#marcel meyer

[stadiumgods]

marcel meyer

[schuetzenverein-wiefelstede]

Marcel Meyer regiert die Wiefelsteder Schützen

In Wiefelstede wird groß Schützenfest gefeiert. Wer wurde Schützenkönig? Wiefelstedes fünfte Jahreszeit steht bevor: Vom 11. bis 14. August wird das 130. Schützenfest auf dem Festplatz an der Gristeder Straße gefeiert. Bevor der Ort vier Tage Kopf steht, haben die Schützen am Samstag aber erst einmal ihr neues Königshaus ermittelt.   Königsschießen Mit drei Böllerschüssen wurde am Samstag das…

[yumr11]

[ftm-megamind]

i assigned some of the newsies bugs that i think they would be and made it into a presentation and i think the world deserves to see this. so bugsies below cut

idk if i should put a warning but there's literally a bug on every single picture so i mean. bug warning

[cheminer-poesie-cressant]

.

retour de soleil

.

Remonte le flot des notes qui s'agitent avec exactitude,

gravis la musique jusqu'à sa portée essentielle,

prometteuse et divine,

retrouve la pureté culminante, l'égale de la nature mélodieuse !

.

(Dans la portée des ombres, extrait)

© Pierre Cressant

(samedi 8 octobre 2005)

[ummm-okay]

ONE CHICAGO EDITS

castle on the hill

intelligence x bluey

i will be your sister

i’m happy for them

deja vu

every universe

[fuzzysparrow]

Bauhaus

Why did a movement shaped in a socialist-driven European climate so heavily influence corporate America? This essay, written in 2011, discusses what the Bauhaus was, when it was founded, and the people related to it. It will also look at how Bauhaus influenced America. The Bauhaus was a school of art and design, which was founded by Walter Gropius (1883-1969) in Weimar, Germany in the year 1919,…

[intellectures]

Die Geburt der Moderne

In diesem Jahr feiert das Bauhaus sein 90-jähriges Jubiläum. Ohne die deutsche Hochschule für Gestaltung wäre die moderne Kunst und Architektur der Gegenwart nicht denkbar. Continue reading Die Geburt der Moderne

[thinkingimages]

Gherasim LUCA (Bucharest, 1913 - Paris, 1994)

Madeleine, undated, autograph manuscript, images cut from magazines with autograph poem, ms 860

Of Romanian origin, Gherasim Luca established close ties with French artistic circles in the early 1930s, most notably with the Surrealist group, before settling permanently in France in 1953.

Described by Gilles Deleuze as "the greatest poet of the French language", Luca developed a work of "limit-hero", to use the title of one of his works (1953), where the deconstruction of language is based on the refusal of political, identity or ethical categories and the recourse, twenty-five years before Deleuze and Félix Guattari, to the notion of anti-Œdipe. His atypical path, where the creative process is inseparable from his personal life, naturally led him to transpose his poetic experiments into the visual arts. In particular, from 1945 onwards, Luca began a series of collages - in which this autograph manuscript is included - made from photographs of various illustrations or, more importantly, reproductions of paintings, cut into squares of equal dimensions. Luca then glued these squares side by side to form a new, original and surprising image, following a process deeply inspired by the Surrealists. He gave these works the name "cubomania", a way of recalling the founding role of the square shape but also probably a way of mocking the heirs of cubism. Beyond the influence of the Surrealists and Marcel Duchamp's scandalous L.H.O.Q. (Musée National d'Art Moderne, Paris, 1919), Luca's "cubomanias" feature a personal dialogue with the most famous works of art of the past, from Leonardo da Vinci to the van Eyck brothers, Caravaggio and Ingres. This manuscript joins one of them acquired in 2019, Madonna of the Bourmestre Meyer (after Holbein).

[germanpostwarmodern]

For the most part of his career Walter Gropius relied on the supporting hands of trusted partners: being more of a creative communicator than a gifted draftsman, Gropius needed sparring partners to visualize his ideas. In Adolf Meyer, Maxwell Fry, Marcel Breuer and later the partners in The Architects Collaborative Gropius found just that and thus it’s no wonder that in his introductory essay to the present volume he addresses the issue of teamwork: “The Architects Collaborative 1945-1965”, published in 1966 by Niggli, a beautifully and comprehensively illustrated retrospective of 20 years of TAC. The volume documents the considerable output of the firm as well as the great variety of projects TAC completed in just two decades, among them office buildings like the PAN-AM tower in New York, the Gropiusstadt in Berlin, churches, embassies, hospitals, libraries, hotels etc. etc. An obvious focal point of TAC was the design of schools and universities that in many examples from all over the world appear in the book and represent a bridge between Gropius’ magnum opus in Dessau and his postwar work.

A beautiful, neatly designed classic and a long overdue addition to my library.

[schuetzenverein-wiefelstede]

Unsere Königshäuser 2023

  SchützenklasseKönig: Marcel Meyer1.Ritter: Timo Gonnsen2.Ritter: Klaus Schweers DamenKönigin: Mareike Piesche1.Hofdame: Ina Wefer2.Hofdame: Nina Ahlers JuniorenKönigin: Malihe Gholami1.Ritter: Matthis Popken2.Ritter: Jonas Eberlei SeniorenKönig: Peter Schrauwen1.Ritter: Helmuth Gorath2.Ritter: Georg Janßen Schüler/JugendKönigin: Marlene Martens1.Hofdame: Geeske Wilkens2.Ritter: Tamme…

[yumr11]

Borussia Dortmund v SV Werder Bremen [October 20, 2023 ]

[lydiamaya-main]

Football clubs as baby : Borussia Dortmund

Jude Bellingham 💛🖤

Giovanni Reyna 💛🖤 (The boy in most left is him, I think)

Marco Reus 💛🖤

Nico Schlotterbeck 💛🖤

Gregor Kobel 💛🖤 (1st pic from around 2016/17)

Mateu Morey 💛🖤

Salih Özcan 💛🖤 (From around 2015/16)

Mahmoud Dahoud 💛🖤 (Fruthest I could find, first pic from 2013)

Sébastien Haller 💛🖤

Thorgan Hazard 💛🖤 (The child in the middle is him)

Rafaël Guerreiro 💛🖤

Mats Hummels 💛🖤

Marius Wolf 💛🖤

Youssoufa Moukoko 💛🖤

Julian Brandt 💛🖤

Anthony Modeste 💛🖤 (Fruthest I could find, first pic from 2008)

Donyell Malen 💛🖤

Emre Can 💛🖤

Thomas Meunier 💛🖤 (First pic from 2011)

Niklas Süle 💛🖤 (First pic from 2011)

Karim Adeyemi 💛🖤

Felix Passlack 💛🖤 (First pic from 2016)

Abdoulaye Kamara 💛🖤 (He's 18 now, first pic is from when he was 15/16)

Alexander Meyer 💛🖤 (I tried to find a baby pic of Alex, but couldn't ���. So have a picture of Alex being cool)

Marcel Lotka 💛🖤

Tom Rothe 💛🖤 (He's 18 now, first pic is from 2020)

Luca unbehaun 💛🖤 (First pic is from 2017)

Göktan Gürpüz 💛🖤 (1st pic from 2021, he's 19 now)

Jamie Bynoe-Gittens 💛🖤 (First pic is from 2019, he's 18 now)

Soumaïla Coulibaly 💛🖤 (He's 19 now, first pic from 2020)

(Missing some people because I couldn't find good enough pictures 😞)

[booklovershouse]

Oieeee, booklovers!

O post veio meio tarde, mas veio e é isso que importa kkkkkkk Pior que foi uma luta pra achar os livros que li pq parece q o Skoob tem algo contra terminar livro no dia em que começou, ent as datas acabaram meio bugadas 🤡

🌻| (In) Sensibilidade - Lola Luz (01)

Págs: 67 | Classificação no Skoob: 2,4★| Nota: 1,5★

Sem querer ofender, mas ofendendo, o livro parece que foi escrito por uma garota de 12 anos. É aquela clássica história: a nerd e o bad boy e a personalidade dos personagens é basicamente isso. Só.

Tem vários palavrões e o romance veio literalmente do nada. Tipo, ele xingou ela por anos, aconteceu uma coisinha e aí ela perdoou e levou numa boa.

🍁| Da Mesma Cor - Giovana Fochi (01)

Págs: 50 | Classificação no Skoob: 4,6★| Nota: 4,5★

" Vincent sorriu e eu queria ter odiado aquele sorriso."��

Depois de uma tistreza como o livro anterior, o mínimo que eu poderia fazer era ler algo descente. E Da Mesma Cor foi mais do que apenas descente.

Simplesmente amei a escrita da autora, me envolveu completamente. Os personagens foram bem construídos, para um livro tão curtinho, e o casal me lembra a Anne e o Gilbert (da série) versão anos 80.

Tem o enemies to lovers, a ruivinha órfã e estressadinha com o moreno levemente doido e de bem com a vida. Só não dei 5 estrelas pq o final é "aberto."

• Pra qm não viu, já falei dele aqui ;)

🌻| A Última Livraria de Paris - Marcelle Lopez (04)

Págs: 38 | Classificação no Skoob: 3,9★| Nota: 5★

"— O que a faz pensar que estou em uma guerra contra livrarias, Elyna?

— A minha foi a única que sobrou.

— Talvez eu quisesse lhe dar mais clientes." 🦋

Outro enemies to lovers nacional de respeito! Não entendi pq a média geral no Skoob é tão baixinha, achei o livro incrível, lembra aqueles filmes de comédia romântica da Sessão da Tarde - e me passou uma vibe Cartas para Julieta.

Como podemos ver, envolve ✨livrarias em Paris✨. A última delas pra ser mais exata, após todas as outras fecharem misteriosamente.

O mistério não é lá essas coisas, mas o romance é fofinho e clichê <3

🍁| Cecília Vargas em: Incêndio na Casa Grande - Kézia Garcia (06)

Págs: 131 | Classificação: 4,2★| Nota: 4,5★

"— Parece que você andou perguntando sobre mim por aí. Não sei se deveria ficar lisonjeado ou preocupado.

— A única razão para você ficar preocupado é se tiver algo a esconder."🍂

Apesar do mistério/romance não ser nada muito incrível ou espetacular, ainda achei a escrita da autora muito boa e a Ceci me divertiu muito kkkkkk

Foi meu primeiro livro da Kézia e me deixou com uma impressão muito boa dela, tanto que li outros dois no mesmo mês.

A Ceci está indo passar um tempo na casa dos avós, em Itaipaema, onde crimes nunca acontecem. Ao menos, isso é o que dizem.

Por falar nisso, parece que o segundo volume vem aí hein, vou ficar de plantão na Amazon ;)

🌻| Renegados - Marissa Meyer (17/10 - 20/10)

Págs: 512 | Classificação: 4,4★| Nota: 4,5★

"- Está todo mundo bem?

Nova abriu bem os braços.

- Estamos presos em um prédio em chamas. O que você acha?"💫

Nesse mundo, existem três opções: ser um renegado e sempre salvar o dia (ainda que seguindo um monte de regras que atrapalham suas missões), ser um vilão e estragar o dia (embora essa seja a visão dos renegados, pq nem tudo é tão simples assim) ou ser uma pessoa normal esperando ser salva (mesmo quando poderia muito bem se salvar sozinha).

Mas, nesse mundo, também há exceções e essas exceções se chamam Adrian e Nova. Ele, um renegado que não gosta de seguir regras. E ela, uma vilã não tão má assim.

Cara, eu AMEI esse livro, maluco demais!

Tá aí algo que eu nunca tinha visto.

🍁| O dia que a minha vida mudou.. - Keka Reis (22)

Págs: 204 | Classificação: 3,8★| Nota: 5★

"O Bereba roubou pão na casa do João. Quem eu? Você! Eu não! Então quem foi?"🦋

É um livro infanto-juvenil, então não dá pra esperar muita coisa da história em si, mas cara, vcs não têm ideia da nostalgia que eu fiquei lendo isso aqui!

Nossa, isso lembrou MUITO meu 5°/6° ano, os passeios, como a gente era, as músicas, nossas maluquices kkkkkkk foi uma leitura maravilhosa 🫶🏻

Tem um romance básico, bem levinho, super indico pra qm tem na faixa de 11/12 anos - qm é mais velho tbm vai gostar, claro kkkkkkk

🌻| Brilhante como Ouro - Kézia Garcia (30 - 31)

Págs: 250 | Classificação: 4,1★| Nota: 5★

"— Ouso dizer que é o desenho mais bonito deste caderno. Mas é claro que o modelo ajuda."💫

Esse livro me deixou muito feliz pq cara, eu não tinha um crush literário desse jeito há MESES, já tava achando que tinha algo de errado cmg kkkkkk

Brilhante como Ouro tem romance, aventura e mistério - me diz se a Kézia não é incrível???

Aurora vem sendo seguida por um garoto misterioso há pelo menos um ano, após o assassinato de sua mãe, mas toda vez que ela vai mostrá-lo a alguém, ele desaparece e todos pensam que ela está tendo alucinações.

Mas será que são mesmo alucinações?

🍁| Entre Flechas e Sapatos de Cristal - Kézia Garcia (31/10)

Págs: 76 | Classificação: 4,1★| Nota: 4,5★

"— Bem, acho que, de uma forma meio atrapalhada, a gente combina. A fada artesã que não consegue fazer obras duradouras e a fada do amor que não consegue juntar os casais certos."🍂

Aqui nós temos a história da Cinderela - uau, quem diria, né?kkkkkk -, só que pelo ponto de vista da fada madrinha, no caso, a Dinx.

É uma ideia genial? Sim! Poderia ser melhor? Poderia, mas o livro é ok, só meio curtinho demais - na minha humilde opinião.

🌻| Quais foram as leituras de outubro de vcs?

Bjs e boas leituras <3

[catboyrightsdefender]

Hi! Id been interested to hear more about your thoughts on " bauhaus style " ! It's not a subject I know much about but I recently read black city white city (not sure if that's an ick or a win in your book!) So I'm curious about your opinion - if you don't mind! :)

ok so i'll start by warning you that since im not a native english speaker my thoughts might end up not being super well worded and articulated and im really sorry about that. also i'm putting it under a cut because i did get kinda Long (sorry about that)

I'm wary of the term 'style' in general (but that's just something i got from my studies), and since Im kinda specializing in bauhaus-related things im not fond of the term bauhaus style. That term is often used to talk about 1. objects and design and 2. architecture, and refers mostly to things such as furniture produced by the bauhaus during the dessau and berlin eras, and generally speaking after 1923, such as marcel breuer's chairs, wagenfeld's lamp, brandt's tea sets etc etc. But the Bauhaus didn't start in 1923, and produced more heterogenous things during it's first years in Weimar, when it's artistic 'ideology' wasn't as definite as it was once the school opened itself to constructivist influence from 1923. The productions commonly used to illustrate the "bauhaus style" mostly result from that constructivist influence. So talking about one single unified bauhaus style seems a bit too generalizing and reductive to me, and puts emphasis on one specific aspect of the Bauhaus' production rather than on its whole history, which shows a lot of aesthetical and ideological evolution. And on a simpler scale, why use the term 'style' when we could just say 'bauhaus productions' ?

Hearing the term 'bauhaus style' used in talks about architecture kinda annoys me even more, but that's probably because hearing people talk about the Bauhaus as if it was only an architecture school drives me mad in the first place haha. Architecture in itself wasn't a discipline at the school until 1927, and the architectural projects done at the school differed greatly between Hannes Meyer's and Ludwig Mies van der Rohe's directorships. Again, there isn't one specific "style" of architecture that was done at the Bauhaus. It was modern, avant-garde architecture in the same vein as what could be seen in other parts of Europe and in the Soviet Union. Even if I personally don't like the term 'style', I prefer using the term 'International Style'.

I haven't read the book you're mentioning, but since it's about architecture in Tel Aviv it allows me to add a little bit of nuance to what I just said. I'm not at all well versed in that subject, but from what I know there were Bauhaus students who went to Israël to do architectural work. There is clearly an influence from the type of architecture that was being done at the Bauhaus in the twenties, but again, the term 'International style' would suit those works better. It's worth noting that the terms 'bauhaus style' and 'international style' are often used as synonyms, which to me is problematic. International style would include what was being done at the Bauhaus, but it cannot be reduced to that. There was definitely an influence from the Bauhaus in Tel Aviv, and I think in many cases that word is better than style. And that goes not only for the Bauhaus but also for various other styles.

Realizing as I'm typing this that this is definitely not well articulated lmao. In short what my opinion is is that the word style in itself is often problematic, because it implies an unified, definite concept, which isn't often a thing. I don't think it is in the case of the Bauhaus. I think it's better to talk, on one hand, about Bauhaus productions (for the things that were produced at the school ; there's no need to talk about bauhaus style while talking about marianne brandt's teapot since it was done at the bauhaus) and, on the other, about Bauhaus influences. And even there I think it would be even better to be more precise and talk about the individual influences. For example, regarding architecture, Gropius, Meyer and Mies van der Rohe were all part of the Bauhaus, but their ways of creating are all different. In short (for real this time skdsdj) I think it's best to be precise and not use too generalistic and reductive terms. But honestly in the grand scheme of things this isn't really important, it all only matters to me because I'm an art historian haha.

God that was so long. I hope it makes sense and it answers your question anon ! I think it's a super interesting topic to debate about, but sadly it's not easy to give an extensive answer here. Brevity doesn't allow for a lot of nuance sadly. Also this is just my own opinion and I could be very wrong tbh. But I do like to think that I know enough on the subject to not be totally wrong ksddsksd. Also its 1 am so I'm again sorry if its poorly worded or badly written. Feel free to hmu if you want to chat more about this :)

[channeledhistory]

Die Bombe platzte: »Interne Dokumente der Bundesregierung zeigen, wie skeptisch man einer staatlichen Rettung gegenübersteht« [...] Wenige Tage zuvor hatte Bundeskanzler Olaf Scholz (SPD) [...] das Unternehmen als »industrielles Kronjuwel« bezeichnete; fraglich sei nicht, ob der Bund zu Hilfe komme, sondern nur wie. Dies war womöglich eine gewagte Behauptung des Kanzlers [...] über das Wie [entscheiden] letztlich die Haushaltsausschüsse sowie die Plenen von Bundes- und niedersächsischem Landtag; und auch die EU-Kommission hat beihilferechtlich mitzureden. [...] [...] Es geht um Aufstockung des Eigenkapitals durch Bund und Land Niedersachsen in Höhe von geschätzten 400 Millionen Euro; wofür beide gemeinsam einen 80-Prozent-Anteil des Unternehmens übernehmen wollen. Der Eignerfamilie Meyer blieben so derzeit nur rund 20 Prozent. Benötigt würde diese Kapitalerhöhung für bessere Kreditwürdigkeit, mit Hilfe öffentlicher Milliardenbürgschaften solle dann die Vorfinanzierung der Auftragsabwicklung durch Banken abgesichert werden. Auch dies ist nicht ohne weiteres überprüfbar, denn seit der Schiffahrtskrise 2008 ziehen sich Banken immer häufiger aus Schiffsfinanzierungen zurück.

Niedersachsens Wirtschaftsminister Olaf Lies (SPD) erklärte am vergangenen Mittwoch vor dem Landtag, es sei von »entscheidender volkswirtschaftlicher Bedeutung, unsere industriellen Kerneinheiten zu schützen und zu fördern«. Das ist zwar grundsätzlich richtig, weil in der Schiffbauindustrie vielfältiges technisches Know-how in erheblichem Maße gebündelt ist. Es ist aber aktuell nicht zwingend glaubwürdig, denn Bundes- und Länderpolitik haben viel zu lange viel zu viel Schiffbauwissen außer Landes gehen oder ganz sterben lassen; vergangene Werftkrisen von Emden bis Stralsund sowie die folgenden sozialen Probleme in den jeweiligen Küstenländern belegen das eindrucksvoll. Das begann schon vor 50, 60 Jahren, als westdeutsche und westeuropäische Werften ihr Know-how und ihre Technologie staatlich subventioniert etwa nach Asien (Japan, Südkorea) verkauften, um unter dem Etikett »Entwicklungshilfe« zusätzliche Einnahmen zu generieren. Und bis heute erhalten hiesige Reedereien auch dann staatliche Hilfen, wenn sie ihre neuen Schiffe in Fernost statt im eigenen Lande bauen lassen. Wahrscheinlicher dürfte es sein, dass aktuelle Pläne wie Energiewende und sogenannte Kriegstüchtigkeit den politischen Willen zum Schutz der »Kronjuwelen« befördern – etwa indem, wie beschrieben, bei der Meyer-Werft sowohl in Papenburg als auch in Rostock Konverterstationen entstehen und an der Warnow (gemeinsam mit Bremens Lürssen-Werft) Rüstungsaufträge erledigt werden. »Diese Großwerft«, erklärte kürzlich der Maritime Koordinator Dieter Janecek (Bündnis 90/Die Grünen) in einem Interview der Nordsee-Zeitung, sei »von strategischer Bedeutung für den Industriestandort Deutschland«. Ein Kommentar in derselben Ausgabe erläutert dies so: »Die Meyer-Werft ist der größte und wichtigste verbliebene Player im deutschen Schiffbau. Sie (…) kann für Deutschland künftig geostrategisch wichtig werden. Wer weiß, ob heimische Kapazitäten auch wieder beim Bau von Kriegsschiffen benötigt werden?« Noch im September, so heißt es, müsse eine Klärung her. Ökonomen wie Marcel Fratzscher vom DIW Berlin, Clemens Fuest vom kapitalnahen Münchener Ifo-Institut oder Jens Boysen-Hogrefe vom Kieler IfW warnen – übereinstimmend mit dem von »Panorama 3« zitierten »Regierungsdokument« – vor öffentlichem Engagement, solange sich kein zusätzlich unterstützender privater Investor finde. »Wenn von privater Seite niemand bereit ist, sein eigenes Geld auszugeben und ins Feuer zu stellen, dann ist das ein Signal, dass die Risiken so hoch sind, dass es vielleicht auch für das Geld des Steuerzahlers keine so gute Idee wäre«, spitzt etwa Boysen-Hogrefe zu. Teil des Deals seien Bedingungen wie ein Vorkaufsrecht für die Familie Meyer, wenn die öffentliche Hand in etwa drei bis vier Jahren wieder aussteigt, schreibt die Wirtschaftswoche. Das rückt den bereits erwähnten Punkt »Privatvermögen Meyer« in den Fokus. Der Verband für Schiffbau und Meerestechnik (VSM), dem Bernard Meyer führend angehört, behauptete jüngst, »dass Unternehmensgewinne vollständig in den Ausbau und die technologische Weiterentwicklung der Werft geflossen sind«. Woher dann aber das Geld stammt, das Meyer zu einem der reichsten Deutschen gemacht hat, bleibt offen. [...]