what's so refreshing about will as a character is that he doesn't throw a denial tantrum about it at any point like most characters with Darkness Within Them do. he's not a moral paragon, his angst and secretkeeping don't get annoying at any point. and i think it's because there's no contrast between who will Really Is, which is Good and True, and the dark king as his shadow or his dark self.
will is the dark king. he behaves like the dark king. he lies and he manipulates and he's a "sneak" and he's scaringly charming and he's possessive over james and a ton of other messed up shit and he tells himself it's for a good reason, and maybe it is!! and will is clearly you know. a Good Person. while his methods are sneaky, he does not actually do anything wrong. but those are his methods still, and they are cool moments and badass and also kind of eerie.
with the way he's written, i would argue will doesn't have or even need a corruption arc, he's just like that from the get-go and he's not gonna change. and i don't mean he was born evil or whatever other bullshit i mean that he was born a full person, including the dark king and will both, and there's complexity, but no clear line separates them.
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Here to share Hien thoughts today.
One thing that defines her is that she’s very capable. She’s the highest ranking in the squad after Maizuru so her confidence is in part because she does have that senior coworker &/ leader authority to her, confidence which is very much earned.
If I had to dig deeper at her beyond just what we’re shown I’d go with the angle that… She was born into the Nakamoto household and being a ninja servant, she grew up there, she doesn’t know anything else beyond the job, and it’s a job she does well, traines to get there. She’s here to do her work and she’s content with her life being how it is, not that she knows anything else. I don’t think she’d be self-aware about it all? Both because this really is pretty normal for Wa and it’s her normal, and because, while she doesn’t fold her spine or care for things like cosmetics, she does mold her attitude to be both capable and respectable. Her home, the Nakamoto household, is simultaneously a professional setting, it’s a 24/7 thing.
She’s critical of others, including her superiors and she doesn’t shy from it. Everyone shittalks Toshiro’s father regardless, but she also gets reprimanded by Maizuru for seeing Toshiro as vaguely unreliable, again likely influenced by their history as childhood friends, sasses Maizuru when she goes off into an anecdote again, etc. Even as a kid with Toshiro, doubtlessly after starting her ninja training already considering that Toshiro started his at ~5yo, she told him it was unbecoming of him to cry. She’s the one both with the job and the will to keep others in check, like when it comes to Izutsumi not doing her tasks, etc etc.
Her childhood friend relationship with Toshiro only grew more professional with time, to her surprise but seems to be more about the thought of it rather than it affecting her emotionally. With the way her extra comic lays it out, it seems she expected to become Toshiro’s mistress because of history repeating itself, in a "it is what it is" way more than anything, which is in line with the reading that she’s more go-with-the-flow and "anything that I’m tasked with I’ll accomplish, as a matter of course".
She’s not really social, and keeps herself ready to act at beck and call. She’s not uptight but she’s hard-working. So yeah like, taking pride in your skills but also keeping your identity mostly molded for efficiency. She doesn’t really think about it all, she just is and she’s fine with things as they are, going from one task to the next.
I think it’d be neat to look at her relationship with her parents… They’re both servants at the Nakamotos’, so while maybe busy like Maizuru was at times while raising Toshiro but still taking the time to cook for him (which, parents that prioritize work over her would make sense with how she became how she is), I wonder what their relationship was like, how much time they spent together, how Hien feels like towards them… I assume they’re a part in molding what her definition of normal is, after all if they are longstanding servants of the Nakamotos she has that much less reason to question such a life. But like… Have they ever had hard-hitting discussions, or is she pretty distant even with them? Did they push her into working harder, or were more hands-off? Does Hien maybe want to earn recognition by being capable? Hien has a younger sister that she gets along "so-so" with…
Hien’s younger sister seems to smile more, be more social and a bit nonchalant, such and such. Could be a point of tension that points to the "so-so", that they’re dissimilar/Hien thinks she doesn’t behave right or takes things too lightly, that she’s "unreliable" maybe. Or it could also point to some difference in how they grew up… Like oh I bet there could be tasty angst with mertocracy and siblings favoritism with her family thrown in there… Having to earn the love, earn your keep, earn your spot in the hierarchy (in work and family both)
To me she shines best as a foil, like to Beni, but like. She’s got neat stuff going on
If you’re wondering where I took half of what I referenced from I recommend looking at my masterpost on the Nakamoto party, info and extras are compiled
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thinking about an AU where Andrew’s memory starts to fade. just a touch—not to the levels of amnesia or anything like that, but in the sense that remembering everything in crystal-clear, high-def surround sound replay is no longer a coping mechanism his body relies on. the pattern recognition and hyper-vigilance becoming unnecessary as his life tones down, as he settles into something quiet, if not peaceful. that twinge of despair when his brain flicks back to pull a memory and apply it to a situation, only to find it blurry and half-remembered. realizing the vast majority of his childhood became a blur sometime in the past few months. it would change so much for him, i think, but it would open up space for him to grow into later…
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page 1 | page 2 | page 3 | page 4 | page 5 | page 6 | page 7 | page 8 | page 9 (you are here) | page 10 | page 11 | page 12
image desc under readmore
ID:
Panel one is so close to Tenzō that he's mostly out of the frame aside from the lower half of his face. He's trembling again. Behind him, Kakashi regards him with a critical eye.
"Here I am, making you patch me up, asking you not to report me, but putting you in a situation where you have to," Tenzō says, then, adds, "And I'm scared of my own village."
Panel two shows us only their backs. Tenzō is sitting straight, shaking, and Kakashi is leaning towards him slightly.
"I'm, at this point, already a liability—" Tenzō starts, but Kakashi cuts him off.
"Tenzō, I'm not going to report you," Kakashi says.
Panel three, Tenzō turns to look at Kakashi. The tears have returned to his eyes and he doesn't seem to notice them.
"I know you don't want to," Tenzō says.
Panel four, Tenzō looks away and down. His shudders have noticeably increased. "You're very loyal," Tenzō starts.
Kakashi interrupts, "Tenzō."
"And I can't let myself take advantage of that," Tenzō says, as though he didn't even hear Kakashi.
Panel five, Tenzō turns back to Kakashi. He's slightly smaller in the panel than the previous two.
"I'm sorry. I don't know why I came here," Tenzō says.
"Tenzō," Kakashi interrupts, this time in a larger speech balloon with bolder text, louder.
Tenzō continues still, "I forced you into this situation—"
Panel six features only Kakashi, his eyes are narrowed, his eyebrows low, and he's got his hand in front of himself as though he's making a slashing motion.
"Tenzō, you're not listening to me," Kakashi says. "You're not a liability or a threat, and I will not be reporting you."
Panel seven shows them facing each other. Kakashi is sitting straight, while Tenzō has once more assumed his defensive hunch forward.
"Senpai—" Tenzō starts to argue.
"I am however, going to bar you from both solo and split missions in any research labs for the next year, at least," Kakashi says, and some small, pale subtext beside it reads "Unless my order is superseded by a higher officer, obviously."
Tenzō, looking frustrated, but still shaking and tears still rolling down his cheeks, argues back.
"I told you, it wasn't the lab. I wasn't scared, it was like I—"
/end ID
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[ID: four page comic of the owl house. Page 1: Eda walks past Luz, Gus and Willow, who're sat on the floor of the owl house around a box labeled "Eda's Music". Eda notices them and peeks around the corner asking "uh, hey kid- whatcha doin?". Luz says "oh hey Eda!".
Page 2: Luz says "we were just going through all your old human music!" While holding a CD case. She continues "I've been getting nostalgic listening to some old latin pop CDs, like what my mom used to play around the house! (You have a surprising amount of merengue music btw)". Gus sheds a single tear and says "I've sampled human music before but, wow, just, wow! The technique...the inspiration...Carly Rae Jepsen is a genius". Willow looks to the side and says "and I've been listening to your old breakup mixtapes!".
Page 3: Eda looks at her blankly before saying "my what?". Willow says- "your breakup music! There's a whole box of it. I'm pretty over it now but back in the day...when Amity stopped hanging out with me...it hit me hard. I kinda had a phase of only listening to angsty breakup songs for like...a month. Maybe more. It's kinda sad in retrospect".
In the background we can see a flashback of young willow sobbing in bed while summoning vines to cover photos of her and Amity on her wall. Willow continues "things are a lot better now don't get me wrong...but I still listen to that playlist every once in a while when I need a release". Eda contemplates, then grimaces, remembering breakup with Raine (who's pictured saying "it's over, eda").
Page 4: Eda looks at Willow. She eventually says "wanna trade?" And Willow looks up. Final panel shows Luz standing in the doorway concerned as she looks at Willow and Eda. willow is kneeling in front of a casette player and headphones with a shadowy expression and Eda is in the family guy death post with a phone and headphone wire next to her. Both have annotations- Willow's says "got One of Us by ABBA" and Eda's is "got Nightshift by Lucy Dacus". Luz says "you guys good?". End ID]
*slides my Eda and Willow trade angsty breakup songs on s2A hc across the table*
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