#matches i loved 1996

[solarsonicsoda]

Rebbie's Wrestling Reviews - Matches I Loved

Rey Misterio Jr. def. Psychosis by pinfall at WCW Bash at the Beach 1996 in 15:18 (7/7/96)

Super lucha stuff when its in full swing. Even with how common so many of the moves here are today, they feel absolutely wild and exciting in this one! It slows down a lot in the middle whilst keeping a good and interesting flow, but the hot start and finish are where this one truly comes to life! Speed and energy overflowing!!!

[royaltea000]

I like the human actors a lot too! (I say as if the actors weren’t initially human)

[star-mum]

i need a spooky theme now that we're in spooky season, PLEASE SOUND OFF CAUSE I HAVE NO IDEA

[loveyouprongs]

did my heart love till now?

remus lupin x fem!reader | she’s a hopeless romantic who loves halloween. he loves her. or at least he very, very, strongly likes her in a way he’s never liked anyone else. enough to wear matching costumes

upcoming content: fluff! mentions of alcohol. lmk if you think i missed anything

authors note: i hope you like this! romeo & juliet is my favorite play and the 1996 film is my favorite movie! and remus is my favorite boy :’)!

word count: 2k

masterlist

remus had been staring at himself in the mirror for so long his reflection was starting to blur, like a watercolor painting made up of the soft brown of his hair, his pale complexion, and shining silver. he felt like a fool. “a lovesick fool,” james would say, but in this moment, he just felt like a fool. period.

“hey moony, have you decided what you’re going to be for halloween yet?” sirius asked as soon as he and james barged into their shared apartment. remus tore his gaze from his book at the sound of his best friend’s unnatural sounding greeting, loud and jilted as if he’d been practicing it.

“…no, wh-“

“well look no further!” james very enthusiastically exclaimed, pulling a brown bag out from behind his back which promptly fell to the ground, the contents now hanging between him and sirius. it was a knights armor. metal shoulder pads atop a slinky silver long sleeve top with chains resting across the chest.

“what the fuck is that?”

“your halloween costume!” james said as if it were obvious.

remus could do nothing but look at his two friends, who he cared for very deeply, as if they were right idiots.

“don’t you get it?” sirius asked, “it’s romeo!”

remus then felt his face red, heat rising to his cheeks all the way to his ears and he knew he couldn’t play dumb to get out of this.

last week at dinner you had said that you were planning on dressing as juliet for halloween. “from the movie of course!”

“isn’t that part of a couples costume?” marlene asked, “are you bringing a mystery man with you to my party?”

at that, remus tensed, his shoulders instinctively rising to his ears and his heart quickened waiting for your response. he hung out with you pretty much every day, you’re tight knit friend group always sharing at least one meal together. he felt like he would know if you had a boyfriend, but he was still feeling queasy waiting for your answer.

“no mystery men with me! i guess it could be a couple’s costume, but it’s so pretty, i don’t mind doing it solo.”

remus felt his body relax and continued to pick at his food, stealing glances at you whenever he could, missing the mischievous looks being traded between james and sirius.

“i am not wearing that,” remus said resolutely.

“why not? girls love this stuff!” sirius responded, tossing the costume on remus’ lap. he refused to touch it, as if any sign that he openly had feelings for you would somehow come back to bite him in the ass. it rested on his legs like an anchor.

“you want me to surprise her with a matching costume? that’s pathetic.”

“it’s sweet!” james stressed.

“yeah, and she’s always so heart eyed over that gooey romance shit, you show up in this and she’ll be begging for it!”

sirius’ crude comments was met with a smack in the head from james and an unimpressed stare from remus.

“remus, i’m telling you, this is a perfect idea! she’s single and dressing as one half of the greatest couples in history, if you show up as the other half, oh it’ll be like straight out of the pictures!” james swooned. remus felt his heart soften at his overdramatic friend, who he knew was just trying to help him be happy, but his nerves overpowered any convincing.

“you do know they both die at the end, right? kill themselves, even. not sure that’s a message i want to send.” remus muttered, standing up from the couch to go to his room, tired of his friend’s antics.

“you’ll never get a date by just staring at her, mate!” james called out, “and she’s well fit, too! you’re time is running out and you know it!” sirius added as remus walked down the hall, the metal costume in tow, only to be shoved in his closet.

but as halloween inched closer and his feelings for you only grew stronger, james and sirius’ words echoed in his head. he could never get the thought of your soft voice and sweet smile out of his mind, he liked you. so much.

you were always the one who kept listening to him when whatever he was saying was drowned out by the group. always spoke to him in dulcet tones, especially when you felt he had a headache. you were smart and funny and kind, not to mention beautiful. beautiful in a way that reminded him of the princesses and angels he would read about in books when he was a child. soft and warm, a glow seemingly always emanating from your figure.

remus would be content with just looking at you for the rest of his life, he thinks (deep down in the back of his brain, terrified of the strength of his own feelings) but it would be nice to do it without the feat of getting caught by your stare, or his friends taking the mick out of him afterwards.

so here he stood, his torso slightly weighed down by the heavy detailing, but it fit him well nonetheless. it was almost time for them to leave for marlene’s and remus could hear his friends in the living room. he had to make a decision soon.

“y’coming, moony?” james asked through the door.

remus took a deep breath, biting off a square of chocolate. he could do this. it was halloween! you’re supposed to be in a costume. and the film was popular enough, he figured, that he could play it off as a coincidence if things went south.

“…yeah, i’m coming.” he stepped out the door and walked down the hall, rolling his eyes at james’ loud gasp.

“oh my god you’re wearing it!” james practically screeched.

“don’t make me change my mind.”

“oh remus, you’re so handsome!” sirius teased in a high pitched voice, “please be my romeo!”

“for it is the east, and juliet is the sun!” james recited.

“that’s it, i’m changing!” remus exclaimed, only to be dragged back by his waist and walked out the door.

remus was hit by the noise of the party as soon as marlene swung the door open. her eyes trailed down james’ superhero outfit, sirius dressed as patrick bateman, and then remus, her face exploding in an open mouth smile. “reeeeemussss!!!!” she squealed, clearly already on her way to drunk, “you’re such a sweetheart!” she cooed, remus’ cheeks reddening more than he thought possible.

“isn’t he just? now let us in marls, it’s fucking freezing out here!” sirius said, and with a pat on the back, he and james were emerged in the crowd.

“she isn’t here yet, remus, but oh my god she’s going to love it,”

as the night went on remus had practically glued himself to marlene’s increasingly wasted side all night, no sign of james or sirius (who he would bet money are upstairs with dates, or each other), and more importantly no sign of you. he was feeling more foolish by the minute, the metal top growing uncomfortable against his sweaty skin.

disappointed was pooling in his stomach as marlene was nodding off on his shoulder, or so he thought, but he was brought out of his thoughts when a loud yelp escaped her. “you’re here! finally!”

marlene jumped up and stumbled over to a vision in white. flowing silk draped over your body, delicate, feathered wings pinned to your back. excess fabric tied around your waist, framing you beautifully. stunningly. remus felt like he was having an out of body experience, watching himself stand frozen in the middle of the living room, mouth slightly agape, willing himself to do anything other than stare.

“REEEEMUS LOOK! LOOK WHO IT IS!” marlene shout-whispered, shoving you towards him.

you felt your breath escape you at the sight. remus, tall and sweet, looking down at you, his tussled hair dancing across his forehead and his long fingers reached up to brush it out of his eyes, hand trembling. you weren’t fully convinced you weren’t dreaming.

“she, she’s pretty out of it,” he spoke softly, referring to marlene who was now dancing with a lamp.

“y-you look, i-i really like your costume, obviously” you murmured, fiddling with your hands, resisting the urge to run your hand down his sculpted cheeks.

ever since you met him, you believed remus was one of the most beautiful people you’ve ever seen. and then once you got to know him, got to experience first hand his limitless kindness, his witty remarks that always put the boys teasing to shame, and his rare barking laugh that only comes out when he finds something really funny (you elicited it from him once and have spent forever chasing that high).

all your friends said he had a thing for you. that he was always staring at you with soft, hooded eyes, move his plans around for you whenever you asked to study together, rest his jacket on the seat next to him so it would appear taken so no one else would sit down it it until you came.

but you were both famously mild-mannered, shy to a fault, and your feelings never rose to the surface, but the same couldn’t be said for right now.

“oh, thank you,” remus responded, “i thought it would be nice if we could match.”

a giggle escaped you at that and you looked down, unable to meet his eye, you both wearing twin smiles.

absolutely thrilled with your reaction, remus bent his body in half, tilting his head up to catch your gaze, eyes filled with hope, “what’d y’think?”

“i think you look very dashing, rem, i didn’t know you were a shakespeare fan.”

“hmm, not so much,” with a deep breath he let out, “i’m a fan of you, though”

the neon lights flashing over you both contributed to the bubble you found yourselves in. the rowdy guests nothing but white noise as you felt your heart pound against your chest over the soft spoken boy.

“really?” it slipped out. deep seeded insecurity worming it’s way to the forefront as you were positively overwhelmed with confronting your feelings… and that who you had them for.

remus’ heart splintered a little at your warbling ask, “yes” he let out, easy as breathing, “of course.” he placed a large hand on your shoulder, his thumb dancing on the edge of your collarbone.

“i’m a fan of you, too. more than anyone else,” you whispered with a step closer, your white ballet flats lightly knocking against the tips of his black boots, the space between you dwindling.

“aren’t i lucky,” remus murmured wistfully, “to have an angel say that about me”

with that you couldn’t take it anymore and pressed your lips to his, immediately getting lost in the sparks. unsure of what to do with your arms, you awkwardly placed them on remus’ forearms, as if you were holding him still in place. he smiled against your lips, the breath escaping from his chuckle dancing across your face as he lightly dragged your hands up his chest to rest on his shoulders.

you melted as he pulled you in, you gasped as he ran his tongue against your bottom lip, you chased after his lips when he pulled away with a stuttering breath. “y’have to give me a minute angel, or m’heart’s going to give out,”

you giggled, knowing exactly how he felt as he tucked his face into your neck.

“oi oi, c’mon lupin! what did i tell ya! i knew you could do it!” sirius shouted from across the room, thrusting his cup in the air in congratulations.

“oh christ,” remus muttered, his annoyance dissipating with your laugh.

“you are a lover, moony! borrow *hic* cupid's wings and soar with *hic* them above common ground!” james, although very drunk and hiccuping, recited.

all remus could do was roll his eyes, he had everything he wanted right in front of him. after he was done kissing you until the sun came up (and a little bit more after that), he could figure out when the fuck james seemingly memorized romeo and juliet.

[aviscarrentals]

don't cry for me, argentina

franco colapinto x driver!reader

fic synopsis: franco and reader have been friends for years, since they began karting against each other as kids and have always been attached at the hip. now they've both landed their dream, a full-time seat in formula 1. will their relationship friendship survive the newfound pressure? will it fall apart? or will it turn into something even better?

changes my delusional ass decided to make:

franco got the second audi seat au

yuki to red bull au (i had to give pookie the promotion, sorry checo fans)

max and franco are kinda besties because of reader lol

about reader:

reader drives for rb w liam lawson

20 y/o

2024 f2 champion and roty (takes place in the 2025 season)

daughter of 1996 wdc for williams (sorry mr. hill, you've been replaced)

just like mick and max, reader's father was teammates with jos verstappen, so reader has grown up with max as kind of like an older brother figure (they both just have daddy issues)

kinda grumpy x sunshine except she's just kind of a no bullshit personality iykwim (the media's #1 opp, max really rubbed off on her 😔💔)

a little bit insane though, so her and franco match each other's freaks

she's also canonically the leader of the op81 fan club. this is mostly irrelevant, but 100% canon.

tws: christian horner (my apologies), eventual angst, 90% of it will just be pure bullshit and tomfoolery icl, f1 related injuries, the slowest of burns (the flame tis but a softly glowing ember when our tale commences), stupid dumb idiots in love, i have resigned to using y/n because i have no capacity for creativity

[fluffylino]

ghostface ! hyunjin

little did you know you'd end up bumping into someone unexpected at a halloween party

-suggestive? so flirtatious istg

you weren't this type of person. the type of person in college to actively go seeking out parties and big frat parties. infact thats what you'd probably prefer avoiding. classmates and seniors drinking till they pass out or doing god knows what in bathrooms.

it was scary to be amongst so many people yet deep down you really wished you could experience a party like this. atleast for once in your life.

a recently made friend encouraging you to join her and her group of five friends. you weren't exactly on that level of closeness to go out with them but they genuinely were sweet. you felt like you could trust them. however they weren't as much into halloween as you.

you were wild on the inside. god knows what they'd ever say if they ever found out you found ghostface attractive.

not the killing and gore and all. just the idea of a mask like that. hiding someone's appearance completely.

yet all one could see was their physical figure, mannerisms and...their voice.

"you've never watched scream? the 1996 film?" you questioned, voice raising in pitch as they all shook their heads.

"oh is it that ghostface dude you keep mentioning?"

"technically yeah...imagine bumping into somebody wearing that whole outfit...here..in this place"

you said, getting a little anxious as you saw the classmates dressed up as various characters. some a little too gory and drenched in fake blood.

it was a halloween party afterall.

"I really hope he's there..." another friend chimes in. her cheeks visibly turning red. her and her huge ass crush on this guy.

"hm and if he is? what you gonna do with him" you can't help but tease her. nudging her shoulder and wriggling your eyebrows mischieviously. she laughed nervously.

"shhh what are you saying! dirty dirty!" her eyes widening. internally you questioned the innocence of this poor girl. she wasn't the type to think dirty thoughts.

"you think hyunjin will really be here?"

she whispered, looping her arm around yours. both of yall walking past people and into the house. streamers and decorations all over. lights dimmed down and occasionally flashing. the music louder than expected.

"..hwang? hm i don't know" you mumbled, feeling a bit shaky. guilt setting in slowly.

the thing was...you may have had a teeny weeny crush on him as well. however you pushed it aside when you found out she liked him like crazy. she described it as falling in love with him completely. it was a little too extreme but you simply laughed along. knowing all too well that they had never even spoken once in the previous semester.

hyunjin was a senior by a year or three. watching him from afar in the canteen. heart thumping faster than usual when he glanced your way too many times to be casual.

"he's looking at me, isn't he?" she'd always blush and say, trying to avoid him in all the possible ways.

a little delusion because it took only a few instances for you to figure out that he was...looking at you everytime you either walked to buy some coffee or whenever you'd be laughing and cracking jokes.

but you never know? maybe you just thought he knew your existence.

its only when the music gets louder and more people start coming in do things get overwhelming. grabbing a few shots of soju and downing it quicker than ever.

"we're gonna go there okay?" she slurs, waving goodbye and running off somewhere amidst the crowd with the other three. you hum to yourself, smacking your forehead. beginning to feel the alcohol kick in.

just when you think you should leave, your eyes land upon a mask. worn by someone who looks absolutely sculpted.

no flowy robe to match the creepy mask yet the way his arms looked in a tank top the stranger wore was worth drooling over.

looking away quickly when he turns his head towards you.

"god-...f-fuck he's hot..." you mumble breathlessly to yourself. cheeks burning and body on fire.

trying to steal another glance at the stranger. however he had vanished. was he in the crowd or did he go to the kitchen or backyard or-

"looking for me, honey?"

neck spinning to the side to come face to face with the elongated mouth and downward eyes of the spooky mask. a choked out shout leaving you.

"u-uh i-...i m-mean" you don't even know what you're saying at this point.

its the way he's leaning over you. towering above you.

"sooo you got a boyfriend?"

his voice goes straight to your core. its insane how turned on you are. realising he's playing along. reciting lines from the film.

"why? you wanna ask me out on a date?"

dragging your syllables. its the alcohol thats talking now. growing more confident and comfortable with this supposed stranger.

"maybe..."

the mask tilts comically.

leaning down even lower. that is until he sits on the short table opposite to you. carelessly dropping a few leftover candies on the ground. its a mess anyways.

he moves closer. thick thighs on either side of yours. his elbows resting on his knees as he seems to stare back.

expressions hidden under the damn mask. seeing just a sliver of his eyes under the mesh.

"you're pretty...pretty hot to not have one" muffled behind the mask. you can hear him breathe.

eyes trailing down to his arms unconciously.

"you think i'm hot? even though i'm dressed up as joker?" you chuckle. blushing incredibly hard.

because for some reason this stranger felt familiar. his mannerisms and his physique.

"even hotter, baby"

his voice. you've heard it before. you feel like you know this man's voice. no wonder you were enthralled. why couldn't you pinpoint who it belonged to?

"do i know you?" you sit up quickly. mimicking 'ghostface' who sat infront of you.

moving closer till his body heat engulfed you.

"mh do you?"

he tilts his head, humming condescendingly. goosebumps rising on your skin when his hands carefully rest on your knees.

"cause I definitely know you honey"

again.

your heart races.

unconciously leaning into him.

"you do? i see this little game you're playing" you tease. placing your hands on top of his. he lets you.

"m'not playing any games sweetie"

the man laughs lowly. shoulders shaking and neck arching to look down at you. growing more and more interested.

"yeah? then why don't you show me whose under this mask"

gently placing your index under his chin. his hands resting higher on your thighs now.

"oh i couldn't. that would ruin the fun wouldn't it."

allowing you to play around with the edge of the mask. edging him on mercilessly.

"what if i said i wouldn't mind it staying on"

you whisper, eyes meeting his briefly. arousal pooling in your abdomen.

whoever this was. you knew him for sure.

"while we talk? or did you mean during sex? please do tell, doll"

his voice drops an octave lower and you let your instincts kick in. forcing you to your limits with his teasing.

pushing the mask up just enough to kiss him senselessly.

it takes him by surprise, and you find yourself clinging onto him. his hands sliding higher to hold your waist.

quite literally using his strength to pull you right onto his lap. the low table creaks at the weight of two .

(lord have mercy we must stay focused brothers we MUST STAY FOCUSED AAA sorry i had to lolz)

"f-fuck...who are you..." you whisper, nose brushing against his. he huffs out a breath. choosing to kiss you with more fervour.

your fingers slipping under the mask.

shakily pushing it higher until your heart throbs. but that isn't the only thing throbbing when you see his uncovered face.

hyunjin.

"y-you...hyu-njin" going absolutely speechless as it sets in.

you're kissing hwang hyunjin.

the senior you thought you'd never even have the courage to talk to.

the mild taste of peach soju on his tongue. quietly opening your mouth for him to trail his tongue over your bottom lip.

the dark mesh falling over your face when you let go of the mask to fist at his fluffy hair. you could run your fingers through his hair.

his grip on your thighs strong enough to firmly keep you planted directly over where you could feel him.

getting worked up with how affected you were.

the feeling of his hands, his hair, his hot mouth moving passionately...his covered length....

"your friend. tell her you're with me, baby"

hyunjin pants out, nudging his lips to the corner of your mouth. your eyes widen, heart pounding.

"tell her im kissing you"

it felt like you were committing a sin. but you just couldn't bring yourself to care that much.

"tell her...i don't plan on letting you go home anytime soon"

.

.

.

.

ha ha ha ha ha ha ha surprise!

its a late halloween present but who cares! ghostface hyunjin has made an appearance acjwugsbsjskskshs~

<3333

[dadvans]

i am just so sad right now. like going into s8 i didn’t think bucktommy would be endgame, but the way s8 started changed my mind, so to have them be literally so in love for 5 episodes straight just to have them break up in the most abrupt way?? it just feels so last minute which is shocking because in the interviews this was apparently a planned thing but it doesn’t feel like it at all. Like if this was a concern Tommy had why didn’t it come up at all? like little throwaway lines of Tommy making jokes of Buck getting sick of him or wanted to explore other options or whatever. I hope the backlash makes them rethink, and Tommy comes back but for now it doesn’t seem like it. I guess my only hope is that Buddie goes canon, but even then i won’t be able to really enjoy it. I seriously don’t know if i’ll be able to keep watching the show, not solely because they broke up, but because of how they broke up. (srry for the long ask, just needed to vent)

no apologies needed!

at the end of the day, so many of us found joy in their story, their chemistry, the way even up until the final second tommy admitted that what he wanted with buck was something that would inevitably break his heart.

they were good together. tommy fit into so many intimidating parts of buck's life with ease. tommy is (as far as we know) still good friends with buck's best friend! tommy loved him anyway, loved him warts and all, road shotgun to buck's worst fears and weirdest conspiracies.

at the end of the day, we have a few things:

we GOT them. we got to see them together, we got the soft looks, we got the kisses, the foundation of them that is real and canon in a way we could strike like a match against the edge of a box to light them up for real all over again. i don't think "being canon" gives any credence or superiority to a ship, and have shipped people or characters that have never interacted/existed together in a tangible way, simply because it's FUN. that's how i'll always have fun with ships and fandom, BUT! what a wonderful thing to celebrate that we DID have them, that we have this as a foundation for whatever comes next, that there is never a door permanently closed to them finding each other again when it was already real from the start

for a lot of us, this isn't how their story ends. it's insane that so much fic and content was produced for a canon ship like this. so often fandom is chasing down the what-ifs and never-hads. a lot of us invested in bucktommy because they had the compatibility, the fit, the chemistry, the potential. that's novel shit! that doesn't just evaporate because they broke up in canon. it certainly hurts. the kind of hype we were surfing will crash and sink back in the oncoming months, but i know talking to a lot of people tonight that we aren't done with this ship. we aren't ready to say goodbye.

i'm sad. i'm angry. i felt a real sense of queer euphoria whenever i saw them together, even for 30 seconds, teetering on the edge of this new couple joy learning each other into something new and weird and fun that always lingered as a promise on the edge of their interactions. i was so excited for who buck could become with tommy as his home base. shifting that has rocked me in a bad way.

i expect people to inevitably step away from this ship and this fandom, but i'll mention that non-canon ships like arthur/eames or mcshep or social network rpf or short-lived shows from 1996 (hi sentinel) have had long-lived fandoms and left long-lasting impressions in other fandoms that have lasted for over a decade of zero additional content. this is a playground that, just because they've parted ways for now, we don't have to stop playing in.

and i'll be honest: i have several WIPs i'm like, well trash that! after watching the most recent episode. but i also have a dozen new ideas. new ways they could fall in love now or again, new ways they could meet, new ways they could be for each other.

i'll keep creating. i'll keep dreaming. they won't ever not have the spark that they had. the show could end tomorrow but we'll always have an open door to believing and shaping the thousands of ways they can and will find each other again.

[celaenaeiln]

I literally can't take it anymore. I need to get this out of my system. This is a hate-rant about why almost every single thing Tom Taylor has written is wrong.

First and foremost is the bimbofication of Dick Grayson. Tom Taylor loves to write him like this idiot who doesn't think at all. Being cheerful does not mean being dumb.

Nightwing (2016) Issue #79

"You seem unusually contemplative"? All Dick does is contemplate!

Nightwing (1996) Issue #3

His mind is always running!

Nightwing (2011) Issue #13

Nightwing (2016) Issue #38

I just picked a random issue from all of these comics and in every single one of these, Dick's planning, thinking, and strategising constantly.

Tom Taylor literally treats him like he's stupid or something.

Also the degradation of his abilities

Nightwing (2016) Issue #79

A vigilante for 20 years. Who has faced assassins, hitmen, psychos, surprise attacks, metas, and you're telling me he didn't know that a untrained kid snuck up and stole from him?

He forgot who he was, he didn't forget where he lived! Even when he was Ric Grayson, Dick had procedural memory. His battle instincts stayed with him.

Nightwing (2016) Issue #52

"Then...I didn't even know what I was doing. I took him down--took him apart in seconds."

This man is a vigilante machine when he was amnesic. Why the heck would Dick ever let his guard down?

His robin reference

Nightwing (2016) Issue #92

Even Bruce in Batman: Hush has said it-Dick was the best. His skills were the best of anyone he's witnessed which is one of the reasons why Bruce let him be Robin in the first place.

This scene is so wrong that there's a robin scene that came out before this in direct opposition of this Tom Taylor Shitshow.

Robin & Batman Issue #1

This was actually pre-robin. Bruce had him do a solo-trial run to see his skill before he made him Robin and this was the result. Compare that to Tom Taylor's scene and the result is humiliating. For Taylor.

Tom Taylor's version of trying to show that Dick loves the people comes off as him hating crime-fighting. RIP the whole Robin firing drama and Nightwing birth i guess.

Nightwing (2016) Issue #79

"We could have avoided all of this if we'd just stayed in and eaten kibble."

Nightwing (1996) Issue #3

Dick would rather die than stop crime-fighting. After Blockbuster's first attempt, his life was hanging on by a thread and he still continued crime fighting.

Nightwing (1996) Issue #91

After Blockbuster blew up his apartment, this is the single-minded determination Dick had to continue crime-fighting. This is him at one of the worst lows of his life but he refused to give up but now? He has everything and Dick wants to ignore the murder of a child to stay inside and eat kibble which - what the heck? I know he's seen as a happy character but him finding dog-food desirable is too far!

Also the idiocy of which Tom Taylor had Barbara calling the cops in Bludhaven for a stolen wallet. Newsflash! This isn't her first rodeo here.

Nightwing (2016) Issue #81

vs

Nightwing (2016) Issue #24

Nightwing (2011) Issue #23

Given how Dick's easily defeated enhanced metas and "very good" fighters, him falling down the stairs is a little to absolutely impossible to believe.

Another thing I love about Dick that Tom Taylor deciminates is his grace. Dick is the most graceful person in DC. His balance easily matches Selina's enhanced cat powers.

But yet. You have.

Nightwing (2016) Issue #83

Nightwing (2011) Issue #23

yeah. okay.

Taylor's motorbike scenes of Dick make me so mad. The boy is a pro at crazy. It's one of his best traits because he does the wildest stunts and he pulls it off.

Nightwing (2016) Issue #93

Nightwing (1996) Issue #86

He lands on his feet. He grabbed a villain mid-air, crashed into a window, and was perfectly fine. Actually no, he's not fine because he's worried about his bike's paint job.

Nightwing (2011) Issue #24

He just sailed over a whole crowd of people and started kicking butt like what he just did wasn't extraordinary - which for him is just another tuesday.

Nightwing (2016) Issue #95

yeah, tell 'er Dick.

He doesn't need someone to hold his bike.

One of the worst things in Taylor's run is how Blockbuster went down. It suddenly reminded me of Selina's stupid ideology which is why I think I got so ticked off.

Nightwing (2016) Issue #96

Blockbusters' thugs loyalty to him isn't a make it or break it deal. He's one of strongest criminal organisations and the knowledge that he owns one of the worst prisons that he could easily put his underlings into would've instilled fear into his thugs, not freedom. Furthermore Blockbuster takes good care of his people that don't piss him off. He teamed up with Nightwing in the scarecrow era in Nightwing (2016) because someone was messing with his people. He's extremely intelligent and superstrong, and he's not just going to be brought down by the knowledge that he owns a prison. It's Bludhaven. If he didn't, then there would be something suspicious given that he runs the city. It's the way Taylor dumbs down Bludhaven's villains that gets to me. Imagine him writing Batman (2016). It's like saying, "yeah the Joker was just a little misguided but he found the right way again after a stern talking to by Batman."

Nightwing is a big name.

When Dick first came to Bludhaven, one of the police officers was like we don't want your crazy here or something. Also Bludhaven loves Nightwing. They want him.

So why is everyone pretending like they don't know who he is?

Nightwing (2016) Issue #90

The police, the citizens, the villains-all of them. Dick fought Brutale and beat the crap out of him way back in 1996 comic. He's a Bludhaven regular. Just because Dick forgot who he was doesn't mean anyone else forgot him. Amnesia doesn't work that way.

Nightwing (2016) Issue #54

A whole team of Nightwings were formed during Dick's amnesic period because of how badly he was needed and missed. It's almost like the Tom Taylor run is set in an alternate universe.

I ran out of image space but what the absolute fiddlesticks is up with Dick being scared to jump. It better be a manipulation tactic but at this point I think Tom Taylor doesn't even know that Dick is manipulative.

[hauntedhowlett-writes]

the harder the rain, the sweeter the sun

pairing: storm chaser!joel miller x storm chaser!female reader

rating: explicit (18+ MDNI)

word count: 6.5k

summary:

Storm chaser-turned-weatherman Joel Miller hunts down his old crew in an effort to serve his wife with divorce papers. When a storm interrupts his efforts, he finds himself falling back into old routines and old feelings.

A Twister (1996) AU

author’s note: are you someone, like me, who was fucking obsessed with the movie twister and at one point made it your entire personality (maybe even at too young of an age)? then this fic is for you! this may be one of my favorite fics ever and i hope you enjoy it, too. please consider reblogging or commenting or even dropping into my ask box if you like the fic, i would love to hear from you!

amazing title art by @atinylittlepain

tags/warnings: explicit sexual content (18+ only, minors do not interact), explicit language, undefined age gap, able bodied reader (actions include running, lifting, climbing), no reader physical characteristic descriptions, dual pov, established relationship, estranged marriage, mentions of divorce, alternate universe - movie: twister (1996), not a direct rewrite of the movie but pretty close, storm chaser!joel, storm chaser!reader, natural disaster action scenes, mild angst, mention of reader’s parent’s deaths, praise, dirty talk, pet names, oral (f receiving), unprotected p in v, cum eating, minor character death.

masterlists: all characters | joel miller

support for palestine

The first person to notice Joel’s truck pulling up to the makeshift weather station site is his brother, Tommy.

“Look what the cat dragged in!” He says, hands on his hips. Joel gets out of his truck and Tommy envelops him in a strong hug. “Had no idea you were comin’ out here.”

“I didn’t plan on it,” Joel admits. He waves the envelope in his hand. “But I can’t get her to sign ‘em unless I track her down myself.”

The expression on Tommy’s face drops and he nods, clearing his throat. “She’s around here somewhere.”

“Probably hiding from you,” another voice chimes. Tommy’s wife, Maria, jumps from the back of a nearby pick up truck where she had been fixing a satellite. “Welcome back, Joel.”

“I ain’t back,” he grumbles, giving her a quick hug. “How’re you, Maria?”

“Sweaty,” she replies. “Heard you got yourself a nice channel gig. Must explain the suit.”

Joel looks down at his outfit of tan slacks and a matching suit jacket over a white button up shirt. He tries to think of a response, but another familiar voice calls out his name.

“The prodigal son returns!” Tess shouts. Her short hair has grown out since the last time he’s seen her, but the ever present camera around her neck remains the same. 

He notices movement from the back of one of the vans. You emerge, wiping your hands on a grease stained rag and for a brief moment, a bolt of longing courses through him like a lightning strike. 

“Joel,” you say, a smile on your face that doesn’t reach your eyes. “Wasn’t expecting you out here.”

“You won’t answer any of my calls,” he replies. A tense silence falls over the group until Maria nudges Tommy in the ribs and drags him off while Tess mumbles an excuse about checking the radio and escapes in the other direction. “Have you looked at the papers?”

“Yeah.”

“Is there a reason you haven’t signed them?”

“Been a bit busy,” you say, gesturing to the camp. “I got something you’ll want to see.”

You brush past him and Joel sighs, rubbing a hand across his face in exasperation before turning to follow you to one of the trucks. You pull yourself up into the bed and stand beside a large metal container.

“She’s here, Joel,” you say proudly, hitting one of the buttons. The lid on the unit pops open. “ELLIE.”

“No shit?” Joel asks, climbing onto the truck for a closer look. He picks up one of the spherical sensors, holding it up for inspection. “I’ll be damned. You really did it.”

“We did it,” you respond quietly. The expression on your face is painfully familiar, that combination of pride and sadness that he’s grown accustomed to in the last few years. He murmurs your name, tries to think of something else to say, but a shout interrupts his efforts.

“We’ve got action!” Tess yells. 

The camp explodes into a flurry of movement. Equipment is packed away with speed and efficiency while anything else that isn’t fragile is tossed into the nearest truck or van. Joel watches it all and remembers when he used to be part of this machine, calling out orders and getting on the radio for coordinates as he hit the gas and peeled out in a cloud of dirt and dust.

He’s so caught up in it all that he almost forgets why he was here, and when he remembers you still haven’t signed the papers he curses, running for his truck and taking off after you down the rural roads.

“You comin’ with, brother?” Tommy’s voice crackles over his truck radio. 

“She didn’t sign!” Joel says back. 

“Keep lying to yourself, Joel!” Maria calls back. 

It’s a race against time and God, the storm clouds overhead dark and churning ominously. The air is filled with static, lightning striking in the distance. Joel can feel it all in his veins, the adrenaline thick as he keeps speed with the rest of his former crew. The honk of a horn draws his eyes to the rearview mirror, where a gleaming black Surburban is gaining speed on him.

“Son of a bitch,” he snaps. He grabs the radio. “We got company!”

The Surbuban pulls up beside him, a woman in the passenger seat that refuses to look his way. Marlene, once a lab mate of yours and Joel’s in the early days of your career, is now the face of FEDRA’s corporate sponsorship. Sold out for shiny toys, Joel once said. 

“What’s Marlene doin’ here?” Joel asks. 

“Bet she’s wondering the same thing about you!” You chime in.

The convoy of uniformed vehicles speeds past him, the old trucks his crew still uses no match for them. In his distraction, he narrowly misses a fallen tree limb, careening off the dirt road with a loud bang.

“Fuck!” He shouts. His tire has gone flat.

This is the last thing he needs.

You watch Joel through the window of the little diner you’ve all made a stop at once the storm broke up on the radar as you had been driving to catch it. He’s across the street at the mechanic to get a new tire, having driven in on the spare that Tommy circled back to help him put on. You twist the plain gold band on your finger, lost in thought.

“Hey,” Tess says, sliding onto the stool beside you. “How are you doing?”

“Fine,” you reply quickly. Her keen gaze makes you fold. “Weird. It feels weird.”

“Yeah, I know. He’s in a suit.” She takes a sip of her drink. “Never thought I’d see the day.”

“He looks good.”

“Sure, if you like ‘em with a stick up their—“

“What’s channel four doing here?” You ask, cutting her insult off. The news crew is unloading their gear from their van as the anchor speaks to Marlene, who’s gesturing to a piece of equipment that looks suspiciously similar to the culmination of your life’s work sitting in the bed of your truck. “You’ve got to be fucking kidding me,” you snap, racing for the door. 

“This is ABBY, the first unit of its kind. It’s built to give us a look inside of the funnel, allowing more precise storm prediction that could mean a world of difference for preparation and survival,” Marlene says proudly. “Inside are hundreds of sensors that, once deployed, will spiral inside of the tornado and report back real-time, accurate measurements.”

“Hey!” Joel barks, coming up to the scene from the opposite direction. “What the hell do you think you’re doin’?”

“Cut!” The anchor yells as Joel crowds in close to Marlene.

“You really think you can get away with rippin’ off our idea?” Joel snaps. 

“I only took your idea and made it a reality,” Marlene responds, holding her hands up placatingly. “Face it, Joel. Your team doesn’t have the same resources to get this idea off the ground. Literally.” She laughs. “Besides, what are you doing here? I thought you retired.”

“That’s where you’re wrong. ELLIE isn’t just a dream anymore. We’ve got her here.”

Marlene’s smile falters. “Is that so?”

“Yep,” Joel says. “And she’s going to be the first in the air.”

“We’ll see about that, Joel.” She steps back, addressing her crew. “Pack it up. Let’s hit the road.”

You stand there together watching as they pull out of the parking lot and back onto the two lane highway. When they’ve disappeared from sight, you give Joel’s shoulder a tentative pat. 

“Thanks for the vote of confidence,” you tell him. “Hopefully you’re right.”

The look he gives you is serious, a furrow between his brow that you used to smooth with your thumb, back before things fell apart. You smile at the memory. The tension eases from his shoulders and his lips curl up the slightest bit, as if in response. 

“Sorry to interrupt,” Tommy says, breaking your attention from his brother. “But we got another development on the radar.”

“Alright, let’s get her,” you reply, breaking away from them to get to your truck. Joel is still standing there when you chance a look over your shoulder. “You just gonna stand there, or are you coming?”

“You still haven’t signed the papers!” He shouts back.

“I can sign them in the truck!”

He curses but jogs after you, coming up behind you and beating you to the driver’s door. “I’m drivin’,” he says.

“No,” you argue. “This is my truck.”

“You think I forgot how to drive this thing?”

“I think you’re out of practice!”

“You’re wastin’ time, just get in the fuckin’ truck,” he snaps. You roll your eyes and do as he says.

Some things never really change.

“You have to get ahead of it!” You shout. Hail pelts the roof of the truck and bounces off the windshield as Joel drives down the dirt road. Wind whips through the trees and lightning flashes in the fields while the clouds churn and peak at threatening speed.

“I know!” He shouts back, both hands tight on the wheel. “I can’t fuckin’ see anythin’!”

“Just cut across the field!”

“I can get us further ahead on the road!”

“We’re going to get stuck alongside it!”

“Do you want to drive?!” 

“I’d love to!”

Joel huffs, accelerating faster. The clouds gather more tightly, stretching from the sky towards the earth. He glances out of his window and catches a glimpse of the storm, his heart pounding as he watches the funnel organize. He watches it for a moment before slamming on the breaks, the truck fishtailing as it comes to a screeching halt.

“What are you doing?!”

Marlene’s team speeds by with angry honks of their horns, but Joel’s attention remains fixed on the tornado. “It’s goin’ to shift its path.”

“Are you sure?” You ask, squinting. 

“Look at it, it’s a sidewinder. It’s headin’ left,” he confirms. He throws the truck in reverse, speeding back towards the road they passed. The rest of the team has caught up and follows them down the one lane road. 

“There it goes!” You shout, smacking the dashboard in your excitement. You grab the radio. “Alright, tell us what you’ve got, Maria.”

“F2, shifting south. Repeat, shifting south. This thing is unstable,” she says, voice crackling over the speaker. “You guys have a shot but you’re going to be cutting it real close.”

You look at Joel, and he sees that spark in your eyes, the determination he’s always admired, even loved, and he knows he can’t say no. Not to you.

“Let’s get it.”

“We’re running out of time,” you tell him, binoculars held up to your eyes. “We’re not going to make it.” 

“We will,” he insists. Joel brakes after another half of a mile and you’re out of the cab before the truck even comes to a complete stop. 

The rain immediately drenches you, soaking through your clothes and wrapping you in an icy chill. You’re removing the tethers that hold ELLIE securely to the truck bed and turning the unit on when Joel joins you.

“We have to get it on the ground!” You shout, barely audible over the wind. One of the tethers is stuck, strap not coming loose from the buckle no matter how hard you pull. Joel jumps into the bed and tries to help but with the rain and wind, both of your hands keep slipping.

Joel looks up, eyes going wide. His hand wraps around your bicep, pulling. “We have to get out of here!”

“But ELLIE—“

“Now!” He shouts. 

A sound similar to a freight train reaches your ears and panic courses through your veins. Joel pulls on your arm again and this time you follow, jumping from the truck and running as fast as you can. He reaches an arm back towards you, grabbing your hand and tugging you along. He veers to the left, the two of you sliding down a muddy embankment and landing in a ditch. 

“Get up,” Joel urges, helping you to your feet. “We gotta get down over there by that bridge, come on!”

Together you trudge through the mud, wind picking up speed around you as the cyclone draws closer. You have your arm held up to shield your eyes from debris and your other hand in front of you, gripping Joel’s jacket tightly. 

You make it beneath the cover of the bridge, a slight reprieve from the wind and rain. Joel squeezes his body tightly to yours, pressing you against the dirt and shielding you from the storm. You open your eyes, peering past his shoulder to where you can see the edge of the wide tornado base and the debris it kicks up in its wake. 

Suddenly, the world grows quiet. The air goes still, the rain slows from a downpour to a shower. You can feel Joel’s chest heaving with breath against yours, cadence of it matching the pounding of your heart. He backs away slowly and lifts his hands, gently cupping your face.

“You okay?” Joel breathes, eyes searching. You wrap your hands around his wrists and nod. His thumb strokes across your cheekbone, slowly, before he releases your face. “Good. That’s…good.”

“Hey! You’re alive!” You both look up to find Tess at the top of the embankment, hands on her hips. “Tommy owes me twenty bucks!”

“He should know better than to bet against me,” Joel says. His attention returns to you. “Come on, let’s get out of here.”

Back at street level, you assess the damage. Your truck has been flipped, the ELLIE unit dented but still intact. More notably, the sensors didn’t deploy.

“Fuck,” you curse. “All of that and it didn’t even open.”

“There’s always next time,” Tess assures you.

“You know…we could all use a shower….and a meal,” Tommy says. You shoot him a look.

“No.”

“Come on,” he needles. “You’re covered in mud. We’ll need to get your truck towed somewhere for repairs.”

“I said no.”

“We haven’t had anything but shitty diner food and granola bars for four days,” Maria adds.

“You must really want a hot a meal if you’re willing to face Uncle Bill.”

“That a yes?” Tommy asks. Everyone watches you expectantly.

“Fine,” you sigh. “Don’t say I didn’t warn you.”

Joel rides in the van with Tommy and Maria while you go with Tess in her truck. It doesn’t take long to reach the familiar ranch style home that sits on four acres of farmland, complete with a barn that’s become more for show than for function in your Uncle Bill’s older age. 

When the van pulls up to the house, Bill’s husband, Frank, is outside on the porch, sitting in a rocking chair with a drink in hand. He waves as Tommy honks to announce their arrival.

The front door opens, Bill’s large frame filling the doorway. His beard has grown since the last time Joel saw him, and it seems as though his ever present frown has too. Joel watches you run up the porch steps and wrap your arms around both men, though Bill is quick to shove you off when he sees the state you’re in. Despite the reaction, Joel can see the ghost of a smile on his lips.

Joel stays towards the back of the group as they approach. He won’t go so far as to say he’s hiding, but it’s a near thing. Handshakes and hugs are exchanged right up until Bill catches sight of him.

“Joel,” he says, crossing his arms.

“Uncle Bill,” Joel replies.

“Just Bill is fine.”

Joel clears his throat, avoiding the man’s gaze. you appear behind him, breaking the tension. 

“I’m going to take a shower and then I can help you with dinner,” you tell Bill.

“Who said I was feeding you?” 

“Frank did.”

“Sorry, honey!” Frank yells from the kitchen. 

Joel escapes Bill’s attention with your distraction, darting into the kitchen to join the others. He helps Frank peel and dice potatoes while Maria and Tess make biscuits and Tommy helps Bill grill up a towering plate of steaks and burgers. Despite his outward show of annoyance, your Uncle Bill is a good guy who always takes care of the crew when they come rolling into his driveway, half starved and exhausted. 

“Didn’t expect to see you back,” Frank comments, tone light. 

“Didn’t expect to be back,” Joel replies. 

“What brings you here, then?”

“Got tired of waitin’ on her to sign the divorce papers.”

Frank hums in response and Joel braces himself for a speech but a minute passes in silence. Then two minutes. Frank sets his potato peeler down and leans his hip against the counter, facing Joel.

“It’s a real shame,” he says, shaking his head and staring out the window to where Bill and Tommy are laughing together. “You two were really good together.”

Joel doesn’t reply, because what is there to say? Frank is right. You and Joel were good together. Where Joel was hotheaded, you were calm. Where Joel took things too seriously, you were more carefree. But perhaps the greatest difference between you two was where Joel let fear stop him in his tracks, you let it drive you. 

It’s what started the arguments in the first place. He started feeling like he was getting too old, too worn out for chasing storms. He wasn’t as sharp as he used to be, not as quick, and it was starting to hang heavy over his head. Thoughts of retirement came to him more frequently and each time he brought it up, it would ignite an argument until he just didn’t have it in him to fight anymore. It was just easier to walk away.

“Shower’s free,” you announce as you enter the kitchen, no longer caked in mud. 

“My turn,” Joel says. Frank gives him a sideways glance but doesn’t say anything about his silence and swift exit.

Dinner is ready when he's finished with his shower and he takes a seat in the open chair beside you. The whole scene, the normalcy of it, makes Joel feel like a ship returning to port after rough seas. He missed this -- the inside jokes, the playful ribbing, Bill's annoyed huffs and Frank's wide eyed stare as he listens to you recount the events of the day. You even pat his knee when you notice his leg bouncing beneath the table, like the gesture is second nature, even though you haven't done it in the two years since he's left.

He helps with the dishes after everyone has finished eating and puts away what little leftovers remain. Tommy and Maria decide to go to bed in one of the guest rooms while Tess remains in the living room, watching a rerun of Jeopardy with Frank. Joel notices that you're nowhere to be found, but he has a feeling he knows exactly where you've gone.

He leaves the house through the back door, heading through the field towards the barn. The sun is setting, casting everything in an orange glow as the sky begins to turn shades of purple instead of blue. The old wooden doors creak as he pries them open and steps inside the building, the smell of hay hitting him in the face like a wall.

There's a loft, accessible by a ladder, that he knows you've made your own. It's been your escape ever since you were a kid, when you came to live with your Uncle Bill after a storm that destroyed your home and ripped your parents from you. He climbs up to the loft, hoisting himself onto the platform.

You're sitting on the wood floor, a quilt from the house spread out beneath you. You’ve brought a lamp up with you, warm light beating back the rapidly oncoming darkness. You look up when he stands.

“Hey,” he says, stepping closer. He kneels onto the quilt with you.

“Hey.”

You shift your weight until you’re lying on your back and Joel does the same beside you, his shoulder brushing yours. You’re both quiet for a long moment, sounds from the field drifting in through the cracks in the wood. 

“When will it be enough?” Joel finally asks. You sigh.

“Not this again,” you complain. 

“What is it about retirement that scares you so damn much?”

“Retirement doesn’t scare me. I could take the easy way out, too. I could make a pretty little weather woman for some local news channel, but that’s not what I want. It’s never been what I want.” You take a deep breath. “So stop acting surprised that I won’t change for you or anyone else, for that matter. And if that’s something that you can’t love about me—“

“It ain’t about not lovin’ you. I love you. I have always loved you. I will always love you,” he interrupts, lifting himself so that he can look at your face. Your eyes are glassy, streaks of wetness stretching from the corners to your temple. “But I can’t ever be enough for you.”

Your expression changes, shifting from sadness to surprise to anger. “What the hell are you talking about?”

“I’m gettin’ older, I’m not as good at this gig as I used to be.”

“That’s why you left? Because you think you’re…what? Holding us back?”

“Wasn’t I?”

“No! You big fucking idiot,” you snap. “I can’t believe this.” You sit up, shoving his shoulder and knocking him onto his back. You throw your leg over him, settling over his lap. His hands settle on your thighs, a reflex that hasn’t faded. Your expression is stern as you stare down at him. “You will always have a place with us. With me.”

Joel lets your words sink in, the light of them illuminating the dark parts of his mind that had convinced him you were better off without him. He slides a hand up your belly, over your chest, curling it around the back of your neck and urging you forward.

You come to him easily, your lips finding his.

It feels like coming home.

Joel’s mouth is eager as he kisses you, devours you, hands hot on your skin and leaving goosebumps in their wake. You missed this, the feeling of being consumed by him, from your body and down to your soul. 

He rolls the two of you over, easing you down onto your back and hovering over you. You gaze up at him, noting the deeper creases by his eyes and the grey that has started to become more prominent in his hair and the only thought that comes to you is how beautiful he is. 

Joel leaves wet kisses on your neck in three spots — just below your ear, right over your pulse, and just above your clavicle, a pattern he established years ago. The warm air chills the spots he’s left behind as he moves lower, down your chest, pushing up your shirt to give the same attention to your belly. It makes your stomach flip, the way he peeks up at you with dark eyes when he reaches the waist of your jeans. 

Instead of moving lower, his focus returns to your breasts. He moves the cups of your bra down to reveal your tight nipples, warm tongue circling each bud in turn. You squirm beneath his weight, cry out when his teeth scrape the sensitive skin. You can feel the smile that graces his lips.

“Still so sensitive,” he says. You gently whack his head in retaliation. “Quit it. Be a good girl or you won’t get your reward.”

“Yes, sir,” you murmur. 

“That’s it, knew you could be good for me.” He squeezes your breast in one large hand. “Just needed the right motivation.”

He sits back on his heels and makes quick work of unbuttoning your pants, tugging the zipper down before curling his fingers into the waistband and dragging them down your thighs along with your underwear. Barrier discarded, he settles on his belly between your thighs, face close enough to your core that you can feel the quick brush of his breath on your needy cunt. You wiggle your hips, hoping to spur him into action, but a strong arm holds you still and you let out a low whine.

“What’s the matter, pretty girl?” Joel asks, fingers lightly tracing your skin. “Somethin’ you want? Somethin’ you need?”

“You,” you mumble.

“Louder.”

“You, Joel.”

He kisses your inner thigh, stubble scratching the sensitive skin and making you shiver. Your breath catches in anticipation as he draws nearer to your heat. 

The first swipe of his tongue through your folds is like a bolt of lightning to your system, every nerve ending lighting up and your blood coursing hot in your veins. He starts off slow, just the way you like it, broad circles over your clit until you’re squirming in his hold. Then he dips lower, thrusting the tip of his tongue inside of you while his nose continues to nudge your aching clit. 

He brings you to the very edge of release before backing off, just enough that you don’t tip over before he’s ready for you to. It drives you crazy, has you cursing his name and begging for him in equal measure, but he’s nothing if not stubborn, generous yet greedy.

“Joel,” you cry, his name a plea. “Are you going to let me come?”

“Of course, sweetheart,” he says. His chin is shiny with with spit and slick when he looks up, eyes a little wild and hair messy from your fingers. “But not yet.”

“Fuck!” You snap, head dropping to the wood floor with a thud as he presses two thick fingers inside of you, curling them with each drag from your body.  His mouth rejoins the effort, lips wrapping around your clit. It’s too much and so good, that wave of pleasure finally coursing through you as you shatter from his ministrations.

He works you through it, tongue gentle and fingers stilling inside of you, your cunt pulsing around them. When your muscles finally relax, he sits up, holding his hand up to your face and pressing his fingers to your lips. You open your mouth obediently, the earthy taste of your release exploding across your taste buds as you lick the digits clean.

“Missed this,” Joel murmurs, watching you intently. “Missed you.”

“Missed you,” you reply. You reach your hand up, running it down his chest until you’re cupping the prominent bulge in his jeans. “Missed this, too.”

He laughs, shoulders shaking with the force of it. It pulls a smile from you, your beautiful man so carefree, no sign of that troubled wrinkle between his brows and his cheeks flushed with life, the same way they are when he’s coming down from the adrenaline of a chase. He unbuttons his jeans, shimmies the denim down just enough to free his cock.

Joel grips himself at the base, flushed head peeking from his fist. He teases your entrance, slipping his length through your wetness and bumping your still sensitive clit. Your back arches and a moan escapes your lips, one that Joel echoes himself as he slowly, slowly, slowly pushes inside of your tight heat.

“Joel,” you whisper, fingers curling tight into the quilt beneath you. “Joel.”

“I know,” he says. “God, I know.”

When his hips are flush with yours, he leans forward, elbows on either side of your head propping himself up. His cock fills you so perfectly, the stretch almost too much to bear as he starts to move. Each purposeful thrust has you seeing stars, has you gasping and moaning his name. He silences you with his lips, so messy and uncoordinated it can hardly be called a kiss. You clench around him, desperate to keep him inside of you with each drag from your body. 

“Feel so fuckin’ good,” Joel groans. “Can you come for me, baby? One more time?”

“Mhm,” you hum. He picks up the pace, quick strokes that hit your g-spot with impressive precision. You feel the knot of your release grow tighter, tighter, until it finally unravels, every nerve ending lighting up like you’ve been struck by lightning. You wrap your arms around his shoulders, holding him close as he presses deep, cock twitching and spilling inside of you.

Joel presses his forehead to yours as you both catch your breath, sweat cooling on your skin as minutes pass. When he lifts his head and stares down at you, it’s with a smile on his face.

“That was—“

“Yeah,” you agree. “See? You still got it, old man.”

“Nevermind, I still want a divorce.”

You laugh, loud and carefree. For the first time in years, you feel a sense of peace.

A sense of home.

The two of you get caught in an unexpected downpour as you leave the barn and Joel follows the sound of your laughter as you run through the field back to the main house. Inside, you press a kiss to Joel’s lips, water dripping to the floor beneath you. You’re smiling and he swears he’s never felt more alive, even when chasing the biggest storm.

When you break apart, you whisper that you’re going to take another shower and change. Joel tells you he’s going to clean up the mess to avoid Bill’s wrath. Another kiss, and another, until you finally break away and shut yourself in the bathroom down the hall. He stands there for a moment, lost in thought, until the sound of the shower running spurs him into motion and he goes to search for a towel to clean up the water that’s pooled in the hallway.

As he passes by the living room, heading for the linen closet, he notices the TV is on, the room illuminated in its flickering glow. He stops in the doorway and Frank looks up at him, a knowing smile on his face.

Joel smiles back.

For now, it’s their little secret.

The next day, Bill deems your truck operational. It has a fresh new set of dents and scratches, but it’ll otherwise drive despite the abuse. You spend some time inspecting the unit and determine the lid latch is a little too secure, which explains why the sensors couldn’t deploy. Joel helps you loosen the bolts, the simple task taking twice as long with how often he distracts you when your crew members aren’t looking. You replace the latch with another tether strap that can be quickly released on deployment.

When all is said and done, everyone takes turns saying goodbye to your uncles. Frank tells you to be safe and Bill tells you to not be stupid, which is essentially the same thing. You watch as Joel receives a handshake from Bill that’s a tad too firm, if the grimace on his face is anything to go by. 

“Alright, let’s head out,” Maria says, eyes scanning a computer screen. “Radar’s got something forming about twenty miles north of here.”

“What kind of something?” You ask.

“A big something.”

Joel catches your eye and gives you a wink. 

“Let’s go get ELLIE into the air.”

The sky ahead of you is pitch black, clouds churning ominously. There’s a certain liminality when you’re driving into a storm that never ceases to amaze you, the image in the rearview mirror bright with sunlight but a foreboding darkness ahead of you. 

“You okay?” Joel asks, drawing your attention. His hand rests on your thigh, fingers tapping against your knee. “Not gettin’ cold feet, are you?”

“About this?” You nod towards the sky. “Never.”

“That’s my girl.”

“Guys? You won’t believe this,” Maria says over the radio. You grab the transmitter.

“What is it?” You ask.

“There’s two cells. Radar maxed out.” 

“They’re funneling back,” Tess adds. “This isn’t looking good.”

“You saying we can’t do it?” You ask.

The radio is quiet for a moment before Tommy says, “If anyone can, it’s you two.”

“What are we up against?” Joel asks.

“Cell one is measuring at the cusp of a three, cell two is reaching four,” Maria continues.

“Joel.” You tap his arm. “Look.”

A funnel has formed ahead of you, still teetering in the air and not quite making contact with the ground. It’s only a few miles ahead and Joel hits the brakes as he takes it in. 

“What’s the trajectory of this?” He asks.

“Northeast.”

It’s heading your way. You both scramble from the truck, climbing into the bed to prepare ELLIE — Joel removing the tethers while you turn the unity on. The wind picks up speed as you work, dust from the road whipping around you and making it difficult to see.

“Let’s get her down!” Joel shouts. He jumps to the ground and together you ease the equipment onto the ground, removing the lid tether. After what feels like ages, ELLIE is ready and you both return to the truck.

Joel turns the truck around and drives in the opposite direction of the cyclone’s path. He stops and you can hardly breath as you watch the storm tear across the landscape.

“This is it!” Tess shouts through the radio. 

You grab Joel’s hand as the funnel nears ELLIE, the wind making the unit shift and sway. You swallow nervously.

“It’s too light,” you murmur. 

“No it’s not,” Joel says confidently. 

Closer and closer the funnel moves, but ELLIE doesn’t lift from the ground. You’re biting your lip so hard that the taste of copper blooms across your tongue.

“We’ve got a shift!” Maria says. “We’ve got a shift, due north. Due north.”

“Fuck!” Joel shouts, slamming a hand on the steering wheel.

“Guess who just showed up?” Tommy adds.

Far across the field, a familiar caravan of black vehicles speeds towards the cyclone. 

“What channel are they using?” You ask. There’s a brief silence until Tess calls back, “Six. Why?”

You switch the channel. “Marlene, you have to anchor the unit.”

“I’m a little busy right now,” she calls back. “Trying to make history over here.”

“Listen to me. Unless you manage to position your unit right under a touchdown, it’s not going to get picked up. And if it doesn’t pick up, it doesn’t deploy.”

“Maybe that’s just an issue with your unit. I can assure you ABBY will succeed where ELLIE failed.”

“Goddamnit,” you snap, tossing the transmitter down. 

“Can’t fix stupid,” Joel says. He hits the gas, bringing the truck back to ELLIE. “Let’s load her back up, maybe we can catch the second cell.”

Pack loaded once more, you return to the cab. Joel is about to put the park in drive when you place a hand over his chest. 

“Do you see what I see?” You ask.

Joel watches the twister, then Marlene’s team. He grabs the radio. 

“Marlene, listen to me. That monster is going to shift and if it does, you’re in the path of destruction and that base is too wide for you to get out of there. You have to hang back now.”

“Radar isn’t showing a shift. I’m not missing this chance,” Marlene replies.

“You gotta look at the funnel action, too. Not just the radar. You’re goin’ to get yourself killed!”

“Clear this channel, Joel. I’ve got work to do.”

“Fuck!” Joel snaps. 

Sure enough, the cyclone shifts its path, a minute change with dire consequences for Marlene and her team. The twister barrels toward the caravan, vehicles lifting from the ground. 

“Oh my god,” you whisper, bringing a hand up to cover your mouth. 

“I know,” he says. His throat bobs around a pained swallow. “We did what we could.”

Joel switches the radio back to your team’s channel, a flurry of panicked voices filling the cab. Maria’s voice snaps your name.

“Do you read me? The second cell has organized, five miles east moving north along 80.”

“Copy that,” you say as Joel drives in her suggested direction. “What’s it looking like?”

“Too soon to tell but the cloud base is massive.”

Joel drives parallel to Maria’s path suggestion, racing to get ahead of the storm. The funnel begins to form, dropping down from the restless clouds. It’s one of the biggest you’ve seen, more of a column of wind than a tapered cyclone. The strength of it grows as it hits the warm air, touching down with a contact point as wide as the funnel base.

“Wind speed is measuring at an estimated 270 miles per hour. We’ve found ourselves an F5,,” Maria says. “She’s slow, but strong. Movement only measuring at ten miles per hour, still heading east.”

Joel changes direction, heading towards the storm from the back, rather than trying to get ahead of it. 

“ELLIE needs an anchor,” you remind him.

“I know,” he says, looking over at you. “I’m giving her one.”

“We’re using the truck?”

“You got a better idea?”

“No, no, go ahead. Can’t wait to explain this one to insurance.” You unbuckle your seatbelt and take the radio one more time. “We’re sending the truck up with ELLIE. If this works, get ready for the best data in history.”

“Roger that,” Tess replies. “Ready for the feed.”

Another mile ahead, Joel gets the truck speed up to fifty miles per hour before setting the cruise control. He unbuckles his seat belt and you follow suit, throwing the passenger door open and holding onto the grab handle.

“One,” Joel shouts. “Two!”

“Three!” You finish, jumping from the cab. You hit the ground hard, rolling through your landing, the air punched from your lungs. When you’ve caught your breath, you get yourself on your hands and knees, frantically searching for Joel.

He’s kneeling in the road, watching as the truck continues to barrel towards the twister. You crawl to him and he pulls you close, an arm around your waist to hold you up beside him.

“Go, go, go!” He shouts. 

The sound of brakes squealing has you looking back over your shoulder to see your team has arrived. They gather behind you, Tess snapping photos at rapid speeds, Tommy recording video, and Maria’s eyes glued to her computer. You look ahead, just in time to watch the truck disappear into the swirling mass of debris.

Everyone is silent for a long moment, waiting. Watching. Hoping.

“I’m getting a read!” Maria shouts. “She’s up! ELLIE is flying!”

“Oh my god,” you murmur. “Joel, we did it.”

“You did it, baby,” he says. 

The twister doesn’t last long. Its power wanes, the cyclone breaking up and retreating back into the sky. You have no idea where your truck has landed, but you don’t care. You and Joel stand up, your legs shaky from the rush of adrenaline. He takes your face in his hands, pulling you into a kiss.

“You owe me one hundred dollars, Tommy!” Tess shouts.

Joel pulls away with a laugh. “What did I tell you about bettin’ against me?”

“Does this mean you’re back?” Maria asks.

The arm around your waist tightens, pulling you closer.

“Yeah,” he says, smiling. “I’m back.”

[a-bad-case-of-the-stephs]

Okay!

After nearly a full decade of our time of Stephanie Brown being told to go home and give up being Spoiler, Batman takes her on as a student and sanctions her, with no preamble or warning.

That’s weird, let’s talk about it.

Batmans strange choices in how he treats Stephanie Brown can only be understood by analyzing his character.

Let's place Batman in context of what is going on directly before his decision to bring in Stephanie Brown as part of the team. The last major event preceding Stephanie Brown being sanctioned is Officer Down, which by the time it concludes Batman has lost two of his oldest allies: Jim Gordon has retired and Alfred has resigned.

In the wake of Officer Down, I’d like to track two key conflicting characteristics of Batman, how they are exacerbated, and how they influence how Stephanie is treated.

1. A Longing for Companionship

Batman's desire for the company of others is increased post-Officer Down, as he deals with suddenly being isolated from most of his core group.

Other characters point this out:

Batman #590 (1940)

Additionally, for the first time in a long while, Bruce Wayne is entirely alone in the manor.

Gotham Knights #20 (2000)

So, why doesn’t Batman just do the normal, healthy thing and reach out to the loved ones he still has? I personally believe it’s because of how embarrassed he is after getting epically owned by Alfred, but the more general answer is: he’s the Batman.

Out of paranoia his feelings will be used against him, or out of fears those close to him will be harmed if he directly expresses affection for them, or out of just being too damn cool for “emotions”, any way you slice it, Batman is:

2. Deeply uncomfortable with appearing emotionally vulnerable

We can see this with one of Bruce’s primary response to immediate grief: denial and silence

A simple example of this is how he acts after Jason Todd is killed. Bruce completely refuses to acknowledge his existence, and remains utterly silent when confronted.

Batman #437 / #440 (1940)

Another easy example of this is how he inexplicably approaches Nightwing dressed as Matches Malone in order to express that he isn’t trying to step on his toes:

Nightwing #14 (1996)

While it varies over time how emotionally closed off Bruce is, I believe one of the biggest triggers for an increase in this emotional cut off is when he is made to feel helpless.

During Cataclysm, he is helpless to stop the earthquake or meaningfully protect Gotham, there’s no enemy to fight, it’s just pure random crappy luck. He responds to this feeling of circumstances being out of his immediate control by cutting off almost all of his allies and sending them out of Gotham.

After he learns about how Zatanna and some other JLers wiped his memory and betrayed his trust, his reaction is to create an artificial intelligence to spy on the Justice League.

When Batman is put in situations which makes him feel physically or emotionally vulnerable, when he’s subject to circumstances out of his control, Batmans response has been historically to double down and isolate himself and cover up any potential weaknesses by convincing himself he’s better off alone and paranoid.

Eventually, after some time of this, he has a big moment where he decides to let people in, but his knee jerk reaction is always to pull away first.

This aversion to vulnerability is in play during and post-Officer Down, where Bruce is confronted by Jim’s mortality and retirement as well as Alfred’s resignation, all “enemies” he can’t just punch away.

Nightwing #53 (1996) / Gotham Knights #13 (2000)

In the wake of Officer Down, these conflicting traits are prominently portrayed.

In particular, Gotham Knights #18 demonstrates how these ideas clash.

Batmans loneliness is explored heavily: he starts the comic off talking to a bat, repeatably calls Oracle who is trying to sleep, and wanders through the completely empty manor.

His loneliness is conveyed through how he is framed: a shadow in a batsuit, wandering though desaturated and darkened hallways and rooms, completely silently, like a ghost.

Finally, the silence ends. Bruce calls Aquaman, asking for help excavating his giant penny. They have an awkward conversation, until Aquaman eventually calls him on his BS, pretty much directly stating that the penny was a total excuse, and that Bruce just wanted company, that he only called because he was lonely.

Gotham Knights #18 (2000)

When confronted with his loneliness, we see his desire for companionship come into play. He tries to talk to the bat, to Oracle, and then Arthur.

We also see it mitigated by the second impulse, his aversion to vulnerability. He can't tell Oracle that he just wants to talk, he has to frame the interaction through a case that he himself admits he no longer needs her help with.

Likewise, he can't just tell Aquaman that he wants to hang out, he has to make up a lie about needing help moving his giant penny.

His desire for companionship drives him to reach out, while his aversion to emotional vulnerability forces him to obscure this desire for human connection.

So, thats fine and all, but what does any of this have to do with Stephanie Brown?

As I mentioned earlier, Officer Down is the event that occurs just before Batman brings Steph onto the team. I argue that this dynamic of yearning for companionship vs. resistance to emotional vulnerability influences heavily his decision to "sanction" her as Spoiler.

Stephanie as a balm for Batmans loneliness.

This is immediately clear if you compare how much he's talking in Gotham Knights #18 to how he chatters away at Stephanie. He directly references Tim and Alfred's absence. But unlike Gotham Knights #18 the absence is not a bad thing per se, its framed against Stephanie's presence, how he allows her to stay.

Green Arrow #5 (2001)

Stephanie's role in assuaging his loneliness is evident in other places as well, for instance, in the Gotham Knights Last Laugh tie in. Stephanie realizes she forgot to turn her comm of, and had been "blabbing in [his] ear all night", Batman reassures her that he isn't upset. Just the opposite in fact, he tells her to not turn it off, saying he "doesn't mind the company" and placing a hand awkwardly on her shoulder. He clearly appreciated the relief from his loneliness her "blabbing" had provided.

Gotham Knights #22 (2000)

So Batman's embarrassing loneliness might have had some role to play in him taking her on as a student and "sanctioning" her. But what about that second impulse? How does it come into play?

2. How Stephanie as an outsider allows for emotional vulnerability

Originally, Batman takes Stephanie on because he needed her to help him find Tim at Brentwood, as he is unable to go himself. The reasons he "can't" go himself only become clear when Tim confronts Bruce, calling him out for being afraid of running into Alfred.

Robin #87 (1993)

This scene illustrates how Stephanie satisfies the second impulse, her outsider status. Stephanie is different from the rest of the team.

Tim has access to the context and information which allows him to expose Batman's emotionally vulnerability. Tim can call out Batman out for his pettiness and cowardice in how he hides from Alfred.

But Stephanie? Stephanie doesn't know who Alfred is, or how embarrassing it is for Batman to be avoiding him after Alfred yelled at him and called him a baby. She doesn't have the context that Tim and the rest of the team have.

So what does this mean? It means that Batman can tell her shit that is not true, like that he calls his car "The Car" instead of the Batmobile. And, more importantly, it means that he can express emotional vulnerability without any of the potential consequence. She has no context, and she has no one to tell.

Alfred is beefing with her over Bruce's choice to tell her Tim's identity, so that potential friendship is over before it could begin. And she gets (seemingly) brushed off by Batgirl.

Robin #88 (1993)

She doesn't even have Tim, who Stephanies believes is mad at her.

Robin #94 (1993)

I cannot emphasize this enough: she has nobody to tell. And Batman absolutely knows this.

He is emotionally vulnerable with her, expressing concern for the future and uncertainty:

Robin #92 (1993)

This moment is weird. It stands out. Stephanie seems aware of the strangeness of this moment, she reflects on it internally.

This moment parallels something in another comic. His fears and uncertainties about bringing other people into his "war"? We see a similar dialogue in the beginning of Gotham Knights.

Gotham Knights #1 (2000)

These are his uncertainties and fears that he can normally only express through creating a case file where he writes in the third person, assessing himself as Batman as if he is a completely different person. But theres no subterfuge here. He just straight up tells Stephanie Brown, utterly unprompted.

And this isn't the last time it's mentioned. At least half a year later, at the very start of War Games, the strange and scary vulnerability of this moment is still etched in Stephanies mind.

Batman: The 12 Cent Adventure (2004)

And while Batman gets to dump his insecurities on Stephanie, it's not exactly reciprocal. Stephanie expresses fear that Batman will drop her if she goes to him for help after her dad threatens to kill her. She has no feeling of security in her place on the team if she's afraid of this.

Robin #94 (1993)

And she's not even wrong about Batman's willingness to fire her at the drop of a hat, it just occurs later.

And when it occurs is important. The events of Bruce Wayne: Murderer lead to Alfred coming back into the manor and Bruce's employ. It ends with a big reconcilltion between the primary team, where Bruce explains he's been off since Officer Down.

Batman #605 (1940)

Alfred is back, no questions asked. The "real" team gets an apology and an explanation. And in other words, Batman is no longer as alone as he was before.

Everyone was locked out of the cave during Bruce Wayne: Murderer/Fugitive, but Stephanie is the only one who is not let back in once it concludes. She doesn't get an explanation, and Batman did not seem to have a plan to tell her she's been fired. She had to track him down and confront him to find out he'd given up on her.

Gotham Knights #37 (2000)

We can see how his isolation contributes to how she is treated by who is told when she is fired/sanctioned. When he brings her on the team, no one knows ahead of time. We don't see him tell anyone at all. In contrast, once his primary support system is firmly reestablished post Bruce Wayne: Murderer, Bruce separately informs Tim, Cassandra, and Alfred that Stephanie was fired. He's able to do this because his web has been repaired.

Stephanie Brown essentially fulfills the same role as the bat that Bruce talks to in Gotham Knights #18.

A new presence, unencumbered with the point of view the rest of the team has, unknowing of Bruce's history of fucking up. A sounding board, a stand in for Bruce's normal company.

Stephanie's presence perfectly satiates the contrasting impulses Batman deals with when it comes to how he interacts with other characters. Through her, Bruce can have companionship without being afraid of the danger of emotional vulnerability. She doesn't have the context, she doesn't know Bruce Wayne. She only knows Batman, and she seems pretty starstruck about finally being let on his team.

[ranchstoryblog]

Ranch Story Community Q&A Volume 3: Igusa Matsuyama Returns!

Igusa Matsuyama, the legendary artist behind the Story of Seasons series since the original 1996 game has once again agreed to a Q&A featuring questions from fans from around the world! A big thank you to all the members of the community who helped make this possible.

Some aspects of the text have been altered to match localization people are familiar with. (Japanese names to English names, for example: Bokujou Monogatari (牧場物語) was formerly localized as Harvest Moon and is now localized as Story of Seasons, etc). Images were not part of the original text and have been added as a visual aid. Though we translated as many questions as we could, we did not include questions involving personal information or regarding unannounced releases. Please understand.

If you would like to read our original correspondence (in Japanese), that will be provided in a separate post.

Additional cosplay photo provided by Foxface from our community Discord.

Translations: @artycharmy (correspondence, outline) Editing and Clean-up: Jerome, @artycharmy, and @regularcelery

——— Anonymous asks: What is the relationship between Jamie and the Harvest Goddess?

Igusa Matsuyama: Jamie was treated as a fairy or spirit. I'm sorry, but I'm not sure if there's any points that link them and the Goddess.

Editor's note: the term Matsuyama uses is "妖精."

Tomato asks: I would like to ask about what their inspiration was for the outfits designs in the original release of harvest moon another wonderful life. Since I got reminded of the girl clothing brand Mezzo Piano when looking at the I love Kuma/I love bears outfit.

Igusa Matsuyama: I remember the only thing I thought of was using Spring-like colours! (All designs were made with seasonal colours In mind) When I knew that Daachan, who was planned to be used in a lot of events, wouldn't actually play a big role in the game, I put him on the T-Shirt so he could at least get some attention as a mascot-like existence.

Pansy asks: If you were able to create your own game for the Story of Seasons franchise, with no rules or limitations whatsoever, what do you think it might look like?

Igusa Mastuyama: Since I love dogs, I'd like to try making a Story of Seasons that's set in a world just full of dogs. Though that dream of mine probably won't come true.

Anonymous asks: The look of Story of Seasons has changed a lot over the years! What would you say is more challenging to create - simple designs, where you have to work with very little space, or complicated designs, where you have to consider many little details?

Igusa Matsuyama: A long time ago there were a lot of things you weren't able to replicate in video games. There were constraints for things like the number of colours and patterns for hair styles and clothes. It was difficult to work around those constraints, but at the same time a lot of fun. Nowadays, it's the complete opposite. Now we can design anything with hardly any constraints. And unlike a long time ago, now I'm asked to make more complicated designs, like patterns and decorations. However, if it's a big request, sometimes I run into quite a lot of trouble when designing. They each have had their own difficulties.

Anonymous asks: Hello, Matsuyama! Thank you for bringing the worlds of Bokujou Monogatari to life for many years. Your art has had a huge influence on me!

One of my favorite candidates is “Rock” from “A Wonderful Life.” I’d love to know any particular influences for his character design from 21 years ago, and his new design for the remake.

Igusa Matsuyama: I was told that he was a young, wannabe playboy, so I somehow ended up with that sort of design. For the remake, I made his clothes a little looser without changing his design, so he'd look even more playful. I, too, wanted to avoid changing him as much as I could as there are other people among the staff that also like the original for his “Rockness”. So, he got that makeover after everybody shared and checked their opinions with each other.

Jerome asks: On page 130 of the "Special Comic" manga there's artwork of Super Famicom characters that have never been printed anywhere else. Do you or Marvelous still have these? It would be great to see them in more detail in the future some time.

Igusa Matsuyama: They're all characters that appeared in the SNES version of "Harvest Moon." Nina's parents, Ellen's mother, Ann's father, Maria's parents (The mayor couple). I'm sorry. My SNES illustrations have gone missing...

Raven Bloom, Ryan, and Moth ask: How did you feel when your designs for the men in A Wonderful Life were repurposed to be bachelors? What do you think of the changes made to the bachelors in the remake of A Wonderful Life? I miss the “Bruce Campbell” look Matthew used to have.

Igusa Matsuyama: Matthew (マシュー) is Masshu (マッシュ) in the Japanese A Wonderful Life (Editors note: Charmy made a careless mistake when translating the questions, sorry Matsuyama san 🫣) When I first heard this name, the first thing that came to mind was Evil Dead's protagonist, Ash. You're right. I designed him after Bruce Campbell. I still love Bruce Campbell today. When Wonderful Life was under production, I had heard they weren't going to make a girl version, so I designed him not as a love interest, but as a quirky character. Knowing that he'd appear in the remake as a marriage candidate, I redesigned him as a character that would be liked by many. I hope you can enjoy the game for its nostalgia, as well as for being a shiny, brand new release.

Salmon Axe and Anonymous ask: I personally adore Doraemon x SOS game. Are you interested in working directly with or collaborating with other franchises in the future? And is there a series outside Story of Seasons you would like to work with now as a guest artist? (Could it be Pokemon?)

Igusa Matsuyama: I've loved Doraemon manga since I was a kid! Working as a guest artist? Hmm, I'm happier being the main illustrator, so nothing in particular comes to mind. I enjoy a lot of games in my free time, such as Fallout, Far Cry and Border Lands.

Anonymous asks: Even though we never see his face, was there ever a concept of how Woofio would look without his costume?

Igusa Matsuyama: I designed Woofio as the being that is Woofio, so there's no design of him without his costume.

Idris asks: Your style has upgraded a lot over the time to match the trends. Do you think you will ever go for an old school look (early HM) for a SoS game again? What do you think is the secret to your art’s charm?

Igusa Matsuyama: What I'm particular about when designing for Story of Seasons is making characters with head/body proportions and an atmosphere that go well with that release. First, I listen to the client's request then think of a design according to that. These days, game visuals have gotten fancier and fancier, so there's not many opportunities for characters with short proportions to make an appearance. To me, what's important when designing is "playfulness." More so than "pretty" or "cool" and such, I get attached to the character, have fun making the character. I find joy in character creation itself.

MacGyver asks: Yasuhiro Wada has shared some interesting stories about how chaotic the original game's development was. Is there anything interesting you remember from around that time? 

Igusa Matsuyama: Now it's a memory I can look back on and laugh about, but I'm not sure how much I can talk about it so please forgive me. If Wada hadn't been there back then, then "Harvest Moon" wouldn't have become a thing.

Toyberb and Anonymous ask: There’s a lot of different cow designs now, which is your favorite to draw?

Igusa Matsuyama: I've loved drawing animals since I was a kid, so I love all of the cows. Although the easiest one to draw is the cow with the big nose.

Anonymous asks: Were there any games where you made designs for protagonists of genders that did not end up available to play as? (Like a girl protagonist for Save the Homeland/Hero of Leaf Valley or a nonbinary protagonist for any game before A Wonderful Life)

Igusa Matsuyama: There's so many designs that got scrapped, but as far as I recall, there's not really many where that character's setting itself was scrapped. (Excluding Thumbelina, mentioned below)

Koharu asks: Were there ever any character designs made for other older SNES characters like Ellen for 64? Some magazines had Marie with blue hair, like the SNES character, so it made me wonder if she (SNES Maria) was meant to also be there at some point.

Igusa Matsuyama: I'm not in the position to make settings or scenarios where characters from other games appear, so I can't say, but I like the idea of older characters making an appearance!

Amina/k0iisu asks: Hello! I really love Hiro’s design specifically. Could you tell me a few facts about him/his design that might not be well known information? Thank you so much! I love your art :D

Igusa Matsuyama: Thank you very much! Hiro is a future doctor, so I tried to make them look as much like a doctor as I could. Also, to make him look friendlier, I designed him as your average everyday boy you'd see in the neighbourhood. He doesn't have a flashy face or hairstyle, but he's one of my favourite designs, too. I wrote this in the guidebook too, but what I like about him is the Asian flair I added to his clothes and the spot of colour around his feet.

Bunbun asks: I'm excited for the Nendoroid that was announced of Claire! I hope there will be ones of HM64 designs too. Since you have a lot of figures on your blog, how does it feel to be able to add one of your own characters to your collection? Are there any of your other characters you hope will get figures of?

Igusa Matsuyama: A nendoroid of Claire! I'm looking forward to it too, but when is it going to be released? If it's possible, I'd like one of Woofio.

Editor's note: Preorders are open for Nendoroid Claire now!

Chickee asks: A purple-haired princess character was rumored to have existed in Harvest Moon 64, but she didn't make it to the published game. Did you create a design for this character?

Igusa Matsuyama: That's probably Princess Thumbelina. Wasn't she Incredibly small? What I designed didn't end up being used. Speaking of HM64 characters, I pushed for them to include a pet turtle, but in the end it only appeared as an ornament. For A Wonderful Life, I asked for a turtle to be included again and designed a tortoise with a scarf, but it didn't make it as a pet and appeared only as a wild turtle that walks around the pond. I'm waiting for the day they finally include a pet turtle in the game.

emery flower147 asks: omg  I saw the pics where the AWL girls are in a team and Muffy has a shotgun and stuff? Do you think any other characters would work in a cool team like that?

Igusa Matsuyama: For the Friends of Mineral Town guide book, I had the five girls, Popuri, Marie, Ran, Elly and Karen work hard as Harvest Sprites. Also, for the guide books, I drew Pete (The old male protagonist), Sarah (The GB version female protagonist), and Claire doing whatever I wanted them to. I don't know if you can call it cool or not, but it was fun being in charge of that.

Ixur asks: A lot of the PoOT character designs for the regular villagers seem more popular than the marriage candidates in my region. Is that something that's been noticed by you/Marvelous in Japan? Lars, Clemens, Beth, and Misaki for example.

Igusa Matsuyama: Marvelous doesn't really talk about that sort of thing so I'm not sure if they're aware of it or not. I don't do social media so I'm also not sure which characters are popular. I'm happy as long as the characters are liked. The design on Lars’s shirt is modeled after my beloved dog, so I’d be especially happy if you like his shirt too.

Anonymous asks: What do you think about people cosplaying your designs?

Igusa Matsuyama: It makes me very happy! I'm no good at sewing, so I really admire people who can make their own clothes. It's an honour having the designs I made be made into real clothes, and I think it's great to have fun acting out the characters.

Afro Fae asks: When creating designs for characters, how do you settle on a specific color palette? Do you take color meanings into account with a character's personality or do you go purely off of feeling?

Igusa Matsuyama: I keep in mind the overall colours the client asked for while designing. Sometimes I propose a new colour when I think there's one that fits better. I'm also careful when choosing colours and everyone's traits to make sure it's easy to tell which character is which when seen from a distance. However, in the cases of families and such, I do the opposite and give them all a common colour to give them a sense of kinship.

———

From all of us at Ranch Story, we'd like to thank Matsuyama from the bottom of our hearts for answering our questions again! Whether a fan has only just discovered the series or has grown up alongside it, so many people have loved these characters and worlds that Igusa Matsuyama brings to life, so it feels truly special to be able to have this opportunity. We'll end this article with Matsuyama's own words, as well as a parting gift.

Igusa Matsuyama: I'm so glad I could answer your questions again. I'm the one that should be saying thank you. It means the world to me knowing that everyone enjoys my illustrations! I added an illustration as thanks. I'll keep up the hard work!

[hotjaneaustenmenpoll]

Round Three Round Up!

In Round Three we were seeing double as 6 out of our 8 pairs were put against their alternative selves and we asked why not pit two bad bitches against each other ?

In the only match-up where the newer version won out we lost another one of our tournament's Mr Knightleys as you declared that riding through rain, willing to ride through worse was not enough to win your hearts - instead he must have a proper understanding of muslin! And so Mr Tilney (2007) became our first Quarter-finalist.

Mr Knightley (1996) was not alone in taking his leave of us as your votes decided that Johnny Flynn's Mr Knightley (2020) was too blonde badly done compared to Mr Knightley (2009) and must go!

Mr Elliot (2022) will be likely soon spotted in town with a Mrs Clay on his arm as though he may have proved himself the hottest of the Persuasion (2022) men he was no match for Colonel Brandon (1995). Joining him in bad-boy exile is Willoughby (2008) who could not beat the man best known as Emma Thompson's husband leaving Willoughby (1995) as the last libertine standing.

In another win for Sense and Sensibility (1995) Edward Ferrars (1995) proved that while a Wet Shirt scene written by Andrew Davies might have worked once, Dan Stevens chopping wood in the rain was too blonde not enough to prevail against Hugh Grant and the power of being married to Emma Thompson in any universe, real or imagined.

Captain Wentworth (1995) also sailed through against his 2007 counterpart as the voters told us once again that they hated blonde men if it was made in '95 that man was staying alive for another round and so Captain Wentworth (2007) becomes only a gallant Captain Wentworth, in a small paragraph at one corner of the newspapers.

In one of our tightest run polls that went back and forth several times it was Bingley Vs Bingley but in another win for the '95 contingent - the curly hair clinched it and Mr Bingley (1995) proved the victor.

And of course I must end with the biggest poll of the week, breaching the walls of our little tournament to be voted on by 28,987 tumblr users, the poll that ended in a most well deserved 50/50 split, Mr Darcy Vs Mr Darcy. How could anyone vote for THAT Mr Darcy you yelled at each other - HAND FLEX! WET SHIRT! you cried! But when push came to shove despite 14,484 of you declaring that you loved him most ardently 14,503 of you had decided he was the last man on earth who you could ever be prevailed upon to marry and left that wet cat out in the rain. And so, though we offer him a most cordial curtsey we must say goodbye to a very worthy loser Mr Darcy (2005).

Thank you for all the excellent propaganda sent in - I will be taking a days break before putting up the Quarter-final polls, giving you until Thursday to send in any propaganda you want included on the main poll posts and me time to add it! But for now we must once again say...

Farewell Gentlemen!

[lowliest-manifestations]

Okay! I'm finally putting together some of my more specific Bending the Willow thoughts and this passage:

"Perhaps it was as Jeremy Brett noted: 'Women want to possess him, while men want to be him.' There is certainly some truth in that statement, but the idea is incomplete. I believe male readers not only identify with Holmes, but also experience, in the same way that D. H. Lawrence identified what he referred to as a 'blood consciousness' between men, a kind of spiritual closeness akin to love."

Is making me the kind of insane that makes me want to write like 17 essays. But in absence of the time needed to actually do that here are some of my main thoughts in a more disorganized fashion:

Overall I've noticed a really wild amount of gender essentialism within Sherlockian communities/ scholarship, and I know that a lot of that can be chalked up to the fact that even modern writings are done mostly by older white men, but I also think there's something about the text itself that encourages this. Sherlock Holmes is pretty fucking victorian about gender (Irene Adler occupies a weird space but I do not believe she is in any way exempt from those attitudes.) and I think sometimes scholars find themselves reflecting the values of a text that they do not want to admit is imperfect.

I think this passage pinpoints exactly how a lot of people gender their expectations of how reader are to interact with Sherlock Holmes and texts like it, and Sherlock Holmes in turn becomes kind of weird for women to interact with. For the most part people want to see themselves somewhere in the text, but women in particular are told that we cannot find ourselves within the main character. Some people may be fine with that, lots of people don't want to relate to Holmes and their enjoyment of the text does not come from seeing themselves in that particular character. Some women also genuinely want to relate to the text by fantasizing about being in a relationship with Holmes, and more power to them, but their feeling is not a default, no matter how hard anybody pretends it is.

The fact is that plenty of women do want to be Holmes, and they face an interesting dilemma if they are trying to hold that while still operating under the framework hinted at in this passage. Instead of projecting onto him directly they must find ways to be close to him, be a reflection of him, be him but a girl (without replacing him! don't worry!). I think that's why there's sooo much fiction out there about secret sisters, female apprentices, wit-matching lovers etc. (I myself would pretend to be Sherlock Holmes' secret daughter as a kid. I bought into this shit!)

This framework is also not particularly normal about men who may not see themselves in Holmes at all and who may, in fact, also be capable of fantasizing about having a relationship with him! Queer men exist! (within this passage in fact.) And I know Stuart Davies did not mean to acknowledge this when he wrote of "a kind of spiritual closeness akin to love." but he does put it somewhat homoerotically in a way that left me reeling a little bit.

I do understand the feeling described by Stuart Davies, even if the way he writes of it makes me laugh a little in its dramatics. I simply do not think it is a feeling exclusive to men... I don't think any feelings are exclusive to any gender. And in the end I think that's the idea that really frustrates me.

Of course this passage is also from 1996, it's a product of its time, I get it. I also know that people have had More expansive/critical/interesting ideas about Sherlock Holmes in relation to gender before and since it was written, and I don't think it reflects what everyone really believes. BUT I do think it hit the nail on the head of a phenomena I have noticed since childhood and affirmed that I wasn't imagining things. While also being. Kind of funny.

[agendabymooner]

the royal resemblance ! esteban o. x ofc (british princess!ofc)

summary: albertine (spencer) ocon lived to give her estranged family a heart attack by simply existing and giving birth to a daughter who looked so much like her... and her mother.

OR the youngest royal and the alpine driver had finally set their boundaries when it came to the british royal press as a way to maintain the privacy that they had managed to preserve throughout their years of relationship and marriage.

content warning: use of explicit language, princess ofc with a lack of princess manner (aka being more upfront), dad!estie x mom!ofc, fluff?? fictional news articles + posts

note: i need to post this otherwise my storage will continue to be full as hell 🤡

masterlist

THE FAST LANE DAILY

PRINCESS ALBERTINE MAKES GRAND ENTRANCE AT STATE BANQUET, WEARING DIANA-INSPIRED ATTIRE

london, uk - in a stunning display of elegance and style, princess albertine, the youngest daughter of king charles iii, attended the highly anticipated state banquet alongside her husband, french formula one alpine driver esteban ocon. the event marked the first time the couple appeared together as a married couple, capturing the attention of the media and royal enthusiasts alike.

princess albertine, born in 1996, has had a unique journey within the royal family. her custody was passed to her maternal grandmother and eventually to her uncle, leading her to distance herself from her royal title. instead, she chose to use the surname spencer, a nod to her mother's family. however, after tying the knot with ocon, she decided to adopt his surname, solidifying their union.

the british media had been eagerly awaiting a glimpse into the couple's private life, but it was not until three months after their wedding that princess albertine and ocon officially announced their marriage. this secrecy only added to the intrigue surrounding their relationship.

princess albertine had previously declined offers to attend the state banquet on two occasions. however, with the assurance that her brother, prince harry, would also be in attendance, she finally accepted the invitation, making her presence known in a truly unforgettable manner.

stepping into the grand hall, princess albertine made a striking entrance, wearing a dress reminiscent of her late mother, princess diana's iconic style. her haircut, bearing a striking resemblance to diana's, caused a stir among attendees, including her father, king charles iii, and her brother, prince william, the prince of wales.

to complete her regal ensemble, princess albertine donned a breathtaking aquamarine tiara, drawing attention away from the working royals, including queen camilla. the tiara, a personal collection piece, was a gift from dodi fayed's father, who maintained a connection with albertine despite the tragic loss of both her mother and his son. complementing the tiara, she wore a set of aquamarine jewelry, including a wedding band that matched ocon's, which held sentimental value as an heirloom from diana.

the couple's appearance at the state banquet as a married couple was met with great excitement and speculation. many believe that such a rare occurrence would not have taken place had prince harry not been in attendance as well. the presence of both siblings added an air of unity and significance to the event, captivating the attention of all those present.

as princess albertine and ocon gracefully mingled with dignitaries and fellow guests, their radiant presence and homage to princess diana's legacy left a lasting impression. their appearance at the state banquet not only showcased their love and commitment but also hinted at a new chapter in the royal family's history, one that embraces change and celebrates individuality.

with their enchanting presence, princess albertine and ocon have undoubtedly left an indelible mark on the hearts of the british public, reigniting the fascination and admiration for the royal family.

THE FAST LANE DAILY

 PRINCESS ALBERTINE AND ROYAL FAMILY'S PLAN FOR LIMITED NEWS COVERAGE

in a surprising turn of events, princess albertine, a member of the british royal family has expressed her lack of connection to her father, king charles iii, and her desire to lead a normal life away from the public eye. despite her lack of close relationships within the royal family, the palace has announced plans to provide limited news coverage about her and her family.

princess albertine's custody was passed to her maternal grandmother following the tragic death of her mother, diana spencer, in paris in 1997. at just one year old, she was separated from her father, resulting in a distant relationship with the royal family. her only remaining connection, prince harry, has also distanced himself from the family.

recently, princess albertine made headlines for her portrayal of her late mother, princess diana, in the popular television series, the crown. the palace remained tight-lipped about the news, while insiders expressed disappointment over the portrayal, hinting at the royal family's disapproval.

despite her strained relationship with her father, princess albertine has managed to retain her royal title, thanks to a strategic divorce between her parents shortly after her birth. this decision ensured the preservation of her legitimacy and her connection to charles' bloodline.

in a surprising twist, princess albertine secretly tied the knot with esteban ocon, a formula one driver. the couple managed to keep their marriage under wraps for three months, evading the prying eyes of the british media. this unexpected union further solidified princess albertine's desire for privacy and independence.

expressing her desire to distance herself from her family's public relations agenda, princess albertine has made it clear that she wants no involvement with the royal family. while the palace has agreed to respect her wishes, they have also stated that certain announcements will be made on her behalf. however, they have emphasized that no further details will be provided, allowing princess albertine the opportunity to discuss these matters herself.

princess albertine and her husband, esteban ocon, are not pleased with this arrangement but reluctantly agreed to the clause in order to appease the royal family. it is evident that they wish to maintain control over their own lives and decisions, free from the constraints of the palace's public relations machinery.

as princess albertine and esteban ocon navigate their newfound marriage and life together, it remains to be seen how they will handle the delicate balance between their desire for privacy and the royal family's need for limited news coverage. the world eagerly awaits any further developments from this intriguing royal couple.

THE BUCKINGHAM PALACE'S ISSUED STATEMENT - MAY 2026

THE BUCKINGHAM PALACE'S ISSUED STATEMENT - JANUARY 2027

MAY 2027

tagged albertinespencer

liked by mickschumacher, lance_stroll, pierregasly

user1 HER NAME IS DITTY I LOVE THAT SO MUCH 😭

user2 ok but who'd name their baby ditty? bffr

user3 gurl albie's cousin is literally named kitty fuck outta here 😩

user4 little albie 🤩

mickschumacher itty bitty ditty 😍 liked by estebanocon

user5 itty bitty ditty???

lance_stroll i cannot believe she had grown sooo much ugh 🥲 are you sure she's still not allowed to the paddock? liked by estebanocon

albertinespencer what's in it for the tired parents?

lance_stroll uncle lance as a date night babysitter?

albertinespencer i can take that

pierregasly i'm so excited to take her on a bicycle ride around the track liked by estebanocon

lance_stroll cool story pierre but i have a basket to put her in on our bicycle ride, what do you have? liked by estebanocon

mickschumacher that's cool but uncle mick already got a wagon in the merc garage to put her in for a ride 😎 liked by estebanocon

mercedesamgf1 mick if there's a report of a break-in in our garage we are blaming this on you- we've told you about the wagon in secret

user6 i live for the grid uncles comments

user7 she is princess d coded 👑

albertinespencer she's just cheering for her papa in here, don't mind her 🤔😍 liked by estebanocon

estebanocon my number one fans ❤️

albertinespencer once an ocon fan, always an ocon fan 💖 liked and pinned by estebanocon

charles_leclerc so glad to be there for her christening, lad! liked by estebanocon

landonorris the all-white party- so iconic liked by estebanocon

estebanocon glad you guys could make it before the pre-testing!

albertinespencer she def loves all of you!

landonorris she better- otherwise idk why i had a little mclaren car made for her

tagged estebanocon

liked by charles_leclerc, kitty.spencer, maxverstappen1

comments have been limited

maxverstappen1 she's the sweetest girl ever 😍 liked by albertinespencer

albertinespencer just say that you're glad she hasn't thrown up on you 🤣

maxverstappen1 no i'm relieved though 😅

kitty.spencer i should fly to switzerland just to spend more time with ditty 😊 liked by albertinespencer

albertinespencer please!!! it's becoming more boring without estie here 😄

kitty.spencer omw my love!!! 💖

oscarpiastri born in 31st? esteban's driver number? sheesh, a dedicated fan you've got there albie liked by albertinespencer

albertinespencer she's an absolute devotee 🤪

landonorris she's the frenchest british princess ever tbh 😕🤭 liked by albertinespencer

albertinespencer she's born in switzerland but word ig 🤠

lewishamilton sending my love in her way!!! ❤️ liked by albertinespencer

albertinespencer thank you lewis! though, you meant it in a metaphorical sense right because i just received a package of baby mercedes things in here with your name on it 🤔

lewishamilton busted 😅

alpineracingf1 lewis please ditty's dad drives for us

estebanocon i love her so much i wish i can come home and ditch the triple header 😕😭 liked by albertinespencer

albertinespencer it's not encouraged but it is an option...?

alpineracingf1 albie we still need to make you and ditty proud please don't encourage him

PS albie and estie's baby

diana marie-françois elisabeth 'ditty' ocon

[geekgirl750]

Random details I noticed in Scream after watching it for the umpteenth time.

First:

Stu has a dog?!

In the final confrontation scene in the kitchen before Stu brings out Sidney's dad I noticed that there was a note written on the white board behind him

Here it is in more detail, although the quality isn't the best as I had to screenshot the scene from YouTube:

When I paused to read it in the actual film I was able to make out most of the note except for the small writing in the upper right (Which I think is either a phone number or date) but I'm pretty sure the note reads:

"Hi Stu, Sorry we missed you today. We'll be back Sunday. Be good! Love mom & dad. P.S. feed the dog."

The last line I wasn't sure about because it was blurry but I matched the note from this shot to the shot where Stu is sitting at the desk on the telephone and sure enough the last line is "P.S. Feed the dog"

So basically, Stu canonically has a dog which I think is super funny because it makes me wonder where the dog was during the party and what type of dog it is.

It also makes more sense for the dog door in the garage that Tatum tries to crawl through to be put there for the Macher's family dog rather than the cat.

Side tangent head cannons:

The orange cat we see run out before Tatum is killed in the garage belongs to Stu's sister Leslie and has a basic name like Marmalade or Garfield

Stu is 100% a dog person and hates his sister's cat because its tried to scratch him on a number of occasions and now he's lowkey afraid of it

That's why when he's left home alone he doesn't really watch the cat and lets it do as it pleases. (His sister is adamant that the cat is indoor only but Stu is kinda careless lets the cat roam free outside through the dog door)

The Macher's family dog is either a basic crusty ass white dog that belongs to his mom and has a ridiculously fancy name like Princess or Dutchess

Or the dog is something small and hyperactive like a Jack Russell that Stu used to play fetch with and run around with in the backyard as a kid

Like I said before I feel like the Machers aren't super creative with naming their pets. If the dog is a boy his name is probably Max or something like that.

Okay second thing:

I never noticed this but you can see Randy dancing with/ flirting with a girl at the party when Sid and Tatum first walk in

And then later that girl is being led away by a different guy so I guess Randy struck out twice that night lol

(Also peep Stu and Tatum flirting/ kissing in the lower left)

Thirdly:

In the garage scene after Ghostface first cuts Tatum's arm she stumbles backwards and bangs into a bike

This is more of a head canon than anything but I noticed that the bike is more feminine in coloring (shades of red and purple) so it makes me wonder if it belongs to Stu's mom or maybe his sister.

Lastly,

The layout of Stu's house makes no sense!

So I'm going to make another longer post about this because I spent like an hour last night comparing shots from Scream 1996 to shots from Scream 5 to get an understanding of the Macher house because it's almost labyrinthian in it's layout, especially the upstairs, but I'm pretty sure there's no way that house has 3 bedrooms if Stu's sister is supposed to be canon.

Anyways, here are a couple details I noticed that I thought were interesting:

I think the house has an intercom system! You can seen what looks like speaker/receiver on the wall behind the lamp in Stu's room as Sidney runs by it.

Lastly,

The Macher house has a back stairwell!!!

So I've watched this movie a bunch of times and I always thought that there was a door in the kitchen that led directly to the garage but that's NOT TRUE!

When Tatum goes to get the beer for Stu you can see that the kitchen is connected to the dining room and off the dining room is a door that leads into a laundry room/ mud room.

To Tatum's right you can see what looks like an ironing board and then a set of railings/steps which I'm assuming is a back set of stairs that leads to the upper floor.

You can see again in the reverse shot that the door that gets locked behind Tatum isn't actually the kitchen door but the door to the laundry room in between the garage and the kitchen .

Seeing this changed my whole perception of Tatum's death scene because I was always like how did no one see Ghostface sneaking around the party, whether it was Billy or Stu, and not realize when he goes back inside after killing Tatum rather than leaving through the garage. Now I think it's because whoever was Ghostface never actually cut through the party at all.

HE WENT UP THE BACK STAIRS!

And the layout of the laundry room would have hidden him from view of the kitchen as he would have behind the wall and out of sight.

I want to go more into detail about the logistics about how I think Billy and Stu got around the house as Ghostface as well as the entire layout of the house in a second post because I think the set design is so interesting but for now these are just some cool things I noticed that I wanted to share.

[art-that-fucks-you-up-tournament]

SET NINE - ROUND ONE - MATCH SIX

"Siroče na maj��inom grobu (Orphan on Mother's Grave)" (1888 - Uroš Predić (Урош Предић) / "You Make My World a Better Place to Find" (1996-1998 - Dario Robleto)

SIROČE NA MAJČINOM GROBU (ORPHAN ON MOTHER'S GRAVE): This painting by Uroš Predić fucks me up every time. It's called "Siroče" so in English it would be "Orphan" and you can tell. You can tell. The kid is freezing cold and sleeping on their parents grave it makes me want to curl up into a ball and sob. (@flemmboyant)

YOU MAKE MY WORLD A BETTER PLACE TO FIND: To me, this piece is all about showing people you love them. I have never been good at telling people how I feel, and so I have always tried my hardest to show it, and this spool of thread shows love more than anything I've ever seen. What is more essential than warmth? If nothing, then how can we show our love for someone more than by taking pieces of them and using them to fix our blankets and mittens? How can we say "I have used pieces of you to fix my clothes, and now carry you wherever I go" and not mean "I love you"? (@tofuapathy)

("Siroče na majčinom grobu (Orphan on Mother's Grave)" is a painting by Serbian artist Uroš Predić. It is held by the National Museum of Serbia.

"You Make My World a Better Place to Find" is a mixed media piece comprised of lint, thread, various debris and particles, and the artist's grandmother's antique wooden spool. The artist, Dario Robleto, spent two years collecting detritus from friends, acquaintances, and strangers without their knowing, turning the result into thread, and then repairing a number of objects with the thread. The spool is 1 1/4 x 1 x 1 in (3.2 x 2.5 x 2.5 cm), and is held by the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College.)