#makes me insane in fact

[pianokantzart]

One of my favorite things about The Mario Movie is the way it introduces the characters, specifically the way it introduces Bowser and The Mario Bros back to back.

The film starts with Bowser's assault on The Snow Kingdom. His warship dwarfs the entire city, its sheer scale bubbling over and melting the landscape in its wake.

All Bowser needs to do is glance at Kamek in order to subjugate an entire army in seconds, and his fire breath just as quickly decimates the facade of a towering city.

Everyone rightly fears him. Those that don't quickly learn to. The amount of power and resources at his fingertips is borderline ridiculous.

The first words out of his mouth are threats, and they are threats he is easily able– if not excited– to follow through on.

He ends the scene victorious and with even more power than he had before.

Then we cut to a commercial filmed on cheap green screen to the soundtrack of a goofy rap song, advertising two blue collar guys who are just hoping to get paid to fix people's pipes, and the first words out of their mouths outside of the advertisement is them gushing about how proud they are of each other for their little, low-budget crumb of success.

Oh, Honey, you've got a big storm comin.'

[fanfic-gremlin-ft-trauma]

expanding on my au idc x

[thinkanamelater]

Sam said "Oh Evan is sleeping" on the voice note she sent so i can imagine it gets leaked and the next day all the media is talking about this mysterious Evan who sweeped the beloved Sam Britain away, who is he? did they elope maybe??

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[technically-human]

Welcome to the reverse verse! This is part 1 of 2 of a commission for @i-am-as-normal-as-you-are and I can't wait to tell you all about it, because I'm incapable of being normal and chill about these concepts, so I ran with it.

Charles Rowland was born in 1900, his mum was from India and moved to the UK after marrying Charles' dad, a soldier who was not... very loving. Charles' heritage gave him some problems, but none as bad as that one time in 1916 when he was sacrificed to a demon and spent the next 7 decades in Hell. He doesn't like to talk about it, except when it can get him what he wants. He was always an angry boy, or so he thought, but after his time spent in Hell, it became so much worse. He's explosive and unpredictable, and so he mostly avoids conflict. He doesn't need to fight anyone, as his charming personality and sweet smile (plus a few smart calculations) always seem to be enough to convince people to give him what he asks for. And when the fight is inevitable... well, he has Edwin for that!

Edwin Payne grew up very sheltered, in a deeply religious home, and he is proud of that. Don't try to argue with him, because he surely has a Bible verse that will help him win (and if not, he is not above using his croquet mallet now that he has someone to keep safe). Unfortunately for him, he realized at a quite young age that he felt attraction towards other boys. Even worse, somehow other people could tell as well, including those peers that ended up killing him for it (the rumour spread throughout school was that he had died due to AIDS, and most people just accepted it). He never acted on those unnatural urges of his, but when he met this ghost who had just escaped Hell... he decided not to risk eternal damnation, and to stay here with Charles, instead. Edwin has no interest in the supernatural or in magic, and sort of looks down on them, but luckily his friend's got that covered.

[orionshounds]

he cares so much about them, but he has never known how to show it

and now, it’s too late.

[plutonicbees]

tamquam alter idem. like a second self. magician & dreamer.

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[cherrytastiq]

i liked this show a lot. my slop

[bunnieswithknives]

Thanks.

Prev

[hellishfig]

for the amount of time i spend thinking about erika ishii, i do not post about them NEARLY enough

everything i've ever seen them in, they have been fully dialed in. they understand the genre, they understand the character they're playing, and they NEVER. FUCKING. MISS

my current dnd character is actually based on multiple characters of erika's that i enjoy. my character is a witch (like ame of worlds beyond number fame [thank you to the witch class playtest]) but she is also a brewer who grows weed and shrooms, and deals them, and does them (and her personality is very much modeled off of danielle barkstock in dimension 20's the seven)

i feel that many of my favorite moments from erika are often focused on other characters. but many of those character moments would not have been possible without erika's incredible roleplay and sense for storytelling

and when the moment IS focused on erika's character? spellbinding. groundbreaking. from ame talking to orima in the overgrown shrine to danielle getting a nat 20 at the masquerade ball, i always fall into the scene and feel it so deeply due to erika's skill and poise and commitment to the story being told

tldr i think erika ishii is incredibly talented and wonderful

[meteortrails]

it’s literally endlessly fucking funny to me how certifiably insane post timeskip sabo is about his brothers. he remembered who luffy and ace were and they immediately rocketed to #1 on his priority list with absolutely no contest. he devotes himself to being an older brother with the same fanatical obsession that he’s been using to lead revolutions and luffy is so used to ‘older brother’ meaning ‘guy who has attached a significant portion of his self worth and meaning in life to you’ that it fully doesn’t even register as weird to him. he manages to secretly make luffy a vivre card and luffy acts this is reasonable rational behavior!!! just normal older brother shit for them to be fully neck deep in your business without ever mentioning it!!!! cannot believe they ever managed to make us think sabo was the normal rational one. what the fuck lmao

[melit0n]

Some cryptid photos of Vessel (+ ii) that I've collected over the past week. The fact that almost all of them look like they came out of trail cam footage is absolutely sending me

[intermundia]

can you believe they filmed these on the same day

[divineandmajesticinone]

4 MINUTES (2024) I 1.03

[violetren]

The great thing about the White Collar OT3 is that at no point does the introduction of Neal into El and Peter's everyday lives never feels like a threat to Peter and El's marriage.

Like from the moment Neal shows up at their house in episode one he and El hit it off.

Within the first 5 episodes Neal and El have figured out they have similar knowledge and interest in the finer things, they're sharing looks over how Peter talks about and will react to things, El is telling Peter to trust in Neal a little, Neal is helping make sure they have a lovely anniversary, and El is calling Neal in to mediate/help prove her point in mini arguments to make Peter do stuff.

They also work really well because while Peter, El, and Neal might all be slightly different flavours and intensities of hyper competent adrenaline junkie weirdos, all three of them are intensely loyal to "their people" so the second El and Neal recognised that they both trust Peter as someone who will always try to do the right thing and respect them they were like "oh green flag."