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Linkin Park - From Zero - Album Review
Well, a few months ago I didn't think that I would write such a review but here we go. So Linkin Park announced their return in September followed by a tour and an album, to everyone's surprise. The new singer after the great Chester Bennington's passing was announced to be the former Dead Sara vocalist, Emily Armstrong. The announcement was followed by many controversies which I'm not gonna touch on in this review, I'm just here, purely for the music, so take all my opinions with a grain of salt.
From Zero (Intro)
A very short, barely even 20 seconds intro is a Queen-like gang vocal/choir harmony followed by Emily asking about the name of the album. It sounds like they recorded her first reaction to Mike's idea for the album name, which is - as Mike mentioned many times throughout the promotion of the album - a double entendre. From Zero means from the ground up, a new beginning which is definitely true for the band after losing a beloved former member and a friend, but also From Xero which was the first name of the predecessor band of Linkin Park. It's genius if you think about it, and by the short and cut end of the intro Emily realizes this as well.
2. The Emptiness Machine
The first single and the song that started the return. The video and the song are both great, though it left a sour taste in some fans' mouth, expecting either a Chester-imitation or someone completely different (rumors were Amy Lee and Deryck Whibley). The Emptiness Machine opens up with a modern beat and Mike's rapping, he even sings the first chorus hinting at something new to come. The second verse starts with Emily singing and while at first I thought she lacks the power Chester had, by the end of the second chorus she proves her place is right among the boys. The lyrics are about an abusive relationship to someone or something which left people thinking about Emily's past (imo the lyrics definitely fit into Linkin Park's past catalogue as well). The passion of the last chorus and the "I only wanted to be part of something" bridge will leave you wondering though: how would this song sound with Chester?
3. Cut the Bridge
Already a non-single with a choppy hard rock riff and octaves, Mike starts rapping and you realize this is definitely a Linkin Park song. In my personal opinion this sound would have fit into The Hunting Party as well as this album. I'm not the biggest fan of the chorus but it's a fun song that might get a few headbangs at concerts. Emily definitely carries this song, the bridge melody by Mike is... not the best, a little jarring and does not fit his vocal style and range. We'll hear a few moments like that in the coming songs.
4. Heavy Is The Crown
Heavy Is The Crown was the second single and the anthem of this year's League of Legends championship which gave to already one of the biggest bands of the planet some extra boost of publicity. If I had to describe this song with old Linkin Park songs I would say this is a renewed version of Faint with the breakdown of Given Up. The beat and the melody throughout the song is very Meteora-era and the "THIS IS WHAT YOU ASKED FOR" breakdown pretty much calls out the fans who wanted a nu-metal banger. It's like they knew their return was controversial and they have to do the maximum nostalgia factor to appeal to the same audience that once loved them. Emily shows her real power in this one, letting out the beast and hinting at what's coming.
5. Over Each Other
A pure Emily song and the third single. Mike is not singing nor rapping in this one, and in the video we see Emily being in a relationship, breaking up and fighting with her girlfriend until the story takes a dark turn when she fakes her own death to get away from her now ex-girlfriend. It's a very honest and upbeat song that really arrives by the second half. The lyrics show a burnt-out relationship that seems to be over soon. This one I cannot even imagine with Chester's vocals, which is the first and the last time this happened during this album. The instrumentals in the second half are (in my personal opinion) very much Minutes to Midnight-like, almost as if Rick Rubin produced this one as well.
6. Casualty
Undoubtedly the heaviest one on the record, there's barely any clean vocals, (even Mike is shouting for most of the song) and there's even a hardcore punk beat in it. This is basically like their song Victimized was on The Hunting Party instead of Living Things. The guitars and drums are filled with rage and in the bridge we hear a new sound from Emily which is very In This Moment/Maria Brink. I didn't expect a hardcore song by Linkin Park but in 2024 even that could happen.
7. Overflow
After a very lengthy intro the song arrives to a space-y, flowy verse which is reminiscent of Deftones and I.O.U, the song Mike recorded with Chino Moreno off his solo record, Post Traumatic. The chorus keeps up the same slow pace and by the bridge I figured that this song would be very fitting to A Thousand Suns. Which is possibly the only song on this record that I can say this about. Like a more modern version of a medley of that album, strange sound and it's not gonna be my most listened song but I think it will find its audience.
8. Two-Faced
Ever wanted to hear a Meteora/Hybrid Theory song sung by a female singer? Well, here you go. Imagine if Figure.09, A Place for My Head and One Step Closer got together on a drunk night and had a lovechild. The verses are also very much like Nobody's Listening, another song from Meteora. The breakdown is so much fanservice to the HT fans that it's almost exactly the One Step Closer riff (even the turntables are there). This will be one of my favorites for sure, it gives me that Cure for The Itch for a old-new HT sound. The fans who can get over to be ready for the new era of the band and only love the first album will be happy to hear this one.
9. Stained
Another song that is hard carried by Emily's vocals, I swear it's like they're doing this on purpose. Mike is one of my favorite songwriters and musicians but man, is he boring in this song. This is the first song where I felt like it's a filler. Chorus melody is alright especially in the last one where it's much more epic, but the verses, the instrumental and the overall vibe of this song is very forgettable. If I wanted to be really harsh I would say, this one is a more pop-ish song of One More Light got rerecorded with a different vocalist and distorted guitars.
10. IGYEIH
IGYEIH or I Gave You Everything I Had is another heavy banger. The riff is very nu metal, reminding me of Burn by Three Days Grace. It's another one that Emily is carrying on her back, her performance is 110% again. Mike's "the clock keeps tickiiiiing" call-ins are very much forced, and in my opinion lack chemistry with the rest of the song. The yea-yea-yea-s by Emily are also somewhat forced before the chorus, the buildup and the breakdown are great though. It's not as mid as Stained but I honestly expected better from the riff.
11. Good Things Go
Probably my favorite song of the album, straight up. The modern rap beat and Mike's work on the rapping and the wonderful vocals by Emily make this composition a pleasure to listen to. Some people I saw online compared it to Leave Out All The Rest, I don't think that is true. While this is a ballad of some sort having very emotional lyrics, it's an unfair comparison to LOATR. The delivery by both Mike and Emily is amazing though and the buildup is one of my favorites of this year, it's both relieving and cathartic. This is this album's take on Good Goodbye and this one undoubtedly wins both the message and the delivery battle.
Overall I'm not gonna lie, I expected more. Upon the second listen I realized that I lost recency bias already. Some moments turned out to be probably the worst in their catalogue while others were highlights of this year's musical journey for me. The singles are definitely the stand-out songs, though Good Things Go and Two-Faced are up among them. Emily carried most of the songs as I mentioned many times before and it's clear that the band's intention was to make the audience love her as much as they loved working with her, even if this effort cast a dark shadow on the rest of the bands' performance.
7/10
#linkin park#from zero#album review#lp#lp army#emily armstrong#mike shinoda#mr hahn#dave farrell#brad delson#album review 2024#new album
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Linkin Park is great music for mech pilots. Just the perfect soundtrack for thinking you're fighting for an ideal, or your country, or even just glory and adventure, and then being put in a child's version of what hell would be like if it was made in a sandbox just to advance corporate interests — and then to fight just because it's all there is to do, or for your own profit
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1986
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And not two minutes after posting that sad lad post, I'm hiding under my bed trying to scare the shit out of my partner because teehee
No but really I'm posting this from under the bed. I am actively in wait as we speak. Like you know that voiceover video of the little spider burying himself in sand? That is me. I am that spider.
#disclaimer this is normal behavior for us#my dogs have joined me everything is fine#they're going to give me away tho#jerks#lp talks#lp is rolling stealth with disadvantage#the disadvantage is dogs#all of this to say#remember to find joy in the little things#even if it's army crawling under your bed#giggling like a small child half “hidden” behind a lamp
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The Casualties – Underground Army
#The Casualties#Underground Army#Self titled#Format: Vinyl LP Album Limited Edition Reissue#Released: 1999#Punk Hardcore#New York City based street punk band formed in 1990.#USA
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STILL MY FAVORITE KISS SLEEVE ART DESIGN -- SOLID PARTY RECORD, TOO.
PIC INFO: Spotlight on the back & front cover art to "Kiss," the debut studio album by American rock band KISS, released under the Casablanca label on February 18, 1974. Art direction/design by Robert Lockart. Cover photo by Joel Brodsky (1939-2007).
BONUS: The following are Paul Stanley's current-day thoughts on their debut LP, and he reportedly dislikes it, but I still think it's a really great first album:
"It was mixed. I'm gonna be honest with you... I thought the album sounded pretty crummy...
"I was never a fan of the first three albums, sonically. We were bombastic, this band, live, was thunder. And on albums, it sounded a little rinky-dink to me."
"I didn't know how to make it sound better, but I knew that it wasn't the way we sounded. And to that end, you have to remember that it wasn't until "KISS Alive!" that the band broke.
"In other words, it wasn't until [the 1975 live album] "KISS Alive!" that the band really became successful -- because people would come to see us live and love what they saw -- then you put the album on and go, "Well that doesn't sound like the band I saw..."
-- PAUL STANLEY ("The Starchild," co-vocalist, co-founder, co-lyricist, & rhythm guitarist of KISS)
Sources: www.discogs.com/release/1632785-Kiss-Kiss/image/SW1hZ2U6MjQxNTQ5OQ & Ultimate Guitar.
#KISS band#KISS 1974#KISS 1974 Debut LP#KISS#Debut Album#70s rock#KISS Debut Album#Sleeve Art#Graphic Art#Joel Lee Brodsky#Glam#Lee Brodsky#Glam rock#Cover Art#American Style#KISS Army#Star Child#The Demon#Cat Man#Space Ace#KISS Makeup#Super Seventies#1974#Hard rock#Heavy Metal#Casablanca Records#Records#Vinyl#Photography#Casablnca
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11/15/23: Wednesday finds and friend hook-up! Fleamarket prices are creeping up since we're closer to the holidays. And I can understand that as we all want to make some money. So I left quite a bit behind. But I did get some things I liked. I found first a gameboy wrestling game for $3.00. Then I got seventeen manga and a Flash Gordon LP record for $20 bucks. The guy also had some anime dvds, but at $4 each, I wasn't feeling it. The man also had some big retro LCD games. But at $30 each with torn, worn-out boxes, I didn't feel like haggling more than I already did with the books. Next guys stuff was good. A ps4 game, a bluray and two dvds for $10.00. And lastly at the fleamarket I found something quite sci-fi and old. Star Wars napkins from the 80's! Plus a bluray and another dvd. $5.00 for them!
So, at first, the Salvation Army thrift store didn't get me much stuff, just a few dolls and stuffed animals. Nothing worth bragging about. So I quietly left. And as I got to the stoplight, a friend that was there, told me to come back, he sent me a pic of something I definitely needed. A wii U tablet! Hells to the yes! I instantly drove back. My friend told me another guy had it, but he changed his mind. And he knew from my posts that I had a wii U with no screen. And he held on to it for me! So I thanked him for the favor, and I thank the employee, too. Cause she sold it to me for $3.00! I'm happy with my finds and thankful for good friends.
#video games#videogame collecting#flea market#fleamarket finds#thrift store finds#salvation army#wii u#dvd collecting#bluray collecting#manga#kingdom hearts#flash gordon#lp album#star wars#party accessories#napkins#ps4
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Fela Kuti - Zombie 1977
Fela Aníkúlápó Kútì was a Nigerian musician and political activist. His musical style is called Afrobeat, a genre he largely created, which is a complex fusion of jazz, funk, highlife, and traditional Nigerian and African chants and rhythms. It contains elements of psychedelic soul and has similarities to James Brown's music. Kuti was referred to as one of Africa's most challenging and charismatic music performers. AllMusic described him as "a musical and sociopolitical voice" of international significance.
His studio album Zombie was released in Nigeria in 1976, and in the UK in 1977. The album was a scathing attack on Nigerian soldiers using the zombie metaphor to describe the methods of the Nigerian military. The album was a smash hit with the people and infuriated the government, setting off a vicious attack against the Kalakuta Republic (a commune that Kuti had established in Nigeria), during which one thousand soldiers attacked the commune. Kuti was severely beaten, and his elderly mother Funmilayo Ransome-Kuti was thrown from a window, causing fatal injuries. The Kalakuta Republic was burned, and Kuti's studio, instruments, and master tapes were destroyed. Kuti's response to the attack was to deliver his mother's coffin to the main army barrack in Lagos and write two songs, "Coffin for Head of State" and "Unknown Soldier", referencing the official inquiry that claimed the commune had been destroyed by an unknown soldier.
"Zombie" received a total of 62,3% yes votes!
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2010 spin - photos by ture lillegraven
"For My Chemical Romance, a new LP isn’t just music — it’s a full on art project. That’s certainly the case with their November 22 concept album Danger Days: The True Lives of the Fabulous Killjoys. And it was the same with their recent photo shoot for SPIN’s December cover.
The band — singer Gerard Way, 33; bassist Mikey Way, 30; guitarist Frank Iero, 29; and guitarist Ray Toro, 33 — met up with SPIN photo director Michelle Egiziano and photographer Ture Lillegraven at L.A.’s Pink Motel, a ’50s joint often used in movies and music videos (like Cee-Lo’s latest).
The idea was to continue the concept of the album, which is about a post-apocalyptic, Mad Max-like gang called the Killjoys who fight an invading army of vampires. The tale unfolds like the comic books Gerard grew up on, and also takes cues from Japanese animation. “Gerard said he discovered Japanimation when the band was on a tour of Japan. He was really inspired by that imagery and it influenced the album, videos, and photo shoot,” Lillegraven says."
#2010#danger days era#gerard way#frank iero#ray toro#mikey way#mcr scans#my chemical romance#mcr#danger days#party poison#spin 2010 my chemical romance#zure lillegraven
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When it comes to love you're just as blinded.
Part Nine
Eminem x Musician
Summary: It starts with a drunk embarrassing video, it spirals into something a whole lot more.
Note: It’s here! Just figured I’d get it out quick, so I spent ages just writing and then editing! Hope it’s up to par? It’s a long one, again..
Might edit this again when I'm not running on three hours sleep:) x
| Set in 2014, just after the release of LP 2
taglist: @thelastemzy
Masterlist
It wasn’t too long after my call with Danny ended that I stepped back through the garden door and into the kitchen, only to find Marshall already there, elbows pressed against the counter as he typed away on his phone. He looked up at the creak of the door and so I smiled in hello, tucking my own phone into my back pocket as I padded on closer, making sure to lock up behind me.
“Danny said his goodbyes and apologised again for his army mates.” I found myself saying with a slight chuckle and watched as Em turned off his phone to set it to the side, pushing up and away from the countertop.
“Was nice to meet him. You speak about him a lot.” Marshall replied with a small smile, the getsure genuine even under the bright lights the kitchen offered. “Kid’s in bed already,” He added with a slight jilt of his chin before his head turned ever so towards the hallway, “You up for another night of tv?”
Grinning, honestly unable to help the action, I widened my eyes and feigned fawning over the very idea, “God, you know how to entertain a woman. Who needs alcohol and a club full of sweaty people when you’ve got Rick Grimes and walkers waiting for you?”
Marshall rolled his eyes in retort, scoffing lightly in amusement, but I did note the uneasy look that crossed his face, even if it only lasted a split second. “Never claimed to be babysittin’ you whilst you’re here. You wanna go out, go ahead.”
It was my turn to gift him an eye roll then, the daft idiot. “And miss the chance of another popcorn fight breaking out? Yeah, I think not.” I said as I waltzed past him, heading straight for the living room we’d invaded the night previous.
I was still searching for the remote when he finally emerged in the doorway behind me, pausing there briefly. It was only once I’d finally caught sight of the stupid thing that he chose to speak up again, “I was bein’ serious, before. You don’t have to stay cooped up here with us.”
The tele had since been turned on, the screen buzzing to life before its loading page flashed up to greet us. My brow furrowed in my stance by the edge of the settee and it stayed even as I turned to spare him a glance from over my shoulder. He looked a little ominous standing there in the shadow of the doorway, the tv being the only thing to shed a small amount of warmth and light into the dark room.
“Shut up, I was just messing.” I waved off whilst flashing him a wry smile, before I turned back to the tv screen so that I could scroll my way back to the series we’d been watching the night before.
But Marshall didn’t appear to be anymore at peace after hearing the sentiment, his shoulders were tense and his forehead was suddenly littered with slight lines when he decided to bypass me and drop down onto the sofa.
I joined him a couple seconds later, throwing him a wary glance as I clicked on the third episode we’d somehow managed to get to and lowered myself down onto the cushions less than arm's length away.
The show started and for the first ten minutes we sat in a mutual silence, though I couldn’t help but feel as though I’d made a real big misstep with my earlier joke. It was just as the scene shifted again, the library moulding into the prison’s outer fields, that Marshall shifted, using the pillow between us as an excuse to shuffle into a better position, one which left him sitting a whole lot closer than he’d previously been.
My legs had come up to hide beneath me not long after I’d first sat down, so with his new position it just meant that my knees were now almost grazing his own. My eyes flickered between the barely there touch and the tv screen.
Marshall slumped. Knee pressing further into my own.
I allowed it, wondering if it was purposeful.
“Sorry.” He murmured after a static moment passed and he didn’t make the effort to move away either. I wondered if that was really what he was apologising for.
Deciding not to comment on it, I simply shifted so that my head could rest against the back cushion of the couch, leaving my shoulder and side to fall in line with his torso. I felt, more than heard, him look over at me, before his focus was back on the tv screen once more.
We sat that way for the remainder of that episode, my eyes growing heavier the further in we got. I put it down to the residual lapse in jetlag, but Marshall’s presence and his unusual knack for always being able to radiate body heat like a sodding furnace might have had something to do with it too.
I jerked slightly when I eventually felt my head fall forward, startling myself a tad, and pulled back from the way I’d been just about ready to nod right off. My temple seemed to have caught the curve of Em’s shoulder though on the way down and so I shuffled back a tad to flash him a sleepy smile full of silent apology, to which he merely shook his own head and shifted so that he could offer up his shoulder without words said or questions asked.
My throat grew a little tight at the gesture, never really having had that sort of companionship before, even in the people closest to me, and slowly allowed my chin to droop, almost cautiously as if I was preparing for him to laugh me off. But he didn’t. Simply waited me out, like a person would a stray dog when trying to lure them near.
I must’ve fallen asleep there after a while, which surprised me enough to have me blinking blearily awake again once I’d realised, because the next thing I knew the sofa had shifted and the soft light from the tele had since paused in its stuttering of scenes.
Sniffing, I attempted to bury myself further into the cushions beneath me, missing the warmth that I’d found there just moments before, but it was then that I heard a light huff of laughter, one which had me rubbing at my eyes only to cast a glance towards it.
Marshall was there, standing over me, one hand on my knee whilst he tried to shake me awake as gently as he could. My gaze caught on the small smile he wore, the same one which appeared to grow when I frowned up at him and then around the room, trying to get a sense for what had happened and where I’d fallen asleep.
A tap to my knee had me looking back at him.
“Missed two episodes.” Marshall mentioned in a low murmur, smirking at the way I wrinkled my nose in turn, “Don’t think I’m rewatchin’ them jus’ ‘cause your ass decided to fall asleep.”
I hummed, still attempting to wrap my head around the fact that I’d just been asleep and was now somewhat awake, whilst simultaneously trying to stay alert enough not to fall back into that blissful state. “Sorry.” I whispered tiredly, barely even aware of the word as it slipped past my lips.
Marshall’s mouth quirked upwards before his head was shaking again, “You’re good, was just kidding.”
I smiled at the thought of him watching the episodes for a third time, just for me, and then giggled a little.
His hand encased my knee again but squeezed gently this time, it was when I looked over at him that I realised I’d let my eyes slip closed again. “Come on, gotta get movin’.”
I dreaded the very thought of moving but knew even in my dreary state that I couldn’t stay curled up on the sofa, so I inhaled quietly and moved to nod my head, taking the hand that wasn’t holding my leg and allowing it to hoist me up.
Marshall was smooth and considerate in the way he helped guide me up, letting me lean into his side as he turned off the tv, leaving only the nearby lamp to light our way out of the living room and into the hallway. I stumbled slightly on the small step that separated the two adjacent rooms but Marshall was there again, arm wrapped tightly around my middle whilst his other hand gripped my own, to keep me steady.
I blinked a little more at the almost fall, allowing myself to pause and squeeze my eyes shut tight enough that when I opened them again the world was a little less blurred at the edges. “I’m knackered.” I ended up saying, voice carrying in a dull whisper.
Em responded with a light snort, the hand at my hip squeezing a fraction as we started up the staircase. “This gone be a usual thing with you, me carryin’ you to bed?” He wondered, though even in my sleepy state I could tell that the ask was more humorous than anything slightly related to irritation.
Still, the question reminded me of the night before when he’d also helped aid me up the stairs. The image of his smirking face flashed to the forefront of my mind at the prompt, the way he had waited for me to step beyond my bedroom door before he’d finally allowed himself to walk away. Tomorrow, he’d said whilst my fingers had toyed with the door’s handle.
“No.” I murmured then to his question, sniffing as I slumped further in his hold, wondering over the steps and why he had so many of them. “Normally I’m a night owl. Don’t sleep much.” I added in explanation, the words accompanied by another sleepy smile that had him gazing down at me.
Marshall hummed but was quiet as we moved up onto the landing, it was only when we reached my door that he shifted ever so to get it open, the handle clunking back up again in his haste to keep me upright against his side. I murmured another quiet apology.
“Stop sayin’ sorry, dummy.”
I snorted at the term, eyes slipping closed again, “Is that meant to be endearing?”
His tut echoed throughout the bedroom and it was then that I realised I was perched on the end of the king size bed. I blinked, but instead of peering around the rest of the room, my eyes caught on him and the way he was now pulling back the sheets, reshuffling the many pillows on the other end.
My lips rolled against one another before I thought to say something, “Too many.”
Marshall peered back at me from where he was stood leaning over the bed, one knee pressed into the mattress. I wondered briefly if he knew how good he looked then, before he spoke again, brow raised. “What?”
“Pillows.” I muttered, hand flapping lazily over to the mountain.
For a long second he just stayed there, eyes turning towards the top of the bed before they met mine once more. I rubbed at my face to hide an oncoming yawn. He waited another second before pillows started to fly.
Startled by the soft thuds they made when they hit the floor, I watched on as he windled the stack down to a simple two, fluffing them before his head was turning towards me once more. “Good?”
His voice was ever so soft, all kind and gentle like. It made the words I felt like saying get stuck in my throat and a light flush to paint my cheeks, I nodded.
It was then that he tilted his head in a gesture for me to move, smiling to himself as I rolled over the top of the duvet to settle on the sheeted mattress beneath. I flashed him another tired grin after settling in, wriggling beneath the sheets to get comfy and fight away the cold that had crawled in beside me.
My face seemed to crease after that and I tugged at the duvet to get the bed frame to release its bottom end. Marshall caught on quick enough and pulled it free for me whilst I shuffled out of the trousers I’d yet to take off. He blinked at the sight of the fabric which appeared a moment later, before he snorted to himself and offered to take them, stepping away to fold them up and place them down on the dresser nearby.
“All good?” He asked once again. I glanced back at him from under the cocoon I’d created and took in the softness of his smile, the way his hands were now folded politely behind his back, and how he was simply just waiting for me to answer him, as though he had all the time in the world and wasn’t fighting off sleep himself.
I nodded, my chin hidden beneath the covers but my returning smile was able to be seen in the slight curve of my cheeks. “Good.” I whispered. Then, feeling a little silly, I added, “Sorry for–”
He waved the end of my sentence off, stepping closer to the bed as he reached out, ready to turn off the bedside lamp. “Don’t worry ‘bout it. Makes me feel useful.” Smirking, his fingers grasped the lamp’s cord but he didn’t move to pull it just yet.
“Still,” I pushed, eyes growing heavier once more now that I was surrounded by the weighted quilt that seemed to be hellbent on capturing all the heat that it could, “Thank you, I don’t usually..”
Marshall’s smirk dimmed ever so into something more thoughtful, “Means a lot that you trust me. Don’t stress about where you fall asleep.”
Trust. Wasn’t that a funny fucking thing.
The lamp was off and he was walking away before I could utter a reply to that, and it was only when the door creaked open a tad bit further to let him have his escape that I let the weight of his words sink in.
It was a maddening thought to realise that I did trust him. Wholeheartedly. And that was probably the strangest thing.
–
I could not for the life of me have told you where I was, let alone what the time it could have possibly been, when I roused from my coma-like state.
The first thing I noted was that the curtains had all been closed and the jumper I’d worn last night had since been tossed to the floor alongside a plethora of pillows. It was slow going, pulling myself up and into a sitting position, letting the duvet pool around my hips when I attempted to get my brain to function properly again.
It was another minute or two before I found the strength to roll over and make a grab for my phone, only to find that it had since been plugged into the outlet by the bedside table to charge. My brow pinched at the sight, not recalling having put it on charge, but still I reached out to grab it.
The light I was met with had me wincing before I managed to adjust, eyes widening slightly at the time I was shown. Almost eleven. Wow, it was honestly somewhat of an achievement for me, seeing as the bouts of insomnia I often wavered through had me falling asleep far too late and waking far too early. I figured all the flying and the hectic schedule I’d had before landing in Detroit had finally caught up to me.
My mind short circuited at the reminder. Detroit. Marshall.
“Shit.” I hissed, dropping the phone down onto the mattress as I willed myself to get out of bed.
I tried to remember what had transpired after talking to Danny, how I’d let myself be lulled by the tv and the comfort of the man sat beside me.
Dragging a hand over my face, I felt a bout of embarrassment flutter through me, feeling oddly caught out at having let someone see me so exposed. My legs dangled over the edge of the bed for a long moment before I finally found the energy to move, pulling my body over towards the bathroom and into the shower before I could regret the decision. Any of them, including both the night befores and the choice to not linger any longer in my pit.
The shower worked wonders for waking me up that little bit more, pushing the last remnants of sleep from my mind as I stood under its spray. It was then that I found myself feeling thankful again for Marshall and all his odd eccentricities, for him being the overanalyzing type and having had the guest bath stocked with not just the necessities most would need, but the ones he figured I’d like, seeing as the theme was a mix of vanilla and coconut– something I’d mentioned after I’d gotten a delivery of candles a couple weeks prior.
I tried to push the thoughts of how endearing that whole mess was, the fact that he’d gone and remembered, as I stepped out and made quick work of getting ready for the day, forgoing drying my hair so that I could slip into the baggiest jeans I owned and a soft tee that often slipped over the curve of my shoulder.
The house was oddly quiet when I slipped past the bedroom door and down the steps, once again forcing thoughts of last night out of my head, of his grip, the soft smiles we shared, the–
I took a much needed breath when I reached the bottom, swivelling on my heel to cast a glance about. I knew that Rosie must have already been at school even without me not spotting her bag or shoes by the door, but I was still left with the feeling of longing I often experienced whenever I woke up to find that Lottie had since left.
Pushing on though, I noted that the house didn’t have that familiar chill I was used to enduring back home. The English weather was a mess of emotions even on summer days where the sun shone brightly, so it was nice not to be shivering my way into the kitchen and over to the kettle.
It was after doing exactly that though, that I spotted a small post-it stuck to the fridge door.
(Dropped off Z, in the studio if you need me. Eat! - Em)
Snorting softly at it, I tore the note down and let the corner press into the pad of my forefinger for a second or two. It was nice, having someone care enough to not want me to worry. Even the whole Eat! had me grinning, so used to running on fumes and pure anxiety that I often forgot. It was strange to note that it was a habit he’d picked up on, or perhaps I was just thinking too much into it. Maybe it was just him being personable.
Still, I folded the post-it up and slid it into the back of my phone case all the same. Not stopping to think twice about the why as I looked up at the kettle’s violent whistle.
I moved through my usual morning motions with an ease that shouldn’t have felt effortless in a kitchen that was not mine, but I did, walking to sit at the island not long after I’d procured myself a cup of tea and some toast.
I took to scrolling through my phone, checking Twitter for updates on friends back home and then moving over to Netflix to see if there were any new series that had dropped and appeared worth watching.
It was during that time that my phone soon rang. With one glance at the name I was wearing a mad grin and swiping to answer, “Well, isn’t this a surprise!”
A short scoff could be heard from the other side of the line before a familiar lilt trailed through, “And here I thought I was going to be met with love and a plethora of questions about my wellbeing. But no, only your sincerest sarcasm!” Lottie sighed theatrically, as though she wasn’t defeating the entire purpose behind her whole spiel.
“It’s seemingly a familial trait.” I quipped with a fond roll of my eyes, “But I have missed hearing your voice, texts don’t make up for much.”
“And what about my short videos?” Lottie replied with enough emotion behind her voice that I could already guess that she was raising one brow and pursing her lips. “Did they not suffice enough?”
“You mean the three second clips you keep sending me?” I laughed around a sip of tea, thinking back to the latest one I’d received the very same morning, “I don’t think me seeing your knee and hearing a Rihanna song play in the background is the same thing as knowing you’re alright back there.”
“Is too, and there were others!” Lottie immediately defended before a few other voices trailed through, “How about the one of me in Maths, hey?”
My face flattened at the reminder, “You mean the one of you gettin’ your phone taken away by your teacher?”
“Yes! See, all was fine, even Ms Plait reckoned so.” She quipped, the glee which lined her tone was oh so audible. “Did you not see that lovely smile of hers?”
I almost choked on my next chuckle, not having expected the comment, “Oh yeah, I saw. She still looks the same as the last time I saw her, face like a slapped arse and with one too many missing teeth.” Lottie sniggered and once again those voices from earlier followed, “You on your way home?” I wondered, looking down at the time and noting that she should have already left school by now.
“Yeah, just walking with Shan and Tea.” Her answer was followed by a loud hurrah of hellos from the pair that had me smiling.
“Heya girls, hope you’re all alright!” I greeted, listening to them ramble away for a couple of minutes about this and that, throwing me back to the days where the two girls had first come over to visit Lotts.
Time got away from me a little after that, leaving me with an almost finished but cold brew and the remnants of my toast that I soon got up to throw and wash away whilst Lottie and her mates said their goodbyes so that they could part ways.
“You’re having a good time then?” I found myself asking once Lotts had finished speaking about her school day, “Nothing I should worry about?”
I could practically feel the roll of her eyes as she huffed, “Yes, Lia. Honest. I’ve been keeping you updated, Mila too, whenever she texts– even Danny called yesterday! Did you meet those knobheads he calls friends? The Irish one’s well fit.”
Pursing my lips to keep from smiling, I shook my head at her antics. “I did and need I remind you, you’re fourteen?”
“I was just stating a fact!” Lottie argued, her voice unable to be drowned out even by the car that then passed, “God, you’d think you didn’t know me at all.” She tacked on, her tone teasing enough that I knew she wasn’t too bothered by the fact that she’d been called out.
“Know you too well.” I rebuked half-heartedly and then smiled at the response I was met with.
“Too much like you.”
“A shame that,” I snorted as I took back to sitting at the counter, eyes caught on the length of land that stretched out beyond the back door.
“Slander.” Lottie sniped, “But also the truth.”
We shared a chuckle even as I rolled my eyes, which led me onto the next topic of conversation I’d been wanting to bring up since my phone call with Danny in New York, “How’s things working out at Mum’s then?”
A pause followed that question. One that went on a second too long and had my shoulders tensing.
“Lotts?”
“Hm? Sorry, was just– crossing the road, you know.”
“Don’t lie. Tell me what’s going on before I hop on a plane and find out for myself.” I threatened, eyes catching on the island countertop as I pressed the phone closer to my ear, as though by doing so it would somehow allow me to be that little bit closer to her.
“So dramatic,” Lottie joked but it fell flat, what with my impatience and the lack of humour which lined her tone. She sighed, “Dad got out early.”
My whole world seamlessly fell apart at those four words.
I couldn’t form a coherent thought let alone any real words, so it was only Lottie’s voice calling my name that had me blinking back out of my frozen stance and inhaling sharply. “What?”
She coughed, either to clear her throat or to buy herself a little more time, I didn’t know, but couldn’t bring myself to care. “He– well, he’s on parole. Got out about a week ago. Staying with Mum, sort of.”
“Sort of?” I jumped out of the barstool I’d taken up to begin treacherously pacing. For a brief moment I wondered whether it was possible for me to wear away the pattern in Marshall’s kitchen tiles. “What are you on about, Lottie? He’s serving sixteen years.”
A heavy sigh. “Obviously he got out on good behaviour then, served just over fourteen, din’t he?”
I swallowed thickly, a motion which flipped my stomach and had me threatening to throw up the toast I’d just eaten. “Good fucking behaviour, him?” I scoffed out a laugh that was entirely mirthless, “And she’s just let him back, has she? I thought she was done with him the second he was inside!”
Lottie didn’t say anything to that, or for a while longer. It took me a minute to notice what with how seething I was.
I forced myself to take a breath, because this wasn’t about me. Then started to think a bit more rationally.
“Look, I’ll look up flights now, yeah? I can be home by tonight, or tomorrow morning if I’m lucky. I don’t know yet. Just have to contact Mila, then talk with Marsh– Shit.”
Marshall, what was I going to tell Marshall?
“Elia.”
Blinking, my reeling thoughts were immediately stopped by the sound of my sister’s voice, soft but demanding. She waited and I was left to tug a hand through my still damp hair.
“Listen, please don’t come back.”
What?
“What?” I croaked out, the ground having been ripped out from under me.
“It’s working.” Lottie replied, her voice still soft, trying to be kind. “I mean, I’ve stayed with Shan some nights but I’ve been staying at the house too. And it’s– it’s not bad, El. It’s nice even, to get to know him and things. Like at my own pace and whatnot.”
I didn’t know what to say.
“He’s changed apparently. Mum reckons so anyway, it’s what she told me.” Lottie continued on, filling the silence I’d left her with whilst my entire planet shifted, “Not so angry, or sad. Just tryna find a job and stuff, so he can follow the rules of his probation or something. Not sure. Din’t ask too much about it. He’s staying with Mum but he keeps to himself when he’s not trying to make amends and crap. Make up for lost time.”
Staying with Mum. In my fucking house, the very same one I’d paid for. That fucking scummy shitheaded cun–
I forced myself to breathe.
“El, it’s working out. I–” Lottie said, then took a second. When she spoke again, she sounded so small, her voice almost pleading, “He’s my Dad, Elia. I just want the chance to know him.”
My hand fell from my hair to cover my mouth, desperate to keep the sob that wanted to escape from being heard down the line. I swallowed it back, gave a shaky exhale, but eventually nodded. Even if it was just to myself.
“Okay, Lotts.” I heard myself say, somehow. “Okay, yeah. That’s, it’s fair.”
I was rewarded with a big huff of air, one that told me I’d done the right thing, that she was relieved to hear me say that it was all fine. “Thanks, El! Knew you’d understand.”
I didn’t. I don’t, I wanted to say.
“Yeah, ‘course, Lotts. He’s your,” I swallowed again, the walls of my throat itching, hands shaking ever so slightly, “–Dad. If it’s what you want then, yeah. Who am I to stop you?”
Who am I?
Violent flashes flooded my mind, words, voices. Then I was back in the kitchen again.
“Just, promise me, Lottie. Promise me that anything happens, you call me. You call Mila. You call Dan. Okay? Anyone. Anyone who can get to me. I’ll be there.” I told her in a low murmur, the desperation I felt seeping through but I didn’t take enough note of it to care. This was too important. “Promise me, Lotts.”
I could hear her smile in her next words, “Promise, El. Always. I love you.”
“Yeah, kiddo. I love you, too.”
…
I don’t know how much time passed after the call dropped, leaving me with nothing but the light spatter of rain that knocked against the house. But soon enough I was startled from where I’d been standing by the window in some sort of trance, staring down at the phone I still held in my hand.
I looked up so fast it almost hurt, but my alarmed look softened when I noticed it was just Marshall stood there, a slight furrow marring the skin between his brows. “Figured I’d come find you.”
My eyes slipped closed as I jilted my chin in reply, taking a much needed breath before casting another glance out across the garden. My mind was stuck on my conversation I’d had with Lottie, on thoughts of home and plans that would ultimately fall through.
A hand encased my elbow. “Yo, you good?” Marshall was still there, having ducked his head a tad to better look into my glossy eyes, that frown more prominent than it had been just moments before.
I stared back at him and felt my lip wobble, before I took another short breath and put on a smile, hoping it was sort of semi-convincing seeing as I nodded in retort. Must have been a tough fucking wish though because he levelled me with an expression that ultimately called out on all my bullshit.
“You wanna try that again?”
I casted my eyes downwards and chewed on the inside of my cheek, feeling the way his hand inched up my arm before he eventually wrapped me up in his hold, letting me bury my head in the curve of his shoulder. My eyes squeezed tightly shut and even though I didn’t move to hug him back, I sagged into his hold, which must have told him enough to keep the two of us standing there.
“Who was on the phone?” He queried after a short while, fingers trailing over the small of my back almost subconsciously, but the gesture was enough to soothe the well in my throat and the chaos I had going on inside my mind.
“Lottie.” I answered, voice meek even to my own ears.
His chest moved with each breath he took, legs spread just far enough apart that his feet encased my own, and he smelt so familiar that it made me wonder just how quickly I’d grown to be comforted by it. Was that even normal?
“You need to head back?” He wondered out loud, the parent in him jumping out at the thought of something having happened with my sister, “You can use the jet, I can get Paul on it now.”
It amused me to no end to understand the lengths he’d go to help not just me, but my family too, warmed me completely in fact, but the offer also left me feeling lost. Because even though I would have left the second Lottie asked, I would have been devastated to leave.
I shook my head where it rested against his shoulder, pressing my forehead to the joint there before I spoke, “No,” I told him, the syllable wavering, “Just– she asked me to stay.”
“Right.” Marshall said quietly, though it felt like he’d forced the word out, “And you don’t want to?” He questioned, trying to understand.
My head shook once more, “It’s complicated.”
His hold tightened by a fraction and we stayed that way for a long second, then two, before he drew back to get a good look at me. “You wanna talk?”
I couldn’t stand to look into his eyes in that moment, far too fearful that I’d just end up crying then and there, so I sniffed instead and glanced off to the side. “Just complicated, I guess.” I muttered, repeating myself whilst trying so very hard not to think about the anxiety I felt over leaving Lottie there, thousands of miles away from me.
“Well, complicated’s my middle fuckin’ name.” Em replied and I couldn’t help it, the stupidness of it made me laugh and I knuckled at his stomach in retort, dropping my eyes. But he stilled my hands, holding them close so that I would finally look up at him, “Mean it.”
I already knew that though.
I peered down at our hands, the way my fists were now pressed against his chest, his bigger than my own and all but swallowing them whole.
“Lottie’s dad.” Is what I found myself saying, eyes locked on the tribal tattoo that encased his wrist. Em nodded gently, the gesture moving his torso as he shifted beneath my hands.
The muscle of my cheek was all torn up from where I’d been chewing away in my anxious mess, stressing over it all, and so I tried my best to keep from biting at it once more, not wanting to cut too deep. But even so, the notion typically centred me so I was now at a loss for how to process the plethora of thoughts that kept running through my head like a freight train at full speed.
Marshall seemed to sense this though, because not a second later were his thumbs running over the ridge of my knuckles. I felt my hands slacken a bit in their fisted hold.
“Well, you know how I mentioned he was inside? That first day I was here.” I finally continued, moving to peer back up at him again, only to find that he was already watching me, the blue of his eyes a shock to the system. I shook my head slightly and took another deep breath, “He got out, parole apparently. For good behaviour,” I scoffed at the very reminder but pushed on, “He’s staying with my mum and so that ultimately means Lottie too. Seeing as I’m not there.”
Marshall had since stilled in his entirety, I wasn’t even sure if he was breathing with how suddenly motionless he went, but then his chin dipped and his thumbs resumed their gentle caress. “And she said not to go back?” He asked, clarifying.
I shook my head. “She–” I tried to get the words out but had to pause, if only for a second, to actually form them, “She wants to get to know him. Says he’s alright now, that he’s changed.” My eyes rolled on their own accord at that, not believing it for a second, “And well, who would I be to deny her that, hey? I mean, I know how she felt, never knew my dad, but she has a chance, you know? She’d hate me if I took it from her. Even if I know better.”
I slumped when I was finally able to take another much needed breath, inhaling deep enough to dislodge the heaviness that weighed on my chest but not enough to clear it completely.
Em tugged on my wrists lightly and so I peered back at him, aware of the seriousness he had since taken on. “What’s that mean, know better?” He asked and I had to pretend I didn’t reel back from him, like it hadn’t been the first reaction to the reminder that simultaneously crossed my mind. “Hey,” He tugged again, even gentler than he had before but enough to draw back my gaze, “You don’t gotta tell me shit, but,” He paused, eyes flitting between my own, “I’m here, okay?”
Nodding, incapable of doing much else, I said, “I know.”
He gifted the tiny beginnings of a smile sincere enough to have me pressing my nails into the curve of my palms. “Is she safe? With him there.” He clarified and I could only blink up at him, he waited me out.
“I think so. I–” I stuttered, memories hitting me again. I tried to brush them away, but failed. “He wouldn’t hurt her, I know that.”
Just you then.
The words went unsaid but the look in his eyes told me all I needed to know. His hold lessened until I was able to let my hands drop to my sides. Marshall cleared his throat but I saw the way his hands fisted as he stepped away, “Was gone ask to work in the studio today, but we can just chill instead. Or you can do your own thing.”
I was quick to shake my head, already onboard with the studio idea. “No, studio sounds good. Keep my mind off shit.” I replied, looking down to check my phone and biting my lower lip when no new notifications from Lottie had come through.
“You sure?” Marshall prodded and when I looked over to him it almost appeared as though he was appraising me under a newfound light, behind the carefully guarded fortress that was his gaze.
Trying not to frown, I nodded again in assurance. “Yeah, just lemme text her again, and maybe Mila, then I’ll be right there.”
He continued to watch me for a second longer and it was only as I was about to say something about it, that he moved. “I’ma grab some drinks. You have a preference?”
Blowing out a breath, I shrugged lightly, “Water, juice, anything really. I don’t mind.”
Marshall seemed to take that as an incentive to grab a majority of the fridge, loading it all up on the counter beside him before he let the door swing close behind him. I raised a brow after having pulled up Mila’s contact and bit back the obvious laugh that wanted to escape when he mimicked the gesture, “What?”
“You good to carry all that?”
He glanced over to the plethora of bottles he’d procured and then back to me, “Two trips.” He declared as he swiped half of the contents into his arms.
I laughed at the picture he made, wondering how easy it was for him to flip my moods entirely. “We don’t need that many!”
“If I could, I’d flip you off right now.” Was the only reply I was given as he wandered out of the kitchen.
I let go of a sigh as I moved back to glance down at my phone again.
Messages To: Mila (Master/Manager/Obi-wan?) Did you know? About Lottie?
It only took a second before those familiar three dots were littering the bottom of my screen. Though in fairness, her phone was basically her fulltime job.
Messages Mila (Master/Manager/Obi-wan?) Everything’s fine. I told her not to worry you.
I couldn’t stop the scowl that overwhelmed my face at her response.
Messages To: Mila (Master/Manager/Obi-wan?) You serious? How was that your decision to make mila??
Messages Mila (Master/Manager/Obi-wan?) I care about the both of you. It wasn’t a split second decision, it was something I talked to Lottie about at length. She was the one who asked me to wait until I told you. I didn’t want it to interfere with what we had going on.
The fury which licked through me at her reply made her words feel too ingenuine.
Messages To: Mila (Master/Manager/Obi-wan?) Still not your fucking choice to make You should have told me You’re my manager, not her mother
Messages Mila (Master/Manager/Obi-wan?) Oh is all I am then? A manager? I thought we were closer than that, at least it felt that way when you went and entrusted Lottie to me, when you gave me that trust and asked me not to regret it. This is me trying, El. I didn’t choose to be the person to mediate between you both, that just came with the job. If you don’t like how I dealt with it, then maybe you should rethink having me in your sister's life.
Messages To: Mila (Master/Manager/Obi-wan?) Is this your way of guilt tripping me? I just can’t believe you didn’t mention it, not once! You are my manager mila, but I thought you were my friend first and foremost Using me being here as an excuse, with you not wanting to use something like Lottie’s father coming back into her life to intervene with my work? Is just beyond wild. I really can’t believe you didn't tell me
Messages Mila (Master/Manager/Obi-wan?) I thought I was doing best by the both of you. Just call me, Elia. Please?
Messages To: Mila (Master/Manager/Obi-wan?) I need some time to think Maybe later
I quickly switched back to my messages with Lottie, inhaling sharply when I saw that she’d replied to my last text.
Messages To: Lottiebug 🐞 I love you loads and I wanna be there for you But I know you need to do this on your own I’m just worried Always worry about you, bug, but this is something I really didn't prepare for
Messages Lottiebug 🐞 I’m sorry I didn’t tell u Just figured it would be easier to wait til u got back Maybe u could meet him then, see how good it is My stomach rolled at the thought of being close to that man again, but I pushed through and didn’t linger on thoughts of me at sixteen.
Messages To: Lottiebug 🐞 I can get a flight home anytime If you want me, I’m a phone call away You know that right?
Messages Lottiebug 🐞 I know but this is something I need to do On my own Like I love u Els, but this is for me to do
She knew where to hit where it hurt, I supposed, as I stared down at the messages that had come through not thirty seconds after my own.
Messages To: Lottiebug 🐞 Promise me, Lottie Anything happens, you call me
Messages Lottiebug 🐞 Nothing will happen but I promise Promise to also call u before bed tonite yh?
I bit down hard on my cheek at the reassurance, which did nothing to reassure me, and felt the first ebb of blood, the way its metallic taste fled over my tongue in a haste to flood its entirety. Silently I cursed myself, but before I knew it my thumbs were flying over my screen again.
Messages To: Lottiebug 🐞 Okay Love you, bug x
Messages Lottiebug 🐞 Love u more weirdo!! Xxxx
I guessed that it would just have to do for now.
A creak had me looking up and to no one’s surprise Marshall had come back for the second half of drinks, so I pocketed my phone after making sure that it was on alert and not the usual silent, then moved to meet him at the counter. “Want help?”
His eyes narrowed at the offer and he was quick to swipe the lot of them up, “I said two trips.”
Shaking my head, I could do nothing but follow the idiot. Hoping to whoever was out there that the time in the studio would do me some good and allow me to leave thoughts of the past behind. For a while at least.
–
The studio was just a rather large portion of the lower level of Marshall’s house. It was decked out though, kitted with all the latest works and better than a majority of studios I’d worked in, truthfully. But it also had this homey sort of feel that allowed the music to flow a lot better simply due to the atmosphere that offered a familiar comfort.
“You got it?”
I let the door close slowly behind me, trying not to let its heavy weight cause a slam, before I trailed my way back on over to where Marshall was sat on one of the two black couches. They were leather and sleek, but their obvious expense was muted by the multiple layers of blankets and pillows he had lining them.
I glanced at him and held up the bound book I had in hand, having darted up the stairs to pull it from my case when I realised he wanted to work through lyrics first thing.
A majority of my thoughts were often jotted down in one notebook or another, but the notes app was a saviour for whenever an idea struck me and my book wasn’t near. I’d brought just the one on this trip, seeing as I’d been using it for the last two years and it was as thick as an actual brick. But back home I had about twelve others littering an old shelf in a room I mostly used for storage. The pleasures of having a house with rooms you didn’t really need, I figured.
Marshall’s eyes widened slightly at the sight of it, wrapped and bound in a thick wire to keep the pages from spilling open. I smirked in turn, wandering closer to slump down in the seat beside him, his laptop and the many pages he already had scattered about.
“You said book, not doorstop.” He mentioned when I turned to him, eyes still caught on the thing.
I thumped him with it before I placed it down by his laptop.
“Jesus.” He huffed, hand coming up to rub the arm I’d hit, before he made a reach for it.
I cringed silently in wait, it was one thing to write in the thing but there were all sorts of odd bits and bobs in that book; from little receipts from dinners that had inspired songs to bottle caps and Polaroids that had written me albums.
“Be careful,” I hurried when his fingers unwound the strap I’d had to superglue twice in the past month alone, “It’s basically–”
“Falling apart?” Marshall finished for me.
I smiled sheepishly in turn, shoulders jutting upwards in a shrug. “Yeah.”
He huffed a small laugh whilst I thinned my lips to keep from chuckling along with him.
A normal person wouldn’t have really known where to start with a notebook this size, especially seeing as the pages were both upside down and back to front, having been written in haphazardly over the years and oftentimes stuck back together. But it was also due to the first few pages being all blacked out and slightly torn, an artistic choice I’d claim over the truth of my hatred for the words that had once marked it, as well as the paw prints of a mate’s dog who had won a battle of tug of war with it.
But Marshall had never once claimed to be conventional and so he headed straight for the middle where a large photo had been stuck in, surrounded by a multitude of signatures, drawings and markings. “What’s this?”
At his question, I followed his gaze down to where his fingers toyed with the book, fighting against gravity to keep the remaining pages from spilling over.
“Mostly from people I’ve worked with over the past year or two. Musicians, writers, producers, even got a couple roadies too. But there are some markings from mates– like, see that little picture of a cow, right there? That was my friend Fran, she does tattoos and the like, figured it would be a nice addition. She’s beyond talented though, did this massive mural for me back home.” I paused to look the rest of them over, then reached out to point at a signature floating nearby, “That there is David’s little hello, a smiley face alongside a couple drops of his coffee.”
“As in Bowie?” Marshall asked me, eyes caught and flitting over everything else the page had to offer.
I blew out a small chuckle but nodded, “Yeah, it was just before his 25th album came out. He was proper lovely, only got to talk to him for a few minutes though.”
Marshall hummed and then tapped a finger against a stark green ink that blotted a corner of the page, “This one?”
“Matty Healy. Worked with him on the last release. He just drew a massive knob because he is one.” I replied, thinking back to last time I’d been in London and spotted him and some of the band in a Soho nightclub. “They released their own album a month or so before your last. It’s their first but they’re brilliant.”
He hummed again, so I wasn’t sure as to whether he knew who the fuck I was going on about, but before I could explain a little, Em grabbed my attention once more, gesturing towards the page’s main focus, the picture. “How old were you here?”
I scratched the side of my neck and thought about it, “I wanna say twenty-two? Maybe? Don’t quote me on that though, but yeah, around that age.”
The picture was a cutout from the Camden New Journal at one of my bigger gigs, just after I’d been scouted in the bar I’d been working at. It was a snap of me and the small band I’d worked with once we’d finished our set, the crowd throwing pints up in the air whilst they’d started to crowd the stage. It was a picture I had framed back at the house as well as in a few of my other notebooks. It was something I turned to whenever I felt as though I was failing, or feeling uninspired.
Marshall’s thumb grazed lazily over its corner for a moment before he finally moved to turn the page, eyes instantly taking in the sudden change of pace. This page was scattered; it held a lollipop wrapper in one corner from a song I’d written about well, lollipops and the like, a couple of verses that were upside down and in luminous pink, and then there was another bout of lyrics from a whole different session marked down in dark blue that were written sideways.
“Your mind’s as fucked as mine.”
I snorted at the phrasing but decided to take it as a compliment, “Thanks.”
He shook his head and then started carding his way through the rest of the book, picking out the lyrics he recognised from songs of mine, as well as a few others he liked. It went on like that for a while, the two of us getting consumed in ideas and metaphors, the way we could play with words and shape them into something or other.
An hour or two had to have passed before Marshall started pulling up different beats he’d been working on, explaining the samples used and the many layers that had been mixed in. I found myself liking a handful of them, even going as far as to start a harmony on one that Em appeared to tally down on a page he had laying out nearby.
“So, you gone rap then?”
The question, however off-guard it caught me, was one that had me rolling my eyes, “You gonna sing?” I snarked back, my words sounding almost like a dare.
His tongue darted out to wet his lower lip before they quirked up into a smirk, “I can’t sing. You though, you can spit.”
I shook my head and snorted, pulling the lyrics we’d scrounged up closer to me and purposefully not thinking about the notes I had stored away in my phone.
“Don’t be like that.” Marshall prodded, shifting in his position to nudge me with his elbow, “Jus’ think about it. This could be the time to experiment. You say your label wants something different, something to garner attention on your next record, right? So.. this here, it’s just me and you. No one else. And I’m only gone judge you if you’re really crappy.”
“Oh, and that makes me wanna try so much more!” I enthused, letting my songbook spring back open as I pulled away– the thing honestly had a mind of its own.
Marshall tutted, “Come on.”
I sighed, but did end up looking back over to him. “You’re a dick.”
He raised his eyebrows in retort, then decided to try a new tactic. “Fine, how ‘bout this. You rap something of mine. Then I’ll sing one o’ yours.”
I blinked, unsure if I'd heard him correctly. “You're shitting me.”
Marshall just shook his head, “You in or out?”
My eyes flickered between his, mouth slightly agape. But found I couldn’t turn down the offer. “Alright, but I get to choose what song.”
“For me or you?”
I flashed him a sly grin, “Both.”
He let go of a long breath but ultimately decided that the term was worth it, “Aight, bet.”
And so that was how I got to start rapping Rabbit Run in the middle of Marshall’s home studio, the beat playing throughout the room whilst the man himself watched on from the couch with a slow growing grin on his face.
I got so into it that I ended up working my way through the entirety of the song, bouncing away and playing up to the freedom of it just being the two of us.
“Whoo, go on!” Em hollered loudly once the final lyric had come and the beat had ended, kicking his feet against the floor whilst I laughed and shook my head at the reaction. It was in moments like these that I could often forget that he was marginally one of the biggest rappers of our generation.
When he was like this, all goofy and happy, he was just Em.
“Good now?” I asked around another chuckle, my nose wrinkling as I moved to sag back into my seat, hating how my cheeks had flushed at being the centre of attention as well as his praise.
“Good? Girl, you’re rappin’ on this record even if it kills me!” Marshall stated, blowing a breath out around his grin, the one I’d grown accustomed to only seeing in rare and few moments.
“Fuck off.” I huffed, but even with the harsh words I was still smiling, just sheepish in the face of his applause.
“I’m bein’ for real. You got talent. When you’re up there, you just go for it ‘cause it’s fun. It’s all a joke to you, and you like bein’ in on it. But you’re good.” Marshall told me, having turned in his stance so that he could gesture along to his words, only furthering his point. “You don’t even know it.”
I rolled my eyes and tried to look away, wanting to hide the warmth that failed to leave me as I waved off his words with a hand that he then caught with his own, tugging on my arm until I looked back at him.
“Trust me on this.”
Just hearing those words, I was instantly reminded of the night before. Means a lot that you trust me.
His eyes were so imploring that I couldn’t cope with it, so I smiled and let his fingers slip from my grasp. “This you trying to back out of our deal, Mathers? ‘Cause if I remember rightly, you still owe me a song.“
Marshall shook his head ever so, but let me get away with the change in subject, moving forward so that he could push himself to his feet. I slid closer to his laptop and headed to YouTube quickly to find an instrumental that someone had made of one of my songs. I looked through them all until I grinned and decided on an older work.
“Ready?” I asked over the screen. He simply flipped me off in return, so I huffed around a smirk and pressed play, letting the track croon out of the surrounding speakers.
Good Company was a song I’d written long before I’d gone and gotten signed. It was rough and full of soul, but was easy enough to sing along to if you missed the high runs on the bridge. It juxtaposed the best and worst parts of me, but concentrated on me only ever showing those worse and bitter parts of myself to those I loved most. It wasn’t one the label had liked at first but it grew on you, and though it hadn’t been a chosen single it had actually managed to make it onto the Top Ten when the album had debuted. It was a favourite of mine and to hear Marshall attempt to sing and not butcher it that badly, well, it was sort of like a dream come true.
“Why the fuck do you claim you can’t sing?” I announced the second the song came to a close. Because I honestly had to give it to him, even with the slight laughter he’s started out with, Marshall had truly given it his best. He’d pranced around like a div (which had just told me that he’d seen the music video) and had actually attempted to hit those higher notes that even I sometimes struggled with when playing live.
“‘Cause I can’t.” Marshall scoffed, panting slightly as he fell back onto the couch, fiddling with the rim of his hat whilst he took the spare second to catch his breath.
“Don’t lie! You can. Bit pitchy at times,” He extended his arm out to swat me at that, yet I still continued on, “But you’re good, Marsh! We should harmonise together.”
He rolled his eyes at the very idea, but kept them shut when he pulled his hands up to rest on his stomach. I smiled at the sight.
“Hey, don’t fall asleep on me just yet, old man.” I prompted, “We’ve got work to do.”
Marshall’s foot struck out to kick at my ankle, which was deserving, I supposed. Still, I returned the hit with just enough force to get him up and moving again. He sighed in resignation and then reached for the glasses he had laid out, swivelling his hat round so that he could look over the few sheets we’d complied.
Struck at the sight of him in his wired frames and backwards cap, I had to literally tear my eyes away and down onto the paper I was handed before he could catch me looking. He was none the wiser.
“We’ve got some good shit. But ‘s not enough.” Marshall mentioned after a minute or so of silently debating, his eyes wracking over the sprawled lyrics we’d produced.
I chewed on my lower lip, phone burning a hole in my back pocket. When he sighed once more, I felt the sudden need to just show him the notes and put the idea out there.
Heaving out a breath, I forced the device from my jeans to open up my notes app, flicking past the few that were worthless until I came across one I’d been thinking about since we’d first sat down.
Em chose that moment to glance over at me, eyes somehow bluer behind the lens of his glasses. I swallowed and all but shoved the phone towards him.
He frowned but took it, unable not to, and I watched on in silence as he read it through, then read it though again. His fingers began tapping away on his knee the third time around.
When he looked back up at me, I was surprised by the sudden change his face held, the way his expression had literally lit up. “The fuck you been holdin’ out on me for?” He practically demanded, voice having kicked up a pitch in his eager haste to try and work this into the mix.
I was left blinking back at him, watching as he scribbled a plethora of words and letters onto the page we’d been working on, using arrows and lines to showcase his thinking, how he wanted the song to move. To flow.
I barely had a second to think before he had his own phone out and was dialling away. My eyes widened when the Master of Mixology himself picked up.
“What do you want, Marshall?”
Any other time I would have cackled at the sheer amount of resignation that greeting held, but it seemed as though I was suddenly tongue tied.
“Why you always think I’m doin’ stupid shit?” Marshall shot back at the man, though from where I was sat I could see the slight curve to his lip.
“‘Cause I know you? And you usually are.” Dre answered, blunt and to the point. Very much how I’d pictured him. “So why d’you stop to fuck up my afternoon?”
“It’s afternoon already?” Marshall asked, brow furrowing as he shared a look with me.
“Two pm.” Dre told him with a sigh.
“Shit.” Marshall muttered under his breath, gesturing to me with a hand and an almost pleading look, “Set an alarm for when Z gets in, please?”
“Be easier if you did it, Em. Seeing as I’m in New York and you’re in Detroit.” Dre answered, which earned him a scoff from Marshall.
“Not you.” He told the older man, but I was already on it, swiping out of my notes app so that I could do exactly that.
“The fuck?”
Marshall’s mouth twitched at the disgruntled retort, “With Elia right now, man. We’ve been workin’ on some new shit.”
“El–ee–ah!” Dre called back, really getting into the pronunciation of it. I chuckled softly. “How are you? Is Marshall takin’ good care of you? No troubles, right?”
Grinning, I leaned in closer to Em to be heard. “He’s been a real gent. Holding open doors and basically waiting on me hand and foot.” I teased, earning a side eye from the man himself, “If anything you should be asking him if he’s holding up okay.”
“She got you wrapped round that finger quick!” Dre gruffed out a laugh, the sound loud and joyous even through the phone’s tinny speakers, “It’s what I like to hear.” He added as his laughter ebbed, “Glad things are working out between you both– what’s this about the album then? We got something special?”
Marshall’s tongue darted out over his lip as his eyes flickered over to find me, “I think we hit the jackpot with this one, man. Can already picture it, Dre, like honestly. Shit she’s pulled out has got me feelin’ all nostalgic– it’s good. Too good. Reminds me of some of the stuff they were spittin’ way back before I came around.”
My eyebrows rose a little at his explanation, but I didn’t dare add on or contradict his words. Not that I would, seeing as he was practically spot on with the analysis.
“No shit?” Dre sounded surprised, but I took it in stride when Em shuffled forward on the couch in his haste to read out some of the stuff we had jotted down, as well as the few lyrics I’d just handed him.
The man on the other end of the call hummed in thought when Marshall finally wrapped up his whirlwind of a reply, letting the silence linger between us until I was chewing on the insides of my cheeks once more.
“I’ll Facetime you later once you’ve worked on it some more.” Dre eventually said, halting the tic of Em’s knee, a gesture I only took note of once it had stopped. “It’s promising though. Real promising. Figure we got something here with the pair of you.”
The look Marshall shot me at that had my mind turning to sludge.
–
Alarms always had me spooked, the sound so abrupt and alert that even though I was expecting it, I was never truly expecting it. You know?
Marshall and I had continued to work away, floating ideas back and forth with Dre and then without him once the man eventually got called away. It was slow going, but like Dre himself had said, oh so promising.
Never had I felt so listened to during a writing session. Marshall never failed to give me his full attention even when he was scrawling away or counting a tempo, it was as though he was able to just hone in on every notion I brought up, building on it as he nodded away and pointed to the places he figured we could add it in or just blend.
So by the time that alarm finally rang out, it was safe to say we were making a hell of a lot of progress. So much so that Marshall looked torn once we’d both jumped out of our skin at the sound and I’d hurried to silence it.
His hands fluttered through the many pages we had, as well as my songbook, mouth thinned as his brows dipped together. Rosie would be home in a matter of minutes but he was still spinning with ideas.
I, on the other hand, was all too ready to take a break, head starting to feel heavy with the sheer amount of words it had taken in today. Marshall was a fucking living and breathing thesaurus.
“I can go hang out with her for a bit if you wanna keep on working.” I offered after I’d checked my phone for any recent notifications, noting that the only message I’d received was from Mila. An apology of sorts, letting me know that she’d be willing to wait for me to reach out again.
Em’s frown was palpable. He shook his head, “Can’t ask you to do that.”
I let go of an amused huff, “Good thing you didn’t ask then, I offered.”
His forehead furrowed further whilst he continued to collect the many sheets, I passed him the one I’d been gatekeeping. “Still.” He tried to push, but I just shrugged the word away.
“I could use the break,” I mentioned, reaching for the few empty bottles we’d settled on the floor around our feet, “Might even get a headstart on dinner if you guys aren’t going out.”
Marshall looked a little perplexed at that, “Goin’ out?”
I shrugged again, but smiled when he handed me his latest bottle, piling it into the bin alongside the rest so that I could take it back up the stairs with me. “I don’t know what plans you have!” I laughed lightly.
He ended up rolling his eyes at that, “If I did they’d include you, idiot. Wasn’t plannin’ on goin’ out though.” He retorted, before pausing and glancing over to me, “Why, did you want to?”
Honestly, he was hard work. I could only huff out another round of chuckles as I shook my head at him, “No, you’re all good. Like I said, I could get started on dinner.”
The expression he pulled then looked almost strained, as though he wasn’t used to being offered help, much less willing to accept it. But I could tell that he wanted to. He was on a roll here and it was obvious that he was desperate to keep ahold of that inspiration for as long as it would last.
I stopped with what I was doing to step closer again, hoping to reassure him somewhat. “I wouldn’t offer, if I minded.” I told him gently, “Just pray that I don’t poison the lot of us or burn the house down if I do start cooking though.”
He laughed a little at that, face softening at my words. It still took him another minute or so to finally agree, dipping his head ever so slightly in the most minute version of a nod, “You’ll call out if you need me?”
I raised a brow, “What, into your soundproof studio?”
He breathed out another chuckle, tongue pushing against his teeth as his hands fell limply between his knees, papers shuffling ever so. “Call me, call me. Or just use the intercom.”
“Yeah, not happening.” I quickly quipped, eyeing the so called intercom with obvious distaste, “I’ll call. I don’t know the first thing about how to work that.”
Marshall’s smug smirk was evident when I glanced back over at him, enough so that I could only flip him off as I moved to leave the room, muttering under my breath about being too kind to idiots, something that only proved to humour him further.
“‘Preciate it!” He called out just before the door could close behind me.
It had me smiling all the same.
#eminem#marshall mathers#fic#slim shady#x reader#oc#eminem x reader#humor#imagine#x singer#eminem imagine#famous reader#oc insert#vmas#meet cute#strangers to lovers#slow burn#drama#real slim shady#writer#writers on tumblr#famous people#music#celebs#eminem x#series#when it comes to love
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The Untold Truth of "Letter"
Back in 2021, 2022, or even early 2023, if someone had told me about the possibility of JK having vocal credits in Jimin's solo album, I would have called it wishful thinking at best. But it happened, and we got the song "Letter" (AKA Dear Army) as a hidden track in Jimin's first solo album, FACE, with back vocals by JK, and his name written invisibly in the album book.
The perfectly matching vocals of Jikook, with the heartfelt lyrics and soft instruments, undoubtedly made one of the most beautiful songs of the year, which could break many records for Jimin and his album if it was released in the streaming and buying services. The release of Letter as a hidden track in Jimin's solo album raised many questions and debates among Jikookers, and as someone who barely scrolls in the Tumblr app, I know I'm a bit late for the party, but I may or may not have some notes to add to the already made discussions. FYI, these are my analytic views and speculations, I am fully aware that this song has been named "Dear Army", and Jimin called it a "Fan song" on different occasions. So, I do not intend to ignore that and diminish Jimin's expression of love for his fans.
What's a Hidden Track?
Before getting into "Letter", we need to understand what a hidden track is. Well, the definition is pretty clear; When a song is not listed in the official track-list of a music album, but it exists in (some versions of) the physical printed CD, cassette, or LP, it's called a "hidden track".
Hidden Tracks of BTS
There are several techniques and reasons to "hide" a track in an album, but in the case of BTS discography, the hidden tracks exist for a specific reason, and I'm going to explain it with the only examples we have. The debut album (2013) and Love Yourself: Her (2017), are the only BTS albums including hidden tracks, and if we ignore the skits in each album, "Path" and "Sea" are the only hidden songs BTS ever released. So, these two songs must have something(s) in common and different from the other BTS tracks that caused them to end up as a hidden track. To find that common factor, we need to check their lyrics first:
Path
[Intro: RM] Yeah, wassup? You know, time flows like stars (Check it, check, check, check, check it out) [Verse 1: RM] I started from imitating Eminem, Garion, Epik High To writing my own raps Now I see that I’m already at Hongdae My lyrics back then were all (****) Bossy But we dunno, we dunno When I dreamed without anyone to stop me Reality tied me down and trapped me inside Oh, my youth trapped me My hot heart lost to my cold mind (Damn) As I blindly told myself my decision was right I don’t know whether it’s an angel or a devil, but it says to me "Do you really have any plans to rap properly?" (Yes or no?) I didn’t have more time to hesitate and didn’t want to be stupid So I came here and three years passed by Some say art is long, life is short But for now, art is life Life is sports, just do it, uh [Chorus] If I had chosen a different path, would have I been any different? If I stopped and looked back (Oh hey ya, hey ya) What will I see at the end of this road? Where you should’ve been standing? (Oh hey ya, hey ya) [Verse 2: Suga, Suga & Jungkook] A long time passed and by 2013, I was a trainee for three years I was a high school student who grew overnight (I became a child) White hair grew from my desires and one by one my many friends (Parted ways with me) I spent my time in Seoul alone without a family (That was my third spring) I thought my worries would disappear with my debut ahead of me I closed my eyes to the present that had nothing to change But the reality was different, even as my family and friends tried to stop me I walked into the tunnels that shed no light on my own I thought I would be alone (Why?) As it turns out, there weren’t seven bare feet but we were wearing the shoe named Bangtan We’ll have to go forward, take one more step, become newer And that’s how I spent my fourth spring in Seoul (Whoa) [Chorus] If I had chosen a different path, would have I been any different? (Hey) If I stopped and looked back (Hey) Oh hey ya, hey ya What will I see at the end of this road? Where you should’ve been standing? (Oh hey ya, hey ya) [Verse 3: J-Hope] 2010, the year I walked towards Seoul! I just loved to dance, and now I’m standing on top of the stage Until then, I overcame many pains and scars to prepare myself I survived with my belief to bend, not break, and ran for three years Let the stars inside my heart shine! Now shine on me differently Write “Bangtan” on the paper world I walk my future with more lights on Give a smile to that far future (Ha, ha)
As you can see, the lyrics are simple and self-explanatory, so I guess we don't need any lyrics analysis, and the description section of the Genius translation I used here, says it all:
“길 (Road/Path) follows the member’s decisions to become idols in the Korean music industry. They recall their different upbringings from listening to hip hop in school to the hard years of being trainees under BigHit Entertainment. BTS pose the questions of how their lives would be different if they made a different decision, and they ask themselves what the future entails. A very introspective track about their career for a debut album, BTS display their thought processes as they enter the music scene.”
Sea
[Intro: Jungkook] Oh, ah, yeah [Verse 1: Rap Monster] I just started walking and ended up at the sea I'm looking at the coast from here There's endless sand and the rough wind I'm still looking at a desert I wanted to have the sea so I swallowed you up But I'm even thirstier than before Is what I know really the ocean? Or a blue desert? [Refrain: J-Hope] I don't know, I don't know If I'm feeling the waves right now, yeah I don't know, I don't know If I'm being chased by the sand wind, yeah I don't know, I don't know Is this the sea or the desert? Is this hope or despair? Is this real or fake? Shit [Pre-Chorus: J-Hope] I know, I know, my hardship right now I know, I know, I'll overcome I know, I know, open me up It's the place I can rely on Think positive, I'm swallowing my dry spit Even if I'm nervous, even if I'm in a desert I'm in the beautiful Namib Desert [Chorus: Jimin, Jin] Where there is hope, there is always trial (4) [Hook: V, Jungkook] Where there is hope You know, you know You know, yeah yeah (2) [Verse 2: Suga] I thought this was the ocean but it's a desert A medium-sized, ordinary idol was my second name Countless people get cut from broadcast But someone's empty spot is our dream They say some of these kids can't make it cuz their agency is too small I know, I know, I know too Times when the seven of us had to sleep in one room With foolish hope that tomorrow will be different before we fell asleep We saw the mirage in the desert but we couldn't grasp it Praying that we'll remain in this desert till the end Praying that this isn't truly our reality [Verse 3: Suga] In the end, we reached the mirage and it became our reality The scary desert became the ocean with our blood, sweat and tears But why is there this fear in between the happiness? Because we know too well that this place is really a desert [Refrain 2: Suga] I don't wanna cry I don't wanna rest No, who cares if we rest a little? No no no I don't wanna lose It's always a desert I told you everything Then I'll just be more depressed [Chorus: Jungkook, V] Where there is hope, there is always trial (2) [Hook: Jimin, Jin] Where there is hope You know, you know You know, yeah yeah (2) [Bridge: Rap Monster] Ocean, desert, the world Everything, the same thing Different name I see ocean, l see desert I see the world Everything's, the same thing With a different name It's life again [Hook: V, Jungkook] Where there is hope You know you know you know yeah (2) [Chorus] Where there is hope, there is always trial
Compared to “Path”, we have more innuendos and metaphors in “Sea” because of Namjoon’s lyricism (it was supposed to be in his mixtape at first), but as the description says:
"It discusses the hardships BTS has experienced since debut, particularly struggling to compete with groups from other, larger agencies. In this song, BTS reflects on these hardships, fearing that their global fame and success could leave as suddenly as it arrived."
Common Denominator
These two lyrics have one big thing in common, and it's the topic they are discussing. They talk about the members' struggles, fears, hopes, and dreams career-wise. I was thinking maybe these issues are something they can only share with their longtime fans, not the general public, therefore, they decided to release them as hidden tracks in the physical album for their real fans who buy them, something like the difference between Weverse and Instagram, I guess? Then I realized that’s something Namjoon has mentioned himself to Billboard Magazine, in LYS: Her interview:
And if fans are so lucky to own the physical album, they’ll hear two hidden tracks at the very. Why keep them secretive?
"I think they’re hidden because you have to be a real fan of BTS to understand them. Otherwise, you won’t. Otherwise, you’d like to be, “Why are they feeling so confused about things? They’re good?!? They’re No. 1 somewhere, they have so much stuff, why are they worried?” People always talk about that. But if you are a true fan of BTS and you buy the album and you listen to the hidden track — if you are an Army and we spent time together from 2013, 2014 — they could understand. It’s kind of more special, more closer, to our true hearts"
What about "Letter"?
In conclusion, hidden tracks for BTS, are something between them and their real fans who know about the path they have wended, therefore they can open up to them through lyrics and talk about their fears and struggles and ambitions without being judged or misunderstood. Also, we have to debunk some of the misconceptions going around (especially after the release of FACE) about hidden tracks. For example, some claimed that Letter is made for fans because hidden tracks are always supposed to be “gifts” for fans. This claim obviously can’t be true when you are able to listen to a hidden track legally, only by purchasing the physical album. Gifts are supposed to be free of charge, like Promise, Still with You, Christmas Love, My You, and so on.
Then what about “Letter”? Why this song is a hidden track in Jimin’s first solo album? Did Jimin want to say something by hiding this track in FACE? To answer this questions, we need to pay attention to the lyrics and how the song was made:
[Verse 1] What should I say? And how should I convey it? I'm really not getting my words right I know it sounds so clichéd So that it's not taken lightly Let me say it to you properly [Chorus] I say oh-oh, I hope you can be happier You, who stretched your hand out to me whenever I fell I say oh-oh, I'll hold it now (I'll hold it) So when you feel like crying, you won’t fall [Verse 2] After all this time has passed Will we still be the same? Just like we were when we first met, hmm-mmm If we are together, even the desert could turn to a sеa Just like how we were then, oh-hoo-ooh [Chorus] I say oh-oh, I really hope that it’ll last forever You, who felt like a warm spring to me in a cold winter I say oh-oh, I'll always cherish it All those moments between you and I [Refrain] Baby, don't leave Just stay by my side, yeah To you, who see me bigger than what my little self is (to you) So that I can give as much as I’ve received (oh-oh) So that I can keep my word (oh-oh) Don't worry, just stay by my side, yeah (Yeah) We don’t know what the future holds (holds, yeah) And that’s scary and makes us afraid (oh-oh) But don’t forget that we’re always together (don't forget) [Outro] I know it sounds so clichéd So that it's not taken lightly Let me say it to you properly
The Feelings
If you compare these lyrics to "Path" and "Sea" you can clearly see the differences, and except a mention of "sea and desert" there's nothing in common between them. Letter is not a monologue about career issues, it's a romantic song. These lyrics are expressing the feelings and addresses them to an audience and appreciates them. But how was this song made?
According to Jimin, at first, SMF Pt2 was supposed to be the last track of his solo album, but in their YTC promotion and recording era when they announced that they have planned to put their group activities on rest, Jimin decided to express his feelings of the moment through a letter, and turned that letter to song lyrics. Producers liked the song so much and decided to add it in his album and that’s how “Letter” was born. Although Jimin didn’t explain much about those “feelings” and left the conclusion to us like a true artist, we all know that this song is totally different from the other tracks in his album.
All the tracks of FACE are dark and sad. Jimin’s first album is all about himself, and he talks about the painful emotions he had as an artist and a person in the past few year, but with “Letter” there is a different story. Recording Academy admitted this and wrote:
“Though the EP is technically only six songs, the physical version has an additional “hidden” track called “Letter”. The song provides an intimacy that stands out from the other FACE tracks, capturing Jimin in his best form. The lyrics are poignant and vulnerable as Jimin pleads for someone to stay (“Baby, don't leave Just stay by my side, yeah”) The biggest surprise though? Fellow BTS member Jungkook contributes vocals to harmonize with Jimin.”
A Fan Song?
“Letter” being a “Fan Song” is a stated fact by Park Jimin himself, and there can’t be any arguments about it, but that fact doesn’t mean Jimin made this song with the thought of fans in his head and all about them. In one of my old posts, I said that a faceless crowd can’t be the muse for a romantic song, especially when that song has a "standing-out intimacy".
Another reason for calling "Letter" a fan song, is the fact that it starts at 6:13 of the album, the numbers that remind us of the debut date of BTS. We can't call this a coincidence because we know how thoughtful and punctual Jimin is. But don’t forget that 6.13 is more of BTS time than ARMY time. So, as much as you call this track a song for fans, it can be called a song for his fellow BTS members.
Why JK?
Now, let’s address the elephant in the room. Why JK was a part of this song? Did it mean something for Jimin, or did he have no other options? Jimin said that FACE is an album about himself, and he didn’t feel right about featuring other artists in it, that’s why he decided to record SMF Pt2 all alone and do all the rap parts by himself instead of featuring Yoongi in it. He collaborated with several producers and songwriters (including Namjoon), but there was no featured artist in the whole album.
About the background vocals of the album, he did most parts by himself, and for the other parts, he worked with artists who already had credits in his album, such as BLVSH, Sumin, and James Keys. But JK didn’t have anything to do with Jimin’s album. Jimin was fully capable of doing the background vocals of Letter by himself, as he did for the first parts of the song. Jimin never really explained why he decided to have JK in the song, other than saying their voices match. This known fact doesn’t give us much information, but we can have our speculations.
Closer Than This?
Another thing that questions the idea of “Letter" being inspired by fans, is the existence of “Closer Than This”. The newest release of Jimin is the exact definition of a fan song, the lyrics are straightforward and directly address the fans and leave no place for speculation. If CTT is the result of Jimin getting inspired by his fans, then “Letter” must be inspired by something different because these two songs are not comparable.
The difference becomes more obvious when we look at the initial version of the Letter lyrics in Jimin’s drafts. I wonder what the Grammy journalist who called the final lyrics of “Letter” intimate would have said if they read this:
You hugged me tightly Only you who protected me Hold my hand, hold my hand tightly You who reached out my hand You held out your hand to me
We don’t know what was going on in Jimin’s mind when he wrote these, but we can see that the initial lyrics have been moderated, and the intimate parts, which clearly refer to a person, didn’t end up in the final lyrics. FYI, I’m doing a lyric analysis here, and this is not a complaint or conspiracy theory because Jimin said that he liked the way the final version came out, and it's all that matters.
For Fans, Not About Fans
So far we made it clear that "hidden tracks" are not about fans, they are for fans like any other BTS song, but the hidden tracks are a secret between the artist and the fan, something that only the true and dedicated fan can understand, and this applies to Jimin's "Letter".
Jimin gave up on many records for streaming and buying by releasing this song as a hidden track in his album. So, there must be an important message in this song that he wanted to convey to the true fans. He did his share of being thankful to fans by CTT, and I don't think he needed to do it twice in a year.
Maybe you prefer to think Jimin just made this song for ARMY and hid it in the album as a surprise or because it didn’t match with the whole concept of FACE, and you might not be wrong about any of that. But, don’t forget that he didn’t explain anything about this, and we both are just making assumtions.
Yes, maybe Jimin didn't acknowledge JK being a part of Letter in his promotion era, but JK did everything he could for his share. A few hours before the release of FACE, he started a live and played a part of it with his guitar, and months later, he watched Jimin's live performance for Festa while harmonizing with it and reminding us that he knows the lyrics very well. In Jimin's documentary he was very supportive and even teased for a live performance with him in future.
Why Just Jikook?
Jimin and Jungkook are not the only members of BTS. But I don't know why everytime Jimin or JK do something with romantic undertones, the fans (OT7 ARMYs, to be more specific) immediately try to label it as "About ARMY". I usually don't see this energy with the other five members. I'm perfectly sure they are also very grateful for ARMY, they have released several songs about them, and they would have loved to collaborate in a fan song with Jimin, too.
Then why Jimin only included JK in Letter? Why he wanted to sing for "ARMY" with him? Unless we assume Jimin's gratitude towards ARMY has connections with JK, and I don’t even want to bring up 2019 "I am army" jokes. But "Letter" is the song the most optimistic Jikookers didn't expect to exist. You may try to ignore and normalize it, but you can't deny the fact that Letter proved Jikook's unbreakable connection as two harmonic colleages, long time friends, and inseparable souls.
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[ID: Three elderly vinyl record covers with library tags; the first is labeled Soviet Army Chorus and Band, featuring a photo of a large military band. The second shows the rolling Welsh countryside and is labeled Traditional Welsh Songs; the third is a blue and red cover with an hourglass motif, and reads The American Jewish Experience in Song.]
The Chicago Public Library system recently weeded nine thousand vinyl records from its collection and announced a three-day sale; all records $1, cash only. I didn't imagine that there'd be a lot of LPs I wanted, but I do have a turntable and a reputation as a hipster to maintain, so today on the first day of the sale I strolled down to the Harold Washington Library to check it out.
It was startlingly popular -- each group of roughly 30 people they let in was limited to 15 minutes, and even with the time limit it took me 40 minutes to get in. Worth it, though; I came away with a dozen records all told, mostly a mixture of British and Jewish folk music, with a few soundtracks and other oddities thrown in.
But the piece de resistance, the prize find, was Rome With Love by Jo Basile and his orchestra: an album of accordion covers of Italian folk songs from 1957.
I hope it's half as good as the album cover suggests.
[ID: A fourth album cover reading "Rome with Love" and below that "Roma con Amore", labeled "The Italian Accordion of Jo Basile and his orchestra". The cover features a man and a woman on a scooter with Roma plates, dressed in the height of fifties beach fashion.]
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I bought this LP for five cents at the Salvation Army in 1996. It is another contender for best "crime jazz" album of the late 1950s.
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Comic test.
Pre MM5, where Blues comes to offer Tempo a place among an army of robots he’s putting together.
Note-based on small fic prequel to LP.
#megaman#mega man#art#rockman#proto man#protoman#megaman blues#blues megaman#breakman#blues light#protoman megaman#tempo#tempo LaLinde#quake woman#quakewoman
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IN THIS MOMENT: We 'Will Now Be Stepping Away To Take A Break And Create The Next Chapter Of Music
Grammy Award-nominated act IN THIS MOMENT has thanked fans for their support during the band's just-completed headlining tour across North America, featuring special guests KIM DRACULA, NATHAN JAMES and MIKE'S DEAD. "The Godmode Tour Part 2", which continued the celebration of the release of IN THIS MOMENT's 2023 album "Godmode", saw the band perform at arenas and amphitheaters across the country.
Earlier today (Thursday, December 12),IN THIS MOMENT released the following message via social media: "ITM just wants to thank everybody for all of their overwhelming support for this last 'Godmode' album cycle. We appreciate you all more than words can even express.
"ITM will now be stepping away to take a break and create the next chapter of music."
"Godmode" arrived in October 2023 via BMG. The LP was produced by Kane Churko (ROB ZOMBIE, DISTURBED, PAPA ROACH) and Tyler Bates. Bates produced, wrote songs for, and played multiple instruments on albums by MARILYN MANSON, BUSH and ALICE IN CHAINS guitarist Jerry Cantrell. He is best known, however, for scoring the box office smash "300", the Emmy Award-winning Showtime series "Californication", the "Guardians Of The Galaxy" and "John Wick" film franchises. IN THIS MOMENT's song "I Would Die For You" appeared on the soundtrack for "John Wick: Chapter 4", for which Bates wrote the score.
With a Grammy nomination ("The In-Between", 2021),platinum and gold record sales, multiple Top 25 entries on the Billboard Top 200 ("Black Widow" and "Ritual"),hits including "Whore", "Blood" and "Adrenalize" and career streams of more than 1.3 billion, you'd think IN THIS MOMENT might rest on their laurels. Instead, they've created "Godmode", 10 dynamic songs that mark a new high for the quintet, further cementing their legacy in the heavy music world. Proof positive is in "Godmode"'s first single, the industrial-heavy yet ultra-melodic "The Purge", and its darkly cinematic video directed by Jensen Noen (BRING ME THE HORIZON, DEMI LOVATO). From the portentous start of the '90s-tinged "Godmode" with Maria Brink's powerful primal scream to the pitch-perfect cover of Bjork's 1995 "Army Of Me" to the impassioned pain to partnership in "Everything Starts And Ends With You", "Godmode" is a cut above.
IN THIS MOMENT, a touring juggernaut who've slayed stages worldwide at Ozzfest, Warped Tour, Download, Knotfest and Rocklahoma, put out "Mother" in 2020, during the pandemic, giving fans something to hold on in during that bleak time, and earning "The In-Between" the band's first Grammy nod. It was 2021 when Howorth and Brink first wrote with Bates on "I Would Die For You". Following that collaboration, the duo were writing organically, for pleasure, not focused on the next album. As the pandemic waxed and waned, Howorth learned programming, and created music around synthwave sounds, which Brink leaned into. Her lyrical ideas arose both from soul-searching and "humanity and so much crisis and so many heart-wrenching things in the world. That negativity and darkness is how songs like 'The Purge' came about," Brink explained.
Photo credit: Joe Cotela
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