#magic so importantly it makes me think of magic

[kill-me-with-a-spoon]

I am here to rant about an admittedly small thing that only concerns the official animatic of "Odysseus" but I am working through my emotions so....

I really do not like this moment.

Telemacus being referred to as a warrior of the mind feels so cheap and unearned to me. But let's take it step by step.

What is a "warrior of the mind"

Athena sadly never gave us an exact definition but we have some things.

First, Warrior of the Mind:

> My life has one mission, create the greatest warrior

I had a challenge, a test of skill. A magic boar only the best could kill. One day a boy came for the thrill. A boy whose mind rivalled the boar's own will

> If there's a problem, he'll have the answer

From these we can gather that a warrior of the mind isn’t just a good fighter. They rely on their mind(duh) and problem solvers and very rare as it is implied that Odysseus was the first to accomplish Athena's challenge.

> Don't forget that you're a warrior of a very special kind. You are a warrior of the mind

> I know he'll change the world. 'Cause he is a warrior of the mind

> Maybe one day he'll follow me. And wе'll make a greater tomorrow

> Maybe one day we'll reach them. And we can build their skills as we teach them

From these we can gather that a warrior of the mind is meant to be a leader that can/will change the world, not simply through martial prowess but by leading the people.

But I think more importantly than that

> We are the warriors of the mind

Athena considers herself as a warrior of the mind. It is not just a title she gives to others but a title she herself has as well. So her declaring Odysseus as a warrior of the mind is her, at least in part, equating Odysseus to herself.

A brief look at Remember Them

> Have you forgotten the lessons I taught you? He's still a threat until he's dead

This is the only part of this song that matters to this discussion. Odysseus leaving a foe alive goes against Athena's teachings.

And finally My Goodbye

> You were reckless, sentimental at best

> Put your emotions aside. You're a warrior meant to lead the rest

From this we can gather a warrior of the mind is a general and one that can act without emotion.

These are just things Athena said, we can probably get more specific if we include what Odysseus does but it might also muddy the waters

Now which of these characteristics does Telemacus have?

Great warrior? No. He fought for the first time when he was 20 and lost to a normal man despite Athena directly helping him. (Yet, at most a few weeks later he was able to fend off several attackers at once. Must have been one hell of a training montage)

Clever/cunning? We see no evidence of that.

Leader? Telemacus doesn’t lead anyone. Sure he did go on a diplomatic mission but we literally do not know what he did.

Able to stay calm? He got baited into a fight pretty easily because someone insulted his mother. Admittedly Odysseus lost control like that after Polites's death which was also the first time he ever lost men but I think that was more extreme.

Telemacus doesn’t have any of the characteristics we know to be associated with a warrior of the mind. You can’t even argue he has earned that title by being wise and teaching Athena the value of compassion and trying to make things right as the first thing Telemacus does in Odysseus the song is kill someone by stabbing them in the back, only then does he offer them mercy.

Like I said, it just feels really hallow and nothing more than a moment for the audience go "Oooooo!" and "Yeah!"

[peacocktalk]

I’m not sure what you’re pulling from, but to me, musical Glinda is very well represented in film Glinda. They didn’t do anything to Glinda that wasn’t already in the original material (musical wise, not book-wise, that’s a whole different discussion that I don’t think you mean?)

She’s explicitly not good at magic in the beginning, as she’s unable to transform Elphaba’s simple frock into a fabulous ball gown, and obviously didn’t possess ability that inspired Morrible to hold her seminar in the first place. She’ll grow into using magic a little, but she doesn’t have the innate talent for it like Elphaba does, and doesn’t use over the course of the show except for flying around in a bubble. And if you want to read further into it, Glinda’s lack of extensive magic skill is perhaps metatextual to the ‘39 film, as Dorothy is the one that ends up sending herself home.

But beyond the magic - yes, Glinda is great at politics. She knows she is, and more importantly, I think her aptitude in this is shown very well. She’s not air headed in this story, so much as she’s just unempathetic and performatively nice. Look at how she manipulates Boq, not for the sake of Nessarose, but for her own freedom to make out with Fiyero. Or how her first interaction with Elphaba in the movie is to publicly pledge that she’ll help the wretched creature before her, and it earns her the adoration of the masses. Her funny moments of being “dumb” are mostly due to her privilege and ivory tower-thinking being chiseled away by the brute force of Elphaba’s unyielding practicality and morals. But Glinda never loses her adept understanding of politics and power structures and how to play unfair games with unfair people - she gains the capacity to use her intelligence for the sake of other people.

Glinda and Elphaba don’t really even become friends until Glinda uses her social intelligence to save Elphaba at the Oz Dust. Yes, it was the kind and good thing to do from our perspective, but wagering her own popularity to turn the tide of Elphaba’s public perception in such a way was an example of her political acumen. Even at the end of Act I, she’s begging Elphaba to play nice, not because she thinks Elphaba is wrong, but because she knows Elphaba can’t win if she goes outside the system - much in the same way that Elphaba knows the Glinda can’t win if she plays into a fundamentally evil system.

Glinda gets the advisor position largely because she was there - Morrible and the Wizard need to control Glinda as the only other witness to the truth, and both think Glinda is dumb enough and desperate enough to have all her dreams be handed to her on a silver platter and be so grateful as to never object. They don’t need or really even want skill from Glinda - they need a puppet, a shiny, happy hero to contrast against Elphaba.

Glinda’s “dumbness” - which I think is probably a little better described as “frivolity” - is a plot point, much in the same way that Elle Wood’s frivolity is. People have to underestimate her expertise in supposedly shallow topics because otherwise she doesn’t have the opportunity to flip the script on people by the end.

Okay so I overall enjoyed the Wicked movie. However I honestly hate what they did to Glinda.

So I am not the biggest fan of fluffy pink characters. But I acknowledge that they have a power and characters like Barbie, Elle woods, and Glinda have their place. Power to those that like that. All of those characters, kind of as a pink cliche, seem really dumb and airheaded but actually have a good deal of brain behind them. They use this assumption of dumbness/bimbohood to take advantage of people and get the upper hand in situations. Power to them. Live laugh love. Go chase your sparkle.

But the key word in that should be seems. Glinda only SEEMS dumb to people because she is shallow and bubbly. She's actually really skilled with magic and politics. It's part of the deleted line in "Popular" where she gets appointed to the palace's advisor. She got it because BOTH her and Elphaba are so skilled. It's part of what erases their hatred of each other, a mutual respect from two highly skilled individuals.

Instead we get airheaded Glinda where it is not an act. She is not just playing mouse, she is the mouse. She is literally appointed an advisor as an afterthought, a tagalong to Elpahba on the train ride.

I don't know something about that didn't sit right with me. It feels like another excuse to dismiss pink/hyperfem as being dumb and that only outcasts can be smart. And I thought we moved past these cliches in the 80s.

[kateis-cakeis]

You know, without music, my writing would be nothing.

I rely on music for so much of my creativity. The moods I write in and feel. Epic music does a lot of good, but I'm a romance writer at the end of the day, so epic battle music isn't always the right vibe :P

I've been listening to the Frozen Planet II soundtrack lately and honestly that really brings a lot of emotions I had been missing into the mix.

And that's important, because it has to be the right mood for the right scene.

I just love music, and I love how creative it makes me :)

[nonokoko13]

Rollo Flamme is autistic. I had suspicions about it but after reading his vignette I heard a voice in my head confirming it. God has told me the truth and I must spread the word

He would also be ok with Batman, if he's not his most favoured hero. Oh and he also probably has PTSD and depression. Thanks for coming to my ted talk

[arijackz]

PICK A CARD: What Will Your FS Admire Most About You?

⚤ “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.” - Pablo Neruda

Disclaimer: This is a general reading, take what resonates. This is a gender-neutral reading, disregard any pronouns that do not apply to you.

p1 → p2 ↙︎ p3 → p4

✠ Pile One ✠ (King of Cups,Page of Cups,The World,7)

✧ Cards went wiillldddd. You stir up so much emotion in this person, it’s crazy. Your heart chakra is front and center here. You are picture-perfect harmony and universal love to your spouse. Your love can’t be contained, you love them, your friends, your favorite mug, worms out in the rain, strangers, the moon, and all the stars in the sky.

✧ All I see is a wide-ass smile, the biggest, wateriest eyes, and full cheeks. Your spouse thinks you’re sunshine-incarnated.

✧ This will sound corny, but your heart and love for the world and all its diversity make you appear angelic; God’s gift to humanity. The emotional depth you have is nothing shy of divine. Your ability to understand and reconnect your person with their inner dreamer makes you irreplaceable in their eyes. 

✧ I feel like your future spouse had to navigate around a lot of emotionally stunted people who left scars that prevented them from forming healthy relationships. Your empathy and desire to make space for peace and unity in this world give them hope that true love is alive and they are the lucky son of a bitch who gets to call an angel, theirs.

✧ I smell salt and hear waves. (I bet you’re tired of the cheesy poetry but HEY, me and your boo are OBSESSED with your energy) You truly are as beautiful and powerful as the seven seas.

✧ You know the Ouroboros, and how it's sometimes depicted as a snake wrapped around the oceans, holding onto its tail to keep the world together? Yea, that. To your future partner, you hold the key to their world. You add so much color and vibrancy. You turn over their inner ocean and awaken so much repressed child-like wonder within them.

✧ Wow. Your spouse loves the depths of you.

✧ Check for water placements, signs, and houses, in your natal chart. Some of you have insane intuition and have clairsenses. Clairaudience to be specific.

✧ Some of you are active in charities or aspire to make a difference in society. Maybe you’re into esoteric practices or anything else metaphysical.

✧ I even have a few philosophers here. Okay, KANT! (somebody please get this joke)

She Excites the Seven Seas

✠ Pile Two ✠ (Ace of Pentacles,8oW,The Emperor rev., “I Want”)

I love the kind of woman that will actually just kill me

✧ Of course, you don’t have to be a woman but that TikTok sound SCREAMED at me. Your future spouse is lowkey intimidated by you and they love it.

✧ You have big dreams. Big plans. But most importantly, a million and one ways to get you where you need to be. Your ability to say “I want this,” and then actually go out and GET it?? Your spouse is like the meme that goes “I’m a little scared, but I’m turned on.”

✧ I also see that you’re unconventional. If people have been doing whatever you want to do a certain way for years, you'll find ways to do it differently, just cause. You’re a true trailblazer. Your self-conviction is so damn alluring. Even for the people who struggle with insecurity sometimes, once you get over that hump and decide that you desire something, you fucking get it. Your partner sees you like magic. They are impressed by just how quickly your desires are set in motion for you. They feel that you are powerful and bring a great deal of power to them from just being in your proximity.

✧ You are also the “I don’t take shit from nobody” type. Not from strangers, not from your friends, your family, not even from your partner. In their eyes, you know your worth and have a strong self-foundation that nobody can tear down. There is genuine admiration and respect here. I even get the “I want to be like you when I grow up” mentality.

✧ There is a speediness to you they find very attractive. Either the way you behave, speak, or just stress about time, your pacing holds a special place in their heart. (or maybe, despite all of your responsibilities, you manage to find stillness in the chaos and slow down when necessary)

✧ The way you speak drives this person wild. It's like your voice narrates their thoughts and is the source of all of their arousal. Do with that information what you will...(don't be cruel, you make this person so nervous).

✧ I shuffled through a playlist and E-GIRLS ARE RUINING MY LIFE!! by Corpse came on and one of the lyrics goes,

She just look into my soul with them Shinigami eye Coke in my nose and a blade on her thigh. Man, I think this girl is really trying to plan my demise

✧ Yea, you put the fear of God into this person, but in a good way! Your presence can be chilling sometimes. Fire energy for sure. There are definitely people here from pile 2 of my first pac, “What are your most alluring qualities?”, check that out if you want to.

✧ Okay, this energy has me needing to take a LAP, bye.

"Man, I Think This Girl Tryna Plan My Demise"

✠ Pile Three ✠ (10oW, 9oW)(no other cards wanted to come out, real stubborn)

✧ Okay so, this feels specific?... and maybe even a lil off topic but I feel called to say this

✧ I sense that you and your person are psychically connected and share the mutual feeling that the two of you are meant to cross paths. The both of you have gotten your fair share of fuckery in this lifetime and this union feels like divine justice.

✧ This sounds a little fucked up, but you guys flourish amid trauma. Dark energy alchmaziers. You best wield your potential while you’re going THROUGH it.

✧ You had to “die” and bury yourself a dozen times to get where you are today.

✧ You are a very evolved individual. Throughout your life, traumatic events and relationships have forced you to bear a lot of weight on your back and it’s like the pressure has forged you into a diamond. With each curveball life threw at you, you stood tall and pushed to make something of yourself, proving your worth after a lifetime of strife and instability.

✧ Scorpio/Capricorn and 8th house/10th house placements. (check midpoints).

✧ A lot of you have tense shoulders, upper back, shoulder, and neck pain from the unease and anxiety your body carries. You have insomnia and may even struggle with nightmares.

✧ This person you’re coming into union with is so healing.

✧ This is something the both of you broke down and prayed for on your darkest days. This is a true partner, the soul that kept yours warm when the world was so cold. You had to put your dreamier side on the back burner to survive. This person will make you feel safe to dream again.

✧ I don’t have anything specific to say because you and your person feel so secretive  You two recognize each other’s pain and are the only people you guys trust. Like not even lil ol’ me can really get through to y'all. Y’all ride AND die for each other, in this life and the next.

✧ If you’re into astrology and already have a feel for who this person is, check your guys’ composite chart. Strong Scorpio energy here.

✧ Coming into union with this person will feel like a wish fulfillment.

✧ (short pile, it felt like a quick message for those of you who feel this connection telepathically. This is probably a secondary choice.)

"I Want To Caress The Piece of Me Within You"

✠ Pile Four ✠ (Queen of Wands, 9oP rev., 7oP, 4oP rev., the high priestess, queen of cups, “I will”)

✧ You’re a bad bitch, truly. Your fs isn’t calling you a bitch, buuuttttt she a baddie, she know she a ten! She a baddie with her baddie…. wait a minute…

✧ You may not have a lot of friends? You keep your circle tight-knit because you have been deeply hurt in the past and you guard your peace fiercely. For some of you, your home life was quite tumultuous and you struggle with financial security and inner happiness. It seemed like the world did not want you to feel good about yourself or succeed.

✧ Do you know that viral display of a deer’s ribcage with a spear through it, and how even though an attempt was made on the deer’s life, he managed to survive and lived for years after that event; all while still growing bone marrow with a giant fucking spear through its ribcage?

✧ “A close encounter with a hunter left the deer with several broken ribs and part of an arrow embedded in its body. Remarkably, the animal survived, and bone grew around the shaft and arrowhead lodged in the creature's side."

✧ "The deer lived with the arrow inside its body until years later, when another hunter killed the animal, cut the deer open, and discovered its amazing secret…As the tough tissue formed over the arrow, it acted as a splint for the damaged rib cage, strengthening the deer's injured body.”

✧ I highlighted some words that needed emphasizing. That’s how your partner sees you. They are in complete awe of the resilience and sheer tenacity you hold. They look at you and can’t believe the person before their eyes. The troubling history you usually try to hide from your romantic partners is exactly what allures this person. 

✧ You won’t ever lay on your belly and cry about life passing you by. You aren’t the type to victimize yourself and “woe is me” your way out of self-improvement.

✧ You are quite ambitious and aim to push forward, even if the odds are stacked against you.

✧ I get the message that some people in this pile have struggled with self-harm over the years. Your partner wants to kneel down and kiss your scars like a white knight, and vow to protect you emotionally and physically for as long as you’ll have them.

✧ The spear-deer imagery is so interesting. The deer represents virality. It is a symbol of piety, gentleness, devotion, and fertility. Especially with the queen of wands, the high priestess, AND the queen of cups, you provide profound love, passion, and insight to this person. However, even as a deer, you are quite badass???

✧ You are as gentle as a strand of hair but as strong as wool. Dainty but unbreakable.

✧ They have no desire to infantilize you because they know you are already your own greatest warrior. But they don’t want you to feel that you have to fight alone. Whatever burdens are on your plate, they take away as much as possible because they want to be a piece of the paradise you fight for.

✧ This is meant to be a short pac, a Tumblr post won’t do the unbelievable strength in your character much justice. Just know that your fs is so fucking in love with you and wants to spend their life by your side because of just how awe-struck they are by you.

✧ I mean c’mon… will YOU ever forget the story of the coolest fucking deer in existence??

"I Yearn To Be the Name You Call Out in Victory"

[thydungeongal]

So there is a pretty clear shift in playstyle between TSR D&D and WotC D&D: for better and for worse, D&D 3e introduced the idea of encounter balance, de-emphasized mechanics that had previously encouraged the GM to think of the monsters as real living creatures (reaction rolls, morale, etc.), and it had the effect of making D&D a much more combat-focused game. D&D has always been a game that's opinionated about combat, it's basically the most expressive and detailed form of play regardless of edition, but combat in the TSR editions was not exactly zoomed in and tactical. The WotC editions purposefully made combat zoomed in, granular, and tactical.

And this has had an effect on playstyle: since combat is now the main form of player expression what players actually want is for their characters to get into combat. Because combat is the most fun part of the game. But the game has also changed from the largely amoral dungeon-crawling game into a game of fantasy heroics (even though a lot of the trappings of the amoral dungeon-crawling still remain, which contributes to the dissonance), so you can't just have the player characters going into combat for the sake of it. That would frame the player characters as kind of Fucked Up, and we can't have that in our supposedly heroic fantasy.

What you end up with is a variety of contrivances like "they're bandits," "they're cultists," or, my all-time favorite, "they attacked first" to make the action seem morally justifiable, even though gameplay is still motivated by a desire to fight. The monsters fight to the death and, importantly, can often not be reasoned and negotiated with, partly because combat is supposed to be the fun, engaging part everyone is here to do, but also because if they actually acted like reasonable people it could cause dissonance with the whole "the player characters are the goodest heroes."

As my friend @tenleaguesbeneath once called it: what is actually going on is that the player characters are hunting people and monsters who have been programmed to fight to the death and never negotiate for sport, while justifying it as self-defence.

It's a simple power fantasy, and I don't think there's anything wrong with it. Sometimes you want to play a morally uncomplicated game about killing guys with cool magic swords. But I think it's also fun to think about what the specific types of monsters players end up fighting reveals about Society the invisible, unexamined ideology lying under the surface that the designers of even modern D&D have failed to examine. And to me it often reads like a frontier justice fantasy. None of that is to detract from anyone's joy of the game, and for me it's just fun to think about and post about this stuff while Still Enjoying the Game, but if someone expressing that opinion makes you feel uncomfortable, why? That's pretty silly imo.

[jmliebert]

♡ little things that would make astarion fall harder for you♡

how you described his looks in great detail once you learned he couldn't see his own reflection (and while doing so, you never once sexualised him)

how you don't press when he doesn't want to talk

how your touch is warm and gentle against his marble skin

how you laugh at the silliest things sometimes

how you give him little looks when you think he isn’t watching

how you tilt your neck toward him playfully

how you ask him how the sun feels on his skin

how you crack vampire jokes

how you cherish the small things in life

how you gleefully ask him to dance with you (and how happy you look when he reluctantly agrees)

how you wink at him from time to time

how you bought him nail file when he lost his

how he realised with you, that kiss can just me a kiss; nothing more, nothing less

how you laugh at his briefs (or more importantly, the message he engraved there)

how he catches the way you gaze at the horizon with a longing for what was or what might have been, when you think no one can see you (he sees though, and understands more than he would care to admit)

how you tug your hair behind your ear (he finds it endearing)

how you have special smile that you reserve just for him and him only

how you give him matching magic rings

how you pause for a moment, allowing him to enjoy the sunset in peaceful silence

how you make it a point to greet him warmly each morning at the camp

how you screeched your nose while tasting particularly awful wine

how you stand up for him, while others are suspicious and wary of who he is

how your hand finds its way into his without you even noticing

︵‿︵‿୨♡୧‿︵‿︵

you can find more of my works about astarion ♡here♡

and (!) again, thank for the request <3

[rayroseu]

You know what's sick as hell about the design of the Briar Senates??? It's that their design mirrors the weapon of the Draconias 😭✨

I know they're getting flak rn bcs they feel like "boomers who's against any progress because they value toxic tradition" but i don't really think they're like... entirely evil lol or the root of every bad thing that happened in Malleus'/Lilia's life (though im side eyeing them as one of the perpetrators still lol)

Tbh, removing them would also cause more harm (just some social issues inside the fae society tbh) than good imo, (I know many ppl say this bcs they think removing the Senates would make it possible for the peace between human and faes, but the thing is, the Senates aren't the only group that thinks this way, almost the entirety of Briar Valley does lol so forcibly removing them now would only come off as "Malleus forcing "human ideals" on the faes just because he has spent 4 years with the humans"(plus is the understanding between humans and faes truly achieved if you try to silence one group(even if that group is kinda disagreeable with anything human related lol), plus realistically the faes would trust their fellow faes first rather than some humans,

so for me, Briar Senates doesn't give off the vibe of toxic old people who drags others down in their toxic practices (while that can be an accurate description i feel like it generalizes too much about their behaviour), rather than that, Briar Senates feels more like thorns, like thorns that surrounds Briar Valley, they're not exactly harmful unless you go against them, but ultimately they're still protection for Briar Valley.

Which makes it fitting that their design has a similarity with the Draconia's weapon, they're the thorns that protects the Draconias, even if it means sheltering them.

And, tbh, if the Senates other job is to ensure Draconias lives, they're kinda doing a "decent job"??? If we can assume through Maleficia's (and Malleus' case), since we didnt hear about her leaving the Senate's side, she managed to survive for so long, unlike Meleanor😭 Also could explain why they're so enraged when Lilia arrived with the news that Meleanor died and why they hated the weak bcs what would weakness could protect JJDSJD Kinda wish their hatred against Lilia wasnt that he was a weak bat fae, but rather they doubled down on the fact he failed protecting Meleanor, imagine if Gen. Lilia wasnt as great in magic as the fae nobles were, yet he still managed to earn a position beside the Princess, all that hard work only to fail at the most crucial time, it wouldve make sense in the Senates' side to say, "Meleanor shouldnt have appointed him" (because "he's weak from the start")

oh additionally, this is just my assumption, bcs I felt like the way the Senates recoiled when Lilia hatched the egg was kinda... random?? so this is my made up reason lol Remember, the Senates were adamant that Maleficia should only be the one to hatch the egg because she's a Draconia, but Lilia did it and he's not a Draconia, What if because Lilia hatched the egg, it also affected the development of Malleus?? Like maybe for instance, it affected Malleus' lifespan, maybe he still lives more than one thousand years but he won't live for another thousand years like a pure Draconia because he's been hatched by Lilia as opposed to who they wanted it to be, which is Maleficia, OF COURSE Lilia hatching the egg is heaps better than Malleus dying before being born, but this is just my auto thoughts regarding the random hate reaction the Senates did when Lilia hatched Malleus lol

Interestingly, the placement of the stone of Draconia against the thorns (of the Senates) can also be hinted at their relationship with them??? In Meleanor's case, her stone is on top of the thorns, which may indicate that she's not under the Senate's commands or that its just telling she just lived distantly from the Senates, most importantly her stone is bigger than the thorns which may tell the fact that the Senates worships her because she's powerful and greater than them, and she's not someone who can be trapped/ordered around within the Senates. But, tragically, in Malleus' case, his stone is under the thorns, like its telling that he's under the Senates protection at all cost and his stone is little compared to Meleanor's because he's still young.

I also have a theory that the Senates are part of Briar Valley's land, like its been canonically said that they're the dead faes of Briarland, which makes think that their death is similar to the death of Conall from Maleficent 2, when Conall was buried, his body literally morphed to the land, which makes me think this is how the Senates used to be buried, when they die, they become one with the land, that's why you can't just remove them, when they are literally the Lands of Briar Valley,,,, get it lol

Though this is making me think that if this is the case then Maleficia's city,,, if the Senate's presence are the strongest there bcs that's where they're nearly buried, does that mean around Black Scale Castle is just lowkey a graveyard.... Is that why Halloween is special for Briar Valley bcs they have close ties/respect for the dead and Halloween is essentially about honoring the dead 😭✨

Off topic, but maybe the thorns part of the Draconia's staff may also tell about their age. Notice how Meleanor's staff has 3 twists which may tell that she's atleast 300~ years old, (if each twists signifies a century), while Malleus' staff only has one twist on its thorns which is accurate considering he's only 178 years old (one century).

If this is true, I'm kinda curious about Maleficia's staff... does that mean hers will be convered in thorns (she needs at least 7 twists (7 centuries~ and more) there on her staff 😭✨)

[hsunrry]

safe word // one shot

harry styles x fem!reader

summary: based on this request.

|| masterlist ||

words: ~1,5k

warnings: smut18+, unprotected sex, overstimulation, choking, hair pulling, safe word (but not actually using it), praise, aftercare

. ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁ . ݁₊ ⊹ . ݁˖ . ݁

nine. that’s exactly how many times he fucked you today in the last 2 hours. your pussy was swollen and you were overstimulated as hell. it was getting to that point you couldn’t even think straight and most importantly- you couldn’t even think about what your safe word was. your mind was foggy and you couldn’t even form a proper sentence anymore. “shut up, you’ll take it.” he panted, pounding into your sore heat fast and hard. his hands gripping your hips, probably already marking you.

“Harry, no, please.” you whined weakly. he chuckled, not slowing down. he was oblivious at what was happening, because of the heat of the moment.

“you can take it baby, you can take it for me.” he whispered, pulling you by your hair with one hand. you really couldn’t think straight. you wanted to use that word, but it just magically slipped out of your head. “you’re doing so good for me, my good fucking girl, taking my cock again.” he praised. his hand went from your hair to squeeze your throat slightly.

“i can’t-“ you said out of breath. “Harry please-“

“you can.” he leaned to kiss your shoulder. “you’ll take it, you’re my good girl.” he bit down on your neck, picking up the pace even more, making you cry out. “tell me you’re my good girl.”

“Harry please stop, i can’t remember the safe word.” you finally managed to gasp full sentence. he froze his movements immediately. he let go of your throat, pulling out of you and laying you down on your back.

“hey, look at me.” he caressed your cheek. you looked at him, not knowing what’s happening. guilt squeezed his chest and he pulled you into his lap, hugging you and caressing your body. “i’m so sorry baby, i didn’t know, you know i’d never hurt you on purpose.”

“i’m sorry.” you said quietly. he shushed you immediately.

“don’t you dare apologise. it’s my fault, i should’ve noticed that something was off.” he mumbled, pulling you even closer to his chest. “are you sore, sweetheart? did i hurt you?”

“it was just too much.” you whispered and he kissed the top of your head. he was feeling guilty for letting himself get carried away that much and for overstimulating you at high level.

“i know darling, i’m sorry i didn’t notice you can’t form words anymore. i should’ve checked in on you more.” he pecked your forehead few times. “i’ll get you in the bathtub, okay?” you only nodded at his words. he stood up with you, carrying you in his arms to the bathroom. he settled you on the counter, running the bath after that. he added your favourite scents and bubbles, lightning some candles as well to make it cozy. when it was good amount of water in the bathtub, he scooped you into his arms, placing you gently into the water. he walked in behind you, laying you down on his chest and rubbing your body soothingly.

“i’m sorry i forgot.” you said quietly.

“don’t even start baby. it’s my fault, i should’ve checked in on you more, i should’ve known.” he placed gentle kisses on your neck and shoulder. “i got a bit too carried away, love. you have nothing to be sorry for. how do you feel now?”

“a bit better, but still sensitive and a little hazy.” you answered. he nodded, placing another few kisses below your ear.

“you remember our safe word now?” he asked quietly.

“now i know, but my mind was too foggy for that earlier.” you leaned your head on his shoulder. he pulled you even closer to himself.

“that’s good, love.” he sigh quietly. he was extremely gentle with his touch. he poured shower gel on his hands, washing you tenderly. “how long were you trying to tell me it was too much?” he asked after few moments. you only shrugged slightly. “i’m so sorry, my love. for overstimulating you like that and not checking if you’re okay. i didn’t notice you starting to slip into your head and i’m so sorry it came to this.” he kissed your shoulder. the guilt was washing over him again and again.

“it’s okay, i should’ve remembered the safe word no matter what.” you whispered and he shook his head, squeezing your hips softly to shut you up, before you start saying that it’s your fault.

“you couldn’t think straight from overstimulation. it’s my fault. i knew you were sensitive and i still went too hard and too fast. i should’ve checked in on you every once in a while instead of getting lost in the heat of the moment.” he said against your skin. you nodded, sighing softly.

“can we just stay like this for a while?” you asked quietly.

“of course, darling. we’ll stay like this as long as you need and then i’ll make you something to eat.” he smiled against your skin, caressing your thighs carefully.

“you don’t have to, babe. i’ll be fine.” you smiled softly, going with your hands on his.

“shh, no arguments. you’re going to eat something light and drink a lot, because you’re going to be extra tired after all we did and you know that. you need to rest and i’m here to make sure i’ll take good care of my pretty girl.” he placed few more kisses, on your cheek this time.

“thank you.” you smiled at his kisses. he hummed against your cheek.

“mm, you don’t have to thank me, sweetheart. you deserve the best.” he mumbled. his hands gently caressing your body all the time, being careful to not touch the most sensitive places.

“you’re not mad at me?” you asked after a moment of silence.

“mad at you? why in the world i would be mad at you, baby?” he frowned slightly.

“because i forgot our s-“

“shush. don’t you even dare finish that sentence.” he kissed your neck, rubbing your stomach in meantime. “it wasn’t your fault, you were overstimulated and overwhelmed in this situation, out of your mind. you probably couldn’t remember my last name if i asked you, much less our safe word.” you only sigh quietly and nodded. “i’m not mad, i’m more guilty of letting myself get carried away and not noticing you were losing it. i should’ve stopped when something was different than usual.”

“next time we’ll know.” you said.

“mhm.” he smiled and nodded. he peppered your shoulder and neck with kisses.” we’ll be more careful next time.” he gently grabbed your chin, making you look at him. “i’m really sorry, my love. i didn’t mean to put you in that state. i love you and i’m sorry i didn’t notice you were reaching your limit.” his thumb slowly caressing your cheek. you leaned in to place a soft kiss on his lips.

“i love you too and i don’t want you too feel guilty about it. things happen.” you smiled softly at him. “and i’m better now.”

“i’ll get some cold compresses as well when we get out of bathtub.” he pecked your lips few times, making you chuckle. you were sitting in the warm water for almost an hour. after you decided you want to get out, he gently dried you with a towel and wrapped your body in fluffy bathrobe. he carried you to the living room on the big couch, laying you down. he crouched next to your head. “how about i made you grilled cheese sandwiches, hm?” he caressed your hair. “i assume you don’t want anything heavy.”

“sounds good.” you smiled.

“i’ll make you your favourite tea too.” he kissed your forehead, standing up and going to an open concept kitchen. after few minutes he was back with sandwiches, tea and ice packs. he placed food on the coffee table and he started to put ice packs over the sore places. you exhaled deeply. “i know it’s cold, but it’ll help babe.” he bring the sandwich to your mouth.

“i know.” you said after you swallowed the food. he was caressing your cheek with one hand and fed you with the other. when you ate two sandwiches he made for you, you spoke. “i’m tired.” he smiled softly at your words.

“bet you are, love. wait here for a second and i’ll go change our sheets.” he stood up from the couch, going quickly to the bedroom. after few minutes he was back, taking you bridal style and going with you to bed. he laid you down, going behind to spoon you and covering you both with duvet. he pressed few soft kisses on the back of your head. “go to sleep, my love. we both need to rest.”

[lurkingshan]

Japanese BL Starter Pack

It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!

And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes: 

I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.

This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from). 

If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find! 

I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you! 

Cherry Magic (Crunchyroll or grey)

gif by @liyazaki

I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.

Old Fashion Cupcake (Viki)

gif by @liyazaki

Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.

Utsukushii Kare (Viki)

gif by @wanderlust-in-my-soul

Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.

I Cannot Reach You (Netflix)

gif by @my-rose-tinted-glasses

Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire—including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about. 

His (Viki)

gif by @gabrielokun

Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.

The Pornographer series (Gaga)

By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:

The Novelist, a six episode miniseries

Mood Indigo, a six episode prequel series

Spring Life, a 15 minute short

Pornographer: Playback, a two hour film

Spring Life Continued, a 15 minute short

Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.

Our Dining Table (Gaga)

You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.

Minato’s Laundromat (Gaga)

gif by @liyazaki

Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.

Eternal Yesterday (Viki)

gif by @wanderlust-in-my-soul

Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.

Restart After Come Back Home (Gaga)

And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it! 

Tokyo in April Is… (Gaga)

gif by @wanderlust-in-my-soul

You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma. 

The End of the World With You (Viki)

Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.

What Did You Eat Yesterday? (Gaga)

gif by @my-rose-tinted-glasses

Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.

[yayll]

~ a little something about you and Dazai working together... or at least trying to ~

"Hold still! God, you really need to be more careful, Dazai, I worr-"

He blinks, and tilts his head, his voice soft yet firm as you both sit on the agency's couch.

"Would you mind looking at me real quick?"

You glance up from disinfecting his wound, and hum.

"Mm, why?"

He sighs, and when he speaks his voice comes out dramatic yet tantalizing, the way he always makes it sound when he knows he's about to say something silly. Something you'll hopefully scold him for! Yum...

"Oh, no reason... Just wanted a little kiss before I inevitably die in your loving embrace~"

You roll your eyes and groan, it makes his stomach do flips. There it is, that adorable shade of pink he loves so much! It matches the one you had on in bed this morning, but that's too naughty to think about now... Dazai hears the way your voice is significantly less strict, and he knows he has you. When does he not?

"Not now, Dazai-"

He interrupts, pouting as he reaches over and twists a lock of your hair in between his slender fingers, twirling it mindlessly while you mend his wound. He gives you a melting expression as his eyes droop enough for you to have no choice but to notice his despair as he whines.

"Mmm, why do you always only call me Dazai when we're at work?"

You sigh as you gently finish dressing his wounds, the fresh bandage mingling with his older ones... He makes a mental note to have you change those later too.

Anything to keep your hands all over him. Desiring him. Always in sight, always on the mind.

"Because we're at work... we're professionals, remember?"

That silly little comment makes him scoff.

"Hmph. Well, everyone knows..."

"Know what?"

"That you and I kiss in the supply closet sometim-"

You fling yourself against his chest and clamp his mouth shut, cheeks burning redder than a tomato. He licks the inside of your palm, causing you to immediately yank your hand away with a small squeak. You can't hold back the way your lips curl into an embarrassed smile as you hiss, and it makes him almost froth at the mouth... Trying to relearn decency is hard when he's this close to you.

"Professionals, Dazai!"

"... We should kiss" He blurts out, face smug.

"No"

"But it huuurtssss!" He's desperate now, resorting to the lowest of the lows so you'll accomodate him against all wishes, not like he has any shame left. He dramatically points at his wrapped up wrist, and slumps back onto the couch as he deflates into deadweight.

Your face softens and you look down, sighing in resignation that your boyfriend might just be a total baby FREAK. His pupils turn into hearts when you speak to him in the way he wants you to.

"Where does it hurt?"

"Who are you referring to?"

"You..?"

He smirks devilishly, and shrugs, feigning ignorance as he looks off to the side, arms crossed. You slowly start to get it, and crack a smirk. You exhale, shaking your head as you give him what he covets for.

"... Where does it hurt, Osamu?"

There it is, the magic word. By the time you're done asking that he's already crawled ontop of you, cornering you on the small loveseat and caging you in between his slender frame. Dazai takes your hand in his, and intertwines your fingers together as he nuzzles your cheek with his nose. His voice is soft, gentle, and talks you through it, just how he did this morning.

"Mmm, I'm not sure anymore... Let's find out together"

Your breath hitches, and you become bashful under him. He looks at you with narrowed eyes, knowing what it does to you, but more importantly what it does to his sick little mind. Leave it to Dazai to turn playful banter into something that will surely leave the two of you a mess... Hopefully you a little more than him. You whisper, a little breathless.

"Oh, now you're just baiting me, huh..."

"Well if I'm bait, then you're biting."

He whispers back, as if sucking the very life force out of you with his eye contact alone. This is how he wins, how he secures heaven for himself every single day, selfishly. He's not hiding anything in his expressions. He wants you for him, and no one else.

You really never stood a chance.

[badscienceman]

I saw someone ask what "I hope this hurts" means beyond the obvious, and I started to respond only for it to turn into an essay... Because I don't feel like dumping something so long in some unsuspecting person's notifs, I'm just going to post it here instead.

I started writing this after playing the game, but ended up watching a playthrough because I couldn't remember exactly where "I hope this hurts" was repeated. I think I caught the only few times it was mentioned, but I wouldn't be surprised if I missed something, so feel free to correct me on that or anything else I might have gotten wrong.

Spoilers for the full game and CWs for everything you would expect from discussing Mouthwashing apply.

Edited 10/16/2024 for clarity and some minor issues with formatting. I added sections in hopes of making it more readable, as well as a few more screenshots that I hope will support my points better. *Indicates where I made potentially significant additions to my original analysis.

Part One: Jimmy

Jimmy is someone who has a delicate ego. This means that he's very concerned with how he's perceived by those around him. We see this in how he responds to Curly and the news of the company's closure, which he takes it as a personal attack in spite of it very clearly having nothing to do with him on a personal level.

For people like Jimmy, a threat to one's image (whether it's a matter of their perception of themselves or, maybe worse, the perception others have of them) brings intense emotional pain. Even though it's clear that Curly meant no personal offense, and likely saw more good in Jimmy than was actually there, Jimmy sees this as a great threat to his own image, and thus identity.

To be clear, it's not just that Jimmy thinks Curly is looking down on him. It's also that Jimmy needs his role in the company to maintain his image, and he needs to eventually become captain. This is his ultimate goal because the respect and control that someone like Curly has, in Jimmy's mind, is tied to the title he possesses. And Jimmy wants that. He wants respect, he wants to be listened to, he wants power over others. (This is also why Swansea's final speech is so important, in relation to the belief that if one just reaches this next goal, they might feel a little more human, a little more in control, a little more fulfilled, but as Swansea shows us, that's just not the case. And it's true for Jimmy, too. Jimmy isn't magically fulfilled by obtaining the title of captain.)

But in the beginning, Jimmy has yet to realize that just getting the role of captain won't magically make him a man who is respected, or even a man who is truly in control. He sees no opportunities for himself on earth. The only option is to stay in this company and become a little lord of his own ship... and suddenly that's ripped out from under him. He will never reach the goal he's been chasing for all of this time.

Anya telling him about her pregnancy is the final push he needs to go over the edge.

Part Two: Captain

Returning to the initial reveal that the company is shutting down for a second, I think it's important to keep in mind a few things:

1. The importance of the title of captain in Jimmy's mind.

2. How this extends to his perception of Curly, him being the current captain.

3. Jimmy's self-centeredness preventing him from understanding the feelings and perceptions of those around him.

When Curly says what he does, Jimmy immediately jumps to the conclusion that Curly sees himself as above everyone else (and most importantly, as above Jimmy), to the point of considering them "dirt." I don't think Jimmy is just projecting his greatest fear (being seen as lesser) onto Curly. I think he's projecting his own perceptions.

He's placed all of this importance on the title of captain, and thus Curly. The captain is above Jimmy. Jimmy is beneath him, is lesser. And we know how Jimmy treats those he sees as lesser (first Anya, and then the rest of the crew once he's captain, *manipulating Daisuke into putting his life at risk because Daisuke, who is just an intern after all, just isn't important to Jimmy being an example).

I think this is a fair reading because Jimmy does something similar with Swansea when he insists that Swansea is keeping the last cryostasis pod for himself. I understand some might say that this is just Jimmy's attempt to manipulate Daisuke and Jimmy doesn't actually believe it, which is a fair interpretation, but I sincerely think he believes what he's saying in this instance. And I think that because Jimmy sees selfishness as common sense. It's what he would do were he in Swansea's position, and what makes him giving the pod to Curly significant.

Part Three: Anya

So, Jimmy is already hurt and panicking. He sees his chance at power and thus fulfillment slipping away. And then Anya tells him that she's pregnant.

Anya, who he has shown time and time again that he thinks little of.

Anya, who he clearly sees as beneath him.

Any mention of the pregnancy, no matter how gently it was worded, would immediately feel like a threat to him on multiple levels. And not only that, but a threat from someone lesser than him. His image, his status, his control, his power—it's already slipping from his fingertips. *It's happening right then, in that moment. It's not just a potential future where he's held accountable in a real way (maybe if Anya involved authorities, or if Jimmy was legally responsible for supporting a child once they returned to earth). It's happening now, because his image is crumbling.

For this reason, I believe I hope this hurts to be directed at anyone and everyone that he sees as "threatening" him.

Anya and Curly have made him hurt. He wants to make them hurt.

He doesn't care about Daisuke and Swansea. If anything, he's so caught up in himself and this contorted vision of reality, I wouldn't be shocked if he convinced himself in the moment that they, too, were looking down on him for some reason. (See again, "I know what everyone is thinking. The way they look at me." Obviously this is said in the midst of his spiral, after the crash, but I wouldn't doubt the paranoia was there before that moment.)

He wants to make them hurt as they've hurt him. He may also want to make himself hurt in order to vent out his emotional pain. If not, death may simply be the easiest way to escape pain and the threat the future holds in his mind.

*Part Four: Without the Guilt

In addition to all of this, I think crashing the ship (making them hurt) is his vision of what Curly has done or is doing to him. This is how he "leave(s) the dirt behind."

To understand this, I'm going to include the birthday conversation and the conversation between Jimmy and Curly about crashing the ship.

Jimmy: ... So I guess you got what you wanted. Without the guilt. Curly: Jim... If I had known... Jimmy: I can go back to my, how'd you put it? "Struggle of a life?" Jimmy: Anya never got into medical school because she's... well, let's be real. Jimmy: And how many employment years Swansea got left in him? Jimmy: Daisuke will be fine, mommy and daddy have him covered. So there's that at least. Jimmy: But you. Headed for bigger and better, right? Curly: I'm just... I'm just working on my life being a place I don't have to fucking escape! That's what I was trying to tell you, nothing mor- Jimmy: We're the ones you're trying to escape! Leave the dirt behind now that your boots are clean! Curly: That's not what I meant. Jimmy: It is what you meant. Jimmy: You just couldn't frame it to yourself in a way that kept you as the hero. Jimmy: Abandon the crew but remain the model captain.

To me, this is one of the most important and revealing sections of the game. Jimmy is not only projecting onto Curly, he's telling us exactly what he's going to go on to do (or attempt to do) when he becomes captain.

In addition to this, we see his manipulation on full display as he twists Curly's words and won't allow him even a moment to truly speak beyond a few lines he manages to get in between Jimmy's ranting.

That's not to mention we see the beginning of yet another pattern in Jimmy's behavior: getting a person to admit their weakness, then using it against them and/or using it to hurt them (he does this with Daisuke, for example, when he hears Daisuke's fears/desire for approval and proceeds to use it to get Daisuke in the vent). Here, Curly speaks about feeling trapped. Jimmy will soon trap him in a crashed ship just as much as he traps him in his own body, which Jimmy will proceed to drug. But I'll return to that.

Curly: Jim. I can fix this. Jimmy: What do you think will happen when we get back? Hm? Curly: We can figure all of this out. You and me. Take care of it. Kills ninety nine percent. Jimmy: All I ever hear is how great of a leader you are. God, it's so annoying. Jimmy: But, now... What do you think will happen now when we get back? Curly: We'll fix this together. Jimmy: Everything you and I worked for in our lives. Accomplishments, changes. Jimmy: None of it will matter. Curly: You've gotten through difficult situations before. This time won't be any different. Work through it, one day at a time. Jimmy: It's not just me, is it? Jimmy: You were supposed to be the one who had everything under control. You said so yourself. Jimmy: The ship, this crew, everything that happened here... Jimmy: This was your responsibility, Captain. Jimmy: That is what you'll be hearing the rest of your life. Take responsibility. Jimmy: Or this can all be remembered as a tragedy. Jimmy: Despite what must have been the best efforts of its acclaimed captain. Jimmy: The Tulpar crew was never found. Jimmy: No one survived to tell the tale. Take responsibility. Jimmy: You're standing at the top. Jimmy: Feet in cement. Jimmy: I get it now. Right? Curly: ... Curly: ... Right.

This is an important moment, because aside from the scene in which Jimmy is approaching Curly while he's on fire, it's the only other time that I can recall the game separating from their perspectives to allow us to see them both, standing together.

We see a flash of Take care of it. Kills ninety nine percent. Jimmy begins to pull away. Another flash. He continues to draw back. Another. He turns towards the cockpit.

Jimmy sees through Curly. He sees Curly's worst where Curly sees only Jimmy's best, and he's more that willing to use that against Curly.

He sees a man who is not going to do what's hard. He sees a man who is going to try to "fix it" only in the most superficial sense. A man who confuses the appearance of cohesion and peace with the reality of it. Someone who sees the rocking of the boat as a manifestation of taking action against a wrong rather than the wrong itself.

In the end, it seems they're both ruled by appearances. And Jimmy will soon rip appearances in every sense from Curly's fingertips. He will make him hurt. He will get his revenge. He'll turn Curly into the villain, taking away his title, his respect, and his very face.

For daring to look down on him, Jimmy will turn Curly into dust.

But I think these words—I hope it hurts—come back to haunt him.

Part Five: The Eye as a Mirror

Like I said, I went back to try to find each time the phrase is used. There's the beginning, of course, but then there's the pregnancy sequence, for lack of a better name.

When the Polle monstrosity emerges from the giant uterus (?), we see these words:

In this sequence, we see a lot of different images and concepts connected: Anya's pregnancy and thus her sexual assault by Jimmy are tied to Polle and the company. The emergence of the Polle monster from the giant uterus (and the idea of the removal of the pregnancy) is tied to the mouthwash, as it's an act of "cleansing." This is all then tied to the phrase I hope this hurts.

Unless I missed something, these are the only two moments when the phrase is used: When Jimmy crashes the ship, and when he's experiencing this hallucination.

All clean! Really gets rid of that bad taste in your mouth, huh? Through wreckage! Through silence! Wash it away! All day fire fresh!

"Clean" is important immediately. "Leave the dirt behind you now that your boots are clean," Jimmy says. Because in this accusation is Jimmy's actual intentions himself. He wants to rise above others and clean himself from their filth. Now, he wants to clean himself of his sins.

I think "Really gets rid of that bad taste in your mouth" is mocking him. A direct challenge to the thought that he could ever truly be "cleaned," at least in the ways he's so desperately trying to go about it. *Not to mention how this connects to the mouthwash, as it might get that 99%, but there's always going to be 1% left.

"Through wreckage" obviously refers to the wrecking of the ship, but also of their lives. All by Jimmy. Though I wouldn't doubt in his mind it connects to the wreckage of consequences (ie. Anya's pregnancy resulting from Jimmy's actions).

"Through silence" I feel connects back to Jimmy's attempts to keep everything quiet, both literally and figuratively.

"Wash it away" also has a mocking edge, as if stressing the foolishness of Jimmy's attempts to treat these very serious events as if it's all just "dirt" he can wipe off.

Finally, we see "All day fire fresh!" This line stresses the connection to the mouthwash, of course. It also calls to mind the concept of cleansing by fire. Important considering Curly.

And after each, I hope it hurts. Jimmy's statement of pure, childish rage. His desperate desire to make others hurt as he hurts. To lash out, to get revenge. To have control until the very end.

This is also why Polle haunts him. Because he, as a man desperate for control, will always be under the thumb of the company even with that title of captain. That hurts him. And maybe the closest thing to ever recognizing the evil he's done to Anya is envisioning it as similar to the company's control, but even that feels like a mockery because he's so horrifically incapable of seeing her as a human being that she's been reduced to her womb. That's what he's really afraid of, in the end, and the fear feels like something else is in control. It makes the organ feel giant, larger than him, capable of hurting him.

When I was watching the playthrough, I thought that there was going to be four or five "I hope it hurts." I thought it would represent each person Jimmy hurts, or all of them, because he hurts himself too. When the sixth came, I thought so much for that theory. But then, I thought about it and there's the fetus. That makes six.

So, I hope this hurts means "I want to hurt you the way I've been hurt. The way you've hurt me." It's Jimmy saying that if his life has been wrecked, he'll wreck yours. It's Jimmy saying he'll shut you up. It's Jimmy saying he'll burn everything down if it means he can maintain control, or even just the illusion of it.

Part Six: Pain

But I think there's another side to this. Like some of the other lines I said feel are mocking him, I think I hope this hurts turns against Jimmy, especially here. And more than that, pain (and by extension, pain medication) plays a massive role in the game, after all. So I hope this hurts feels as if it haunts every moment where it's involved.

Jimmy says this the first time he gives Curly his pills. Pain is how we know we're still living.

The pills are clearly connected to death from the start. If "pain is how we know we're still living" then pain is connected to life and freedom from it is connected to death. That's saying nothing of Anya's use of the pills to kill herself. I think this connects back to the crash, as well. If life is pain, death is an escape from it.

I think it's also significant that the act of swallowing the pain pills is in and of itself painful.

The pills that are meant to take the pain away become a method of torturing Curly. It's a way to make him hurt, and to exert control over him. Even something that should take away his suffering is just an extension of it.

At one point, Jimmy says "Once these are out, we'll have nothing to keep him quiet." In this sense, the pain pills are meant to suppress, not to heal (Through silence!). They're supposed to shut Curly up and keep him from expressing his anguish in the only way he has left (the noises that disturb Jimmy's sleep).

Others have compared this, or Curly's state, to how Anya has been forced to bottle up her own suffering. Jimmy is keeping them both quiet, or at least attempting to. The ultimate form of keeping them quiet would be to, of course, kill them all.

The pills can also be seen as an attempt to hide or conceal the hurt that has been caused rather than to actually heal. In this way, they're like the mouthwash: something that's not really helping, just covering up an issue (and thus making it worse). And the mouthwash represents Jimmy's attempts to "fix" things. He doesn't actually want to make things right, because that would mean taking accountability. He wants to protect his own ego by "fixing" things in a mimicry of Curly "fixing" things in which he wants to create a sense of "rightness" without actually adressing what (or who) has been wronged. Jimmy can't stand to look at himself, because he would see that he really is constructed of his worst moments, or at least, that's what I suspect he would see.

Conclusion

Considering all of this, I hope this hurts can then become a mantra about living in spite of everything. I hope this hurts means "I hope I'm alive in the end. I hope we're all alive in the end." It could mean "I hope I'm allowed to hurt, because I am hurt, and the harm that's been done to me must be seen rather than suppressed and hidden." It could mean "You can't keep me quiet. You can't ignore or hide what you've done to me."

Maybe most of all, I think it means I hope you reap what you sow. When it's turned back on Jimmy, when it's almost mocking or haunting him, it becomes in part about his emotional weakness. About his inability to look at himself and his reality without experiencing the pain of humiliation. I don't think he ever experiences half of the pain he's inflicted on those around him. Still, he has to deal with the fact that his attempt to hurt others instead of facing himself has caused him more pain rather than taken it away as he'd hoped.

And I think that's why he suddenly decides to make Curly a "hero" instead of a "villain." There's a tipping point where he's pushed into a corner. The pain is too much. He hasn't confronted his own actions in any real way, but he's done enough that he can't stand to save himself anymore. It hurts too badly to live with what he's done. It sends him into another stage of fantasy/delusion. The only thing left to do is what he intended to from the start: kill himself to escape and damn Curly to a slow death. Because to go on living in spite of the pain would be the right thing to do, in a sense. To live in the hell of his own creation. To face what he's done. But instead, he'll entrust those heroics to Curly.

This feels barely coherent in the end, so I might come back in a few days and say wow what the fuck was I talking about? But hopefully there's something here that captures some truth. Again, please feel free to correct me if I'm misremembering anything or if I missed something.

[avelera]

Sometimes in genre fiction stories, you’ve got magical characters talking about their magical lives in public or wearing their superhero costumes out in the regular world.

Often times, the magical characters feel they need to hide or whisper about things like magic or immortality or fighting demons or like pretend they��re going to a convention to explain their superhero costume.

These are often lovely and charming scenes but let me be clear:

Nobody in a major city would give a fuck.

Just as one example of many, I was literally in line for a book signing in NYC and a man walked by stark ass naked wearing only body paint and basically after the initial surprise, no one did or said anything about it.

The amount of crazy you encounter on any given day walking around a major city makes you basically immune to surprise or taking any kind of action about weird shit happening around you.

If I heard someone talking about their magical powers next to me at a cafe back when I lived in NYC, I’d assume either 1) they’re rehearsing for a play, 2) playing/discussing D&D, and/or most importantly 3) it’s none of my fucking business.

I’m always curious what exactly people think would actually happen in the real world if a supernatural or magical character was overheard by someone who wasn’t actively hunting them or who wished them harm.

If you overheard a time traveler or an immortal or magical person in general candidly speaking about their life at the table next to you, what would you actually do about it?

Would you call the police?

Tell the whole world you just sat next to a real magical person and your evidence is that you overheard their conversation?

Report them to their nemesis? How would you even find them??

Seriously, besides telling your friends about the weird conversation you overheard at lunch or the strange looking person you saw, what exactly would a normal person do even if they really did overhear someone like a time traveler speaking candidly about their travels for anyone to hear?

I ask because I see so many stories set in a superhero or urban fantasy setting worrying about being NOTICED. Noticed by WHO? With what result?? What do you actually worry is going to happen? What would any average person actually do besides shrug and go back to whatever they were doing?

I’d accept that maybe in a smaller town you could become a topic of conversation and even widespread notice.

But let me assure you, friends, in any major city, no one would fucking notice much less say anything about any level of weird shit they saw. The whole point of a big city is that everyone basically ignores the weird shit happening around them at any given point.

So let the fairies and ghosts and time travelers of your fantasy story relax. If they’re in a big city, they could literally fly around downtown with rainbows shooting out their ass and the only comment they’d probably get is from people wondering what movie is being filmed nearby.

[alwaysanundertone]

Day 22: magic | Tom Riddle

smut

TW: use of magic during sexy time, coming in front of people, Tom is a possessive freak, piv, spitting, spanking

You were sat in the Great Hall, picking at your food. You hadn’t seen your boyfriend at all that day, you missed him, but the hardest part was that you didn’t know what he was up to. You didn’t know why he disappeared on you, now your mind was full of questions, wondering if you had done anything wrong.

Suddenly, you felt a pang of need in your lower belly. You furrowed your eyebrows, shifting your weight slightly, not quite understanding what was happening. Your mind flashed with images of your boyfriend’s nude torso, making your need grow even more, you whined out loud.

“Y/N? Everything’s okay?” Pansy looked concerned, and just as you were about to respond, Tom’s voice filled your head.

I can see you squirming, honey, is something bothering you?

His tone was mocking, but you couldn’t focus on it. “Yeah, Pansy, it’s just a headache” She nodded, not entirely conviced, still she resumed talking with Draco.

Are you ignoring me, doll?

Tom could speak to you through your thoughts, it was nothing new to you. Yes, it did scare you from time to time, especially because he always knew what you were up to, always knew what you were doing but, most importantly, who you were with. Some might think he was quite obsessive, and honestly you couldn’t disagree, but you knew what you were getting into when you started dating him. Anyways, what was knew was that somehow he could make you think what he wanted.

You’re thinking way too much, baby. Yes, this is new, but how fun is that that I can control your pleasure?

You widened your eyes as another wave of intense pleasure hit you. It was like Tom was there, touching you. You could almost feel his calloused hands tracing your skin, his hot breath on your core, except you were fully clothed this time, and Tom wasn’t there.

I bet you’re so wet right now, do you think I can make you come like this? I think I can. This would do wonders to my ego, let me tell you. Making you come from my room, with just the use of a little magic? Yeah, I think we can make that happen.

Suddenly, your mind flashed with vision of Tom in only his boxers, his abs awfully defined, so much so that you could actually see the little veins on his hips, the happy trail leading to his cock. You wanted to go to your room, but as you made to get up, you fell back onto your seat.

Huh-huh, don’t get too bratty now, dollface. I said you’ll be coming there, in front of your friends, didn’t I? So I expect you to do so. Also, no touching.

You wanted to hit him, to make him suffer, but you couldn’t. You wanted to hide your face, but then you would have drawn the attention of your friends. You were thoroughly fucked, and you didn’t even know what you did to deserve that. He was being fucking mean.

I’m not mean, thank you very much. This should be a pleasurable experience for you, isn’t it? Should I intensify the pleasure, then?

Somehow, you felt a hard pressure on your G-spot, your eyes damn near crossing, your panties getting impossibly wet while you stifled a moan. You felt your nipples grazing harshly against your bralette, you swore you could smell your arousal.

“Y/N, you’re awfully quiet” Draco was staring into your eyes with a soft expression, and you wanted to die on the spot.

“I-“ You had to interrupt yourself, before you actually moaned and made a fool of yourself. “I don’t have anything interesting to say, you know? Been studying all-“ You took a big breath. “All day”

What a good girl, so polite. I love how good you’re being, recently. You can come now, baby

The pleasure intensified, making you come in seconds. You bit your lip, all your energy spent on trying to school your expression as much as you could.

Now, baby, I’ll give you five minutes to gain your composure. Then, you’ll be finding me in my dormroom.

There was no need to knock, Tom opened the door, grinning at you. He didn’t give you the time to get mad at him, one of his hands gripped your neck, shoving his tongue deep in your throat. You moaned, you really couldn’t resist him.

“Such a good fucking girl, doing as I said. I fucking love you, my little pet. Now open” You did, and he let spit dribble down into your mouth. “Now swallow” Again, you obeyed. He groaned. “Look at you, all fucked out, and we haven’t even begun. Come on now darling, bend over.”

Your chest was pressed into his bed, you felt the boxers fall down his thighs, his cock teased your entrance. “You’re so fucking wet, so pathetic. All this for me, huh?” You nodded. Despite having come earlier, you already felt needy. He pulled in just the tip. “Beg me, baby. What do you want?”

You were used to Tom’s antics after a year of dating, you already knew the drill. “Fuck me, daddy, please. I’ll be good”

He groaned, with one swift thrust he entered you. One of his hands gripped your ass, your skirt now covering your lower back. “Fuck, I love you”

You moaned. “I love you too” He slapped one of your ass cheeks, the sting sharp.

“You’re all mine” His lips were suddenly below your ear, sucking a purple stain. “You won’t cover this, understood? Everyone must know you are mine” It might be considered toxic, you knew that, but he was so sexy when he got this possessive. His hips rutted against the soft flesh of your butt, the room filling with smacking sounds.

“I need, more” He smiled, one of his hands circling you, pressing on your throbbing clit.

“Are you going to come for me? Marking your territory, baby? You know I’m yours”

Your eyes crossed, your vision turning black as you came, once again, him following not long after.

You both regained your breathing, him still into you. You smiled. “So, now you’re so obsessed you found a way to make me come from afar”

He chuckled. “Don’t get too bratty when I’m still inside of you, doll”

tags: @sxmnc @peterparkerspersonalplaything @riaaavm @iamawkwardandshy @eeviee4 @mysterialee @famouscrusadeluminary @el1smells @rishofkf @mooonyxoxo @happymaeday @yourfiendlyneighbourspiderman @whyshouldihaveanam3 @amazing-bobinsky @barnesandmetal @just-here-for-ff @remussbitch @sammyreid

[flavorcountry]

I got a cold and watched that Jenny Nicholson video about the Star Wars hotel (it's very good) and fully lost my mind: even after experiencing a comprehensive four-hour deconstruction of why it didn't work for Star Wars, I still think a version of this would absolutely work for Star Trek. Take my hand and walk with me on my journey into madness, where I have infinite money, talent, and team to make it all happen!!

Overall vibe

If you want to make a hotel/resort experience that takes place inside a fake spaceship, I still think Star Trek is the way to go: so much of Star Trek takes place on ships, and we've seen the rooms are pretty nice!! Like the Star Wars one, my Star Trek hotel is also a simulated starship, but with better rooms and more fun stuff to do.

Are you ready for this shit

Can you tell I drew this myself

You'll arrive at Farpoint Station,* where the concierge checks you in and your luggage gets whisked away by station staff. Gift shop's also here. When you're checked in and ready to head to your room, you're brought to one of several transporter rooms. If you never went to the Star Trek Experience at the Vegas Hilton when it was active, I am truly sorry for you, because they had a ride whose boarding process included getting beamed away: you and your pals were herded into a zone where you were clearly meant to board a run-of-the-mill 20th-century simulator ride, and then there were jets of mist and a sound and suddenly you were in a transporter room on board the goddamn USS Enterprise NCC-1701-D. It was fucking magical and I never, ever want it explained to me. Anyway, that's what happens to you at my Star Trek hotel: you step onto a transporter pad and get beamed from Farpoint to a Galaxy-class Federation starship. Exit the transporter room and walk down the ship's corridor to take the turbolifts to Cargo Bay 1, where a "temporary muster point" has been set up (this is where the guest services desks will be), or just follow the lit-up companel signs to your cabin. Yes, it will look like guest quarters aboard the Enterprise-D, more or less — maybe a little smaller — but it'll have the carpet, the plant, the glass coffee table, and most importantly a window that looks out into space.

Or!!! If you booked the resort, keep heading down the hallway and take another turbolift to a different section of the ship where the holodeck entrances are. The holodecks, naturally, are running a Risa program, so you walk through the doors and under the arch and suddenly you're outdoors looking at a beautiful landscape with a pool and whatnot, plus the resort accommodations where the more conventional fancy rooms are, and also the restaurants and entertainment venues, all themed. There's a Quark's. There's a Klingon bar and grill. A Bolian salon/spa. Talaxian arcade?? Nausicaan axe-throwing pit?!?! Come on!!!!!!!!!

Here, have a floor plan

Key learnings

Two things stuck out to me that the Star Wars hotel fucked up that I think the Star Trek version can do better:

🤷‍♀️ LARP too complicated: Give 'em credit where it's due, the Star Wars hotel fucking swung for the fences trying to make a multi-hero story guests could integrate with, but it just didn't work. Technical failures! Possible conceptual flaws! Too much stuff packed into the schedule!

The fix: Just make it mostly a hotel most of the time. One or two weekends a month, there's a two-day fully-immersive LARP adventure that people explicitly book separately, and it's more expensive (more on that later). But at all times, hotel staff will be in uniform with division colors that make sense: concierge and guest relations in red, support and janitorial in gold, teal for any medical personnel. I think that means the people working in food services have to wear that plaid/vest combo the Ten-Forward staff have on, but there are certainly worse outfits.

🌴 No resort: The food at the Star Wars hotel was good, but there was no pool and no other luxury resort type stuff to do. It didn't sound relaxing.

The fix: Putting an actual resort in the Star Trek hotel under the guise of a permanently-running Risan holodeck program. The sheer elegance of it!! When the weather is bad, hotel staff in gold uniforms can make apologetic comments about how the sim's malfunctioning.

Roleplay though

People are going to want to stay onboard the ship. That's good! The thing about the ship cabins is you can build them in maybe two semicircular layers (the rooms will need to be curved because these are quarters onboard the saucer section, naturally) and just bury them underground. They don't need real windows — you're putting screens in that'll show a space view, especially when the ship goes to warp and you can see those rainbow trails. Inside the semicircle there's a lot of space where you can put the other, bigger sets: the bridge, main engineering, Ten-Forward, etc. None of those have real windows either, and also I don't think it matters where you put them physically: just stick a pretend turbolift in front of all the entrances and make guests take those whenever they need to go there! One thing we're also doing is putting little hidden speakers everywhere that put out a small amount of shipboard white noise; it may not even be noticeable on a conscious level, but it'll be there and it'll be soothing. This speaker network is also a great way to make an actual announcement if there's a real park emergency.

During most of the month, I think the bridge and main engineering are mostly just photo ops — maybe you have to book a timeslot? Just so you're guaranteed some time with just you and your buddies? But I also think there should be opportunities for what I'm going to call mini-LARPing: you and your pals can book an hour-long session and the staff trains and then runs you through a short scenario. If you've ever played Artemis or the actual Star Trek VR bridge crew game they put out a while ago, you know where I'm going with this: for however long, you and your friends are now the crew of a genuine-ass Federation starship trying to survive a battle! It's fuckin' Kobayashi Maru time, motherfuckers!! Everyone gets their own station! Lights flicker! Mist shoots out of stuff! The whole bridge shakes! There might be a warp core problem — better call down to main engineering! Whoever's down there gets escape room-style minigames and puzzles to work out and help their shipmates. At some point — and this will happen in every run of every scenario — there'll be a very mist-forward "coolant leak" near the warp core that forces whoever's in the room to duck and roll beneath a descending garage-style blast door before heading up to the bridge to activate their station up there; bonus points if the player can work in a "We lost a lot of good people down there, Captain." Maybe there's an actor in makeup who menaces the crew on the main viewer from time to time (pick beforehand from a list of villains! want to fight Klingons? Romulans? a rogue Borg tactical sphere? etc). Can you see it? I can see it, and it fucking rules.

I must at this point mention that in my world, you can buy an add-on where a camera crew joins you, and they cut up the footage afterward to make you and your pals your very own mini-episode. Yes the editing and post-production are expensive and time-consuming; I'm creating jobs here!!!! Maybe …… okay, hear me out: there's an array of hidden fixed cameras and microphones built discreetly into the set, and also players are issued a combadge with an individual RFID tracker that pings the cams and mics, so they only save footage when a player comes close. After the players are done, a machine algorithm uses the data gathered to assemble a rough timeline of each player's material and create a draft movie that a human editor can pick up and fine-tune. Yeah?? When you check out, you get handed a USB drive that looks like an isolinear chip with your mini movie on it, and maybe another one with all the raw footage just in case you're feeling ambitious!!!!

For one or two other weekends during every month, there's a heavily advertised, much more involved, and way spendier LARP for people who really want to get into it. It takes place over two days. There are lots more actors portraying characters necessary for the plot/gameplay. Don't bother packing for the daytime: all players are issued a uniform they get to keep afterward. Do I have any details on the scenario or RP? I do not. But I fully believe it's possible to construct something you could run over the course of a weekend that would keep a hundred paying guests occupied, amused, and delighted, provided you have a truly ridiculous amount of money and people, which I do because this is utter fantasyland.

Also it probably won't cost six grand. Probably??

Let's gooooooooooooo

The rest of the time — and I cannot stress this enough — the Star Trek hotel is just a very heavily and specifically themed all-inclusive resort that has nice, fancy rooms and luxury amenities plus bookable ship cabins and opportunities for photo shoots or quick one-shot roleplay adventures for the real heads. You don't ever have to enter those latter parts if you don't want to! You can just hang out at the resort and have fun with all the themed entertainment, which I must stress is going to be both in-universe plausible and great, with something for everybody. Yes, there'll be a daycare, and yes, Flotter will be there in some capacity to entertain the kids. The food hall is my favorite part by far; I could pitch you Trek restaurant concepts all day. Romulan gourmet soup stand. Gummi candy store staffed by Ferengi where all the offerings are shaped like alien bugs. A vending machine where you can get a jumja stick or a three-pack of those nutrient pucks Picard and his new friends kept getting in "Allegiance." There will be an entire plant-based food vendor with a wide variety of delicious options for all meals, and it will be run by Vulcans.

A word on the gift shop

Question for you: have you ever watched a Star Trek show and seen a Starfleet officer pull on a jacket or shoulder a duffel bag that had the words "STAR TREK" on it? If so, then friend, I want to know where you get your hallucinogens because I want to experience this exactly once. All of the gift shops on my hotel grounds sell responsibly sourced, highly thought-out, well-made items that would be in-world plausible and have no obvious branding. Of course you can get a hand-carved horga'hn, but let's go bigger. Why not a light-up Tox Uthat for your nightstand? Ressikan flute for you, queen? How about a whole-ass knife store that's nothing but various kinds of Klingon cutlery? There will absolutely be an entire tailor's shop whose whole job is to put you in the Starfleet uniform of your choice; there may or may not be a Cardassian managing the place who's got a 50/50 cheerful/menacing vibe going on. There'll be not one but two stores that sell little models of ships: the regular ones and the gold ones. Don't tell me you can't picture it!!!!!

I think that's about it

Thank you for coming along with me on this bespoke journey into 100% insanity; now can somebody put me in touch with the Star Trek licensing people and also give me a billion dollars to build all this? Okay, thanks a lot!!

For timeline purposes and because it's fun, I'm positing a version of Farpoint that got built after the events of the TNG premiere where the Denebians got their act together and just built a normal surface base without suborning an interstellar lifeform.

[avithenaftali]

October 28, 2022, 7:11 P.M.

For whatever reason I enjoy thinking about Diana Wynne Jones' writing as a whole and picking out unexpected or resonant trends. For example, some things that comes up often is:

She'll fabricate a world (right down to its cosmology), fill it with memorable characters, set one or two short novels in it... and then never touch it again. On to the next one. Rinse and repeat for her entire career.

The concept of multiple/parallel universes appear half a dozen times in different novels/sequences, but always in completely different ways. The multiple worlds of Chrestomanci function very, very differently from the multiple worlds of The Homeward Bounders, which themselves function so different from the Ayewards/Naywards of Deep Secret, or the walls between the worlds in Dark Lord of Derkholm. More importantly, all these approaches to multiverse explicitly contradict each other. There is no larger DWJ multiverse; there is no way to coherently combine any of them, much less all of them. I love her for this. Every book is its own project. Franchising be damned.

With one exception (which is the Dalemark quartet, oddly enough), none of these worlds are sealed-off secondary worlds. Our own Earth appears in all of them, though usually from the 'wrong' end of the telescope. Meaning, it's stuff like reading Charmed Life and assuming you're reading a magical secondary world fantasy for most of the book... up until the point when Janet is pulled into the story due to Gwendolyn's spell. The reader instantly understands that Janet is from our own world, from the 1970s when the book was written. She never makes it home, either. She never sees her parents again. She's a supporting character who becomes permanently stuck in the world of Chrestomanci, as a casualty of Gwendolyn's spells.

It is interesting, though, how there are almost no sealed-off secondary worlds in DWJ's oeuvre.

There are lots of neat things to say about how DWJ did this, and why she'd do it, and the implications in the storytelling. But tonight I'm thinking mostly about how it can be a moment, narratively, that makes you halt and have to recontextualize all these things you thought you knew (or were assuming) about the nature of the story.

In Ursula Le Guin's The Dispossessed, Urras is obviously the metaphorical capitalistic stand-in planet for our own Earth... up until a moment right near the end, where we realize our own Earth exists in this novel too and is an ecological wasteland due to unchecked climate change.

Urras may be the distorted-mirror, uber-capitalist version of our own world. But it's also a planet with a functional ecosystem. It's a planet where society is careful about maintaining that ecosystem. We're not going to be Urras, says Le Guin. We'll be lucky if we become Urras. To become Urras means we wised up in time to not go extinct.

And suddenly, little subtle moments in the worldbuilding around both Anarres and Urras—their shared attention to their own ecology—come into a different light. All because our own, devastated Earth turns out to be present in the novel too.

And in Howl's Moving Castle, Howl is a magician who fits into the fairy tale landscape of Ingary as naturally as anyone else—until the chapter when he has to go home to retrieve a lost spell, and you realize home is in another world, aka home is our world, aka Howl is fucking Welsh and found his way into Ingary by pure accident. And Ben Sullivan, Ingary's missing royal magician, is no native of Ingary either.

To Sophie, it just means that both magicians travelled to Ingary from the same enigmatic foreign land, which is as strange to her as any spell.

To us readers, it means "oh my god he's Welsh too? Just how much is Wales secretly connected to Ingary? Next thing you'll tell me Ben Sullivan's a rugby player as well—"