#m’s one day at a time

[morg-among-the-stars]

Since I have the belief that you can learn a lot from a person’s music taste, I feel you can learn about a character from their music taste.

So, here’s the music tastes of my kids :D

Ava: acoustic and folk music from artists such as The Oh Hellos, Tia Blake, and Sufjan Stevens, as well as scores and fan-made songs for Skyrim (She likes Miracle of Sound and Dan Bull’s Skyrim songs the best!)

Lilly: chill indie songs by artists such as Cigarettes After Sex, Alex G, and The Strokes (As well as a tiny sprinkle of Fall Out Boy, which is cathartic for her to listen to)

Lucas: musical theatre cast albums— namely Newsies and Spring Awakening— Ben Platt (the theatre kid to Ben Platt fan pipeline is real; he likes Reverie the best), and Ricky Montgomery

Rose: older songs from artists such as The Beatles, Heart, and Fleetwood Mac (because who doesn’t love Rumors? Absolutely iconic) as well as miscellaneous fun pop songs from artists such as MARINA, Owl City, and Charli XCX

[shrimparts-blog888]

👩‍🍳👌🏻

[foxstens]

matt dropping everything to get gorilla off of kevin

dan checking on kevin when gorilla tried to hurt his hand

the upperclassmen keeping an eye on kevin during the fall and winter banquets

kevin spending the winter break with nicky, aaron, and matt

nicky hiding behind kevin, nicky and kevin squabbling over food

kevin and aaron clacking sticks and renee hugging kevin after the catamounts match

[anonymouspuzzler]

cool real thing that happened to me on the way to pax

[334iwatchshit]

please remember that luke skywalker adopted rey and fin a few years after marrying din djarin and and opening his jedi school on mandalor with their green rat son.

[buck2eddie]

-Rick Riordan, The Last Olympian.

[remyfire]

The fact that Trapper's only job at the wedding was to hold the baby and that he barely looks away from him while everyone else is celebrating? The fact that this is the episode immediately after "Kim"? Goddammit.

[blaithnne]

Local big sister experiences emotions, more at 6

Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.

The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!

She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.

These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!

This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.

ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos

[lyanachaan]

unarmored.

[finelythreadedsky]

JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

[telanadasvhenan]

Soap opera on the left, Davrin fanboying on the right

[morg-among-the-stars]

I’ll start by saying this, revisions are not easy. In revising this book, I was faced with seventeen-year-old Morgan and all of their run of the mill, easy to fix grammatical errors, but also their mind. I went back in time to how I saw the world; how I saw myself, as a queer and autistic person, and how I saw families, friendship, and love in all its forms.

Speaking of family and friendship, I’d like to thank the people who’ve made this revision possible!

I would specifically like to thank my dear and great friend @turniptitaness, who supported this project from the very beginning with the original edition in 2022, and hyped me up when I began the process of revisions. Thank you for all of your love, enthusiasm, encouragement and support. Hearing all of your thoughts and excitement, and knowing that (at the very least) one person understood what I was trying to say, means the absolute world to me.

Even though romance books aren't her thing, I can't publish this book without thanking my partner @strawberryfemmesapphic. You didn't know me when I wrote the original edition of this book, but the love I wrote about first, and then polished up, must've manifested in some strange way, because a best friend and lover, all in one, is what you are. People say to, "write what you know," so thank you for— without even knowing or trying— inspiring the softness that I express through my stories and words. I love you endlessly.

Sappy dedications aside, revising this story has utterly been a blast, and I am incredibly proud of how it turned out. To those who read it, I hope you enjoy! :D

[barksbog]

it´s honestly so hard for me to even finish 15-30h games let alone 100h+ games because i get maybe 2-3h a night to game and the pacing of most games makes that feel extremely frustrating.

at this point i´m begging for more 1-6h games

[queerprayers]

i want to say first of all that i fully respect a community's/denomination's/culture's right to have closed practices. i am not entitled to other people's traditions, and when i am a guest in a space i understand that everything is not automatically for me. and i know i do not have to understand to respect.

and also! when i go to a catholic church and can't receive communion i want to fall on the floor weeping. what do you mean i can't have him he's right there. sorry my baptism was the wrong kind of baptism. i'm hungry and you want me to become someone else before being fed.

[momomallowart]

Took his pants away bc studio Bones is too cowardly to do it themselves ʕ⁠ ⁠ꈍ⁠ᴥ⁠ꈍ⁠ʔ🫶💗

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.