#lp army
Explore tagged Tumblr posts
Text
Linkin Park - From Zero - Album Review
Well, a few months ago I didn't think that I would write such a review but here we go. So Linkin Park announced their return in September followed by a tour and an album, to everyone's surprise. The new singer after the great Chester Bennington's passing was announced to be the former Dead Sara vocalist, Emily Armstrong. The announcement was followed by many controversies which I'm not gonna touch on in this review, I'm just here, purely for the music, so take all my opinions with a grain of salt.
From Zero (Intro)
A very short, barely even 20 seconds intro is a Queen-like gang vocal/choir harmony followed by Emily asking about the name of the album. It sounds like they recorded her first reaction to Mike's idea for the album name, which is - as Mike mentioned many times throughout the promotion of the album - a double entendre. From Zero means from the ground up, a new beginning which is definitely true for the band after losing a beloved former member and a friend, but also From Xero which was the first name of the predecessor band of Linkin Park. It's genius if you think about it, and by the short and cut end of the intro Emily realizes this as well.
2. The Emptiness Machine
The first single and the song that started the return. The video and the song are both great, though it left a sour taste in some fans' mouth, expecting either a Chester-imitation or someone completely different (rumors were Amy Lee and Deryck Whibley). The Emptiness Machine opens up with a modern beat and Mike's rapping, he even sings the first chorus hinting at something new to come. The second verse starts with Emily singing and while at first I thought she lacks the power Chester had, by the end of the second chorus she proves her place is right among the boys. The lyrics are about an abusive relationship to someone or something which left people thinking about Emily's past (imo the lyrics definitely fit into Linkin Park's past catalogue as well). The passion of the last chorus and the "I only wanted to be part of something" bridge will leave you wondering though: how would this song sound with Chester?
3. Cut the Bridge
Already a non-single with a choppy hard rock riff and octaves, Mike starts rapping and you realize this is definitely a Linkin Park song. In my personal opinion this sound would have fit into The Hunting Party as well as this album. I'm not the biggest fan of the chorus but it's a fun song that might get a few headbangs at concerts. Emily definitely carries this song, the bridge melody by Mike is... not the best, a little jarring and does not fit his vocal style and range. We'll hear a few moments like that in the coming songs.
4. Heavy Is The Crown
Heavy Is The Crown was the second single and the anthem of this year's League of Legends championship which gave to already one of the biggest bands of the planet some extra boost of publicity. If I had to describe this song with old Linkin Park songs I would say this is a renewed version of Faint with the breakdown of Given Up. The beat and the melody throughout the song is very Meteora-era and the "THIS IS WHAT YOU ASKED FOR" breakdown pretty much calls out the fans who wanted a nu-metal banger. It's like they knew their return was controversial and they have to do the maximum nostalgia factor to appeal to the same audience that once loved them. Emily shows her real power in this one, letting out the beast and hinting at what's coming.
5. Over Each Other
A pure Emily song and the third single. Mike is not singing nor rapping in this one, and in the video we see Emily being in a relationship, breaking up and fighting with her girlfriend until the story takes a dark turn when she fakes her own death to get away from her now ex-girlfriend. It's a very honest and upbeat song that really arrives by the second half. The lyrics show a burnt-out relationship that seems to be over soon. This one I cannot even imagine with Chester's vocals, which is the first and the last time this happened during this album. The instrumentals in the second half are (in my personal opinion) very much Minutes to Midnight-like, almost as if Rick Rubin produced this one as well.
6. Casualty
Undoubtedly the heaviest one on the record, there's barely any clean vocals, (even Mike is shouting for most of the song) and there's even a hardcore punk beat in it. This is basically like their song Victimized was on The Hunting Party instead of Living Things. The guitars and drums are filled with rage and in the bridge we hear a new sound from Emily which is very In This Moment/Maria Brink. I didn't expect a hardcore song by Linkin Park but in 2024 even that could happen.
7. Overflow
After a very lengthy intro the song arrives to a space-y, flowy verse which is reminiscent of Deftones and I.O.U, the song Mike recorded with Chino Moreno off his solo record, Post Traumatic. The chorus keeps up the same slow pace and by the bridge I figured that this song would be very fitting to A Thousand Suns. Which is possibly the only song on this record that I can say this about. Like a more modern version of a medley of that album, strange sound and it's not gonna be my most listened song but I think it will find its audience.
8. Two-Faced
Ever wanted to hear a Meteora/Hybrid Theory song sung by a female singer? Well, here you go. Imagine if Figure.09, A Place for My Head and One Step Closer got together on a drunk night and had a lovechild. The verses are also very much like Nobody's Listening, another song from Meteora. The breakdown is so much fanservice to the HT fans that it's almost exactly the One Step Closer riff (even the turntables are there). This will be one of my favorites for sure, it gives me that Cure for The Itch for a old-new HT sound. The fans who can get over to be ready for the new era of the band and only love the first album will be happy to hear this one.
9. Stained
Another song that is hard carried by Emily's vocals, I swear it's like they're doing this on purpose. Mike is one of my favorite songwriters and musicians but man, is he boring in this song. This is the first song where I felt like it's a filler. Chorus melody is alright especially in the last one where it's much more epic, but the verses, the instrumental and the overall vibe of this song is very forgettable. If I wanted to be really harsh I would say, this one is a more pop-ish song of One More Light got rerecorded with a different vocalist and distorted guitars.
10. IGYEIH
IGYEIH or I Gave You Everything I Had is another heavy banger. The riff is very nu metal, reminding me of Burn by Three Days Grace. It's another one that Emily is carrying on her back, her performance is 110% again. Mike's "the clock keeps tickiiiiing" call-ins are very much forced, and in my opinion lack chemistry with the rest of the song. The yea-yea-yea-s by Emily are also somewhat forced before the chorus, the buildup and the breakdown are great though. It's not as mid as Stained but I honestly expected better from the riff.
11. Good Things Go
Probably my favorite song of the album, straight up. The modern rap beat and Mike's work on the rapping and the wonderful vocals by Emily make this composition a pleasure to listen to. Some people I saw online compared it to Leave Out All The Rest, I don't think that is true. While this is a ballad of some sort having very emotional lyrics, it's an unfair comparison to LOATR. The delivery by both Mike and Emily is amazing though and the buildup is one of my favorites of this year, it's both relieving and cathartic. This is this album's take on Good Goodbye and this one undoubtedly wins both the message and the delivery battle.
Overall I'm not gonna lie, I expected more. Upon the second listen I realized that I lost recency bias already. Some moments turned out to be probably the worst in their catalogue while others were highlights of this year's musical journey for me. The singles are definitely the stand-out songs, though Good Things Go and Two-Faced are up among them. Emily carried most of the songs as I mentioned many times before and it's clear that the band's intention was to make the audience love her as much as they loved working with her, even if this effort cast a dark shadow on the rest of the bands' performance.
7/10
#linkin park#from zero#album review#lp#lp army#emily armstrong#mike shinoda#mr hahn#dave farrell#brad delson#album review 2024#new album
25 notes
·
View notes
Text
Linkin Park is great music for mech pilots. Just the perfect soundtrack for thinking you're fighting for an ideal, or your country, or even just glory and adventure, and then being put in a child's version of what hell would be like if it was made in a sandbox just to advance corporate interests â and then to fight just because it's all there is to do, or for your own profit
6 notes
·
View notes
Text
1986
9 notes
·
View notes
Text
And not two minutes after posting that sad lad post, I'm hiding under my bed trying to scare the shit out of my partner because teehee
No but really I'm posting this from under the bed. I am actively in wait as we speak. Like you know that voiceover video of the little spider burying himself in sand? That is me. I am that spider.
#disclaimer this is normal behavior for us#my dogs have joined me everything is fine#they're going to give me away tho#jerks#lp talks#lp is rolling stealth with disadvantage#the disadvantage is dogs#all of this to say#remember to find joy in the little things#even if it's army crawling under your bed#giggling like a small child half âhiddenâ behind a lamp
14 notes
·
View notes
Audio
The Casualties â Underground Army
#The Casualties#Underground Army#Self titled#Format: Vinyl LP Album Limited Edition Reissue#Released: 1999#Punk Hardcore#New York City based street punk band formed in 1990.#USA
9 notes
·
View notes
Text
STILL MY FAVORITE KISS SLEEVE ART DESIGN -- SOLID PARTY RECORD, TOO.
PIC INFO: Spotlight on the back & front cover art to "Kiss," the debut studio album by American rock band KISS, released under the Casablanca label on February 18, 1974. Art direction/design by Robert Lockart. Cover photo by Joel Brodsky (1939-2007).
BONUS: The following are Paul Stanley's current-day thoughts on their debut LP, and he reportedly dislikes it, but I still think it's a really great first album:
"It was mixed. I'm gonna be honest with you... I thought the album sounded pretty crummy...
"I was never a fan of the first three albums, sonically. We were bombastic, this band, live, was thunder. And on albums, it sounded a little rinky-dink to me."
"I didn't know how to make it sound better, but I knew that it wasn't the way we sounded. And to that end, you have to remember that it wasn't until "KISS Alive!" that the band broke.
"In other words, it wasn't until [the 1975 live album] "KISS Alive!" that the band really became successful -- because people would come to see us live and love what they saw -- then you put the album on and go, "Well that doesn't sound like the band I saw..."
-- PAUL STANLEY ("The Starchild," co-vocalist, co-founder, co-lyricist, & rhythm guitarist of KISS)
Sources: www.discogs.com/release/1632785-Kiss-Kiss/image/SW1hZ2U6MjQxNTQ5OQ & Ultimate Guitar.
#KISS band#KISS 1974#KISS 1974 Debut LP#KISS#Debut Album#70s rock#KISS Debut Album#Sleeve Art#Graphic Art#Joel Lee Brodsky#Glam#Lee Brodsky#Glam rock#Cover Art#American Style#KISS Army#Star Child#The Demon#Cat Man#Space Ace#KISS Makeup#Super Seventies#1974#Hard rock#Heavy Metal#Casablanca Records#Records#Vinyl#Photography#Casablnca
2 notes
·
View notes
Text
11/15/23: Wednesday finds and friend hook-up! Fleamarket prices are creeping up since we're closer to the holidays. And I can understand that as we all want to make some money. So I left quite a bit behind. But I did get some things I liked. I found first a gameboy wrestling game for $3.00. Then I got seventeen manga and a Flash Gordon LP record for $20 bucks. The guy also had some anime dvds, but at $4 each, I wasn't feeling it. The man also had some big retro LCD games. But at $30 each with torn, worn-out boxes, I didn't feel like haggling more than I already did with the books. Next guys stuff was good. A ps4 game, a bluray and two dvds for $10.00. And lastly at the fleamarket I found something quite sci-fi and old. Star Wars napkins from the 80's! Plus a bluray and another dvd. $5.00 for them!
So, at first, the Salvation Army thrift store didn't get me much stuff, just a few dolls and stuffed animals. Nothing worth bragging about. So I quietly left. And as I got to the stoplight, a friend that was there, told me to come back, he sent me a pic of something I definitely needed. A wii U tablet! Hells to the yes! I instantly drove back. My friend told me another guy had it, but he changed his mind. And he knew from my posts that I had a wii U with no screen. And he held on to it for me! So I thanked him for the favor, and I thank the employee, too. Cause she sold it to me for $3.00! I'm happy with my finds and thankful for good friends.
#video games#videogame collecting#flea market#fleamarket finds#thrift store finds#salvation army#wii u#dvd collecting#bluray collecting#manga#kingdom hearts#flash gordon#lp album#star wars#party accessories#napkins#ps4
0 notes
Text
When it comes to love you're just as blinded.
Part Nine
Eminem x Musician
Summary: It starts with a drunk embarrassing video, it spirals into something a whole lot more.
Note: Itâs here! Just figured Iâd get it out quick, so I spent ages just writing and then editing! Hope itâs up to par? Itâs a long one, again..
Might edit this again when I'm not running on three hours sleep:) x
| Set in 2014, just after the release of LP 2
taglist: @thelastemzy
Masterlist
It wasnât too long after my call with Danny ended that I stepped back through the garden door and into the kitchen, only to find Marshall already there, elbows pressed against the counter as he typed away on his phone. He looked up at the creak of the door and so I smiled in hello, tucking my own phone into my back pocket as I padded on closer, making sure to lock up behind me.
âDanny said his goodbyes and apologised again for his army mates.â I found myself saying with a slight chuckle and watched as Em turned off his phone to set it to the side, pushing up and away from the countertop.
âWas nice to meet him. You speak about him a lot.â Marshall replied with a small smile, the getsure genuine even under the bright lights the kitchen offered. âKidâs in bed already,â He added with a slight jilt of his chin before his head turned ever so towards the hallway, âYou up for another night of tv?â
Grinning, honestly unable to help the action, I widened my eyes and feigned fawning over the very idea, âGod, you know how to entertain a woman. Who needs alcohol and a club full of sweaty people when youâve got Rick Grimes and walkers waiting for you?â
Marshall rolled his eyes in retort, scoffing lightly in amusement, but I did note the uneasy look that crossed his face, even if it only lasted a split second. âNever claimed to be babysittinâ you whilst youâre here. You wanna go out, go ahead.â
It was my turn to gift him an eye roll then, the daft idiot. âAnd miss the chance of another popcorn fight breaking out? Yeah, I think not.â I said as I waltzed past him, heading straight for the living room weâd invaded the night previous.
I was still searching for the remote when he finally emerged in the doorway behind me, pausing there briefly. It was only once Iâd finally caught sight of the stupid thing that he chose to speak up again, âI was beinâ serious, before. You donât have to stay cooped up here with us.â
The tele had since been turned on, the screen buzzing to life before its loading page flashed up to greet us. My brow furrowed in my stance by the edge of the settee and it stayed even as I turned to spare him a glance from over my shoulder. He looked a little ominous standing there in the shadow of the doorway, the tv being the only thing to shed a small amount of warmth and light into the dark room.Â
âShut up, I was just messing.â I waved off whilst flashing him a wry smile, before I turned back to the tv screen so that I could scroll my way back to the series weâd been watching the night before.
But Marshall didnât appear to be anymore at peace after hearing the sentiment, his shoulders were tense and his forehead was suddenly littered with slight lines when he decided to bypass me and drop down onto the sofa.
I joined him a couple seconds later, throwing him a wary glance as I clicked on the third episode weâd somehow managed to get to and lowered myself down onto the cushions less than arm's length away.
The show started and for the first ten minutes we sat in a mutual silence, though I couldnât help but feel as though Iâd made a real big misstep with my earlier joke. It was just as the scene shifted again, the library moulding into the prisonâs outer fields, that Marshall shifted, using the pillow between us as an excuse to shuffle into a better position, one which left him sitting a whole lot closer than heâd previously been.
My legs had come up to hide beneath me not long after Iâd first sat down, so with his new position it just meant that my knees were now almost grazing his own. My eyes flickered between the barely there touch and the tv screen.Â
Marshall slumped. Knee pressing further into my own.
I allowed it, wondering if it was purposeful.Â
âSorry.â He murmured after a static moment passed and he didnât make the effort to move away either. I wondered if that was really what he was apologising for.Â
Deciding not to comment on it, I simply shifted so that my head could rest against the back cushion of the couch, leaving my shoulder and side to fall in line with his torso. I felt, more than heard, him look over at me, before his focus was back on the tv screen once more.Â
We sat that way for the remainder of that episode, my eyes growing heavier the further in we got. I put it down to the residual lapse in jetlag, but Marshallâs presence and his unusual knack for always being able to radiate body heat like a sodding furnace might have had something to do with it too.
I jerked slightly when I eventually felt my head fall forward, startling myself a tad, and pulled back from the way Iâd been just about ready to nod right off. My temple seemed to have caught the curve of Emâs shoulder though on the way down and so I shuffled back a tad to flash him a sleepy smile full of silent apology, to which he merely shook his own head and shifted so that he could offer up his shoulder without words said or questions asked.
My throat grew a little tight at the gesture, never really having had that sort of companionship before, even in the people closest to me, and slowly allowed my chin to droop, almost cautiously as if I was preparing for him to laugh me off. But he didnât. Simply waited me out, like a person would a stray dog when trying to lure them near.
I mustâve fallen asleep there after a while, which surprised me enough to have me blinking blearily awake again once Iâd realised, because the next thing I knew the sofa had shifted and the soft light from the tele had since paused in its stuttering of scenes.Â
Sniffing, I attempted to bury myself further into the cushions beneath me, missing the warmth that Iâd found there just moments before, but it was then that I heard a light huff of laughter, one which had me rubbing at my eyes only to cast a glance towards it.
Marshall was there, standing over me, one hand on my knee whilst he tried to shake me awake as gently as he could. My gaze caught on the small smile he wore, the same one which appeared to grow when I frowned up at him and then around the room, trying to get a sense for what had happened and where Iâd fallen asleep.
A tap to my knee had me looking back at him.
âMissed two episodes.â Marshall mentioned in a low murmur, smirking at the way I wrinkled my nose in turn, âDonât think Iâm rewatchinâ them jusâ âcause your ass decided to fall asleep.â
I hummed, still attempting to wrap my head around the fact that Iâd just been asleep and was now somewhat awake, whilst simultaneously trying to stay alert enough not to fall back into that blissful state. âSorry.â I whispered tiredly, barely even aware of the word as it slipped past my lips.
Marshallâs mouth quirked upwards before his head was shaking again, âYouâre good, was just kidding.â
I smiled at the thought of him watching the episodes for a third time, just for me, and then giggled a little.
His hand encased my knee again but squeezed gently this time, it was when I looked over at him that I realised Iâd let my eyes slip closed again. âCome on, gotta get movinâ.â
I dreaded the very thought of moving but knew even in my dreary state that I couldnât stay curled up on the sofa, so I inhaled quietly and moved to nod my head, taking the hand that wasnât holding my leg and allowing it to hoist me up.
Marshall was smooth and considerate in the way he helped guide me up, letting me lean into his side as he turned off the tv, leaving only the nearby lamp to light our way out of the living room and into the hallway. I stumbled slightly on the small step that separated the two adjacent rooms but Marshall was there again, arm wrapped tightly around my middle whilst his other hand gripped my own, to keep me steady.Â
I blinked a little more at the almost fall, allowing myself to pause and squeeze my eyes shut tight enough that when I opened them again the world was a little less blurred at the edges. âIâm knackered.â I ended up saying, voice carrying in a dull whisper.
Em responded with a light snort, the hand at my hip squeezing a fraction as we started up the staircase. âThis gone be a usual thing with you, me carryinâ you to bed?â He wondered, though even in my sleepy state I could tell that the ask was more humorous than anything slightly related to irritation.Â
Still, the question reminded me of the night before when heâd also helped aid me up the stairs. The image of his smirking face flashed to the forefront of my mind at the prompt, the way he had waited for me to step beyond my bedroom door before heâd finally allowed himself to walk away. Tomorrow, heâd said whilst my fingers had toyed with the doorâs handle.
âNo.â I murmured then to his question, sniffing as I slumped further in his hold, wondering over the steps and why he had so many of them. âNormally Iâm a night owl. Donât sleep much.â I added in explanation, the words accompanied by another sleepy smile that had him gazing down at me.Â
Marshall hummed but was quiet as we moved up onto the landing, it was only when we reached my door that he shifted ever so to get it open, the handle clunking back up again in his haste to keep me upright against his side. I murmured another quiet apology.
âStop sayinâ sorry, dummy.â
I snorted at the term, eyes slipping closed again, âIs that meant to be endearing?â
His tut echoed throughout the bedroom and it was then that I realised I was perched on the end of the king size bed. I blinked, but instead of peering around the rest of the room, my eyes caught on him and the way he was now pulling back the sheets, reshuffling the many pillows on the other end.Â
My lips rolled against one another before I thought to say something, âToo many.â
Marshall peered back at me from where he was stood leaning over the bed, one knee pressed into the mattress. I wondered briefly if he knew how good he looked then, before he spoke again, brow raised. âWhat?â
âPillows.â I muttered, hand flapping lazily over to the mountain.
For a long second he just stayed there, eyes turning towards the top of the bed before they met mine once more. I rubbed at my face to hide an oncoming yawn. He waited another second before pillows started to fly.
Startled by the soft thuds they made when they hit the floor, I watched on as he windled the stack down to a simple two, fluffing them before his head was turning towards me once more. âGood?â
His voice was ever so soft, all kind and gentle like. It made the words I felt like saying get stuck in my throat and a light flush to paint my cheeks, I nodded.Â
It was then that he tilted his head in a gesture for me to move, smiling to himself as I rolled over the top of the duvet to settle on the sheeted mattress beneath. I flashed him another tired grin after settling in, wriggling beneath the sheets to get comfy and fight away the cold that had crawled in beside me.
My face seemed to crease after that and I tugged at the duvet to get the bed frame to release its bottom end. Marshall caught on quick enough and pulled it free for me whilst I shuffled out of the trousers Iâd yet to take off. He blinked at the sight of the fabric which appeared a moment later, before he snorted to himself and offered to take them, stepping away to fold them up and place them down on the dresser nearby.
âAll good?â He asked once again. I glanced back at him from under the cocoon Iâd created and took in the softness of his smile, the way his hands were now folded politely behind his back, and how he was simply just waiting for me to answer him, as though he had all the time in the world and wasnât fighting off sleep himself.Â
I nodded, my chin hidden beneath the covers but my returning smile was able to be seen in the slight curve of my cheeks. âGood.â I whispered. Then, feeling a little silly, I added, âSorry forââ
He waved the end of my sentence off, stepping closer to the bed as he reached out, ready to turn off the bedside lamp. âDonât worry âbout it. Makes me feel useful.â Smirking, his fingers grasped the lampâs cord but he didnât move to pull it just yet.
âStill,â I pushed, eyes growing heavier once more now that I was surrounded by the weighted quilt that seemed to be hellbent on capturing all the heat that it could, âThank you, I donât usually..â
Marshallâs smirk dimmed ever so into something more thoughtful, âMeans a lot that you trust me. Donât stress about where you fall asleep.â
Trust. Wasnât that a funny fucking thing.
The lamp was off and he was walking away before I could utter a reply to that, and it was only when the door creaked open a tad bit further to let him have his escape that I let the weight of his words sink in.Â
It was a maddening thought to realise that I did trust him. Wholeheartedly. And that was probably the strangest thing.
â
I could not for the life of me have told you where I was, let alone what the time it could have possibly been, when I roused from my coma-like state.Â
The first thing I noted was that the curtains had all been closed and the jumper Iâd worn last night had since been tossed to the floor alongside a plethora of pillows. It was slow going, pulling myself up and into a sitting position, letting the duvet pool around my hips when I attempted to get my brain to function properly again.Â
It was another minute or two before I found the strength to roll over and make a grab for my phone, only to find that it had since been plugged into the outlet by the bedside table to charge. My brow pinched at the sight, not recalling having put it on charge, but still I reached out to grab it.Â
The light I was met with had me wincing before I managed to adjust, eyes widening slightly at the time I was shown. Almost eleven. Wow, it was honestly somewhat of an achievement for me, seeing as the bouts of insomnia I often wavered through had me falling asleep far too late and waking far too early. I figured all the flying and the hectic schedule Iâd had before landing in Detroit had finally caught up to me.
My mind short circuited at the reminder. Detroit. Marshall.
âShit.â I hissed, dropping the phone down onto the mattress as I willed myself to get out of bed.Â
I tried to remember what had transpired after talking to Danny, how Iâd let myself be lulled by the tv and the comfort of the man sat beside me.Â
Dragging a hand over my face, I felt a bout of embarrassment flutter through me, feeling oddly caught out at having let someone see me so exposed. My legs dangled over the edge of the bed for a long moment before I finally found the energy to move, pulling my body over towards the bathroom and into the shower before I could regret the decision. Any of them, including both the night befores and the choice to not linger any longer in my pit.Â
The shower worked wonders for waking me up that little bit more, pushing the last remnants of sleep from my mind as I stood under its spray. It was then that I found myself feeling thankful again for Marshall and all his odd eccentricities, for him being the overanalyzing type and having had the guest bath stocked with not just the necessities most would need, but the ones he figured Iâd like, seeing as the theme was a mix of vanilla and coconutâ something Iâd mentioned after Iâd gotten a delivery of candles a couple weeks prior.
I tried to push the thoughts of how endearing that whole mess was, the fact that heâd gone and remembered, as I stepped out and made quick work of getting ready for the day, forgoing drying my hair so that I could slip into the baggiest jeans I owned and a soft tee that often slipped over the curve of my shoulder.Â
The house was oddly quiet when I slipped past the bedroom door and down the steps, once again forcing thoughts of last night out of my head, of his grip, the soft smiles we shared, theâ
I took a much needed breath when I reached the bottom, swivelling on my heel to cast a glance about. I knew that Rosie must have already been at school even without me not spotting her bag or shoes by the door, but I was still left with the feeling of longing I often experienced whenever I woke up to find that Lottie had since left.Â
Pushing on though, I noted that the house didnât have that familiar chill I was used to enduring back home. The English weather was a mess of emotions even on summer days where the sun shone brightly, so it was nice not to be shivering my way into the kitchen and over to the kettle.Â
It was after doing exactly that though, that I spotted a small post-it stuck to the fridge door.
(Dropped off Z, in the studio if you need me. Eat! - Em)
Snorting softly at it, I tore the note down and let the corner press into the pad of my forefinger for a second or two. It was nice, having someone care enough to not want me to worry. Even the whole Eat! had me grinning, so used to running on fumes and pure anxiety that I often forgot. It was strange to note that it was a habit heâd picked up on, or perhaps I was just thinking too much into it. Maybe it was just him being personable.
Still, I folded the post-it up and slid it into the back of my phone case all the same. Not stopping to think twice about the why as I looked up at the kettleâs violent whistle.
I moved through my usual morning motions with an ease that shouldnât have felt effortless in a kitchen that was not mine, but I did, walking to sit at the island not long after Iâd procured myself a cup of tea and some toast.Â
I took to scrolling through my phone, checking Twitter for updates on friends back home and then moving over to Netflix to see if there were any new series that had dropped and appeared worth watching.Â
It was during that time that my phone soon rang. With one glance at the name I was wearing a mad grin and swiping to answer, âWell, isnât this a surprise!â
A short scoff could be heard from the other side of the line before a familiar lilt trailed through, âAnd here I thought I was going to be met with love and a plethora of questions about my wellbeing. But no, only your sincerest sarcasm!â Lottie sighed theatrically, as though she wasnât defeating the entire purpose behind her whole spiel.
âItâs seemingly a familial trait.â I quipped with a fond roll of my eyes, âBut I have missed hearing your voice, texts donât make up for much.â
âAnd what about my short videos?â Lottie replied with enough emotion behind her voice that I could already guess that she was raising one brow and pursing her lips. âDid they not suffice enough?â
âYou mean the three second clips you keep sending me?â I laughed around a sip of tea, thinking back to the latest one Iâd received the very same morning, âI donât think me seeing your knee and hearing a Rihanna song play in the background is the same thing as knowing youâre alright back there.â
âIs too, and there were others!â Lottie immediately defended before a few other voices trailed through, âHow about the one of me in Maths, hey?â
My face flattened at the reminder, âYou mean the one of you gettinâ your phone taken away by your teacher?â
âYes! See, all was fine, even Ms Plait reckoned so.â She quipped, the glee which lined her tone was oh so audible. âDid you not see that lovely smile of hers?â
I almost choked on my next chuckle, not having expected the comment, âOh yeah, I saw. She still looks the same as the last time I saw her, face like a slapped arse and with one too many missing teeth.â Lottie sniggered and once again those voices from earlier followed, âYou on your way home?â I wondered, looking down at the time and noting that she should have already left school by now.
âYeah, just walking with Shan and Tea.â Her answer was followed by a loud hurrah of hellos from the pair that had me smiling.
âHeya girls, hope youâre all alright!â I greeted, listening to them ramble away for a couple of minutes about this and that, throwing me back to the days where the two girls had first come over to visit Lotts.Â
Time got away from me a little after that, leaving me with an almost finished but cold brew and the remnants of my toast that I soon got up to throw and wash away whilst Lottie and her mates said their goodbyes so that they could part ways.
âYouâre having a good time then?â I found myself asking once Lotts had finished speaking about her school day, âNothing I should worry about?â
I could practically feel the roll of her eyes as she huffed, âYes, Lia. Honest. Iâve been keeping you updated, Mila too, whenever she textsâ even Danny called yesterday! Did you meet those knobheads he calls friends? The Irish oneâs well fit.â
Pursing my lips to keep from smiling, I shook my head at her antics. âI did and need I remind you, youâre fourteen?â
âI was just stating a fact!â Lottie argued, her voice unable to be drowned out even by the car that then passed, âGod, youâd think you didnât know me at all.â She tacked on, her tone teasing enough that I knew she wasnât too bothered by the fact that sheâd been called out.Â
âKnow you too well.â I rebuked half-heartedly and then smiled at the response I was met with.Â
âToo much like you.â
âA shame that,â I snorted as I took back to sitting at the counter, eyes caught on the length of land that stretched out beyond the back door.
âSlander.â Lottie sniped, âBut also the truth.â
We shared a chuckle even as I rolled my eyes, which led me onto the next topic of conversation Iâd been wanting to bring up since my phone call with Danny in New York, âHowâs things working out at Mumâs then?â
A pause followed that question. One that went on a second too long and had my shoulders tensing.Â
âLotts?â
âHm? Sorry, was justâ crossing the road, you know.âÂ
âDonât lie. Tell me whatâs going on before I hop on a plane and find out for myself.â I threatened, eyes catching on the island countertop as I pressed the phone closer to my ear, as though by doing so it would somehow allow me to be that little bit closer to her.Â
âSo dramatic,â Lottie joked but it fell flat, what with my impatience and the lack of humour which lined her tone. She sighed, âDad got out early.â
My whole world seamlessly fell apart at those four words.
I couldnât form a coherent thought let alone any real words, so it was only Lottieâs voice calling my name that had me blinking back out of my frozen stance and inhaling sharply. âWhat?â
She coughed, either to clear her throat or to buy herself a little more time, I didnât know, but couldnât bring myself to care. âHeâ well, heâs on parole. Got out about a week ago. Staying with Mum, sort of.â
âSort of?â I jumped out of the barstool Iâd taken up to begin treacherously pacing. For a brief moment I wondered whether it was possible for me to wear away the pattern in Marshallâs kitchen tiles. âWhat are you on about, Lottie? Heâs serving sixteen years.â
A heavy sigh. âObviously he got out on good behaviour then, served just over fourteen, dinât he?âÂ
I swallowed thickly, a motion which flipped my stomach and had me threatening to throw up the toast Iâd just eaten. âGood fucking behaviour, him?â I scoffed out a laugh that was entirely mirthless, âAnd sheâs just let him back, has she? I thought she was done with him the second he was inside!â
Lottie didnât say anything to that, or for a while longer. It took me a minute to notice what with how seething I was.Â
I forced myself to take a breath, because this wasnât about me. Then started to think a bit more rationally.
âLook, Iâll look up flights now, yeah? I can be home by tonight, or tomorrow morning if Iâm lucky. I donât know yet. Just have to contact Mila, then talk with Marshâ Shit.â
Marshall, what was I going to tell Marshall?Â
âElia.â
Blinking, my reeling thoughts were immediately stopped by the sound of my sisterâs voice, soft but demanding. She waited and I was left to tug a hand through my still damp hair.
âListen, please donât come back.â
What?
âWhat?â I croaked out, the ground having been ripped out from under me.
âItâs working.â Lottie replied, her voice still soft, trying to be kind. âI mean, Iâve stayed with Shan some nights but Iâve been staying at the house too. And itâsâ itâs not bad, El. Itâs nice even, to get to know him and things. Like at my own pace and whatnot.â
I didnât know what to say.
âHeâs changed apparently. Mum reckons so anyway, itâs what she told me.â Lottie continued on, filling the silence Iâd left her with whilst my entire planet shifted, âNot so angry, or sad. Just tryna find a job and stuff, so he can follow the rules of his probation or something. Not sure. Dinât ask too much about it. Heâs staying with Mum but he keeps to himself when heâs not trying to make amends and crap. Make up for lost time.â
Staying with Mum. In my fucking house, the very same one Iâd paid for. That fucking scummy shitheaded cunâÂ
I forced myself to breathe.Â
âEl, itâs working out. Iââ Lottie said, then took a second. When she spoke again, she sounded so small, her voice almost pleading, âHeâs my Dad, Elia. I just want the chance to know him.â
My hand fell from my hair to cover my mouth, desperate to keep the sob that wanted to escape from being heard down the line. I swallowed it back, gave a shaky exhale, but eventually nodded. Even if it was just to myself.Â
âOkay, Lotts.â I heard myself say, somehow. âOkay, yeah. Thatâs, itâs fair.â
I was rewarded with a big huff of air, one that told me Iâd done the right thing, that she was relieved to hear me say that it was all fine. âThanks, El! Knew youâd understand.â
I didnât. I donât, I wanted to say.
âYeah, âcourse, Lotts. Heâs your,â I swallowed again, the walls of my throat itching, hands shaking ever so slightly, ââDad. If itâs what you want then, yeah. Who am I to stop you?â
Who am I?Â
Violent flashes flooded my mind, words, voices. Then I was back in the kitchen again.
âJust, promise me, Lottie. Promise me that anything happens, you call me. You call Mila. You call Dan. Okay? Anyone. Anyone who can get to me. Iâll be there.â I told her in a low murmur, the desperation I felt seeping through but I didnât take enough note of it to care. This was too important. âPromise me, Lotts.â
I could hear her smile in her next words, âPromise, El. Always. I love you.â
âYeah, kiddo. I love you, too.â
âŠ
I donât know how much time passed after the call dropped, leaving me with nothing but the light spatter of rain that knocked against the house. But soon enough I was startled from where Iâd been standing by the window in some sort of trance, staring down at the phone I still held in my hand.Â
I looked up so fast it almost hurt, but my alarmed look softened when I noticed it was just Marshall stood there, a slight furrow marring the skin between his brows. âFigured Iâd come find you.â
My eyes slipped closed as I jilted my chin in reply, taking a much needed breath before casting another glance out across the garden. My mind was stuck on my conversation Iâd had with Lottie, on thoughts of home and plans that would ultimately fall through.
A hand encased my elbow. âYo, you good?â Marshall was still there, having ducked his head a tad to better look into my glossy eyes, that frown more prominent than it had been just moments before.
I stared back at him and felt my lip wobble, before I took another short breath and put on a smile, hoping it was sort of semi-convincing seeing as I nodded in retort. Must have been a tough fucking wish though because he levelled me with an expression that ultimately called out on all my bullshit.Â
âYou wanna try that again?â
I casted my eyes downwards and chewed on the inside of my cheek, feeling the way his hand inched up my arm before he eventually wrapped me up in his hold, letting me bury my head in the curve of his shoulder. My eyes squeezed tightly shut and even though I didnât move to hug him back, I sagged into his hold, which must have told him enough to keep the two of us standing there.Â
âWho was on the phone?â He queried after a short while, fingers trailing over the small of my back almost subconsciously, but the gesture was enough to soothe the well in my throat and the chaos I had going on inside my mind.
âLottie.â I answered, voice meek even to my own ears.
His chest moved with each breath he took, legs spread just far enough apart that his feet encased my own, and he smelt so familiar that it made me wonder just how quickly Iâd grown to be comforted by it. Was that even normal?
âYou need to head back?â He wondered out loud, the parent in him jumping out at the thought of something having happened with my sister, âYou can use the jet, I can get Paul on it now.â
It amused me to no end to understand the lengths heâd go to help not just me, but my family too, warmed me completely in fact, but the offer also left me feeling lost. Because even though I would have left the second Lottie asked, I would have been devastated to leave.Â
I shook my head where it rested against his shoulder, pressing my forehead to the joint there before I spoke, âNo,â I told him, the syllable wavering, âJustâ she asked me to stay.â
âRight.â Marshall said quietly, though it felt like heâd forced the word out, âAnd you donât want to?â He questioned, trying to understand.
My head shook once more, âItâs complicated.â
His hold tightened by a fraction and we stayed that way for a long second, then two, before he drew back to get a good look at me. âYou wanna talk?â
I couldnât stand to look into his eyes in that moment, far too fearful that Iâd just end up crying then and there, so I sniffed instead and glanced off to the side. âJust complicated, I guess.â I muttered, repeating myself whilst trying so very hard not to think about the anxiety I felt over leaving Lottie there, thousands of miles away from me.
âWell, complicatedâs my middle fuckinâ name.â Em replied and I couldnât help it, the stupidness of it made me laugh and I knuckled at his stomach in retort, dropping my eyes. But he stilled my hands, holding them close so that I would finally look up at him, âMean it.â
I already knew that though.
I peered down at our hands, the way my fists were now pressed against his chest, his bigger than my own and all but swallowing them whole.
âLottieâs dad.â Is what I found myself saying, eyes locked on the tribal tattoo that encased his wrist. Em nodded gently, the gesture moving his torso as he shifted beneath my hands.Â
The muscle of my cheek was all torn up from where Iâd been chewing away in my anxious mess, stressing over it all, and so I tried my best to keep from biting at it once more, not wanting to cut too deep. But even so, the notion typically centred me so I was now at a loss for how to process the plethora of thoughts that kept running through my head like a freight train at full speed.Â
Marshall seemed to sense this though, because not a second later were his thumbs running over the ridge of my knuckles. I felt my hands slacken a bit in their fisted hold.Â
âWell, you know how I mentioned he was inside? That first day I was here.â I finally continued, moving to peer back up at him again, only to find that he was already watching me, the blue of his eyes a shock to the system. I shook my head slightly and took another deep breath, âHe got out, parole apparently. For good behaviour,â I scoffed at the very reminder but pushed on, âHeâs staying with my mum and so that ultimately means Lottie too. Seeing as Iâm not there.â
Marshall had since stilled in his entirety, I wasnât even sure if he was breathing with how suddenly motionless he went, but then his chin dipped and his thumbs resumed their gentle caress. âAnd she said not to go back?â He asked, clarifying.Â
I shook my head. âSheââ I tried to get the words out but had to pause, if only for a second, to actually form them, âShe wants to get to know him. Says heâs alright now, that heâs changed.â My eyes rolled on their own accord at that, not believing it for a second, âAnd well, who would I be to deny her that, hey? I mean, I know how she felt, never knew my dad, but she has a chance, you know? Sheâd hate me if I took it from her. Even if I know better.â
I slumped when I was finally able to take another much needed breath, inhaling deep enough to dislodge the heaviness that weighed on my chest but not enough to clear it completely.
Em tugged on my wrists lightly and so I peered back at him, aware of the seriousness he had since taken on. âWhatâs that mean, know better?â He asked and I had to pretend I didnât reel back from him, like it hadnât been the first reaction to the reminder that simultaneously crossed my mind. âHey,â He tugged again, even gentler than he had before but enough to draw back my gaze, âYou donât gotta tell me shit, but,â He paused, eyes flitting between my own, âIâm here, okay?â
Nodding, incapable of doing much else, I said, âI know.â
He gifted the tiny beginnings of a smile sincere enough to have me pressing my nails into the curve of my palms. âIs she safe? With him there.â He clarified and I could only blink up at him, he waited me out.
âI think so. Iââ I stuttered, memories hitting me again. I tried to brush them away, but failed. âHe wouldnât hurt her, I know that.â
Just you then.Â
The words went unsaid but the look in his eyes told me all I needed to know. His hold lessened until I was able to let my hands drop to my sides. Marshall cleared his throat but I saw the way his hands fisted as he stepped away, âWas gone ask to work in the studio today, but we can just chill instead. Or you can do your own thing.â
I was quick to shake my head, already onboard with the studio idea. âNo, studio sounds good. Keep my mind off shit.â I replied, looking down to check my phone and biting my lower lip when no new notifications from Lottie had come through.
âYou sure?â Marshall prodded and when I looked over to him it almost appeared as though he was appraising me under a newfound light, behind the carefully guarded fortress that was his gaze.Â
Trying not to frown, I nodded again in assurance. âYeah, just lemme text her again, and maybe Mila, then Iâll be right there.â
He continued to watch me for a second longer and it was only as I was about to say something about it, that he moved. âIâma grab some drinks. You have a preference?â
Blowing out a breath, I shrugged lightly, âWater, juice, anything really. I donât mind.â
Marshall seemed to take that as an incentive to grab a majority of the fridge, loading it all up on the counter beside him before he let the door swing close behind him. I raised a brow after having pulled up Milaâs contact and bit back the obvious laugh that wanted to escape when he mimicked the gesture, âWhat?â
âYou good to carry all that?â
He glanced over to the plethora of bottles heâd procured and then back to me, âTwo trips.â He declared as he swiped half of the contents into his arms.
I laughed at the picture he made, wondering how easy it was for him to flip my moods entirely. âWe donât need that many!â
âIf I could, Iâd flip you off right now.â Was the only reply I was given as he wandered out of the kitchen.Â
I let go of a sigh as I moved back to glance down at my phone again.
Messages To: Mila (Master/Manager/Obi-wan?) Did you know? About Lottie?
It only took a second before those familiar three dots were littering the bottom of my screen. Though in fairness, her phone was basically her fulltime job.
Messages Mila (Master/Manager/Obi-wan?) Everythingâs fine. I told her not to worry you.
I couldnât stop the scowl that overwhelmed my face at her response.
Messages To: Mila (Master/Manager/Obi-wan?) You serious? How was that your decision to make mila??
Messages Mila (Master/Manager/Obi-wan?) I care about the both of you. It wasnât a split second decision, it was something I talked to Lottie about at length. She was the one who asked me to wait until I told you. I didnât want it to interfere with what we had going on.Â
The fury which licked through me at her reply made her words feel too ingenuine.Â
Messages To: Mila (Master/Manager/Obi-wan?) Still not your fucking choice to make You should have told me Youâre my manager, not her mother
Messages Mila (Master/Manager/Obi-wan?) Oh is all I am then? A manager? I thought we were closer than that, at least it felt that way when you went and entrusted Lottie to me, when you gave me that trust and asked me not to regret it. This is me trying, El. I didnât choose to be the person to mediate between you both, that just came with the job. If you donât like how I dealt with it, then maybe you should rethink having me in your sister's life.
Messages To: Mila (Master/Manager/Obi-wan?) Is this your way of guilt tripping me? I just canât believe you didnât mention it, not once! You are my manager mila, but I thought you were my friend first and foremost Using me being here as an excuse, with you not wanting to use something like Lottieâs father coming back into her life to intervene with my work? Is just beyond wild. I really canât believe you didn't tell me
Messages Mila (Master/Manager/Obi-wan?) I thought I was doing best by the both of you. Just call me, Elia. Please?
Messages To: Mila (Master/Manager/Obi-wan?) I need some time to think Maybe later
I quickly switched back to my messages with Lottie, inhaling sharply when I saw that sheâd replied to my last text.Â
Messages To: Lottiebug đ I love you loads and I wanna be there for you But I know you need to do this on your own Iâm just worried Always worry about you, bug, but this is something I really didn't prepare for
Messages Lottiebug đ Iâm sorry I didnât tell u Just figured it would be easier to wait til u got back Maybe u could meet him then, see how good it is My stomach rolled at the thought of being close to that man again, but I pushed through and didnât linger on thoughts of me at sixteen.Â
Messages To: Lottiebug đ I can get a flight home anytime If you want me, Iâm a phone call away You know that right?
Messages Lottiebug đ I know but this is something I need to do On my own Like I love u Els, but this is for me to do
She knew where to hit where it hurt, I supposed, as I stared down at the messages that had come through not thirty seconds after my own.Â
Messages To: Lottiebug đ Promise me, Lottie Anything happens, you call me
Messages Lottiebug đ Nothing will happen but I promise Promise to also call u before bed tonite yh?
I bit down hard on my cheek at the reassurance, which did nothing to reassure me, and felt the first ebb of blood, the way its metallic taste fled over my tongue in a haste to flood its entirety. Silently I cursed myself, but before I knew it my thumbs were flying over my screen again.Â
Messages To: Lottiebug đ Okay Love you, bug x
Messages Lottiebug đ Love u more weirdo!! Xxxx
I guessed that it would just have to do for now.
A creak had me looking up and to no oneâs surprise Marshall had come back for the second half of drinks, so I pocketed my phone after making sure that it was on alert and not the usual silent, then moved to meet him at the counter. âWant help?âÂ
His eyes narrowed at the offer and he was quick to swipe the lot of them up, âI said two trips.â
Shaking my head, I could do nothing but follow the idiot. Hoping to whoever was out there that the time in the studio would do me some good and allow me to leave thoughts of the past behind. For a while at least.Â
â
The studio was just a rather large portion of the lower level of Marshallâs house. It was decked out though, kitted with all the latest works and better than a majority of studios Iâd worked in, truthfully. But it also had this homey sort of feel that allowed the music to flow a lot better simply due to the atmosphere that offered a familiar comfort.
âYou got it?â
I let the door close slowly behind me, trying not to let its heavy weight cause a slam, before I trailed my way back on over to where Marshall was sat on one of the two black couches. They were leather and sleek, but their obvious expense was muted by the multiple layers of blankets and pillows he had lining them.
I glanced at him and held up the bound book I had in hand, having darted up the stairs to pull it from my case when I realised he wanted to work through lyrics first thing.Â
A majority of my thoughts were often jotted down in one notebook or another, but the notes app was a saviour for whenever an idea struck me and my book wasnât near. Iâd brought just the one on this trip, seeing as Iâd been using it for the last two years and it was as thick as an actual brick. But back home I had about twelve others littering an old shelf in a room I mostly used for storage. The pleasures of having a house with rooms you didnât really need, I figured.
Marshallâs eyes widened slightly at the sight of it, wrapped and bound in a thick wire to keep the pages from spilling open. I smirked in turn, wandering closer to slump down in the seat beside him, his laptop and the many pages he already had scattered about.
âYou said book, not doorstop.â He mentioned when I turned to him, eyes still caught on the thing.Â
I thumped him with it before I placed it down by his laptop.Â
âJesus.â He huffed, hand coming up to rub the arm Iâd hit, before he made a reach for it.Â
I cringed silently in wait, it was one thing to write in the thing but there were all sorts of odd bits and bobs in that book; from little receipts from dinners that had inspired songs to bottle caps and Polaroids that had written me albums.
âBe careful,â I hurried when his fingers unwound the strap Iâd had to superglue twice in the past month alone, âItâs basicallyââ
âFalling apart?â Marshall finished for me.
I smiled sheepishly in turn, shoulders jutting upwards in a shrug. âYeah.âÂ
He huffed a small laugh whilst I thinned my lips to keep from chuckling along with him.Â
A normal person wouldnât have really known where to start with a notebook this size, especially seeing as the pages were both upside down and back to front, having been written in haphazardly over the years and oftentimes stuck back together. But it was also due to the first few pages being all blacked out and slightly torn, an artistic choice Iâd claim over the truth of my hatred for the words that had once marked it, as well as the paw prints of a mateâs dog who had won a battle of tug of war with it.
But Marshall had never once claimed to be conventional and so he headed straight for the middle where a large photo had been stuck in, surrounded by a multitude of signatures, drawings and markings. âWhatâs this?â
At his question, I followed his gaze down to where his fingers toyed with the book, fighting against gravity to keep the remaining pages from spilling over.
âMostly from people Iâve worked with over the past year or two. Musicians, writers, producers, even got a couple roadies too. But there are some markings from matesâ like, see that little picture of a cow, right there? That was my friend Fran, she does tattoos and the like, figured it would be a nice addition. Sheâs beyond talented though, did this massive mural for me back home.â I paused to look the rest of them over, then reached out to point at a signature floating nearby, âThat there is Davidâs little hello, a smiley face alongside a couple drops of his coffee.â
âAs in Bowie?â Marshall asked me, eyes caught and flitting over everything else the page had to offer.
I blew out a small chuckle but nodded, âYeah, it was just before his 25th album came out. He was proper lovely, only got to talk to him for a few minutes though.â
Marshall hummed and then tapped a finger against a stark green ink that blotted a corner of the page, âThis one?â
âMatty Healy. Worked with him on the last release. He just drew a massive knob because he is one.â I replied, thinking back to last time Iâd been in London and spotted him and some of the band in a Soho nightclub. âThey released their own album a month or so before your last. Itâs their first but theyâre brilliant.â
He hummed again, so I wasnât sure as to whether he knew who the fuck I was going on about, but before I could explain a little, Em grabbed my attention once more, gesturing towards the pageâs main focus, the picture. âHow old were you here?â
I scratched the side of my neck and thought about it, âI wanna say twenty-two? Maybe? Donât quote me on that though, but yeah, around that age.â
The picture was a cutout from the Camden New Journal at one of my bigger gigs, just after Iâd been scouted in the bar Iâd been working at. It was a snap of me and the small band Iâd worked with once weâd finished our set, the crowd throwing pints up in the air whilst theyâd started to crowd the stage. It was a picture I had framed back at the house as well as in a few of my other notebooks. It was something I turned to whenever I felt as though I was failing, or feeling uninspired.
Marshallâs thumb grazed lazily over its corner for a moment before he finally moved to turn the page, eyes instantly taking in the sudden change of pace. This page was scattered; it held a lollipop wrapper in one corner from a song Iâd written about well, lollipops and the like, a couple of verses that were upside down and in luminous pink, and then there was another bout of lyrics from a whole different session marked down in dark blue that were written sideways.
âYour mindâs as fucked as mine.â
I snorted at the phrasing but decided to take it as a compliment, âThanks.â
He shook his head and then started carding his way through the rest of the book, picking out the lyrics he recognised from songs of mine, as well as a few others he liked. It went on like that for a while, the two of us getting consumed in ideas and metaphors, the way we could play with words and shape them into something or other.Â
An hour or two had to have passed before Marshall started pulling up different beats heâd been working on, explaining the samples used and the many layers that had been mixed in. I found myself liking a handful of them, even going as far as to start a harmony on one that Em appeared to tally down on a page he had laying out nearby.Â
âSo, you gone rap then?â
The question, however off-guard it caught me, was one that had me rolling my eyes, âYou gonna sing?â I snarked back, my words sounding almost like a dare.
His tongue darted out to wet his lower lip before they quirked up into a smirk, âI canât sing. You though, you can spit.â
I shook my head and snorted, pulling the lyrics weâd scrounged up closer to me and purposefully not thinking about the notes I had stored away in my phone.Â
âDonât be like that.â Marshall prodded, shifting in his position to nudge me with his elbow, âJusâ think about it. This could be the time to experiment. You say your label wants something different, something to garner attention on your next record, right? So.. this here, itâs just me and you. No one else. And Iâm only gone judge you if youâre really crappy.â
âOh, and that makes me wanna try so much more!â I enthused, letting my songbook spring back open as I pulled awayâ the thing honestly had a mind of its own.
Marshall tutted, âCome on.â
I sighed, but did end up looking back over to him. âYouâre a dick.â
He raised his eyebrows in retort, then decided to try a new tactic. âFine, how âbout this. You rap something of mine. Then Iâll sing one oâ yours.â
I blinked, unsure if I'd heard him correctly. âYou're shitting me.â
Marshall just shook his head, âYou in or out?â
My eyes flickered between his, mouth slightly agape. But found I couldnât turn down the offer. âAlright, but I get to choose what song.â
âFor me or you?âÂ
I flashed him a sly grin, âBoth.â
He let go of a long breath but ultimately decided that the term was worth it, âAight, bet.â
And so that was how I got to start rapping Rabbit Run in the middle of Marshallâs home studio, the beat playing throughout the room whilst the man himself watched on from the couch with a slow growing grin on his face.Â
I got so into it that I ended up working my way through the entirety of the song, bouncing away and playing up to the freedom of it just being the two of us.
âWhoo, go on!â Em hollered loudly once the final lyric had come and the beat had ended, kicking his feet against the floor whilst I laughed and shook my head at the reaction. It was in moments like these that I could often forget that he was marginally one of the biggest rappers of our generation.Â
When he was like this, all goofy and happy, he was just Em.Â
âGood now?â I asked around another chuckle, my nose wrinkling as I moved to sag back into my seat, hating how my cheeks had flushed at being the centre of attention as well as his praise.Â
âGood? Girl, youâre rappinâ on this record even if it kills me!â Marshall stated, blowing a breath out around his grin, the one Iâd grown accustomed to only seeing in rare and few moments.
âFuck off.â I huffed, but even with the harsh words I was still smiling, just sheepish in the face of his applause.
âIâm beinâ for real. You got talent. When youâre up there, you just go for it âcause itâs fun. Itâs all a joke to you, and you like beinâ in on it. But youâre good.â Marshall told me, having turned in his stance so that he could gesture along to his words, only furthering his point. âYou donât even know it.â
I rolled my eyes and tried to look away, wanting to hide the warmth that failed to leave me as I waved off his words with a hand that he then caught with his own, tugging on my arm until I looked back at him.Â
âTrust me on this.âÂ
Just hearing those words, I was instantly reminded of the night before. Means a lot that you trust me.
His eyes were so imploring that I couldnât cope with it, so I smiled and let his fingers slip from my grasp. âThis you trying to back out of our deal, Mathers? âCause if I remember rightly, you still owe me a song.â
Marshall shook his head ever so, but let me get away with the change in subject, moving forward so that he could push himself to his feet. I slid closer to his laptop and headed to YouTube quickly to find an instrumental that someone had made of one of my songs. I looked through them all until I grinned and decided on an older work.Â
âReady?â I asked over the screen. He simply flipped me off in return, so I huffed around a smirk and pressed play, letting the track croon out of the surrounding speakers.Â
Good Company was a song Iâd written long before Iâd gone and gotten signed. It was rough and full of soul, but was easy enough to sing along to if you missed the high runs on the bridge. It juxtaposed the best and worst parts of me, but concentrated on me only ever showing those worse and bitter parts of myself to those I loved most. It wasnât one the label had liked at first but it grew on you, and though it hadnât been a chosen single it had actually managed to make it onto the Top Ten when the album had debuted. It was a favourite of mine and to hear Marshall attempt to sing and not butcher it that badly, well, it was sort of like a dream come true.
âWhy the fuck do you claim you canât sing?â I announced the second the song came to a close. Because I honestly had to give it to him, even with the slight laughter heâs started out with, Marshall had truly given it his best. Heâd pranced around like a div (which had just told me that heâd seen the music video) and had actually attempted to hit those higher notes that even I sometimes struggled with when playing live.
ââCause I canât.â Marshall scoffed, panting slightly as he fell back onto the couch, fiddling with the rim of his hat whilst he took the spare second to catch his breath.Â
âDonât lie! You can. Bit pitchy at times,â He extended his arm out to swat me at that, yet I still continued on, âBut youâre good, Marsh! We should harmonise together.â
He rolled his eyes at the very idea, but kept them shut when he pulled his hands up to rest on his stomach. I smiled at the sight.Â
âHey, donât fall asleep on me just yet, old man.â I prompted, âWeâve got work to do.â
Marshallâs foot struck out to kick at my ankle, which was deserving, I supposed. Still, I returned the hit with just enough force to get him up and moving again. He sighed in resignation and then reached for the glasses he had laid out, swivelling his hat round so that he could look over the few sheets weâd complied.
Struck at the sight of him in his wired frames and backwards cap, I had to literally tear my eyes away and down onto the paper I was handed before he could catch me looking. He was none the wiser.Â
âWeâve got some good shit. But âs not enough.â Marshall mentioned after a minute or so of silently debating, his eyes wracking over the sprawled lyrics weâd produced.Â
I chewed on my lower lip, phone burning a hole in my back pocket. When he sighed once more, I felt the sudden need to just show him the notes and put the idea out there.Â
Heaving out a breath, I forced the device from my jeans to open up my notes app, flicking past the few that were worthless until I came across one Iâd been thinking about since weâd first sat down.
Em chose that moment to glance over at me, eyes somehow bluer behind the lens of his glasses. I swallowed and all but shoved the phone towards him.Â
He frowned but took it, unable not to, and I watched on in silence as he read it through, then read it though again. His fingers began tapping away on his knee the third time around.Â
When he looked back up at me, I was surprised by the sudden change his face held, the way his expression had literally lit up. âThe fuck you been holdinâ out on me for?â He practically demanded, voice having kicked up a pitch in his eager haste to try and work this into the mix.Â
I was left blinking back at him, watching as he scribbled a plethora of words and letters onto the page weâd been working on, using arrows and lines to showcase his thinking, how he wanted the song to move. To flow.Â
I barely had a second to think before he had his own phone out and was dialling away. My eyes widened when the Master of Mixology himself picked up.Â
âWhat do you want, Marshall?â
Any other time I would have cackled at the sheer amount of resignation that greeting held, but it seemed as though I was suddenly tongue tied.
âWhy you always think Iâm doinâ stupid shit?â Marshall shot back at the man, though from where I was sat I could see the slight curve to his lip.Â
ââCause I know you? And you usually are.â Dre answered, blunt and to the point. Very much how Iâd pictured him. âSo why dâyou stop to fuck up my afternoon?â
âItâs afternoon already?â Marshall asked, brow furrowing as he shared a look with me.
âTwo pm.â Dre told him with a sigh.
âShit.â Marshall muttered under his breath, gesturing to me with a hand and an almost pleading look, âSet an alarm for when Z gets in, please?â
âBe easier if you did it, Em. Seeing as Iâm in New York and youâre in Detroit.â Dre answered, which earned him a scoff from Marshall.Â
âNot you.â He told the older man, but I was already on it, swiping out of my notes app so that I could do exactly that.
âThe fuck?â
Marshallâs mouth twitched at the disgruntled retort, âWith Elia right now, man. Weâve been workinâ on some new shit.â
âElâeeâah!â Dre called back, really getting into the pronunciation of it. I chuckled softly. âHow are you? Is Marshall takinâ good care of you? No troubles, right?â
Grinning, I leaned in closer to Em to be heard. âHeâs been a real gent. Holding open doors and basically waiting on me hand and foot.â I teased, earning a side eye from the man himself, âIf anything you should be asking him if heâs holding up okay.â
âShe got you wrapped round that finger quick!â Dre gruffed out a laugh, the sound loud and joyous even through the phoneâs tinny speakers, âItâs what I like to hear.â He added as his laughter ebbed, âGlad things are working out between you bothâ whatâs this about the album then? We got something special?â
Marshallâs tongue darted out over his lip as his eyes flickered over to find me, âI think we hit the jackpot with this one, man. Can already picture it, Dre, like honestly. Shit sheâs pulled out has got me feelinâ all nostalgicâ itâs good. Too good. Reminds me of some of the stuff they were spittinâ way back before I came around.â
My eyebrows rose a little at his explanation, but I didnât dare add on or contradict his words. Not that I would, seeing as he was practically spot on with the analysis.Â
âNo shit?â Dre sounded surprised, but I took it in stride when Em shuffled forward on the couch in his haste to read out some of the stuff we had jotted down, as well as the few lyrics Iâd just handed him.Â
The man on the other end of the call hummed in thought when Marshall finally wrapped up his whirlwind of a reply, letting the silence linger between us until I was chewing on the insides of my cheeks once more.
âIâll Facetime you later once youâve worked on it some more.â Dre eventually said, halting the tic of Emâs knee, a gesture I only took note of once it had stopped. âItâs promising though. Real promising. Figure we got something here with the pair of you.â
The look Marshall shot me at that had my mind turning to sludge.
â
Alarms always had me spooked, the sound so abrupt and alert that even though I was expecting it, I was never truly expecting it. You know?
Marshall and I had continued to work away, floating ideas back and forth with Dre and then without him once the man eventually got called away. It was slow going, but like Dre himself had said, oh so promising.
Never had I felt so listened to during a writing session. Marshall never failed to give me his full attention even when he was scrawling away or counting a tempo, it was as though he was able to just hone in on every notion I brought up, building on it as he nodded away and pointed to the places he figured we could add it in or just blend.
So by the time that alarm finally rang out, it was safe to say we were making a hell of a lot of progress. So much so that Marshall looked torn once weâd both jumped out of our skin at the sound and Iâd hurried to silence it.Â
His hands fluttered through the many pages we had, as well as my songbook, mouth thinned as his brows dipped together. Rosie would be home in a matter of minutes but he was still spinning with ideas.
I, on the other hand, was all too ready to take a break, head starting to feel heavy with the sheer amount of words it had taken in today. Marshall was a fucking living and breathing thesaurus.
âI can go hang out with her for a bit if you wanna keep on working.â I offered after Iâd checked my phone for any recent notifications, noting that the only message Iâd received was from Mila. An apology of sorts, letting me know that sheâd be willing to wait for me to reach out again.
Emâs frown was palpable. He shook his head, âCanât ask you to do that.â
I let go of an amused huff, âGood thing you didnât ask then, I offered.â
His forehead furrowed further whilst he continued to collect the many sheets, I passed him the one Iâd been gatekeeping. âStill.â He tried to push, but I just shrugged the word away.
âI could use the break,â I mentioned, reaching for the few empty bottles weâd settled on the floor around our feet, âMight even get a headstart on dinner if you guys arenât going out.â
Marshall looked a little perplexed at that, âGoinâ out?â
I shrugged again, but smiled when he handed me his latest bottle, piling it into the bin alongside the rest so that I could take it back up the stairs with me. âI donât know what plans you have!â I laughed lightly.
He ended up rolling his eyes at that, âIf I did theyâd include you, idiot. Wasnât planninâ on goinâ out though.â He retorted, before pausing and glancing over to me, âWhy, did you want to?â
Honestly, he was hard work. I could only huff out another round of chuckles as I shook my head at him, âNo, youâre all good. Like I said, I could get started on dinner.â
The expression he pulled then looked almost strained, as though he wasnât used to being offered help, much less willing to accept it. But I could tell that he wanted to. He was on a roll here and it was obvious that he was desperate to keep ahold of that inspiration for as long as it would last.
I stopped with what I was doing to step closer again, hoping to reassure him somewhat. âI wouldnât offer, if I minded.â I told him gently, âJust pray that I donât poison the lot of us or burn the house down if I do start cooking though.â
He laughed a little at that, face softening at my words. It still took him another minute or so to finally agree, dipping his head ever so slightly in the most minute version of a nod, âYouâll call out if you need me?â
I raised a brow, âWhat, into your soundproof studio?â
He breathed out another chuckle, tongue pushing against his teeth as his hands fell limply between his knees, papers shuffling ever so. âCall me, call me. Or just use the intercom.â
âYeah, not happening.â I quickly quipped, eyeing the so called intercom with obvious distaste, âIâll call. I donât know the first thing about how to work that.â
Marshallâs smug smirk was evident when I glanced back over at him, enough so that I could only flip him off as I moved to leave the room, muttering under my breath about being too kind to idiots, something that only proved to humour him further.Â
ââPreciate it!â He called out just before the door could close behind me.Â
It had me smiling all the same.
#eminem#marshall mathers#fic#slim shady#x reader#oc#eminem x reader#humor#imagine#x singer#eminem imagine#famous reader#oc insert#vmas#meet cute#strangers to lovers#slow burn#drama#real slim shady#writer#writers on tumblr#famous people#music#celebs#eminem x#series#when it comes to love
91 notes
·
View notes
Text
The Untold Truth of "Letter"
Back in 2021, 2022, or even early 2023, if someone had told me about the possibility of JK having vocal credits in Jimin's solo album, I would have called it wishful thinking at best. But it happened, and we got the song "Letter" (AKA Dear Army) as a hidden track in Jimin's first solo album, FACE, with back vocals by JK, and his name written invisibly in the album book.
The perfectly matching vocals of Jikook, with the heartfelt lyrics and soft instruments, undoubtedly made one of the most beautiful songs of the year, which could break many records for Jimin and his album if it was released in the streaming and buying services. The release of Letter as a hidden track in Jimin's solo album raised many questions and debates among Jikookers, and as someone who barely scrolls in the Tumblr app, I know I'm a bit late for the party, but I may or may not have some notes to add to the already made discussions. FYI, these are my analytic views and speculations, I am fully aware that this song has been named "Dear Army", and Jimin called it a "Fan song" on different occasions. So, I do not intend to ignore that and diminish Jimin's expression of love for his fans.
What's a Hidden Track?
Before getting into "Letter", we need to understand what a hidden track is. Well, the definition is pretty clear; When a song is not listed in the official track-list of a music album, but it exists in (some versions of) the physical printed CD, cassette, or LP, it's called a "hidden track".Â
Hidden Tracks of BTS
There are several techniques and reasons to "hide" a track in an album, but in the case of BTS discography, the hidden tracks exist for a specific reason, and I'm going to explain it with the only examples we have. The debut album (2013) and Love Yourself: Her (2017), are the only BTS albums including hidden tracks, and if we ignore the skits in each album, "Path" and "Sea" are the only hidden songs BTS ever released. So, these two songs must have something(s) in common and different from the other BTS tracks that caused them to end up as a hidden track. To find that common factor, we need to check their lyrics first:
Path
[Intro: RM] Yeah, wassup? You know, time flows like stars (Check it, check, check, check, check it out) [Verse 1: RM] I started from imitating Eminem, Garion, Epik High To writing my own raps Now I see that Iâm already at Hongdae My lyrics back then were all (****) Bossy But we dunno, we dunno When I dreamed without anyone to stop me Reality tied me down and trapped me inside Oh, my youth trapped me My hot heart lost to my cold mind (Damn) As I blindly told myself my decision was right I donât know whether itâs an angel or a devil, but it says to me "Do you really have any plans to rap properly?" (Yes or no?) I didnât have more time to hesitate and didnât want to be stupid So I came here and three years passed by Some say art is long, life is short But for now, art is life Life is sports, just do it, uh [Chorus] If I had chosen a different path, would have I been any different? If I stopped and looked back (Oh hey ya, hey ya) What will I see at the end of this road? Where you shouldâve been standing? (Oh hey ya, hey ya) [Verse 2: Suga, Suga & Jungkook] A long time passed and by 2013, I was a trainee for three years I was a high school student who grew overnight (I became a child) White hair grew from my desires and one by one my many friends (Parted ways with me) I spent my time in Seoul alone without a family (That was my third spring) I thought my worries would disappear with my debut ahead of me I closed my eyes to the present that had nothing to change But the reality was different, even as my family and friends tried to stop me I walked into the tunnels that shed no light on my own I thought I would be alone (Why?) As it turns out, there werenât seven bare feet but we were wearing the shoe named Bangtan Weâll have to go forward, take one more step, become newer And thatâs how I spent my fourth spring in Seoul (Whoa) [Chorus] If I had chosen a different path, would have I been any different? (Hey) If I stopped and looked back (Hey) Oh hey ya, hey ya What will I see at the end of this road? Where you shouldâve been standing? (Oh hey ya, hey ya) [Verse 3: J-Hope] 2010, the year I walked towards Seoul! I just loved to dance, and now Iâm standing on top of the stage Until then, I overcame many pains and scars to prepare myself I survived with my belief to bend, not break, and ran for three years Let the stars inside my heart shine! Now shine on me differently Write âBangtanâ on the paper world I walk my future with more lights on Give a smile to that far future (Ha, ha)
As you can see, the lyrics are simple and self-explanatory, so I guess we don't need any lyrics analysis, and the description section of the Genius translation I used here, says it all:
âêžž (Road/Path) follows the memberâs decisions to become idols in the Korean music industry. They recall their different upbringings from listening to hip hop in school to the hard years of being trainees under BigHit Entertainment. BTS pose the questions of how their lives would be different if they made a different decision, and they ask themselves what the future entails. A very introspective track about their career for a debut album, BTS display their thought processes as they enter the music scene.â
Sea
[Intro: Jungkook] Oh, ah, yeah [Verse 1: Rap Monster] I just started walking and ended up at the sea I'm looking at the coast from here There's endless sand and the rough wind I'm still looking at a desert I wanted to have the sea so I swallowed you up But I'm even thirstier than before Is what I know really the ocean? Or a blue desert? [Refrain: J-Hope] I don't know, I don't know If I'm feeling the waves right now, yeah I don't know, I don't know If I'm being chased by the sand wind, yeah I don't know, I don't know Is this the sea or the desert? Is this hope or despair? Is this real or fake? Shit [Pre-Chorus: J-Hope] I know, I know, my hardship right now I know, I know, I'll overcome I know, I know, open me up It's the place I can rely on Think positive, I'm swallowing my dry spit Even if I'm nervous, even if I'm in a desert I'm in the beautiful Namib Desert [Chorus: Jimin, Jin] Where there is hope, there is always trial (4) [Hook: V, Jungkook] Where there is hope You know, you know You know, yeah yeah (2) [Verse 2: Suga] I thought this was the ocean but it's a desert A medium-sized, ordinary idol was my second name Countless people get cut from broadcast But someone's empty spot is our dream They say some of these kids can't make it cuz their agency is too small I know, I know, I know too Times when the seven of us had to sleep in one room With foolish hope that tomorrow will be different before we fell asleep We saw the mirage in the desert but we couldn't grasp it Praying that we'll remain in this desert till the end Praying that this isn't truly our reality [Verse 3: Suga] In the end, we reached the mirage and it became our reality The scary desert became the ocean with our blood, sweat and tears But why is there this fear in between the happiness? Because we know too well that this place is really a desert [Refrain 2: Suga] I don't wanna cry I don't wanna rest No, who cares if we rest a little? No no no I don't wanna lose It's always a desert I told you everything Then I'll just be more depressed [Chorus: Jungkook, V] Where there is hope, there is always trial (2) [Hook: Jimin, Jin] Where there is hope You know, you know You know, yeah yeah (2) [Bridge: Rap Monster] Ocean, desert, the world Everything, the same thing Different name I see ocean, l see desert I see the world Everything's, the same thing With a different name It's life again [Hook: V, Jungkook] Where there is hope You know you know you know yeah (2) [Chorus] Where there is hope, there is always trial
Compared to âPathâ, we have more innuendos and metaphors in âSeaâ because of Namjoonâs lyricism (it was supposed to be in his mixtape at first), but as the description says:
"It discusses the hardships BTS has experienced since debut, particularly struggling to compete with groups from other, larger agencies. In this song, BTS reflects on these hardships, fearing that their global fame and success could leave as suddenly as it arrived."
Common Denominator
These two lyrics have one big thing in common, and it's the topic they are discussing. They talk about the members' struggles, fears, hopes, and dreams career-wise. I was thinking maybe these issues are something they can only share with their longtime fans, not the general public, therefore, they decided to release them as hidden tracks in the physical album for their real fans who buy them, something like the difference between Weverse and Instagram, I guess? Then I realized thatâs something Namjoon has mentioned himself to Billboard Magazine, in LYS: Her interview:
And if fans are so lucky to own the physical album, theyâll hear two hidden tracks at the very. Why keep them secretive?
"I think theyâre hidden because you have to be a real fan of BTS to understand them. Otherwise, you wonât. Otherwise, youâd like to be, âWhy are they feeling so confused about things? Theyâre good?!? Theyâre No. 1 somewhere, they have so much stuff, why are they worried?â People always talk about that. But if you are a true fan of BTS and you buy the album and you listen to the hidden track â if you are an Army and we spent time together from 2013, 2014 â they could understand. Itâs kind of more special, more closer, to our true hearts"
What about "Letter"?
In conclusion, hidden tracks for BTS, are something between them and their real fans who know about the path they have wended, therefore they can open up to them through lyrics and talk about their fears and struggles and ambitions without being judged or misunderstood. Also, we have to debunk some of the misconceptions going around (especially after the release of FACE) about hidden tracks. For example, some claimed that Letter is made for fans because hidden tracks are always supposed to be âgiftsâ for fans. This claim obviously canât be true when you are able to listen to a hidden track legally, only by purchasing the physical album. Gifts are supposed to be free of charge, like Promise, Still with You, Christmas Love, My You, and so on.Â
Then what about âLetterâ? Why this song is a hidden track in Jiminâs first solo album? Did Jimin want to say something by hiding this track in FACE? To answer this questions, we need to pay attention to the lyrics and how the song was made:
 [Verse 1] What should I say? And how should I convey it? I'm really not getting my words right I know it sounds so clichĂ©d So that it's not taken lightly Let me say it to you properly [Chorus] I say oh-oh, I hope you can be happier You, who stretched your hand out to me whenever I fell I say oh-oh, I'll hold it now (I'll hold it) So when you feel like crying, you wonât fall [Verse 2] After all this time has passed Will we still be the same? Just like we were when we first met, hmm-mmm If we are together, even the desert could turn to a sĐ”a Just like how we were then, oh-hoo-ooh [Chorus] I say oh-oh, I really hope that itâll last forever You, who felt like a warm spring to me in a cold winter I say oh-oh, I'll always cherish it All those moments between you and I [Refrain] Baby, don't leave Just stay by my side, yeah To you, who see me bigger than what my little self is (to you) So that I can give as much as Iâve received (oh-oh) So that I can keep my word (oh-oh) Don't worry, just stay by my side, yeah (Yeah) We donât know what the future holds (holds, yeah) And thatâs scary and makes us afraid (oh-oh) But donât forget that weâre always together (don't forget) [Outro] I know it sounds so clichĂ©d So that it's not taken lightly Let me say it to you properly
The Feelings
If you compare these lyrics to "Path" and "Sea" you can clearly see the differences, and except a mention of "sea and desert" there's nothing in common between them. Letter is not a monologue about career issues, it's a romantic song. These lyrics are expressing the feelings and addresses them to an audience and appreciates them. But how was this song made?
According to Jimin, at first, SMF Pt2 was supposed to be the last track of his solo album, but in their YTC promotion and recording era when they announced that they have planned to put their group activities on rest, Jimin decided to express his feelings of the moment through a letter, and turned that letter to song lyrics. Producers liked the song so much and decided to add it in his album and thatâs how âLetterâ was born. Although Jimin didnât explain much about those âfeelingsâ and left the conclusion to us like a true artist, we all know that this song is totally different from the other tracks in his album.
All the tracks of FACE are dark and sad. Jiminâs first album is all about himself, and he talks about the painful emotions he had as an artist and a person in the past few year, but with âLetterâ there is a different story. Recording Academy admitted this and wrote:
âThough the EP is technically only six songs, the physical version has an additional âhiddenâ track called âLetterâ. The song provides an intimacy that stands out from the other FACE tracks, capturing Jimin in his best form. The lyrics are poignant and vulnerable as Jimin pleads for someone to stay (âBaby, don't leave Just stay by my side, yeahâ) The biggest surprise though? Fellow BTS member Jungkook contributes vocals to harmonize with Jimin.â Â
A Fan Song?
âLetterâ being a âFan Songâ is a stated fact by Park Jimin himself, and there canât be any arguments about it, but that fact doesnât mean Jimin made this song with the thought of fans in his head and all about them. In one of my old posts, I said that a faceless crowd canât be the muse for a romantic song, especially when that song has a "standing-out intimacy".
Another reason for calling "Letter" a fan song, is the fact that it starts at 6:13 of the album, the numbers that remind us of the debut date of BTS. We can't call this a coincidence because we know how thoughtful and punctual Jimin is. But donât forget that 6.13 is more of BTS time than ARMY time. So, as much as you call this track a song for fans, it can be called a song for his fellow BTS members.
Why JK?
Now, letâs address the elephant in the room. Why JK was a part of this song? Did it mean something for Jimin, or did he have no other options? Jimin said that FACE is an album about himself, and he didnât feel right about featuring other artists in it, thatâs why he decided to record SMF Pt2 all alone and do all the rap parts by himself instead of featuring Yoongi in it. He collaborated with several producers and songwriters (including Namjoon), but there was no featured artist in the whole album.
About the background vocals of the album, he did most parts by himself, and for the other parts, he worked with artists who already had credits in his album, such as BLVSH, Sumin, and James Keys. But JK didnât have anything to do with Jiminâs album. Jimin was fully capable of doing the background vocals of Letter by himself, as he did for the first parts of the song. Jimin never really explained why he decided to have JK in the song, other than saying their voices match. This known fact doesnât give us much information, but we can have our speculations.Â
Closer Than This?
Another thing that questions the idea of âLetter" being inspired by fans, is the existence of âCloser Than Thisâ. The newest release of Jimin is the exact definition of a fan song, the lyrics are straightforward and directly address the fans and leave no place for speculation. If CTT is the result of Jimin getting inspired by his fans, then âLetterâ must be inspired by something different because these two songs are not comparable.Â
The difference becomes more obvious when we look at the initial version of the Letter lyrics in Jiminâs drafts. I wonder what the Grammy journalist who called the final lyrics of âLetterâ intimate would have said if they read this:Â
You hugged me tightly Only you who protected me Hold my hand, hold my hand tightly You who reached out my hand You held out your hand to me
We donât know what was going on in Jiminâs mind when he wrote these, but we can see that the initial lyrics have been moderated, and the intimate parts, which clearly refer to a person, didnât end up in the final lyrics. FYI, Iâm doing a lyric analysis here, and this is not a complaint or conspiracy theory because Jimin said that he liked the way the final version came out, and it's all that matters.
For Fans, Not About Fans
So far we made it clear that "hidden tracks" are not about fans, they are for fans like any other BTS song, but the hidden tracks are a secret between the artist and the fan, something that only the true and dedicated fan can understand, and this applies to Jimin's "Letter".
Jimin gave up on many records for streaming and buying by releasing this song as a hidden track in his album. So, there must be an important message in this song that he wanted to convey to the true fans. He did his share of being thankful to fans by CTT, and I don't think he needed to do it twice in a year.
Maybe you prefer to think Jimin just made this song for ARMY and hid it in the album as a surprise or because it didnât match with the whole concept of FACE, and you might not be wrong about any of that. But, donât forget that he didnât explain anything about this, and we both are just making assumtions.
Yes, maybe Jimin didn't acknowledge JK being a part of Letter in his promotion era, but JK did everything he could for his share. A few hours before the release of FACE, he started a live and played a part of it with his guitar, and months later, he watched Jimin's live performance for Festa while harmonizing with it and reminding us that he knows the lyrics very well. In Jimin's documentary he was very supportive and even teased for a live performance with him in future.
Why Just Jikook?
Jimin and Jungkook are not the only members of BTS. But I don't know why everytime Jimin or JK do something with romantic undertones, the fans (OT7 ARMYs, to be more specific) immediately try to label it as "About ARMY". I usually don't see this energy with the other five members. I'm perfectly sure they are also very grateful for ARMY, they have released several songs about them, and they would have loved to collaborate in a fan song with Jimin, too.
Then why Jimin only included JK in Letter? Why he wanted to sing for "ARMY" with him? Unless we assume Jimin's gratitude towards ARMY has connections with JK, and I donât even want to bring up 2019 "I am army" jokes. But "Letter" is the song the most optimistic Jikookers didn't expect to exist. You may try to ignore and normalize it, but you can't deny the fact that Letter proved Jikook's unbreakable connection as two harmonic colleages, long time friends, and inseparable souls.
160 notes
·
View notes
Text
[ID: Three elderly vinyl record covers with library tags; the first is labeled Soviet Army Chorus and Band, featuring a photo of a large military band. The second shows the rolling Welsh countryside and is labeled Traditional Welsh Songs; the third is a blue and red cover with an hourglass motif, and reads The American Jewish Experience in Song.]
The Chicago Public Library system recently weeded nine thousand vinyl records from its collection and announced a three-day sale; all records $1, cash only. I didn't imagine that there'd be a lot of LPs I wanted, but I do have a turntable and a reputation as a hipster to maintain, so today on the first day of the sale I strolled down to the Harold Washington Library to check it out.
It was startlingly popular -- each group of roughly 30 people they let in was limited to 15 minutes, and even with the time limit it took me 40 minutes to get in. Worth it, though; I came away with a dozen records all told, mostly a mixture of British and Jewish folk music, with a few soundtracks and other oddities thrown in.
But the piece de resistance, the prize find, was Rome With Love by Jo Basile and his orchestra: an album of accordion covers of Italian folk songs from 1957.
I hope it's half as good as the album cover suggests.
[ID: A fourth album cover reading "Rome with Love" and below that "Roma con Amore", labeled "The Italian Accordion of Jo Basile and his orchestra". The cover features a man and a woman on a scooter with Roma plates, dressed in the height of fifties beach fashion.]
77 notes
·
View notes
Text
Elvis arrives in Fort Chaffee, Arkansas to continue his induction into the army. In a brief moment of spontaneity before the proceedings, Elvis is shown holding the first LP compilation of his biggest hits - "Elvis' Golden Records". March 25, 1958
49 notes
·
View notes
Text
youtube
I bought this LP for five cents at the Salvation Army in 1996. It is another contender for best "crime jazz" album of the late 1950s.
20 notes
·
View notes
Text
Comic test.
Pre MM5, where Blues comes to offer Tempo a place among an army of robots heâs putting together.
Note-based on small fic prequel to LP.
#megaman#mega man#art#rockman#proto man#protoman#megaman blues#blues megaman#breakman#blues light#protoman megaman#tempo#tempo LaLinde#quake woman#quakewoman
80 notes
·
View notes
Text
youtube
Oletko koskaan halunnut nĂ€hdĂ€ kun LPS MÀÀttĂ€ tippuu vessanpönttöön? EntĂ€ oletko halunnut nĂ€hdĂ€ limaisen Rahikaisen? EntĂ€ harvinaisen paskan turunmurteen? (yritin oikeesti parhaani) NO TĂSSĂ SITĂ PRIIMAA NYT TUMBLERINKIN NĂHTĂVĂKSI.
Sain poikaystĂ€vĂ€ltĂ€ luvan jakaa tĂ€n mestariteoksen mikĂ€ synnytettiin maailmaan sen huoneen lattialla samalla kun sen sisko seinĂ€n takana pohti ettĂ€ mitĂ€ vittua ne puuhaa: LPS TUNTEMATON SOTILAS ELĂMĂĂ OSA 1. TĂ€mĂ€n taideteoksen tekemiseen liittyy monta hauskaa tarinaa, kuten kun tĂ€n videon vientiprosessin aikana mĂ€ oksensin roskikseen, ja kaikkea muuta mukavaa.
SISĂLTĂVAROITUKSET: runsas kiroilu, rahikainen sanoo jotain transfoobista, valkaisuaine silmĂ€ssĂ€, Danny, alkoholismivitsi, tupakka, seksikohtaus, paikoitellen vĂ€hĂ€n rankkoja heittoja.
#tuntematon sotilas#lps#oon pahoillani sekÀ lps ettÀ tuntsa yhteisöille#myös turkulaisille#anteeksi ettÀ pilasin kauniin kielenne#antakaa anteeksi olen vain pieni savolainen ja se on mulle vaikeeta#kÀykÀÀ kattoon myös meidÀn kanavan toinen lps tuntsa video jossa rahikaisella on vitunmoinen darra#Youtube
36 notes
·
View notes
Text
"Earth Angel (Will You Be Mine)"
The song was originally recorded by The Penguins in late 1954, with Belvin (using the pseudonym Curtis Williams) as lead singer. "Earth Angel" entered the rhythm and blues chart in early 1955 and was #8 on the Best Selling Singles chart. Other charting versions include Gloria Mann's version in 1955, Johnny Tillotson's in 1960 and The Vogues' version in 1969. Excerpt from site: elvis100percent.com
youtube
Album: "From The Vaults -'50s" (2016). Originally recorded in 1959 as a home recording (informal session).
LYRICS:
Earth Angel, Earth Angel Will you be mine My darling dear Love you all the time I'm just a fool A fool in love with you Earth Angel, Earth Angel The one I adore Love you forever and ever more I'm just a fool A fool in love with you I fell for you And I knew The vision of your lov-loveliness I hoped and I prayed that someday That I'd be the vision of your hap-happiness Oh, Oh, Earth Angel, Earth Angel Please be mine My darling dear Love you all the time I'm just a fool A fool in love with you
A private recording of Elvis singing "Earth Angel" in Germany (1959) appeared on the 1984 LP "A Golden Celebration" and the track was also later featured in other of Elvis' posthumous albums such as "From The Vaults -'50s" (released in 2016 as part of the monumental 60-CD set "The Album Collection" made by Sony DADC, Austria, which includes also "From The Vaults - '60s" and "From The Vaults - '70s" in the set) and the FTD reissued of the 1959 compilation album "A Date With Elvis" (released in 2017).
Elvis Presley: A Golden Celebration LP cover (1984) -- A few of the private recordings Elvis taped informally at home while stationed in Germany (Army period) are featured on this album, including 'Earth Angel' by the Penguins. The 50th Anniversary LP contains 3 discs with recordings of some of Elvis' most iconic moments in his career, including tracks from Sun Records Sessions, TV appearances, the Mississippi-Alabama Fair And Diary Show in Tupelo, MS (1956), some tracks recorded during the '68 Comeback TV Special (NBC, 1968) and even some unknown-recording-dates tracks discovered in Graceland ("Collector's Treasures"). More info about this album here: discogs.com.
Credits/Sources: Wikipedia; elvis100percent.com; elvisoncd.com; discogs.com.
#elvis is our earth angel#god i am grateful for everything you gave me... elvis being one#so perfect#how could he be so cute#50s elvis#elvis presley#elvis#elvis the king#elvis fans#elvis fandom#elvis history#Youtube
26 notes
·
View notes