#loved her trailer i can’t believe they used that set for literally one episode

[synthville]

Vasquez Rocks

RAFFI MUSIKER - ST: PIC - S01E03

[radiosandrecordings]

Okay, at risk of sounding like I’ve emerged from Sherlock forums like a caveman thawed from ice (Look I was 8 in 2010 I didn’t know!) I wanna talk about how in TMA tea legitimately is a stand-in for love/comfort. Specifically by looking at it in episodes 45, 81, 122, the season 5 trailer, and 186.

So 45 is the first time we hear about Martin’s whole tea thing. He comes into Jon’s office to ask if he wants tea, and this is quickly dismissed by the Oh God Jon Are You Stalking Tim? Thing but I think it needs to be mentioned because that’s the start of it all. And it recurs through S2, Martin’s constant worry and doting, both in recording and presumably off recording too, enough that it’s remarked on by other characters. He’s derided for it, Tim in 65 saying “Martin just wants a tea party” when expressing how he feels no one in the Institute cares about him, and in 110 Basira says “Look, Martin. I know you care. I know you do. But caring isn’t enough. You can’t just stand next to someone with a cup of tea and hope everything’s gonna be all right.” It seems to be something he himself is embarrassed about as well, “What, sat around drinking tea until the world ends?! Or, you know, it doesn’t. We hope.” in 116 and then again in 117 with “Anyway, I guess I’m just sick of sitting on my hands drinking tea and hoping everyone’s okay.”

So cut to season 3, 81, when Georgie comes home and Jon immediately offers to make her tea. This is something, to the listener’s knowldge, he has never done before. He feels guilty for taking up her time and home (see: cleaning the kitchen) and wants to do something that he’s picked up, consciously or unconsciously, that means ‘Here is something to show I care about you, an act of service and a gift in one. I do this for you because I cannot speak the words I wish to convey myself, so I give you this, which gives the reassurance and comfort that you need’

And she just dismisses him out of hand! Because at one stage (S4 Q&A I believe?) Jonny talks about how he is trying to explore a certain specific dynamic between each set of characters when it comes to their relationships to each other, and I at least like to think of Jon’s relationship with Georgie as being about a lack of information and context, and that’s what created the rift between them, imperfect information being used as a basis for judgement. So here she displays this by just not having the context for what tea means to Jon. She hasn’t seen him in years, hasn’t met Martin yet, has no idea that the reason Jon extends her that offer is as an olive branch, an ‘I care about you’, because that’s what Martin has taught Jon it means. I think that one little line in that first interaction between them we hear is a beautiful little microcosm for how their relationship continues. Jon reaches out to Georgie for connection, but she just doesn’t understand his world. She loves Melanie because Melanie is different to Jon, not as deeply embroiled, she can get out, she can be ‘saved’. Wheras she does not have the knowledge we have, about how the last two years for Jon have been hell, so she just sees someone trying to drag her down and, wisely with the information she has but horrifyingly with the information we have, says ‘No, for my own health I am staying away from this’. 

And then we have 122, in which Jon wakes up from being literally dead, and Basira offers him water. Cold, clinical, impersonal water from the hallway of a hospital. It's practical, clears his throat, and it’s exactly like how Basira treats him. Nothing special, no thought gone into it beyond ‘What is the tactically right thing to do here?’ because the whole of S4 is about Basira showing a startling lack of empathy for Jon, her former frien- Well. Person she is friendly towards. She has branded him as a monster, and thus he gets treated as such. No compassion for those we’ve slapped the label of ‘Evil’ on. And of course, she doesn’t get the subtext, because her whole thing is despite being incredibly intelligent, she has a habit of taking things at face value because she trusted Daisy’s judgement of people and never looked further into it, lest that make her uncomfortable with her actions, and this is exactly what she proceeds to do with Jon. Keep him at a distance. Don’t look in his eyes, lest you see something you recognise in there. And he calls after her, asking that, actually, would she be able to get tea? And she doesn't hear him. She puts a lot of effort into never hearing him. 

But what else had he done after waking up? Oh yeah. He asks “Where’s Martin?”, with such confusion because he cannot imagine a world where someone he took for granted previously isn’t there to offer him reassurance. He says it himself, “Honestly, I’m surprised Martin isn’t –” He’s surprised! And he wants him there. He wants him to be there so badly, just like he isn’t for the entire rest of the season. So he asks for the thing that has meant comfort and kindness to him in his place. And, because Martin is no longer there, he doesn’t get it.

And in the S5 trailer we have this whole thing spelt out for us! Martin brings Jon tea in the safehouse and well, it ain't fuckin tea! And so Jon says 'You can't trust comfort' because that's what tea has always been for him, that steady thing throughout, comfort that he can no longer have. The world is ruined and now tea isn’t even safe from corruption, twisted into something meant to inspire fear in them, a symbol turned on it’s head. And then, 162 Martin finds some left over, under the sink, and that's what they take to the apocalypse. That one last piece of comfort that Jon finds in Martin, in his intelligence and his perseverance and kindness and hope. In his unwavering ability to care, if not for, then about Jon.

... But if we’re tackling ‘Tea’ as a whole we have to divert from the beautiful love story a little and talk about 186, and tea, and trauma. Tea has always been Martin’s thing, so it makes sense it would slip neatly into his backstory. His mother, cold and dismissive and uncaring, requested tea whenever she didn’t want to have to deal with him. It was a way to give him a task, make him feel useful, and a way to get him to leave the room. This is why he began to bring Jon tea. Jon was, unfortunately, a bit like his mother. Someone whom he wanted to please, but didn’t seem to have the time of day for him. So he makes them both tea, because Martin’s mother used it to dismiss him, and then when he tries to apply the same tactic he’s had drilled into him to Jon, Jon originally dismisses him because of the tea. It’s a bother to him, before he realises how necessary that connection is. So now I’m just thinking about this thing that became a source of anguish for Martin, so much so that even as an adult, even after his mother is dead, he still can’t taste oolong without being hit with the memory of that pain and belittlement. And how Jon, with some time and character development, took that thing he did out of desperation for approval and turned it into something Jon made a pillar of his life, the symbol of Martin in goodness and his love and Jon sought it out every chance he got, and passed it onto others as an act of kindness as well. Martin’s mother meant the tea as a veiled hate, but it got passed down and distilled through enough love that when Jon offers tea to Georgie, what he is saying is “I care about you”. 

[twdmusicboxmystery]

11x02: Acheron, Part 2 - Analysis

Okay, let’s talk 11x02. And 11x01. Because it’s a two-part episode, it’s important to consider them together. I have a LOT to say about what’s going on in these two episodes, so I’ll have plenty to post all week. Let’s dive in!

***As always, spoilers abound below for TWD 11x02. Don’t read until you’ve watched! You’ve been warned!***

Maggie

The first thing we see is a point of view from under the train car. The instant I saw that, I knew how things would go. I never thought Maggie would die (if nothing else, there are scenes with her in the trailer we haven’t seen yet) but I was curious as to how she would survive. When I saw this POV, I knew she’d end up crawling under the train. Just as Glenn crawled under the dumpster. Massive parallels to Glenn. Which by extension, massive parallels to Beth. Major resurrection theme.

It's also important that when she reappears, she comes from underneath the car. Obviously, that’s logical given that she crawled underneath the car, but they make a point of asking if the pounding is coming from the roof. Gabriel says no and then they open the bottom hatch for her. Her coming up from the ground like that is a visual representation of a resurrection.

So we see Gabriel, Negan and the others enter the train car. The spatial details here are important, and I had to watch the episode twice to get them all straight. It’s a little confusing the first time. So, the group jumps down into the train car through a hatch in the roof because they couldn’t get the door open in the last episode. The thing is, if you watch closely, you come to realize they’re not in the train car on the end. They must have walked along the roof for two or three cars before finding a hatch that let them in.

So, when Gauge shows up, he comes behind them, and that confused me because I was thinking they came from that direction. And they did, but they entered through the roof, not the door. Anyway, they can’t get the door open. So honestly, even if they’d tried harder, I’m not sure they could have saved him.

This scene accomplished a lot of things, character-wise, that we need to touch on. It’s important to note that Gauge’s death happened due to his own choices. Does that mean he “deserved” to die or that they shouldn’t have tried to save him if they could have? Of course not. No on both counts. But that doesn’t change the fact that his choices sealed his fate.

It's especially interesting that he called Maggie a Liar. Not only is that a throwback to the Governor, but it’s a particular type of mentality they’re showing here. Even the fact that he didn’t shut the door behind him is really interesting. My first thought was to be annoyed with him. Why WOULDN’T you shut the door. You live in this world. You know better. But it’s all ego. He can’t imagine something bad will happen. He just assumes if it does, someone will save him.

But the most telling thing was how angry he got before saying Liar. It just shows very much how he approaches life. When he messes up, he doesn’t feel bad, and accept that it was his fault, and try to learn from it. No, instead he gets pissed and blames everyone but himself and his own actions.

If this had been Daryl or Gabriel or Alden or any of our other heroes, they would have recognized that opening the door would have gotten their friends and family killed and would have sacrificed themselves. Especially if they realized they’d screwed up. But Gauge became angry and defiant, even killing himself.

Anyway, I’m rambling. This really has nothing to do with Beth or TD other than perhaps being a future template for something. But I thought it was a really fascinating character sketch.

The thing is, this isn’t really a matter of Gauge being wrong and everyone else being right.

Maggie is…not doing so well either. As I told my fellow theorists, Paola Lazaro said in TTD last week that Maggie was kind of off the rails. I think she said that a little prematurely, because we really didn’t understand Maggie’s state of mind just by watching 10x17 and 11x01.

It's not until she tells that messed up story about the house she found and the people in it that we understand that her state of mind really isn’t at its healthiest. Even saying she wanted to kill Negan before is…understandable given their past. But it makes more sense now why Negan is so nervous. He’s sensing her state of mind that her moral conscience isn’t as strong as it once was, so of course he’s fearful for his life.

I don’t know where they’re going with this Maggie story line, but I have a feeling this attitude of hers will cause conflict down the road. Several of my fellow theorists believe it will cause a rift between her and Daryl. And we can see that somewhat through Alden. At first, he was very much defending Maggie, especially against Negan. He has a lot of loyalty to her. But he didn’t like her abandoning Gauge, and you can see his loyalties starting to waver.

At the very least, what she said about not feeling anything about it is the opposite of what Beth always stood for. Daryl was trying hard not to feel things during Still, in the wake of the prison going down. She made him feel things because that’s the only way a person is truly living, rather than just surviving. Now Maggie is in that state of mind.

And I’m gonna argue that makes it a prime time for Beth to return to help her. But of course I’m completely objective over here. ;D

Maggie’s Story:

Maggie’s story was definitely dark and horrible, but interesting to analyze. I’m assuming there was cannibalism going on there. That’s why the missing limbs. The men in the house were eating the female prisoners. No only a callback to Terminus, but remember that Bob’s leg was taken for food, so I’m sure that’s what we’re supposed to infer here.

She talked about no eyes, no tongue, no limbs, vocal cords ripped out. So definitely the see no evil, speak no evil themes. With the limbs, it’s also a matter of not being able to escape or save themselves.

In terms of the plot, I do have one question about this that I think may be significant. Maggie first talks about three deformed people (she says, “I wouldn’t call them men”) coming toward her. She kills them, and only after that hears the noise from the attic.

My question is, why were they deformed? If they’re “men,” then they must be at least Maggie’s age, if not older, which means they’ve been around since before the apocalypse began. Even eating human flesh doesn’t cause one to become deformed, so why the deformities? I have no idea, but I wondered if there is a radiation theme going on here. Something they’re hinting at, but not saying. Just thought that was intriguing.

After that, things go sideways and everyone almost dies until Daryl arrives to save the day. So, let’s skip to his story.

Daryl:

We first see him bust through a wall with Dog. So, dog took off in the last episode, but the first time we see Daryl, he’s already found Dog again. At least, the first time. This is where he sees the murals on the wall, the walker with the handcuff and the suitcase of money, etc. I already talked about most of that in great detail HERE, so I won’t rehash it, though it’s very important.

One thing I will say about the mural is that thematically, it’s a match to Still. So, in the golf club, we had lots of rich people who clearly hid there when the world first went bad. And I don’t remember this particularly, but several of my fellow theorists have told me they remember the TTD after Still and that the writers talked about how the golf club was a statement about the class system. You have these very rich people, but their wealth couldn’t save them. Death, walkers, the apocalypse…none of these things discriminate based on wealth or position.

On the wall, we see people with crowns standing at the top, but below, they are homeless, and one of them is being attacked and torn apart. Meanwhile, Daryl sees a line of text that says, “it comes for us all,” probably meaning death.

Well, guess what? Angela Kang, in talking about the murals, said that this, too, was a statement about the class system. So thematically, this is meant to be a parallel to Still.

It’s just interesting to contemplate because if you think about it, most of our heros—Rick, Daryl, the Greene family, etc—weren’t at all wealthy. Rick was humble and well-grounded. Hershel worked hard his whole life and never had any glory or fanfare. And then there’s Daryl, who was “nothing. No one.” They all survived.

So of course it’s a socioeconomic statement, but it’s also one about mindset. It takes not only grit to survive this world, but a certain amount of humility. Ego always gets you killed eventually, as it did with Gauge.

I’ll also mention that I thought the guy with the crown who was being torn apart was being set upon by walkers, but AK says they’re specifically not walkers. They’re people.

So, it’s not a coincidence that we see this juxtaposed with the Gauge situation. His ego gets him killed and we literally see him being torn apart because of it.

Moving on.

Daryl finds a bag with a $100 bill with a letter written on it. This is a massive TD clue from start to finish. 100 is an important number. The hundred dollar bill features Benjamin Franklin on the front and Independence Hall on the back. Look either of those up and you’ll find lots of fun parallels we could point to. I won’t go into all that today except to say it’s definitely part of the Revolution theme.

This is what’s written on the bill Daryl finds:

“Dear Dad, you always said if you don’t come back in a week to move on. Mom didn’t listen and went looking. It’s been three weeks, so we’re going next. I’ll watch Jesse and turn on the radio every day at 10. See you both soon. Love Tom and Jesse.”

He also finds a picture of two kids. So, the “three weeks” jumps out because of Rick’s line in 5x10, “it’s been three weeks since Atlanta.” It’s also about missing family members, going searching for them, etc. Possibly important that the mom is also missing. I can’t help but think of the song from Still. “Our mother has been absent, every since we founded Rome…”

There is a 10 in there, which is an important number. The turning the radio on every day is both the radio/airwaves theme (also a line from the song) but a callback to Rick and Morgan and their walkie talkies. So, really interesting symbols here.

The two kids immediately reminded me of Noah’s twin brothers. I don’t think these two are supposed to be twins. I’m assuming the brother is older. But still obviously siblings. And it hearkens back to the last episode Beth was technically in. Which also had a lot of the CRM/Revolution theme in it. (X, X).

AK says this family probably didn’t make it, so I’m not expecting these kids to show up in the narrative. But it’s also important to note that the little girl is carrying the toy rabbit Maggie found earlier. So the rabbit also ties into all this symbolism. (P.S. I didn’t get to my rabbit post last week. I planned on it, but time got away from me. I should get it posted later this week.)

So, this is massive in terms of TD symbolism. I’ll talk about it fits into the bigger narrative in a minute.

Then Daryl kills the sleeping bag walker. I wasn’t sure the significance of this at first, but I think it ties to the tents and sleeping bags we saw in Atlanta in 5x06, Consumed. Daryl and Carol passed them while looking for Beth. So, this just shows us that this is tied to her storyline and Daryl searching for her.

You could also argue that the walker was “hidden” at first, and it’s significant that Dog found it/realized it was there before Daryl did. 

The other thing is that as he’s looking at the sleeping bag walker, there’s a random shoe on the ground next to it. Missing Shoe/Foot theory, which is also indicative of Beth. 

They hear another roaring sound and Dog takes off, running into the dark tunnel.

Here’s the thing. I think most people will assume the roar he heard was just more air being forced through the tunnels by the storm, as Alden explained it in ep 1. But I always watch with the subtitles on and I noticed at this part, the subtitles said, “Man Roaring.” So they actually did hear someone screaming. And that’s probably why Dog ran toward it.

After watching it again, I realized it’s probably supposed to be Roy. He’s the white-haired guy, played by C. Thomas Howell, who Daryl finds wounded after he emerges from the Tunnel. I think whatever happened to him when he went topside but then got attacked by walkers is what Dog heard and went running toward.

Maybe not terribly significant in the plot, but it’s important symbolically. Because once again we have something Daryl hears from a distance but doesn’t see. Dog (a proxy for Beth) runs toward it, and Daryl follows. When he does, he find someone who had previously separated from the group. They’re hurt, but alive. See the parallels?

I will say the Roy situation confuses me just a little. He’s clearly hurt, and when Daryl tries to bandage him, he refuses, saying, “just tell my kids I didn’t die a coward.” But then later he’s with the group, all bandaged up, and seems to be okay. (He dies when they reach the Reapers by taking an arrow to the head, so he still dies overall.) But it’s just weird that it seemed he would die, then seemed he was fine again.

It may well be something that foreshadows a future situation, and that’s why it’s not making tons of sense right now. Only time will tell.

Anyway, I kind of glossed over Daryl crawling through the dark tunnel. I don’t have much else to say about it except that it’s a SUPER potent symbol for Beth’s arc and very important that he emerges on the other side and finds this person. Annnd then goes to save TF. (Dark Tunnel Symbolism).

So, he hears the gunshots and finds the train they’re on. He comes up behind the walkers attacking them from the front, kills them, moves the bench blocking the door, and lets everyone through. Then he uses a grenade to blow up all the walkers. (Ew.)

After that they all get out of the tunnels and go topside. The next scene is also super important. We see the stars above. That’s partly to show that the storm has passed now, but also constellations = Sirius.

Maggie asks what he has and he tells her about it. There is one weird moment in this scene. When she tells them about the supply depot she wants to stop at, she says Georgie (from S8) set it up for emergencies, for people on the outside to use. When it says this, the camera focuses on Daryl for a LONG moment, and he looks almost sad. I’m not sure what they’re trying to tell us there.

Anyway, they all head out. Unfortunately, when they reach the right neighborhood, the Reapers are there to meet/kill them. And Roy is the first to go.

So, a couple of things here. I’ll probably do a details post because I’m leaving out MOST of the background details throughout the episode, and there are a lot of them. Lots of details to be gleaned in this scene.

But the second time I watched it, I was struck by the people hanging upside down. Obviously a grim sight, but it occurred to me that these people hanging this way look a LOT like the deer diagrams from Scars. Let me show you some pictures:

Top pick is 11x02. Middle and bottom one are from Scars.

See what I mean? So, chances are something about Scars foreshadowed the Reapers, which is interesting. They clearly see human beings in a certain way (as animals to be strung up and…perhaps eaten?) And that makes me think that what Maggie found in that house may tie into the Reapers as well. Just kind of interesting foreshadows of coming plots.

Eugene:

Let’s talk Eugene and then I’ll shut up for today. Eugene’s stuff was very intriguing. First thing you need to know. And understand, I didn’t know this. @wdway​ pointed it out. Some months ago, the actress cast as “Stephanie” was announced. This is her:

And that’s clearly not the woman who steps into the train car at the end. Which means this isn’t really Stephanie. She’s a decoy. In fact, the actress from this episode is billed on IMDb as “woman 2,” not as “Stephanie.”

Knowing that, if you go back and re-watch the parts with Eugene’s group, they mean something very different.

On the surface, it seems that Zeke, Yumiko and Princess are taken away in a sinister fashion. Then Eugene melts down and tells his story. (Note: while he focuses on his feelings for Stephanie and I think most of that is true, he still says he lied both to her and to his friends about being from a large settlement. So, he’s still keeping large chunks of the truth from them.)

Again, on the surface it seems that they accept his explanation and just decide to allow them all in. All the stuff with the other three is just a misunderstanding.

But if “Stephanie” is a decoy, that can’t possibly be the case. I think Zeke and the others told Eugene the truth as they know it, but they’re all still being manipulated.

After Princess left to pee, the guy told Eugene no one was in the room and acted like he had no idea who Princess was. They were definitely using psychological torture on him, trying to break him.

I think they know very well that Eugene's group is still lying about their settlement, and they're using a decoy "Stephanie" to find out the truth.

My point is that it goes back to the hallucination, making-someone-think-they're-crazy theme. It will be really interesting to see how this unfolds, because there's all kinds of psychological shenanigans going on here.

@galadrieljones​ made a really interesting connection some time ago. She noticed that back in 10x18, at Leah’s cabin, there is a metal, heart-shaped chair. The same chairs show up in the Commonwealth’s sales video from the trailer. So there’s some kind of link between Leah, Daryl’s memory of her, and the Commonwealth. We don’t know what it is yet, but all of this gives credence to the idea that she is either an outright hallucination, or Daryl is just remembering things wrong.

It also might mean that the Reapers are connected to the Commonwealth in some way. We don’t really know yet, but I’m having tons of fun trying to figure it out.

I want to touch briefly on the train car theme. Once again, there’s a parallel in both story lines (Terminus, and this one at the Commonwealth). Daryl’s group is in train cars this episode. And while Eugene’s group has been at a different compound, they started in the train yard and end in it here. But what I noticed is that Eugene enters the train car at the end, which is furnished inside, and finds his friends there. They all have a happy reunion.

It made me think of the fact that when Rick, Daryl, Michonne, and Carl enter the train cars at Terminus, there is also a family reunion. What happened beyond that was not good or easy. Clearly, Terminus was not a good place. Many of them almost died at the trough and they had to fight their way out through a walker blood bath.

I’m just saying that, while it obviously won’t play out exactly the same way, something similar is probably waiting for Eugene’s group outside that train car. Not good.

Acheron Overall:

Okay, let’s get to the big cheese, here. The overall narrative. The template.

These two episodes are called Acheron part 1 and part 2. So here’s the skinny:

Acheron = Underworld. Daryl’s group going into the subway tunnels (dark, underground) is what constitutes Acheron and why the episodes are called that. That’s why, at the end of this episode, they emerge from the tunnels onto the surface (i.e. the living world).

Given all the death, cemetery, and dark tunnel symbolism around Beth, given that she ventured into the land of the dead by being shot, maybe clinically dying for a time, and being thought dead for so long, what this tells me is that everything that happens in these tunnels is a foreshadow and template for what will happen this season.

I maintain that Dog = Beth and we will soon see something where Daryl hears something (not necessarily her; it was a man screaming so I still think it will be Rick he hears word of) and goes chasing after it. While searching for it, he stumbles across Beth. Then the two of them (both Dog and Daryl returned to the train car) go back in time to save TF from something.

This is most likely why the Roy thing is weird. In a super understated way, he represents Rick in the template. Daryl will find him, but only after he finds Beth. Even consider what Roy says. He says, “tell my kids I didn’t die a coward.” And that’s all well and good, but did we even know Roy had kids? No. Have we met them? No. But who has kids that Daryl IS concerned with? That would be Rick.

So I’m thinking that maybe when Daryl finds Rick, Rick will think he’s dying for some reason, and that’s why the dialogue here. But he won’t, which is why we see Roy with the group later.

And no, I’m not thinking that Roy dying via the Reapers will extend to Rick. It’s more like what they’ve done with countless characters that have been Beth proxies. Eventually, they kill them off. He’s a minor character they were using as a proxy, and when they are done with him in the narrative, he becomes walker chow. Or, in this case, Reaper fodder.

Anyway, I think everything will end up being a foreshadow for something. Maggie and Negan. The Gauge situation. All of it. I’ll try to keep coming back to this as the story progresses to show what everything foreshadows. I’ll stop there for today.

[miraculouscontent]

“Truth”-related asks:

Anonymous said:

I just watched truth and man, we didn't need any of that... I'm so tired...

Anonymous said:

Me after reading that summary: We coulda had it aaaaaaaaaaallllllll, decent wri-itiiiiiiiiiiiiiiingggggg

Anonymous said:

oh. lukanette breakup. how surpri— oh wait, no it wasn't.

bunnybunblitz said:

Me, skimming your summary of truth: life is a nightmare life is a nightmare life is a nightmare abort abort

Anonymous said:

Truth was a living nightmare, and that's the truth!

*defeated sigh*

Anonymous said:

The way all that just make me start disliking Adrien so hard wow I have enough of him so hard can they get ride of him for one damn episode?

Anonymous said:

Wow! Writers got on completely new level. They somehow made people to be annoyed with Adrien, even without putting him in episode.

My meme image of “I’ve had enough of this dude,” about sums it up.

It’s almost impressive???

Anonymous said:

I have the impression that you should slowly gather materials for "Treatment of Marinette S4"

You know, when you’re right, you’re right.

Anonymous said:

Hey there... Got a lil rant, I hope you don't mind in sea of anons you're probably getting. I guess if show didn't treat Marinette as their favorite punching bag and lukanette as a thing to get over with to be back on love square bullshit I wouldn't be this salty. We all knew lukanette isn't a endgame, but we actually care about Luka ans Marinette as characters and as a couple, and we knew there was a break up brewing.

But I mlb writers for setting things up, canonizing them over provocative tweet and leave them to dust right at the beginning of s4. And, oh sweet irony as they kinda accidentally made Lukanette totally better than love square (let's be honest if they knew what they were doing we wouldn't get any breakup from narrative and character development standpoint),,, because their heroine for once is loved and appreciated but that's another discussion and they hate that for her. Also, thomas arstruck can suck my toe.

I don't know what's your opinion on soulmate and destiny thing, but I'm totally in opposite. I remember The Good Place (love the series btw!) quote about how soulmates are made with love and nurture of people and not some cosmic forces. And to see how show is pushing for Destiny ™️ I'm kinda disheartened. But I guess I never really liked love square execution in the first place when it turned out that Marinette is butt of the crush joke for 3 seasons and there's 0 development from that. Like Thomas, that's not funny running gag. Thanks for reading! Hope you're doing well!

Thank you for the rant, and I agree!

It’s so strange how all their attempts to push for the love square just push me more towards Lukanette. How do the writers do that???

Anonymous said:

Yeah that point where she exclaims Luka in shock just angered and confused me. She LITERALLY transformed because Luka was akumatized. And her being shocked is only there to get her under the truth spell.

This episode is held together by knots and strings at this point.

Anonymous said:

Wow, "Ladybug likes Chat Noir humor." Then why every time Chat Noir makes puns, Ladybug looks like she wanted to strangle him on spot.

Ladybug = us

At that point, they should’ve just said, “[The writers] like Chat Noir’s humor.” Like--writers, please don’t use Ladybug as a tool to simp for your sunshine boy, it looks really pathetic.

Anonymous said:

Based on the ellipses you used I'm guessing you're not a fan of Jagged talking about the "Guitar is my only family" song.

Oh, no actually... I mean, I do because it’s there to torment Luka, but the ellipses was because of the intentional pause in the episode. Jagged was looking sympathetic

Anonymous said:

Truth was awful, the only good thing we got out of it was a Lukanette date (yay :'D) and we got to know Luka's father (although we all been knew).

Honestly if we could find a way to edit it so Luka and Marinette properly kissed then we’d just chop it out of the episode and call it the only canon thing.

asexual-individual said:

So, given that "Truth" didn't introduce the protection charms, I'm going to take a wild guess that they're not introduced until after "Gang of Secrets", meaning that Marinette won't get any close friends that it's safe to tell her secret to.

I was legit so sure that it was a guardian benefit and now I’m just left confused/curious about what causes CharmBug. Like, what, do you get CharmBug by purifying your one thousandth akuma???

Anonymous said:

I am absolutely positive no one quality checks these episodes before they’re sent out. Ladybug getting caught off guard on Luka being Truth even though she knows he was akumatised, and the horribly upbeat music playing as Marinette lies in bed absolutely defeated is so bad there’s no way this was double checked before it was sent out to TV stations

At this point, I’m convinced that they don’t care and are jamming through episodes as fast as they possible can.

cobraonthecob said:

I'm willing to bet that the writers go through critical and salt blogs just to see what the fandom's thinking, and then they think we're serious and they sprint with whatever we say.

guys please reconsider and also lower your alcohol levels

Anonymous said:

It was awful in general, but why add the paternity thing in the break-up ep? It detracts from, well, everything else and makes obvious they are copypasting fan theories instead of thinking of plot points.

I really do think they knew that Luka being upset over Marinette’s secret wasn’t enough to akumatize him so he needed something else.

Anonymous said:

Let me get something straight: The episode was explicitly about Marinette going on dates with Luka and that they were together. Yet Juleka is once again part of the shipping squad with obligatory "Marinette is only weird because she's with Adrien"-theories, and she's totally cool with that?

Yup! :3

guys I just adore mob mentality, did you know.

guys--

Anonymous said:

Ok, but the fact that everyone considers Marinette’s crush on Adrien to be her big secret is stupidly unrealistic. They KNOW they’re all aware of it - the girl squad even figured it out by themselves before they were told and think it’s totally obvious (as long as you’re a girl cause guys are clueless about feelings right). As far as they’re concerned it’s not actually a secret so they SHOULD be spilling the things they think only they and Marinette know. I mean, I can think of dozens of possibilities for Tom and the rest of the girls already, but Alya?

We had a front row seat to the damning secret Alya knows from back in season 1, but I guess asking this show to acknowledge continuity is too much. Still, the episode could have been so much more interesting if Alya had said, “Marinette’s the one who really gave Adrien the scarf for his birthday, but he looked so happy thinking it was from his father that she couldn’t bear to tell him that Gabriel hadn’t actually gotten him anything.” (I suppose reminding people of that wouldn’t fit into the writers’ poor attempts to make Gabriel sympathetic though 🙄).

Lol, just imagine the entire battle being sidetracked by Luka being brought to tears by how selfless and sweet his girlfriend is while Shadow Moth is too distracted by how this will ruin his reputation to get him back on track.

JKHJDSKGFSG

YES.

ALL OF THIIIIIS.

THIS IS AMAZING.

Anonymous said:

Marinette deserves to tell Luka she's Ladybug and have some support on her side tbh, it's disgusting to see the writers breaking up clearly the only thing that brings her joy and peace currently

HONESTLY.

And judging from that one trailer, she IS going to tell someone her secret and it’ll probably be freaking Alya; you know, the girl who blabbed about her Adrien crush to Nino and is thus THE LEAST TRUTHWORTHY PERSON. (”bonus” if it’s before the amulets)

I’m having nightmares already about Alya distrusting Lila because Marinette is Ladybug and not because Alya believes in Marinette. DX

Anonymous said:

Now that it’s been confirmed (in the worst way possible) that Jagged Stone is in fact Luka’s (and possibly Juleka’s?) father, how would you handle the whole mixed family aspect considering Jagged and Anarka’s relationship, Jagged and Penny’s, Anarka and Penny’s, Jagged and Luka’s (and Juleka’s?), and Penny and Luka’s (and Juleka’s?)? Topics like mixed families and family relationships are something that needs to be handled sensibly and sensitively given how it hits home for a lot of real-world people. Since we obviously can’t trust the ML writers to handle such topics the way that they deserve to be, how would you go about it knowing what we know up to this point about each character on their own and how they interact with one another?

Luka and Juleka were “accidents,” but Anarka kept it a secret from Jagged since Jagged was already hyped up to go on his next tour and Anarka knew their relationship was crumbling (possibly he already dumped her as his guitarist and she was annoyed about it). Jagged eventually learns that he has kids and is hesitant towards the idea, but because of him doting on Marinette (who’s the same age as his kids), he opens up to the idea.

Anarka and Jagged in present are mixed between tolerating each other for the sake of their kids and being chaotic best friends. The bad blood died out a while ago and there’s occasional tension but because Anarka is a single woman not interested in Jagged and Jagged is single with a possible thing for Penny, they make it work

Anarka and Penny have an awkward relationship. Penny wants to schedule time for Jagged to hang with Luka and Juleka and Anarka is confused at the very concept of a schedule, like just take them whenever okay??? isn’t it easier that way??? and Penny is like, “...oh, I guess so?”

Jagged and Penny, it depends on if they’re in any sort of relationship. If they’re in a relationship, Penny is either open to the idea of him learning to be good with kids if she’ll eventually want kids with him, or mixed because these are another woman’s kids and it’s really awkward. If they’re not in a relationship, then Penny could also be mixed since she’s crushing on him but I could also see her either finding it sweet that Jagged wants to hang out with his kids or finding it a hassle to schedule them in.

Jagged and Luka is rough. Luka has so many conflicting feelings on his idol ending up being his father. Jagged will probably even comment on Luka’s shirt + necklace and all of Luka’s merch in an attempt to bond but that kind of comes off desperate/awkward and Luka’s not about that life. I could also see Luka taking all the stuff down and swapping out his shirt, but being hesitant to remove the necklace because it’s a gift from Marinette. He might try to wash off the signature. He knows it’s not Jagged’s fault exactly but Anarka seemed to have bad blood with him and even if they get along now, Luka’s bitter. Jagged meanwhile wants to connect with Luka because hey musician energy!! but is gonna mess up a lot and say a lot of awkward things. Marinette will probably have to be a middle man between the two because it’s easier for them to talk with her around.

Jagged and Juleka don’t have a significant relationship at first. Juleka never care who her father was and she wasn’t crazy about Jagged Stone like Luka was. Jagged does try to connect with her but they clash majorly due to Jagged being so “loud” and Juleka being so quiet. Jagged will see it as a huge accomplishment the day where Juleka says something coherent (i.e: not a mumble) to him.

Yeah though, keep in mind for all of this that I’m not a family relationship kinda girl, so this isn’t my forte (I’m probably the most sympathetic to Jagged out of the whole fandom; not to say I agree with his actions but I have a history of hating babies and children, so not cool of him if he ditched Anarka but like, I get it, doesn’t make him better but I get it from a non-realistic standpoint of “ew, parenting”).

Anonymous said:

You know what? Imma gonna ignore canon for a bit more than I’ve been doing. The only thing I take away from “Truth” is that Marinette loves Luka and Tikki looks adorable in hats. That’s it have a good Saturday! 💙💙💙💙💙💙💙💙

Anonymous said:

If there’s one small detail that I thought was genuinely cute this episode, it’s Tikki posing in the mirror with her little hat collection.

Ahaha, those are good takeaways!

And yes, Tikki looked good in hats, but at what cost. (guys, where’s our jealous Tikki episode where Tikki is jealous of the attention Marinette has to give the other kwami wait no they’d just make it Marinette’s fault go back go ba--)

Anonymous asked:

Am I the only on squicked out by how Adrien acts all noble and claims he would never force Ladybug to tell him anything, but when it becomes apparent that he has to ask her a question before the akuma can he goes all ‘what are your three favorite things about me?’ :3c I mean, he had decent amount of time to think up a bunch of innocent questions that couldn’t hurt her in any way like ‘what is your favorite color?’ or ‘do you like cookies?’ or even ‘what’s the capitol of France?’ But instead he basically demands she compliment him. Coming from a guy who spent most of the last two seasons refusing to take ‘no’ for an answer that’s a bit… icky.

THIS

He could’ve phrased it in any way and he used it to get compliments from her. :|

At least Ladybug asked a legitimate question about how he felt about her guardian status.

Anonymous said:

I had this idea for an episode: Luka finds out that Marinette is LB because he is in danger. Let's say he gets yeeted off a building by an akuma and Marinette (in her civilian form) jumps after him, transforms while Luka sees it (he's shook, obviously), she grabs him and saves him from falling. I think that would be pretty epic, do you think you could write a one-shot based on that idea if you feel like that? I would forever be thankful. Have a nice day!

I like the idea, though I feel like that’s been done a lot before in identity reveal fanfics.

Anonymous said:

You know, despite them all getting interrupted, I thought the attempts at Lukanette dates was really cute. Luka picking up Marinette from school, the two trying to see who is the biggest jagged fan, getting ice cream at Andre's, it's really cute! I only wish Hawkmoth and the writers weren't such dickheads.

It’s so adorable!

Like--show, you aren’t doing a good job at getting me off the Lukanette train.

Anonymous said:

Are you sure the Lukanette breakup wasn't Marinette's fault? I mean, the episode frames it like she's refusing to tell the truth, even if it's for a good reason.

I’m not sure when I said that the episode didn’t frame it as her fault?

Things are ALWAYS Marinette’s fault, it’s literally a rule of the show.

Anonymous said:

You know the truth episode actually gives more reasons for lukanette in my opinion based of its description you said. Luka is ridiculously understanding and also almost manages to fight off hawk moth as well as taking probably a week at least for him to get to that and yet he, while he’s upset, still tries to be there for marinette. Also makes the relationships she has with her friends and family worse if the secret they think she has is that she likes adrien while dating Luka.

YES!!

And oh my gosh, I feel the friends and family comment so badly. Just throwing it out there, maybe you guys don’t actually support her???

Anonymous said:

How do you feel about Luka having no negative reaction to this whole "Marinette loves Adrien" thing? I understand that he isn't exactly the jealous type, but still, it seems weird to me that he just accepts it while Marinette is dating him. I love Luka a lot, but in this situation his reaction was just so unrealistic...

Honestly, I find it really interesting. Plus, it’s Truth who’s being told those things, not Luka, and Truth has other priorities.

And--I mean, I’m positive that Luka got into the relationship knowing that Marinette wasn’t completely over Adrien. She wanted to see if they’d work and he wanted to date her. It’s both of them being a little selfish in a way and I like that.

That’s why I think he doesn’t have a big reaction to the Adrien call. He seems amused more than anything, and Luka is empathetic also so he knows not to take Marinette’s stammering/mistakes to heart because she doesn’t mean them. We already had evidence of that in “Desperada.”

writingamongther0ses said:

Even if Lukanette had stayed together, I have a feeling Alya would complain that it's not Adrien...which could lead to a character growth opportunity for her when her complaining leads to Luka getting hurt when he overhears and becomes an akuma. But that's too interesting.

Interesting character relationships??? In THIS show???

never

Anonymous said:

After watching Truth the only thing I can feel at the moment is bitter. Not angry, not sad, not disappointed. Just bitter.

Bitter’s a good way of putting it, yeah. *sigh*

Anonymous said:

The fact that the second episode released managed to get a bingo really says a lot about how predictable the show's garbage fire writing.

I KNOW, RIGHT??

I knew the Lukanette episode would be a big card filler but DAMN.

Anonymous said:

I hated all of Truth, but perhaps the worst part was how hard they tried to remind you that, no matter how much of a good time Marinette and Luka have together, it's Adrien who Marinette will end up with in the end. From Alya rudely insinuating "girl, you're acting stupid, is Adrien at your house?", to Luka receiving a PICTURE of Adrien from a kwami, to Marinette talking on the phone with Luka while her Adrien pictures are in the background, to Marinette CALLING LUKA ADRIEN, to Truth demanding that people tell him Marinette's secret, only for them ALL to say "She's in love with Adrien Agreste.".

It's absolutely anger-inducing because it tries too hard to let the audience know to forget about Luka because Adrien is lurking in the corner and he and Marinette are endgame. The fans are right, Luka IS a second choice, but not in the way they think. Luka's a second choice, not for Marinette, but for the Miraculous Ladybug world. for the WRITERS!!!

But what bothers me the most is that everyone saying that Marinette loves Adrien is accepted as truth even when Marinette herself says she's over Adrien. Her words are ignored, how she feels is ignored, because everyone else(including the girl squad, when they're supposed to be her "friends") tells her that she's supposed to be in love with Adrien, and so she "has" to go along with it because ENDGAME. It's the show saying "stupid naive Marinette, you're too immature and dumb to know how you really feel, let someone else do the thinking for you!"

Meanwhile Adrien moving on with Kagami is accepted even when he still flirts with Ladybug(and forces her to build up his ego when he asks her what she admires most about him; I know it was a spur of the moment thing, but meta-wise, it was obvious love square pushing.), because "he's trying to respect her feelings and date someone else!" It's one of the main gripes I have with the show: that teenage girls are too emotional and confused to know what they really want, but teenage boys are mature and rational enough to make up their minds about who they love without holding any animosity towards anyone.

The all-white, all-male writing team pushes the Chinese girl's feelings aside and forces her to hide and erase them if they're not want they want her to feel, while the white boy gets congratulated with a pat on the back for doing the bare minimum and always, ALWAYS, takes the moral high ground(even in superhero form when he's supposedly goofy.). When she's the lead.

"Luka's a second choice, not for Marinette, but for the Miraculous Ladybug world. for the WRITERS!!!“

LOUDER FOR THE PEOPLE IN THE BACK

It’s just tiring. It’s not even me being sick of the love square, but it being forced into everything when it’s not even relevant. The episode strategically throws more and more of Marinette’s Adrien crush (I did the math, I know this) into the mix and it provides nothing but the same tired jokes. Heck, they keep leaning on the lucky charm Marinette let him borrow (not GAVE, let him BORROW) back in Season 1 because they basically have nothing else to go off of.

[lovecolibri]

Things that did NOT Spark Joy-4x02

While I might have had fun WATCHING the episode (which you can read about here), the storylines are...a bit of a mess as always. So lets talk about the things that DON’T spark joy.

That opening monologue sure was...something. Like this show can be overdramatic at the best of times but that was...A Lot.

We literally already did the “oh no I can’t tell my significant other about being an alien” story with Isobel when she was with Noah and I am...so tired of this already, especially having her say she loves Anatsa and then mind whammy her?! I feel like if Isobel had grown as much as we’re supposed to believe she has and as much as we have SEEN leading up to this season, and if she REALLY loves her, why wouldn’t she do the unselfish thing and break up with Anatsa rather than mess with her mind? Why wouldn’t she bare a little suffering herself to keep someone she cared about safe? I love Isobel and I enjoy her and Anatsa together when they’re just being themselves but putting her with someone who had slept with Max was already SUCH a weird choice and now dragging this out instead of leaning into all the real and valid reasons Isobel might not want to be with/have an alien soulmate in Kyle? Allowing them to have a big buildup into an epic love story of their own like Echo and Malex would be so much more satisfying instead of regressing her to keep this relationship around and then cram her and Kyle together at the end of the series. 

Speaking of Anatsa, I want to like her I do but whooo boy is the “intrepid reporter” thing getting old already. Please, Kyle does NOT need this on top of everything else. Just let the man dissect a body for a few hours in peace! (But also why hasn’t it been done in the past 6 months? Probably because they realized they killed Jones too soon and it’s a little hard to bring him back AFTER the dissection.)

Also speaking of Anatsa, what was that run in with Max?! I want to like Max and when he’s being soft and sweet with Liz he’s at his best but good god do the writers want him to be this “macho tough guy” leading man full of anger and that ALWAYS puts him at his worst. Do better. But also the show refusing to acknowledge at all that they had her and Max sleep together and then putting her in an at least 6 month long relationship with Max’s sister is just...weird. Like it’s weird that it was never talked about and now it’s just been going on for so long and no one has talked about it and it’s WEIRD. This show makes the dumbest choices and then just refuses to address them and it’s endlessly frustrating. 

I am....very tired of the cyclical argument that Echo always seem to be having about basically the same thing and especially now that it seems to be leading to them settling down in Roswell. That arc should absolutely end with them buying a travel trailer and living on the road with Max writing his books and Liz doing her science and them seeing the whole earth together because that’s what they’ve BOTH always wanted. At least Max wasn’t a dick about her needing more time but also like, it’s been SO long, and we are all so tired. 

As much fun as Science Bros is, did anyone else find it weird that the locust had wings that literally shimmered like the alien glass and NO ONE MENTIONED IT?! Liz literally said she just did tests and there was nothing alien in the rain but like, how she saw that and didn’t go “oh shit, these bitches look like alien glass!” is beyond me, but neither her or Michael saying anything at all, OR Alex not calling Michael when he saw them with their glowing wings and glowing insides splatting on his window makes zero sense. Also 10/10 more suspenseful if Alex gets taken while on the phone with Michael, giving him an actual reason to get it with the other aliens like he’s supposed to do.  

WHY ARE WE CALLING ALEX “MANES”ALL OF A SUDDEN AND HOW TO WE MAKE IT STOP FOREVER?!?! *aggressively shakes hairbrush*

Also this show for REAL needs to use their other sets instead of always having everyone hang out in the Pony to discuss important alien business in public, or I guess hang out when it’s closed? Like, you all are adults with your own houses! There are like, 5 bunkers amongst the group! Apparently everyone is driving up the the mountains to get to Deep Sky multiple times a day in zero time flat, and them not knowing about aliens hasn’t stopped the whole group from keeping all their research there, so why not have meetings there too? 

Anyone else think Malex have a weird distance between them, physically? Like, what is with the foot of space between their bodies at all times and not being allowed to do anything but touch shoulders and forearms and having to give little pecks while keeping their bodies separated? Remember that grab and whispering in each others ears at the reunion and That Reunion Kiss? Remember 1x02 and that burning passion and 1x03 and that infinitely gentle tenderness? Vlamburn are giving it their all but the staging for their scenes has a weird vibe. Just let them be horny on main for each other like they used to be! Especially now that they get to be soft and in love!

Anyone else not really care about the new aliens? Like, the show is almost over, IDGAF, where is ROSA, where is ALEX, why am I not seeing more of our actual main characters? And there’s 3 of them, plus the new billionaire lady and her wife that I expect we’ll be seeing soon (I did not write down names and I’m not going to look it up now because this post is...so late), plus Anatsa and now Kyle’s new fling, like good god! You couldn’t even handle the characters you ALREADY had and we haven’t even SEEN Rosa yet and no mention of Heath, barely a word about Greg, no Flint, we’ll probably never meet the rest of Alex’s family, like whyyy?

Also, I’m sooo sick of Clyde and his self-righteous “we’re better than everyone on earth” condemnation. Like, this might work if it was NY or something but NM is one of the poorest states and Chavez County is ranked like, 21st out of 33 counties for income. You’re not making the point you think you are about “extreme excess”, especially not in a tourist town struggling to survive. 

I have a lot to bitch about with regards to Alex and what’s going on so buckle up!

The weather balloons he’s tracking were literally giving them weather data based on location. So they HAD to have GPS tracking on them, right? Even if that was fried by the electrical storm, they would have their last known locations. 

Deep Sky supposedly doesn’t know about aliens which is weird since they’re all doing and KEEPING all their alien research there including Jones’ body, instead of one of their 75 personal bunkers they have in all of their homes and across town, HOWEVER Deep Sky DOES know about the weather balloon project because they don’t have to tell them specifically about alien related stuff they are doing with the research coming out of that project. All this to say, couldn’t some DS interns go round up the downed balloons? Or at least have a couple go with Alex to make it take less time? Even though they should know where they all are? Make it make sense!

We already DID a kidnapped Alex plot with the dumbest circumstances and the dumbest ending so like, I’m hoping this will be better but I’m not holding my breath, and also why do the other one if you were going to do it again and better later? Why have the same set up of Alex “going away” and no one noticing he’s missing AGAIN so the writers can ignore him for a few weeks instead of actually putting in the work to write about people knowing and caring about Alex when he’s not standing in front of them, doing something for them? Imagine how tired we all are. Imagine. 

QUICKSAND. Really, that’s what we’re going with? I can’t. Hopefully they have him in a pod and HE can get some alien powers out of this mess and maybe catch up on some sleep. 

Overall I had fun watching this episode but as always there are far more questions and questions about choices being made, than there are answers. Plus knowing Alex will likely be MIA for the next 2 episodes and we have a week without an episode so it will be a month before we see him again, and knowing who episodes 3 and 4 will likely focus on, I’m trying to find as much joy in this episode to tide me over what is to come. 

Link to previous episode posts: 4x01

[seerofmike]

The Writing In Apex Kinda Sucks And Also They Use Ship Bait As A Plot Device I Hate It Here

a stupid essay/rant encouraged by @zombiegloss that originally started as a youtube video script so if its like. weird at points. this was intended to be a verbal rant SNZISKSIA

basically i'm gonna talk abt the caustic-wattson-crypto relationship drama and how i think it was mishandled and how much the writers kind of Suck because i Can

you are free to disagree with me on any of my points and think that this aspect of the story was handled well, this is just my opinion, and i'd love to hear your thoughts and counterpoints !

first, addressing some things:

i know this is a battle royale and not necessarily a story-based game, so i can’t expect it to have masterful witcher-style writing.

but with the direction the game seems to be going; putting quests, evolving interactions, and comics in the game, plus coming out with a lore book and hinting at something bigger in the future, i think it’s fair to criticize it for lackluster writing, especially since what i’m criticizing has been something present since Apex’s story technically began.

secondly, i am not a professional writer. i’m a high schooler who writes as a hobby. i don’t have the decades of experience that some of the apex writers do, and i can’t claim to be a better writer than they are--but i also don’t have to be a five-star chef to realize that something tastes bad. when i critique something and give suggestions, i am not saying i could’ve done it better. i’m just bringing up what i think could have worked.

third, before i upset anyone , when i say a relationship is badly written, i’m not telling you that you can’t ship it or that your ship sucks. i’ll briefly touch on the shipping aspect of this and how it’s a detriment to the story but Ye

okay, so with that out of the way, let us Begin

relationships are often the emotional core of a story, and how strong your reaction is to conflict in these relationships depends on how the story sets them up. if you want the audience to care about these characters and what they go through, you need to develop them and establish the type of relationship they have well. it’s why so many people cried in the last episode of telltale’s the walking dead. you’ve spent roughly 12 hours bonding with clementine and protecting her, and your relationship with her is part of several story beats as well as character beats for lee. 

when these two characters’ relationship reaches its peak at the end of the game, it’s powerful, and it’s emotional. you care. you feel something, and the fact that you have to choose what to do to lee only makes it more gut-wrenching. 

now, the walking dead is entirely story-based and especially character-driven, so it may be unfair to compare it to apex, but i just wanted to lay the groundwork down for what i think is a strong relationship that makes you feel something when conflict arrives, in this case the conflict being lee getting bit and clementine having to decide his fate.

the broken ghost in general is kind of not-good sometimes, tom casiello previously wrote for soap operas and you can really, REALLY tell sometimes.

this story feels like it should’ve taken place a little later, and that we should’ve had a season to actually set up the characters and their relationships, but that’s a story for another day.

to put it bluntly, the set-up for the crypto, wattson, and caustic conflict is done poorly. for caustic and wattson's relationship it’s a little better, but not by much. 

wattson and caustic having a relationship was hinted at in season 2, when her lore indicated that caustic was among one of the Legends who comforted her after her father died. In season four lore materials posted on Twitter, an email from Jacob Young states that Caustic is acting paternal towards Wattson. In season five, interactions get added to the Game, and this is the first time we actually see their relationship in action, as they have unique revive voice lines for each other. in the quests, when wattson is injured, caustic lashes out at loba and attacks her out of what seems to be anger at wattson’s current state.

Side Note this plot point was really stupid and done for cheap drama because she literally wakes up like two chapters later and they don’t even give her anything to say it’s just suddenly oh yeah crypto and wattson are working together. the same exact injury thing happens to octane later but nobody gIVES A SHIT because again, it’s just cheap soap opera drama.

their relationship might seem a little bit sudden for anyone who wasn’t on top of twitter lore drops, but like, it’s okay, i guess. i’ll give it the slightest credit for at least establishing something between the two in terms of voice lines and stuff, even if for some it might seem like it came out of nowhere.

what did come out of nowhere, though, was crypto and wattson’s friendship. in the quests, crypto and wattson are tasked with rebuilding the broken ghost because of their respective skills, and they’re seen talking in chapter six while they work on it. we’re not really given a clear timeline on how long the story in the broken ghost is, but i think it takes about a week, maybe.

unlike wattson and caustic, their relationship has been given absolutely zero material to work with before now, not even a passing glance in the trailers--which is a little weird considering crypto took down the repulsor tower and destroyed wattson’s home, but. Whatever.

tl dr of the chapter: crypto and wattson talk to each other while doing nerd shit, crypto laughs at wattson’s bad pun, and then suddenly they’re BESTIEEEES, until a couple dozen lines later in the same chapter. then they’re Not.

crypto’s drone gets hacked by revenant while everyone was kind of on edge after the reveal of a spy in their midst, he gets framed as the spy by caustic, anddddd wattson gets upset.

before i get into how dumb this storyline is, i’m gonna talk about the set-up to this conflict.

we have been given no reason to believe that these characters have ever talked to each other, and quite frankly, their friendship doesn’t really make sense.

ignoring the fact that crypto destroyed wattson’s home--which she probably doesn’t know about, so that’s forgiven for now--crypto is a paranoid guy. in the lore book he makes people stand on fucking footprints in his house so he can scan them for weapons and listening devices, and he apparently doesn’t stick around much after the games and nobody knows anything about him because he doesn’t talk to them.

a key part of crypto’s story is the fact that he is undercover and afraid of anyone finding out anything about him ever. him becoming friends with wattson kind of comes out of the blue, and we’re not even given a reason as to why they supposedly became close in the first place. i would kind of understand if like, maybe he draws parallels with her and mila in his mind and it makes him open up a little more, but that doesn’t happen. he just laughs at her joke and suddenly they’re friends.

maybe they’re trying to go for this ‘wattson can become friends with anybody’ angle, kind of hinted at with caustic but not really we’ll get into that, but that also? kind of doesn’t make sense since so many of her voice lines straight-up say she doesn’t understand people and electricity is more her thing, but honestly, she also does have those really friendly elements in her voice lines too, so its not as egregious as what they did with crypto.

their sudden out-of-the-blue friendship would’ve been fine if they spent a little more time fleshing it out, and giving us something to work with, but instead, the story immediately tries to rip it apart and frame it as this grand conflict where crypto is framed as the mole, crypto then accuses caustic, and wattson feels betrayed.

except it doesn’t really work, because we don’t give a shit. for several reasons. 

one: crypto and wattson became friends and then ended their friendship in the same exact chapter. they did not speak to each other onscreen until this chapter began, you can read the entire quest on the wiki and see for yourself that their interactions up until that point were nonexistent aside from mentions in the narration that they were building something together.

the reason wattson feels betrayed is kind of stupid too. why does she really care that much if one of them betrayed loba? nobody else really cared about the fact that one of them was a spy, in fact, nobody even seems to like loba that much, and they just found out that loba’s been lying to them this whole time, and wattson was conscious for that conversation and had a speaking line, so she’s fully aware of the situation. 

maybe it’s just like, the idea that one of them lied, but that’s still kind of a weak reason. 

this entire betrayal thing is just dumb, and it gets even worse when you realize that there could have been an actual legitimate reason for wattson to feel betrayed by crypto--even if it still would’ve come across as weak conflict because of their newly established friendship, it would’ve made more sense than this. 

Crypto destroyed Wattson’s home. He took down the tower and then all the flyers and stuff invaded Kings Canyon and made it their bitch. Not only that, but Wattson considers the Syndicate her family. The Syndicate are the very people who framed Crypto for murder and he’s trying to take them down. 

They could’ve set up actual conflict with these things, and it almost seemed like they would, because Caustic briefly brings up that Crypto could be working with Revenant because he has something against the Syndicate but then that doesn’t really go anywhere and we’re just back to Wattson feeling betrayed because either Crypto or Caustic was a spy and she doesn’t know who.

Weak conflict could’ve been made better by a strong relationship and a weak relationship could’ve still been interesting with strong conflict, but both the relationship between Crypto and Wattson and the conflict that drives them splitting up as friends were really weak and didn’t make much sense. 

It would’ve been ten times more interesting if Wattson found out Crypto ruined her home, the arena she grew up in, and was now participating in the Games to take out the people she regards as her family. That’s where her distrust could’ve manifested and conflict could’ve began, but instead it was the stupid betraying loba thing. why do you care. you just started talking to this guy like 2 hours ago.

also caustic’s whole reason for framing crypto feels stupid as fuck. he didn’t just frame crypto randomly, he framed him specifically because he doesn't want him to influence wattsob because he likes her Big Brain, but this is the FIRST time we have seen those two interact. 

what influence is he talking about? wraith and wattson have been shown to be friendly with each other in the trailers, according to tom’s tweets, and in the story too so why doesn’t he frame her? at this point the audience had slightly more build-up for those two’s relationship than crypto and wattson and a betrayal storyline would’ve felt a little more deserved if still weak.

this is the point where i briefly want to touch upon shipping, and the fact that part of this conflict feels driven by shipbait. 

aside from their relationship coming out of nowhere and the writers trying to make the stakes seem high and deeply emotional to the characters involved (despite this essentially being the first time they’ve ever interacted) tom casiello literally addresses shippers in a tweet regarding chapter seven, and as the story between these characters progresses, it becomes clear to me, at least that the crypto-wattson thing is just bait for shippers, and it’s lazy. 

it’s easy to get away with giving your characters little to no relationship development if you’re just counting on shippers to do the heavy mental lifting for you

why should i put any effort into making this relationship seem believable? people are going to see a young guy and a young girl having bare minimum interaction and assume there’s romantic interest! then i don’t have to do any work, see look, it’s a ready-made relationship wrapped in a bow for me! all that’s left for me to do is give them conflict so i can keep teasing shippers with lines like ‘you never deserved her’!

i think it’s reasonable for me to suspect shipbait, since tom casiello likes doing darksparks shipbait on twitter, and i’m like, eighty percent sure mirage and bloodhound suddenly being childhood friends in the book is shipbait too, because these characters were the number one ship in apex for a long time despite little to no interaction, and then all of a sudden in the lore book they’re childhood friends despite this literally never being mentioned before?

like bloodhound is set up to be mysterious and nobody knows what they look like, or where they’re from, or who their family is--except for mirage Apparently, who played with them when he was a kid on their home planet, and has seen them with their mask off, because bloodhound did not wear a mask when their parents were still alive.

its weird.

i’m pretty sure they’ve said somewhere they were working on this book before apex even came out, so i could just be completely wrong and they always planned for mirage and bloodhound to know each other, but if that’s the case, why did they never mention it like they did octane and lifeline?

i refuse to believe MIRAGE never brought it up either like ‘heeeeyy bloodhound remember when we used to throw eggs at our parents lab haha wanna go do to that to bangalore’s room’ 

[silence]

‘good talk buddy’

ANYWAYS I GOT OFF TOPIC. POINT IS, shipping is a detriment to the story because the writers don’t feel like they actually have to put any work into establishing or developing the relationship between characters when they know the community’s just going to do it for them anyways, and that they can put in shipbait and it’s fine and it makes sense when it really doesn’t.

imagine watching captain america civil war after not seeing a single other marvel movie.

why would you care about the avengers splitting up or tony and steve butting heads or steve’s commitment to bucky? you wouldn’t care, at least not as much as someone who’s seen all the movies and knows the relationship between the characters and why the sokovia accords exist in the first place. you don’t have context and you don’t have any reason to be emotionally invested in these characters’ relationship.

 this feels like that. the writers tried to squeeze this relationship and stuff into a single chapter and we don’t fucking care unless we were already invested in the idea of their relationship (shippers) because we barely spent any time with it.

so to summarize this little section, the set-up of this storyline Kinda Sucks! crypto and wattson barely seem to know each other, because we the audience barely saw them together and the writers are relying on shipbait in place of a relationship.

wattson and caustic are a little better but not great, but the conflict is stupid and it only gets stupider.

moving onto summarizing the rest of the broken ghost, gibraltar and caustic talk, caustic LITERALLY confesses to being the mole and says he framed crypto so he couldn’t corrupt wattson and to appear innocent because his identity was suspected, then that wraps up the season storyline.

season six begins with new voice lines, where wattson has had enough of crypto and caustic’s shit and is all passive-aggressive and going ‘this doesn’t change anything’. she has to decide who to trust, and how to figure out The Truth for herself because she’s not a little girl anymore. crypto and caustic are both trying to convince her they’re innocent and it creates some interesting conflict.

just kidding. it’s terrible conflict. you want to know why?

BECAUSE GIBRALTAR TRIED TO TELL HER THE TRUTH, RIGHT AFTER THE SEASON 5 QUEST HAPPENED, AND SHE LITERALLY REFUSED TO HEAR IT.

LIKE THERE’S A SEASON 6 LOADING SCREEN WHERE HE’S TELLING EVERYONE THE TRUTH ABOUT WHAT HAPPENED, AND WHEN HE GETS TO WATTSON AND IS LIKE HEY I KNOW WHO THE MOLE WAS AND WHY THEY DID IT, SHE JUST GOES i dont wanna hear it. i need to think

IF YOU WANT THE TRUTH WHY ARE YOU REFUSING TO HEAR IT

SHE SPENDS ALMOST TWO ENTIRE SEASONS MAD AT CRYPTO FOR SOMETHING HE DIDN’T DO BECAUSE SHE TOLD GIBRALTAR TO FUCK OFF WHEN HE TRIED TO TELL HER WHAT HAPPENED

ITS SO DUMB

i think it was towards the end of season 6 or the beginning of season 7 where apex posted this picture of wattson asleep at her desk where she has a letter from gibraltar on it that looks like it tells her the truth, so she knows now, she knows what happened, but NOW her issue is the fact that she doesn’t know anything about crypto.

WHAT THE FUCK. WHAT IS YOUR GODDAMN DAMAGE. YOU DON’T KNOW SHIT ABOUT BLOODHOUND EITHER ARE YOU THIS UPSET WITH BLOODHOUND TOO?? HAVE YOU EVER TALKED TO PATHFINDER. DO YOU HATE PATHFINDER TOO

oh but she was friends with crypto and now she’s mad that he lied to her EXCEPT THEIR RELATIONSHIP WASN’T BUILT UP WELL SO IT JUST FEELS STUPID. THEY SPENT LONGER BEING NOT-FRIENDS THAN THEY SPENT BEING FRIENDS. THEY BECAME FRIENDS IN ONE CHAPTER AND THEN IMMEDIATELY AT THE END OF THAT CHAPTER THEIR FRIENDSHIP ENDED AND THEN WATTSON SPENT LIKE 2 SEASONS MAD AT HIM FOR SOMETHING HE DIDN’T DO . 

AND THE WRITERS TRIED TO RECTIFY THIS BY SAYING OH SHE’S NOT MAD ABOUT THE TRAITOR THING SHE’S MAD BECAUSE SHE DOESN’T KNOW ANYTHING ABOUT HIM AND IT’S LIKE WHY THE FUCK DID YOU NOT MAKE THAT CLEAR WHY DOES SHE SAY ‘IT DOESN’T CHANGE WHAT YOU DID’ IN HER VOICE LINES WHY DOES SHE CALL HIM A TRAITOR IF HER CONFLICT WAS HER NOT KNOWING MUCH ABOUT HIM . WHAT DID HE DO. 

HE JUST STOOD THERE AND LAUGHED AT HER JOKE AND THEN HE GOT FRAMED AND THEN THAT WAS THE END OF THE CHAPTER AND NOW SHES SUDDENLY LIKE IM ACTUALLY MAD BECAUSE YOURE A LIAR AND I CANT TRUST YOU EVEN THOUGH I NOW KNOW YOU WERE FRAMED I STILL DO NOT LIKE YOU AND HES LIKE YEAH THATS MY FAULT

The Caustic voicelines are stupid too, again his reason for framing Crypto was stupid and a lot of his voicelines just seem to be that shipbait thing again but like from the angle of overprotective dad who doesn’t like the new boyfriend. it’s stupid but not as egeregious as this next part which is

crypto telling wattson his identity.

CRYPTO was framed for MURDER and is paranoid and can’t trust anyone and doesn’t talk to anyone and the last time he did talk to someone he got framed for Another thing and the person he was talking to turned her back on him and actively refused to know the truth for like 2 seasons and then he went This Is Fine I Can Tell Her My Identity

the stupidest update to this storyline was crypto telling wattson the truth

why did they do it on the dropship where there are presumably syndicate members and other legends around.

why didn’t he scan wattson for listening devices like he did for pathfinder in the book.

why is he telling her his identity when he knows she has very close ties to the people that FRAMED HIM for MURDER. Does he trust her that much? WHY? They spoke to each other in a chapter and then spent two seasons not talking to each other beyond passive-aggressive BS. why are you so fucking stupid taejoon

their relationship was so poorly set-up that even if the writers maybe intended for them to come across as close friends who had spent weeks bonding, it really feels like they became friends in a single conversation, had a falling out, and now crypto suddenly trusts her with his identity after an undetermined amount of time because he wants to be friends again. 

that does not make SENSE this conflict feels contrived AS FUCK and the resolution feels even worse and unearned UGGGHHHH

it honestly comes across as crypto feeling desperate for friendship, and maybe this would’ve worked better if that’s the angle they played it as.

he’s been alone for roughly two years, and just wants a friend, and he’s honestly so lonely he just breaks down to the first person who’s really talked to him. it could’ve been an interesting little part of his character, and they could've gone into depth about how much this situation has affected him, but that’s not what they’re doing. he’s still paranoid and anxious and doesn’t trust anyone, except for wattson, because the plot needs him to or else there won’t be any stupid soap opera drama.

and to rub salt in the wound, wattson’s new voice lines with caustic have him telling her that she forgave crypto.

WHAT ARE YOU FORGIVING HIM FOR. ARE YOU FORGIVING HIM FOR BEING FRAMED? WHY DID HE HAVE TO APOLOGIZE TO YOU WHEN YOU WERE THE ONE WHO REFUSED TO HEAR THE TRUTH?

 did the conversation just go hey my real name is taejoon park and something bad happened to me and she went aight i forgive you WHAT ARE YOU TALKING ABOUT

Caustic’s new voice lines to Crypto where he’s like ‘what did you tell her’--YOU TOLD GIBRALTAR STRAIGHT-UP YOUR EVIL MASTER PLAN LIKE A SUPERVILLAIN AND NOW YOU’RE SURPRISED WATTSON AND CRYPTO ARE ON GOOD TERMS NOW?!

THAT’S LIKE TELLING SOMEONE YOUR SOCIAL SECURITY NUMBER AND THEN BEING SURPRISED WHEN YOU BECOME THE VICTIM OF IDENTITY FRAUD. YOU SET YOURSELF UP FOR THIS WHY ARE YOU ACTING LIKE CRYPTO DID SOMETHING SINISTER OR LIED OR WHATEVER. WHAT THE FUCK. WHY DO YOU HAVE LIKE 3 BRAINCELLS

this is at like ten pages already so i’m going to just try and wrap this up quickly. 

it’s frustrating seeing this storyline play out when there are actually good relationships and storylines written into apex. i’m kind of getting tired of the loba and revenant conflict, but we at least had set-up to it in the form of a few animated shorts and it doesn’t play out as stupidly as this story does. bangalore and loba’s friendship is actually developed well, even if the point between the end of season 5 and season 6 where they suddenly talk like each other feels like it could’ve used a little more. 

where crypto and wattson having an established friendship in the broken ghost failed, lifeline and octane’s established friendship works because we’ve been told since octane’s release they were childhood friends and given lore materials that indicate they’ve known each other for a very long time.

apex wants this storyline between crypto and wattson and caustic to feel dramatic and tense and ultimately rewarding when crypto and wattson did become friends for real and stuff, but instead it just comes across as hollow and empty. 

there’s nothing there. it’s a case of tell, don’t show, and it looks like this stupid conflict is gonna keep going for another couple of seasons at this rate. 

side note: this entire script was written before the new twitter comics

please tell me ur thoughts and feel free to respond with ur own lil essay

also believe it or not this is not the "shipping is a detriment to apex's story" essay i was gonna write this is a completely different essay that has some overlap SKXISOSOW

[handonhaven]

I don't if you saw the leaked promo or not. But if you didn't sorry. But in it, it looks like there could be a chance that Hope is fight malilandon. Now before I continue I'm not saying it won't happen bc I know there's always a chance of anything happening. So I always prepare myself for the worst.

Anyways if it was Hope fighting malilandon(just so you know my mind got to over thinking things again lol) that I can't help but think then what was the point of having Hope say in 3x12 when she thought there's was a chance that it was malivore possessing Landon. That he would be the person she couldn't bring herself to fight. Only to have her do just that a few episodes later. It just wouldnt make sense to me, for all that they shouldn't have had her say that in the first place.

Then my over thinking and kind of went dark. That if that is the case and Hope faces off with Malilandon. And she does something thinking that she's killed malivore. When in reality she accidentally sets malivore free from Landon but also ended up killing Landon by mistake(yea I told you my mind went dark. But I think that's only bc we didn't get any mentions of Landon just his family. So I'm just scaring myself). I set that whole thought down bc I don't even of something like that happening. I mean can you imagine how that affect Hope if she thought she really did kill the person she loves. But again I'm trying not to go there. I'm trying to remain hopeful that if that fight does happen all it'll do is push malivore out of Landon and nothing else.

P.s. my mind can't stop thinking the worst possible things that can happen. I think I need help lol.

I just saw it. 😬 I didn’t even think about Hope fighting Malilandon tbh, because I’ve been too busy feeling horrified at the thought that they’re gonna have Malilandon reactivate Landon’s phoenix powers and they’re gonna make him look like an actual bird with feathers and all and it’s gonna look like that, if that’s who Hope’s facing when she’s shooting water out of her hands. 😭 And I’m really just hoping that’s not Malilandon at all because it looks terrible and if that’s what they make Landon look like with more powers I will actually cry. So that’s where my mind has been haha. But now I’m even more worried about it being Malilandon now that you’ve brought this all up about Hope fighting him because you’re right! Yeah she literally said he’s the one person she can’t bring herself to fight, so that would make that line pointless? But again, I’m hoping it’s not Malilandon at all, because looking at whoever that is, they didn’t really look like the same size as Landon, they seemed a bit bigger to me? So I’m honestly just hoping it’s another monster. Because I believe it was Malilandon talking in the trailer and he said “they’re gonna keep coming until all your friends are dead.” So I’m wondering if Malivore is just gonna keep sending monsters (for something new and different haha) to kill everyone until Hope gives him whatever he wants? So maybe it’s just yet another monster Hope is fighting? I also feel like it would be weird to show her fighting Malilandon in the trailer since that scene would surely be a big deal and not something they’d reveal in the trailer? But yeah, anything could happen so I should probably lower my hopes as much as I can.

But anon, I can’t even think about the possibility of Hope killing Landon! 😭 Plus we know Aria is gonna be in season 4, so that can’t happen, at least not permanently. But I guess anything else is possible, maybe he could temporarily die again? But that happening because of Hope fighting him would just make what they did with Hope and all she did for Landon in season 3 for nothing! Although I can totally see them thinking they killed Malivore but they actually set him free or he survives somehow. I just hope it won’t involve Landon getting hurt at all. And I think we didn’t get any mentions of Landon and only his family because Brett probably can’t give anything about Landon away, all he could really say is that there will be more with Clarke? But yeah, I don’t even wanna think about Hope killing Landon and what that would do to her. Unless they take the Romeo and Juliet thing further and she only thinks she killed Landon? But there’s just no reason that should happen. I feel like, if they stay true to Hope’s character and all she did and said in season 3, she won’t ever truly fight Malilandon. Maybe she would just out of self defense, like she did when golem Landon was attacking her in 3x12, but not anything that would seriously harm or kill Landon. Yeah, she might just do enough that would get Malivore out of Landon without hurting Landon.

But ugh, I feel that. This is what this show does to us, I know I need help too haha. Like just 5 seconds worth of footage brought me so much disappointment and is making me worry about stuff I shouldn’t have to worry about.

[that-shamrock-vibe]

WandaVision: Dissecting the MCU’s Most Successful Superhero Couple

Disclaimer: I am only using the term WandaVision as the coupling name for Scarlet Witch and Vision. I am not centring this discussion on the upcoming Disney+ series but rather talking about the 6 year build up to it.

Introduction:

Despite the fact the likes of Hank Pym’s Ant-Man & Janet van Dyne’s Wasp along with Mister Fantastic and Invisible Woman are Marvel Comics’ most prominent superhero couples, Scarlet Witch and Vision have always been that “unusual couple” that became a fan-favourite, didn’t diminish either character’s individual stories and, once the two were officially introduced into the MCU in 2015′s Avengers: Age of Ultron, became a hotly anticipated coupling by fans from their somewhat instant connection.

Not only is this comics-accurate love story finally being realised in the MCU, but the fact Kevin Feige feels as passionate about them as fans like I do that he is giving them their own series to shine, along with Wanda herself being involved in the MCU’s next big arc with exploring the Multiverse, I think it is safe to say that WandaVision have outshone the likes of Ant-Man and the Wasp and other couplings to become the MCU’s It couple.

Well, considering Disney+ released a new behind the scenes series called Marvel Legends last week with the first two episodes focusing on Wanda and Vision, despite them being no more than clip-reels of the characters MCU timeline, I wanted to delve in deeper and discuss how characters that were deemed B-worthy enough to be sent to streaming...which suddenly seems like the place to be...have suddenly become the hottest commodities in the MCU.

The Age of Miracles:

Wanda Maximoff first appeared in the MCU in an mid-credits scene for 2014′s Captain America: The Winter Soldier, adding the cherry on the top of what was already a glorious cake of a movie by unofficially introducing Quicksilver and Scarlet Witch to the Marvel Cinematic Universe.

Sidebar, this was, at its time, very confusing for fans who believed that Scarlet Witch and Quicksilver were owned by 20th Century Fox in their X-Men movies. However, after the announcement of the Maximoff twins in the MCU and Quicksilver appearing simultaneously in 2014′s X-Men: Days of Future Past, it was revealed that a deal was made between Fox and Disney that the twins would only have certain traits in either universe.

For the X-Men movies, they would be Mutants, have their origins as the children of Magneto and...even though this never happened...appear as members of the Brotherhood of Mutants.

For the MCU, the Maximoff twins are known as enhanced individuals gaining their powers from the Mind Stone after experimentation from HYDRA. There is no mention of them being Mutants, their parents were indirect victims of Stark Industries, and despite Pietro having his original speed physiology powers, Wanda started off with Psionic Manipulation rather than Chaos Magic as her comic-book counterpart has.

However, it has been confirmed by Kevin Feige that Wanda’s shapeless red energy is magic of the same elk to Doctor Strange, just untamed. Meaning the upcoming alternative sitcom reality Wanda has created in WandaVision restoring Vision, could be an application of her latent reality warping powers.

The Maximoff Twins were officially introduced in 2015′s Avengers: Age of Ultron originally as operatives of HYDRA, before moving on to serve Ultron until defecting from him after realising he was evil and joining the Avengers in their fight to save their home country Sokovia.

Vision meanwhile was officially introduced at the end of the second act for the movie but his predecessor JARVIS was first introduced in Iron Man way back when in 2008...the movie that started it all.

As Tony Stark’s A.I. assistant, JARVIS was stated by Stark to be a top of the range program that runs more of Stark Industries than anyone other than Pepper Potts as CEO. However, when Stark had the ingenious idea to create Ultron...otherwise known as RDJ wanting to steal Hank Pym’s most famous comic-book storyline...as a peacekeeping program to safeguard Earth from extra-terrestrial threats, in typical sci-fi fashion Ultron goes evil and seemingly destroys JARVIS.

However, JARVIS simply retreated into the server only to return after the Avengers acquire Ultron’s recently created synthetic android. The Science Bros. transfer JARVIS’ conscience into the synthetic body and with the help of Thor/s thunder charge Vision was born.

I have to say also, while superhero movie trailers do get me excited for said superhero movie, seeing the reveal of Vision in the final Age of Ultron trailer gave me that wow factor moment only X-Men trailers usually do.

Comics to Movies:

As I have always admitted, I am not as in-depth with the comics as the movies. However, Scarlet Witch and Vision are two characters I have followed pretty since I first found out about them in the mid-noughties as a teenager.

But what cemented the two as my favourite Marvel characters overall, from Comics, to Movies to TV, is the literal creation of the twin sons Wiccan and Speed who became key members in the Young Avengers.

Now yes, both characters have had lives separate from each other because, as I said before, they are still their own characters despite being also known as a couple. But while Wanda has had a somewhat twincestuous relationship with her brother in far comics history, and Vision had his own family of synthetic androids including daughter Viv, who was a playable character in Marvel’s Avengers Academy, I find the best in Marvel Comics writing was actually after their twins were reabsorbed into the demon Mephisto as they were fragments of his soul and Wanda went crazy heralding in the House of M.

Also, not only is Wanda apparently getting her Scarlet Witch moniker either during or after the MCU Multiverse arc, but also a more comics-accurate costume. Up until now Wanda’s costume in the MCU has been they street-casual which does suit the Wanda of Sokovia. Even when she joined the Avengers and got an upgraded costume it did seem more like something someone could wear for a casual day out...as proof, my sister dressed up as the MCU Scarlet Witch by finding clothes in standard clothing stores rather than costume outlets.

My favourite Scarlet Witch outfit to date has been her full-length red gown complete with headdress from the comics, the headdresses of Magneto’s daughters are so iconic that when Polaris crafted her own out of Magneto’s medallion in The Gifted I was fanboying so hard.

We already know Wanda will be wearing a Halloween costume inspired by her iconic comics suit in WandaVision, but if the Halloween costume looks that impressive, I cannot wait to see what her actual supersuit looks like.

Throughout the MCU:

Right from the start, I really enjoyed both Scarlet Witch and Vision in the MCU, despite Scarlet Witch still not to be known as Scarlet Witch to date in the MCU. But from when we see cameos of Wanda and Pietro as experiments of HYDRA, that one quick shot of Wanda displaying her powers I was sold.

Vision meanwhile gave himself a somewhat modified version of his comics-accurate cape because he saw Thor had a cape and wanted one. He could also wield Mjølnir, does this make him worthy? It must do despite the Avengers constant mithering about it. If you can wield Mjølnir you’re worthy.

Talking from a romance perspective, it was a big tease of the two getting together right up until 2018′s Avengers: Infinity War as while it was teased in 2016′s Captain America: Civil War, a romance wasn’t actually shown until we find them in Scotland.

Interestingly enough in the comics, the couple retire to New Jersey rather than Scotland.

Also, like a lot of heroes, both Wanda and Vision seemed to get an upgrade in powers every movie. We always got teases of both their full potentials in the quieter moments like when Pietro died and Wanda, feeling her twin dying, vaporised the surrounding Ultron Sentries in a moment of distraught heartache and when Vision destroyed the last Ultron Sentry.

But it wasn’t until Captain America: Civil War, where we learned that Wanda could control the Mind Stone powering Vision and Vision could easily severely injure another hero and then in Infinity War when either Vision created a human guise for himself or maybe Wanda did, while Wanda not only made short work of Thanos’ army but could also destroy the Mind Stone and, in Endgame take on and possibly defeat Thanos single-handed, that we got a true display of her powers.

MCU creatives have stated that Scarlet Witch is in fact the most powerful MCU hero after it was originally stated Captain Marvel was, so when Wanda finally upgrades and realises her true potential this should be fully realised making Scarlet Witch the most powerful MCU character.

WandaVision and MCU Future:

Here’s what we know about WandaVision:

Wanda finds herself in a sitcom television universe potentially of her own making after not only losing Vision, but not forgetting also Wanda has lost her family including her twin brother as well as friends and teammates Black Widow, Captain America and even Iron Man.

For someone who was late-teens early-twenties at the time of Age of Ultron, this makes her late-20s early-30s by the time of this series, my age, and so obviously all of this loss and grief will play havoc on one’s mind let alone everything else she has gone through.

Also Vision is back but I still don’t know to what extent that is, is he only back in this alternate sitcom reality or has Wanda willed him back into existence in the same way that she willed their twin sons into reality in the comics.

Speaking of which, we know the couple have twins in the series as when they’re in their 80s sitcom setting, we see two bassinettes and it’s hinted we will see them as teenagers.

It has to be Wiccan and Speed, it can’t not be. This would be a massive red mark on WandaVision’s scorecard if it isn’t. I have recently heard rumours they could be human-android hybrids to match the parents and someone even suggesting Viv could be one of the twins...but I can’t fathom why if the Young Avengers are coming into play with the confirmation of Kate Bishop, America Chavez and Stature, why these two core characters wouldn’t be at play.

The other hotly anticipated character introduction is Kathryn Hahn as Agnes...again if this isn’t Agatha Harkness then it is major tease. Agnes is surely an alias for Agatha Harkness who in the comics and even X-Men: Evolution was Scarlet Witch’s mentor for controlling her powers.

The only difference between the two incarnations is in every other version of the character Agatha is an old woman whereas Kathryn Hahn looks like Kathryn Hahn. It will also be great to see Agatha Harkness in a comedic setting as Kathryn Hahn is hilarious.

We also have returning MCU characters Jimmy Woo, Monica Rambeau and Darcy Lewis added to the series. All three may not be connected or they all could be working for SWORD which is the successor to SHIELD first seen in the post-credits scene for Spider-Man: Far From Home.

I’m thrilled to have Kat Dennings back in the MCU and considering both she and Randall Park have a history in comedy, the sitcom settings should suit them well.

I’m not sure why any of these characters are connected to Scarlet Witch or Vision considering all three are connected to separate heroes Ant-Man, Captain Marvel and Thor respectively, but any excuse to bring them back I’ll take it.

What is also more or less confirmed is the ending of WandaVision will see a massive witch fight between Wanda and Agnes resulting in Wanda tearing a hole in the multiverse starting the Multiverse arc in the MCU which will be picked up in Spider-Man 3 and resolved in Doctor Strange in the Multiverse of Madness with Wanda set to appear in both movies.

As for Vision’s fate post WandaVision, it is currently unknown where he will appear next if at all, and it may actually depend on the success of the series, but we know that Wiccan and Speed will become part of the Young Avengers so they’re staying on.

It is also worth noting that in the Young Avengers, a second version of Vision known as Jonas was a member of the team created through Nathaniel Richard’s neurokinetic armor gaining sentience after having Vision’s operating system downloaded into it.

Nathaniel Richards is a distant relative to Reed Richards aka Mister Fantastic who is set to appear in the upcoming Fantastic 4 movie, but is also a time remnant of Kang the Conqueror who is set to appear in the upcoming Ant-Man and the Wasp: Quantummania and may be alluded to in the upcoming Disney+ series Loki.

Nathaniel is also Iron Lad, who forms the Young Avengers as part of the Avengers Fail-Safe program. Do you see how this all ties together?

So basically even if we don’t see this Vision again after WandaVision, we may see Jonas in the Young Avengers.

As for the future for Scarlet Witch post-multiverse, if they are bringing in Wiccan and Speed, I really want the next big arc to be the Children’s Crusade. I know fans want House of M...WandaVision is possibly as close to House of M as we’re going to get.

Children’s Crusade is how Wiccan and Speed learn about and are reunited with their estranged mother who has lost her memories and is living in wedded bliss with Doctor Doom...who could easily be introduced in said Fantastic 4 movie.

Conclusion:

Whatever the future holds for Scarlet Witch and Vision, no one can deny that this love story has not only been an organic one, but with it set to be the running theme for WandaVision, this love story is most definitely one for the ages.

So that’s my analysis of the newest superhero superpowered couple currently at play in the MCU, what do you guys think? Is WandaVision a couple for the ages? Will they have a place in the MCU after the upcoming Disney+ series?

Post your comments and check out more MCU Reviews as well as other posts and WandaVision starting this Friday (Jan 15).

[lizacstuff]

Liza that 3rd fragman 👀 "if I was born a 100 times I'd fall in love with you everytime" Eda saying this is their last obstacle and nothing can separate them, serkan's "I'll be right back, close your eyes I'm here" If this isn't all a red flag for shits about to hit the fan then I don't know what is LOL (but also how cute to Edser look and them telling each other they love each other very much 😭😭😭)

That fragman is both the SWEETEST and the MOST OMINOUS thing I’ve ever seen. ALL AT ONCE.  

Friends... we’re gonna go through some things.  That being said, everything is going to be great. These writers have been solid so far, and I have faith they have come up with something really interesting to increase the longevity of this show. And I don’t know about you, but I’m prepared to go through some things if it means keeping Eda and Serkan for longer.  (I heart them)

This show is about Eda and Serkan and their love story, at it’s core it’s a comedy, it will all lead to happy things, but... yeah, buckle up! 

I have a lot of asks both about the fragman and last ep, so I’m going to answer a bunch under the cut. 

Anonymous said: The fandom theories about episode 28 have gotten so wild that I literally think the most shocking thing would be if they actually got married and were not separated (emotionally or physically). What if the earlier painful episodes were to make us believe that things couldn't possibly go right in 28 and it's a reverse psychology trick?

You could be right!  I like your thinking. I checked on twitter and I had to back away slowly. The juvenile temper tantrums were too much for me today.  

Look, I think it’s clear something big is coming. It has to, there has to be something that shakes up the show. Some of the theories are more upsetting and catastrophic than others, but the writers won’t do anything that dings either character or their love for one another.  Whatever happens will showcase the connection between these two and the chemistry between the actors, that’s the point of everything, and anything that does those things is gonna be a-okay with me. 

@jan31​ Hi Liza. Do you think we are going to see the wedding in 28 or they will leave it on a cliffhanger for next week. Lots of theories going round mainly cos of Neslihan saying new dimensions coming in episode 29, which could just mean married life etc. I have seen suggestions of memory loss, it's all a dream since episode one. I would personally love Eda to wake up like in episode one but for it to be a total turn around and she is the boss and Serkan the employee. Eda being robot yildiz appeals to me!!! I know it will never happen but leave me here with my dreams!!

I started the day at 90% sure they’ll be married in 28/29, but now I’m down to like 30% that they’ll get married in these episodes. I really, really want them to get married before whatever happens happens, because every scenario I can think of for this reset or starting again, seems like it would be better if they were married.  

However, the shooting spoilers from today, make me question that. Namely the videos where Hande appears to still be wearing the ring on her right hand. We shall see, that could be for many reasons. 

Honestly, though, I wouldn’t hate a memory loss storyline. Seeing one of them (and Serkan’s line in the trailer makes it seem like it might be him) lose their memory and have to fall in love all over again? There are worse fates for a shipper than getting to experience that all again but in a different way.  

Anonymous said: Your response to the fandom drama anon was so good, it's exactly how I feel. While I don't know what the old posts that were like are (that's shady as fuck) I did see all the other drama go down and wow. The actresses def need to stay in their lane and some of the fans, hoooo boy, it's obvious they're young based off their reactions alone. Had to unfollow some people once I realized what they were like. Also some of the IRL shipping reminded me of col*fer stuff, reading into everything and blowing it out of proportion (which then gets picked up by paps....). But you're right in that at least the show related drama is tame compared to OUAT. But still, people being too careless even while they know the paps see everything and harass Kerem and hande (omg did you see the video of hande the other day stopped in the van and she looked so overwhelmed 😔)

You’re referencing this post here about yesterday’s drama. 

Today Neslihan made it worse by addressing everything and claiming she didn’t like all those Hande-bashing posts because... wait for it... she was HACKED. Oy. Hackers got in and went back two years to like gross posts about Hande? Sure, Jan. While I don’t believe that for a second, I guess that at least gives her cover with Hande so they can all pretend it’s true and move on so it’s not awkward on set.  But, yikes, she needs to consult a publicist, she took a narrative that was circulating in certain circles in fandom and made sure all her followers were aware. Not very savvy. 

As for the paps coming after Hande, yes I did see her in the car, she did look overwhelmed. Back off vultures!!! That’s why I think Kerem sometimes throws himself to the wolves so that doesn’t happen. She always handles them like a pro, but you can tell she’d rather be anywhere else on earth than talking to them. 

The pap stuff is worse than I’ve seen before, they’re like vultures circling for any conjecture (sometimes made up out of thin air) they can turn into a question and blame fans. OUAT actors dealt with nothing like this. Also I can’t believe they never ask about the show. Like after last week? They could legit ask about the sex scene which probably would have given them some angle on the actors that they wanted, (especially since it was too hot for Turkish TV) but they let that pass them by, and instead asked the same questions about being together that they never answer. Dumbasses. They are not only awful people, they are awful at their jobs. 

In Van, the paps pay off crew members for info, they always know more than fans. Also I don’t remember stars of my shows getting this level of tabloid attention before. Except for on Riverdale, Lili and Cole generated that level of interest, and while I didn’t pay terribly close attention to them, I feel like they rarely talked to the paps, were just photographed. Also I don’t suspected the CW of calling the paps on them, but I suspect either the network or production company of sometimes calling them on Hande and Kerem. 

Anonymous said: Do you think it’s weird that they didn’t touch the kidnapping at all in either trailer? They might not have filmed it in time for the 1st one but certainly the 2nd. And I’m definitely not complaining about the ones we got because its like a fairytale but the kidnapping was the cliffhanger...? 🧐 I think they should’ve just left the princes storyline at “he went back to his country” but then they didn’t so......

If they’d left his story at just going back to his country, then the Prince really wouldn’t have served his purpose. He was brought on to cause some sort of trouble, so they probably need him to cause the trouble before he goes, lets hope it ends with this kidnapping!

And to answer your question, yes, I do think it’s weird that neither trailer touched on it. On any other show I’d think it was a huge red flag, but on this show maybe not as much because  a) there’s obviously a lot of romance in this episode, it’s not crazy that they are focusing on that to draw people in with the promos  b) this show likes to do cliffhangers that end up being no big deal, that happens a lot.  

Who knows it could turn out to be a big deal that shapes the rest of the episode in some unexpected way (Eda’s captured the whole episode and she’s dreaming about wedding prep, or... who knows) but I think it’s more likely that they resolve in the first 5-10 minutes and then move on.  Since we know from the summary (not that I trust those) that Serkan goes on the bachelor weekend, it feels like the Prince is taken care of prior to that. I don’t think he’d leave her alone for a second if there was a chance the Prince was still a threat. Perhaps Babaanne is pissed he tried to kidnap Eda and tells them she’ll handle it herself???

Anonymous said: Semiha not being in the promo is highkey suspicious. The actress is promoting the episode lol. She's about to Evil Queen this wedding ceremony but you know what, I'm fine with whatever she has planned if they end up married at the end of the day. What's funny is that since a lot of fans these days will assume that there will be shocking negative plot twists, not actually having one here would be a plot twist so I hope the writers keep them together for whatever's next haha

You’re not wrong, at this point, having this wedding take place would be a shocking twist for all of us!  As for Semiha... hmmm... it will be interesting to see what her reaction is to Eda being kidnapped by her pick of suitor. Serkan Bolat might be the son of the man indirectly responsible for her parents death, but he would never hurt her. Take note, Grandbag!  

Anonymous said: Do you mind sharing your speculative scenarios?

After the trailer today, I don’t know if I can even remember some of them. 

Memory loss

Grandma forces Serkan to choose between Eda and his company/wealth,  he chooses Eda and they start over from scratch with nothing

Time jump

AU starting over, showing a different path they might have taken together

Dream

These actors playing different characters in a new story

I don’t think the last three are likely, but they did spring to mind after some of Neslihan’s teases. 

Anonymous said: So this show doesn't get like fantastic ratings (it actually seems to be on the lower end compared to all other dizis airing) but the social media engagement is off the charts. Why is that?!? Is the show just extraordinarily popular internationally? or that this is a "shipping" show? I'm floored by the numbers - its like no other show/fandom is even trying

The ratings were terrific during the summer. But to your point, it has a huge fandom both in Turkey and internationally, but it’s worth noting that most of those charts you see where it beats every other show in every imaginable social metric is just for Turkey.  

It’s one of those lightning in a bottle situations where you get the right property and the right actors together at the right time and magic happens.  And, for sure, the number one reason is the shipping. Shipping drives fandom engagement, and a fantastic ship with a juicy, fun, tropey love story is what this show offers. It also offers up two extremely attractive, talented, likeable leads with off-the-charts chemistry (plus the added speculation about an off-camera relationship that has intrigued more than a few fans, tabloids and gossip sites and fueled interest) who have done a good job of building the fanbase through their social media engagement. Plus the timing is part of it as well. I don’t know about you, but this show hit the spot during this pandemic and the horror of 2020. We all needed this escape. 

Anonymous said:Do you think something happened in the writers room after the backlash of 25 and fan disappointment after Ayse's announcement? I feel like a switch flipped and now we're in fanficland with how much good content we've gotten in these last two episodes. Like I thought maybe they should wrap up the series soon before the characters got completely off the tracks but they may be finding their groove now and I'm interested to see what their next twist is after they can write out Balca/Seymen.

I don’t know about a switch flip, this show has been fanfic land since the first episode!  The tropes! That is how I described it to multiple people when I first started watching: an AU fanfic come to life.

As for the writing changes, no, I don’t think backlash after 25 affected 26 or 27, because 26 was already 90% shot, and 27 already written. However, I assume they themselves could tell that 25 got just too dark and had strayed pretty far from the DNA of the series. While I didn’t think it was bad, it was not fun to watch and this show ought to be fun to watch. 

Let’s hope, however, that the backlash affects future episodes in that they know what works... and what doesn’t.  The last two episodes definitely felt reminiscent of the first batch of episodes. Light, funny, romantic. If they can keep that tone... I’ll be thrilled.

Anonymous said: i didn't realize how much i missed "together" edser until watching 27.. it's been so long since they were "officially" together and we also had such few episodes of it.. ppl have been comparing it to 12 and while in some ways i agree, edser are always so different here than they were there. 12 was them navigating their new relationship.. they were more shy and finding their footing.. here they are very much established, as they should be after knowing their love for so long in comparison to 12!

Yes, it was lovely. You know I’ve preached a lot about how even though Eda and Serkan were broken up, they’ve still been together all this time. And it’s true, but there is something about them truly being together that is magical. We never got enough of that the first time around (a writing mistake in my opinion) and they’re so good together it’s lovely to watch. 

Anonymous said: Serkan not asking for help from Balca when asking his team for help with the marriage gifts preparations and refusing her offer of help when she asked made me so happy. Good job Serkan! He's learning! She's not trustworthy!

Yes, that was a good moment. And he was eyeing her very warily when she offered. The thing I don’t understand is how has no one caught on that she’s working with Babaanne? That entire office is filled with nosy people, has no one remarked on the number of times Balca has gone up to the office or they’ve disappeared for lunch at the same time? Come on Leyla! Come on Melo! Notice these things!  

Anonymous said: Fingers crossed that we finally make progress towards getting rid of Seiman & Balca now that all the girls were drugged and Eda was put in the car in the last episode. Unless Seiman has a change of heart and takes Eda back inside before anyone wakes & the guys get there then the show has to address it. Although I do not think Balca is going to back down unless Serkan straight up tells her he has zero interest in her and never will. Totally fine if that happens in the next episode.

Will Balca backdown even if she’s humiliated like that? She’s so delusional I’m not sure. What I am sure is that she’s dangerous. This came in before we saw the other two fragmans that have no mention of the kidnapping. Hard to picture how that is so easily resolved. Unless she frees herself (which seems unlikely in her groggy state) or maybe Melo’s future boyfriend is able to stop it before they get far?  Or I don’t know. I just know that I want to see Serkan lose his mind and all the other characters see Serkan lose his mind and then I want it to be over. LOL.

Anonymous said: As much as I am loving everything Edser, I cannot wait for Seiman, Balca and Grandma to be gone. And I am even more annoyed to think that the show might try to redeem all 3 characters. All 3 of them are truly awful people and no need to waste air time trying to make the audience think any different. Just my opinion...🤷🏻‍♀️. Show please finally expose those 3 for the psychos they are and get rid of them.

Bye bitches!  I don’t think there’s any redemption for Balca and Seiman. They both have poisoned/dosed people, hard to come back from that.  And there is no need to redeem them because neither is compelling enough to be a long-term character. But maybe Granny, we probably will see a redemption arc for her. 

Anonymous said: i know you were worried a few weeks ago that with ayse leaving as writer, we probably wouldn't have the same sort of comedy as previous episodes... but istg the whole kiz isteme scene, especially with chef alex, had me almost crying with laughter. especially when serkan off the cuff just goes "well if that's an option..." to everyone misunderstanding alex "wanting" ayfer for 2 nights and then eda ready to beat him with the flowers he bought her... comedic gold lmao.

SO GOOD! I was thrilled to see that sort of comedy, the sort of comedy we’d come to expect, from these writers. I think it bodes very well indeed!  

That scene was amazing. I know Neslihan said that much of it was improvised. Probably that line from Serkan (since Serkan is SO out-of-his-mind in love I’m not sure he could even joke about having Eda only two nights a week! LOL) was improv from Kerem, and Aydan asking about the other nights, and Seyfi bringing up the weekend. And Eda’s very Hande-esque “Ser-KAN.” 

I just love rewatching that scene and checking out everyone who is breaking character and just losing it. Cagri most of all. He’s blurred aback there but you can see Ferit spends the whole time laughing or trying to stifle a laugh. Reminds me of Cagri in the scene in 18 when they’re watching the security footage he was losing it in that scene as well. 

Anonymous said: i'm scared - I think they are really about to give us all of these happy EdSer scenes only to have something happen RIGHT before the wedding ceremony due to Babaanne. Based on the last episode, I don't think there's any chance of a breakup (knock on wood) but what if Serkan gets arrested, goes to jail for 2 years, and we get a time jump?

This was sent before the last two teasers, so yes I think something is gonna happen. We shall see!  I don’t really think Serkan going to jail for 2 years is in the cards, at least I hope not!  Besides if Babaanne did that she would have no hopes of ever reconciling with Eda, so that seems unlikely she’d follow through and leave him there for so long a time. 

Anonymous said: With the last week's sex scene, they did a lot of fade outs but the scene was basically still there so it wasn't much wasted effort for the actors. But for what they're teasing in episode 28 - idk how they can get away with showing them in the shower at all if Serkan lifting Eda with her clothes on had required blurring? Is Eda dropping her robe even pushing it? It's intriguing indeed.

Great questions. We’re 36 hours from finding out (well I'm longer than that because I wait for the English subs, hee hee) All I know is I want to see these scenes.. one way or another! 

[allkinds-oftrash]

Ya girl is watching the latest HSM series ep and Imma live blog it hshshs and will add my reactions under the cut so it doesn't end up a long post. Anyways, let's goo:

AHHHH THE MORNING SHOW WITH GINA AND EJ WE LOVE TO SEE IT

They really said we're gonna let life imitate art with Nini and Olivia huh

Ricky was SUPPORTIVE??? Damnn I really thought we gonna get a classic Ricky tantrum....

But also wow sir that sounds salty and should definitely talk to someone abt how you're feeling...A therapist maybe 👀

I know we needed to contextualise how Ricky felt abt the song but I really wanted to see Nini's interview in full!!

Sebby you're so cute I do wanna see yall do DEH

Shjshshs not the rights not being available for another 5 years 😭😭

I dunno how they're in great shape and closer to the Menkies Gold after not having a single proper rehearsal, but go off Miss Jenn

Omg honestly Kourt's costumes are always amazing and on point Imma excited to see it

Kourt is such a simp we love to see it

Carlos is so pissy this episode we love to see it shshhs

Also love the way Seb calms him down and keeps him nice it's such a funny dynamic

"We had 20 people make our Belle dress over 50 hours" Okay North High shut the fuck up

I'm calling it now the reason North High knows so much is cos Howie is the leak and Kourt has been unwittingly telling him. The way her phone keeps going off as they discuss how North High knows everything is really good foreshadowing if my prediction is right

Also like her phone went off just as Carlos said "How did they know that?" THAT'S PEAK FORESHADOWING

If Howie ain't in North High, I dunno what Tim is doing

GSJAGSHAH KOURTNEY MAKING ABS FOR EJ I CANNOT

"I have abs" We know sweetie

"I PADDED THE THUSH FOR YOU" "AWW THANKS KOURT I NEEDED THAT" THIS INTERACTION IS EVERYTHING THAT WAS SO FUNNY!! I love that it is now canon that EJ has abs but no butt love that for him

Okay but like damn these costumes are great!! North High can fuck right off with its high end ones I just wanna see lowkey homemade costumes by students; I'd watch a Broadway show if I wanted to see professional costumes okay

Damn Carlos has killer eyesight clocking in that mask in the trunk

GINA BBY DON'T SAY THAT AND HAHSGSH NINI NUDGING HER WAS SO FUNNY

Nini's little look over at Gina was like "Omg you guys my girlfriend is so cute and dumb" GINI STANS HOW WE FEELING?

Miss Jenn don't be that naive, your boyfriend probably put them up to it

That Insta page is prophetic with their timing tbh; all the info is a leak obviously looking at your Howie but like the timing of it all. Those kiddos don't know that they are discussing the stolen mask at this exact moment (Kourt has put down her phone after Carlos snapped at her so Howie doesn't know they are talking abt it rn)

"We don't dance with the enemy" *cuts to her dancing with Zackey later*

SEBBY WEARING THE TEACUP COSTUME OMG HE'S GOING MAKE SUCH A CUTE CHIP (yes I am still mad Seb/Joe was robbed but Imma fangirl over the costume anyway)

Wtf why does North High look so expensive - they are literally in the same district as East High right??? How did they get this much funding

North High is a very artsy and rich for a public school; they should have had Nini go here instead of YAC tbh (like this campus feels like what YAC should have been) NOW THAT WOULD HAVE BEEN AN INTERESTING STORYLINE

Seblos' dynamic IS ON POINT THIS EP I really love my bois so much and their back and forth is hilarious

Shhshs DIANE who loves volleyball and North High okay I totally believe it

WHY ARE RED AND ASHLYN SO KINKY EVERY DAMN EPISODE TIM THESE ARE UNDERAGED CHARACTERS STOP IT

Shshsh we love Gina knowing herself and practicing self control by volunteering to be the lookout

Omg yall listen to Carlos and stfu they are so lucky no one saw or heard them yelling Wildcats

Oh no no no no no Miss Jenn you gonna get sucked in; this is gonna be so messy

Omg I saw someone post about this scene before I watched the ep YALL ARE RIGHT THAT BOI HITTING ON GINA IS SO FINE Babes go for that one, not EJ

NOT THEM FAKE DATING UGH E W TIM STOP MAKING ROMANTIC PORTWELL A T H I N G I honestly do not understand how some of yall can ship it romantically knowing Sofia is a whole underaged babey and Matty is a whole ass grown man - like I get the appeal of the Wonderstudies getting together and they do have chemistry but the irl age gap is creepy and outweighs the appeal of shipping them romantically

As I always say; Portwell/Wonderstudies should be a BROTP not an OTP

Ugh Brotp Portwell would have clocked Lily right away; romantic Portwell making googly eyes at each other isn't helping anyone

Living for Nini getting the recognition she deserves - I really like her solo arc this season she's so much more interesting without Ricky tbh

Aww Kourt you simp I love her and I'm so happy she's happy I wanna be wrong about Howie being a North High kid

Where is the mask??

OHMYGOD THESE KIDS COMING IN LIKE A HORROR MOVIE

Lily really wishes she was Jesse St. James huh; you could never Lily so stop

Andrew Barth Feldman and his cute little French accent I love him so much

Hnng Miss Jenn gonna get manipulated by this hoe. Omg wowow Zackey really is a hoe, making out with another girl before the show THE AUDACITY OF HIM SAYING MISS JENN WASN'T GOOD ENOUGH I WILL THROW HANDS WITH THIS MOFO

Wait the kids didn't steal it BUT WHAT IF ZACKEY DID

Ssjsgfajhdfg I CANNOT WITH ANDREW'S ACCENT but I can't tell if its really bad or really good but I'm also confused why didn't they just cast a French person as Antonie shshhs Antoine is adorableee and a little shit the best type of character

Lily is so annoying b y e sis bye and Olivia Keegan is talented I just wish they didn't make her character such a cartoony villain type

"How about if we bop to the top" SEBBY I LOVE YOU AND NEVER STOP BEING SO CUTE I SWEAR and Awww Carlos called him Honey I am s o f t

Hnng why do these fools are really gonna give into North High calling them chickens

OHHH NO SHE DIDN'T JUST SAY THAT ABOUT ASHLYN FUCK A DANCE OFF I AM ABOUT TO THROW HANDS WITH A 16 YEAR OLD

"She told us not to dance with the enemy. She's better than this" No Sebby, she's not *cuts to her dancing with Zackey* AND OMG THE WAY I SAW THIS EDIT COMING BEFORE IT CAME

Ooooh I like this song wayyy more whatever the mess The Mob Song became (when I first heard it drop on Spotify yesterday) Around You is such a great song musically and lyrically very relevant to these two and gosh I love their voices together

They have so much chemistry damn, go home Mike (well he technically has oop) and Mr. Mazzara

YES YOU DO MISS JENN YOU ALWAYS HAD IT

Oh god this is the scene from the trailer; she's gonna make a move on Ricky isn't she?? Leave him alone Lily he doesn't need a 3rd girl to be confused about he needs a therapist

Lily shut the fuck up with quasi; STOP TRYING TO MAKE QUASI HAPPEN

"I love Nini's song" Sure, Jan.

...Okay yes you should have called him out but don't bait him LIKE THAT oop there's the scene from the trailer

Ohmygod is Andrew Barth Feldman gonna hit on Ashlyn

Okay this is so cute but also I am VERY annoyed with the way this show handles its characters like they aren't relevant or important unless they get into a relationship or a love triangle?? That's such a shitty way to give out screentime and arcs to characters. Is it not enough to develop the characters on their own and strengthen their friendship???

HUH TIM why you so obsessed with compulsory heterosexuality??(well also homosexuality for Seblos but they are the only ones I'm not annoyed with their relationship cos its a hella big step for Disney to have a gay couple and their relationship isn't in our faces or overshadows the plot and its just spinkles of cuteness every time they interact - they are honestly who Rini wishes they were; besties in love. They are a couple that Tim should be taking notes from; leave the relationship drama in the background, focus on the theatre and friendship aspect of everything)

My mini rant aside; this is a very adorable interaction between Ashlyn and Antoine.

"TOM HOLLAND ON STILTS" GET THE FUCK OUT OF HERE WITH THAT COMPARISON I AM SCREAMING ANTOINE THAT'S SO FUNNY

This is so funny he keeps picking out the hottest guys of the group; as if he himself isn't the French version of Big Red they look super alike ngl shshsh

WHY YOU RUIN IT WITH THAT ANTOINE I WAS ROOTING FOR YOU

Drama between Antoine and Red is already spicing up shshsh I cannot

Why are you so dramatic with the shuffle Lily gtfo of here...also this doesn't make sense?? She wasn't even on a BATB playlist; what if a non BATB song came on ahahah

Good to know they aren't big fans of The Mob Song like I am Awww EJ you cutie, okay I will appreciate the OG Mob Song just for you

OH WAIT HE PROLLY LIKES IT COS ITS A GASTON LED SONG TIM GIMME THE EJ SOLO I DESERVE IN THIS NUMBER

I'm being robbed of Gaston for the last 7 eps I at least deserve an EJ solo for compensation

The way the set looks straight out of Broadway but also like omg the blue lighting and fancy stage gave me intense flashbacks to that Glee episode where Vocal Adrenaline sang Bohemian Rhapsody

RICKY STOP BEING SALTY AND ACTUALLY COMMUNICATE WITH YOUR GIRLFRIEND LIKE A NORMAL PERSON

OMG THE SUBTITLES SAID ITS HOWIE SINGING AS THE BEAST I FUCKING CALLED IT

Howie you hoe you gonna break my girl Kourtney's heart

Yeah...still not a fan of Antoine's Dance Remix

Yall know Gina would kill the dance number if she wasn't wearing that fit

Okay but it's Gaston led song WHY DOES EVERYONE BUT EJ HAVE A SOLO IN THIS SONG??

First the Beasts led it (Howie sounded better than Ricky ngl), then the Lumieres (their voices worked hella well together; I always forget what a talented singer Frankie is THEY NEED TO GIVE HIM A SOLO SONG) and now the Belles are going at it (Ashlyn's voice is superior)

BIG RED BEING JEALOUS AND SALTY IS SO FUNNY ITS LIKE A PUPPY BEING ANGRY I CRI

...Did anyone really win, Lily??? STFU

CARLOS IS RIGHT AND HE SHOULD SAY IT

Oooh I did see someone talk about this when the Rose Song dropped last week, apparently its illegal to add songs to a musical you're doing for a school play; I really thought the show would brush past that irl rule but I guess they are playing into it

THE WAY EVERYONE TURNED TO EJ FOR THE SPORTS METAPHOR I AM D Y I N G AND HIS FACE WAS GOLDEN! ITS LIKE THAT LISA SIMPSON MEME SHHSHSH

Okay Nini is being a little pissy about leaving her song out of the show and its a little selfish to wanna keep it at the risk of being disqualified but I also understand why she's hurt

Everyone is dog piling on her right now being against her idea and it feels like they are being against her song and her herself instead of them not wanting to be disqualified. Also like she poured her heart and soul into the song after Miss Jenn lowkey rushed her to write it. So I can see why this feels like a rejection of her and her song and why she's so hurt rather than her seeing the big picture right now

It doesn't help that Ricky said the final blow causing her to walk off

Okay maybe Zackey gets some rights for being chill and wanting the kids to be peers

THIS MOTHERFUCKER I KNEW HE WAS SHADY Also the way I gasped even though I predicted he stole the mask halfway through this ep shshsh

Stab him Miss Jenn STAB HIM

Bitch why you so threatened by East High if yall have such a Broadway-esque show planned??? They honestly should have stuck to the Little Mermaid; I really wanted to see the aquarium

"It's just a song Ricky" "A song can mean everything" Do you get deja vu? Anyone else getting intense flashbacks to Jan when DL first dropped and all the drama happened 👀

YES PLEASE STAY CO ANCHORS Gosh I love them so much esp once you take the romantic connotations out of their interactions

ROUGE GRAND I'M SCREAMING

I love this long take of checking in with everyone's relationship status (still hate how romantically focused this show has become but still a cool shot)

I K N E W IT I WAS RIGHT

Okay but like looking at Kourtney's face I have never wanted to be wrong so bad GOD I HATE IT HERE I really think he likes her and I hope they work it out

Nini setting up her own music acc feels like when Olivia rebranded her whole IG to be just for her music stuff - love this for both of them

AHHHHH SHE'S NINA NOW YALL

I know everyone loves her as Nini but like I have always loved the name Nina and it really suits her to be honest also shows how she's growing up now and kind of leans into the lyric "I won't be confined to your point of view" from The Rose Song because Nini is the nickname Ricky gave her so it shows that she's outgrowing him too and I love that for her!

Overall thoughts; they really crammed all the North High drama into one ep huh. Personally would have liked it if all of this was spread out throughout the last few episodes; like different hijinks for every episode. I'm just a big fan of properly setting up the overall arc over the season instead of patching it together closer to the climax/end of the show. Cos now it lowkey feels like two different seasons - 2A felt like The Rini/Rina Show esp with YAC storyline and whatever was going on with Rina and now 2B is finally feeling like what this season should have been all this time

[laora-inn]

Supernatural - Some speculations about the last 7 episodes of 15th season

Well, after 2 trailers, episodes descriptions on IMDB and some unfinished plot-lines of SPN story I’d like to share my own speculations. Some of them are definitely wrong. 

Destiel positive, happy end positive, don’t like - don’t read. 

Season 15 | Episode 14. Last Holiday

A filler - that’s how we anime fans call episodes which have no deal with the main plotline, though can contain some interesting moments and nuances. In “Supernatural” these episodes usually have no Cas in them. Sometimes they are very good... but mostly not. They are “just for fun”, and fans enjoy them, because they can be really funny. No angst.

Like this one - no angst, no Cas, a wood nymph who looks like Mary Poppins to me (or Mrs. Marple whatever). Some British origin of the character. 

That’s the episode which shots with Dean in purple nightgown are from (trailer short version).

I suppose the shot with Dean, Sam and Jack flying in the air could also be here from. But maybe not.

I don’t know where Cas may be. His absence should be explained to us in some way. In episode 10th he was missing because of talking to the angels. What’s now? Some preparations for the next Jack's trial? 

In this episode Dean should come closer to Jack’s forgiving.

Season 15 | Episode 15. Gimme Shelter

I have NO IDEA what this episode is about. Maybe the next trial for Jack? Or not?

I think the shot from the last trailer with Cas protecting Jack on the truck bed is from this episode. Also, some tortured person on the bed with the “lust” written above could be from it. 

And what about Sam and Dean? Where are they? 

I think they may have their own journey here, separate from Cas and Jack. Possibly the epic shots with them entering some building are this episode from. Possibly not. 

Season 15 | Episode 16. Drag Me Away (From You)

I don’t like this episode title. It looks like Destiel mocking to me - maybe, I just don’t have enough faith. I want to trust SPN writers but can’t. Somebody help me to believe, we all need that now! :)

THE ONLY episode in ALL THE SHOW except this one that had brackets in the title was 12x12, Stuck in the Middle (With You). Yahoo. 

Obviously, 12x12 was a parody to the Reservoir Dogs, a movie by Quentin Tarantino. Parody in a good sense of this word, but still. The plotline, the scenes (oh, this lunch scene from different points of view!), the scenes’ order, the roles, though changed - all of them. In case you didn’t watch Reservoir Dogs, just go and watch it, and then re-watch 12x12. You will understand. 

"Stuck in the Middle with You" is Stealers Wheel song which was in the OST of this Tarantino’s movie. This allusion should deal with boys’ and Mary relationship - because it’s her who betrayed them involuntarily, and now they are stuck in the middle with her. 

But somehow this episode title also deals with Destiel relationship. Maybe ‘cause that’s Cas who is dying, not Mary. Maybe ‘cause even on his deathbed he doesn’t confess something important - not about his betrayal, there was no one, but about his feelings. He says "I love you”, but then adds “I love all of you”, and Dean is literally stuck in the middle with Cas here. 

Back to the brackets in the episodes titles. Because of them I suppose that 12x12 and 15x16 could be connected. But how exactly?! That’s the question. I want them badly to be connected in Destiel way, but know too little. 

Back then I supposed that Dean could be dying in this episode and it would be his turn to confess something to Cas. But now I don’t know if there will be Cas in this episode at all, I just don’t have enough information. 

I hope he will. 

Btw, the words “Drag Me Away (From You)” are in Toto’s song “Africa”. And in case you didn’t know, in 2018 this song was used for half-an-hour Destiel video made by fan here. It covers ALL the Destiel moments then far. Link for this video is in Supernatural wiki, in the Destiel article. Half an hour, 10 repeats of the song, author’s comment: 

Along the way it stopped being funny and started getting insulting because this has been a literal decade (as of 2018 the vid features seasons 4-13) and the show has explored ALL of the tropes and yet and yet and yet...

I mean the fangirl shipper part of me also loves it. And then I get mad because I love it. I have a very complicated relationship with Supernatural but that's okay.

Have you heard the good news about Tragic Widow Dean?

TLDR: Have a supercut of all the DeanCas stuff set to Toto's Africa.

We can speculate a bit about this fact, but the truth is we know only about young Sam and Dean, who certainly will be in this episode. 

I think shots with Billie talking to Dean from the last trailer also belong to this episode, as well as shots with young Dean with Samulet, who is a ghost now. But these assumptions could be totally wrong. 

What circumstances will take us to the young Sam and Dean? Time travelling? Flashbacks? The parallel world?

Personally I think it will be the third option. Because how the hell young Dean can be a ghost in “our” universe? Unless it’s not Dean, though I doubt it. But if it’s not Dean, it can be a flashback, you know, with the young boys. Yep? 

We’ll wait and see.

I don’t think that Sam’s appreciative words to Dean refer to this episode. 

Also I don’t think Sam is going to sacrifice himself AGAIN (I’ve heard such an opinion). But maybe it’s my hope that makes me think in a wrong way.

Season 15 | Episode 17. Unity

I think some of Chuck’s shots are from this episode. Maybe the red lights in the bunker too. Maybe not. 

There also should be Amara and some angels. I saw Uriel in the cast! Maybe there also be some light lit on the all situation in Heaven now, when Jack made new angels. 

Some interaction between all of them + Sam, Dean, Cas and Jack should take place. Here the shot with sigil could be taken from. 

What side the angels will take? How it happened that Uriel is alive? Was he resurrected by Chuck or Amara? What plans does Amara have, how is she planning to deal with Chuck?

And what’s for Naomi? Will she come back or not? I think she won’t, not in this episode for sure, and I’m already disappointed ‘cause you know, she should be alive. Dumah said she is. For me Naomi is an important figure considering Destiel, and I think she’d be the best Heaven runner. 

All in all, in this episode should happen something that will make Cas happy. I suppose by the end of 15x17 or in the beginning of 15x18 they all will be sure that they have won the game, and Dean will forgive Jack for Mary.

The episode title may refer to angels’, Winchesters’ and Amara unity. 

Season 15 | Episode 18. Despair

Well, in Supernatural wiki I also saw “The Truth” title for this episode. 

Most of us are convinced that in this episode Cas will tell Dean about his deal with the Empty and will be taken by it. I believe the same. 

I think shot with Billie knocking with her hand rotten belongs to this episode. 

I have some doubts, but also think a shot with Dean leaning on Cas is from here. 

I’m sure that “You fought for this whole world” and Dean’s crying scene belong to this episode. ‘Cause you know. Despair. And the truth - about Cas’s deal and possibly about their fake win. 

Billie’s with her scythe and bunker intrusion symbols could also be from here (or from one the previous episodes ends, especially for Billie - as a cliffhanger). And it should be the case for Sam and Jack, I suppose. Because there is no other way for Dean and Cas to face Cas’s deal with just two of them. 

Destiel confession will be here, in more explicit form that it could be in 15x16, because there will be A TALK, but I don’t think we’ll see something real explicit. 

Maybe, Dean’ll say he loves Cas. Maybe not. I’m sure only about the fact that we’ll cry by the end of this episode. And that will be AN UGLY CRYING, just as Jensen said.

Well, maybe there will be a hint that Cas can be brought back, but I think it won’t. So prepare yourselves, my friends. 

Season 15 | Episode 19. Inherit the Earth

Here I think Sam’s appreciative words to Dean are taken from. They are definitely comforting. ‘Cause you know, Cas is dead, Chuck is alive. Possibly Cas was in his way and Chuck erased him by making him believe in their win.

I also think Dean’s crying words “this whole mission, saving the world” belong to this episode and will be in conversation with Sam. 

They still need to fight Chuck, and Jack is still alive. Here Michael will appear and helps. And there is one moment Sergey mentioned in 15x07, about the key to the Death’s library. He even described what it looks like! Cas heard that as well as Eileen. Well, if Cas is taken, then Eileen should return to the Winchesters, maybe with Sam and Jack, or just tell them about this key. 

I don’t know what they are going to do after. Open this library? How? Find how to kill God? Or not? Will they try to save Cas?

I think they will not talk about Cas’s saving. And he will be dead in this episode for sure.

Also I think they’ll deal with God in this episode, one way or another.

Season 15 | Episode 20. Carry On

This is a land of unlimited speculation!

I hope Dean’ll have Cas back by the end of episode. I think Cas’ll save himself from the Empty, ‘cause, you know, he has a big goal there. The Empty tortures all the dead angels and demons, as far as we know. It should be fixed - Cas’s already made a promise to Ruby. And we know that Cas has no problem with ruining something and messing it up - he is basically THE GREAT TRICKSTER of this show. 

Rebelling against Heaven and ruining angels’ plans? Check. Stopping Apocalypse? Check. Opening Purgatory? Check. Becoming a new God? Check. Bringing the Leviathans? Check. Casting all the angels out of Heaven and burning their wings? Check. Becoming human? Check. Becoming an angel by devouring other angels’ grace? Check. Getting an army of angels? Check. Giving up this army for one human? Check. Kidnapping angels’ prisoner? Check. Letting Lucifer in? Check. Helping “an abomination”, Devil’s son, to be born? Check. Annoying Empty so much that it brought him back to life? Check. Making a deal with the Empty? Check. 

It’s very dangerous to mess with Cas, you just don’t know what he could do for the greater good, and yep, in some way Dean was right when he said that Cas is “something that’s always going wrong”. So I think the Empty is in trouble here, not vice versa.  

Also, there is one more thing that bothers me. When Nick in 14th season was praying to Lucifer, he woke him up in the Empty. Theoretically, Lucifer can be awake by now. It could be a dead end, but still. Lucifer’s “true face” is similar to the Empty’s, sooo... 

I don’t know what to think about it and the fact that Nick could reach Lucifer and return him from the Empty, so let’s move on.  

I hope for the happy end for Sam (maybe with Eileen) and for all the hunters we know. They are family. 

NO MCD here! If someone’ll die - they shouldn’t be Sam, Dean or Cas. I don’t want to see Eileen’s death either. I don’t know what about Jack. I don’t want him to die, but he is 100% supernatural being, and I am not sure what it means for him to die. 

Monsters should stay, hunters should hunt them. We’ll see that the “family business” thrives.    

There should be an order on the all levels - in Heaven, Hell and on Earth. There should be the new Death - of they should return Billie. Rowena running the Hell would be perfect. Wonder if Naomi could run Heaven. Maybe it will be Chuck? If he will be redeemed. Or Michael. 

I don’t know what’s for the Empty and Amara. 

I don’t know what the end for Jack will be. I’d like he will be alive, but I just don’t know. He can’t be a human. That will be right thing for Cas, but not for Jack. 

I hope for Destiel endgame, as well as for Sam/Eileen. Cas should become a human, maybe, with some supernatural skills left.   

I doubt that we have proper scenes of these ships together or Cas’ humanity. Just hints. But they can be very obvious - especially if we’ll see Dean’s reaction to Cas’s returning. 

So, I hope to see them. 

But, as I said, it's a land of unlimited speculation. We’ll wait and see. 

What else should be resolved:

- Kevin can’t stay a ghost! It’s my main point here. He also can’t go to Hell. What will happen with him and in which episode? I don’t know. I just hope they won’t forget about him. 

- There is the shot with Bobby from? 15x20? He should be somewhere. 

- Also, there should be Charlie in this season unless something’s changed. Where is she?

- What are they going to do with alternative!Winchesters from 15x13? They will rest? They will make another HunterCorp? They will be gone?! Come on, something needs to be done with them! Of course, they are not so important here, so the writers can forget about them, but still, I’m interested.

What am I going to do:

I'm going to watch all the last episodes of the season. AND THEN, if there will be no happy end for the Winchester boys and Cas won’t be with them, I'm going to rebel. :) In every possible way - petitions, letters, actions etc. We are grown-up people here. We can fight for our rights, and it's my crucial right - to be happy about my favorite show ending. :) 

__________________

Feel free to ask me anything or to comment. My ask is working!

[yourpakichic]

Episode 19 thoughts

- I love the boys vs. girls scenes! The similarly layered conversations that occur are an absolute delite to watch!

- Engin making Serkan PANIC over Eda finding another man! Like he really didn’t think so until at this point! But also, Melo trying to make her eniste really panic!

- Selin really trying to play house with Serkan.... *eye roll*

- Their individual monologues caused me pain. They want each other so bad. To only be each other’s. To only look and smile at each other. And yet, those words only remain in their hearts, unable to find escape into this world, held back by the circumstances they are currently entangled in. As true and bright as the day but hidden in the darkness of the night deep within their hearts.

- AIDAN PLAYING CUPID FOR EDSER? I begged for this and I’m actually receiving it? I’m shook.

- Ferit suspecting Efe? I was taken back by it, didn’t see that coming!

- KIDS IN LOVE, they are literal children in love! Their sarcastic responses give me life!

- The tension at that breakfast table would cause me so much anxiety!

- HE CUT THE BREAD FOR HER OUT OF HABIT....I literally can’t deal with them! They cause me too much pain!

- He’s gonna name that horse Eda. I just know it. And I’m gonna fall to pieces.

- My heart broke for Aidan after listening to the story. Her guilt toward the loss of her elder son was so strong and powerful that it caged her in her home. A mother’s pain is incomparable. It’s understandable how Aidan may have blamed herself for being missing in her son’s life and why she tries to be involved in Serkan’s. She wants to be involved and stay connected with her Serkan in a way she wasn’t able to for his brother. But by sending Serkan away at a young age by himself, she distanced herself from him. It’s not his fault he doesn’t trust anyone because the two people who he was supposed to trust in life abandoned him in trying to deal with their own pain while neglecting his needs. I’m not blaming Aidan/Alptekin because it’s his easy to judge from the outside. It’s such a deep and realistic way that these characters represent the dynamics and struggles of a traumatic event and the aftermath. Serkan’s inability to trust and fear of abandonment is real and justified based on his past. Aidan’s fear of leaving the house is justified due to the circumstances in which Alp died. Alptekin’s strictness toward Serkan can be explained by the fact that he lost his elder son (who he clearly named after himself) due to an illness and he fears he might lose Serkan too. Which also makes me think, did Serkan really have an illness in the past? I means he’s a bit of a hypochondriac but I’m thinking maybe just because of his brothers illness, Serkan got conditioned to thinking and living a certain healthy way to protect himself.

- I’m glad Aidan told Eda this because I think it might make Eda open her eyes a bit more. I’m not expecting Eda to forgive and forget but I think it might explain to her why Serkan is the way he is.

- If you ask me, Serkan was pretty fair in asking Efe to claim his mistake in front of the team. Serkan built and has lead this team to such a great standard and Efe ruined that in minutes. They rightfully deserved an apology. And Engin being pissed and backing up Serkan as the BEST FRIEND HE IS.

- Serkan being honest about his feelings and wanting to improve things with Eda was such a good thing to see. It may have taken him some time to get there but I’m glad that he’s come to terms with the fact that he can’t be without her. More so, he doesn’t want her to be with anyone else. Serkan is hopeful about their relationship and I think that’s the first time since their breakup. He isn’t trying to convince himself or anyone that they are over with completely. And I think what Engin said really resonated with him. If they can overcome the truth, it’s true love. If not, it’s over.

- His seriousness went out the window as soon as he realized the flowers were for Eda, HAHAHAH! He said burn the flowers! He’s such an idiot

- HE REALLY DRAGGED HER FROM THE CHAIR, I’M DEAD! freaking children behavior!

- Serkan is really trying to keep the truth from reaching Eda from anyone but him but everything really seems to be going against him! Let me tell you, my heart broke when Serkan mentioned his fathers mistake taking away Eda from him. He cannot catch a break!

- Aidan burning Alptekin’s clothes was so funny!

- Why is Selin trying to dig! Let my man Serkan handle this!

- Efe doesn’t know.... did I read that scene right?

- He’s gonna record their conversation! EFE, YOU SNAKE!

- SO IT IS THE GRANDMOTHER AMD SHE DID SENT EFE FOR REVENGE. But it seems like she wasn’t sure but sent Efe to investigate. She’s gonna use that recording to kill Serkan’s career! IT IS GOING TO BE NON-STOP DRAMA.

- Eda making Serkan jealous like that was hilarious! She really created a whole jealousy scene with that man!

- Eda and Aidan play off each other so well at this dinner, it’s hilarious! The way they are setting these ladies straight!

- The way his eyes lit up when she said she’s in love with him still! It’s like he can’t actually believe that! Idk but I found it weird how Eda didn’t want to even listen to Serkan as he tried to talk to her. I mean up until now, all she’s wanted is for him to talk and open up and now that he’s spent the whole day trying to do so, she just ignored his calls or runs away when the opportunity is there. It’s so not like Eda! I get that she’s given him chances before and he’s missed them and she probably doesn’t want to waste any more time giving him empty chances but I feel like Eda used to understand Serkan’s tone and words but it’s like... she just doesn’t recognize in his tone how much he really wants to talk to her. It seems like a character downplay to me for Eda.

- I’m not that invested in Ferit/Ceren, but that was cute, mostly because I want Ceren to be happy! But I swear, this whole Selin/Ferit crap ruins everything! My girl Ceren deserves better!

- He loves her so much, he’s just playing along with her! He’s so in love with her!he really just said have fun, but don’t dance with anyone! And THAT CONFESSION. He said everything with his whole chest. And she didn’t hear! They will be the death of me!

- He took the bottle! Lol bruh, you gonna need at least 2 bottles to get over this mess!

- Selin really trying to come on to Serkan while he’s drunk and he just straight up says, I need Eda. How does she not get the message!

- YES CEREN! YOU TELL HIM GIRL! I mean for real, what did he expect! But I will say I appreciate that Ferit was honest and didn’t lead Ceren on any further and just came out with it.

- HE IS SO DRUNK, I LOVE IT! Eda is fascinated by his drunk state, he’s so cute, she can’t help but melt! That was such a cute way of involving the title of the show! And that scene is sooo cute!

- Her carrying him up the stairs and complaining that he’s heavy. Him being wasted out of his mind and saying off the wall stuff. I LIVED FOR THIS SCENE. PURE COMDEY. PURE EDSER. I WANT MORE.

- THE SHOWER SCENE. That’s it? That’s all we get? I’M SOOO PISSED! The trailer made it seem like such a scene and then they give us this? The frack? That is unacceptable! That was such a wasted opportunity! THEY WOULD’VE KILLED THAT SCENE! AND HONESTLY IT WOULD’VE SAVED THE EPISODE! Ughhhhhhhhhh

- AHHHH SHIT! She got her hands on Eda’s family, that’s it. It’s over.

- See what I mean. Somehow, Eda didn’t understand Serkan. Serkan never really had a good way of putting with words but Eda understood and didn’t completely twist it around. I honestly think Eda’s jealousy of Selin really makes her so paranoid that she’s able to twist around to justify her insecurity in regards to Selin. Which I just don’t get. I mean Eda did have that kind of dynamic with Selin but she was never super jealous or anything. She always had a way fighting back against Selin and still being confident. I just can’t seem to understand where all of the sudden, it’s turned into this.

- It’s out. The secret is out. But definitely not how it should have been. It should not have been from Selin. Selin seems remorseful about it but I don’t buy it. And Serkan looks like his whole world just shattered. And bless Eda. She’s about to really go through it. The last scene was sooooo well acted! I loved the tension, the angst, the anger!

- One thing that I really need to see happen is Eda/Serkan working on their communication skills. Because they suck at it. They are both indirect and never really say what they want and mean straight up. Since the beginning both of them expect each other to understand with signs or by indirect words and it was cute at first but now it’s annoying. Like two people in love should be able to tell each other anything and SHOULD tell each other everything as it is, free from judgement. I don’t want an argument and then they make up in one of their houses. I want them to talk out their issues, their perspectives! Because both of them have quite opposite views and beliefs so it’s very important for them to say everything out loud to each other. Otherwise, their chemistry and relationship is just gonna be for a show and not hold real value and show and realistic aspect to it.

Overall: A really good episode even though some parts did feel lagged. So the big explosion (one of them) has happened. Now we wait to see the aftermath. Honestly at first I used to think that I would know how certain characters would react but now I don’t know. It’s not easy to say where they will take the characters or the storyline so we’ll see! Tbh, Hande and Kerem are really carrying this show with their scenes and acting so I would love to see them get justice with their scenes! The show at some parts feels like random and misplaced but it’s still enjoyable! Like there’s no need for all these side character storylines right now, like give Eda/Serkan their full scenes in full cut and let it play out! Once everything is more wrapped up, you can add the side storylines! It’s still an enjoyable and fun show and definitely makes me laugh and keep me on the edge of my seat but there’s just some moments when the magic seems missing!

[spooks-and-tea]

Entangled (Spencer Reid x femReader) [Ch.10]

Summary: You don’t know how it happened. One moment you were watching Criminal Minds, and the next moment you were literally in the show. Can Spencer be the key to helping you find your way back home?

Warnings: minor character death, mentions of su*cide, bad explanations of quantum mechanics, bad words, sexual situations (some non-con), the usual criminal minds-type content

A/N: I hope this isn’t too weird and confusing, I didn’t want to go totally left-field fantasy on you all. The thing I liked about Gubler’s CM episodes was that they seemed fantastical, yet they were still very much grounded in reality. That’s what I was going for with this fic. Hopefully, it’s bringing a little bit of entertainment into your lives.   :)

Word Count: 4,071

Chapter 1.  Chapter 2.  Chapter 3.  Chapter 4. Chapter 5.  Chapter 6.  Chapter 7.  Chapter 8.  Chapter 9.  Chapter 10.  Chapter 11.

************************************************************************

Spencer When Spencer opened his eyes again, he was no longer in the warehouse.

He didn't know where he was, not exactly. He knew this was the void space that the equation had proven.

Colors flew past him like the Millennium Falcon traveling at warped speed. The place was making a crackling sound. Spencer took a few steps forward; the colors didn't seem effected by his movements.

Something quickly tugged at his chest, like a magnetic force.

"Whoa!" He flailed his arms, trying to catch his balance.

Just follow the magnetic pull and it'll lead you to her.

"Right," Spencer remembered. He placed his palm flat over his chest; he had felt it when they first met.

His legs carried him quickly, following the pull. The buzzing seemed to be getting louder as he traversed.

He wasn't sure why, but something told him not to look up. Was there something there watching him? He carried on, he didn't know how long or how far he walked. Time didn't seem to matter here, it shouldn't, this was a place that was lacking everything.

Nothing should exist here.

He wasn't even walking on a floor; there was no gravity to hold him to one.

The pull suddenly tugged Spencer to the left. His eyes landed on something that he was sure hadn't been there before; a red, velvet curtained tunnel.

Without hesitating, Spencer climbed inside. He felt like a child in one of those indoor jungle gyms; he'd always wanted to play on those as a child, he never did.

The tunnel stretched on, Spencer realized it was getting dimmer and dimmer as he crawled forward. Soon, total darkness lay ahead of him, if he reached his hand forward it would seemingly disappear within the chasm.

He took a deep breath, thinking of Y/N, and his chest ached. He knew in his gut that this was right.

He crawled inside and heard a loud snap. Then, he fell.

Spencer toppled face first into a carpeted floor; with a loud "oof!"

"What the hell?!"

He was almost afraid to open his eyes; afraid of what he'd see.

When he got the nerve, he opened his eyes and his jaw dropped.

It was himself, but upside down (oh, he was lying on his back). He rolled over onto his hands and pushed himself off the floor.

He stood at the same height, face to face, with someone who looked exactly like him.

"Who are you?" Spencer and his double both asked un unison.

************************************************************************

Y/N You had a good feeling about today as you walked on set.

Your heart-to-heart with Matthew had ultimately made you feel less alone; something you hadn't realized you needed before.

If you were going to ever move on, you needed to surround yourself with friends. Luckily, the crew and cast were quickly becoming that for you, especially Matthew. You really appreciated how he stepped up to help you. He believed you despite how crazy your story sounded.

Today, you were filming a tough scene. Your character was going to supposedly die in Spencer's arms, except, you knew you'd be back by the next season. Something about the doctors pulling through and saving you just in time.

You were running a bit late, but you sipped a coffee to keep up your spirits. This was going to be energy-draining.

You left hair-and-makeup and went straight to the set.

The director was busy, so you stood in your place and went over your lines.

"Alright, so the unsub has just fired at you, you know, we've already filmed that bit." The director came over. You saw Matthew walking behind him and you waved. He did a small wave back with a big smile. The director grabbed your attention again.

"So Matthew, you're going to begin dragging her behind the vehicle. Y/N I want you already in that state of mind where you know you're dying. Is that clear to you two?" He finished. You and Matthew both nodded.

The director turned around, going to his place behind the camera. You got into place, laying down on the cement.

"3, 2, 1, action!"

You heard the fake gunfire start and closed your eyes. You heard heavy footsteps run towards you and felt Matthew pick your shoulders up, dragging your lower half backwards. He stopped behind a car and propped you up against him.

You breathed, heavily and opened your eyes halfway.

"Spencer," you gasped. You clutched the fake wound in your stomach.

"It's okay. You'll be okay. I-I've got you."

You grit your teeth, taking shaky breaths as you grabbed his free hand that wasn't supporting your head. He rubbed comforting circles with his thumb.

He was looking over your wounds, analytically.

"Spencer I-"

"No! Don't say it. Not now, you're not leaving me now." His lip quivered.

"Please. Please, let me say it." You whined, a tear falling from your eye. He froze for a second, you thought maybe Matthew had forgotten his lines.

"I can't."

"You and I both know my chances of survival are low, Spence."

"I know." He was beginning to sound choked up. A scripted tear fell on your forehead.

"If this is the last moment I get to share with you, I want to make it count." You started to shiver.

He nodded, looking you in the eyes and tightening his grip. In that moment, he almost looked like your Spencer.

"I love you Spencer Reid-"

His eyes widened.

You felt the magnetic pull in your chest aching at the memory of loving your Spencer and being loved in return. When you said the line, you meant it. Matthew knew that this was your personal, real goodbye. He had made sure to hug you extra tight during the table read.

"-and if I die here I don't want you to feel guilty. This wasn't your fault. I chose to confront the unsub, this was my stupid mistake. Promise me-"

If only I could have told him this.

He shook his head, tears falling down his reddening cheeks.

"Promise me you won't blame yourself." Your voice squeaked as you clenched your eyes shut in fake pain.

He stayed silent.

"Promise me, Spence,"  you said a little louder.

"I promise. I love you." He whispered.

You held on, gasping and shaking in his arms. Your eyes looking into his. Seeing the glazed look in his eyes made your stomach twist.

Then you closed your eyes and relaxed your grip on his hand, slowly letting your body go limp.

You listened as Matthew played out the rest of Spencer's scene. Crying and holding you close. He kissed your forehead, something that was improvised. It left your forehead feeling tingly.

Then the paramedics truck drives into the scene. You're lifted by a paramedic onto a stretcher and carried to the ambulance.

You lay there limply as Matthew plays out the rest of the emotional scene, holding your hand and talking to the paramedics.

"Cut!"

You opened your eyes, feeling slightly dizzy from the vibrations deep in your chest. The familiar pull had been bugging you for the entire scene.

"Good take, we'll come back in 5!" The director announced.

Matthew sat up and held his hand out to you, giving you a strange look. You grabbed it and he helped you off the ambulance truck.

"Why are you looking at me like that?" You laughed as your feet hit the ground.

"Like what?" He blinked.

"Like I'm the Mona Lisa."

He was still holding your hand you were getting a little suspicious that he was up to something.

"I am?"

"What are you up to, Gubler?" You narrowed your eyes and dropped your hand from his. "Never mind for now, I have to run to my trailer and grab a snack bar. I didn't have time for breakfast today and that scene sucked up all my energy." You smiled, walking around him to go to your trailer.

You were nearly there when Matthew caught up with you again.

"Wait! Y/N. We don't have much time."

You spun around.

"I know, that's why I'm fast walking, but you keep interrupting me. What's going on with you? You're acting stranger than you usually do." You crossed your arms over your chest, looking him in the eyes. Again, he was giving you that look that was beginning to remind you of Spencer and it was starting to get to you.

"I-uh. Can you just come with me?" He nodded to his trailer.

You frowned. Was he playing a joke on you? Was this for one of his YouTube mockumentaries?

"Okay, but only if you stop looking at me like that."

"Like what?" He asked, exasperated.

"Like-um- he used to look at me that way." You mumbled, dropping your head and massaging the back of your neck.

"I-I'm sorry."

"It's fine."

He walked in front of you.

"No it's not." You looked up, frowning at him.

He looked guilty, that's the last thing you wanted your friend to feel again. You knew he was sorry, but he couldn't help it. In a way, he was partly like Spencer Reid.

He held your face between his hands and kissed your forehead. Your eyes widened. Your body and mind were at war. He felt so much like Spencer, yet your mind told you you couldn't just replace Spencer with his doppelgänger in another dimension.

You'd never even considered pursuing anything with your friend; likewise, Matthew seemed to be on the same track until now.

You were just friends; so then why was he kissing your forehead so sweetly?

"Matthew?" You whispered, giving him a quizzical look.

He slowly shook his head, 'no.' It took a moment for you to understand.

You covered your gasp, placing your hand over your mouth.

"No, no, no- you're not? Are you?" You fumbled with your words, feeling your hands begin to shake.

"It's me. It's Spencer."

You held back a cry, reaching a shaking hand up to touch his face. He was looking at you like you were his entire world; that was how you knew it was him.

"Spencer!" You sobbed, pulling him into a tight embrace.

He wrapped his arms around you just as tight, lifting you off the ground, slightly. Your senses kicked in as you smelled the familiar coffee and woodsy-vanilla.

You cried into his neck, shutting out the rest of the world.

He pulled back, placing a hand on your cheek. You finally got a good look at him. His eyes were rimmed red with tears. It looked like he hadn't slept in weeks and his cheeks were slightly more hollow than you remembered. Was he sick?

"How did you find me?" You cried.

He smiled, placing your hair behind your ear. "It's a long story."

You swallowed down the swelling in your throat. "I'm afraid if I stop holding you, you'll disappear."

He shook his head, "Nah, I'm here to stay, if you want me to."

"Why wouldn't I want you to stay?" You laughed.

"Because we can stay here, or I can take you back."

Your eyes widened. "We can go back?"

He nodded.

"I-" You thought about Matthew, the crew, everyone you would leave behind. They had become your friends, but you knew Spencer couldn't stay here. He couldn't live in the same world as Matthew it could create some kind of paradox over time, you were sure. Every sci-fi film told you that was a possibility.

However, you knew you would be happy as long as you were with him, and the BAU had become your family. It was only right to go back.

"I want to go back to your dimension. I want to go back to the way things were."

Spencer's eyes brightened.

"Okay. I'll take you home."

He kissed you, deepening the kiss as a rush of emotions caught up with you both. You smiled into the kiss, feeling your chest vibrate with happiness at the familiar softness of his lips. He may have had the same body as Matthew, but his kisses were entirely different.

Finally, the hollow aching was gone. You had your Spencer back.

Spencer pulled away first and you whined, trying to chase his lips again. You'd gone so long without him, your body wanted to remember him all over again; to fill in the cracks of the memories that had started to fade.

"We can't stay here." He laughed, raking his fingers through your hair.

"Why not?"

"I don't know how much time we have if we want to go back."

"Right." Your body suddenly moved with a purpose, waiting to follow Spencer anywhere.

"I came in through Matthew's trailer." He grabbed your hand and led you to the trailer a few doors down from yours.

He knocked on the door and Matthew opened it, flashing a playful smile at the both of you.

"Hey, it worked!" He moved back to let you both in, you shut the door behind you. No one needed to know that there were inter-dimensional twins hanging out in Matthew's trailer.

"Thank you." Spencer nodded.

"No, no it's the least I could do." Matthew turned to you. "So I guess you're leaving through the strange crack in the aluminum trailer wall?" He pointed his thumb behind him.

"Yeah. Can't have two versions of you running around. I don't think the universe could handle that." You joked.

"Well, I'm going to miss you, but at least I know you'll finally be happy. What will I tell the cast and crew?" He smiled, sadly.

"I'm sure you'll think of something." You momentarily released Spencer's hand to hug your friend.

"Now you'll be catching unsubs in real life." Matthew spoke.

"I've gotten kinda good at winging it, I think."

Matthew rubbed your back. "I'm seeing myself give me a jealous look, so I think I should let you go now."

You rolled your eyes as you pulled away, looking back at, sure enough, your fidgeting genius.

"Good luck with the rest of your life, Matthew. I know you'll do great things. I hope they'll write Reid a new love interest." You said your final goodbyes.

Matthew nodded to you as Spencer grabbed your hand again. "Good luck catching real bad guys!"

Spencer tugged you through the crack, you turned and waved at Matthew. He was already waving back.

Once you made it through, the crack closed and emitted a glowing light. You guessed that meant it was sealed.

"Thanks for everything, Matthew." You spoke under your breath, patting the sealed wall.

You found that you were in a tunnel on your hands and knees, with no room to stand. You recognized it as the place you had crossed through to initially get to Spencer.

"Spencer?" You called out, scared. The light in the tunnel was almost pitch black.

"I'm in front of you, don't worry, it'll get brighter as we reach the end." You felt his hand momentarily on yours.

"Just crawl forward. If you get scared, tell me and I'll let you know I'm still here."

You had no idea how he was so calm. "O-okay."

You heard him start to shuffle against the tunnel's soft velvet fabric.

You crawled and crawled. Slowly, light started to emit from the folds of the fabric, illuminating the tunnel more as you pushed forward.

The light calmed you, the great view of Spencer's ass calmed you even more.

"Spencer my arms are getting sore." You didn't want to complain, but you had skipped out on breakfast, filmed an emotional scene early in the morning, and had a heartfelt reunion. You were exhausted and full of nerves.

"I can see the end of the tunnel, don't worry."

"All I can see is your ass in my face." You mumbled.

"Y-you can stare at your hands instead." Spencer stammered.

"Hey I'm not complaining. I've missed you. All of you. I've thought a lot about that last night we were together." You said cheekily. You knew he had to be blushing.

"I have too." He said, sounding distant.

A heartbeat later, you had reached the end of the tunnel. Spencer climbed out first and turned to help you off your shaking knees.

You were in a place full of moving lights, all different colors. You held tightly to Spencer's hand, trusting that he knew where he was going.

"How do you know where your dimension is?" You asked.

"I can feel the pull from it, I guess since I'm from there."

It was strange, you didn't feel that same pull towards your own dimension. You only felt sated, now that Spencer was by your side.

You followed him, walking in a comfortable silence. The environment confused you, but you knew it was something you just couldn't comprehend. It would be easier if you just accepted it was real and pushed on. Spencer must have thought the same because he seemed relatively calm, his hand gripped yours, as he rubbed his thumb along your knuckles every once in a while.

"You know, it wasn't your fault." You said as you studied the way his FBI vest looked loose on him. Had he been missing meals?

"What wasn't my fault?" He bit his lip.

"Me returning. I was kidnapped by the unsub, wasn't I?" You asked, not entirely sure how it exactly happened.

Spencer nodded. "I didn't even feel the bed move, I didn't hear him come in. If I had only woken up for a second, I could have stopped him." He spoke solemnly.

"Spencer stop and look at me for a sec." You halted and gave his arm a tug.

He did as you said.

You lifted your hand to his cheekbone, grazing your thumb over the skin there. The lights surrounding you casted a rainbow of colors onto his face.

"Spence, it was not your fault, okay? We were both exhausted. When he picked me up, I woke up for a second, but I thought he was you so I fell back to sleep again. I could have stopped it too. But it happened, and it was neither of our faults it was the unsub's fault only." Spencer took a deep breath and sighed; relaxing his shoulders as if you had taken off the weight he had carried there for over 5 months.

"I found you and that's what matters." He squeezed your hand. You both started to walk again. You wrapped both of your arms around his outstretched one, cuddling into him.

"And you're never getting rid of me now." You smirked.

"As if I would want to."

"How did you find me?"

"We found a house where the unsub was building a machine of some sort. He left behind papers full of quantum mechanics equations which all came together to form one big equation. I won't bore you with the specifics, but we eventually found the unsub again through a phone call lead I received from an unknown woman. I had already figured out the order of the equation, but there were missing parts. I realized it was time and space. When we got to the new location, JJ apprehended the unsub and I solved the equation in 2 minutes, jumped on the machine's platform, and ended up here." Spencer condensed.

Now was not the time to sit and talk about everything. You had to get back to his dimension, or risk getting stuck here.

"You did the impossible." Your eyes shined with pride for your genius. He blushed.

"And you jumped onto an inter-dimensional-quantum-time machine thing not knowing if it would even take you to the right place? Spencer Reid I should be cross with you for being so reckless!" You gently slapped his arm.

"I just wanted you back more than anything."

Your heart ached at his words. You stopped him and pulled his tie forward to kiss him. You wanted to deepen the kiss; you wanted to taste him again, but you forced yourself to pull away. I love you, Y/N." He whispered.

"I love you too Spencer."

You continued forward for what felt like 10 minutes, but it could have been any length of time; it was hard to tell here.

Spencer suddenly tugged you to the left, you turned and groaned as you saw another long tunnel. This place was going to give you knee bruises.

"You go first this time." Spencer suggested, biting his lip.

"Very sly," you rolled your eyes. "You're lucky I love you."

He smiled, sheepishly, and he crawled inside after you. Admittedly, you arched your back just slightly to give him an eyeful just because he was cheeky about it.

A few minutes in you grew bored and decided to suddenly stop. Spencer's face crashed into your butt.

"Hey!" He rubbed his sore nose.

"Maybe look at your hands and not my ass," you suggested. You turned to lay on your side and laughed at him. Simultaneously resting your sore limbs.

Spencer, not amused. Grabbed your ankle and slid you under him.

"Maybe stop arching your back; begging for my attention." He smirked. His voice had dropped an octave.

For the second time in your life you found yourself asking, was Spencer Reid dominant in the bedroom? You knew he could be at times, you didn't know to what extent.

"I-I didn't- Spence do you have a dominant side I don't know about?" You asked.

His smile dropped.

"You don't think I'm dominant?"

"Um, mixed signals?"

He pouted.

"Are you trying to be?" You asked, searching his eyes.

"I thought I just naturally was."

"Sometimes you are; it seems random when you let it come through. Maybe it's something we can explore when we get back." You tried to cheer him up.

Spencer swallowed, "y-yeah, I think I'd like that. I'd like that a lot."

You bit your lip imagining how he could possibly act when he's not holding back.

Spencer cleared his throat. "We should keep going."

"Yeah," you breathed, dreamily. You didn't move.

Spencer laughed and rolled you over.

You went to stand on your knees again when you felt a slap against your ass.

You blushed, looking over your shoulder. "Spencer!" Did Spencer Reid just spank you?

"Just making sure you know which way is forward. I can break my nose against your bottom, you know."

"Oh my god, let's talk about something else, okay?" Your blush grew deeper.

The tunnel was becoming totally dark.

"It's getting dark, how do we know when we've reached it?" You asked.

"You'll see a pitch black hole, maybe climb through it feet fir-"

"Whoa!" You felt yourself suddenly falling face first.

You reached out and caught yourself with your hands before your face could contact whatever it was you had fallen on.

"Ow," you groaned.

Your knees had hit something hard. They were definitely bruised and bleeding. Your hands were scratched up.

"Are you okay?!" Spencer had swung his legs out first, landing, perfectly, in front of you.

"Nothing a hot bath and bandages won't fix." You mumbled, standing up.

"Your hands are bleeding!" Spencer squeaked, grabbing your wrists to inspect the damage.

"I'll live. Actually, no, I think I need Dr. Reid's special medical attention, once again." You teased, your mind reminding you of the time he mended and kissed your bruised knuckles.

Spencer shook his head with a smile and held your hands up, giving each one a kiss.

"Déjà vu." You giggled. He had a habit of making you into a giddy schoolgirl at times. In this moment, it could be your exhaustion making you delirious.

The crack in the wall next to you sealed.

"Where are we?" You looked around at a concrete interior.

"The warehouse. That's the platform I used to get to you." Spencer pointed.

You heard voices talking just outside. You pulled Spencer's hand to exit the building together.

"Spencer Reid, you have a lot of explaining to do!" JJ yelled, stomping towards him.

Her eyes softened when they landed on you. By now the rest of the team had arrived. They all took notice of you and Spencer, one-by-one. "Where the hell did you go, Spence? You disappeared into a bright light and didn't return for 3 hours!" JJ continued, walking up to give both of you a group hug. "Actually, I didn't disappear. I was a bunch of tiny particles moving at the speed of light. It gave me enough energy to break through to the void. From there, I followed a magnetic pull to a crack in Y/N's dimension. I found her and brought her back through a crack that opened here." Spencer explained, matter-of-factly.

JJ sighed and pinched her nose. "Listen, if I hadn't seen you blink out of here with my own eyes, I'd be rushing you to a shrink right now. You have a lot of explaining to do. Both of you."

The others came running over, Morgan scooping you up into a hug. "Pretty girl, where have you been?" He asked, setting you down.

Spencer slid his arm around you. You held him closer. "Maybe it's better if Spencer explained that," you replied, looking up at your own personal super hero.

Next Chapter

[twdmusicboxmystery]

Maggie and Negan’s Origins Episodes

Morning Everyone! So, I’m late doing this, but today I’ll talk about both Maggie and Negan’s Origins episodes. There’s nothing huge in either, but still some things of note. Tomorrow, I’ll do an in-depth analysis of the S11 trailer. So, here goes.

Maggie’s Origins Episode:

They show and mention Beth a handful of times, but only because she intersects with Maggie’s arc or is in a shot with her. There’s very little emphasis on Beth in Maggie’s arc.

Much like with Norman’s episode, it’s clearly told from Maggie’s POV, so we get her thoughts and reactions, and they skip huge chunks of the story that she wasn’t present for. I feel like she was less in character than Norman was, but that may be because Lauren speaks in her real accent, and it’s so different from how Maggie speaks that it feels like there’s more of a disconnect.

The part that was probably the most interesting (other than the sneak peek for S11, because once again, holy TD symbols, Batman!) was when it showed the end of Coda.

So, because it’s Maggie’s POV, we see her find out from Michonne at the church that Beth is alive, and then it skips to her arriving with the others at the hospital.

(Broken record over here but this is a good example of how it’s from Maggie’s POV. If it were just Lauren telling the story, you’d think they would say something generic about what happened in the hallway of Grady; something like, “unfortunately, Beth dies before Maggie arrives” or “Rick and Daryl try to save her, but things go awry….” But they don’t say any of that. We only see what Maggie saw.)

And it shows a lot of the final scene where Daryl carries Beth out. And there is literally NO commentary from Maggie/Lauren during the entire thing. Like…silence, except for the background music from the scene.

Then it skips to the opening scene of 5x10, Them, where we see Maggie crying near the dry creek bed, and Lauren just says, “The loss of Beth is crushing.” And then they move on with how Maggie copes and to Aaron showing up.

I have to side-eye the fact that they don’t actually mention Beth’s death here. Using the phrase, “the loss of” is both ambiguous and suspicious. Why not just term it “Beth’s death” if she really is dead?

So, once again, they’re being very vague where Beth is concerned. Even with Daryl there was SOME commentary about losing Beth. He said, “unfortunately Beth dies” and “she’s just another person he can’t save.” But we didn’t even get that from Maggie.

So, on the one hand, I just think they’re still being very careful not to reveal too much. It’s just more of what we saw in S5 with Maggie not searching for Beth, etc. To me, it simply shows that Maggie’s arc where Beth is concerned is still going and they’re still keeping to that same story. So, while of course I would like to see more of Beth and this episode isn’t NEARLY as much fun as Daryl’s was, it still doesn’t bother me overly much.

S11 Sneak Peek:

Yeah, this was creepy. Corpses in body bags reanimating. And for the record, it’s hard to know exactly what they’re talking about because we’re only getting this one clip. When they talk about whether “they” were all killed during “the fall,” I’m pretty sure they mean the group they’re hunting (probably Reapers) rather than the walkers they’re looking at. Again, it’s a little confusing. And we don’t know what “the fall” refers to. But we will when we see the entire episode.

Anyway, two major symbols jumped out at me. 1) the walker Daryl killed didn’t make any noise. When they uncover it, Gabriel says its throat has been cut so deeply, it was nearly decapitated. The implication being that its vocal cords were severed and it literally couldn’t make any noise. *speak no evil*

Also, Maggie picks up a stuffed rabbit. Yeah, that’s a ridiculously potent symbol. We saw them a LOT in S4 around Beth and Daryl, and also Lizzie and Mica. I believe the rabbits represent innocence. And especially the pure and innocent being killed, just as Lizzie killed Mica, and Beth was “killed” at Grady.

So, if they’re hunting a group (the Reapers) who are taking innocent lives, it makes sense to have the rabbit symbol here.

Without more context for the episode, I can’t really interpret the rabbit symbol more deeply than that, but it’s definitely interesting.

Negan’s Origins Episode:

Overall, I must admit that I found Negan's origin story to be boring.. I like Negan's arc and they went over parts of the story I really enjoy, but it was all stuff we'd seen before and no massive smoking guns jumped out at me. Nothing like Daryl's origin story.

I will say that they used Negan's story to emphasize other characters, especially Daryl and Eugene. They specifically showed that Daryl wouldn't say he was Negan while at the Sanctuary, while Eugene immediately did. I think something about that will be important moving forward. (Not surprising, especially where Daryl is concerned; I doubt it's a coincidence that they focused on Beth's line about him being the last man standing in his origins episode and then we saw these things in Negan's.)

At the end, they talked about how Negan is doing things his way, now. Telling his own story. It feels very significant, and he's clearly going to have a major arc moving forward. And I actually am excited about that. It's just that, overall, most of this is stuff we've seen and discussed before, so I found myself yawning.

S11 Sneak Peek:

This one didn’t have tons. They’re still in the creepy subway tunnel. Wind blows through the pipes, making them groan, which is freaking everyone out. There is a “serious” mention, which I had to side-eye. Alden says it about the wind. He says, “it’s nothing serious. We’re good.”

Then Negan tries to get them to turn back, siting a water line which shows the tunnel floods during storms, but no one listens to him. That’s pretty much it. So, not much to say other than this is clearly a creepy setup and I’m looking forward to seeing the episode.

@wdway:

In Maggie's episode, there were quite a few scenes from Chupacabra which makes me wonder if they're doing a list of important episodes for each of the characters if that episode is also on Maggie's list. It would be interesting if it were.

You were right that there's not much of a at all the part about how Maggie after the prison fell was looking for Glenn and Beth that makes me laugh. I believe that's what's called backpedaling, ha-ha. This was not in the episode, but I've been meaning to mention this. In the s11 preview where Carol says something about, you don't want to go down that road. I believe she might be talking to Maggie about revenge and how you really never find peace from it. Just a guess.

You are so right about the Negan episode being a little flat. I did come away with the feeling that in trying to honor Lucille, Negan could be essential in helping Beth in the rebel fight. Maybe just wishful thinking. We'll have to wait and see, but I feel that he and Beth are in some way going to be tied together and I truly think that Beth is going to remind Negan of Lucille and he will do whatever he can to help her to ease his guilt over not being there at the end for Lucille.

I think that after we've seen all the episodes, it'll be Daryl's by far that will mean the most for TD for setting the record straight on his feelings for Beth.

I will say that I'm hopeful that there may be some good things in Carols episode next week. I'm so hoping that she makes the point that Daryl is only her BFF and that it's Ezekiel that she loves but can't handle being with him right now because of her need for revenge. A girl can hope, right?

@twdmusicboxmystery:

We can definitely hope! I, too, am looking forward to Carol’s episode, only in the hopes that it confirms or reveals some things for us.

So, this has been my fairly short analysis of these two origins episodes. I did enjoy watching both, but clearly Daryl’s episode was by far the most exciting for TD.

Thoughts? Anything we missed?

[miraculouscontent]

Ask Explosion #6

Asks answering previous posts:

Oh, okay! I’m glad, thank you!

(the post this anon is referring to)

Ohhhh.

And fjbgjnfkjgfg thanks >////<

I don’t think there’s much wrong with liking the design itself; I prefer Riposte personally, but that’s just me.

The best way I could put the “insensitive” part (I’m sort of dumb when it comes to this stuff and I talked about it before when I was working on that 3D model of Marinette) is that it’s so heavy on Japanese. I mean, they already have Kagami constantly wear what looks like a school uniform and Tomoe is just like--super heavy Japanese. It’s like the show doesn’t know how to balance “can’t tell at all” (with Marinette) and then “okay this is WAY strong” (with Kagami+Tomoe+Kung Food).

That makes sense! I guess the only problem then would be that the kwami can’t really act as mentors of any kind because “you’re saying this just because that’s all you can say” (like Sass, hypothetically, always willing to give someone a second chance, no matter what; I know that’s not what his power specifically entails but it’s just an example).

I would however definitely lean towards kwami being very strict in one alignment, so Tikki would always be on the path of pure good and thus never want to take/steal/whatever, whereas Plagg is always on the path of “bad,” but there are times where Marinette will have to ignore Tikki while Adrien will have to listen to Plagg.

And yeah, the guardians existing and the kwami not having so much control... not a huge fan.

Someone asked about Chat Noir’s flirting and he claimed that it was “on purpose” (you know, while throwing episodes like “Felix” at us but okay) and then he followed up with this:

There was also this other comment he made a while back when someone tried to make a suggestion to him:

Except he’s missing the point completely. When he talks about constructive criticism, he acts like it doesn’t matter, especially not anymore now that they’re working on Seasons 4 and 5:

(I mean, personally, I don’t think I need “engineering knowledge” to know when a rollercoaster I’d ridden nearly tossed the cart off the tracks and had questionable design decisions, but you do you, Astruc.)

Yes, constructive criticism is mainly for seeing a product improve, but that doesn’t mean ignoring it because, “well you haven’t seen the full product.”

“Animaestro” even has a bit of commentary on it:

Ladybug: What's with that trailer too? I am not scared of cats, at all.

Animaestro: You haven't even seen the movie and you're already slamming it?

Chat Noir: He does have a point, you know.

Ladybug: I wasn't slamming it. It's called constructive criticism!

(firstly, of course Chat Noir bows to Astruc on that one because he’s Astruc’s sunshine boy, ugh)

Ignoring the fact that a movie/printed book is usually a “full product,” criticism is also to say “you did this thing wrong, don’t do this in the future.” It doesn’t have to be referring strictly to the show. It’s just, “you did this thing wrong and here’s why, try to catch yourself if you accidentally do it again in the future, whether in what you’re working on now or otherwise.”

(He’s also talked about “unsolicited critique” before and I don’t know what that means? Like, dude, this isn’t someone’s fanfiction where I’d actually agree that you can’t go after them for their work. This is professional work.)

Anyway, remember “Chameleon”? When everyone saw the trailer and absolutely flipped out over it, then there were people who were like, “Wait for the full episode!!”?

Guess what? The full episode came out and people were either just as mad or even madder than before.

Astruc wants to have his cake and eat it to. He wants to say that his episodes are “stand-alone,” and that the order isn’t that important, but when people start pointing out issues, it becomes, “No! You have to wait for the rest of the episodes to come out!” and when people do that, it’s gonna be like, “Well, we already did the whole show so it’s not like I can change anything. *shrug*”

Also, just blaming it on “the industry” when everything else has been exhausted:

(He’s literally brought up before that the New York special was meant to have subplots about other characters, so it’s not like he can never say anything when something didn’t fit the “original vision”; I’m not asking him to get on his knees and say he’s sorry - plus, I do recognize that a lot of influence comes from the industry and people like Jeremy - but I expect a little more than the “whoops” he gave when people pointed out that “Weredad” contradicted his statement on Miraculous Ladybug.)

I think the reason people see it the way they do is because of Fu’s line in “Robostus” seems to imply the exact opposite thing happening.

Master Fu: Universe must always stay in balance. For every action, there is a reaction. For every wish, a price to pay in return. Had your robotic friend asked to become a real boy, someone would have lost his humanity in return.

New Asks:

Marigami is acceptable. I’m not crazy about it but it’s likable enough.

Lukadrien though... no, absolutely not. On a conceptual level, because it’s such a slap in the face for Marinette, and on a fanon level, because most of the jokes around it is Luka going to Marinette like he’s about to ask her out and then just asks for Adrien’s details. It’s just... ugh. I hate it (throwing Marinette into the ship still doesn’t help for me though because I’m not into the love square).

Bi erasure is my least favorite thing.

And yeah, it’s like--they set the love square ship(s?) out onto the water, then the Lukanette ship later with the plan to either sink it or just kinda... return it to the harbor if they don’t make a huge fuss about it?

Meanwhile, the love square ship has been in piece this whole time, and instead of letting it sink, they put it on a raft to keep it floating.

Depends.

In LadyBugOut? It’s already written and I haven’t posted it.

For canon? Like, Marinette being super disappointed at her view of Adrien being shattered or? :P

That’s accurate. I dislike about a fourth-ish of Season 1,then about half-ish of Season 2, then like... almost all of Season 3.

So we’ll just have to see what happens in Season 4.

I like Adrimi, but I’m not crazy about it and I don’t really write for it unless Lukanette is already the main ship (making Adrimi just a background ship). Adrien tends to dismiss Kagami a lot (like in “Frozer” and then “Miracle Queen” with him not committing) and I don’t want to see Kagami hurting like that (I agree with the anon completely that Adrien is more at fault than she is). They’re both emotionally-stunted so I usually have them wait it out or something to have them get together.

My ideal endgame is Lukanette while Adrimi is more like “let’s wait, let’s work on ourselves (especially Adrien; Kagami at least has on firm crush and wants to commit to it), and we’ll see where we go down the line.”

I don’t know if they really have the guts to arrest Gabriel. I also think that Lila might pick up the butterfly at the end of Season 5 or something after she’s been “dealt with.”

Chloe also is the mayor’s daughter so even if the law was that strict on teens, nothing would happen to her unless Andre got replaced.

Big yikes.

Maybe that the thing forcing Marinette away from Adrien and causing things to go wrong is the part of the curse trying to prevent the ladybug and cat miraculous from coming together?

So, close enough to be attracted and want to work together, but forcing the ladybug away from the cat to prevent the miraculouses from being used to make a wish?

I CHOKED ON MY DRINK.

ugh

ugh

ugggggggh

I’m 100% sure that Marinette wouldn’t be as uncomfortable around Adrien if Alya hadn’t constantly intervened. She’s the enabler of both Marinette’s anxiety and her crush on Adrien.

I went back and looked at the scene and it does kinda look like it, yes, because it basically goes from the intersection Marinette is in to another intersection that looks very, extremely similar and I don’t see Marinette in that intersection.

It was just a really, really bad transition. I remember being thrown off for a second too so I don’t blame you, anon.

I think Bob Roth’s intent was to scare Marinette away from showing that proof? He probably knows very well that Marinette has all the evidence she needs to make a case and already had a story planned for the press about how “the young talents they found didn’t measure up and the people deserved better.”

He just needed enough pressure on them for them to believe that he had enough authority to silence them.

And then Silencer tried to silence him instead. :3

I don’t think Marinette’s relationship with her parents would change too much. Like, they already let her just go out whenever she wants which obviously Plagg approves off, although Marinette might become more numb to the idea of being grounded because Plagg just teaches her, “hey lol Ladybug isn’t grounded tho,” so Marinette sneaks out all the time.

Yeah, Tikki would probably justify Gabriel’s behavior, and she wouldn’t really be able to get on his case for flirting as Mister Bug because she’s not aware of it.

lol it helps no one to have Tikki I guess.

Adrien overall and then honorable mention to Alya for Winny’s comment about her being Marinette’s conscience (which is probably why they almost never nail Alya for stuff she does).

KHNJFDNGFD THE LUKANETTE QUEEN MONIKER RETURNS >///<

And ugh, the absolute level of bias in that. Even if the video was made in, like, Season 2 (don’t know, didn’t see it), Season 2 still gives examples of why Adrienette isn’t making Marinette happy at all (and has some of the love square failings too).

The name and the fact that they gave it that name tells me everything I need to know.

Goodness gracious.

Yeah, people can talk about character’s flaws. I mean, we talk a lot here about Marinette’s struggles in getting over Adrien (partly brought on by a lot of outside factors but still).

Also, sure, Luka is a “pushover” because he’s one of the few characters who understands Marinette’s tunnel vision and isn’t bothered by it, okay. :P (Interesting that the topic of Chat’s entitlement towards Ladybug but Luka respecting her choices and just enjoying being around her makes him her punching bag).

Every time I hear, “Adrien needs more spotlight!!!” I lose a part of my soul. How people can’t see that Marinette is the show’s true punching bag is beyond me.

[anhed-nia]

BLOGTOBER 10/4/2020: SOCIETY

Without having a survey to back me up, I feel comfortable asserting that as a horror fan, you go through different phases with SOCIETY. It’s a basic fact of life, and yet it morphs and mutates underneath you, shocking you anew just when you think you’ve got a grip on it. You never forget your first time, because there is simply nothing like it. Then, after you get over the initial shock of its patented brand of body horror, you start to take it for granted; it's so broad and monolithic that it becomes something like the Grand Canyon--when it’s not right there in front of you, you begin to experience it more iconically, as part of the wallpaper of existence, rather than an in-your-face confrontation with the limits of experience. Then, you revisit it every few years (or months, depending on what sort of person you are), and the prophylactic layer that your brain has wrapped around your memories of it--the one that allows you to think of SOCIETY as a fun, wacky cheap thrill--begins to crumble, and you realize all over again how iconoclastically vile it is. Wherever you happen to be at, with this inimitable genre landmark, you'd be hard pressed to deny that it earns its royal status among horror movies, just for being so uniquely fucked up.

Filmmaker Brian Yuzna is best known as the co-creator of the indispensable RE-ANIMATOR (or as the co-writer of HONEY, I SHRUNK THE KIDS...depending on what sort of person you are, again), itself a milestone achievement in the blending of sex and gore that so characterized '80s horror production. That film clearly brought out the best in Yuzna and frequent collaborator Stuart Gordon (also of HONEY, I SHRUNK THE KIDS fame...among other things), but it's interesting to see how they operate apart, to understand the unique ingredients that each filmmaker brought to the more perfect union of their classic Lovecraft adaptation. Gordon skewed darker and more intellectual, as evidenced by the end of his career with the shattering mob thriller KING OF THE ANTS, the disturbing true crime drama STUCK, and the Mamet-penned EDMOND. Yuzna, for his part, is almost anti-intellectual, preferring to cook up blackly comic, semi-pornographic nightmares like his two increasingly horny RE-ANIMATOR sequels, the terminal S&M fantasy RETURN OF THE LIVING DEAD 3, and the shamelessly hokey comic book adaptation FAUST: LOVE OF THE DAMNED. Yuzna's lack of shame is really his defining feature as an artist, and nowhere is this more obvious than in his directorial debut and signature masterpiece, SOCIETY.

Salvador Dali's "The Great Masturbator," a chief visual inspiration for SOCIETY.

Yuzna was able to leverage the success of RE-ANIMATOR to lock in two directorial opportunities, BRIDE OF RE-ANIMATOR, and a bizarre body horror exercise about a Beverly Hills orphan who discovers that not only are his adoptive family from a different bloodline, but they're not even from the same species. That both pictures employed the writing team of Woody Keith and Rick Fry gives you a little taste of what to expect from SOCIETY, but to be frank, the latter threatens to make the former look like a very special episode of ER; "overkill" barely begins to describe SOCIETY’s ambitious assault on the human body. In a recent interview, the philipino-american director giggles perversely, "I think my friends were a little embarrassed for me (when they saw SOCIETY)," and this sound bite reminded me that the last, most important ingredient that Yuzna contributes to any project is unabashed joy. It's a little hard to imagine stomaching SOCIETY without it.

In this unusual scene from the class struggle in Beverly Hills, Billy Warlock (son of HALLOWEEN 2's Michael Myers, Dick Warlock) plays Bill Whitney, a rich, handsome, athletic high school student with a heavy duty anxiety disorder. Although he appears to have it all, he is plagued by nightmares and hallucinations, reflecting suspicions that the family that spoils him is also out to get him. Perhaps this is all understandable, though. Bill is under a lot of pressure these days, with his parents devoting all of their attention to his sister's coming out party, and his narcissistic girlfriend pushing him to ingratiate himself to the assholes higher up the social ladder; it's enough to make any teenager feel alienated and insecure. But, do these garden variety anxieties account for his visions of his sister's body deforming itself unnaturally, or the dubious evidence he finds that her debutante ball involves incestuous orgies and human sacrifice? Is Bill simply crumbling under the strain of societal expectations, or is the friction with his shrink, his parents, and his peers all symptomatic of an elaborate plot against him by elites who are truly less than human?

I can’t believe they use this cheapo blanket trick MORE THAN ONCE in a movie that is famous for its unforgettable special effects, and I guess I kind of love it.

In case I haven't made the answer abundantly obvious, I'll add that while SOCIETY is the purest expression of Yuzna-ness on the market, it has an important co-author in Screaming Mad George. The eccentric japanese FX master, whose name is apparently an amalgamation of Mad Magazine, Screamin' Jay Hawkins, and...George, has produced some of horror's most outrageous makeup and visual effects, mostly for Yuzna, many of them in SOCIETY. If you've seen even a trailer for Alex Winter's 1993 oddity FREAKED--which is itself a grossout criticism of American social standards--then you are already familiar with SMG's trademark style. He specializes in twisted perversions of the human form that would make a cenobite blush, driven by a penchant for puns, and influenced equally by THE THING's Rob Botin, and Big Daddy Roth’s Rat Fink style. Screaming Mad George is instrumental in articulating Yuzna's premise: that behind the shimmering veneer of success and sophistication, the upper class are just a bunch of degenerates, who literally degenerate into something unimaginable behind closed doors. It's impossible to imagine SOCIETY without his sinuous, slithering monstrosities, or his indescribable realization of their most important social event, "the shunt".

One of many great images from a zine I wish I owned, on SMG’s Facebook page.

It's easy to get overwhelmed by SOCIETY's visual impact, but its message is just as potent now as it was at the end of the Reagan era: Rich people are not only different from the rest of us, but in fact, they aren't even human. Writers Keith and Fry make an interesting choice of hero to help put this across. A lazier writer would have selected any archetype from the Freaks and Geeks set to create an easy Us vs Them tension, but SOCIETY is led by a promising young man who, for reasons he himself does not yet understand, is just not "the right kind of people". Bill appears to have every advantage in life, including a level of popularity that wins him presidency of the debate team despite his nerdier rival’s superior prowess--and yet, he suffers from a stigmatizing psychiatric disorder that is the natural result of feeling indefinably different from one's peers, and intuiting that, as a consequence, they don't even really like you. The shallow jock with deep-seated emotional problems is a much more interesting protagonist for this kind of social allegory than the charismatic outcasts that you get in movies like THE FACULTY and DISTURBING BEHAVIOR, for whom the idea that the elites could be aliens is just de rigueur.

It's worth noting that this complexity of character extends to Bill's love interest, sympathetic society girl Clarissa Carlyn (Playboy Playmate Devin DeVasquez). At first, she seems villainously eager to introduce Bill to the many splendors of "the shunting", but as the plot against him mounts to its horrifying conclusion, she defects. There appears to be a reason for this, although honestly, this is the most difficult part of SOCIETY for me to wrap my head around. Clarissa lives as an essentially independent adult, only burdened by her mother (Pamela Matheson), a possibly brain damaged hulk who lurks in and out of various scenes just to be disturbing, always announced by some toots on a tuba, before eventually siding with our heroes. I'm really not sure what's supposed to be going on in this part of the movie, except that this character contributes to a number of distasteful jokes. But, I hold on to the idea that by virtue of whatever disorder Mrs. Carlyn suffers from, she serves the purpose of priming Clarissa to rebel, since her very existence makes her daughter something of a societal outcast herself. That's the best I can do.

In any case, everyone working on SOCIETY commits completely, with Mrs. Carlyn being no exception. The movie's climactic orgy of the damned is an all hands on deck operation, just as reliant on Screaming Mad George's artistic abilities as it is on the actors' responsibility to make you believe that this fucked up shit is really happening. There's a visceral patina of sleaze spread over the entire film, dripping from the way that characters talk to and touch each other, flirting and flaunting their bodies in a distinctly unseemly fashion, even when it stays within the realm of mundane reality. This constant sinister, insinuating attitude on the part of the whole cast lays the foundation for what is to come, and while I appreciate everybody's hard work, my favorite performance is from an actor who only comes in at the very end: David Wiley as society king Judge Carter. Wiley's career consisted almost exclusively of the most ordinary sort of television work, which makes his outrageous turn in this alien porno flick all the more respectable. While other characters transition from suspicious pod people to full-on mutated perverts, Judge Carter has to show up just for the finale, establish his authority, rip off his clothes, and plunge straight into a sea of slime, happily fisting his way through the cast. Wiley meets this challenge with aplomb, making of himself a hybrid of Robert Englund and Gene Hackman, perfectly embodying the movie's joyful absurdity, and never betraying the slightest hint of embarrassment. 

SOCIETY is very much a don't-look-down type of endeavor, a fairy that could expire at the slightest lapse in faith. There's a visual pun in the last act that's so gross, so offensive, so frankly idiotic, that I don't have the courage to describe it; my whole body tenses up when I know this scene is coming, as if it were the meat hook scene in TEXAS CHAIN SAW MASSACRE or the brutal rape in the middle of SHOWGIRLS. I don't like it, but at the same time, I respect Yuzna's unhesitating commitment to show it to me, and I think that actor Charles Lucia should get some kind of award for shouldering the burden so valiantly. SOCIETY is a daring movie in the truest sense, a film with more balls than brains, and in this it exposes the limitation of intelligence and taste, and the real need for pure transgression, in producing art of any real value. You might argue with me about whether Yuzna's masturbatory magnum opus really qualifies as art, but to respond to that, I'll quote the great transgressor Alejandro Jodorowsky: "If you are great, EL TOPO is a great picture. If you are limited, EL TOPO is limited." So stick that in your shunt and smoke it.

PS Here, have this stuck in your head for the rest of your life.