#making history again

[stillunusual]

The Beatles - Now And Then

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[blueskittlesart]

i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding

[kaahmbem]

legend has it that the young witch circe and the once beautiful nymph scylla shared a complicated past...

[madisoncounty]

She swallowed past a lump in her throat, looked up into her son’s eyes. "Paul…I want you to do something for me: choose the course of happiness. Your desert woman, marry her if that’s your wish. Defy everyone and everything to do this. But choose your own course. I…."

LADY JESSICA & CHANI KYNES IN DUNE: PART TWO (2024)

[ourstaturestouchtheskies]

“Bombay Hotel, Miami Beach, Florida” – postcard, ca. 1950s // “Fort Lauderdale Sea Ranch Motel” – postcard, ca. 1950s // “The Arlington Hotel, Miami Beach, Florida” – postcard, ca. 1958 // Florida!!! – Taylor Swift feat. Florence + the Machine

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[i-dreamed-i-had-a-son]

So I'm fully in a Transformers Prime binge rewatch and holy SMOKES I did not remember how gay this show was. Like obviously Starscream is twinktown central and Knockout is very flamboyant, yes--but Megatron is so obsessed with Optimus (and vice versa) it's not even funny! Here's a compilation of the best moments from *just the first half of S1*:

Megatron returns after who knows how long and one of the first things out of his mouth is "No one rids me of Optimus Prime except me!!"

Megatron "dies" and Optimus is immediately depressed to the point where Ratchet asks about it and unlocks Sad Reminiscing

The Autobots are trying to figure out what the Decepticons are up to and Optimus starts with "Starscream is no Megatron, but--" just say you miss him

Megatron is literally comatose and his coma dream is him and Optimus fighting over and over again. Optimus just keeps respawning. Bro is LITERALLY living in his head rent free

In fact when Bumblebee gets inside Megatron's head Optimus is literally the First Thing he sees

Why is Bee in there? Because Optimus is deathly sick! And one of the only things that rouses Optimus from his nearly catatonic state? Learning Megatron is alive!

Megatron is also the only one who has the knowledge to save him so now they're both on their deathbeds together and their fates are linked etc. etc.

Bumblebee gets the info he needs by telling Megatron that if he doesn't give them the cure, Optimus will die (and Megatron will therefore not get to kill him)

Megatron (who had figured out this was all about Optimus before Bee even told him): "After our deep history together, to NOT watch the spark ebb from his eyes with my very own...well played, Scout." And then he gives him the cure

Starscream is about to kill Optimus and Megatron--as the FIRST thing he does after getting out of his coma--literally knocks him out of the sky, saves Optimus's life (priorities), and completely lets Optimus go. Which brings the Deliberately Saving Optimus's Life count up to 2!

Will add on as the show continues, but this is just like. 14 episodes in. At this point, forget allegations, they've been fully tried and convicted lol

[teaboot]

OKAY so apparently there is a rare type of migraine called a hemiplegic migraine that displays symptoms similar to a stroke, and after a fun little ambulance ride and CT scan I compiled my notes into a timeline of personal symptoms for fitness and for fun

Sharing because why not

Normal visual snow blurs slightly, making reading difficult

Spotty vision, large 'afterimage' type flashes blocking vision, partial blindness

Gradual descent into disorientation, confusion, "floaty" feeling, decreased cognitive function, slightly decreased fine motor function, slightly decreased gross motor function

Trembling in hands

Cold sweat

Mild abnormal difficulty with speech

Cold, tingling numbness of left arm, left side of face, left side of tongue, and roof of mouth.

Rapid increasing pain in left eye, right side of head that peaks at 1 hour, lasting between 5-7 hours, somewhat alleviated by heat packs, ice packs, direct pressure, and OTC pain medication

Mild to moderate nausea

Return of physical sensation after approximately 20 minutes from onset

Gradual return of vision- full return of vision after approximately 2 hours from onset

Gradual return to full cognitive function after approximately 4 hours from onset, along with full return to normal motor function

Continued mild headache in top right side of head for roughly 4 days following

Abnormal increase in fatigue

Return to full normal function

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[jinxie-117]

henry winter you are so emotional. you are so much of that scared little boy who hated his father, only with skin grown thicker to bear his beatings. you are so desperate for somebody to see you as a human yet you can’t fathom the possibility so you make yourself a god.

you pretended to strip yourself of all feeling, of all guilt. you killed the one man who could make you laugh, who still saw you as a person, and it still wasn’t enough.

you could never escape being a man, being a burning, fiery ball of rage and guilt and fear. everybody looked at you as if you were a god, but if only they knew.

[rimatsu]

obsessed with baby queer buck and the hang-ups he probably doesn't even realize he has, let alone acknowledge.. newly realized bisexual evan buckley who didn't stop once to consider long-term commitment to a man he dated for 6 months as a viable option until josh spelled it out for him. and we've seen buck navigate romantic relationships before. he didn't do things by half-measure or shy away from grandiose declarations with abby or taylor. he knew he loved them without the need for an outsider's perspective. i don't think the cautiousness displayed in 806 was linked to tommy as an individual/lover so much as it was about building a life with a man — still a foreign concept, still a bit alien. not something buck could really envision for himself and by himself, unprompted (just like he remained unaware of his attraction to men until he was made to confront it with a kiss). that moment of hesitation wasn't because he was unattached to tommy or their relationship, quite the opposite according to the follow-up questions: if buck wasn't in love already, he was at least willing to be. yeah, he needed a little nudge from josh to reassess his feelings, to jump over that last barrier, but the very moment things clicked in his mind, buck was ready to cement their relationship, ready to wholeheartedly pursue a future with tommy, serious enough that he brought up the possibility of marriage someday (another first! not just first potential husband, but first potential spouse ever!!) — because buck doesn't see much value in waiting once he figures out what he wants.

[the-crooked-library]

i think the primary reason why K/S has such overwhelming appeal is and always shall be that it is, at its core, a soulmate bond that has to be forged. the only way a t'hy'la bond can manifest is through shared toil, hardships, and undying devotion; it must be given effort and put together piece by piece - but at the same time, by the nature of its creation, it alters all realities on a cosmic level, to the point that Kirk and Spock must meet in every universe.

t'hy'la is not spontaneous. it is not a soulmate mark, it doesn't spring to life at first sight or first touch or first word. it is destined - because it is chosen, time and time again. you cannot have one without the other

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[kylejsugarman]

gus is so cracked. he really came up to mike during breaking bad and was like "it is better to have pinkman on our side. its ur job now to make sure he doesnt kill himself. i know that the last time we tried to do this with nacho he killed himself, so lets try to avoid that. remember that?? how nacho shot himself in the head?? we should not repeat that mistake. make sure jesse does not shoot himself in the head. here is ur paycheck for this quarter. okay, goodbye."

[actuallyirish]

Listen, is it a perfect adaptation of the book… absolutely not… NO… is it ever a perfect adaptation of a book… not every movie can be lord of the rings. Did I enjoy every second of it.. OH GOD YES.. did I miss lines that are to me iconic in the book that we’re not in the movie… also YES… but I can still love every second of this movie and watch it over and over and over again…