After about a minute of chasing you, he started gaining speed. Next thing you knew, he had picked you up and he was dragging back to the ground with him. 

“Peter let me go,” you tried to shove him away, but it was no use, the boy had an iron grip. 

“No. We’re gonna be gross together.” He rolled around a bit in his spot for emphasis. 

You laughed at him. “You are such a weirdo.”

He grinned at you and this time succeeded in kissing your cheek. “Maybe. But I’m your weirdo.”

You rolled your eyes. “Thank god for that, I don’t think anyone else could handle you.”

He kissed your lips this time. “I don’t want anyone to handle me. Just want you.”

“Good, 'cause you’re stuck with me.”

“So what’s the special thing you couldn’t tell me about until now?”

You were currently lying on your back, with Peter’s arm under your head as the both of you gazed at the sky. 

“Well, it’s nothing crazy, but there’s a new star I wanted to show you.” He replied, which made your brows furrow in confusion. “New star?” You asked. “How the hell can there be a new star?” You gasped, “Oh my god did Orion knock a girl up?”

Peter laughed beside you, “No. No, okay so, there are these things called seasonal constellations.”

“Alright,” you nodded as if you had any idea what he was getting at. You had learned a lot about astronomy (or star stuffas you two had taken to calling it) since your first night here with Peter, but he still had some things on you. 

“Basically, stars are always in the sky, right? But we can’t see them because of the Sun. If it weren’t for the Sun, everyone would be able to see all the stars, all the time. But because the Earth is always moving around the Sun, the Sun’s position on the celestial sphere changes.”

You give him a confused look and he laughs before explaining some more. “So the Sun is on one side of the sky during summer, okay? During that time certain stars are super vibrant at night. And then when it’s winter, it’s on the oppositeside of the sky, giving some other stars and constellations their time to shine, and during this time, you can’t see the summer constellations as much, or at all.”

“Oh, so the Sun is kind of their reverse-spotlight.” It was starting to click for you. 

“Yeah exactly! The darker the sky is the more they shine.”

“Hmm,” you considered his words for a moment. “I dunno the Sun kinda sounds like an attention whore to me.” Peter laughed out loud but that didn’t stop you. “I’m serious! Who does she think she is? Stealing everyone’s spotlight but never dimming her own!” 

“Ace we’ve talked about this, come on.” He gave you a pointed look and you huffed. “What did we say?”

“Personifying the stars does nothing but hurt my own feelings,” you grumbled. 

“Because they don’t have any.” He finished for you. 

“Whatever.” You shoved him softly but they only made him pull you in closer. “So tell me about this new star.”

“Alright so, do you see that?” He leaned his head closer to yours and pointed up toward a bright star you hadn’t reallynoticed before. When you nodded he continued. “That’s the brightest star in the constellation of Andromeda. Andromeda is an autumn constellation.”

“Wait I know that name, we learned about this story in English. She’s from that old Greek myth with Perseus and Poseidon.”

Peter nodded. “Her mom was bragging she was more gorgeous than the sea nymphs, who didn’t like that and snitched to Poseidon. When he got mad, her father asked Zeus for advice and Zeus said the only way to get Poseidon to back off would be to sacrifice his daughter.”

You finished. “And then Perseus saw her, immediately fell in love, slayed the beast, and saved her. Then they got married.” You made little jazz hands, “Hooray for happy endings.”

He laughed before saying, “Wait, wasn’t she engaged to her uncle?”

“Yup. Perseus killed him too.” Peter made a weird face which made you giggle. “All Greek myths are kinda…off like that.”

“That’s one way to put it,” he mumbled. “But yeah, that’s her constellation. And Perseus,” he shuffled around so he couldpoint to another cluster of stars. “He’s right over there.

“Is his a seasonal constellation too?”

“No,” he shook his head. “Perseus is an all-year-round constellation. You can see him whenever. There are certain timeshe shines a little brighter, but for the most part, he’s always there?”

“But she isn’t?” You asked, referring to Andromeda.

Peter shook his head again. 

“Wow. All that and they don’t even get to spend their eternity together.” You said in a soft voice. 

“What do you mean? I thought it was romantic?” Peter replied.

“It is, in it’s own way. I just mean, she’s only around for a few months every year. And look how far apart they are, to us it seems like nothing, but up there, they’re probably galaxies away from each other.”

“Okay,” he nodded beside you while he considered your words. “But think of it like this, she’s actually up there all year round, she’s only visible to us a few months a year.”

“That’s true.” You smiled. It was sweet of him when he listened to your little stories and added his own thoughts, not just brushing you off. Your little saying from before, however, he had made up and constantly reminded you of ever since one night went a little too far; Peter had told you that actually, not all the stars in the sky were alive, in fact, a lot of them were dead but we just didn’t know because their lights were still shining for us (cue a long conversation of him explaining light years and regular years and how they affect what we see in the sky). That had made you start sobbing, the first time you’d cried in front of him actually. 

In his defense, Peter had handled it quite well. After his initial shock, he comforted you and tried to cheer you up by telling you to think of it as their final act, one last ‘look at me’ before they extinguished. That hadn’t really cheered you up but you had tried for him, after all, he couldn’t have known giant gas balls in the sky would hurt your feelings so much. You hadn’t known either. 

“As for the distance between them,” he continued. “I’m sure they have something figured out, like a tin can telephone. Or FaceTime.”

You laughed and pushed out of his hold, maneuvering yourself so you were looking down on him. 

“Hey Ace,” he whispered with a large smile on his face. 

“Y’know something Peter Parker? I really really love you.”

His smile grew wider. “Yeah?”

You nodded, your face lit up with its own cheesy grin. “Yeah.”

“Tell me again.”

“I’ll tell you however many times you want.”

“Promise?”

“Promise.”

If only it were that easy.

read part two

‘seasonal’ taglist: @keira-kaz2y5

[its-time-to-write]

please don’t be - ch. 1

for context! this takes place after season 3, and in my head Jamie plays one season with Richmond under Roy, then goes back to City to play for Pep bc let’s be real, he’s a Manchester boy at heart. so that’s what’s happening, that’s the timeline, this is def the most non-canonical thing I’ve written. it might be out of character. it might be self-indulgent. I don’t know, I would say I don’t care, except I do. enjoy.

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It’s Julia who reminds you, he’s the one who asked for your number. Because she has to remind you. Otherwise you’ll tear yourself to pieces thinking about how it’s all your fault. 

Oh, it was easy in the beginning. You meet Jamie Tartt of all people in a chicken shop of all places. Things like that don’t just happen. Except it did, and he smiled at you first, and you had a stupid, stupid thought that became a stupid, stupid reality. 

And Julia was there from the beginning, what with her raised eyebrows and frosty opinions. 

“Be so careful,” she warns. “He doesn’t understand that he doesn’t deserve you.”

You laugh and squeeze her arm as you slip out the door and into Jamie’s car. 

Because it’s fun and silly and he has exactly the right words all the time. Words about your eyes, your voice, your humor; words you know not to take seriously, but he says them with such sincerity that you allow yourself to believe them for a second. 

He says strange things too, things about meeting his mum and holidays in the far future where you’re on a beach with him or maybe in the stands or in a room that costs more than you make in a month. 

He says the word marriage on the third date and it’s not even in reference to the both of you, just to him. He wants it, someday, sooner than people think. You study the wall behind him and sip your water. It’s ice-cold, with just the right amount of lemon. You keep your thoughts on the matter to yourself. No sense in filling the air with meaningless words. Marriage is a conversation for another girl. Not you. 

No, you do your best to take it for what it is, although you’re slipping. 

It’s a fling, albeit long-term. You have incompatible schedules, never mind the way you bend your time to the breaking point just to see him for ten minutes. You have a career, bills to pay, people to fix; he has football, a team, and history to make. 

It’s a whirlwind of parties, matches, flights to Dubai, photographers, dresses, jewels. You know it’s a dream. You do. 

Still, it’s hard to think of it as such when he tucks a strand of hair behind your ear and tells you, “My mum really liked meeting you the other day.”

It doesn’t matter how many times he tells you you’re just going out, he’s not your boyfriend (as if you aren’t painfully aware). He’s acting as if it’s more. 

“It doesn’t mean anything,” Julia says when you come home, confused and conflicted. “I don’t fault you for staying, but don’t forget you can leave whenever you’re ready.”

But you’re not ready. 

You’ll bend over backwards, put everything on the shelf if it means loving Jamie for half a minute. He’d never ask, no one ever does, because they always assume they know how you’ll respond. 

But they don’t. 

There’s a horrifying moment when you’re at some posh coffee shop, and you’re standing up to grab extra sweetener from the counter. Jamie grabs your wrist so gently to ask for a cup of water, but all you can see is the sweet expression on his face and an eyelash resting on his cheek. He’s smiling up at you and you brush away the eyelash with your free thumb, palm cupping his face. The air changes for a split second and you know.

You’re not making it out of this unscathed.

One of you will leave. It’s inevitable. It will not be you. 

It’s inevitable. 

So you hold his face for a beat too long before heading inside to compose yourself. You pretend not to notice the family with their cameras out. It’s a common occurrence, as common as footballers being seen with a girl who comes from another life and means nothing in the grand scheme of the Premier League. 

There are so many times you want to scream that there are bigger things than the Premier League. 

“I can fix him,” you tell Julia. “I get it. I understand his whole brain, how it works, what he thinks. I understand all of it. I can fix it.”

Julia sighs. “You’re not his therapist. It’s not your job, love.”

Still.

You do what you do best: love. 

It shows itself in the way you smooth out the knots in his forehead, his chest, his back. The way you smile that special, soft, just-for-Jamie smile. The way you listen extra carefully and joke and laugh when things are especially difficult. 

“I won’t change for you,” he says one day, early on, when you explain the panic you feel when he doesn’t speak to you for a week. 

“I’m not asking you to,” you say, voice steady despite the fact that your hands shake so hard you almost drop your tea. “I’m just explaining to you why I’m a bit strange today.”

Except he does change. His words- they don’t match his actions. 

I won’t change for you. 

Except you hear from him every day. 

I won’t change for you.

Except he makes time to see you. 

I won’t change for you. 

Except he’s inviting himself for tea with your family. 

I won’t change for you. 

You never asked him to. 

So why is it your fault?

“You knew I was moving back to Manchester at the end of the season,” he says accusingly, because you did know. You’re not asking him to stay, even now. 

You nod silently, letting as few tears streak down your face as possible. 

“What did you think was going to happen?” he asks. 

Nothing. You didn’t think anything was going to happen. 

You reply, “I didn’t expect anything to happen. I never pressured you. I never- I didn’t ask for any of this. Am I not allowed to be sad?”

There’s no point in telling him you’d move with him if he asked. Seven months together… it’s a long time. But it’s not forever, and it’s not long enough, apparently. 

Julia’s in the flat that night. She always seems to know which nights to be home and not out with her sickeningly perfect boyfriend. 

She doesn’t say anything, just hands you the box of takeout as you whisper, “I’m so tired of begging to be loved.”

It’s a cheap shot, you know that, but still. There’s plenty of love in your life. But the begging…

It’s silent, never leaving your lips. But it’s always screaming inside your head. 

Love me, love me, love me. I am making myself lovable for you. Love me. 

He knows not to text, not to call. You hear he’s in town and are relieved that you don’t hear from him. At least he knows enough to leave you alone. 

You’ll love someone for eternity, until they decide they don’t want it anymore. Once they decide, they’re not allowed back. They can’t come back. It wouldn’t be healthy. 

And fuck if you weren’t going to be healthy. 

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[latteenightss]

Hii! Just another rant about obx. I wanna share my predictions about season 5 and what I think they’re gonna do

Chase Stokes (John B) mentioned that season 5 will be their best one, which it could be but I think for a lot of viewers just the fact that JJ won’t be there at all might ruin the season if yk what I mean.

And now to my predictions

1. I think season 5 will be Kiara’s season, with the way season 4 ended it’s obvious she’s gonna lash out and go through a lot. She’s gonna need to deal with grief and her revenge era might be a bit brutal 😊

Also maybe she will be somehow related to the treasure? Or just connected slightly. Like season 1 we had John B, season 2 it was Pope. Season 3 now- idk I guess Sarah but Kie also had a bigger role, like when that dude kidnapped her and then she got sent off to that camp but that’s it, then her plot line was about Jiara, and season 4 was obv JJ.

And since we’re talking about JJ, y’all.. ik it’s hard but he’s not coming back 😭 obx is not supernatural, a wish won’t bring him back to life. Like I don’t think JJ will crawl out of sand.

I generally love the idea of Kie finally having her main character moments and just making her more important to the story.

2. We will get Riara. And I definitely don’t mean that in a romantic way because that’s not happening! Madison (the actress of Kie) hates Riara 😭 but I think we will see them as duo and just get more of those tension scenes that we got so far. I feel like that might be a way the writers will try to “replace” Jiara. Jiara was a huge ad for the show and lately so has been Riara.

I feel like almost eveyone loves the tension between those two and the writers know that. Also Rafe breaking up with Sofia- yea they’re definitely building up to some sort of storyline with Kiara and Rafe. The amount of people obsessed with Riara is insane and obv they have to give us something so..

Riara s5 is pretty much guaranteed.

3. I wanna talk about Sarah and John B- obviously a huge plot line will be their child. I don’t know if the child will be born at the end or during season 5. How I see it, I’m leaning more toward the end but we’ll see.

There’s not much else that can really happen with them. John b will also be in a revenge era since his best friend was killed and Sarah will definitely get closer with Rafe, that hug they shared was so cute and needed but otherwise I really don’t know! I doubt they’ll kill them off. I was thinking that the way John B narrates obx maybe that’s him in the future telling his child about their story? That would make sense honestly.

4. Pope and Cleo umm so. I honestly am not as interested in their story line and it’s interesting because I have no idea what they will do with them.

I think Pope might be kind of more cold in season 5- as we know he shot a person right in the head, and he was so scared about that. Also he lost JJ- his best friend and they want to send him to the military. Dude is not doing the best! 💀

Cleo.. I don’t know she’s such a complicated character, she went through a lot in her life but I doubt they’ll really expand her character in season 5.

5. Rafe!!!! His character development this season was insane. In my opinion he should stick with the pogues but I wouldn’t be surprised if he somehow betrayed them. That’s Rafe- he’s not a good person but I wouldn’t say he’s necessarily bad..

Like I already said in obx 5 there will be Rafe and Kie duo, and more of Sarah and Rafe for sure. But maybe he will connect with the other pogues too.

I just don’t want the development to be thrown away, I hope they make him stick with the pogues.

6. And now finally the ending/possible deaths.

The characters who in my opinions are most in danger are: Kiara and Rafe

Especially Kiara.. here’s the thing, since JJ is dead and she already went through the whole group 😭 what can her ending actually be? Like ok she could just end up alone with her friends, her family but in my opinion her death would make sense. She would be with JJ and I think in general it is a good end for her.

Rafe like i mentioned is a complicated character, it would be so easy for the writers to just kill him off at the end. But I would be honestly so mad!!! Like no JJ and no Rafe 😭. Yeah I don’t want them to do that but at the same time, I think there’s definitely a possibility.

Sarah and John B definitely safe in my opinion.

Cleo and Pope- now I don’t know, I think they’re safe. Maybe Cleo.. but still I don’t think so.

Groff- definitely done for! ❤️ I hope Kiara tortures him to death 🥰

[inconspicuousdreamgirl]

Unpopular opinion but I don’t like Vickie as a love interest for Robin. Why? Let me explain

Every relationship in stranger things, Wether it be romantic or a platonic relationship, has been built and developed overtime and over the seasons. Almost every single character has a developed relationship or friendship with another character. But for robins love interest there is no build up at all.

Examples

- Nancy and Jonathan: their relationship has been developing since season 1 and over season 2 which led them to getting together. We see in season 1 and 2 how they built a relationship starting with a team up: friendship which grew and developed into a romantic relationship.

- hopper and Joyce : since season 1 they have built this relationship and paved the way for it since day one. Was it an easy process? No because the didn’t officially get together until season 4. But it was such a great development and build up, and because of this build up it feels more connected and more well written

Lucas and max: although the build up to their relationship was alot shorter compared to others, you can see how they started off as friends and developed over season 2 and this continues in season 3. For season 4 we see the aftermath of season 3 and how it affected their relationship, which put it at a halt. But over the season they developed their bond and relationship back and were able to reconnect.

Byler : although not canon there’s no denying that they have built the connection and relationship between mike and will over the seasons. If they become canon it will be well done and well developed for both characters, as we got to see both characters progress over the seasons and wether you think it’s platonic or romantic that’s your own interpretation but either way it’s still good relationship building and development.

There’s loads more relationships and friendships that have had this sort of build up and development over the seasons.

My main point is that Vickie only seemed to be only introduced as a love interest for robin and not much to her character and had practically nothing to do with season 4 at all. Instead of having her character develop a friendship which can evolve into a romantic relationship with Robin, they just gave a love interest that has no buildup or no connection.

Just to be Clear I ship Ronance so this might be biased but robin in season three barely knows Nancy and assumes what she is like. In season 4 both Nancy and robin seem tense when around eachother at first. But gradually this friendship between them develops over the seasons and we see an amazing connection form. This would be a perfect opportunity for a relationship to form, or atleast how it should be done.

For robins character they need to develop it rather than just give her an interest because otherwise it has no connection and is not interesting. I wish they atleast developed Vickie’s character differently so it would be a good ship, but it’s just lacking.

Note : this is just my opinion, but I feel they needed to write her character to be more involved. I think her character does have some potential. But maybe it’s just me but I found her character was way to similar in persona and in character to robin, so I struggle to ship them due to this and that there is no interesting development or moments between them. Maybe this will change in season 5 but I want robin to have a relationship that has pining, grows over time and has connections and build up!!!!

[bisexuallsokka]

“I was ready to fight for us. I was ready to find a way, any way for us to work. And you were the one who ran away when it got too hard!” “That’s not what happened and you know it!” Sokka snaps. “It was never going to work, and it was stupid to keep pretending otherwise! I’m sorry Zuko, I am, but just because you are the Fire Lord, just because we– we were in love, everything wasn’t going to magically fall into place.” Zuko still has a stubborn expression on his face. There are angry tears in his eyes when he says, “We could’ve figured it out. We could’ve…been us. We could’ve had a good life together.” “Yeah, well, I guess we won’t ever know.” (or, the twenty years between Zuko and Sokka breaking up and finally getting together again, shown in 5 times they don’t say goodbye, +1 time they don’t have to)

here is my divorced zukka fic that i have been working on for fifty million years <3 as I mention in the notes of the fic, i borrowed some iconic lines from some iconic fictional divorced couples that I am listing under the read more

Part one:

"We could’ve been us." - Good Omens season two

"We could’ve had a good life together" - Brokeback Mountain

Part two:

Everything from: “I just…maybe we should talk about,” Zuko gestures between the two of them, “this. I feel like there’s some things I wouldn't mind saying. And explaining.” to “We gave it a go” is adapted from a TomShiv moment in the last season of Succession.

Part three:

"Sometimes I miss you so much I can hardly stand it." - Brokeback Mountain

Part four:

"I love you" / "It’ll pass" - Fleabag 

"I love you" / "I know" - Empire Strikes Back

i'm a fool who didn't keep a list of everything i used as i went, so if you think i missed anything please let me know!! again i am in no way trying to pass these as my own lines

[sufferu]

Do you think Emilia suffer/may suffer from " Creator's Pet " syndrome? It seems to me she does fit two of them: Hated and despised by some fans Loved (or worshipped) by the writer(tappei),is his favorite

I think that’s her main problem, tbh — and honestly, it’s the only real writing critique that I have about Re:Zero as a whole. It doesn’t matter to me what other fans think about her character in this regard: that’s always like. A bit of a coin flip, who exactly is gonna become the widespread favorite or whipping boy. What matters to me is that Tappei 1) leans on what he seems to consider her inherent likability, often without actually justifying it to the audience, and 2) is terrified of actually making her unlikeable.

That first point first: Tappei tends to Assume that the audience likes Emilia just as much as he does, and because of this I feel like he doesn’t tend to lay the groundwork necessary to actually make that the case.

This is pretty subjective, I don’t have a whole lot of really objective moments to point to here, so someone else might think I’m totally off the mark — but I feel like sometimes we’re expected to believe that Emilia is some amazingly capable and talented person while the moments where she’s actually allowed to back it up are few and far between. Most of them are also — honestly really simple? And very much tied up in her being a super powerful fighter, instead of in her being intelligent, or quick-witted, or even in her being particularly empathetic. That last one works a LITTLE bit, because that’s basically the whole reason Subaru fell so hard for her, but even then I think I can count on one hand the number of times Emilia’s boundless kindness has actually earned her a powerful character moment/victory in the main storyline (first loop of Arc 1 + the reveal that she always stopped to help Plum, Lap Pillow Scene, Emilia’s conversation with Madelyn…?? Maybe there’s something in her conversation with Ram in Arc 4???) and otherwise it’s only really Referenced rather than Shown. And when that’s one of your LEAD CHARACTERS, it’s just not enough.

The second point, though, is the one that I actually consider more important: Emilia isn’t given enough moments where she’s allowed to be genuinely unlikeable.

The whole reason why Subaru is such a beloved character is because he’s allowed to be a fuck-up sometimes. He is allowed to fall, and fall HARD, and get raked through the coals so bad for it that you can still taste the blood three arcs later. Fuck, he’s allowed to fuck up so bad that he becomes the Reason so many people straight up dropped the first season. And that makes him interesting, and multifaceted, and it makes his good moments mean so much more. This is what I consider the Secret to good character writing: if you want the audience to like that character, give them moments where they are genuinely, unapologetically ugly. This is why Bakugou is the best character in BNHA (fight me): Bakugou is allowed to be UGLY.

And the thing is: Tappei doesn’t normally HAVE this problem. Ram comes off like she’s being a fucking asshole for basically no reason, Otto is a conniving little shit, Julius introduced himself by beating the everloving snot out of the then-self-insert character, Felt abandoned Subaru to get beaten bloody in an alley in her very first scene, Anastasia, Priscilla, and Crusch all had a moment where they basically spat in Subaru’s face (even if Anastasia was trying to help it was very much a Tough Love moment), Wilhelm basically caused the Astrea Family Circus, Rem gets all of Arc 7 to throw her very carefully constructed Waifu persona completely out the window — fuck, Subaru is the MAIN CHARACTER and Arc 3 is basically just “Subaru Cringe Compilation.” So when Emilia is basically the only character who isn’t allowed to be ugly — it stands out, and not in a good way.

We have had Emilia as the secondary lead for basically eight arcs at this point (six if you don’t count the Vollachia Saga), and — look, I’m not an Emilia hater, but can you really say that she has anywhere near as much depth as Subaru does, or even as much as some of the secondary characters? She just doesn’t, or if she does then it’s not adequately explored, and it’s because she’s not allowed to be Nasty sometimes. In fact — there is exactly one moment I can think of where she’s genuinely, unambiguously allowed to be in the wrong: Arc 4, when she runs away from everyone to hide from her responsibilities currently threatening to crush her and has to be found and chewed out by Subaru. And it is one of her BEST moments. Arc 4 in general is considered Emilia’s greatest arc so far, and it is BECAUSE she was allowed to have a moment where she was WRONG.

But Tappei has basically never given us another moment like that because he wants the audience to like her, and at some point it just — look, at some point the hand of the author becomes obvious. When you have basically every character Emilia meets talk about how much they like her and have That define her kindness more than any actual Moments on her part, when you refuse to make even the most vicious of characters dislike or talk shit about her despite everyone else getting a chance to earn someone else’s ire in some form or another, when you spend two whole arcs away from her and then immediately open back in on how amazing she is without even giving us a reminder about Why she’s supposed to be so amazing (having another character describe her as amazing doesn’t count) — it becomes too obvious that Tappei just Really Wants the audience to like Emilia, and at some point That Alone becomes aggravating enough to make people biased against her just on principle.

Anyway those are my thoughts lol. This is legit the only real criticism I, personally, have of the story — but I’d be lying if I said it didn’t aggravate me a LITTLE bit. I don’t want to like Emilia, I want to LOVE her — I want to love her as much as Tappei does — but she has to earn it like everyone else, and Tappei seems a little to adverse to actually letting her Do That.

[hunter470]

More 9-1-1 Ranting

I wish I could stop thinking about this show. I’m hoping once I get all my rants out I’ll be able to move forward. I’m definitely not watching anymore. The sad thing is I decided to drop the show after season 6. It was no longer bringing me joy. However, with the move to ABC, I gave it another shot. I still wasn’t sold but then on April 4th, which happens to be my birthday, we got the Buck/Tommy kiss and I was all in. Kinda wish now that I wouldn’t have watched those episodes. What a waste of great storytelling. Sadly, this is what happens when a show runner has no idea how to craft an overall season story and flies by the seat of his pants.

Anyway, I’m just gonna say I don’t believe or trust anyone connected to this show, especially TM. I’m sorry but that man has no idea how to write or run a show about relationships…and yes, this show is just a soap opera with firefighters. Everything is just a plot point that he thinks will be cool but has no interest or idea how to actually make it work. There’s minimal or no follow through on stories and no understanding of how time works or how people actually share things about their lives based on the latest Abby fiasco. I mean really, she was engaged to a firefighter from the 118 and then dates another firefighter from the 118 and she says nothing? SMDH

It really doesn’t matter anyway because people will continue to watch and that will be the green light for him to keep doing what he does. I wouldn’t be surprised if the ratings for this week’s episode go up. TM blows up Buck/Tommy making people feel bad for Buck and wanting to see how he handles it and poof, engagement and viewers. Exactly why he did it. TM’s all about ratings and doesn’t care how he gets them. Don’t fool yourself otherwise. It’s show business not show friends.

Oh, and don’t forget, he’s also trying to launch a spinoff so he has to prove to the network that he deserves one. Also, don’t forget, the audience is just a means to an end. That’s all. Maybe I’m cynical, but doesn’t make me wrong. They’re selling a product and need viewers to keep making money. Again, it’s show business.

Nothing will change because people will keep watching and ultimately, that’s the only thing that matters to the network.

Rant over!

[jthealien]

To key or not to key, that is the question. (Aka I wanted to put my two cents into the “Buddy is a key” theory since Book of Deacon had more people talking about it, for good reason.)

So what do I think? Uh. Well. It’s complicated. I’ll try to keep this organized, but man do I love tangents.

TLDR: Buddy’s not a key, not not a key, but a secret third thing.

First off, Book of Deacon established some pretty major things, specifically that keys can go into books and what keys look like inside of books. I’ll focus on the latter for a bit.

While much more human looking, Silver still retains a lot of her key (ha.) features: partially gray skin, gem eyes, a general sparkliness.

She’s so shiny :D

I’m going to make an assumption that most of those traits (especially the first two) apply to the other keys’ human forms.

And Buddy? Well he doesn’t have any of those. There’s absolutely zero color on that guy that isn’t #FFFFFF, and while his eyes do kind of stare into your soul — they also look like normal human ones.

But we do know that keys can make minor appearance changes to their users. Considering skin modifications like tattoos are possible, who’s to say any key-like features could just be covered up? It hasn’t been stated otherwise, so that can’t be discounted as an option.

But, in Dreams by Night (it’s not one of my rants without me bringing up that episode) we get our first — and to date, only — actual glimpse of Buddy that isn’t in a book or dream.

From what we see of his ear, it doesn’t look very key like. Silver’s ear had some of her key skin tone, so if Buddy was a key, his ear would be a different color as well. It isn’t, though.

But, hypothetically: if Buddy was a key, what key would he be?

I’m almost certain the answer is Violet.

I’ve pointed this out before, but they look really similar. Like, down to the eye color, eye shape, and weird little smirk.

It’s likely not a coincidence. I can’t really think of a reason why Violet would make any other key look like a more masculine version of herself — or if that’s even possible for her to do.

So yeah, he’d be Violet. (I’ll get into the implications of that later because oh boy.)

If that's the case though, can keys put themselves into books? I mean, maybe?? But I feel like that wouldn’t work. Another reason why I don’t really believe that Buddy is a key.

But I can’t ignore that there’s definitely details that’d be explained by it.

That thing around Buddy’s neck in his dream? Other people have pointed out that it kinda looks like a keyring. And yeah, it really does. I’m not quite sure what else it’d be.

How does Buddy know every detail of every story Chase goes into? Keys have that ability.

Why doesn’t Buddy like water? Well, metals can rust.

There’s another thing I can’t bring up because the episode is in fastpass jail as I’m writing this. But it deals with keys not enjoying being stuck as keys with the keyring. (Other fastpassers know what I’m referring to, I think).

All that being said, I’m going to go over some possibilities. Kind of in order from how little to how much I believe them

1. Buddy is a key, but not Violet

It’s not impossible, but I’ve already mentioned the reasons I’m convinced that if he were a key, he’d be Violet. So I’m going to write this one off for now.

Well uh, I would if it weren’t for Chekov’s Gun (or I guess Chekov’s Keyple, in this case).

Why would Punko use a whole episode to establish that keys can use other keys for books, if that wasn’t going to come up again in some way? I suspect that payoff is going to happen this season. Otherwise, it’d make more sense to introduce this detail later.

Unless the focus isn’t meant to be on that ability of the keys, but rather what the keys look like. In a way this might be meant to prove Buddy couldn’t be a key.

But, for the most part, I believe this option the least.

2. Buddy is a key, and Buddy is Violet

I don’t really think this one is true, but it might be my favorite just for the pure symbolism and potential. I might make an AU about it tbh.

Them being one in the same would be the simplest(?) explanation as to why they look so similar.

It’d also mean, technically, Buddy/Violet is in some way trans. Besides me just thinking that’d be neat (source: I’m trans), it’d also have some fascinating story implications.

Like, Buddy has some pretty heavy identity issues, what with him thinking he has to fit the role of the villain, because he doesn't know how to act outside of that. Chase then shows him he can be more than the expectations placed on him by others. Buddy being transmasc would defensively fit into this too.

It also fits with the story’s themes of breaking conventions. We already see that with Chase and Buddy’s having two keys of the four keys that are gendered — and also the only two specifically stated to be for a female role. What else would be a bigger upheaval of conventions, though, than for the personification of the villainess role to actually be a man?

There could definitely be something there too, of Buddy feeling trapped in the wrong body by resenting being a key.

Do I think the story will go down this route? Eh, probably not. But it’s fun to think about! (I think that’s how I’d describe the whole “Buddy is a key theory” in general).

In terms of evidence against this, barring what I’ve already talked about, there’s one thing. However it's in a fastpass episode, and I’m hesitant to say anything about it because I’d feel really really bad for spoiling anything. It's not that major, but I’m going to be on the safe side. Just take my word that it’s pretty solid proof Buddy and Violet are not the same person. (It’s from that scene in ep. 53, if anybody wanted to know.)

Side Note: This section might be the best place to add this, but the name Violet comes from the Latin ‘Viola’. The most well known use of this name is the main character in Shakespeare’s Twelfth Night. She spends the majority of the play disguised as a man to work for a duke and ends up falling in love with him. Not trying to say this is how it’ll work in Cinderella Boy, but I just think it’s interesting.

Anyway, the next and last option.

3. Buddy is not a key, Buddy is not Violet, but is related to her in some other way

Somehow the theory I believe the most in is the one I’m the least sure how to explain, lmao.

Based on everything I’ve said, I’m pretty sure Buddy is a human. At least from a narrative standpoint it’d make the most sense, because Chase dating one of the keys just seems kind of… weird? (But maybe liking keys runs in the Hollow family, who knows.)

If Buddy was a key, then the other keys would be his family. He really just doesn’t talk about them like that, though. In Rules of Engagement II, he calls Silver “it” and “your key”, and I just don’t think the keys would do that to each other.

So, my other explanation as to why Buddy and Violet look similar is that Buddy is partially a key. How? Why? Great questions because I also don’t know. The closest answers I have are almost purely speculation.

Maybe Violet is Buddy’s mom?? Walk with me here.

By mom I mean like, some kind of magic was used to either create a human version of Violet or infuse some of her powers into a human.

It would account for their positive relationship, considering she’s willing to make Buddy pretty outfits. It’d also explain why Buddy has a lot of attributes of a key (omniscient knowledge of a book, needing to see the story to completion, etc), and make all the key symbolism around him more metaphorical.

Unless she is literally his mom. (Don’t ask me how that’d work because again I don’t know.) In All That Glitters III he hesitates before he says his key did his hair.

Assuming that Violet actually was involved and he didn’t do his hair himself, what was he going to call her? Mom? Sister? Second cousin once removed? Friend? Maybe after his and Chase’s little talk at the end of Beach Boys he realized “oh yeah Violet would be a familial figure/friend.” I’m not sure, but I thought I’d bring it up.

As for the ‘why’ — perhaps Ex Libris wanted someone who is like a key but can also gather Narratonin. Yknow, for efficiency or something.

It’d tie back into Buddy’s identity issues, too. Because yeah I’d also be pretty messed up if I was created for a specific purpose that my entire worth hinges upon. I’d also be really pissed if Some Guy chose to just waltz into the stories, chose to deviate from the plots, chose to gather Narratonin — when I’ve never had those choices.

Case in point, I think this option is the most likely because I really don’t believe Buddy is a key. But I also don’t believe Buddy is completely unrelated to Violet.

[physalian]

A Guide to Productive Filler

I was going to write this post about the wonders of fanfic and how it does not do the “forced miscommunication for cheap drama” trope, and it did not stay that post for long.

I’m sure it’s out there, but it’s not saturated in the most popular fics and I think I know why: Fanfic exists in contrast to the established canon, and the canon has forced miscommunication, thus fanfic looks at the perpetual failure of those plotlines and ignores it.

Nobody likes this trope, yet it keeps happening. In TV, at least in the old days when we had full seasons with appropriate and satisfying filler episodes and actual good stories and such (you know, before Disney +) TV shows were contracted to fill a minimum number of episodes and didn’t always have enough content to fill it, especially CW shows.

Enter filler episodes, which, when productive, still entertained the audience with off-beat side quests or gave more screen time to beloved side characters or explored more of the world and the lore. Filler plots meant that you could casually check in on your favorite show once a week, or miss an episode, and not feel completely lost because the plot wasn’t super tight and lean. Some of my favorite episodes of all my favorite TV shows are filler plots and just because they’re “filler,” as in, not a plot-heavy element to advance the narrative, doesn’t mean they were lacking in story.

That was good writing.

Bad filler elements were sh*t like forced miscommunication for cheap drama and it still exists even in the “mini series” that are really just long movies extended to keep people from canceling their subscriptions. TV shows may have one or two head writers, but they’re still written by committee and producers and production companies trying to milk as much from a profitable product as possible, which means they couldn’t write an efficient, epic romance that ended too quickly. They had to faff about for a few seasons before delivering to keep butts on couches tuning in to generate sweet, sweet ad revenue.

Forced miscommunication in TV shows have always made sense in that light. Yeah it’s a product of bad writing, but I can’t point at the head writer or even the staff writer alone and criticize their writing ability because it likely wasn’t their decision.

Forced miscommunication in books, however—that I have no excuse for. Books aren’t written by committee. In this case, I really can just blame the author for their bad choices, which, in turn, maybe came from their favorite TV shows and how they executed similar plot lines.

Fanfic does not do this, usually. It’s not written by committee and has no quota to fulfill to beef up the narrative with extra chapters.

—

So. You want your story to be longer, fanfic or otherwise, but you’re struggling because your plot is too thin and you don’t know where to go from here.

First, a disclaimer: Novellas exist and can be as short as they need to be.

“If I had more time, I would have written a shorter letter,” means that  just because it’s long doesn’t mean every word serves a purpose. With enough time, the writer can trim down their thoughts for conciseness and clarity, and say the same thing with better impact with less beating around the bush.

So just because it’s short doesn’t make it bad, just because it’s long doesn’t make it good. It’s about what you do with the words you’ve written.

However, if it really is a thin story lacking substance and oomph, here’s some suggestions that are not sh*t like “forced miscommunication”. These are not meant for generalized application and should be considered heavily before implementing, because any one of them can change your book for the worse by adding in unnecessary detail that distracts from the main story.

1. Consider multiple narrators

Now. I just read a rather bad book that could have lost about ⅔ of its story for a variety of reasons and told the same story in a fraction of the page count. One of those issues was giving the villain several POVs that ruined the suspense and the tension because the reader became privy to their grand plan long before the protagonist and instead of having all our questions dying to be answered with the protagonist, we were waiting around for them to stop fooling around and figure it out already.

With that said, if you have a character of second importance to the protagonist whose perspective would benefit and enrich the story, consider giving them POVs to explore either when the protagonist couldn’t be present, or in contrast to the main narrator’s thoughts on the story and conflict.

I’ve never written anything without multiple POVs and still get carried away sometimes just trying to fill in all the missing time that didn’t add enough to the story to make it worth it. I have deleted POVs from ENNS that were better left up to audience interpretation then all laid out on the table.

This technique very much necessitates restraint, but giving your foil character, your deuteragonist, even your villain some narration “screen time” might help you beef up your word count and tell more than just one biased side of the same story. Fanfic tends to be very efficient with this because, again, one writer working for free tends to want to be efficient and not give pages upon pages of useless prose.

2. Side-quests and character studies

My all time favorite filler episode of any TV show is LOST’s “The Constant”. It focuses entirely on the side character Desmond. He’s an unwilling time-traveler and throughout season 4, struggles to control his temporal displacement and risks dying if he can’t find a “constant” to anchor him to the correct timeline.

This episode is often praised as one of, if not the show’s finest hour. Desmond spends most of the runtime flipping erratically between the past and the present as his romantic relationship spirals for other plot reasons. He ends up making his “constant” his fraught relationship and is able to revert to the past with knowledge of the future to get his then-ex girlfriend’s new phone number so he can call her at an exact date in the future to prove he won’t have given up on them. When Des finally makes that call 8 years later, it’s so emotional, so full of catharsis, so exciting to see him finally reach her after struggling since we met him.

And it has absolutely nothing to do with the plot at large, only Desmond’s arc. It explores some of the world’s lore but doesn’t answer any of the main plot questions or progress any other major character, and Des is the only time traveler so all the risk surrounding time travel is only for him. Critically, it still adheres to the themes of the show and fulfills much of the promises of this character’s role in it.

The show’s worst episode, “Stranger in a Strange Land,” is also filler about protagonist Jack’s tattoos. He makes a relationship with a woman nobody cares about and spends the entirety of the episode’s flashbacks, which is most of the episode’s runtime, dicking around in Thailand. With this quasi-wise woman’s tattoo techniques. Nobody cares what they mean, they didn’t connect with the themes of the show, didn’t tell us anything substantial about Jack or the world, lore, or story, and just felt like a massive waste of time.

If you’re going to write side quests, be more like “The Constant” and less like “Stranger in a Strange Land”. 

3. “Slice of Life” moments

A repeat of referencing this scene and this movie but I don’t care: “Doc Racing” from Cars is just one example. Adding in scenes like these won’t give you tens of thousands of words, but maybe you only need a couple hundred to feel satisfied.

Slice of life moments slow the pacing down, so place them wisely, and just let your characters be people in their world. Small things, human things. In Cars, it’s an old man letting himself enjoy life again when he thinks nobody’s watching. I have a scene in my sci-fi WIP series where two brothers, plagued by their family’s social status, take a drive and pick up greasy drive-thru food to park on a mountain overlook and just watch the city while licking salt off their fingers. I think Across the Spiderverse is about 20 minutes too long, but that scene of Miles and Gwen upside down on the roof before the plot ramps up is another quiet, human moment.

It could be a character who needs a break from the breakneck speed of the plot and the stress to listen to music, walk away from the project and enjoy the sun, anything. Do try to not get overly pretentious trying to make it super metaphorical and poetic, let the audience do it for you. These quiet scenes could end up being the audience’s favorite.

—

If you’re trying to make your book longer, don’t be like Bilbo Baggins, okay? Don’t let your characters be spread thin, like butter scraped over too much bread. Add, don’t stretch. If the romance is on track to come together sooner, let it, or figure out a more meaningful way to delay it than throwing in a dumb argument that won’t mean anything in 20 pages anyway.

This wasn’t an exhaustive list, just what I think could be the most effective with the widest applications across genres.

[justminawrites]

None of you understand Amber Bennett: She's just a girl, your honour. A review of the show writers' least favourite love story from Invincible season 1.

Now let me just preface this by saying I have 2 points to make. Just two, very long, super rambly points that does have mild spoilers for Invincible season 2. Read at your own risk.

Point 1: Amber isn't "understanding" enough is utter bullshit.

There’s no indication that civilians outside of the ones associated with the GDA have any idea how brutal fights are for superheroes. Amber quite literally has no idea what the hell Mark is going through, even after the superhero reveal. The only thing she has a smidgeon of understanding of is his dad beating his ass on live TV. And even that is a heavy maybe because we don’t know how much of the fight the cameras could cover and how much was broadcast to the general public. 

Point 2: Amber’s dated Losers before.

This is stated explicitly in canon, she's “been down that road." Furthermore, she’s also the daughter of a single-parent household. She used to hang out a community centre as a kid because her mom did late hours. Daddy Issues anyone? She’s got a lot of her own problems that we never get to unpack or linger on because the writing decided she wasn’t going to end up with Mark. 

What if she’d already dated an absolute bastard before Mark? Someone who seemed sweet and genuine at first, but then he started slacking. He’d be late to dates, stop taking an interest in anything she did, and just never show up for her in any way that mattered. Amber would make up excuses with her friends and family, oh he’s busy, he’s studying; he cares, I swear, he just has a strange way of showing it. 

Her friends and family don’t believe her completely but they humor her because she really seems to like him. And the ex-boyfriend isn’t a douchebag the whole time.. he brings gifts to make up for being late, he plies and pacifies her with honeyed words and promises to be better.

But each time the lies get more and more difficult to believe. Traffic and science projects, traffic and science projects, even when he shows up smelling like weed and alcohol. Her friends and family give her tight-lipped smiles when her ex-boyfriend gives her sloppy kisses and proclaims over and over “She’s too good for me, this one.”

She tries to be empathetic, she tries to be understanding when they’re alone, he can tell her what it is that’s wrong. But every-time she brings up giving them some space, he takes it as an indication of her not believing him and he guilts her with one sob story or another— she knows him, he was so gentle and respectful before they started dating, does she really think he’d do this to her if he didn’t have a good reason? Just a masterclass in gaslighting. So she gives him a second chance, third chance, fourth even. 

But then he begins cheating on her. Whenever she confronts him about it, he plays victim and accuses her of being “crazy” even though the entire school knows otherwise. She catches him one fine day, and dumps him on the spot. For a short while, Amber’s very proud of this but as time passes she starts to feel extremely embarrassed that it took that long for her to catch on. 

No one blames her, of course, but they all say something along the lines of “We never liked him anyway” which makes Amber doubt the perception of him she had. She internalises their support as a failing on her part to be vigilant, she didn’t want to end up making the same mistakes as her mom, after all. 

Amber becomes guarded. She doesn’t entertain male attention (from Todd, for example) but then she finds out resident wimp Mark Grayson takes a beating for her and she feels bad. 

So she gives him a chance. Mark was a nonissue, a nobody with no track record of being amazing or awful, just an in-between, normal guy who was maybe a little soft spoken and needed to stand up for himself more. 

But every time they try to hang out, something comes in between them. The excuses are laughably obvious this time and Amber is caught between trying to understand if Mark Grayson is trying to let her down easy because he’s not interested or if he’s just another douchebag taking her for a ride. 

He leaves her alone during their study date for an hour to do something shady and/or potentially related to Eve (I know she overheard him yelling at Cecil in his bedroom); Mark tells her he’s been to Mount Everest, but can’t tell her How he got there, and leaves on a non-specific trip for two weeks, right after their first date, and can’t even tell her Where he’s going or what he did when he was there?

So she does what she’d wished she’d done in her first relationship, she sets her boundaries. Firmly. She gives Mark multiple chances to come clean when she tells him she’s not riding that wave again. It’s been brought up a few times that Amber has lingering relationship-trauma.

During their study date Amber tells him she’s been in relationships with violent potentially abusive guys (“Met plenty of guys who were willing to throw a punch for me.”); or when he stands her up for the Dinner with her mom she tells him that he needs to make a choice because she’s “Been down this road before, and once was enough.”

But he still keeps at it and she starts getting tired of defending him to her friends and her mom. He’s just busy, he’s just studying; he cares, I swear, he just has a strange way of showing it. And this time they shake their heads and lightly imply that she’s stuck in a pattern. Amber can feel them comparing Mark to her old boyfriend and it all becomes a bit too much. 

Either he’s a no good drug dealing prick or he’s just wasting her time, whatever it is, Amber’s had enough of being left in the dark. 

The soup kitchen is the final straw, but then she finds out that he gets run over by a bus. He actually gets hurt, this is the first time Amber’s seen him hurt, and she feels awful because if she hadn’t pushed him to show up for her again and again maybe he would’ve been more careful. 

He doesn’t let her visit him in the hospital. A hit and run on the wrong side of town was the story this time— he can’t even tell her this, the specifics of his accident! Eve was his first point of contact after his parents?! At this point Amber is convinced that he’s involved in something violent or something to do with Eve, or both and she’s not sure she wants to keep going with this. 

Amber is confused and hurt but she also feels responsible for Mark’s injuries. Maybe she Was too paranoid, maybe she Was projecting all her relationship-trauma on him and he would tell her what happened at his own pace. So she backtracks, gives him another chance.

College is really the best of all worlds, Mark makes her promises that this time will be different, and Amber tentatively agrees to college together. (She’s still stressed out about his injuries and on edge the whole time though and asks if he has a concussion). 

This is really important because Amber ends up at Upstate U later. She decided to go to college with him, basically because of Him. This wasn’t any specific plan she had before, this was her making room in her life for this boy and potentially everything their lives could be together. 

Then the Reanimen Incident happens. And she loses her shit. Mark Grayson is not the flakey but well-intentioned boyfriend she thought he was.. Mark Grayson is not even a good person! He LEFT her and William at the drop of a hat to save his own slimy skin, that bastard! Her intuition was right, she never should’ve given him a chance. 

Amber was no longer going to give Mark Grayson the time of day, much less share a bed with the self-serving jerk; she wouldn’t give him the satisfaction of spinning another tall tale. Or seeing her cry. She closes the door to the shower rooms behind her, and overhears Rick leaving to get them all some beer. Dorm room walls are thin, after all.

Then she hears something else.

“You’re Invincible!” William’s voice carries over excitedly, “And you never told me?”

Here goes the "problematic" bit.

I think Amber was lying when she told Mark she knew he was Invincible weeks ago. Amber didn’t even know who Invincible was until a few minutes after the Reanimen attack. She isn’t acting for anyone around her, she’s genuinely confused when the superhero jets off because she’s never seen him in her life. 

I think she overheard William freaking out about it in the dorm room and she pieced together Mark’s absences with his vague excuses and why couldn’t visit him at the hospital. She takes a shower to cool off but sitting and stewing on all of it just makes her angrier and she decides to go to the frat party just to get away from Mark for a while. 

Now why wouldn’t she just tell him she overheard them talking? 

Amber is an assertive independent character with a lot of pride. And that’s not a bad thing. Amber has a lot to be proud of. She has a strong sense of justice, she doesn’t take crap from anyone and she has too much self-worth to put up with liars. 

You can clearly see this in the way she approaches Mark in the beginning. She asks William if he’s dating Eve, and then instead of calling him herself, she gets Todd to give Mark her number so he can call her if he’s interested, despite the fact that she already is. She has too much pride to chase him. It’s one of her fixed flaws, and it’s consistent to her character. 

So finding out that Mark is actually Invincible almost by accident, is kind of embarrassing for Amber. Not only because she yelled at him for disappearing but for all the times he misled her and lied to her only to actually have a good reason for doing it. There’s a lot of mixed emotions there, shame, guilt, concern. Guilt.

Admitting that she overheard he was Invincible would be like admitting she was a stupid, nagging girlfriend who had no right to be a part of his life (the way the fandom perceives her) so she doesn’t. She tries to distract herself with the party, flirts with someone she just met not ten minutes ago, and feels awful because he immediately drops the girlfriend bomb. 

Now she’s forced to confront the fact that she has a boyfriend, and her flakey, well-intentioned superhero boyfriend is sitting and moping in the dorm room because she doesn’t have the guts to tell him she knows. Because telling him she knows would remove the choice he’d need to make when deciding whether or not he was serious about their relationship.

Amber was serious, Amber was going to change her life and potentially open her future to college with him, but was Mark really sure about Them if he couldn’t even tell her of his own accord? 

Telling him would be like giving him another out. And Amber was done giving him an out. 

When he finally confesses he doesn’t see why she’s mad at him, because he doesn’t see her at all. He can’t even begin to imagine what this roller coaster of a weekend has been for her because she’s been serious about him all this time and it took them breaking up completely for Mark to choose her back in the first place and go all in. 

Now it’s true that Mark is entitled to his secrets but Amber is also entitled to being upset that he can’t tell her 1 solid thing about his life. Not one thing does he trust her enough to explain, and at that point why should they even be dating each other? Why should she change the course of her future for a guy who can’t tell her where he was last weekend?

Then Omni-man beats him up on live TV, and now that she knows that he’s Invincible, she finally gets a glimpse into the bloody, gruesome world that is Mark’s. His Dad isn’t a superhero, his Dad is a Monster, and Mark is discovering this the same time as the rest of the world.

So she freaks out because she cares, and she’s so relieved to see him not beat to a bloody pulp like on TV that she kisses him. She likely had no intention of getting back together with him before that, but world-ending fiascos often come with heightened emotions, and they’re just kids at the end of the day. 

She’s not a manipulative, narcissistic villain, she’s just a proud girl, in love with a boy who can’t decided whether or not he loves her back. 

Now do I think Mark is a terrible jerk who doesn’t deserve Amber? No. I watched Invincible the same way it was intended, almost entirely through Mark’s eyes, and it’s hard to assign blame in this case because we see how horrifying and traumatic being a superhero actually is. But that’s the point, we only see one half of the story. 

We see Amber through Mark’s eyes and in his opinion she could afford to be more compassionate to his excuses the moment she finds out he’s a hero, the way Eve can, but that’s not true at all because Amber has no idea what being a hero is like. Eve does, and that’s the difference that Mark is wilfully blind to. 

But Mark also has no idea what Amber’s life is like and it’s easy to get lost in the sea of all the lives lost and villains fought, that he genuinely hasn’t spent any time with his girlfriend as a person beyond his Girlfriend. Amber isn’t a person to him, like William stopped being eventually; they became sort of tethers to Mark’s humanity, a way to distinguish himself from his Dad. A way to ground him. 

Seriously? When was the last time Mark even talked to William, his once Best Friend? They’re not his Mom, they’re concepts to him. They’re civilians, potential victims he could end up losing if he doesn’t police himself and his powers. Mark slowly becomes disillusioned to his own life as a human, the more the leans into the Viltrumite half of his parentage. 

It’s a little tragic but it’s the story we’re seeing. In season 2, when Mark and Amber break up and he gives up his dream for college, these two things are almost explicitly correlated. Mark is coming to terms with the fact that he’s going to outlive everyone he knows, even his new baby brother and that is just the most chaotic example of a slow-burn trauma if I’ve ever seen one. He’s giving up being human, but maybe not giving up his humanity. 

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TLDR: None of you understand Amber Bennett because the writers decided that Mark would outlive her before he ever had the chance to see things from her perspective and I am SALTY about it