#love reading additions to my stuff

[theshadowrealmitself]

My taxes are finally done

[bisexualcherdegre]

Marvel Rivals: Duelist MAGIK

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[marclef]

Quick question; so there have been instances where we have seen Eyhm speak (certain art, in Monster she speaks a little) but I'm curious, if she can speak, does she just choose not to speak often? Or is there another reason?

she is able to speak a bit, yes! mostly fairly short sentences, she's not the best with words, think of her as having the same speaking abilities as a 4-5 year old child! so no big, difficult words, but she can talk a bit more if she's comfortable enough! she speaks in normal words about as often as just making simple cat noises, no real reason, usually it's just easier to not talk if she doesn't need to.

(some dumb, silly art from a while back as an example 😅)

but, here's a cute fact for you, she does have nicknames for a few of her friends!

Peppino: Peppy! (easier to say, really!)

Fake Peppino: Fakey! (also what Noisette calls him, which is why he likes that name!) Noise/Noisette: Mr./Mrs. Bunny! (she thinks Noise looks like a bunny just as much as Noisette does!)

[all-thestories-aretrue]

Here are the Thoughts™️I promised @discordkittenterumi

This post is a much longer follow to this post from last night as I was listening to episode 60.

This post is also in conversation with with something @peppedstep mentioned about Neil’s loyalty to the coterie, which I touch on briefly.

Everything sort of solidified in my brain after finishing 60 at like 2 am last night.

In 60, we see Neil wake up in a strange place with Weathers and Amara with him. The last thing he remembers is running from his sire which seems to be several days ago.

Neil also does not remember much of Baghdad (which is a whole separate post that is coming. I have many thoughts about Nara and Neil in that situation).

He routinely has panic attacks, some of which lead to dissociation. For example, before his trial in 37 and 38, we see him go catatonic when he realizes his haven is under attack. Dissociation is not usually something that happens to someone once and then never again. It’s a coping mechanism, and I don’t think it’s a stretch to say it’s something he experiences, perhaps not regularly, but with some sort of frequency.

In addition, many of his rituals require his mind to be separated from his body, and we know kalif also impacts his cognitive function as also seen in Baghdad. He has the capability of astral projecting which leaves his body behind, defenseless. The ritual with the bull in 6, he had others stay nearby just in case something were to happen. The second time he completes the ritual, Johnny escorts him.

Neil is often dependent on the people around him to keep him safe, and we see him repeatedly look to others for their judgement before he makes a decision on his own. He looks to Nara to trust Jubair, and he looks to Amara to trust Catherine and this mission. In these two cases in particular, he’s forced to rely on others’ assessments of the situation because he cannot make his own. In addition, relies on Britta and Miles to defend him in court while Johnny and Wynn take care of his haven. He also places an immense amount of trust in the coterie and their decisions, generally speaking.

Peppedstep mentioned that family is important to Neil, the coterie is important to Neil. He consistently revolves around the idea of keeping them together and spending their final nights together. I agree, but to add another layer to that, Neil trusts everyone in the coterie, and as has often been discussed, trust is an extremely rare commodity for Kindred, and in some cases doesn’t exist at all. What Neil has with the coterie almost seems to be unprecedented given the general picture of the Camarilla and Kindred society the audience is presented with. He knows these people will protect him and/or his body when he is unable to.

I would imagine, without them, his quality of life would be diminished, and all it would take is one mistake, one bad episode, for him to meet final death or another horrible fate, especially considering his abilities. It was a stroke of luck that Amara and Weathers picked Neil up.

His drug use, mental health issues, and magical abilities all work closely together to form a complex web of memory loss and a distrust of his own opinions. Even further, I would argue that his memory loss contributes to his lack of a sense of identity.

I believe it’s been mentioned a few times that Neil doesn’t really have a strong sense of identity (I am not going to sort through all 60 episodes to find those sources though, sorry! I do think it might have been brought up at the party when Fester was preparing him?), and that’s proven by how he talks about his worth early on when Wynn confronts him after the bull ritual. He, and I am paraphrasing here, believes he is useful because he can provide the coterie with knowledge. Later on, he mentions that Miles kept him around because of his specific abilities which again, his worth is tied up in his usefulness to people.

This mentality is compounded by his early history with his sire. In 51 or 52 (I can’t remember which and I’m not going to look it up), it’s described that Neil looks at his sire the way one might look at an abusive parent. Neil is absolutely terrified of this person even now. Based on Neil’s nonconfrontational personality, some of his coping mechanisms in the face of this abuse could easily be making himself small, agreeing with his sire, etc. leading to the people-pleasing nature we see in Neil now. Peppedstep also posited that Neil could have been Embraced to be made in his sire’s image. We know he is a loner, we know he has visions, and maybe he also feels the need for family in his own demented way. Regardless of if that is true, Neil’s sire had a massive effect on who Neil became as a Kindred and without question would influence his sense of identity. If Peppedsteps’s theory is true, then Neil’s sire would have stripped away any sense of who he was to remake him in his image.

TLDR: Neil has memory loss from a combination of drug use, mental health issues, and magical abilities which make him reliant on others for his safety in certain circumstances and further exacerbate his lack of a sense of identity.

Thank you for coming to my ted talk.

[xcziel]

has anybody else thought about how jk could easily manage sofia's parts of slow dance or is it just me?

[significant-narratives]

is william nylander a leo rising or anything like that? I feel like he’s leo-adjacent

alas we do not have a birth time for willy (at least, not that i know of) so i can’t say for certain. i am however willing to walk with you on this path as a bit of a thought experiment! also this got really long, sorry i have chronic Can’t Shut The Fuck Up disease

now, a few disclaimers before we get started:

1) i generally don’t love trying to guess rising signs — this isn’t a judgement on anyone who does, i just find it particularly difficult to do lol. so take everything i say here with a grain of salt

2) i subscribe to the belief that a rising does influence/color the rest of an individual’s chart, so keep that in mind as we delve into this.

3) i am by no means an expert when it comes to astrology and don’t claim to be, and i do pull from various sources when needed to supplement my own knowledge. i am here to have a good time and that’s all! if you have any questions about the sources i use feel free to ask.

okay with that out of the way. willy as a leo rising is interesting! if we look at what such a placement would entail we can see a lot of ‘willy-like’ traits: there’s the courage, confidence and protectiveness associated with any leo placement. high charisma, extroversion, directness. as an ascendant the ‘fixed energy’ of leo tends to manifest in a need to achieve success and stability, and then maintain it. body awareness is another one — understanding how you look and move through space (usually linked to a strong sense of personal style).

(more of a side note, but in terms of physical characteristics, leo risings are often described as tall and broad shouldered, with expressive eyes and strong bone structure. i don’t place as much weight on this aspect of a rising sign, but it’s interesting!)

so, from all this, you could make a strong case for willy being a leo rising! however there’s one crucial thing that isn’t clicking for me: an individual’s rising sign tends to be linked with a public mask / a lens through which they see reality. and i don’t think the way willy presents himself to the public, or what glimpses we’ve seen of his worldview, is quite aligned with leo rising energy specifically.

his white knuckle grip on his ‘i am Chill and Calm and Going With The Flow’ attitude is a little out of line with how leo energy tends to manifest (imo). like one thing about a leo — what you see tends to be what you get and they’re not ashamed to show you that. they’re not (in my experience) all too concerned with persona-building or shielding themselves from being seen. they’re picky about who they give their time and energy to, sure, but like. that’s not quite the same thing. you feel me?

so if he did have a leo rising… i feel like in theory we wouldn’t see a lot of willy’s tendency to keep things very close to his chest and generally not Feel Things In Public. like, think about it. how much do we actually know about william nylander. and how much of what we know came from him. half of the off season content we get that features him comes from alex’s gf’s insta! he’s out here posting pictures of lizards and aesthetic topless photos. it took him eight years and finally securing his place in toronto for the foreseeable future for him to be willing to get even a Little vulnerable with the press and admit just how important toronto is to him, how strongly he’s put down roots here. again you could argue this protective quality is a point in favour of a leo rising placement… but he is also a taurus sun… also is this a good time to say i don’t feel like i’m picking up on that ‘leo rising energy’ trickling down into the rest of his chart? i feel like with a leo rising you’d see a very different manifestation of his gemini venus or libra moon, for example, but that’s just speculation on my part.

it’s also possible the general ‘leo adjacent’ energy you’ve mentioned picking up from him is that gemini venus / aries mars combo of his (i will hold my tongue and not say the word that i’m thinking in my head rn).

tl;dr my verdict on willy having a leo rising: it’s possible but not my favourite choice for him personally! to me i’ve always felt like he gave off water rising energy… (op are you saying this because you are a taurus sun scorpio rising you ask. to which i will say: no comment <3)

[themyscirah]

Ok game time which 3 series would you just DIE to get a run on ? I'm talking full creative control, can be as a writer or an artist + plotter if that suits your vibe best

My 3 are

Suicide Squad

Wonder Woman

Green Lantern Corps/Green Lanterns

(in that order)

[riiviir]

hey guys so I just started reading Flatland by Edwin A. Abbott and OMG AHSBNSBSBSNSNBSHZHSHDBFHGGHFHGRJ2KSHSBSNSK AAAAAAAAAAAAAAA I LOVE THINKING ABOUT THE RELATIVITY BETWEEN DIMENSIONS!!!!!!

[hongluboobs]

popping off so hard for new Hong Lu id because it can mean so many things if you think too much about this guy and also are incapable of separating Hong Lu from his book counterpart in any way

also he’s silly and cute and this is our first Hong Lu id 000 we’ve had in 6 months, as well as his first non season 000 :)

[pokimoko]

5, 10, 20, and 25 for fic in review ask thing!!!

5. What ships captured your heart?

I am a gen writer through and through, so it's a very rare thing to see me writing a ship-focused fic. That said, I really enjoyed the pairing of Karlach and Astarion this year, though I wouldn't say I shipped them necessarily in a romantic sense. The fic I wrote that had them together had their relationship tagged '(it's fairly ambigious; is it romantic? queerplatonic? platonic? yes), (the love and devotion is there regardless)' which I think basically sums up how I view them (and also how aromantic I am about shipping 😅).

I also liked Billford, but in a strictly 'oh yeah they're super divorced, they are never getting back together' kind of way. Not sure if that counts as shipping, but hey, it's definitely counts as something.

10. What fic was the most satisfying to write?

I would have to say either 'The Poetics of Space' (Gravity Falls) or 'On Waxen Wings We Soar, In Spite of Inevitable Ends' (Baldur's Gate 3). They were the two fics I was the most happiest with this year, not only regarding the quality of the writing itself and the themes they explored (the constance of change not only in the world but also ourselves, and finding joy in and making peace with the time you have left), but also how they tied everything together in their conclusions. Both of them equally made me feel a 'wow..I did that' feeling of accomplishment when I finished them, so yeah, they both were absolutely the most satisfying to write.

20. Share your funniest line.

Being more of angst-based writer kinda limits my collection of comedic lines (even my more comedic story this year was extremely angsty), but there was one line I wrote this year that got a couple comments about it making the reader laugh, so I'll go with that one (because if two people found it funny, surely it must be, right):

“You try fixing an interdimensional portal for thirty years without learning physics," (Stanley) said. "I know what quarks are now. Do you know how much I hate knowing what quarks are.”

25. How did you recharge between fics?

Usually I'd spend the first few days after finishing a fic trying to figure out the what the heck to do with the spare time I had previously allocated to writing said fic, and then once I figured that out (and had yet to be overcome with the urge to write something else), I'd probably watch a TV show, read a book, play video games, and do some art. I'm boring like that.

Send me a number!

[maudlin-scribbler]

WHYYY did my mother have kids with my father if she can barely stand his ass (i can't stand him much either) and whenever she's insulting and berating us she finds a way to compare us to him in a negative way. I mean I get that at first he was nice and whatever but MAYBE she should have thought about it more before having me considering she had only known my father for a few months (like. not even a year and she's like "i wanna have a baby!!!")

[undefeatednils]

Stuff in tags, don't want y'all to read an essay.

[raccoon-sex-dungeon]

I personally started with the Tiffany Aching books and they’re still some of my faves; Monstrous Regiment is a great one too and is basically standalone.

I.. would not recommend reading in publication order just bc he hadn’t hit his stride in the first Several and so I think it’s better to start with one of his later works and then go back if you really vibe with them—so I’d say pick a storyline he started later and follow that, and see where it takes you (the Moist von Lipwig books, starting with Going Postal, are particularly good for this imo). I also love the Death series (I reread Hogfather every year in December, and Thief of Time is my overarching favorite of his), but I haven’t read it recently enough to remember if it would be a good starting point.

I've never read any discworld bc when I was like 11 my mom said 'there's no order, you can read any of them' and my lil autistic brain went 'oh no no no no that's too much pressure how do I choose?' and simply closed the door

So like, y'all who are into it, what book is your fav? Or what book do u think one should start with?

[erinwantstowrite]

Halloween AU!!!

hey so. i put SOOOOO much effort into this au and for what? at least it ended up looking cool? anyways Halloween is my favorite holiday and i just HAD to make something for them!

i had a LOT of ideas for what everyone would be, but i really wanted to stick to a certain theme cause it's based around Halloween. i knew i had to have a vampire, werewolf, and a witch. cause like... obviously. iconic Halloween stuff!! but i took some liberties with everyone else and i think they turned out pretty cool!!

Jason was originally a fox shifter (which i still love and might draw art for some day) but i went with a bear in the end. is that because i thought about tiny bear cub Jaybin and wanted to cry? yeah. yeah it is. i KNEW Steph was going to be my werewolf though i started doubting myself when i went to draw her. turned out to be my favorite drawing on here which makes sense cause she is my light my love my daughter my will to live and all that jazz

Tim was actually gonna be a harpy but thank god i didn't go for that in the end. Duke was the one that was a bitch and a half trying to figure out BUT!! comments on the post asking what y'all thought led me towards Psychic so THANK YOUUUU everybody that commented!! (specifically those who thought of ghost!! Duke and Tim ended up being a perfect duo in this au)

Babs was pretty easy to figure out what I wanted for her. I read somewhere that they are seen as protectors of forests/ are considered spiritual authority figures and also.... she looks cool as fuck. Did not expect how easy it was to find a ref for a deer in a wheelchair though? I can never find the right hand or face angle reference but that was super easy???

For Bruce there was literally no question he HAD to be human. it's literally so funny that everyone who knows Batman thinks he's a spooky vampire but he's human. his first son, however?????? THAT'S the vampire. I knew Dick had to be a vampire too. A little nod towards that one comic run but in my au nothing bad happens ever 🥰 Damian also being a bat shifter is very on purpose because how funny is it that he's a bat man. Literally not a single person in the League thinks that Bruce is telling the truth about being human. Bruce you are NOT beating the secretly a vampire allegations.

adding in Jay's hilarious joke it's so fucking funny:

Alfred is actually a demon. I CAN NOT remember who made this post so if someone can help me find it, it would be appreciated!! because this was inspired by them!!! but somewhere i saw someone talk about Alfred being a demon that Thomas and Martha made a deal with (i think it was for an au idea?) and I just HAD to put it here. Alfred looks so human and everyone expects it, but he's definitely not. I put the ??? because it's so fucking funny. see if you can spot the 1 hint i put on his drawing that something is amiss!!

Peter is from an alternate dimension still, but it is not a world of creatures like him, it's just the same as LoF canon except Peter grew some extra limbs and eyes. He finds that it's actually pretty easy to fit in with the Waynes. Hard to feel like a freak when a guy can turn into a fucking bear, or your dad is a vampire, and the teenagers in the family are trying to summon ghosts or make potions.

additional doodles for this au:

i am still debating whether i am going to draw something for this au or write a oneshot, but i DO want to do something with these for Halloween

[pencil-n-pen]

REDUCED TO SKIN AND BONE

. ݁₊ ♡ . ݁˖

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buck x people pleaser! fem! reader

masterlist | kofi

summary: Pathological People Pleaser- capital P. That’s you. Life is a helluva lot easier when no one can hurt you- not if you never give anyone substantial pieces of yourself. Too bad Evan “Buck” Buckley takes issue with this.

cw: reader is a grade A pathological people pleaser so all the angst and issues that come with that, canon-typical gore/violence (they are firefighters/paramedics)

tags/tropes: coworkers to lovers (hr HATES these two) bobby knowing everything about these two but letting them work it out anyway, team as a family, BUCK IS BOBBY’S KID IDC WHAT ANYONE SAYS, also Buck being really sweet and nice (and reader having no idea what to do with this)

a/n: tbh this reader is really just a girl. this fic is extremely inspired by Love Theoretically by Ali Hazelwood, which, my dear followers, if you'll recall, is my favorite romance book ever (!!!!!) also no one say reader isn't realistic bc i based her internal dialogue and worries off of my real life experiences as a recovered people pleaser (there is hope for us)

credit to @bookshelf-dust for the in house arson investigator idea !! super brilliant and perfect !! go read their stuff !!

title taken from Goddess from Laufey!

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‘Who could ever leave me darling, but who could stay?

Cause they see right through me//Can you see right through me?

-The Archer, Taylor Swift

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₊˚⊹♡

Firefighter Evan “Buck” Buckley confuses you.

You’ve only been with the 118 for about two months. You’d be lying if you said the action and excitement of actually working with the firefighters on calls didn’t excite you to come to work— something you thought you’d never say.

And the team is great. You were nervous as hell at first. Suddenly being out on calls is exciting now, but scary as shit at first. You were much too used to your boring desk job. Plus, the firefighters were all intimidating in their own ways- Hen and Bobby the most.

Hen, because you totally look up to her and admire her ability to just… do whatever and say whatever and not worry what other people think. She holds her head high, and you’re more than a little envious.

Bobby, because he’s your captain, and you need to prove your worth as an addition to the team.

Slowly but surely, you began to solidify your presence as a team member. You aren’t sensitive to the blood and gore they see on calls which definitely won you points with Hen and Chimney, and you aren’t a pushover- you’re willing to put your foot down when push comes to shove. Plus, not to brag, but you’re damn good at your job.

After a month, you’d gotten everything down pat. What’s the right thing to say, what isn’t the right thing to say. What to do so the team trusts you, what to do so they don’t ask too many questions, how to correctly come across to them as a capable person. How to seem normal and well-adjusted and fine. What normal looks like to them.

With the exception of Evan Buckley.

You just… can’t get a read on him. Ever. He’s nice and smart and funny (and ridiculously attractive, like seriously, it’s not even fair) but no one is that nice and smart and funny (and ridiculously attractive.)

You don’t like talking to him because he’s been more than a little sweet on you since day one. And obviously it's not serious and he doesn't mean it, just friendly camaraderie, but. But but but but but. It catches you off guard without fail every single time. Because every single time you talk to him, you get the very distinct sense that he’s looking right though you. That when you’re talking to the rest of the team, perfect smile in place, he can see through you.

It’s more than a little unnerving. It leaves you unsteady and wrong-footed. Like you’re never sure what exactly to say or how to act.

So you mostly just avoid him. You’re thankful that you’re only the arson investigator, because if you’d actually been a real firefighter, avoiding him would be a million times harder. As it stands, it’s fairly easy to do it without being obvious.

Or so you think.

“Is something wrong Captain Nash?” You ask, shutting the door behind you in his office.

Bobby rolls his eyes. “I’ve told you to just call me Bobby.”

“I think the second I do, my parents will appear in the room and lecture me about respect and manners.”

You sit as he gestures, watching with almost perfectly concealed apprehension as he laces his fingers.

“Did Buck say something to you?”

What.

“What?”

“Firefighter Buckley,” Bobby clarifies, as if that was the part of the question that needed specification. “I’ve noticed that you tend to avoid him when possible. You’re good at it, I’ll give you that. No one else has noticed.”

Heat rushes to your cheeks at the admission of being caught.

“How could you tell?” You ask instead of answering his question.

Bobby just shrugs. “I have three kids. This isn’t my first rodeo. Now, you mind telling me what exactly is going on here?”

You’re not really sure you can explain this to him without one, sounding like a crazy person, and two, having him lose all the respect you’ve worked hard to build with him.

You settle for the super abridged version.

“Buck… makes me nervous. I’ve had some bad experiences with men that acted like him before, so. I’m over it, of course, I’m fine he just… sets me on edge a little. I’m not like, afraid of him or anything.”

You are actually afraid of him a little. Because if he really does see through you then what’s stopping him from ripping the current back? Giving everyone a good look into your ugly and raw? What’s stopping him from leaving you exposed?

Bobby hums, contemplating.

“You don’t trust him.”

“I wouldn’t say that,” You rush to amend, heart starting to race. Fix it fix it fix it fix it— “I do trust him. I know he’d never hurt me, or anyone else for that matter, he’s a great guy—“

Bobby leans back in his seat. “He’s a genuinely nice guy, and you don’t know how to deal with that, so you avoid him. You don’t trust that he’s genuine.”

Too close too close too close too close—

Smile. Laugh. Look down for a few seconds. Raise head, hold eye-contact. Speak.

“Nothing like that,” Smile. “Just takes some time for a girl to get used to all the facts that tend to come with him. I could’ve done without the one about heart worms before lunch.”

Laugh.

“Oh, you have no idea. Imagine being present when he actually got to assist on a tapeworm removal. I was put off noodles entirely for months.”

Now Bobby laughs, a real one, so you laugh with him, and you feel a little safer, the conversation back in your control.

“I promise, there’s nothing between me and Buck. Just new-girl nerves.”

Flash a smile, appease the man.

“If that’s all, then you’re free to go. Keep up the good work.”

You stand, one hand on the edge of the armrest of the chair to hide the minute tremors in your hand. You hold your breath as you leave Bobby’s office, breathing tiny, quick breaths through your nose until you make it to the safety of your office, closing the door behind you and all but collapsing into your chair.

That was… close. You must’ve let your guard down around Bobby. His personality and dad-aura are so disarming. You hadn’t even realized he’d been watching you that close. He read you a little too easily and a little too quickly. That was too close. What if he had—

A knock on your door snaps you ramrod straight, posture perfect and easy expression snapped into place in seconds.

It takes everything in you not to deflate when you see who walks through the door.

“Buck?”

“Sorry, sorry,” He raises his hands in mock surrender, “I know you don’t like me in here, I’ll be quick. I just need that file from that warehouse fire case?”

You frown as you search your filing cabinet for the case file. “I’ve never said I didn’t like you in here.”

“Yeah, not as much as said as implied.”

“I don’t mind you in here. It’s just an office.”

You’re not sure what he wants you to say. Does he want you to agree with him, tell him you don’t want him in here, make him right? Does he want you to tell him that he’s welcome in your office?

What does he want?

He shrugs in the corner of your eye, hands in his pockets, and you honestly have to physically restrain yourself from staring at the muscles of his arms as they move and tense with the motion. It’s very conflicting: him being the unending source of the late-night fantasies you pretend not to indulge in to fall asleep, hugging a pillow, and the fact that he’s the reason you’ve considered going on anxiety medication.

“…Are you okay?”

You’re abruptly reminded that he’s still in your office and you’re still having a conversation and your grip has at some point turned crushing on the case file.

“Oh, yeah,” Smile, look down, laugh. Look up(?) “Long night last night. Didn’t get much sleep.”

He cocks his head, the action reminiscent of a dog. He really is a golden retriever. You should really stop thinking about Buck so much.

“I thought you went home early last night?”

Your smile wavers.

Laugh(?) put the case file down. Take a sip of coffee, smile(?)

“You know how it is. Work never quite ends at work.”

He doesn’t skip a beat before speaking.

“Why do you do that?”

Something cold starts to drip down your neck. An icy chill of dread.

“Do what?”

“That lying thing.”

Smile? Laugh? Sit down?

Your other hand comes up to cup your coffee. “As far as I know, I don’t have a lying thing.” You huff a breathy laugh, but it comes out wrong. More wheezing and choked than a laugh.

He leans back against the wall of your office, crossing his arms. “Yeah you do. Like, sure, maybe you did have a late night, but none of those expressions or smiles were real. You like, lie with your face.”

You feel cold and hot at the same time. “I have no idea what you’re talking about. Do you want this case file?”

“No, you know what I’m talking about. Is it conscious? Is it like code-switching? Nah, this is too—“

“Buck!” You snap, skin crawling, “Would you please just take this file and go?”

He snaps his fingers, pointing at you. “There! That’s real. That was a real expression.”

You forcibly smooth your face out, trying to project the calm you don’t feel. “Me getting annoyed with you?”

“Yeah,” He chuckles a little, a small smile on his face. “Just for a second, you looked real.”

You blink. Pause. Turn his words over in your head.

“You don’t really need this case file, do you?”

“Nope.”

You set the mug down, ignoring the way your tremors increased at your little outburst. “So you just came to what? Get under my skin? Disturb me while I’m working?”

He taps a boot on the floor. “Kind of. It’s my turn to be the man behind, and this beats mopping.”

This time, the flat glare you send him is intentional. “You really know how to make a girl feel special.”

“I don’t know. You don’t seem as rigid as you did a few minutes ago.”

You stiffen your posture on instinct. “It’s called posture.”

“That’s not posture. That’s fear.”

His tone is light and joking, but his words hit their mark. Or maybe there isn’t a mark, and he just stabs your metaphorical bullseye anyway.

You shuffle in place, skin prickling under his gaze. “Is there a reason we’re having this conversation?”

“Is there a reason we shouldn’t?”

You stare at your shoes, face hot. This is uncharted territory. The end-all-be-all of terrible conversations.

“Well for one, it’s terribly awkward, and two, I don’t see why you felt the need to call me a liar to my face.”

Buck pushes off the wall. “Okay, that’s not what I meant by that—“

“No, I think you meant what you said.”

He sighs. “Can we start over?”

“Why?”

“Because I feel like you have this misconception about me, and it would really suck if a pretty girl didn’t like me just because we got off on the wrong foot.”

PRETTY?

“You think I’m pretty?”

You slap a hand over your mouth. “Sorry. I didn’t mean to say that.”

He smirks, a mischievous thing pulling at his lips. “No, I think you meant what you said.” He says, mimicking your earlier words.

You press your hands into your face, exhaling hard.

“Well, if your goal was to make me uncomfortable, you’ve definitely succeeded.”

“Aw, that’s no good. That’s the opposite of what I wanted.”

The gears in your brain turn.

“You came here… because you wanted me to be more comfortable around you?”

He snaps his fingers. “Ding ding ding!”

You frown. “So your plan to make me more comfortable around you was to call me a liar and purposefully get under my skin?”

Your words hang in silence for a moment.

“Well when you put it like that—“

“Is there another way to put it?”

“The plan was to get you to see that nothing bad is gonna happen if you stop doing that face-lying-thing. I mean, you haven’t been doing it for the duration of this conversation and the world hasn’t ended, right?”

You look away. “That’s because I can’t pretend with you. It always falls apart. You freak me out.”

His brows furrow. “I freak you out?”

“Yes!” You snap whipping your head back to face him, “Other people put out, like, signals, you know. What kind of people they like and dislike, and I pick up on them, and avoid the parts they don’t like and play up the parts they do like. But you don’t put out anything! I don’t know what you want.”

Buck is silent for several moments. It’s unnerving.

“Have you ever considered that maybe I just like you?”

You blink. Look away. Cross your arms.

“You know,” He continues, voice a little softer, “I have a habit of liking people just as they are. Bobby tells me it’s one of my better qualities.”

“Is planning difficult conversations one of your lesser qualities?”

“You’re not going to let that go, are you?”

“No.”

It’s easier to focus and talk about the less serious parts of this entire situation than even think about what he just said.

“How about this,” He says after you don’t speak again. “If you’re gonna fake something, or pretend you feel one way about something, you have to come tell me the truth about how you really feel.”

“Well that sounds terrible. What do you get out of it?”

He smiles, folding his hands behind his back. “You agree to let me take you on a date.”

Your face is practically on fire. Evan Buckley is asking you on a date. Buck is asking you on a date.

“Oh.”

That’s all you manage to get out. Oh.

He frowns. “Are you oka—“

You smash your face into your hands, hiding your flushed and flustered face from view. “Just— just give me a second.”

You attempt to slow your racing heart, all to aware of the fact that Buck is still in the room, still looking at you.

“…Can you turn around?”

You hear a quiet little huff, then the shuffling of footsteps, signifying he is in fact no longer looking at you.

“If I’d known you’d be this excited at the idea—“

“Shut up or I’ll say no.”

He just hums, voice teasing. “I don’t think you will.”

“I might.”

“Mm. Nope.”

“I could.”

“You won’t.”

“I won’t,” You grumble, dropping your hands. “Okay fine, I’ll do it, but when I tell you… stuff, you don’t get to make fun of me for whatever it is.”

“I really think you have the wrong idea of who I am as a person.”

“I’ve seen how you make fun of Eddie.”

“Well, that’s Eddie. It’s like, bro code.”

“Ew.”

“Having friends is gross?”

“Yes. Get out of my office.”

He turns around, grabbing his chest, feigning pain. “Oh the hurt. The pain.”

“You’ll survive, I’m sure. You’re a big boy.”

Okay what the fuck are you saying right now. Can’t god just strike you down? Can’t some old water damage cause the ceiling to come down on you?

Buck takes it in stride, laughing loudly, though if you look close, you can see a pink tinge to his cheeks.

“So when are you free for our date?”

He waggles his eyebrows suggestively over the word date, and you despise the flush it brings to your face. And ears. And neck.

“Um. Saturday?”

“Cool. You have my number, right?”

You nod.

“I’ll text you the details later this week. And hey, look at me.”

He waits until you look up. “You aren’t allowed to spend the rest of this week stressing about it, okay? It’s gonna be fun, and nice."

He opens the door to your office, ducking half out before turning around. “Remember: fun and nice.”

And then he’s gone. Then you’re just an idiot standing in your office, face hot and tingling.

He called you pretty.

—

Buck's request is difficult to follow through on. Like, sure, you agreed to it, but you still don't really understand why he wants to know this. The things that go on in your head that you don't tell anyone about. He said he got a date out of (a date, you're going on a date with Evan Buckley--) but is that really... anything?

Is it a real date? Or just some little fling? And why, exactly, is the date something he considers a fair trade? Like sure, he's hot -incredibly so- and every time you think about the date your heart speeds up and million questions run through your head, like will he pick you up, is he the type to bring flowers, where are you going for the date, all of those things.

You wince from your spot on the couch upstairs, papers strewn across the table in front of you.

"Dammit," You mutter, holding a finger up to the lip that you've chewed to shreds, now bleeding steadily, blood beginning to trickle down your chin.

A napkin appears in your line of sight, and you take it from Hen gratefully.

"Thanks."

She just nods. "Something on your mind?"

You blink, a little questioning.

"Your lip," She gestures to it. "You always chew it when you're thinking about something troubling. Is this about that new case?"

"Ah," You breathe, a small shiver running down your spine at her words. Being perceived is weird. "No actually. It's..."

You decide to be honest. News will get out anyway, and Hen appreciates truthfullness. "It's about Buck."

She raises an eyebrow. "Oh?"

You shuffle the papers in front of you, hands itching for something to do, "We're going on a date on Saturday."

"Oh!" She exclaims, settling on the couch across from you. "That's... surprising. I was under the impression you didn't really care for him."

Your face heats. "That's kind of why we're going on the date. He wants to... make me more comfortable. Those were his words."

"Interesting method."

You shrug. "It's Buck."

Hen nods, a chuckle escaping her lips. "I'm guessing you're not so sure about it?"

"It's not that. I just," you debate your next words carefully, weighing the options, wondering if you should even say them, but Hen's face is open and non-judgmental, and she knows when not to gossip.

"I haven't been on a date in awhile," You admit, "Or many at all, really. I don't know what to expect."

Your hands still on the papers. "I... don't do well when I don't know what to expect."

Hen nods. "I get it. But I can tell you with absolute certainty that Buck will do everything in his power to make the date as 'comfortable'," She does finger quotes around the word, "As possible. It took him a couple tries to get here, but. He's got a good heart."

You can't help the small frown at her words. "I know."

Hen tilts her head, squinting. "Do you? Cause it seems like you aren't so sure."

Smile. Laugh.

"Well," You laugh a small, breathy thing. "In my experience, no one is that nice."

Hen snorts. "Okay, true. But Buck's been through a lot. What he may lack in tact he makes up for in earnest effort."

She stands, and levels you with a look you try hard not to whither behind. "Give him a chance. And try not to break his heart."

You smile, hoping it doesn't look as brittle as it feels. "I'll try not to."

Though I'm not sure he'll be the one getting his heart broken.

--

Buck is careful not to bother you too much at work. He still sets you on edge in that "I see through you" way of his, but he's right- nothing terrible has happened since your conversation. If anything, he's almost... gentler, in his good natured ribbing and such. He's actually rather attentive.

"Okay," He murmurs next to you at the table, most of the others finished with their food , plates cleared and being washed. "You've got your fake smile on, so spill."

You elbow him. "Cool it, Buckley."

"Great meal, Cap!" You call out to the Captain, who sends you a quick smile from the sink.

You spear a stem of asparagus prepared honestly perfectly by Bobby, and lean over to Buck. "Fine. You really wanna know?"

"Uh, yeah."

You take a huge bite, smiling as you swallow. "I hate asparagus."

Buck's eyebrows shoot up. "Are you serious? That's such a small thing to care about."

You glance up to ensure nobody's eavesdropping. "Bobby works really hard on everything he makes! I don't want any of it to go to waste or to seem unappreciative."

"Okay, we're really going to have to have a talk about your perception of everyone," He elbows you back, "Come on. Bobby would not be offended if you don't eat the vegetables because you don't like asparagus period. It's not like you're even saying you don't like his cooking!"

You take another bite. Only A few left. "Better safe than sorry."

"Stop eating them--"

"I have to finish them!"

"Something wrong over there?" Bobby's voice rings out over the kitchen.

"Nope!" You call back.

"Actually," Buck starts, ignoring your furious elbowing, "Our little investigator over here doesn't like asparagus."

Bobby tilts his head with a smile. "Why didn't you say something?"

Your stomach lurches. Oh god oh god oh god oh god oh god-- "I... didn't want you to be offended?"

"Why would I be offended that you don't like asparagus?"

"Because you cooked it?"

He shakes his head. "Not how things work around here. If you don't like something, you don't have to eat it."

Your face feels like it's on fire and your palms are sweating and you kind of feel a little nauseous. But that might be the asparagus. "Right. Okay. Thanks."

Bobby goes back to loading the dishwasher, and the others are no longer paying attention, so you lower your forehead to the table, grateful that Buck moves your plate away before your head can meet your now unfinished vegetables.

"Why did you do that?"

"Because asparagus is a dumb thing to be worried about," He says, voice light and cheery.

"It was a valid concern," You mumble.

"Maybe in your head. But not quite in reality," He rubs your back consolingly a few times, though all the action does is rile you up more. You're suddenly hyper-aware of the fact that you're still sitting here and you actually can't see if the others are still looking and oh god maybe Bobby is upset because you're an adult, you should've known that and--

"I can physically feel how tense you just got."

Oh. Right. His hand is still on your back.

"Relax," He drags out the word, his voice low and deep, "No one is going to spontaneously hate you. I sure don't."

"You don't count."

"Mm, how come?"

You're glad your face is currently hidden by the table, because you flush when you mumble the next words.

"Cause you think I'm pretty."

"I do," He amends, "But I'm not sure that discounts my opinion. IF anything, it doubles it."

"That's not how that works."

"It's not?"

"No."

He leans in, his breath tickling your ear. "Prove me wrong, then."

--

Saturday approaches and your anxiety increases. Buck had in deed texted you the details -which did, actually, make you feel better, knowing a bit of what to expect and having it in writing.

When Saturday arrives and the clock inches closer to the time he said he'd pick you up, you start to question if any of this was a good idea.

Everything collapses when you have to pick an outfit. Nothing seems right- everything is either too much or not enough. You blink the tears out of your eyes because you spent too long on your makeup to ruin it, and Buck's gonna be here soon and you need to just pick something--

A knock sounds at your door and you gasp. Shit.

You rush to the front door, and wrench it open.

"Hi I'm so sorry I'm not ready yet- oh my god are those flowers?"

Buck takes the rush of words in stride, smiling and holding the bouquet out to you. "They are."

You take the flowers with reverence, the gentle, floral aroma soothing your senses.

"Are... you okay?"

You blink, not realizing that tears had begun to well up in your eyes again. "What? Oh, yeah. Sorry. I'm a little... frazzled."

His gaze darts down. "Is that why you don't have pants on?"

You're almost one hundred percent sure you burst into flames right then and there. And if you don't, you seriously hope you do.

"Oh my god- don't look, I'll be right back, uh, please come inside and close the door!"

You race back into your room and shut the door, throwing on the closest pair of pants- which happen to be the fuzzy, old, candy heart-print pajama pants you took on three hours ago when you started getting ready.

You step back out, now sporting a wonderful outfit consisting of your black, rather nicely fitting going out top and fluffy pajama pants.

"I'll be ready in about fifteen minutes, sorry about the," You pause, swallowing your embarrassment, "Lack of pants."

He chuckles, laughing that nice little Buck laugh that settles your nerves a bit. "Hey, I wasn't complaining. I asked for the real you and this has all been very real."

Your never-ending flush revives itself as he speaks. "I"m really sorry, I'm usually more put together than this, I promise."

He takes a step toward you. "Remember why we're going on this date?"

A beat passes.

Buck takes another step. "To make you more comfortable with me. And the team, but mostly me."

You laugh a little, a nervous thing.

"But you don't seem very comfortable right now." His hands rise to the your waist, sliding down to your hips.

"Sorry," You say on instinct.

He huffs. "Still don't think you're getting the point of this. Okay, what was the big stressor of tonight, besides the actual date part?"

You look down at your feet. "My outfit."

"Well," He says, squeezing your waist and very clearly enjoying the little squeak you let out at the action, "Then why don't we sollve that by..."

Your heart siezes. Oh god, you're not ready to sleep with him, you haven't had your everything shower because it was only the first date and you didn't think--

"...Staying in tonight? I can order some takeout and we can watch a movie."

Oh.

"But your reservation--"

"Can be called and cancelled," He soothes. "I only want to do things you're comfortable with. That was the whole point of this date."

Later, after you both stuffed your faces with takeout graciously ordered by Buck, and both of you cuddled up on the couch (!) you let yourself speak.

"Buck?"

"Hmm?"

"Sorry for freaking out earlier," You curl your arm around his bicep, face smashed into the side of it while you (pretend) to watch the movie. "Thanks for... this. And the flowers."

"You really like those flowers, huh?"

"Mhm. They're really pretty. No one's ever gotten me flowers before."

"What? No way."

"Well. I haven't ever gotten flowers from a date or boyfriend," You stumble over the word boyfriend, "But like, you know. Graduations and stuff."

"Guess we're going to have to fix that, then."

"We are?"

He raises a brow. "You didn't think I was gonna stop at one date, did you?"

"Well it was kind of a mess."

He shrugs. "On one of my first dates, I choked on bread and my date at the time had to perform a tracheotomy with a ballpoint pen."

You gape at him. "Those are real?"

He traces a finger over the thin, silver scar on his throat. "Yep. So trust me, this date turned out fine. I actually uh,"

He flushes a little, a dusting of red on his cheeks. "I actually really enjoyed tonight."

You chew your lip, nervous and scared but all the sudden deciding that you're going to get over yourself and do something. No matter how small.

You stare at the end credits. "You wanna watch another movie?"

"Absolutely. More takeout?"

"I don't know how you can even think about eating more. But I do have popcorn in the pantry."

He presses a quick, soft little kiss to your cheek. "Perfect."

₊˚⊹♡