#louis is only just getting a sense of how much he used claudia

[isthatacalzone]

it's baffling to me the lengths to which people will try to frame anyone in iwtv as being better than anyone else. everyone who says they love each other is doing it poorly. Lestat apologised to Louis on that stage and it was real and it was also a performance. Armand feels genuine remorse for not saving Claudia, claims that he couldn't prevent it but we all know he could have. Louis loved Claudia and wanted the best for her, and she was a broken doll picked up and used to soothe his guilt. Even Claudia, who did love Louis, has a specific view of everything that happened to them, to her, that made her messy, that made her angry and awful at times. why would you flatten them? why would you take away what makes these emotions real and complicated?

[lizardkingeliot]

I took a ton of notes during my rewatch of 2x07 just now but the thing I kept coming back to again and again was Armand's framing of the entire narrative and how it plays with truth vs lies in such an insidious way it's honestly brilliant in its cruelty. Truth being used as a cudgel not only against Louis, but against Lestat as well. And against, us, the viewers at home.

We obviously all know Armand is a very powerful 500 year old vampire who is not going to be held back by an infant of a vampire like Santiago. Like… Armand. Babe. Let’s get real. But that’s the narrative set-up. The coven, now being led by Santiago, has Armand captive behind his little rickety baby gate with Sam and his prop weapon not letting the puppy come out to play. He cannot prevent it! Poor baby. Someone get him a juice box and a snack.

Enter Lestat. The vengeful lover come to make Louis and Claudia pay for what they did to him. What's interesting here is that everyone—Daniel, Louis, Armand—acknowledges in Dubai that the trial IS a sham from the beginning. A tool to allow Lestat his revenge. But the truth of why it's actually a sham is being hidden behind a thousand layers of gaslighting and deceit by Armand. Lestat is merely another prop on the stage. Being forced to use the TRUTH of his love story with Louis—and to twist essential elements of their beginning as a couple—as a weapon to drive the final wedge between them so that Armand might have Louis all to himself. That's what this is about. A farce so that Armand might have what he wants more than anything in the world. Someone who will be with him always. Without Claudia, without Lestat... who else is there for Louis to run to?

The trial as we see it is told mostly through Louis' POV. It seems to be a true picture of how it all happened but the cognitive dissonance watching him try to reconcile what Lestat was doing on the stage with the framing provided by Armand (who cuts in frequently to assure us that Lestat shapes things to suit HIS narrative) is painful. Louis sees and feels and hears the sincerity of Lestat. A Lestat who is defiant from the jump and refuses to paint the story as butchery. It's about LOVE. It is always always always about the love. An entire sham trial about vengeance and murder framed around... love.

Everyone who's familiar with the books already knows Lestat didn't want to be there. I won't go into that too much but the show did a good job of showing us just how unwell Lestat was during the entire process. But there are also some really interesting moments where we are TOLD explicitly through Louis' recounting of the events that Lestat was not actually there for revenge. Namely, the moment when Lestat says HE deserves to be punished alongside them. These are not the words of someone who is seeking vengeance. These are the words of someone desperately rattling the bars of his own cage trying everything he can to prevent what's happening. Because unlike a certain someone, in that moment Lestat is quite literally unable to prevent it!

The entire episode is Louis trying to reconcile the conflicting truths that exist inside him: that Lestat was there for revenge, that Armand couldn't prevent the coven from exacting their cruelty, and that the Lestat who was on stage WAS sincere and emotional and fighting with everything he had to let the truth ring as true as it was when he was able. He refused to refer to Louis as the accused every time Santiago insisted on it. He would only refer to Louis by name. He would NOT allow the narrative to frame him as someone who didn't also do monstrous things to his lover. He was weeping and flooded with shame. Sincerely, genuinely remorseful for the awful thing he had done to Louis.

There's also something else here about Lestat acknowledging he tried to crush what he could not own vs Armand deceiving Louis into the false sense of control that is the entire basis for their relationship. Owning something he does not crush, merely confines. He's not crushing Louis with insanity, he's locking him inside his prison of empathy. He quite literally has Louis locked in a cage while allowing him to believe he's truly free. Free from the insanity of Lestat. Evil, vengeful, gaslighting Lestat who only uses the truth to shape the narrative for himself.

There's a lot more going on here. I can't possibly get it all out of my brain right now and I imagine I'm going to be picking apart the nuances for a while. There are so many layers. The truth vs lies vs intentional reshaping of the truth of it all. But if you rewatch, pay attention to Armand's face, the score that accompanies his recounting of events, the passive way in which he holds his body in both Paris and Dubai. He's locking Louis in a dream world where the truth is present in such a way it only serves to amplify its own distortion. I don't even think he's fucking with Louis' memory all that much, just framing it in such a way that Louis cannot see past what is right there in front of him. What he already knows. If only he had just a few more tiny pieces of the puzzle...

But he's trying to get there. He is getting there. The truth of Lestat is breaking though. Lestat is still present there with him in Dubai, as real as if he were really in the room. After 74 years, Louis can still recall every detail of his face, still smile at him recalling the truth of his memories. The truth he wouldn't allow himself to look at all the way. The truth he himself had to distort for his own sake because it hurt too much. He's allowing himself to see not only the truth of himself and his own actions, but the truth of Lestat. All the complicated, sincere truth of him. The truth of the one who truly could not prevent it.

[donnapalude]

i find something very interesting in what the show has done with claudia's ambivalent relationship with truthfulness, honesty, narrativisation, and storytelling.

claudia is, by and large, depicted as someone that feels some distaste at the idea of embellishing emotional truths by providing too much context, reasoning, or justifications for them. she is not blind to the existence of these things and in fact she is quite a good judge of character. but i believe she perceives it as a weakness to feel the need to organize them in a self-created narrative in order to give some meaning to life events. it feels deliberate that she enjoyed storytelling when she was younger (see, her semi-mythology about angels and devils) and then stopped after her father made her stare at the boy (who called her an angel!) she loved and killed while he was burning. i think she knows, from then on, that a story has no power and it changes nothing. to keep telling it would feel like intolerable self-deception. she would not disrespect what happened by painting a pretty picture about it and, from that point, she never does again.

this mindset, i believe, is also compounded by growing up around two parents extremely inclined to narrativisation as a method of obfuscation. she is perceptive enough to correctly guess this tendency stems from a fundamental inability to face their respective realities, although in almost opposite ways. lestat seeks to control his internal reality by attempting to warp his external one. which is to say, he lies to others to manage their perception of him because he is unable to deal with feelings of insecurity and rejection. louis seeks to control his external reality by attempting to warp his internal one. which is to say, he lies to himself to manage his own self-perception because it's the only way to survive the awareness of the coercions that society (and his various families) put on him. regardless, i think claudia sees how vacuous their attempts are in avoiding pain to themselves and others and she despises them for it. both for lacking the courage to do away with the attempts and for not being able to make them work (secretly, maybe unconsciously, it would be good to have some faith back).

at the same time, claudia keeps writing multiple diaries, loves theatre and loves acting. the diaries seem to become less cinematic over time and she is aware that when she watches a play or she is on stage there is no truth being tarnished, the story is all that exists. still, her intense search for these alternative forms of narration reads to me as a residual longing for the power of storytelling. it's no coincidence, i think, that in order to kill lestat, who had been initially responsible for destroying that belief and who she feels all-powerful, she needs and dares to tell herself one more story: the one about the vampires in europe that will love her, if she can just get through this. apart from that, i think theatre and her diaries represent the last refuge where she can relive the illusion that telling stories has some meaning and some impact. which makes it particularly cruel that the stage is then used as a place where stories become powerful again and they are deployed to first trap her and then kill her.

given all this. i think it's fair to say that claudia usually strives to be both truthful and honest: even the lies she concedes to telling are usually not flights of fancy but stick close to the truth. and they are borne out of a pragmatic need for self-preservation, not a desire to avoid uncomfortable realisations. she makes, overall, an heroic attempt to bear both her internal and her external reality, without trying (unless it's a matter of survival) to forcibly control them, but just accepting them and doing her best with them. the issue with her reasoning i feel, is that, while narrativisation can be a form of deception, it is also in many ways the only mean of creation of a sense of identity. i guess this point is debatable according to the philosophical tradition one draws from, but i would personally argue there is no ontological stable self that exists outside of our own perception. what exists are our thoughts and actions. and "identity" is the net that ties them together, created by the dialogue between the narrative we weave over them and our own reactions to that narrative. the moment the self begins a self-referential recounting, it is already in the realm of intrepretation. which does not mean truth and honesty don't have a role in this: there is, i believe, honesty in recognizing and accepting our actual thoughts and feelings and actions. but after that, their interpretation is always a truth created.

there are two consequence to this for me. the first, is that it becomes evident at some point that an abandonment of any recounting leaves you bereft of lies but also berefts of truths. claudia has no real tools to make sense of her interiority. in the few brief scenes where she explictly talks about her feelings regarding her traumatic experiences, she is merely able to make a list of facts and stark sensations. her conclusion about the "collision" in her, her sense of brokeness, being "i don't know". her conclusion over the retelling of her assault being simply "it fucked me up". i see in her a deep difficulty in re-elaborating her feelings and connecting them in a unitary vision, which deprives her of the possibility to consolidate an assessment over the impact of events on her identity and build something new on it. the second, is that her diaries by nature cannot escape being a form of narrativision. at least to some extent. even if she tries to describe "reality" as close as possible, the moment she puts pen on paper and decides which stories to tell and how, she is creating her own intrepretation. so yes the diaries are technically a truthful source, but the concept of truthfulness is not so uncomplicated that we can equate it to mean "objectively reliable".

as a final consideration i will say that i find claudia profoundly moving and brave in her decision to never close her eyes before life, and in the end, even before death. and even more so because hers is not a meek, passive stance. surrounded by liars and cowards, she is smart enough to see that truth is a very powerful weapon against people that can't bear it. when these people hurt her, she has no need to warp reality to hurt them back: she just puts them before themselves and lets them macerate in their own reflection. and this commitment to the truth stays with her until her final act and then transcends her in some way: as she fades, for once, it's lestat that cannot close his eyes.

[theladyofthevarioussorrows]

In honor of Lestat de Lioncourt's 264th birthday, I present to you...

Written in Blood, or the Play in which The Brat Prince Ties the Knot

Part I (of IV)

Fandom: The Vampire Chronicles (Gothic horror novel series, 1976-2018); Anne Rice’s Interview with the Vampire (TV series, 2022-present)

Pairing: Lestat de Lioncourt/fem!reader; Lestat de Lioncourt/You

Word count: 3,900+

Characters: Lestat de Lioncourt (Sam Reid, the best version…­­­the only one that matters, obviously); fem!reader; The Vampire Armand (lol ouch); Nicolas de Lenfent (even bigger ouch, RIP); Santiago; Estelle; Celeste; Eglee; Sam; Gustav; Quang Pham; pretty much the entire Theatre des Vampires.

Summary: Fem!reader is the newest addition to the Theatre des Vampires, and Lestat becomes smitten with her (of course he does, the little whore!). Lestat’s allure, charm, beauty, and viciousness are not lost on the reader, and she falls for him (I mean, who wouldn’t, let’s be honest). With fem!reader being the freshest member of the Coven, Santiago “initiates” her (similar to how he brought Claudia in) by casting her as Lestat’s co-star in the next play as his love interest. The play, overseen reluctantly by Armand is about a wedding (in the vein of The Taming of the Shrew, As You Like It, or something similar but accurate to the time period, that is the vibe…Lestat, little miss Lady Macbeth himself, “barely Balthazar” Armand, “too old to play Hamlet, too young to play Polonius” Santiago, and I are all Shakespeare girlies, so I thought it would make sense); fem!reader and Lestat are actually getting legally married, unbeknownst to the mortal audience. Fem!reader and Lestat are to be the bride and groom, Santiago is the Justice of the Peace, and the rest of the TDV are the wedding party. While Armand is still the Coven leader, he “directs” the play and Nicki leads the orchestra. Things do not go the way they were planned to go (in Armand’s case); a story of love, sex, and vampire drama unfolds.

Warnings and additional tags: New/eventual relationship, established relationship, smut (P in V), fluff, mention of sex, mention of masturbation, (F and M), oral sex (F and M receiving), all characters (except the reader, duh) are written to be as close to the way they are in the books as well as the show to the best of my ability, reader-insert, reader-interactive, use of Y/N, Lestat gives the reader pet names in French (this is Lestat, after all), mutual pining, flirting, slight voyeurism, slight exhibitionism (is anything Lestat does really a secret? No, not really), blood drinking, blood sucking, bloodletting, biting, gore, violence, murder (feeding on humans is the only instance of this), both Lestat and fem!reader are bisexual, age gap (fem!reader is younger than Lestat by at least a bit but it doesn’t really matter as much because he himself is a new-ish vampire; Lestat would still be somewhere in his thirties in mortal years by the show’s timeline), Lestat is very seductive and persuasive (fem!reader doesn’t need much persuading, so it’s not a bad thing), a bunch of mentions of Shakespeare, lines from As You Like It are in italics and dialogue from vampires using the Mind Gift are in bold italics.

Notes: This story takes place while Lestat is still performing with the Theatre des Vampires and is newly a vampire himself. Magnus is obviously dead by now (thank God). The events of this fic take place after Lestat breaks up with both Nicki (he is still alive at this point in time) and Armand, but before he meets Louis de Pointe du Lac and later Claudia. I don’t have anything against either character (I adore both greatly!), this is just a “what if?” kind of situation. This is a basic idea I had had for literal years ever since I read the books, but I didn’t do anything with it until the second season of the show started, specifically episode 10. I wasn’t immune to Harlequin Lestat, and I was FERAL about it. Sam Reid only made that worse for me (God, I am so in love with him…that man IS Lestat. He doesn’t just play him, he BECAME him, and no one else has come close. Tom Cruise and Stuart Townsend could NEVER!). The premise of the fic came to me while listening to “Written in Blood” by She Wants Revenge…one thing led to another, and here we are! Also, yes, I KNOW the vampires don’t “have sex” in the novels, but they do in the show (a LOT). I might make references to things that have happened in the books (mostly Interview with the Vampire and The Vampire Lestat, possibly a bit of Queen of the Damned) but might not have been shown in the TV series yet, so reader beware of that. Let this be the spoiler warning if you are not familiar with the books or haven’t watched the show. I am completely ignoring both movies, because they mean absolutely nothing to me now that the (far superior) show exists. The piece that fem!reader uses for her audition comes from Shakespeare’s comedy As You Like It…she is reading as Rosalind while disguised as Ganymede, and Lestat reads with her as Orlando. I thought the parallels were a nice touch. I obviously do not own the rights to As You Like It, I merely used the one scene for Y/N’s audition, and to add romantic and dramatic effect. Special shout out to my best friend Riley for their contribution and ideas!

Language: English (except for a handful of pet names and expressions used by Lestat in French, hopefully I did it correctly. I took 4 years of French in high school, but I am not fluent)

_________________________________________

It was a cool autumn night in Paris, and while mortals slept, the undead were busy welcoming their newest member to their coven inside the old auditorium. The Vampire Armand stood proudly in front of the stage, looking up at the Theatre’s founder and poster child Lestat de Lioncourt, giving him notes and stage directions he knows full well Lestat will not listen to. Next to Lestat was Y/F/N Y/L/N, a freshly turned vampire herself.

Today was Y/N’s audition to join the Theatre des Vampires, and although nervous, she felt at home already among the other thespians in the room with her. With her lifelong love of theatre and literature that only intensified in her newly immortal life, Y/N knew she was in good company. She caught herself stealing glances at Lestat, as if against her will, but she knew she couldn’t help herself. Of all the vampires in this room—the stage director and Coven leader Armand, fellow company members Eglee, Celeste, Estelle, Sam, Gustav, and Quang Pham in the seats, as well as the gifted violinist Nicki hiding in the wings—there is something captivating and enchanting about this charismatic blonde actor. Y/N felt immediately attracted to this man, and she was both alarmed by and pleased with this sudden revelation. Lestat could feel Y/N’s attraction to him, something he found adorable, endearing, distracting, and quite arousing. Lestat gazed at her, a charmingly wicked smile on his face as he admired the young vampire in front of him. Armand, annoyed but pushing the uneasy feeling down, turned to look at Y/N.

“Welcome to the Theatre, dear Y/N. The Coven and I are interested as to how you found yourself in Paris, and how you found us. Please, enlighten everyone,” Armand said, with a slight air of both curiosity and mild arrogance rolled together. Y/N quickly moved her glance from Lestat to Armand and shivered slightly before she answered.

“Hello all, my name is Y/F/N Y/L/N, and I was visiting when I was given the Dark Gift. I have been in Paris ever since. I heard about the Theatre through my maker, and through discovering the Theatre, I found out about the Coven.” As she told the truth, she felt Santiago staring daggers at her, full of amusement.

“So, little miss Y/L/N, it seems as though you enjoy the arts, is that right?” said Santiago, with a slithery snark. Y/N nodded her head. “A birdie told me that you’re auditioning with one of Shakespeare’s lesser works, yes?” Y/N nodded again. Lestat’s blueish violet eyes widened as he grinned a little bigger.

“Yes, I will be reading as Rosalind disguised as Ganymede. I hope you find it suitable,” she said politely, trying to stifle a small tinge of laughter. Santiago exaggerated his giggle to mock her slightly before speaking again.

“Hmm, I assume you would like to have someone read with you. I wonder who that could be…” Santiago’s voice trailed off as he shifted his glance from Y/N to the left of her.

The slender, blonde, and devilishly handsome vampire beside Y/N spoke before she could even have the thought to respond. Watching from the wings, the violinist Nicki put a hand to his forehead with a quiet groan.

“I volunteer myself. I know the play by heart,” said Lestat. He shot Y/N a soft but sly grin as he placed his hand on his chest, reeling in the blush that appeared on her face. Armand had to hold back a scoff as Lestat offered to read with her. “I’m quite curious to see how she does, if I may.” Lestat gently bowed as he spoke to her, with a smile on his face and intrigue in his heart. Lestat was many things, and subtle was not one of them. Y/N nodded, smiling slyly back at him.

“You may,” Y/N said, bowing slightly. Her cheeks cast a rosy glow upon them as she smiled. Santiago chuckled to himself, and Armand choked down another scoff as he looked back to Y/N and Lestat.

“As you wish. Lestat, you will read with Y/N as Orlando, starting from his entrance after Jaques exits the scene. Y/N, you will follow.” Armand crossed his arms over his chest as he watched the two vampires in front of him on the stage.

“Yes, maître,” said Y/N, slightly nervous but strangely excited about reading alongside this hauntingly tempting creature next to her. She got herself into character quickly, trying to fight off the thought of how sweet Lestat’s blood might taste on her tongue and how soft his full lips must be, among various other salacious and primal things that she wasn’t aware of that she needed or wanted. It wasn’t an unwelcome thing—Lestat had something disarmingly attractive about him. Y/N felt drawn to him somehow, but she tried in vain to hide it. Lestat cleared his throat and prepared himself as well, his own pale skin turning a faint pink as they moved to the middle of the stage. Butterflies fluttered inside their bodies as they began their scene. After a few seconds of silence passed, Lestat launched into character.

“My fair Rosalind, I come within an hour of my promise.” Lestat said, remembering the lines from memory as if it was nothing out of the ordinary. Despite her nervousness and giddiness, Y/N began herself.

“Break an hour’s promise in love? He that will divide a minute into a thousand parts and break but a part of the thousand part of a minute in the affairs of love, it may be said of him that Cupid hath clapped him o’ th’ shoulder, but I’ll warrant him heart-whole.” Y/N matched Lestat’s intensity and focus as she spoke her lines. Astonished by her delivery, he carried on with his own lines.

“Pardon me, dear Rosalind,” continued Lestat, feeling a rush of adrenaline in the pit of his stomach, the pleasant sensation only growing stronger as she went on. Lestat watched her as she moved effortlessly through her audition, overcome with awe, very nearly stumbling on his own lines as a result. Armand and Santiago watched from the bottom of the stage as Y/N and Lestat kept going.

Armand watched from the front row and noticed Lestat’s immediate and oddly natural chemistry with Y/N and was well aware of the subtle attraction and quiet infatuation she felt towards Lestat. Armand could feel it through her, and it bothered him. He couldn’t help it; he began to feel his face turn green with envy. Santiago, however, was greatly amused at what was unfolding in front of them—and he relished the drama of it all. The rest of the Coven watched from the seats intently, some engrossed, some unbothered. Nicki leaned up against the wall backstage, a pained expression etched on his features. Looking on at his former lover floating across the stage with a woman whom he had only met mere hours ago and watching her fall under his spell just as he had, Nicki shook his head, a grimace forming on his face.

With all due respect, maître…maybe we should keep an eye on the new one, said Santiago, filling Armand’s head with his thoughts without moving his mouth. It’s only a matter of time before our dear founder tries to take her to bed with him…you know as well as I do how he is. And seeing how she’s looking at him—Armand did not want to hear this. Lestat and Y/N were too immersed in their scene and lost in each other to hear them through their own minds.

Armand cut him off. Enough, Santiago. I know very well how Lestat operates. Let them finish. I’ll allow Y/N to continue, for now. We shall decide what measures to take when the time is right… As Armand and Santiago sized Y/N up, she breezed through her audition.

“Come, woo me, woo me, for now I am in a holiday humor, and like enough to consent. What would you say to me now an I were your very, very Rosalind?” Y/N continued as she blushed and smiled at Lestat. Anything he did in his impromptu performance, she followed with masterful skill.

Lestat slowly walked closer to her, his gaze never leaving her eyes. Lestat looked at Y/N, smirking as he brushed some of his long blonde hair behind his ear. He let the silence expand for a second before he continued.

“I would kiss before I spoke.”

Lestat and Y/N gazed at each other as if they were the only beings in the room, amusing Santiago morbidly and annoying Armand profoundly. A mixture of admiration and a deep hunger formed inside Lestat’s chest, and Y/N’s heart pounded against her ribcage. She gulped quietly as she tried to keep up with Lestat. Determined to give the best audition she could despite having to act opposite the most gorgeous creature she has ever laid her eyes on, alive or dead, Y/N tried to fight off her own desire building within her. Soft gasps could be heard from the other vampires watching them from the seats.

“Nay, you were better speak first, and when you were gravelled for lack of matter, you might take occasion to kiss. Very good orators, when they are out, they will spit; and for lovers lacking—God warn us—matter, the cleanliest shift is to kiss.”

Sensing Y/N’s struggle to maintain her composure, Lestat met her energy with his own words. “How if the kiss be denied?” He looked at her for a beat, cocking his head to one side quizzically. Y/N answered him with a playful shrug.

“Then she puts you to entreaty, and there begins new matter.”

Lestat continued his teasing, delighted by the thrill Y/N gave him. “Who could be out, being before his beloved mistress?”

Y/N pretended to scoff. “Marry, that should you if I were your mistress, or I should think my honesty ranker than my wit.”

Lestat looked at Y/N with a look of mock surprise. “What, of my suit?” he said, his voice harboring a more sensual tone this time.

“Not out of your apparel, and yet out of your suit. Am I not your Rosalind?” Y/N floated across the stage like a ghost, every single movement calculated and carried out so smoothly.

“I take some joy to say you are because I would be talking of her.” Lestat’s face reddened slightly as he noticed how Y/N’s jaw dropped, but only for a second before she kept going.

“Well, in her person I say I will not have you.” Y/N let out an exaggerated giggle as she playfully spun around slowly.

A dramatic sigh escaped Lestat’s lungs. “Then in mine own person I die.” He looked back at Y/N as she turned to face him again.

“By this hand, it will not kill a fly. But come; now I will be your Rosalind in a more coming-on disposition, and ask me what you will, I will grant it.” Y/N gazed at the vampire in front of her, only inches separating them now. Lestat reached out to gently caress Y/N’s cheek as they looked deeply into each other’s eyes, making her blush even more obvious in her face now. He has her right where he wants her, and as fate or some other mystical thing would have it, Y/N is right where she wants to be. Once again, Lestat drew the silence out for a beat too long before he spoke.

“Then love me, Rosalind.”

Y/N’s voice trembled a little as she leaned into Lestat’s touch. His unbroken focus on her made her feel slightly faint just from the way he looked at her, but she kept her cool as best as she could. “Yes, faith, will I, Fridays and Saturdays and all.” She shyly smiled up at him, trying and failing to hide her quiet swooning.

Lestat hung on to every word that left her lips as if he had never heard such language spoken before. Of course, he was no stranger to the stage himself, having been the Theatre’s main selling point for a few years now. The act of performing on a stage in front of an enamored audience always thrilled him, but she…she was different. This new and sudden but pleasant feeling cut him way deeper, hit him harder—he knew that she was something magical. And Lestat wasn’t quite sure where to put that desire and hunger, so he decided to do the thing he does best: he needed to have her all to himself, by any means necessary. Lestat was delighted to find that the feeling was so clearly mutual.

Santiago watched Lestat enchant Y/N as they continued with their performances. He gasped quietly as he saw Lestat become smitten with Y/N, rolling his eyes. Just look at those two! Can you believe them? They’ve made eyes at each other from the second she came through the door. They’ve only just met a few hours ago and he’s looking at her like Venus de Milo herself…and she looks as if she’s about to melt through the floor. Armand found himself becoming more and more annoyed as Lestat and Y/N carried on like they were, and Santiago took notice. Maître, you’re grinding your teeth…

Armand huffed quietly. I said let them continue. Y/N is smarter than we realize. If she doesn’t know who she’s getting herself tied up with, she will. I can guarantee that. Armand maintained his mildly annoyed expression as he crossed his arms over his chest. I see potential in her. We can use that potential.

Santiago, ever the drama queen but also the suck-up, tried to push Armand’s buttons. How shall we do that, maître? I wonder what our violinist has to say about this…I can’t imagine he’s especially thrilled about—

Armand cut him off once again. Be silent now, Santiago. Nicki is the least of my worries right now.

Now mildly aware of the growing discomfort in the pit of Armand’s stomach and Santiago’s antagonizing of him, Lestat continued to read with Y/N. He was enraptured by her, this was true—but he also found quite a bit of amusement in making Armand uncomfortable. Y/N, less aware of the effect her performance is having on the Coven leader and his all-too-willing sidekick, matched him masterfully.

“And wilt thou have me?” said Lestat, sultry and low.

Y/N nodded her head and smiled. “Ay, and twenty such.”

Lestat felt his heart flutter in his chest as he moved closer to her. “What sayest thou?”

Y/N gently bit her lip then let it go with a smirk. “Are you not good?”

“I hope so.” Lestat rolled his eyes in a sassy manner.

“Why then, can one desire too much of a good thing?” Y/N went on, closing the small space between herself and Lestat.

The vaguely pained expression did not escape Armand’s face. Still wanting to maintain some sort of order and power over his Coven, Armand kept his focus fixed on the two vampires on the stage in front of him.

Santiago, an evil grin taking shape over his features, watched Lestat and Y/N’s bond become deeper by the second as Y/N continued. “Come, sister, you shall be the priest and marry us. Give me your hand, Orlando.” Y/N gently reached for Lestat’s hand, and he placed it in hers, tangling their fingers together. She looked to where the audience would be sitting. “What do you say sister?” Y/N looked back up at Lestat as he gazed back at her, their vampire eyes blown out with love and desire for each other.

After what felt like an eternity, Lestat put his finger under Y/N’s chin and gingerly tilted her head up. He started to move down to press his lips to hers, and she moved up to meet him. He closed his eyes, and her eyelids fluttered shut as his lips gently—

A groan could be heard from Armand as Santiago abruptly rose from his seat and applauded loudly. Lestat and Y/N snapped out of their trance and pulled away from each other, no longer able to hide their blushing. The rest of the Coven began to applaud as well. The vampires Sam and Gustav were enthusiastic in their encouragement of the new potential member of the Coven and her undeniable and palpable chemistry with their Theatre’s founder. Celeste looked on with a proud smile on her face, while Estelle clapped wildly. Eglee rolled her eyes before eventually joining in with her applause. Backstage, Nicki shook his head again as he quietly left the auditorium, quietly cursing under his breath.

“Very well done, Y/N. Very well done indeed,” said Santiago, sounding giddier than he probably should. He looked at Armand. “What say you, maître?” he asked with mock amusement.

Armand once again did not listen. He looked up at Y/N as Lestat released her from his gentle but bold embrace. “Exquisite work, Y/N. Exceptional. While we evaluate your performance, you are welcome to remain here with the Coven. We have provided a coffin for you near your maker’s.” Armand started to dismiss everyone before he turned back to Y/N. “We do expect you to keep our hours, curfew is three o’clock sharp.” He shot a subtle but menacing glare at Lestat. Lestat rolled his eyes and chuckled to himself as he turned his back to him. Armand looked at Y/N again. Lestat smiled warmly at Y/N as he winked at her.

Still reeling from everything that just occurred, Y/N nodded and bowed. “Yes maître, I will. Thank you all.” Armand dismissed Santiago and the rest of the Coven, and they all left the auditorium.

It was then that Y/N heard a sensual and seductive voice inside her head.

Très bien fait, ma chérie. I’m impressed.

Y/N turned around to find Lestat leaning against the piano on the stage, his arms crossed over his chest, looking her up and down, dripping with genuine curiosity and insatiable desire. She blushed and smiled as she met his gaze.

“That’s very sweet of you to say, Lestat. It really means a lot to hear.” Y/N walked over to him, slightly nervous but not at all deterred. “You were amazing yourself.”

Lestat rolled his eyes playfully at her compliment but accepted it. “You flatter me, mon amour.” He stood up straight and walked over to her, looking down at her with that softly sly smirk again. “I must say, my dear Y/N, you are quite the actress. Many have come and gone from this theatre, but none have bewitched me so like you have, ma petite fleur.”

Y/N swooned at his words, slightly taken aback by the sincerity in them despite the obvious attraction. “Oh, you’re too kind. It’s not often I’m in the presence of someone so…” She caught herself getting lost in his eyes again—something she has by now realized is very easy to do—before she continued. “So…enchanting as you.”

Lestat chuckled lowly. “Is that so? Well, you have captivated me too, love,” he said, pausing briefly as he took the sight of her in. “I haven’t seen such talent on this stage in quite some time, Y/N.” She blushed deeper as she took a second to gather her thoughts. Y/N sighed softly before speaking.

“Thank you! I’m just happy that I can finally do what I love to do. Up until today, I thought it was unfortunate that I couldn’t do this kind of thing when I was mortal, but I don’t have that feeling now that I’m here. In an odd way, it feels right like this.” Y/N chuckled lightly.

Lestat listened to her words intently. “I know that feeling very well, mon coeur. For what it’s worth, I’m quite glad you wandered into our midst. I can see already that you’re passionate about the Theatre, and it’s refreshing. You’re simply lovely.” Y/N smiled at his words of admiration and encouragement. “I cannot wait to see what other talents you possess, if you don’t mind my saying so,” he said with a smirk, appreciating the slight drop of her jaw. Noticing the positive tension on her face, Lestat spoke gently to her. “Oh, and don’t be nervous, chérie. There is nothing to be afraid of. I have no doubt you’ll fit in here, I am sure of it.” He traced her jawline affectionately before tilting her head up to bring her eyes to meet his, just like he did during her audition. “And, if I may be so bold, I would love to get to know you better. If you’ll have me, of course.” Y/N’s eyes widened as she swooned. She nodded as she stuttered slightly.

“I’d love to, Lestat. I would be honored.” Y/N felt her heart jump into her mouth. The gorgeous blonde vampire in front of her reveled in how flustered she looked as he spoke to her.

“Very well then, dear Y/N. We’ll continue our little conversation after your initiation tomorrow.”

Y/N gulped. “My…my what?!”

Lestat giggled slyly. “You heard me correctly, ma chérie. Welcome to the Theatre, darling. You’re one of us now as far as I’m concerned.”

“But…Armand said—” Lestat gently placed a finger over her lips to shut her up as he spoke lowly to her, sultry and dripping with desire.

“Shh, ma jolie fille…never mind what that manipulative gremlin Armand said.” Lestat let his finger gently drag across her bottom lip before letting it go. He brushed some of her hair behind her ear as he continued. “I’ll be seeing you backstage afterwards, yes?”

There was no way for him to be coy about his appetite for her any more than he had earlier. The vampire Lestat de Lioncourt, the Brat Prince himself, was anything but shy about his unquenchable thirst for Y/N; it only grew exponentially in the few hours since he met her.

Y/N felt as though the air had been knocked out of her lungs as she nodded. “Of course, Lestat. You will.” She smiled at him, trying to regulate her breathing.

Lestat smiled wickedly at her again. “Très bien, mon amour. I’ll see you then.” He caressed her face again before turning to walk away. “Bonne nuit, ma belle. Sweet dreams.”

Y/N could feel her heart pounding in her throat as she smiled. “Good night, Lestat. I hope you sleep well.” Blushing, she beamed at him, and he smiled back, a blush of his own on his face.

With that, they left the room. As she lifted the lid to her coffin next to the others to crawl inside it, Y/N gasped as she heard Lestat’s voice in her head again, stopping her momentarily.

Remember what I told you, ma petite fleur. There is nothing to worry your pretty little head with. And know this too, my darling: I don't bite...hard.

[murfpersonalblog]

I wanted to respond to this post & tags by @mdeitrick13, after I saw @fishjellylou's response here.

I HATE book!film!Louis. It's actually a very popular opinion, esp. wrt film!Louis--there's a lot to hate, without ever getting into morality politics--from his plethora of stupid life choices, to his hypocrisy, to his whiny attitude, etc. And wrt to pimps & slavery specifically, we can get into all the ways owning & controlling people's bodies, freedom, & autonomy/agency is effed up. But where exactly does LOUIS exhibit any of that behavior towards Armand--book, film, and esp. on the show??? 🤔

Almighty all-powerful all-gifted uber-privileged vamps can get away with literal murder: Lestat can spitefully beat the hell out of Lou, Armand can sadistically torture HUMAN!Daniel, the coven can gleefully kill Claudia & Madeleine (who literally did nothing), Armand can petulantly drive the mentally ill (Nicki & Louis) to suicide--but disenfranchised weak AF desperate HUMAN!Black Louis is "worse" than all of the vamps, cuz he was a pimp who tried navigating the crap hand he'd been dealt the most effective way he could? 🤨🤨🤨

What did Louis do as a human pimp that makes him so much "worse" as a person than Armand is? Since when does AMC/the show or Lou absolve himself of guilt for being a pimp OR a vampire? In Lou's eyes, evil is evil, and he doesn't give vampires a pass AT ALL--eff all the "biological imperatives" Rashid was simpering about. Since when are demonic serial killing cannibals given a pass in the IWTV Morality Olympics, over prostitution? Cuz prostitution & vampirism BOTH exploit human vulnerability & weakness & bodies, and by the show's logic, one is no better or worse than the other--ALL vampires on this show are COMPLICIT as predators feeding off the lives & miseries of humans. Santiago only used the stupid "vampires are monsters" excuse to justify his personally-motivated vendetta to kill Louis, dismissing Lou's experiences to absolve Lestat's flagrant abuse of power against the man he claimed to love whom he knew was weaker than him and thus intentionally "broke."

The whole point of show!Loumand's dynamic is right here:

ARMAND, the 400+ year old Coven Master, stalked & approached & invited & courted LOUIS. Louis never spoke or utilized his past as a pimp when they met. Armand knew Louis was afraid of him ("I thought he was going to kill me....I sensed his ancient power"), and he promised Louis (who'd suffered from SEVERE PTSD after the last older more powerful vampire broke every bone in his body), that he would never hurt Louis, "and I never have," LOL.

In ANY of Loumand's courtship, where does Louis having formerly been a pimp give him ANY advantage over Armand, or the coven? 🤔

Where does pimp!Louis factor in as the "gross" part of their meeting & courtship--when Lou explicitly told Armand & the whole coven that they were NOT companions, and that he had ZERO interest in Armand tryna RECRUIT Louis to join Armand's coven (*cough* CULT *cough*)? 🤔 Who's pimping whom in this situationship? 🤔

Esp. since Claudia's the one who was actually recruited, to try to lure LOUIS in as the one they REALLY wanted to join, so offended when Lou refused ("[Madeleine] must join or die."). They used the same Charles Manson-style cult tactics on Claudia AND Louis!

Rolin explicitly used Charles Manson music in 1x5, but y'all keep missing the links between Lestat & Armand's treatment of Louis & Claudia to talk about how Armand was groomed & abused--by WHOM?! Certainly not LOUIS! And here the tags go AGAIN tryna link Louis with Marius. 🤦‍♀️ (I cannot WAIT till y'all show-onlies actually see Marius in action, not just picking up crap from hearsay.)

Where is Louis the predator out to harm Armand? How is Armand the one being "grossly" threatened by Lou, pimp or otherwise? When did Louis rape Armand, or pimp him out, or "donate" him to someone else? For all Louis' claims that "he's mine" cuz Lou got to top someone who's not his Maker, how does Louis actually come out on top or benefit, being with Armand? 🤔

For all Armand's simpering about "Are you asking me or making me, Maitre?," where does Louis FORCE Armand to do ANYTHING? Louis states what he wants to do/happen (make Madeleine for Claudia; save Daniel from Armand killing him), and Lou gives Armand the CHOICE to do it it or not. Armand could've had the whole coven descend on Lou the night Lou made Madeleine (as we see in the movie, which clearly noticed the same thing)--instead, we learn that he was actually writing/rehearsing the Trial script the whole time jfc 💀💀💀. He could've snapped Daniel's neck, and what could crispety!Lou have done to stop him, hobbling around all burnt up? But he complies, cuz he'd already sabotaged Loustat's chance to get back together by not telling Lou that Les said he loved him; instead CHOOSING to stay with the man who literally just said he's bored & hates being with Armand & literally just tried to kill himself rather than be with Armand anymore--like WTF???? But ARMAND'S the one who's been in danger from Louis!? 🤣 THIS dude!?

OK, Lou was a pimp, but Armand was running the frikkin vampire MOB in Paris--a literal biker gang of Charles Manson sickos! An effing wet room full of offed "heretics and rule breakers" (inc NICKI, who was NEITHER--SUS!!!) buried in the frikkin walls of his torture-basement, but Lou's "worse" for being a HUMAN!hustler, when Armand's a whole cult-leading mobster his effing self!?

On top of the legit torture we see him do to HUMAN!Daniel, playing with his effing food worse than anything we saw Lestat pull in S1.

(x x x x x)

How does Lou having been a pimp protect him from Armand lying about "Banishment," or having his mind wiped for 77 years, or Armand going behind Lou's back to tear out Claudia's diary pages Lou didn't even know about, or Armand throwing Daniel (& Sam & the Talamasca) under the bus to keep gaslighting Lou about the script?

Where does Louis abuse Armand's trust, lying to control Armand's actions? When has Lou hobbled Armand's bodily autonomy, and the thing Armand can(not) physically do? When did Lou donate Armand to other people? Or act outside of Armand's boundaries/consent?)

The whole point of IWTV is to emphasize LOUIS' vulnerability, and how it's constantly exploited & abused by people more powerful than he is--from humans in NOLA & Romania/Eastern Europe, to vampires in Paris, and especially Lestat.

Armand knew immediately that Louis & Claudia were lying about Bruce being their Maker, cuz he's THE best vampire with the Mind Gift. He knew EVERYTHING, and told Louis to his face in 2x2 that Louis's a terrible liar who can't hide anything or keep secrets from him--just like the last older more powerful vampire read Louis' thoughts & used them to seduce him; "Come to me, Louis."

Armand & the whole coven were Europeans who'd never even met an American vamp before--but they knew Louis was a pimp from New Orleans with a whole failed sugar plantation--cuz they they read his mind; what Claudia explicitly called "invaded their thoughts." Santiago called them BOTH out in 2x3 (more subtly with Claudia but straight up explicitly with Louis, as someone whose mind they could all read way easier than hers).

It especially confuses me when show fans complain all about pimp!Louis being with Armand on the show; but make no noise about slaveowner!Louis being with Armand in the books? (Or they're against pedo!Marius being with Armand, but make no noise about pedo!Lestat being with Armand? Let alone Daniel (who, unlike Marius & Lestat, is NOT an Old World European vamp from a different time period with different morals/ethics), or any adult attracted to a 17 year old's body--including book!Louis?) People have shipped Loumand for decades, yet it's only once Lou's a pimp (amongst other things....) that people suddenly care about poor innocent Armand being abused by the evil thug jezebel who got Armand's daughter killed and lied to Armand about his Maker and allowed Armand to be tortured & humiliated by the public with his ankles slashed open & buried alive for over a MONTH so he couldn't escape? 🙄😒

The Vampire Armand is only ever beaten TWICE: by Santino & the Children of Satan in the books, and by Daniel on the show. That is IT. NO ONE else gets the jump on Armand, or gets the upper hand over him--he's not even one of the ones Rhoshamandes kidnaps! NO ONE effs with TVA, or effs TVA over--HE'S the boogeyman of the vampires preying on his own kind, not the other way around.

The sheer IRONY of Mr. "I Could Not Prevent It" Armand as a character is understanding cycles of violence.

You're missing the whole point of AR/RJ putting the former sex slave Armand in relationships with a slaveowner (book) or a pimp (show). It's about realizing how a former sex slave (kidnapped & trafficked overseas to be tortured so bad that his PTSD gave him amnesia) became a powerful vampire with THEE strongest Mind/Spell Gift powers, leading entire covens/cults purging ALL fledglings in their territories who resisted--thus perpetuating SYSTEMIC & INSTITUTIONALIZED ABUSE.

Armand used & abused Claudia's naivety & Louis' trust in him, cuz he lulls victims into a false sense of security before the trap springs open--"NO PAIN."

AR put Loumand together NOT to make a point about how "gross" it was that slaveowner!Louis was taking advantage of former sex slave Armand. It's about how effing ironic and SAD it is that Armand (the one who IMO experienced THE WORST horrors as a victim of abuse in all of TVC) was now the ONLY one in a position of power to PREVENT things that happened to him from happening to anyone else--and did NOTHING. Or rather: he made already bad situations even WORSE.

Armand weaponizes his past to destroy other peoples' futures, victimizing & harassing & abusing everyone as the Coven Master of that EFFED UP coven. He CLAIMS he cannot prevent bad things from happening, flashing 🥺 all day--only for us to find out that behind the scenes, this mofo was a master manipulator who gaslit & schemed against his lover Louis ("alright, I sold him out"), tricked & abused his frenemy Lestat, mutilated Claudia's body and hid the evidence (I PRAY that ghost!Claudia reveals that the Frankenstein scene from TVA happened), and psychologically tortured his human/fledgling Daniel.

Armand was originally intended to be the main villain of TVC, all the way up until the 3rd book, when AR softened Armand's edges & gave it to Akasha in QotD, and Rhosh in the PL Trilogy. ALL of AR's vamps are sympathetic villains, not cuz one is morally/ethically "better or worse" than the other--arguments have been made even to understand Rhoshamandes & Akasha's perspectives. YES, Armand had horrible things happen to him--but LOUIS is NEVER the one who does those horrible things to him, nor does he EVER benefit from Armand's past. Armand ALWAYS had the advantage over Louis, pimp or no. STOP overestimating the Maitre stupidness! AMC already told y'all what that was about!

But y'all pointedly isolate every other vamp from culpability & accountability under the thinly-veiled guise of caring so much about the freedom/autonomy of people's bodies, when really it only serves to spread hate & vitriol for Louis. All I'm seeing in this fandom is the "GROSS" inequity of how Louis is treated & talked about, versus everyone else, and it's fishy AF.

[avalonia320]

IWTV Thoughts

I finally got to watch the finale last night and when I tell you I am SHOOK to my damn core. I don't know how to put it into words. I'm older than a lot of people here. I first read the Vampire Chronicles when I was 11; I found them in a box that belonged to my mother. When I tell you I devoured those books, re-read them over and over and over, fell in love with Lestat and New Orleans & Paris, cried over Claudia and Louis...I was totally besotted by the world Anne Rice created.

When the movie was announced when I was a teen (yes I'm that old), first I was so excited and then I was furious, as many of us Anne Rice devotees were, when Tom Cruise was cast as Lestat. I could not imagine an actor further away from how I had imagined Lestat. But still, I had to see it, and while it was still miles away from what I had wanted, I came away impressed with Tom Cruise. He still wasn't my Lestat, but he threw himself into the role in a way that made me believe he'd been waiting his whole life to let his inner Queen off the chain.

The movie itself...I had loved parts of it, but there was still so much more that I wanted. When the sequel came out (Queen of the Damned) I liked parts of that too and I actually enjoyed Stuart Townsend as Lestat. I hated most of it though, especially what they did with Marius (to this day I don't know what the hell that was about) but it was obvious at that point that I was never going to see the vampire world I was so enthralled with on the screen.

Then this series comes out. And while my expectations were low, I was still pretty excited. And then I watched it.

Holy fucking shitballs, you guys. I am normally so protective of my favorite books, resenting any little change unless it makes sense but everything they've done with this series, everything they've changed makes so much fucking sense. I don't want to try and break it down, I don't have the words. Lestat was always my big love in the books, but in this series, I've fallen in love with Louis and Claudia in a way I never imagined. I always loved their characters, don't get me wrong, but I never connected with them this way until now. And don't even get me started on Daniel, who I will admit I actively disliked in the books for the unforgivable crime of being boring. Um....that's a word I will never ever use in connect to Daniel Molloy ever ever ever again. And Armand and Madeleine and...I can't.

And Lestat. I loved him in the first season but in the second season, when he showed up with that long hair, I saw him for the first time like someone took the Lestat that has lived in my head since I was 11 years old and put him on the screen. He is EXACTLY how I imagined him. The way he looks, the way he talks, his emotion, his breakdowns, his unbelievable flair for the dramatic...this is HIM. I feel like I've been been unconsciously waiting decades for him to show up and for people to see him the way I saw him back then. I can't be the only old school fan that feels this way. It's just so surreal to see it so exact, it takes me right back to my childhood and the way I fell into stories then. The way you feel things when you're so young is something so hard to recapture but I feel like I'm right back there again on my bed, reading the books over and over again.

I'm just so grateful. To everyone involved with this series, the writers, the cast...I know i'm getting overly emotional but everything's been so shit lately and we've all needed an escape, a good one for once. I needed this so badly.

And I have to believe, wherever she is now, Anne Rice is so fucking proud.

[nalyra-dreaming]

to put all the cards on the table... (and now that we have that teaser... oooofff). i read the books, but i want to put my obsessive detail lover glasses on. anne is really nuanced in her writing, so yes i totally get lestat is not how louis described him (more or less 👀), but just in a vibey way. to make a specific list, what is that 20% that louis got wrong in your opinion?

That Louis got wrong? :)

Hmmm… So first off I do not think that what we saw of Lestat in that video (aka the rockstar persona) is how he looked when he was with Louis in NOLA.

Then again… Surprisingly close, isn't it?^^

So to get into this I need to explain my view of this a bit. Kidnap your ask, if you will^^

Louis describing Lestat: strands of hair down the sides of his face, unkempt a bit wild hair (at times at least). If his hair isn't done in some kind of fashion (opera, french pony tail etc)

I said it before, I think these strands down Lestat's face are indicative of Louis' POV (own) memories.

Which brings us to this small excursion on the subject. There's the evil step-mom bob, when Claudia comes in, and which is repeated outside in 1x05:

Hair lengths aside, we now know that Lestat was just as bloody as Louis from the trial revisit (see below), which was supposedly the truth, but in any case "no scratch on Lestat" has never made much sense. Meaning the force-feeding likely didn't happen either...

.... and the drop... well. Supposedly did. Even though he is quite clean again?

Because... that is still very far from what we (supposedly) saw as the "truth" of Lestat's bloody face in the coffin room just before, which we were shown at the trial:

I think the evil step-mom-clean-and-glorious-looking Lestat is Armand's tampered-with version.

Because... going through this because I think we got Louis' POV and actual memories of Lestat more in the beginning of season one.

There are a lot more instances of the "strands down his face"...

Btw, see this? Of what was used by Daniel to prove an "error" to the tale in 2x08? To prove Armand's manipulation?!

Right after the scene... he has them again:

Even Claudia's POV has them!

Even when she absolutely hates his guts:

I think every scene we saw with Lestat either in made up hair or with the strands down his face are ... "as real as it can get in a tale".

And the other scenes... the perfect blond hair ... is not.

Which brings us finally back to your actual question:

What is the 20% Louis got wrong?

And... I'm not sure Louis really got him that wrong?! I think Louis misunderstood some things, didn't know a lot of things, and Lestat fucked up others. They didn't talk enough. And sometimes love makes you desperate. They knew exactly how to wound the other.

And Armand... meddled with the tale. I said it before, the "train scene" cannot have happened as shown. The hotel likely neither.

I think every scene where Lestat is an "evil bitch with perfect hair.".. is a meddled with one. Given Armand's goal of influencing the tale? Namely making Lestat seem as bad as possible, while being unable to hide his own fascination with him? Makes perfect sense to me.^^

And there's actually not that many of them either. The outside of episode 5, the tractor salesman, the train, the paranoia driven one in 1x07 has strands again, while he does not have them the scene before and through a lot of the remaining last episode of the first season.

As such the little comment in 1x07, "the king's hair has betrayed the king".... takes on a third meaning, imho - not only a quip by Louis on both the "hair" on the floor and "heir" (Claudia)... but also that the "hair"... betrays the "king"... the leader - the coven master vampire meddling.

Layers, upon layers, upon layers.

So what did Louis get wrong?

Not that much actually, I think. But... some of the key scenes were not his. And those were therefore, in the sense of the words, wrong.

[justheretolurk003]

A long post on why Daniel is more fascinating than Armand (according to Louis)

Got you. In fact I’m a bit torn on whether or not Daniel is that different from other people that he is extremely fascinating. I think he has a risqué attitude that a lot of the people at the bar share: that willingness and unapologetic desire to live life and enjoy pleasure at maximum. A bit like Lestat’s answer in S1, when Louis asks him why vampires are on Earth, and Lestat answers he himself put Louis on earth for the purpose of pleasure and do whatever they want.

But I don’t think a resemblance to Lestat is the whole reason Louis didn’t kill Daniel that night. While being broken down by Armand, Daniel admits that he is good at getting people to open up, a trait that is more uncommon but not so much. Still, I think Louis picks up on that, even at the bar when Daniel says he is good at looking for people in the cracks. That sparks Louis’ interest. A way Daniel shows he is good at listening is the way he does not judge Louis when he shows him his own coffin —instead he just asks how it works. When Louis shows him his fangs, Daniel is scared af at first, then asks him to show his fangs again later on. This creates an environment of comfort Louis uses to rage against Lestat and mourn for Claudia. Their interview is not an interview based on accuracy, it is an “emotional upchuck” which can only be had in an environment where there is some level of trust, comfort and a non-judgmental attitude. In 1973 Daniel is not so much an interviewer, but a therapist.

And still I don’t think that is the whole reason Daniel was not killed by Louis that night cause Daniel is also unapologetically himself. Unapologetically horny, unapologetically weird, unapologetically chill, unapologetically idiotic, cringey and with no sense of danger when he offers to become Louis’ companion. I think this trait along with the previously touched upon ones are the reason Jacob calls Daniel “cool”. Daniel is cool in the sense he is unpretending. A dude that is chill, observant, with an angle and you can have fun with.

And still, these are not incredibly fascinating traits that few people possess. In fact, I know plenty of people who share these traits and embody them even more than Daniel. On top of that, at that point in his life, Daniel hasn’t lived a fascinating life. He said it himself: just a shitty kid from Modesto. In fact, Armand has lived a ten times more fascinating life than Daniel (argue with me in the comments if you disagree, bitch) and Daniel is right when he says Armand is more fascinating cause for fucks sake, he can actually read minds! But again, the comfort they offer to Louis is radically different. And that is why Louis prefers the night he spent with Daniel than the decades alongside Armand. On one hand we have Daniel’s non judgmental, unassuming gaze compared to the snobbishness and high horse attitude of Armand. We have Daniel letting Louis be messy and vengeful and emotional, and Armand who is composed and impenetrable and we’ll-adjusted, the whole time.

And yes, I think Armand looks down on Louis because Armand is giving a performance of how to be a well put together, good adjusted person. Armand looks down on Louis for picking up men at bars, he looks down on him for being a mess and opening up to Daniel, you can say he looks down on him for committing suicide (though this coexist with the hurt and betrayal Armand feels at seeing his efforts, cause yes, Armand sees it as efforts, be thrown away by Louis).

Whoever Armand is with, he tries to appeal to his partner and create an environment in which nothing is out of order, nothing is evocative, in which everything is to their liking. In this case, the environment is plain because the goal is that there is not a single thing that triggers Louis. Armand justifies this by saying he does it for Louis’ sanity and comfort. And the epitome of this place is Dubai.

Louis is cut off from society, in a place where everything is tailored to him to never upset him or trigger him. And I genuinely think this is the way Armand knows how to pay for what he did in Paris and show his love for Louis. This blandness and willingness to appeal to the desires of the other (“Is it gremlin or good nurse tonight?”) is how Armand expresses love. And it is tragic that is how he does it. Because what is sex work if not appealing to the desires of other people? What is a slave if not someone who is forced to appeal and is exploited to the greed of other people? What is a master if not a person you have to satisfy in every of their wishes? Armand caters to desire. That is how the dozens of people that exploited him taught him how to relate to them, especially Marius. The only way Armand could love Marius was by serving him, cause that was the only way Marius made himself available.

The power of Louis and Armand’s roles as maître and Arun is that Armand performs as a slave when he is the master and Louis performs as the master when he is the slave. Armand is recreating his dynamic with Marius, it is just that this time Armand has the power to be the master. Instead of outright being one, he is covert.

As a side note, I don’t think Armand is taunting Lestat when he contacts him to talk to Louis. I think he has that call with him out of the goodness of his heart — perhaps, to show Louis how good he himself is— but mostly because the role Armand forces himself to play is so suffocating, so unfair, so fucked up, that when Lestat says I love you Armand can’t deal with the pain of having to repeat that back to Louis. He just can’t. It is a genuine vulnerable moment of Armand. Ideally, it would be a wake up call for him to stop playing this role, but the events in Paris have him stuck playing that part.

It is intentional that they show us Armand letting Lestat come and destroy the coven, because he is letting Daniel do the same thing: come destroy Dubai, come destroy the catering to desire, come destroy the constant acts of service. And I hope this time is for good. I hope Armand and Louis are free from this dynamic that eats away at them. The space Armand holds for Louis to process his emotions hurts both Armand and Louis. Armand, hurt by always having to work relentlessly and never sit down with the truth according to Assad, which I argue is a lifestyle he inherited from his past as a slave. Louis, hurt by not having a non-judgmental space to cope, process and grieve as a victim of abuse, perpetuator of abuse, and the betrayal he committed against Claudia.

The reason Daniel comes across as fascinating to Louis is because Louis was begging for a listening ear, for somebody to care about his story, and Daniel has good the traits to listen to Louis and met him at the right time.

Sadly, centuries of trauma prevent Armand from being who Daniel is.

(Also didn’t Claudia say to Madeleine that there was something broken in her and Madeleine told her sometimes people go boom and then fine and then boom? To me, Louis in the 70’s embodies this so much).

Gif by @unicornspwnall

[whatshehassaid]

“I LOVED HER.” “BUT SHE DIDN’T LOVE YOU. Not like he did. Not like I have”

That isn’t Armand saying Claudia didn’t love Louis. She did. What he’s saying is that Louis was so fucking focused on PINING for Lestats love, superimposing Lestat on Claudia AND Armand that Louis refused to accept love from them. Because he didn’t want Claudia. He didn’t want Armand. He wanted Lestat and he couldn’t have him (whether it be because Louis convinced himself Lestat was bad, or dead, or because Louis is in denial). He tries to make villains out of Armand and Claudia.

“Speaking of mistakes…”

“Vintage Lioncourt.” “I’m not Lestat, Louis.” “Okay….”

“Picked ANOTHER ONE over ME”

“It was NEVER ABOUT ME. Another chapter in the FUCKED UP ROMANCE OF YOU TWO”

“If you want to escape this cage of empathy I’ve trapped you in all you had to do was ask, Louis.”

“Imagine me without the burden of her”

Louis can’t face the fact that he was IMPLICIT in what happened to Claudia in Paris. She wants a companion in Madeline cause she’s not getting in from Louis.

I feel like we may be going the route of Armand and Claudia (probably immediately after the trial and before her death) bonding over their experiences. Not just to do with Louis and Lestat… but their childhoods… being raped… being used… being turned so young…

I’m not 100% on this but if they do include the head swap thing (which is still fucked up, I’m still upset at Armand for that) I feel like Armand will frame it or believe that he can save her if he can just give her a woman’s body to match her mind. And I feel like Claudia will jump at the chance. Again, not 100% with that and it’s STILL super fucked up.. but I think if that happens Armand (AT THE TIME) would believe he was helping her. Like how he “helps” his victims. How he was never helped as a human child and as a vampire. They relate to each other because they’ve never been someone’s first choice… and I think the moment Armand hears her say those words (“it was never about me. Another chapter in the fucked up story/romance of you two”) he’s gonna realize how much they really have in common and feel empathy for her.

It makes a lot of sense with how Armand’s character (especially in the books) is. He has a thing about consent (it’s a bit twisted because you could argue he assumes he knows what’s best for people… and acts accordingly thinking that he’s helping them) But he needs people to consent at least somehow. Even if it’s coerced.

That’s also why I believe after Paris… Louis initially agreed to have the memories of his role in Claudia’s death suppressed. He couldn’t handle the guilt that he didn’t care enough to save her. Armand just took it to the point of constantly suppressing the triggering memories. Plus on TOP of that I’m 100% sure Louis is schizophrenic and it’s causing blackouts.

Armand wasn’t really lying when he said that “I protect Louis from himself.” He WAS being honest. It’s in a fucked up way, but I believe it’s true.

And then with Daniel, that’s a whole other can of worms because I don’t think Armand wiped his memories right after San Fran. I’m starting to believe it wasn’t just Louis telling him to keep Daniel alive. The minute Daniel admits he finds Armand fascinating… and tells him “you can read minds right?” Alluding to the fact that he ISN’T LYING. Daniel is intrigued by Armand… and that immediately catches Armand’s attention. We’ve only seen up to Louis attacking Daniel from an unbiased POV (the tape recording). The rest is MOSTLY FROM LOUIS. Who had had memories taken whether by Armand or by the blackouts… and remember he has a habit of trying to make himself look good in Daniel’s eyes. He tries to convince himself constantly that he’s not a bad guy - but in reality…. He’s done some shitty things too. So it wouldn’t surprise me if some of that was also lies to Daniel. “You’re a liar Louis. Whether you know it or not.”

Something happened in those 4 days with Armand and Daniel that I’m not sure Louis realizes. He may come in and out of actual remembrance where he KNOWS Armand and Daniel fell in love… and he uses it against them both… and then goes back into not knowing what’s happening.

I have a feeling we’re getting the trial/claudia’s death/a reveal about the blackouts etc/the fire from ARMAND. Hence the “imagine me without the burden of her” line that Louis says. He would NEVER in a million years admit to saying that. Definitely not to Daniel.

The Merrick storyline plays into this here. Finding Claudia’s diaries… realizing that Louis really treated her badly and that she hates him for it. And Louis not being able to take it.

I also feel like Lestat and Armand have teamed up in Dubai without Louis or Daniel realizing it. They may be trying to help cure him with the help of Dr. Bhansali.

(Also, devils minion definitely happened in the past… you can just see it in the way Armand sometimes looks at Daniel - and in the books even though he was a stickler for rules… his only exception has ALWAYS been Daniel. He loves Louis, he wouldn’t have put up with any of this if he didn’t… but Daniel? Daniel is really the love of Armand’s life. And Lestat is Louis’. I need them boys to figure this shit out - and with the fact that Daniel wasn’t listed in the Talamasca victims folder? Even though he was attacked, held hostage and tormented… means he is probably in ANOTHER folder - *cough* ARMANDSPARAMOURS *cough* I hope they have Daniel find his name in there cause THAT is gonna be J U I C Y.)

[avelera]

Gif courtesy of @apaethy

I just finished re-watching the first season of Interview with the Vampire because in light of what's going on as of 2.6 of S2, I felt I needed to, because this moment above is driving me crazy.

Why is Armand staring straight at Daniel during Louis' declaration? And why is it that, to me, he almost seems to plead with his eyes for Daniel to get him away from Louis?

My thoughts on the matter:

Doylist reasons (aka, out of universe, production, practical reasons): this is a big reveal that "Rashid" is actually Armand. It makes sense, from that angle, as an acting choice that Armand-no-longer-Rashid would look straight at the camera so we could get a good look at him.

Thing is, it's certainly a choice.

Because I would argue the more logical choice when having one character declare the other is the love of their life is for those characters to look at each other. Even a passing glance, a faint smile, a little bit of heart eyes.

Louis just gave a pretty romantic declaration. Actually, even more haunting as of 2.6, Louis just said out loud that he loves Armand in this straightforward, unambiguous, but frighteningly passive way that he refused to do back in Paris, what Madeleine had to cajole him into saying. Now Louis drops the L word all casual, almost as a challenge, right in Daniel's face??

Daniel Molloy voice: Nuh uh, I don't buy it, not for a second.

Ok, let's get into a meta reason this is a really freakin' weird moment and scene that they chose to use as the final note of Season 1, and therefore I think it's meant to be important and, as of Season 2, I think we're seeing the crux of why it's the end of one season and the set up of the next.

Metatextual reason: Armand is not the fucking love of Louis's life in the books. He's barely a footnote, unless that footnote is labeled, "THE VAMPIRE WHO KILLED CLAUDIA". Louis and Armand's relationship, such as it was, soured immediately after her death. They didn't stick together for decades, from the text they barely stuck together a few years after that. Armand wasn't at the Interview with Daniel (but he did pick up Daniel later, when kidnapping him when Daniel went to investigate Lestat's house and look for evidence to corroborate Louis' story).

So as a book fan, I sat up in my chair and audibly shouted, "What the fuck?" at that line. Because as I'm sure anyone who has read this far knows by now, in the books Louis is not the love of Armand's life.

Daniel is the love of Armand's life.

Daniel is Armand's only fledgling, ever.

So not only is there a weird declarative quality to the almost nonsensical (to book readers) statement that Armand is the love of Louis's life-- I don't know how else to explain it except it's like having a revival of Romeo and Juliet where they didn't die and Romeo's early girlfriend Rosaline show up to say that Romeo is the love of her life in Juliet's face. Do you see what I mean? Daniel/Armand is Romeo and Juliet, Louis the temporary fling. Having Rosaline tell Juliet that Romeo is her love would give a similar level of dissonance as I got hearing Louis/Armand was a thing over and above Daniel/Armand.

So to go back to Armand's creepy eye contact here (as if he has any other kind).

Watsonian Reason (aka, in-universe, what the story is going for): We are setting up the plot that becomes much more apparent in S2: Daniel was invited to Dubai to be the wrecking ball in Louis/Armand's relationship.

Which means the big canon divergence moments from the book are:

1. Louis and Armand didn't break up right after Paris, but stayed a couple for several decades longer.

2. Regardless of whether or not the Devil's Minion happened already (or if it's going to happen later in this story), Armand didn't turn Daniel into a vampire soon after meeting him a few years post-Interview with the Vampire. That event got pushed back.

My money is on Armand and Daniel had their fling but Armand refused to turn him. It's a fairly logical canon divergence beat because Armand didn't want to turn Daniel in the books either so in this universe, he just actually followed through and did the responsible thing.

But, I think Armand pined. And pined. And pined.

Whether or not Armand is Alice turning down Daniel's proposal (I at this point disagree with the theory) or if he was just stalking Daniel closely enough to read Alice's thoughts in that moment, he clearly has been keeping tabs on Daniel.

In my opinion, Armand is finally done with the relationship with Louis.

The interview is meant to passively accomplish these things:

Remind Louis how much he loves Lestat.

Remind Louis how much he loves Claudia and by extension if/when it "slips out" just how culpable Armand actually was (as the mastermind, not a bystander) for her death, it will give Louis the impetus to finally leave.

Bring Daniel back into their life. Because whether or not he'll admit it to himself, Armand has been pining for him over Louis for a while now.

I've kind of already explored this in another post but the more I watch of S2 and re-watch of S1, the more certain I am that this is Armand's actual goal. The pining looks he keeps shooting Daniel's way, the way Daniel seems to lose his train of thought whenever he looks at Armand, the palpable tension between them...

Basically, Romeo and Juliet are getting back together soon. We just need to get Rosaline out of the picture first, and that's why Romeo is having an interview that digs up what a shitty boyfriend he was to Rosaline so that Rosaline will break up with him first so he can get back with Juliet.

[theresthespark]

Okay Lestat is canonically a Scorpio and Louis a Libra which are both painfully accurate. I wanted to play Estelle and share my astrology headcanons

Claudia:

Leo rising – the hair, the general slayage, her association with yellow aka the sun

Aries sun – she’s so bold plus libra and Aries are sister signs so they share traits that present different which feels right for Louis and her’s kinship

Taurus moon – not prone enough to over emotionality to be a water sign but not overly practical in the way the other earth signs are. Very stubborn and does canonically enjoy beauty and luxury. Also if you know a Taurus I feel like it just makes sense

Madeleine:

Virgo Rising – She just gives demure when we first meet her and yet no bullshit either. Virgos just seems very put together almost unassuming which is funny since every Virgo I know is crazy lol

Aquarius sun – the decisions she’s made in her life feel the best suited for an Aquarian. Also her talking to Armand? That woman stopped giving a fuck about what everyone else is doing years ago

Cancer moon – Almost did Scorpio here but her loyalty and intensity didn’t feel suited there. Cancer still has some of Scorpio’s snap but its homey and soft too. I also can’t see Claudia gravitating towards someone similar to Lestat at all lol

(Bonus: suspected Aries Venus. The intensity of her!! Her directness when she cares! How she chases life and joy!)

Armand:

Pisces Rising – those big ole eyes are a big marker for this one. Also Pisces have big baby energy despite being the oldest sign which feels perfect for him

Gemini Sun – Please what else could he be? There’s the 27 different faces but more so, the love for technology and knowledge, the urge to always strategize. The near inability to ground into his emotions. The perpetual anxiety. Also Geminis are so funny without even trying but that’s just me

Capricorn Moon – Caps are ruled by Saturn which is in short a struggle bus placement. Fits well with the forever 27 thing (stuck in perpetual Saturn return) and his tendency to self flagellate. Also it being represent by the devil card in tarot. Iykyk

Daniel:

Capricorn rising – When you first meet him he comes off quite no bullshit in a way that only makes sense for Capricorn to me. Also fits for the workaholic tendencies (our risings tend to be a truest to self energy aka us at our best). Also feel that may be what draws Armand to him hehehe

Sagittarius sun – If you look up famous Sags all of them are silly goobers (and lowkey problematic 💀). Like him being a Sag makes SO much sense to me for San Francisco. Only a Sag would make that many dumb decisions just bc it was a vibe lmaoo

Aries moon – Thinking about Eric’s comment about Daniel not taking kindly to bullies. Also how similar him and Claudia feel to me I feel they’d share some major signage too

(Bonus: Gemini Mercury bc his got the gift of the gab, the quick wit)

Louis: (i couldn’t resist finishing their big three)

Libra rising – Ruled by Venus, Helen of Troy, Malena coded. What else could he be really?

Libra sun – Painfully canon

Scorpio moon – With how he talks about himself and his life versus how he moves through the world it makes perfect sense to me. So much emotion but also a lot of passion all bottled unless in the right company. Also he would loooove SZA (plus plus you’re more likely to become heavily attached to people who’s sun is your moon)

Lestat:

Aquarius rising – Leo’s sister sign (perfect for him and Claudia’s dynamic). She’s a rebel she does her own thing she does not give a flying fuck about the rest of yall. Only an Aquarius could be responsible for the events in Queen of the Damned

Scorpio sun – Again debilitatingly canon

Leo moon – Do I even need to explain it? Pull any TVL passage if you want an explanation lmaooo

I hope you enjoyed my analyzes I love astrology and would kill to get a proper birth chart for these characters. The house placements! The Aspects! The CHIRONS!! I need to chill

[dxxtruction]

Thinking about Santiago.

How Armand was definitely appeasing Santiago to make up for killing his maker by colluding with him on the get go. Like Santiago definitely knew right when Armand knew about the two of them, and fair would only be fair. Santiago is someone who might act out frequently from all his resentment about his maker, and so Armand's probably thinking already that if he gives him this he'll finally cool his head about it. Stroke his ego a bit and give him a sense of power over something only Armand really has the power to do. But he doesn't follow through, as he'd caught feelings for Louis along the way. He's also realizing during this period of courting how much he really hates appeasing the coven all the time (he's notably bartered his body to them to solve arguments as this is 'how one endures'. and Coven life requires a 'letting of of the self'), let alone upholding all its laws with so much violence. He's not against either on principle, but is seriously questioning if this is who he wants to be at this period of time. Has honestly been disillusioned from the desire of coven life for the last century or so, because he's given the opportunity to see he can have other things. Like love.

With Claudia, Santiago's very much putting on a mask of innocence around her, scapegoating all the future blame onto Armand, anything that will happen will be Armand's fault. When really the only thing keeping this going is Santiago not backing down on needing the two of them dead so his ego is soothed. Santiago himself doesn't even care about all the laws. I'm not sure any of the coven or Armand do, let alone never indulging themselves in acting out in ways not tied solely to the group benefit. Which makes the fact they snitched on Claudia particularly interesting. They get to but she doesn't? Everyone hates Claudia to some degree and I think this just fuels Armand's hatred of her, because he's the one to always clean it up. And Claudia's going to act out, because, well she doesn't get along with anyone. I think the Baby Loulou play was a deliberate ploy to make the two of them buttheads, and what none of them, and their inflated egos, were expecting was for her to be a sweeping hit.

Armand knows if some coven members get to run rampant and some don't it leads to total chaos. So he can't just let Claudia have special privileges, but is technically letting her have them on a law the whole coven is in agreement on is something where a death sentence is entirely justified. (that of killing another vampire.) So this doubles over itself.

And to Armand, Santiago frequently emotionally degrades him, and publicly embarrasses him, in order to break him to a point where he has him where he wants him. He needs him broken so he can put him back together as he sees fit. Cause he can definitely easily coup and become the new maître, like he wants, but if Armand's all high and mighty, and feeling like he has any other choice, the whole plans a flop. Armand knows this sort of thing well enough to not see all this going on behind him (he does get lazy), even if he has a vague sense they'd probably get up to something, he's secure enough in Louis plan that they won't (which he calls love).

It's one of those things then where it has nothing to do with really wanting Claudia or Louis dead, at least for Santiago and Armand, but all about a clashing and contention between egos in a social contract that necessitates those bound to it be killed if they don't uphold, or fit into it well enough. Normally those who don't fit in are just prone to doing it themselves. It's a toxic work envoirment on steroids. Which Armand is in no small part apart of fostering the same as the rest of them. He does use a lot of their same tactics, and is normalized to them. (Such is a culture of toxicity). Then it's a little nation of vampires turning to fascism to get rid of the 'undesirables'. Which I think Armand does only come to sympathize with, because he felt he had no other choice (they'd broken him down), and it provided him with security. Much like Madeleine.

Moral of the story: never appease a fascist, and leave your toxic friend group at the soonest opportunity. Also leadership in relations where those who are in it do not have your best interest or values at heart, let alone if it's the group of the two of you, will likely want to undermine that leadership and relationship to serve their own interests (and visa-versa). This doubles as well for a larger community, or any person being against you, regardless of position. If they think they can get away with it, and desire to. And a lot of ways people think to do it is if it's already a normalized thought. I mean it's a big question when it comes to genocidal thinking, or really murder of any kind, how does an entire group of people, or person, become okay with the idea?

[toriangeli]

I get the impression that the writers didn’t expect people to be that invested in Armand which is odd bc he’s a popular book character but. It almost seems to me like they thought everyone would be invested in Lestat and Louis only and they can do whatever with Armand. I still think he was well-written for the most part don’t get me wrong. However.

I think his motivations are muddled in this version of the story and it’s weird that he had no strong relationships to anyone all season. The Louis thing didn’t matter to either of them that much bc he was willing to let him die (weird), nothing with Daniel yet, didn’t seem very upset with the coven members dying and didn’t even seem to hate Claudia all that much?

I feel like they didn't think we'd love him if he was as much of a maniac as he was in the books? Crazy time to start worrying about what their audience thinks. ffs, Rolin talked about how bad they felt for Armand upon rereading the second half of book 1 and then didn't even quote the line that made them feel so bad for him in the first place (the thing about how he's done everything for Louis and Louis doesn't love him and seems totally dead to him).

He was definitely very attached to Louis, but Louis' lack of attachment to him and Daniel's utter contempt guided the audience's opinion a lot more than the softening of his terribleness. Even if it's not their intent, he comes across as the least favorite child. Lestat dropped Louis from the sky and gets a pass, but Armand did...what, exactly? Louis forgave him for playing a part with Claudia's death, but being willing to let Louis die was unforgivable, even after he pulled Louis out of the sun? And Rolin talked about how these were genuine attempts from Armand to be better, to be good to Louis, only to be met in 2.05 with the bleak understanding that none of it meant jack shit to Louis, it was all just a sign of Armand being a boring person who did boring things. "As empathetic as possible," says Rolin, but the actual audience is taking its cues from audience surrogate Daniel, whose opinion isn't based on Armand's experiences or even Louis' experiences, but his own. His entire take on the situation is centered around what Armand did to him, so he ignores anything that could actually make him see where Armand is coming from. He even calls his tragic backstory into question. And don't tell me Armand lied so much he deserved that. Nobody deserves it. Anyway, according to Rolin, Armand lied about two things: who saved Louis at the trial, and how involved he was in the trial itself, and all subsequent lies were covering up those two. Do you ever see Armand bringing up his tragic backstory when he isn't asked to do so? He plays victim about other things, sure, but never about that.

And frankly, some of the things he plays victim about, he has the right to be pissed about. It feels like nobody really grasps 2.05 with any sense of compassion for both Louis and Armand--it's always one or the other of them in total wrong. Either Louis is emotionally abusive during their fight, or Armand tortured and neglected him and made the whole situation about himself.

What if both things can be true, but we understand where they're both coming from? That's the thing about dark fiction: we can actually look critically at relationships like these and see nuance. It's not safe to do that in real life unless you're the therapist involved, but in fiction? We can actually look and see and think. Don't do that if you're in a toxic relationship irl, just get out.

Louis is using drugs to run away from something Armand could have prevented. There's kind of a karma in Armand being forced to be his caretaker. At the same time, I know what being the codependent in a relationship feels like, so...yes, Armand making the situation about himself makes a lot of sense because no situation is ever about himself. He drags Louis out of the sun, and we never talk about how traumatic that is for both of them. Rightly, the focus is on Louis, because Louis is the primary victim in the situation, but he's not the only one traumatized by his own suicide attempt. We, the audience, have the capacity to have empathy for them both, but we seldom do. Instead, we see Armand doing something wrong--the secondary victim demanding understanding from the primary one--and focus way too much on that instead of why.

People feel sorry for themselves because they're overcompensating for the fact that only they ever seem to validate their own experiences. Judging by some of Sam's attitude, I suspect the last person who told Armand "you went through something fucked up and it's okay to not be okay about it" was Marius. Right before the attempt, Louis actively invalidated some of the worst shit Armand ever went through, so sure. I obviously don't agree with Armand's actions in the aftermath, but the important thing is, I'd consider it shitty, shitty writing if the writers decided everyone should immediately be able to act rationally about this. That's not how people work. It's the opposite of how Armand should work. Armand is so poorly socialized, he doesn't know the unwritten social codes, or even why he does what he does. And any time someone calls him out, they can't seem to do so without invalidating completely unrelated traumas he's had.

You can say, "Oh, well, this season was Louis' story, so of course they focused on Louis' perspective," but here's the problem with that: we are not getting a The Vampire Armand season. It wouldn't make sense. The only two main characters who are in those flashbacks are Armand and Marius. That means sidelining almost every series regular for an entire season if they did a TVA season. If every POV character (Daniel, Louis, and Lestat) has total contempt for Armand, exactly when is the audience supposed to have things cleared up for them?

[murfeelee]

IWTV Claudia's Celebration of Life: Spark in the Dark - Alternate Universe

As the title suggests, this event is to celebrate the wonderful Claudia; her personality, her aspirations, her journey. The heart for the past two seasons of AMC Interview with The Vampire. This is to take the narrative back to her, proving she's not just a shingle roof for us.

2. Aug 13th & 14th: Alternate Universe

“It’s chaos after you die. It’s a dream from which you cannot wake.” Armand says quietly to Daniel. “Imagine drifting half in and out of consciousness, trying vainly to remember who you are or what you were. Imagine straining forever for the lost clarity of the living—” Armand stops suddenly to glare somewhere to Lestat’s left. “Lestat, I beg you on bended knee to close your mind. I cannot bear to listen to her any longer.” “Listen to who,” Louis asks, sharp as fangs. “CLAUDIA!” Lestat shouts into the swamp, spinning in his inner tube. “These drugs are making me hallucinate our dead daughter. I’ve been listening to her explain exactly how I failed her with much virulence and creativity for the last forty-five minutes.” “What’s she like?” Louis asks, eager as anything. “Magnifique,” Lestat answers immediately. “She despises me. She’s wearing a yellow… I believe it is called a tankini. She has a margarita....” Lestat twists in his tube to glare at Armand. “Montre-lui/ Show him.” Louis squeezes his eyes shut, wrists limp in front of him. Armand’s mindgift transmission is jagged and blurry from the drugs, and Lestat’s view is all the more distorted by his own intoxication, but it’s her, it’s her. Claudia rises from the dead to berate Lestat from her very own inner tube, pausing only to take sips from her human drink. At least she is granted liquor in the hopeless afterlife that is haunting Lestat. Claudia’s hair is pulled back the way it was the day she passed, but her face is baby smooth, no trace of the injury the coven had subjected her to before her murder. She smiles at Lestat, dimple still adorable, no matter how old she gets. “And I don’t give one solitary sh*t if you’ve got him d**kmatized,” Claudia tells Lestat. “He says he forgives you for letting me die?” She brings her fingers together and gestures to her own chest. “I don’t f**king forgive you! ” Claudia starts singing in mockery, bitter as her daddy on his worst nights. She cups her hands (Her beautiful hands! The simple pleasure of her hand in his!) around her mouth like a megaphone. “I don’t forgivveeee you!” “Jesus Christ,” Louis hears Daniel say in the real world before exploding into choking coughs. In Lestat’s psychosis as translated by Armand on LSD, Claudia keeps at it. She urges Lestat to find new and innovative ways to kill himself, embodying Lestat’s senselessness and Louis’ sense in her rage. Their courageous, intelligent, honest-to-God hurricane of a daughter does not look Louis’ way the whole memory, even though Louis deserves the privilege of meeting her eyes again so much more than Lestat does. Even though Louis has spent a lifetime fasting and praying for it. But she is Lestat’s ghost, she haunts him just like she said she would, and Louis figures… He hears his own laugh—hysterical—as the memory ends, the tears wet on his cheeks. Louis figures he’s just too sane to see her these days.

-- Alligator Tears, @siahatha

MY THOUGHTS & CC CREDITS

MY THOUGHTS

A day late, cuz I was busy yesterday.

This post was directly inspired by the latest chapter of an extremely good & unhinged post-canon modern AU IWTV fanfic, where Loustat are back together, Devil's Minion is a thing, and Lestat's being haunted by the ghost of Claudia's memory. Louis' sad that he can only see her through Armand, cuz he can't read his Maker Lestat's mind, ofc.

CC CREDITS

-- IP EP pool floats by me

-- Lestat heatstroke tan line in gamma by me

-- Blood bags by @thebleedingwoodland (X X)

-- Louis swimsuit at MTS

-- Gators at Simszoo

[nightcolorz]

Show-only fan here.

I know people want a villain, which is ironic in a fandom that likes saying there's no villain here, these are all bad people...but I digress. People need a villain, it's how we make sense of bad things. And Armand is the audience's villain of choice.

But, that's not what the show is telling us imo. He's not the Big Bad Wolf, secretly planning and conniving and lying and manipulating to get what he wants. I think part of the point of the show, especially of this season, has been that every character has made questionable/bad decisions. Armand, most definitely. But Louis too and, unfortunately, Claudia. These decisions have been self-serving and if they happened at different points in time, they probably wouldn't have amounted to much. But, these characters are making them almost at the same time, sometimes in reaction to each other, and that's why things end up where they have.

It's shocking, upsetting, and honestly mind-numbing to see take after take after take after take of people just going on and on about Armand being abc and Louis being everyone's victim, and Claudia only being a victim like she isn't 40 years old. It's exhausting.

omg yesss so well said anon thank u!! Ur so right, for a fandom that loves to yap about how characters can’t be reduced to black and white villain vs hero roles they sure do love to do just that 😭 you put this so beautifully, theres no real concrete villain, most of the characters r acting out of fear or desperation or trauma and hurting each other and making bad decisions that pile on top of each other along the way. If u can’t watch a show without concrete morality or a concrete villain then don’t watch iwtv 😭😭 it’s not gonna give u what u want. And it’s doing a massive disservice to not just Armand but to Louis and Claudia to reduce them to simplistic black and white roles.

[murfpersonalblog]

IWTV S2 Ep8 Musings - The Ep8 Script (Pt2)

Thanks to slitwrstsavior sharing the script and @memorian for digitizing it! <3

Had to do Pt1 in chunks, cuz of Tumblr's 30-pic limit.

DANGIT. So this was INTENTIONALLY vague, not just some weird choppiness or cut footage.

Ohhhh.... They added just a tiny extra line--

But it's a SPICY line, cuz it implies that Les wasn't fully cooperating/on board with the rehearsal. BUT! Like I said, there's no effing mention/emphasis/indication that he was INJURED, either, which is an L.

They changed it--Louis looks UP, into the middle distance.

I'm fine with it either way--this scene had me and my bff SCREECHING.

Pet peeve, but the crew really should've been spritzing these vampires with a spray bottle of red blood, so we'd SEE the BLOOD SWEAT. (I was thinking about this when that post was circulating about vampire sex in IWTV fanfiction, like, AMC didn't show visual vampiric cues like Blood Sweat or blood (ejaculate) stains on the coffin lining--Les' was WHITE, and we KNOW Loustat was going at it in the coffins, so were they just reupholstering CONSTANTLY?) The books mention Blood Sweat all the time, all over their clothes, but the show just focused on Blood Tears (and ofc Les' ear hemorrhages).

OOOOOOOO.....!!! 👀 That highlighted bit was cut out! "You have grown warm again, filled with the love which you first came to Paris with." WUUUUT!?! So Armand's mind-wipe gaslighting BS against Louis was in the exact same vein as Claudia "finding her childlike wonder again"--which was IMPOSSIBLE, since ARMAND was the one that beat it out of her, Mr. 500 Performances, Mr. Sleep In Your Costume; Mr. They Gave Me A Choice; Mr. I Will Not Harm You.

I seriously suspect that every time Louis had an "outburst" like he said in 1x2, or "acted out," Armand would be like "Go back to your first night in Paris--forget all the bad stuff, just be warm & happy [with me];" but then Lou would FIGHT it (or rather: Daniel's constant prodding would PUSH Louis to fight it), and Armand would have to do it all over again. (My question's why didn't he just kill Daniel? Arrogance, I reckon--he severely underestimated just how good Daniel was; and "You can get lazy," like Lou said, cuz Armand didn't even bother to read Dan's thoughts to learn that the Talamasca was feeding Daniel all this extra information).

They cut that line, too--was Louis parroting him (fighting hypnosis), asking him (for clarification), or challenging him (indignant)?

That might also explain the new couches, LOL, if he wrecked them from the impact or bled on them or something.

(We already know Jacob improvised shaking Eric's hand.)

MLS = LePere Schloop?

Too bad we didn't get this--I wanted to see the main door/lobby of the penthouse (certainly not for my The Sims Dubai penthouse layout, no sir~!) .

They added extra lines about the hurricane being pre-July.

Uhhh.... This might imply certain things. Cuz I've been saying that the post-Paris timeline makes no effing sense (X X), and now we have confirmation(?) that Louis' had an Amex membership since 1951.... Even though Amex credit cards were only started in 1958, as a competitor for the Diner's Card that started in 1950 -- so was Louis an INVESTOR who helped launch the Amex credit card!? XD STFU, AMC! I thought y'all said No Forrest Gumpness!? XD

Also: HOW does Louis qualify for all these credit cards? (We saw he had a regular Amex Green Card in 1973 SanFran). According to Amex application qualifications, you need a US SSN or ITIN; OR a foreign credit card to apply.

And France isn't listed. (Unless anyone's French and has an Amex card who can correct me?)

SSNs have been issued since FDR (1936), so Louis SHOULD have one...but it would be from 1936-40 (pre-Mardi Gras), or after Paris () . Meaning on paper he'd be in his 80s in 2022, so I don't imagine he'd be a Black Card carrier for too much longer, unless he's got someone on the inside cooking the books for him.

Omfg AMC I hate y'all. got me out here overthinking effing PROPS.

They added a few lines about the green "pearly gates" of 1132:

And took out a few lines:

And took out an interesting bit of tea:

So the people of ~1940s NOLA thought Claudia was Louis' daughter (Claudia DPDL confirmed???) but the grapevine ALSO rumored that she was his child bride--OOF! 💀 (Which tracks with the AR pedo/incest stuff. Thank goodness they DON'T remember his name!)

Rolin keeps mentioning this smashed piano, but I HAVE LOOKED, but I also have crap eyesight (curse you, midnight gaming sessions), and I just don't frikkin see any smashed piano. HELP.

DEFINITELY not the Mayfair mansion though! XD DANG, I wish they'd included a few frames of gangs tryna rob the Garden District homes, coming up on the Mayfair house, and IMMEDIATELY booking past it like they'd seen a ghost. CROSSOVER, AMC, COME ONNNN.

Drats, I wanted to see Millennial Fledgling try to square up against Lou, and get one of Lou's patented condescending smirks. XD

And Les looked dirty, but he didn't look malnourished, sadly; which I'm still mad about.

In the FLOORBOARDS? OK, come through, BRUCE--I been saying this about Lestat, yet people wanna call me names!

New rule, AMC: NEVER remove Loustat lines. We need ALL the angst. Les out here like: ain't no way a baddie like Lou is SINGLE! XD

S3 BETTER show us Les watching the most vapid ish on Youtube, omg.

LOL

Drats--it might have been cool to see him with those huge pupils he gets when he's mad/hungry, but ah well; he still looked like a gorgeous BAMF.

EXCELLENT SCRIPT, EXCELLENT SHOW, GAAAAAAAH!!! ❤️