#marked as complete

[zukkaoru]

"please update!!" bestie this is a oneshot.. it's done. it's over. and not only is it clearly marked as such, but one of the two main characters straight up DIED. what more do you want me to add

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[spiderdotexe]

when the elevator is regretful

[demigod-shenanigans]

POV: all members of the Lost Trio are queer and also idiots <3

Leo: I don’t pay attention to what other guys look like. That’s probably because I hang out with Jason! [cue description of Jason.] How will I ever get a girlfriend if he’s constantly hanging around me being all handsome and heroic?

Piper: I haven’t stopped thinking about Reyna since I met her in New Rome. Sure, Jason has repeatedly stated that he’s not romantically interested in her, but like. Reyna is literally perfect? She’s so beautiful and powerful? How would she not be on his mind all the time??

Jason: I met Cupid and one of the first things he asked me was if I was still doubting myself. My friend was outed and I’ve had an unshakable urge to tell him that I get how he’s feeling since. Also yes I still remember the outfit Leo was wearing when we met several months ago vividly. For no reason.

————

I have the book scenes for all of these btw. Just posting this version for now because the other post would be very long

[buggachat]

Part 178 of my bakery “enemies” au!

baking montage!

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Kofi

[boonanaghost]

Obligatory end of pride month saw painting practice

[eyesore-boi]

Me when I'm about to reunite with my childhood friend whose been spending possibly an eternity in a constant loop just to tell him he's going to be the villain in my super cool original story:

(I've seen this screenshot being pased around, but i've yet to see one directly relating to these two chucklefucks, so....i'll do it myself-)

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[helenofsparta2]

R.I.P. the version of Percy Jackson, who spoke competently in front of the senate, fairly easily ridiculed Octavian, and managed to sway the romans to his side simply by providing good arguments and being a natural born leader in Son of Neptune, you will always be famous to me

[artilite]

some sopping wet napkins <333

[sammaxxing]

saw 3d as a movie 😑 saw 3d as a concept 🫢

[fifthnailinstevesbat]

thinking about steve in that first scene in nancys bedroom back in season one. thinking about how goofy and flirty and charming and playful he was being. thinking about him being like that with eddie, and how eddie would react to that version of steve. the whole talking in a silly voice, acting as that stuffed bear, the whole “bad steve :( don’t do that to miss nancy :( “ and “you are beautiful nancy wheeler”.

eddie plays dnd, even more so, he DMs dnd games, he stands up on tables in cafeterias and makes big theatrical scenes to rant about issues he has strong stances on — that man knows how to put on a show, and enjoys to watch one too. see: immediately accepting erica into hellfire as a replacement after seeing her go on one of her tangents, showing off her attitude and how she isn’t afraid to get in your face to get her way. he LOVESS that shit. lives for it. seeks it out. so when steve starts getting like that around him he would just crumble immediately i just know it.

[vcrnons]

MARK's acrostic poem for ❛ WALK ❜. *other cereal brands are available.

[afacelesschampion]

DUNE: PROPHECY | Official Teaser

10,000 years before the birth of Paul Atreides, before the universe knew them as the Bene Gesserit…

[pedanticat]

While the breakup was inevitable (especially if you read the comics), I think the show handled it phenomenally with it being even better than how it was done in the comics. Steven Yeun and Zazie Beetz absolutely killed it in this scene with you really being able to hear the heartbreak in both of their voices as Mark and Amber realize that for as much as they love each other, they can't make this relationship work. Then you have the "I can't live in your world, I want to, but I can't." which👏👏👏. That is some absolute peak writing. I haven't consumed many stories that actually treat the breakup as a heartbreaking moment for both characters involved since it's usually just treated as a minor obstacle to prevent the main romance from happening sooner. While I'm fine with that in some cases, I feel like it's a disservice when the main character's temporary love interest is a genuinely interesting and fun character who has a good rapport with them. In that same regard, it has been a nice change of pace to see characters who do care for each other attempt to make things work and talk about the issues before accepting that what they have just isn't going to work.

It's also a good commentary on the nature of superhero/civilian relationships since while someone like Debbie was able to handle the stress of it, Amber isn't able to do so. And that doesn't make her weak or a pushover, it makes her human because not everyone is built to handle that kind of life and it's totally understandable.

[miss-galaxy-turtle]

REX JUST WANTED ONE NORMAL NIGHT WHERE THEY ALL GOT TO CHILL AND NOW HE'S THE ONLY GUARDIAN LEFT ON EARTH AND THE OTHERS HAVE NO IDEA-