#it is very informative though

[a-sketchy]

ohhhhhhhhh “sea of thy soul” = personal unconscious, “sea of souls” = collective unconscious. hey guys did you know that persona is kinda jungian

[miragenite]

i have a lot of feelings about the pokemon leaks. the most prominent one however is that i love this creature. evolotto/piper/whatever it is

milk creature. useless animal. weird fetus. only 1 foot tall. it doesnt even have ears or a mouth. noone knows how its alive. you wouldve had to gamble on if it would even evolve into something good. probably has the texture of a cross between a stress ball and tofu. it would probably make a loud smack against a wall and flip down the wall slowly. i love you my strange creature

[obsob]

one thing u can count on me for is being normal about Some Guy

process under cut where u can see me losing my mind trying 2 figure out what i was doing in real time! :3

[artharakka]

Beautiful, But Broken

[puppppppppy]

did it seriously take me this long to realize the back of shadows head is shaped like dooms eye

[front-facing-pokemon]

[centaurianthropology]

One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.

And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.

Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.

To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.

All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!

[stargazelasagna]

HAIIIII Julie n sally my beloved,, ,

[puppetmaster13u]

Prompt 138

Danny squints up at the blurry form cradling him, brain trying to catch up with his situation. He can feel the pulse of his siblings’ cores nearby, gently pulsing contentedly despite the chaos of his last memories. His limbs feel too small and pudgy, too-small fingers gripping onto something as his vision started to clear. 

There was a man, holding him? Cradling his too-small form like he was an infant- was he an infant? He was pretty sure he wasn’t supposed to be, he had been older but now he wasn’t. He squinted up at the stranger, green eyes meeting green. Huh. They kind of looked like he could be their dad or something. 

[correct-hermitcraft-quotes]

Tango, reading chat: 'You can craft netherrack in Create-' I don't think you can. I don't think you can.

*a pause, as Tango searches netherrack in the blocks on the sidebar*

Tango: Yeah. You can turn netherrack into... netherrack. If you- If you use the mansory bench, you can turn netherrack into netherrack, so. Keep that in mind. There's always that option.

[iwritenarrativesandstuff]

Ok, I think I have a pretty good idea of why a lot of Akechi's dialogue is... like that.

So, even before his confidant truly started, I noticed that he has a real knack for directing the flow of a conversation. This is very fitting for someone who is both a detective and skilled at interviews - when there is a topic and a goal, Akechi is in his element.

All this to say, he's actually kind of controlling when it comes to conversational flow. He probes for information, or turns the conversation around to a particular topic, usually the Phantom Thieves. He manages to take a few of Joker's dialogue options and spin them so they sound mildly incriminating in the context he's placed them in - the only way to truly get around this is to pick answers that feign indifference, and even then, that's more than a bit telling. He's clearly very good at this kind of thing.

But then, we get conversations where either Joker does something he didn't expect, or else he doesn't have a particular goal in mind - and the conversation stutters. In the first instance, Joker does something (a particularly egregious example is putting his glasses on him and fluffing his hair in rank 3) which both leaves him wrong-footed and no longer in perfect control of the situation. He just kind of... freezes, for awhile. It's hilarious. He has no idea how to respond.

He picks up control again in the phone call afterwards, having chosen to play into it, turning this "fooling the crowds" into a kind of game or secret between them. Nice save.

But in instances where there isn't an obvious topic and the goal is somewhat nebulous, for instance, that one Leblanc scene, it becomes pretty apparent that Akechi doesn't have the right "script" to go off of. Again, it's particularly notable in that scene, because I'm fairly sure he didn't have any specific reason to be at Leblanc, other than him looking for a quiet spot now that public opinion has turned on him. And because there isn't anything specific he's digging for, he kind of just ends up throwing things at the wall to see what will stick. Probing for any kind of recognizable reaction that he can jump on and work with, and that just doesn't really happen in this scene.

He references Sae, a woman in a respectable position, to Sojiro, but instead of that netting a welcome, it earns his ire, given Sae's recent actions against him. He then tries to greet Joker, his... rival? friend? enemy? person who at least seems to somewhat enjoy spending time with him? But Joker's responses are somewhat short, and Akechi practically wilts. He tries to commiserate by oversharing. He tries to involve Futaba and reaches out for the only topic of interest he can think of around "young people". He compliments the coffee. He compliments Joker. He tries to invoke that connection between them. None of it is really sticking, nor does it serve as a jumping off point for him to steer the conversation, or even really start one.

So, he basically just ends up having a one-sided chat with himself and then leaves. Hilarious. Also a little sad, if I'm being honest. It's really giving "guy with no friends who only knows how to speak to adults" energy. If there's no specific purpose to the exchange, or he is not in control of its direction, he seems to be kind of out of his depth. He succeeds only in being a little awkward and confusing, more than anything.

[mymarifae]

these two are linked in some way. 100%. i'm hesitant to add mem to the theory board because idk if they'll be related to march too or just cyrene (being an entity that sort of embodies cyrene's... essence? like ELF elysia in hi3) but the similarities they have with Both are too big to ignore completely

unsure if they're about to go the route of cyrene and march being the same person or if march is simply like... a fragment of cyrene that was sealed and sent away to maybe give her a chance to live on since this girl is doomed to die in virtually every universe and iteration. amphoreus's time and space displacement is fucked up and it seems like we're going to be spending a lot of the adventure split across concepts of "past," "present," and "future." so that mayyyyy be why we were able to see cyrene interacting with and talking to stelle in the nameless faces video, if she's no longer "whole"/dead/...whatever.

she does appear to be emerging from a place of... non... physicality. also it's worth noting that in the first picture of her i included, she's sinking - into water or a water-like substance. that can presumably freeze over...... and become the ice block himeko and welt found march 7th in....... hm? 🤨

it's hard to say how much cyrene will have in common with elysia - it's unfair to expect them to be the exact same character, and maybe these points i'm about to bring up mean little in the end because we don't know for sure where the story is going to go, but

elysia was "born from nothing" which doesn't quite have the same connotations as march 7th's "birth" but you know. they both found themselves in a sudden state of existence with next to nothing to fall back on and they defined themselves

elysia is not humble about her beauty and speaks often of it (as she should; she is very pretty). similarly, march frequently boasts about her cuteness and describes herself as the cutest girl in the world (as she should; she is very cute)

"never forget your roots" is one of the mantras elysia lives by. this stands out to me because despite not... really needing those memories, march is pretty insistent on remembering her past. the lesson that the garden of remembrance and just the universe and her adventures in general have tried to teach her ("your present defines you; so long as you're happy here, you don't need the memories of your past, and retrieving them might destroy what you've come to love now") just doesn't appear to be sinking in. perhaps because she subconsciously has a core belief stating the opposite

as for how mem would fit into this i have nothing for you because we don't have anywhere near enough info on them for me to begin thinking about that. but it seems like they'll be a pretty big deal.

like i'm spitballing more than anything here. if march IS a fragment of cyrene i think it's also obvious that she has grown into her own, entirely separate person and her origins are inconsequential - though she might not think that if/when she learns this about herself. that might also offer an explanation for why the garden of remembrance won't let her have any part of her old memories, not even a hint. because learning that she's technically a piece of someone else might be too heavy a blow to her sense of identity and she'll be entirely too focused on all the wrong things. uncovering her past will slow her down at the most inopportune moment... make her vulnerable in all the worst ways. which might be why she appears so absent from the adventure.

it's also possible that like. all three of these guys - march, cyrene, and mem - are fragments of a titan (don't ask me which). or that march was given cyrene's coreflame (don't ask me which) before being catapulted into space. or march was the previous owner of the coreflame cyrene has now - if they can be passed on to other people - before being catapulted into space. or i mean, the coreflame cyrene HAD because i'm not convinced this girl's fully alive and well. mem IS the coreflame, brought to life/imparted with cyrene's memories and will.

do you see... there's just so very much to think about... looooots of story spoilers got thrown at us if we can just... untangle the mess... can anyone HEAR me

[cent-scratchnsniff]

I'm leaking.

[soren-apologist]

time for more soren character analysis:

petrine’s battle conversation with soren in chapter 23 has always been a favorite of mine, and now that i’m looking at it again i noticed a few extra details:

it’s important to mention that this battle takes place directly after ike and soren’s a-support, in which soren confesses he’s a branded and expects to be shunned, only for ike to tell him that it doesn’t matter and he wants soren to stay by his side regardless.

anyway, besides “Now let me show you true fear!” being a really hard line, it’s really cool to see how soren’s reaction to his branded status being pointed out changes so sharply over the course of a handful of chapters. i already analyzed his reaction to nasir’s betrayal where he’s agitated over the fact that he could have prevented it if nasir hadn’t threatened to reveal him being branded to the army, so seeing him being so confident in himself is great, and i’ll touch on why here.

one of the reasons i like to say the game treats ike and soren’s a-support as canon is actually this particular conversation. soren, having just been reassured that ike will always want him at his side regardless of who or what he is, now suddenly has had his biggest fear and insecurity taken off his back. he doesn’t need to hate himself for being branded because ike, the only person who’s ever truly mattered to soren, doesn’t care at all.

back to the conversation, soren’s judgment over the situation at hand is no longer clouded by his own self-loathing. instead of comparing them as branded and seeing himself as just as horrid and disgusting as petrine (tiger branded, fun fact), he’s able to instead compare them as individuals and realize that what he’s done up to that point will never measure up to the atrocities she’s committed. i think the best part personally is just how disgusted soren looks by the notion he and petrine are the same, because he’s right— him being cutthroat and pragmatic is nothing compared to everything petrine has done in daein’s name— and the fact he can clearly see this means that, for the very first time, he’s finally starting to heal from the mental wounds inflicted upon him by his childhood.

overall, i like this little nod to soren starting to learn to grow and change from who he was at the beginning of fe9. it’s more clearly seen in radiant dawn, where he’s calmer to the point ranulf even comments on it, but these little inklings implying the start of soren’s healing are really cool to see.

[sicklytenshi]

my mother ordered me some dark girly kei clothes this morning and I eventually ended up infodumping about jirai kei (since most fashion sellers list it as “jirai fashion”)

when I got around to telling her what the jirai stands for, she told me that she thinks it's accurate for me, only that I'm more likely to implode than explode👍

[pedripics]

fcbarcelona: First-team player Pedri misses today's game due to gastroenteritis.