#marked as complete

[zukkaoru]

"please update!!" bestie this is a oneshot.. it's done. it's over. and not only is it clearly marked as such, but one of the two main characters straight up DIED. what more do you want me to add

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[spiderdotexe]

when the elevator is regretful

[demigod-shenanigans]

POV: all members of the Lost Trio are queer and also idiots <3

Leo: I don’t pay attention to what other guys look like. That’s probably because I hang out with Jason! [cue description of Jason.] How will I ever get a girlfriend if he’s constantly hanging around me being all handsome and heroic?

Piper: I haven’t stopped thinking about Reyna since I met her in New Rome. Sure, Jason has repeatedly stated that he’s not romantically interested in her, but like. Reyna is literally perfect? She’s so beautiful and powerful? How would she not be on his mind all the time??

Jason: I met Cupid and one of the first things he asked me was if I was still doubting myself. My friend was outed and I’ve had an unshakable urge to tell him that I get how he’s feeling since. Also yes I still remember the outfit Leo was wearing when we met several months ago vividly. For no reason.

��———

I have the book scenes for all of these btw. Just posting this version for now because the other post would be very long

[buggachat]

Part 178 of my bakery “enemies” au!

baking montage!

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Kofi

[helenofsparta2]

R.I.P. the version of Percy Jackson, who spoke competently in front of the senate, fairly easily ridiculed Octavian, and managed to sway the romans to his side simply by providing good arguments and being a natural born leader in Son of Neptune, you will always be famous to me

[eyesore-boi]

Me when I'm about to reunite with my childhood friend whose been spending possibly an eternity in a constant loop just to tell him he's going to be the villain in my super cool original story:

(I've seen this screenshot being pased around, but i've yet to see one directly relating to these two chucklefucks, so....i'll do it myself-)

[boonanaghost]

Obligatory end of pride month saw painting practice

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[artilite]

some sopping wet napkins <333

[sammaxxing]

saw 3d as a movie 😑 saw 3d as a concept 🫢

[fifthnailinstevesbat]

thinking about steve in that first scene in nancys bedroom back in season one. thinking about how goofy and flirty and charming and playful he was being. thinking about him being like that with eddie, and how eddie would react to that version of steve. the whole talking in a silly voice, acting as that stuffed bear, the whole “bad steve :( don’t do that to miss nancy :( “ and “you are beautiful nancy wheeler”.

eddie plays dnd, even more so, he DMs dnd games, he stands up on tables in cafeterias and makes big theatrical scenes to rant about issues he has strong stances on — that man knows how to put on a show, and enjoys to watch one too. see: immediately accepting erica into hellfire as a replacement after seeing her go on one of her tangents, showing off her attitude and how she isn’t afraid to get in your face to get her way. he LOVESS that shit. lives for it. seeks it out. so when steve starts getting like that around him he would just crumble immediately i just know it.

[vcrnons]

MARK's acrostic poem for ❛ WALK ❜. *other cereal brands are available.

[miss-galaxy-turtle]

REX JUST WANTED ONE NORMAL NIGHT WHERE THEY ALL GOT TO CHILL AND NOW HE'S THE ONLY GUARDIAN LEFT ON EARTH AND THE OTHERS HAVE NO IDEA-

[afacelesschampion]

DUNE: PROPHECY | Official Teaser

10,000 years before the birth of Paul Atreides, before the universe knew them as the Bene Gesserit…

[mohntilyet]

rook being such a nobody and surrounded by more influential companions right after the obviously well known inquisitor could be really cool actually. that conversation w solas 'what will they call you after this is done' <- NO FUCKING CLUE LOL!! the idea that this millennia long, world-ending story of gods and a herald being controlled for a moment by a nobody is incredible. they start as an irritant and end having saved the world. nobody thanks them. they go back home. maybe they're literally wiped off the face of the world when they're trapped in the fade with the dread wolf! and most of all, their name is not remembered. literally, because they become a 'rook' to the inquisitor's king.

like i’m actually really liking the idea that the inquisitor and rook get conflated into the same person by the public and by history, and what little agency they had is taken away. you were never in control of this story. your narrative will be written by other people, just like every figurehead that came before you. you are not the chosen one. the choice to have faded out and see the irrelevancy as a boon, or struggle to make your name known (not rook, not the nickname, not the title) would have been so. interesting.

veilguard is a heroic story (and the game doesn’t even let you be rude most of the time) that has to end heroically (the evanuris are defeated in some way, the last archdemon dies, and most rooks climb down from minrathous to literal cheers and applause) but the hero themself is forgettable. narratively that could have been so funnnn. but it wasn’t on purpose so it just feels hollow.