#man i feel so bad for not being active and not getting a lot of writing done today but i was so busy......

[alexanderwales]

I finished rewatching Death Note. I always forget how short anime is, with episodes that aren't much more than 20 minutes when you skip the intro/outro.

I hadn't remembered how much of a sniveling wreck LIght was at the end of the show. There's something about the ending that makes it feel like it was written and directed by a different person, not that Light wasn't always a little weird and pathetic, and not that the show didn't consistently go out of its way to let us know what a piece of shit he was (particularly his absolute lack of loyalty or empathy to anyone, even aside from the megalomania). But he takes the loss like a loser, snot dripping from his nose, voice cracking, begging, and it's so pathetic that I almost felt a little sorry for him.

I've always found the Death Note to be a very interesting prompt, one of those hooks that's so good I'd want to watch it even if it was bad. But in writing something like Death Note, the author has to make decisions about what to show and what not to show, and also make decisions about how they're going to portray the public at large.

There are two big things that stand out for me.

One is that we never get someone arguing against Kira. We get people who are actively trying to hunt him down, but they're mostly not stopping to say "this is why what he's doing is wrong" except a few lines about how he has a childish sense of justice, which is never expounded upon. Kira, on the other hand, we hear a lot from, not just the megalomaniac stuff, but the notion that criminals must be punished, that this is what people desire in their hearts. I get the strong sense that L does not actually care and just views this as an interesting puzzle for him to solve, but for everyone else it's largely left as an exercise to the viewer, and even then, there are moments when some of our task force members come dangerously close to endorsement.

To the extent the show has an answer, it's that (to quote Kanye West) no one man should have all that power, or that Kira has crossed a lot of lines, but no one argues in favor of rehabilitation or clemency or just fundamental humanity. Kira seems to largely be killing prisoners, who have already been sentenced, and are wards of the state, and he says "this is what people want deep down, they will give you the politically correct answer but they actually want the criminal class to be obliterate", which ... there's no character who actually voices any opposition to through the whole series. And I find that weird, because yes, the show has its own answers in terms of how it plays out, but in a show filled with people possessed of immense conviction, most of the people in opposition to Kira are just intellectuals who don't actually give a shit about the ideological question.

(The one big moment when it comes to a head, IMO, is when Soichiro Yagami refuses to write Mello's name entirely because of his principled objection to killing someone. I thought this was great, and I wish the show had more of it.)

The other big thing is that we don't really get a viewpoint of the criminals, with a few exceptions. One is the is Yotsuba group, who are killing people with the Death Note, and the second is the (somehow still functional) mafia that Mello hangs out with. There's also one other scene somewhere after L's death where we see a criminal begging with the police not to have his name written down, and that's about it.

The naive view here is that the show really does believe in Criminals as being a part The Other, a different sort of human being who walk among us. The criminal class are described as rotten and evil, they're shown as grotesque and with exaggerated features or bestial characteristics, and they're generally leering and impulsive. There is no consideration of their humanity.

There's a more nuanced take here, which is that we have a criminal as one of our main cast, Light Yagami, along with everyone else who takes on the Kira mantle. So what is the show saying about criminality through how it portrays them? And here ... I don't know. I kind of don't think that it views them as criminals in the same way? When we look at the ways that Light kills, I genuinely do think that the show thinks that this is different from the way that a capital-C Criminals kill. It's reactionary rather than criminal in and of itself, a response to the injustices of the world rather than being in the same class as those injustices. Light is narratively exempted, and Misa is to. Which isn't to say that I think the show thinks highly of Light, it clearly doesn't, especially in its ending, but I almost think that in the end it Others him too (and also has Teru Mikami drawn in particularly 'evil' style, like a creepy deviant gremlin).

So I enjoyed the rewatch, but there are things that sit a little oddly with me as far as the central themes go. There's probably some discourse I should read that's come out since I first watched it in ... 2010 or whenever, but I think I'll give that a skip.

[dykedvonte]

Preston x Danse is the only companion ship I think would actually work because Preston’s inner turmoil is sort of a loss of faith in himself due to the traumatic experiences he’s faced while Danse is looking for something to have faith in and would find the fact that despite the desire to give up Preston held out so long not just for the honor of the Minutemen but because he had some hope.

It would 100% start off as a lotta unhealthy on Danse’s side as I believe he completely lacks the emotional intelligence (due to a combination of factors) to recognize the he’s feelings as anything but a sort of respect for a superior along with leaning too much into Preston as a substitute for the BoS. Preston may not really have a title but he’s like THE Lieutenant of the Minutemen. Realistically he’s the only companion Danse would probably be comfortable taking instructions from especially for how trusted Preston is by the Sole Survivor and his adherence to military standards despite how unstructured the Minutemen are. It would be him waiting for orders, approval, anything from Preston and he thinks it’s just the desire to have the regiment of the BoS again but he also like when Preston compliments him on being useful or resourceful. He likes the stories of Minuteman glory days and he trades the stories of the BoS that don’t hurt to talk about. He likes the familiarity Preston would provide and he’d be oblivious that it’s not just new found loyalty to the Minutemen.

Yet Preston explains it himself that he’s not a natural leader. He’s not an instructor. He helps manage what the General has put in place and he content on doing that. He relays what needs to be done and does major upkeep but I don’t think he’d know what to do with this guy this literally marches up to him and practically begs for a mission that doesn’t exist. Like the formality and respect is nice but he can tell it’s covering something even if Danse doesn’t.

Danse could go to Sturges for the many repair and upkeep assignments he gives him and has the freedom to go straight to the Castle if he really wants a big mission, but he chooses to come to him everytime. He’s aware enough that Danse only trusts him out of all of the Generals confidantes but it would take a bit for him to understand why. If anything Danse should be strategizing with him as equals seeing as he almost got the Minuteme wiped out and Danse was a Paladin for the Brotherhood with many successes under his belt before Preston even led his first scouting mission. It’s like he sees him as some figure of hope, some one who can come in and add stability. Someone with a fresh outlook who can provide a new perspective for him.

It’s like he sees him like he saw/sees the Sole Survivor but that would be crazy because that would also mean… and then oh, it clicks.

The revelation is both flattering and he doesn’t know what to do with it cause how do you address “I know you respect me but is that the only feeling you have for me?” To the guy who like refuses to rest unless you tell him at ease? He has to reevaluate his whole manner of interaction with Danse cause this is a very slippery slope that he’s sliding down and it’s even more perilous due to Danse’s repressed emotions regarding… everything. There’s an equal chance Danse will try to open up as completely shut down and he’s not just concerned about it cause Sole Survivor cares for him but because he has grown to care for the guy too. It’s not like he doesn’t also enjoy Danse’s company and value as a Minuteman member. He’s not a love at first sight guy but he’s played with the idea, anyone would when you’ve spent nights trading stories, historical facts and beers by the fire in a little home you’ve carved for yourself through literal blood, sweat and tears.

I think it’s one of those cases where it’s agonizingly slow to the actual relationship but neither part are anguished about that. If anything happened to soon Danse would be too dependent and Preston not equipped to handle it. It’s a case where I genuinely think they’d bring out the best in each other cause theyd want to figure out what is best for the other and not just apply what they think is the best. It’s the care that Preston would ask Danse what he wants to do and encourage it and at the same time Danse would be incredulous everytime Preston second guesses himself.

Long story short it’s a good ship to me because it’s just two guys with broken confidences and faith in their roles being each other’s hype man and kissin a little about it.

[feline-evil]

Dethvanity is really funny to me conceptually as an episode because you can see how little they had to make the characters insecure about for the bit. They swing for obvious lowblow choices with Pickle' baldness and Nathan's weight and even those require some suspension of disbelief because ok. Sure. Nathan '(said extremely proudly) never skipped a meal in my life!' Explosion is insecure about being a big man now. Nathan *guy who everyone thinks is smoking hot 99% of the time* Explosion is a tiny bit larger than usual and is insecure about it now. Lol. Lmao even.

But anyway then we hit Skwisgaar and Toki and there's like NOTHING to swing for, you can see them going uhhh ok Skwis doesn't sleep he probably drinks a lot of coffee, and Toki? Shit, what does Toki have to be insecure about with his looks. He's perfect, he's adorable, he's ripped. Um. FUCK IT, HE'S DOING NOTHING BUT EATING LEMONS. WE GOT NOTHING, WE GOT NOTHING, JUST GIVE THE BOY CITRUS FRUITS.

WOE 🍋 BE UPON YE

I'm sure i could make some smarter points about the attempts at applying vanity in this ep and how outside of this and a few other moments i do actually like that the show rarely takes pot shots at things like Nathan's weight, but you see Nathan has shirtless scenes in this one and so my intelligence is impeded when all the blood rushes out of my head and into my-

[givemewallywestorgivemedeath]

okay weird q incoming but what ways do you think speedsters can get sick? Like to my understanding, they can’t really come down with normal virus’ like the flu, right? But they could get things like chronic migraines?

NANOBOTS!!! This is one of the best pieces of canon lore ever. I did a whole post on it but TLDR: normal human metabolisms have so much shit going on that they don't even notice nanobots in their body BUT speedsters have hyper accelerated metabolisms that are the equivalent of the straight A's overachiever in school on meth. So speedster metabolisms do notice nanobots and they attack full force, triggering all of the body's defenses and responses.

But the nanobots are metal so it obviously doesn't do anything. It just leaves the speedster lethargic, feverish, vomiting, dizzy, with a headache, sore muscles and a runny nose, ect. It's basically an allergic reaction.

Now, poisoning them can work depending on what the poison is/what the dosage is. You would need a 100% fatal poison and you would need a fairly high dose. Because speedsters heal fast and they have a hyper accelerated metabolism, so any poison that is based on toxicity (alcohol poisoning for example) would be out of their system faster than it could even take effect.

But poisons that can't be cleared out/processed by the body (take cyanide for example, it binds with the chemical receptors in your body making it physically impossible to use oxygen) wouldn't really be affected by their metabolism at all. So while the speedsters could heal the damaged tissues from these poisons fairly quickly (making it seem as though they were only slightly affected) they would ultimately need time to do so, time they would not have if it kills them first. This isn't technically what you are asking because there would be no substance that 'makes them sick', there would only be 'fine', 'not fine for like a minute and then fine again' and 'dead'. (... unless they were hooked up to a steady supply of the toxin)

Likewise, (this is getting more into theoretical territory, less canon) there might be some illnesses that would affect them? Not for long but if you got something super fucking fatal like Rabies, it might make them display mild cold symptoms for a day or something.

I don't know though. They have really fucking good immune systems. And even super fatal diseases can be fought. Take my example of Rabies, while it is commonly thought to be 100% fatal once symptoms show up there actually have been cases of people surviving it. Rabies is a very stealthy and fast disease, so the main problem with treating it is that your body's immune system isn't fast enough to stop it. People have survived by being placed in medically induced comas (slowing their bodily functions and thus the disease) for long enough that the medication can eradicate it. So for a speedster? That's gone in a minute tops. You would need an insane disease that I'm not sure even exists.

There's also like... pregnancy and menstruation. Growing pains, muscle pain from running is a BIG ONE, being dehydrated/starvation, blood loss, ect. Lots of ways to fuck with a speedster in a way they can't immediately fix.

There are also speedster specific ailments. It's basically 50/50 if a natural born speedster gets a weird highly fatal aging disease. Sometimes speedsters can be born without a kinetic energy shield which makes using their powers at all incredibly fatal to them. All speedsters will have connectivity issues at some point that can be fatal. Sometimes Time Gets Bad™ (shout out to when Barry kept chronically stealing time from people/things every time he used his powers). Sometimes they have too much energy and can't maintain human form (shout out to when Wally didn't know what the speedforce was and was accidentally cosplaying Ghost Rider). Velocity 9 is a highly addictive drug that works on speedsters and makes them display typical addiction behavior (and withdrawal). V9 can also cause a speedster to 'overdose' (burst into flames/lightning/energy). They all have the constant urge to yeet themselves into the speedforce. Ect.

[daisybell-on-a-carousel]

Talia saying Jason with 24 hours and a survival kit, fresh from the pit, couldn't be tracked by Ra's is interesting

And oopsies I liveblogged all of lost days in the tags of this post

[that-foul-legacy-lover]

i think that childe has developed a fear of the dark after he got out of the abyss, he can't stand staying in a dark, silent room alone cause it reminds him of the things he had to deal with all alone in the abyss before foul legacy came along, and even then since FL would only come out for a fight/battle, they got closer later, imo they weren't too happy in each others company till childe got closer to getting out of the abyss. so when childe and you get close, FL sees you as the light and warmth he never got in the abyss.

whenever you and childe travel or have to stay in the wild during the night, he always holds ur hand for comfort and when FL comes out he never lets go, constantly holding you and if he's feeling particularly needy, he'll carry you wherever you guys are headed

i also think the tips of foul legacy's hair has a slight glow to it, so it isn't noticeable in the day or afternoon, only at night

and this isn't related to the above buTt- i hc that foul legacy is camra shy, straight up refuses to let you take any pictures of him so u gotta be sneaky about it, leter shoing childe a pic of foul legacy looking at a firefly curiously in the wild and seeing the tips of his hair have a slight glow <3

sorry this got so long lol but hope you have a good day/night

oh anon my dear thank you so much for this delicious meal!!!

Childe definitely has a fear of the dark- the only reason nobody knows is because he always covers it up with his love for battle- but if he's ever left alone in a dark room he starts breathing erratically, clutching at his chest and head because he can't stop remembers the things he saw in the Abyss- Archons, sometimes he wishes he could just stop thinking. sometimes it gets so bad that Foul Legacy instinctively takes over to save his sanity, but the Abyss monster despises the darkness just as much if not more than Childe, and he ends up breaking down, curling into himself and sobbing horribly

once you happened to enter the room by chance, and were immediately tackled by an overwhelmed Foul Legacy, clinging to you and crying into your shoulder. it took a good hour of your soothing words and gentle touch to help him calm down, voice quieting from sobs to soft whines

Childe holding your hand is for comfort- but not just because of his hatred of the dark; it's also to reassure himself that you're still here, you haven't disappeared or gotten injured or anything. Foul Legacy in particular clings a lot, curling his claws around your wrist and burying his face into the crook of your neck with little chirps and trills- if you try to dislodge yourself, he starts whimpering and looking at you imploringly, begging you not to leave. he'll pull you against his chest with a contented purr, carefully preening your hair and occasionally nibbling on your fingers- no wonder it always takes a while when you and Childe want to travel!!

OHHH THAT LAST BIT IS MAKING ME THINK- the first photo you ever happen to snap of Foul Legacy is at dusk, his head craned upwards to look at a firefly on his mask. he looks so awed, not quite sure what to do with the tiny creature, but you're more in awe of him and the way the tip of his hair and his gauzy wings shimmer. he knows you've taken a picture when he hears the kamera click and he lets out a yelp, hiding his face in his hands and whining. but you only laugh kindly, sitting beside him and leaning against his knee, and gradually he unwinds and melts into your pets with a purr. if he opens his eye, he only sees the adoration and love in yours

"see? you're beautiful"

[doodlingwren]

Hiatus

I am going on hiatus for a bit more. I really really hoped the stuff that have been going on lately were already "sorted out" but, uhm... they aren't. I need to take a bit more time offline once again, and try to work things out.

Thank you for your patience ❤

Wren

[kkujo]

also idk i feel so fucking good abt myself idk genuinely being consistent with my gym routine has done everything for my mental health and confidence like i still feel bad abt myself sometimes but for the first time since i was probably 9 i'm having days where i look in the mirror and thinking DAMN i look good and those days are getting more frequent it's really the best feeling

[violetclarity]

my best friend is moving in with his boyfriend and I am Not handling it super well so real grown-ups of tumblr, how do you deal with it when a good friend has a long-term, serious partner who you think is...fine?

[astrxealis]

i miss the times back in shadowbringers. don’t get me wrong i love how things are in endwalker but there was just ?? something so magical about shb to me ???

[nomairuins]

and also it doesnt even matter if i miraculously get a job tmrw bc we don't have a car . and im too out of shape to walk anywhere bc everything is far away . so i genuinely dont jnow what to do

[princessmyriad]

.

[titsthedamnseason]

.

[hyuny-bunny]

skz + types of p*rn they watch (w/links) pt 1. hyung line

MDNI (+18) content warning: p*rn, nsfw links, mentions of rough sex, use of female anatomy, breeding, spanking, choking, fingering, oral (f receiving) most afab reader terms.

a/n: if the links are not working for you, you may need the app as most are not compatible with a web browser

pt 2. maknae line

chan: he's definitely watching twitter/x porn. as for what side of x he's on all depends on the mood. he definitely seems to stay on a more "vanilla" side. probably has a keen interest on size kink and breeding videos. but what they all have common is riding. it gets him so riled up seeing ones shot in cars because the next time he sees you it's all he thinks about. he'd love nothing more then to have you riding his dick, his hands holding your hips in place, eventually snacking a hand to lightly you choke and bunching your skirt in the other hand while you sloppily bounce on his cock. maybe he's taking you out to a nice dinner & movie but once your back in that car he's practically begging you to sit on his cock.

"baby, i need you so bad. come here, ride me, need to feel this pretty pussy on me."

breeding

riding

minho: there's so many things i could say about him. i don't think he necessarily needs porn to get off or actively looks for it, but i do think he loves being able to send you links that either remind him of the both of yours sexcapades or things he wants to do to you. i feel like he watches a lot of overstimulation, spanking, BREEDING, and just a sprinkle of voyeurism. i think he gets really turned on by the ones of girls in pretty lingerie wearing collars with bells, so every movement makes the bell ring. he almost collapses to his knees when he gets home one day to see you wearing the collar he bought, the one he'd been hiding and waiting for the right moment.

the only thing on your mind is the feeling of your sopping wet cunt being suffocated by minho's cock. he's got a fistful of your hair in hand, pulling you up from your pillow before landing a hard smack on your ass, never letting up on his thrusts.

overstimulation

spanking

changbin: another one in my books that loves size kink porn. not because i think he likes someone smaller, but more so the fact that he likes the feeling of being able to make someone feel so small. in seo changbins biceps, we trust. i think this one in particular will have him pleading with you to let him try it. you might feel reluctant because of any underlying insecurities at the though of feeling like you're "too heavy" (there's so no such thing to him) . it isn't till he's got you lifted up against the wall with no holding you either than his arms & shoulders, his mouth lapping away at your pretty cunt, any worries you ever had dissipated along with your ability to use your words.

"bin-binnie please i-i can't hold on much longer" a string of whines follow suit. he's been at it for a while and you've already had two orgasm but he's relentless. all you can hear are his groans and the squelching sound of his tongue abusing your cunt. he lifts his head up from between your thighs with you hand webbed in his hair, mirroring your worn out lustful look.

size kink

making you feel small

hyunjin: to me, i think hyun goes either of these two ways. he's the most depraved man known to walk this earth that loves it sloppy, messy, wet and downright lustfully filthy. the latter also leads me to believe he's not big on porn, prefers either his imagination or his OWN videos. one he's recorded (with your consent + encouragement) while you've done it together. he needs the passion of either love or the passion of wanting to make the either cum so hard they've gone to heaven (preferably both). if he's watching videos, his favorite ones always have the girl shaking and crying in pleasure by the end. he needs to see the passion, lust to be able to get off. when it's you, it's different, if anything it brings him back to those moments to fully remember the need between the two of you. that being said he's heavy into breeding/cumplay and semi restraining. he loves seeing the hands held behind the back and holding someone in place while they fall apart in his lap + cock.

it was supposed to be a quick kiss, which turned into heavy petting, and now he's brought your leg over his hips. the panties you were wearing discarded somewhere in the room, one arm is wrapped around you holding you tightly to his chest while his other hand is at work. his middle & ring finger are knuckle deep thrusting into you and he's groaning into your neck sucking hickies in all your favorite spots.

semi restraints

playing w you in his lap

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[purplecoffee13]

Please Please Please - Pt 2* (final)

Summary: “A sudden call from Harry in the middle of the night makes you realize just how little you actually know about your neighbor.”

Wc: 5k

Tropes: good girl x bad boy / neighbors

Warnings: angst, fighting, cursing, SMUT, bit of a degradation kink, multiple orgasms, GUN KINK, corruption kink

A/N: Hey guys! As promised, here is part 2 of Pls Pls Pls. It is quite a sudden 180 from the previous part, so try not to get whiplash. Enjoy!! :)

General Masterlist

Spending your Sunday night at a police station bailing out your neighbor was definitely not on your list of preferred weekend activities. But here you are, sitting on a chair, waiting for the officers to bring Harry outside.

You couldn't believe it at first. Of course, you knew it had to be some kind of emergency when your ringing phone woke you up. After all, it was two in the morning, and random calls at two in the morning usually didn't indicate anything good.

"Hello?" Your croaky voice greeted whoever was calling you this late, or early, depending on your lifestyle.

"Hi love. I need your help." You frowned at the sound of Harry talking through the phone.

"Harry?" You questioned.

"Yes, darling?"

"Wha— are you okay? Where are you?" You leaned over your nightstand to turn on the lamp. Your eyes shut tightly at the sudden harsh light, rubbing your eyes as you stifled a yawn.

"I'm fine, I'm at the police station. Listen, I need you to go into my apartment, get the envelope with cash from under my mattress, and then I need you to get over here. Could you do that for me, darling?"

"Uhm, yes. Yes, of course." You got up from your bed and grabbed the first pants you saw. Your movements got to a halt when you realized it would be impossible to even do that. "But wait, I don't have your—"

"There's an extra key in your top kitchen drawer next to the fridge."

"Wha..." your voice trailed off as you buried over to your kitchen and opened the drawer, indeed finding a key that didn't belong to your apartment. "When did you put this here?"

"I'll explain later, I promise. See you in a bit?"

You sighed. What the absolute fuck was going on? This man might just be even more mysterious than you had already thought.

"See you in a bit."

The muffled voices coming from the other side of the door makes your perk up in your seat. Like you had expected, you spot Harry's face through the windows on the door. He is wearing a frown that makes him look very intimidating, and a wave of intense stress hits you.

Who the fuck even is this neighbor of yours?

You are on your feet very quickly when Harry finally walks through the door. Your eyes widen at the state of him. He is wearing a tank top with a dress shirt thrown over it. The dress shirt is scratched open and his entire outfit is dirty. His face is mostly untouched, except for a cut in his eyebrow that is covered in dried blood. He looks rough.

His lips form into a grin when he spots you, but you are having none of it. Your knitted eyebrows make your glare more intense, and you don't even give Harry the opportunity to greet you when he is close enough, because you are already walking towards the exit.

You push the doors open and storm across the parking lot. You hear the chuckling scoff from behind you after the creaking door signals that Harry is hot on your heels.

"What's wrong sweetheart?" He asks almost cockily, strutting behind you. You've arrived at your car, so you turn around to face him, shaking your head in disbelief.

"Are you serious?!" You groan, to which Harry shrugs lazily. "You called me in the middle of the night, asking me to bail you out with money that you've hid in a duffel bag under your bed, which — by the way — I had access to because you planted a spare house key in my apartment! That's what wrong!"

"I told you I'd explain." Harry says, still nonchalant as ever. You can quite literally feel your blood boiling. Why in God's name is he being so relaxed about this? 

"Yeah, you fucking better." You spit out, clenching your jaw as you turn back towards the car. Harry's spiteful voice stops you in your tracks, though.

"Hey! You didn't have to come here, nobody forced you."

When your eyes meet his again, you don't miss the frustration that radiates from his. It is your turn to scoff as you take a few steps towards Harry until you stand in front of him.

"Oh yeah, that's fucking easy," you are about ready to start a fight, but the sight of his bruised face makes you think twice. Instead, you sigh, throwing your arms over each other. "Get in the car, we'll talk at home."

You are about to get back to the car when you realize that Harry isn't following you. You squint at him and the way he is standing there on the parking lot, a wide stance with his hands behind his back. He doesn't do well with following orders or demands, you've learned that about him in these past weeks. But right now, you couldn't care less.

Rolling your eyes, you march back to Harry and grab a fistful of his shirt before pulling him along to the passenger seat. By how easy it is to get him in the car, you figure that he enjoys your current attitude, otherwise he never would've let you boss him around like this.

You aren't interested in whether he likes it or not right now, all you care about it getting home.

The drive is excruciating. The radio fills the silence that neither of you are willing to break. Every shift in his seat and sigh from his mouth manages to make your blood boil. You can't believe he has the nerve to act as if he has the right to be pissed right now.

It is only when the both of you are at your door, and you silently walk into your own apartment, that Harry breaks the silence.

"Where are you going?" He asks, irritated.

"Bed."

"Thought you wanted to talk." His tone his mocking, but you can tell that he is hiding real confusion behind it.

"I decided I'm not in the mood to hear your bullshit excuses right now, maybe tomorrow." You shrug, keys rattling as you open the door.

"So dramatic..." Harry mutters under his breath, but you hear him just fine. You are quick to turn around.

"What did you say?"

Harry shakes his head, sighing. "You heard me. If you're so fucking mad about this, why the fuck did you even come in the first place?"

"Well, what the fuck did you think, Harry?! Did you expect me to be all cool and casual about this?!" You throw your hands up expressively. You turn around and open the door of your apartment, walking in at a furious pace with Harry hot on your heels.

"I told you I'd fucking explain! Jesus Christ... If I'd known you were gonna whine about this so much, I would've called one of my buddies." He says, and it makes you stifle a laugh. Hands on your hips, you take a few steps towards Harry.

"Fine, explain then, tell me what the fuck you were doing in there." You demand, and you notice how his face softens at your calmer yet stern tone. He sighs, looking to the side. Your heart stops for a second, tension growing on your stomach. He is avoiding your gaze. He never avoids it.

"Just— got caught up in a brawl at the pub. Let my buddies take a run for it, but the police did catch me." He says, eyeing your body. You frown, your eyes searching for his but you absolutely cannot get him to look at you.

"You're lying to me." You say, and even though it is merely a suggestive thought, Harry's reaction makes you realize you are speaking the truth. Harry takes a deep breath, shaking his head as if it should be able to convince you. "You're a fucking liar."

You step forward, making sure it is impossible to avoid eye contact with you. "You told me you were letting me know you. But you don't want me to know you. Telling me simple things to give me the illusion that you trust me. Meanwhile your knuckles are constantly covered in bruises and you have duffel bags of money in your bed. Or that gun, in the drawer of your nightstand?"

A furrow grows between Harry's eyebrows at the mention of the gun. "You went through my things?" He growls. You nod calmly.

"I figured I might as well get to know the guy I'm bailing out." You shrug, watching the anger rise to his face.

"Do you have any idea who the fuck you're talking to right now?" He asks, near the brink of a meltdown. His jaw is clenched and he looks like he might kill you.

"No, apparently I don't!" You shout into his face. Harry laughs bitterly, sending a shiver down your spine. He shakes his head and turns around, heading for the door.

"Should've called one of my buddies..." He mutters as he goes to open the door.

"You keep saying that, but you called me." You call out, and Harry looks back at you.

"Yeah, and it was a big fucking mistake. Don't know what I was thinking." He retorts.

"You called me, because you knew that I'd come. Because I care about you and I was worried sick, and because I would come and get you every single fucking time. No matter the situation, no matter the amount of money filled duffel bags you have under your bed, no matter the gun you sleep next to every night." You're now standing in front of Harry, looking up at him. The confrontation in your sentence is rubbing him the wrong way, you can see it in his face. You continue anyway; he needs to hear it.

"But you're too much of a pussy to admit that someone cares about you, unconditionally, because that would make it all a bit too real, wouldn't it? But I'm not disposable, you can't just cut me out of your life whenever you please. That's not how this works."

That strikes a nerve. Harry steps even closer, leaning down a little bit. "You have no fucking idea how easily I can cut you out of my life."

"Go, then." You cross your arms, waiting for him to walk out that door. Your words are cocky, and you are confident in what you are saying, but a small part of you worries that maybe you've miscalculated your connection with Harry.

Harry doesn't say anything, merely scoffing at your casual words. He wants to turn around, walk out, and never come back. To prove to you just how disposable you are. But he can't, because you aren't.

"For fucks sake..."

The words fall from his lips in a whisper, and before you can figure out what he means, Harry lunges forward and grabs your head to pull it close to him, his lips pressing against yours.

You moan at the feel of his tongue intertwining with yours, and you wrap your arms around his neck to pull him closer to you. There is so much anger, frustration, sadness, love, and other indescribable things that built the intensity of the kiss. Nothing could've prepared you.

He pushes you against the wall, his hands taking all over your body while yours are tangling themselves in his beautiful curls. With a hand on your lower back, Harry pulls your body closer to his, your bodies almost as close as your tongues are now. You need more of him.

Taking ahold of your thighs, Harry lifts you up and carries you to your bedroom, where he drops you onto the bed. Your back hasn't even entirely hit the mattress before Harry's hands start undressing you. He takes off your shoes and pants in no time, the both of you way too pent up to take your time right now. Then, he slides your underwear down your legs and throwing it into the corner of the room.

Three of his fingers trace over your upper body before he pushes down your lower jaw and stuffs them in your mouth.

"Suck." He orders.

You do as he says, licking and sucking on his fingers like it is the last thing you are ever allowed to do. After a couple seconds, Harry takes back his fingers, and leans down, spitting on your pussy himself. A whimper leaves your mouth the second the liquid comes in contact with your sensitive skin, and you moan loudly when he starts to rub it over your cunt.

"You're so fucking frustrating. Shouting at me, cursing me out..." He mentions. Two of his wet fingers enter your pussy, and you let your head fall back. Refraining yourself from arching into him too much already, you try and focus on something—anything— else. "You're such a brat... and you don't even know who you're dealing with."

Mewling at the feeling of his amazing touch, you manage to croak out. "Show me, then."

"What, sweetheart?" Harry asks with a fake smile. In fact, it seems rather devilish. It shouldn't turn you on even more, but for some fucked up reason it does.

"Show me who I'm dealing with."

A low chuckle escapes his throat. You frown, not amused with the apparent joy he gets from what you're saying. You're being completely serious.

"I don't think you can handle that, sweetheart." He smirks, and it makes you pout.

"Yes, I can." You argue, the frown on your face combined with your big Bambi eyes making you look adorably mad. Harry sighs, clearly entertained by your stubbornness. Without another word, he leans forward and digs his head between your legs. You cry out at the contact of his tongue with your clit, and repeatedly moan his name at the mix of his fingers and tongue driving you properly insane.

Your hips keep shooting upward, and Harry tries to contain your non-stop squirming by pushing down your hips with his free arm. He doesn't restrain you entirely, liking the view of you falling apart for him too much anyway.

When you reach your climax, your hand has found Harry's hair, on which you mercilessly tug while making a mess below him. After riding out your high, Harry grabs your arm and scoops an arm around your waist before picking you up and slinging you over his shoulder.

"What are you doing?!" You shriek, being able to do nothing but hang over him like a ragdoll as he walks out of the bedroom and, towards the front door?

You gasp when he opens the door and you find yourself in the hallway, without any pants on. You hear the sound of keys jingling and a door open, and before you can demand Harry let you go, he waltzes into his own apartment.

His dark walls and furniture are the exact opposite of your apartment. Very manly, very serious.

Harry puts you down, laying you on his couch. He leans forward, his hand sneaking under your shirt to fondle your breast. You bite your lip at the feeling of his firm hands massaging you.

"You wanna know me? You want to know who you're dealing with?" He whispers, and you nod furiously, not being able to go without his touch down there for much longer. "We'll start with a house tour then. This is the living room."

You frown, it's not like his apartment is much different from yours. You look around the room, but your attention is back on Harry the second his mouth is back on your cunt. You mewl, not having expected his mouth on you again so soon.

Harry's skilled tongue along with the sensitivity from your first orgasm gets you closer and closer in an almost embarrassingly short time. Your legs try to control the amount of pleasure that you are getting, but Harry's hands keep spreading them apart, leaving you with no choice but to take everything he gives you.

"I— I'm gonna come!" You groan, that tension in your stomach so close to exploding. He keeps the quick paced tempo with which his tongue is assaulting your clit, and in no time you are twitching as your orgasm washes over you. Harry moans at the way you cry out his name, and licks you clean despite the pleas that tell him to stop because you're too sensitive.

You don't have time to steady your breathing, because Harry is already pulling you up and leading you to the kitchen. He doesn't waste any time, taking off your shirt, leaving you entirely naked. You watch as he takes your body in, your mind too cloudy to feel insecure. But with the way Harry looks at you, you don't think you would've worried about that in the first place.

His eyes rake down your body as he takes off his belt, and walks closer to you. Your hands reach forward, wanting to take off his shirt, but Harry grabs one of your wrists and turns you around. Taking ahold of the other wrist, he ties your hands together with his belt before bending you over his counter.

"My house, my rules." His low voice reminds you, making you shiver in anticipation. You hear some ruffling behind you, and you can only figure that Harry has taken off his pants. His hand rubs over your skin, lowering from your waist to your ass.

"Poor girl, you have no idea what you got yourself into." He taunts, his cock lining up with your pussy, the top of him stroking over your soaking wet cunt. You whine at the minimal contact, needing him to enter you right this second. You flinch forward, moaning loudly when Harry brings his hand down onto your ass. The sting of it almost makes you cry, you want him so bad.

"Please, please... please." you cry, pushing yourself backwards and into him. He pushes you back forward, tutting you.

"So desperate..."

Not being able to hold it any longer, Harry plunges his hard cock into you. A muffled cry escapes your throat, shocked by the size and girth of him. Of course you aren't entirely surprised—he just exceeds that kind of energy—but you hadn't dreamed of it being this big.

"Ah, shit! Harry... oh my god!" The string of words summed up exactly what you were feeling as he thrusted himself into you over and over again: everything.

"You don't know how long I've been wanting to do this..." He says, his hands sliding up and down your back. "Ever since you knocked on my fucking door wearing nothing but that oversized shirt."

"And now here you are, bent over my counter, letting me fuck you in every corner of my apartment." He groans, spanking your ass again. You shoot forward at the impact, moaning at the painful feeling. You didn't know that turned you on so much until now.

"W— What took you so long?" You have the nerve to ask him, but by the laugh that sounded from behind you, it seems that Harry likes your boldness.

"I'm a bad guy, sweetheart. Didn't want to ruin you." He coos, which is extremely contradicting to the harsh thrusts with which he drives himself into you. "But I guess that's too late now."

"I was yours to ruin anyway." You say softly, and it makes Harry still inside of you, followed by a very deep groan. You frown when you feel Harry pulling his cock out of you, confused by the sudden change.

"Fuck, baby. You can't just say shit like that to me, nearly made me come." He is breathing heavily, and tugs on your arms to make you stand up straight. He begins to walk away and grabs your arm, taking you with him. You follow him all the way to a door, which you realize is his bedroom as soon as he opens it.

You are about to ask him about a photograph that his hanging on his wall, when he pushes you onto the bed. Hands still tied behind your back, you let Harry get you a little bit higher on the bed before positioning himself in front of you again.

He spreads your legs as wide as he can, fingers dug into your waistline as he enters you again. You let your head fall back, knitting your eyebrows at how those short seconds without his cock have made his second time entering feel just as tight as the first time. Harry seems to think the same thing, moaning loudly at the tightness of you.

Arching your back, Harry gets an amazing view of your tits bouncing back and forth as he fucks you like you're some sort of ragdoll. He can't help but reach for your breasts again, playing with them and trying not too orgasm too soon upon hearing your loud moans.

You feel like you are on sensory overload. The restraint, the nipple stimulation, and Harry's cock pounding into you, it is bringing you into another galaxy. You never thought it was possible to feel this much pleasure at the same time.

"You are mine to ruin." Harry mumbles, as if reminding himself. You nod at his words, wholeheartedly agreeing with that. If ruining meant him fucking you like this every day, then he could do whatever he wanted.

"Mm, you love that, don't you?" He asks. You open your eyes to look at him, a devilish smile forming on your face. "You love that I'm the monster who you're supposed to be running from. I bet you fantasize about it all the time; the big bad guy corrupting you from your innocence by fucking you into oblivion."

"Yes, yes, yes..." you repeat, too fucked out to say anything else.

"Such a bad girl, getting pounded by her dangerous neighbor." He taunts you, increasing his already quick pace. Your eyes roll into the back of your head, letting the pleasure just wash over you. You feel like you might pass out any minute, but you've also never felt more alive. "You'd let me do it all, won't you?"

"Anything." You pant, struggling to keep your eyes open. You shriek when Harry thrusts into you very deeply and stays there for a couple seconds, leaning over you to grab something. You gasp when you Harry holding his gun. Before you can ask him what the fuck he thinks he's doing, he starts moving again.

It shouldn't be the reason why you're so close to your orgasm all of a sudden, but the sight of Harry holding that gun is quite literally driving you insane. You can't believe it, it is the hottest thing you have ever seen.

To your surprise, he begins to trace lines over your body with the barrel of the gun. You whimper at the cold feeling of the object against your skin, not sure how long you're going to be able to hold in that third orgasm. Then, the gun travels upwards, all the way to your mouth, and your eyes widen when the words leave Harry's pink lips.

"Suck."

You look down at the gun, and back at him, a bit unsure of how safe it is, despite wanting to obey him very badly.

"Safety's on." He adds, calming your nerves a bit. And without a second thought, without considering you are doing a very dangerous thing right now, you take the gun in your mouth. In spite of Harry's vagueness, you trust him very much.

And so you begin sucking on the gun, moaning at the way Harry reacts to it. His thrusts increase in speed and intensity, and the way he massages your breasts are getting you incredibly close.

"Fuck, you're insane. You're fucking perfect." His compliments have you clenching your walls around him, something he doesn't miss. "Are you gonna come for me again, baby? Should've known that danger turns you on so much. Will do anything to keep me close, huh? Even taking my gun in your mouth while you get ruined by my cock."

"Yes, anything—oh fuck! I'm gonna cum!" The words are barely comprehensible with your mouth still filled up with the barrel of his gun, but your body tells Harry enough. Licking the pad of his thumb, he brings it to your clit, rubbing circles until you are a blubbering mess under him. You feel like jelly.

The way you are tightening around him sets off Harry's orgasm. He groans out your name repeatedly as he comes inside of you. The feeling of him coating your walls is a thought you find yourself liking a bit too much for a regular person.

Nothing could've prepared you for this, for him. He takes the gun out of your mouth and puts it back on the nightstand. He keeps his body leaned over you, held up by his own two arms. His hair falls in front of his face, making it a bit more difficult to find your eyes. The both of you are panting heavily, and Harry smiles at your fucked out face.

Slipping a hand underneath your waist, Harry leans back and takes you with him, making you sit up straight. He unties your wrists, throwing the belt on the floor.

"Let's get you to the bathroom, hmm? Last part of the tour." He says, gently picking you up and carrying you over to his bathroom. When he puts you down, you have to hold yourself upright by holding on to the sink. Harry closes the door, giving you some privacy as you pee and check out your face in the bathroom. You wipe off the excess mascara that rests on your cheeks, smiling at the memory of what just happened.

When you get back to Harry's room, he has his boxers back on. At the sight of you, he grabs a t-shirt from the bed and hands it over to you. You put it on without question, only realizing that it is a Rolling Stones t-shirt when you catch yourself in the mirror.

"Got you some water." He points to the nightstand, and indeed, standing next to the gun there is a glass of water. You walk over to it and take a few sips, your eyes falling back on the gun.

"C'mere." Harry's voice interrupts your thoughts, and when you look up, you see that he has sat down. Crawling onto the bed, you join him.

He takes your chin in your hands, his face moving closer to you. "I want you to know that I'm not the safest guy to be around, and I understand if you want to walk away from this. But if you decide to stay, I promise I will keep you safe."

"So this is not going to be the last time that I'm gonna have to bail you out of jail?" You ask, partly joking, as you climb over him to sit on his lap.

"I'll be more careful." He responds, and his avoidance of your question gives you an answer. You nod, your face getting a bit more serious as you think about this a little bit more.

"Should I be scared?" You pout, not knowing if you would be able to handle constant fear. Harry shakes his head, a small smile on his face.

"Like you said, people are afraid of me, not necessarily the other way around." His fingertips dance around your thighs. "I'll keep it separated. And, unless for pleasure intended purposes, I won't ever use that gun around you."

You sigh. "Don't prove the people in this town right, okay? Don't be someone I have to run from."

Harry pulls you close, bringing your lips to his. It is a short and sweet kiss, one filled with the reassurance of a promise.

"I wouldn't dream of it."

taglist: @mellamolayla @natedelrey